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Archive of the Case Studies Category

Konsert Teknik Joins the Growing Ranks of HARMAN’s JBL VTX Customers

NORTHRIDGE, California – Joining the growing band of leading international PA companies that now have a HARMAN’s JBL VTX line array system as their frontline PA is Uppsala, Sweden-based Konsert Teknik.

Run by Mikael “Wibban” Viberg (and formerly known as Wibban Produktion) Konsert Teknik has been a longtime supporter of HARMAN Professional’s integrated control and sound reinforcement systems in Sweden, including Soundcraft’s Vi digital consoles and recently JBL VERTEC® line arrays with new V5 DSP tunings.

But with the launch of JBL’s groundbreaking new VTX system, Viberg recently invested in a 32-enclosure V25 rig and four VTX S28 subs as well as 60 Crown I-Tech 12000 HD amplifiers. He placed the order with Septon AB, HARMAN Professional’s Swedish distributor, which has supported him over a long period.

Explaining the decision, Viberg said, “It was essential to have the best PA system to support the acts that pass through the venues and stages of [Stockholm amusement park] Gröna Lund and Furuvik [just outside Gävle] during the summer season.” Both are major concert sites and Konsert Teknik aims to break the system down into two separate rigs, which will service the long seasons in both of these locations.

Viberg was first exposed to the VTX system when he attended the HARMAN Business and Technology Conference in January 2012, along with Septon’s Lennart Dahlgren. Viberg was looking to build on his VERTEC VT4889, VT4887 and VT4886 loudspeakers— the mainstay of his inventory—and “a clean sound” headed the list of criteria he was seeking. The revolutionary D2 dual compression driver met and exceeded that requirement, and immediately drove the purchase.

“I expect to see VTX starting to appear on riders very soon — judging from the positive reactions we have already received from many technicians,” Viberg concluded.

For more information on Konsert Teknik, please visit www.konsertteknik.se

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

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Dataton and Show Sage bring WATCHOUT to LDI 2012

Dataton and WATCHOUT™ Premium Partner for North America, Show Sage, return to LDI 2012

On booth 442, the latest features of WATCHOUT multi-image display and presentation software will be demonstrated. The new features include interactivity, video streaming, live presentation, 3D stereo display and multiple output display. Dataton and Show Sage will also sponsor the Projection Master Classes taking place during the show on 17 and 18 October.

Jim Testa, President of Show Sage explains: “LDI continues to be the meeting point for projection designers, creative designers and users of WATCHOUT and is a great location to share ideas and knowledge.”

WATCHOUT is a fully scalable system that’s software-based and does not require proprietary hardware. It orchestrates still images, animations, graphics, video, sound and live feeds into a single show across multiple display areas, either soft-edge blended or scattered.

Fredrik Svahnberg, Marketing Director at Dataton adds, “This year has been a tremendous success for the latest version of WATCHOUT. We’ve seen it deployed in several installations such as the Alexandria Center for Life Sciences, Minnesota State University Ballroom as well as a HBO and Shark Week events and Cold Play concerts, all backed up by the best technical support, through our trusted WATCHOUT Premium Partner, Show Sage.”

Key features of WATCHOUT are:

Video streaming and interactivity
WATCHOUT integrates video streaming and devices such as network cameras to allow video to be accessed over a standard network solution. It also offers the ability to interact with live components and assets of interactive media. Users can position, rotate and move all media objects in 3D and interactively. WATCHOUT integrates with various devices and external systems so users can connect sensors and control sources, such as iPads, to on-screen elements like images, video and live feeds.

Live presentation
A built-in text editor allows last minute changes, or additions, in presentation text without the need for graphics software such as Adobe Photoshop®.

The latest version also has a DMX recording function that lets you record a complete lighting show and play it back from a single cue in WATCHOUT. This new feature makes WATCHOUT even more attractive in live events and staging applications.

Stereo playback and management of multiple outputs

WATCHOUT offers 3D effects and stage preview to position and rotate all media objects, including motion paths and video fly-through. Seamless stereoscopic playback and support is offered for multi-head output cards so up to six displays can be driven off one display computer using a single cost-effective WATCHOUT license.

www.showsage.com
www.dataton.com

Iconyx Helps St. Joseph Parish Focus the Message

Needham, MA, September 2012…  St Joseph Parish has been a part of this community for more than 100 years, beginning with a humble wooden church in 1894 and expanding its campus over the years to include a convent, elementary and middle schools, and a range of ministries. In 1966, having outgrown its existing sanctuary, the church completed construction of their current building.

The space has served them well for more than four decades, though there have always been sonic challenges. The room’s architecture provides good acoustics for the traditional choir and organ arrangements, but the sanctuary’s spoken word intelligibility left a bit to be desired.

“It’s a rectangular space with a flat ceiling and lots of right angles,” explains Zeke Zola, Install Manager at Boston Light and Sound, the company behind the design-build project. The walls are all brick and there’s minimal acoustical dampening other than carpeting in the aisles. So it’s a rather reverberant space, and they’ve always struggled with intelligibility and coverage.”

The church’s sound system had evolved in piecemeal fashion over several years, and included a distributed system along the walls that created more problems than it solved. “They had no loudspeakers at the front of the room, but three or four along the side walls, and they were not time-aligned,” says Zola. “So you were getting the sound from the front, mixed with the sounds from two or three different loudspeakers, depending on where you were sitting, and the result was just kind of unnatural and echo-y, with no real directionality.”

Boston Light & Sound’s recommendation was to replace the distributed system with two Iconyx digitally steerable column array loudspeakers from Renkus-Heinz. A single Iconyx IC16-R-II column mounted on either side of the proscenium covers the entire sanctuary. “Using the Iconyx, we can control the beam for very narrow coverage, and minimize the amount of reflected sound from the ceiling and back wall.”

The choir is picked up by wired Clock Audio mics flown overhead, while Shure wired and RF microphones cover the podium and stage. The mics feed a Symetrix 780 Automixer, connected directly to the Iconyx systems.

“The Iconyx has made all the difference in the world in this sanctuary,” Zola concludes. “Coverage is even and intelligible across the entire room, and it even cuts through their very noisy HVAC system. It’s a great solution.”

###

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

 

 

KanexPro Introduces Mini Audio Amplifier with Mic Mixer

KanexPro the leading A/V Connectivity solutions provider is proud to introduce the Mini Audio Amplifier is a quarter-rack width digital amplifier (Class D) with equalizer control and Mic mixer. It’s a simple yet powerful device delivering 2×20 Watts@4Ohm default output with built-in volume/ bass feature. It also supports dual mono-output with 2 stereo audio selectable inputs. The Microphone mixer includes independent volume control with balance switching. Supports balanced/ unbalanced signals.

This Mini Audio Amplifier is mainly used during lectures, house of worship centers and various musical events where mic mixing together with equalizing audio is critical.
Mini Class D audio amplifier

Features:

• Fast switching audio amplifier
• 2×20 Watt@4Ohm as the default amplifier output
• Bridge connection supported by switching the amplifier to be 1x40Watt@8Ohm
• Supports Dual-mono output
• Built-in Microphone mixer (separately controllable)
• Line audio output, with volume controllable.
• MIC input supports 48V phantom power
• MIC port with balanced switching suppress
• Supports balanced/ unbalanced signals
• Supports Ducking power technology
• Ultra low inrush current
• Two stereo audio inputs, switchable by button, remote or RS232.
• Volume/Bass/Treble controllable by buttons or RS232
• Optional control by IR remote
• Convection cooled, antistatic case design
• LED indicator, for power and operating status
• IR remote (optional) not included
• Internal Universal power adaptable (100-240 volt AC, 50/60Hz)

About KanexPro™

Leveraging our core strength in professional A/V products, KanexPro carries a complete selection of A/V connectivity needs. When planning digital installations you will find that we carry a broad line of A/V connectivity products enabling you to broadcast, extend, split, or multiply HD signal transmissions; simply and cost-effectively.

KanexPro is a registered trademark. All other trademarks and registered trademarks mentioned herein are the property of their respective owners.

HARMAN Soundcraft’s “Mixing with Professionals” Seminars Heads to Chicago With Barry Manilow Front of House Engineer Ken Newman

CHICAGO, Illinois — HARMAN Soundcraft’s “Mixing with Professionals” (MwP) series will breeze into the Windy City on October 16. MwP offers tips and tricks about using Soundcraft Vi Series consoles from some of live sound’s most experienced engineers. The Chicago sessions will be hosted by Ken Newman, front of house engineer for Barry Manilow and owner of Newman Audio.

Ken Newman is currently on tour with Barry Manilow and has also mixed live sound for Chris Isaak, Anita Baker, Stevie Nicks, Liza Minnelli, Paul Anka and other top performers. He began mixing sound in 1972 as a teenager and has never looked back.

Newman will give MwP attendees formal training with plenty of hands-on time with Vi Series consoles in a classroom atmosphere. If participants bring a USB stick, they can save their settings and take them on the road for their next gig, or continue working on their settings using the Soundcraft Virtual Vi offline editor, which is available free on the Soundcraft website.

“I’ve had years of experience working with Soundcraft consoles,” said Newman, “and I look forward to showing attendees how to configure and mix a show using the Vi Series. During a Manilow show, it’s a very active mix and the features and ergonomics of the Vi Series offer ready access to everything—there’s nothing to slow me down or get in my way.”

The MwP sessions will be held on October 16 at Sound Marketing, 10073 S 76th Avenue, Bridgeview, Illinois, 60455.

Two time slots will be available from 9:00 am – 12:00 pm and from 2:00 to 6:00 pm. The course is free to attend but registration is required and space is limited. Details are available at usa.soundcraft.com and participants can register via e-mail at Soundcraft-usa@harman.com.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

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Boston’s Salty Pig Restaurant Adds Audio Flavor With Diverse Selection of HARMAN’s JBL Loudspeakers

NORTHRIDGE, California – To provide outstanding coverage and audio quality to the newly renovated Salty Pig restaurant in downtown Boston, Massachusetts, GC Pro recently installed a variety of HARMAN’s JBL loudspeakers, delivering pristine sound to the establishment without disturbing the conversations of patrons.

The Salty Pig, which is a structurally challenging building to work with, wanted a complete upgrade. GC Pro decided to go with a full HARMAN system so that everything worked complimentary to each other. “We designed the whole system from scratch,” PK Pandey, Senior Account Manager, explained. “The ceiling was not easy to mount anything and we did not want to mess with the integrity of the restaurant itself. With many reflective surfaces as well, it was a challenge deciding what products worked best. JBL, with their diverse selection of options, made our job easy.”

Pandey installed seven JBL Control® 67P/T full-range pendant loudspeakers in the main area of the restaurant, five CBT 50LA column loudspeakers around the outdoor patio area and two Control SB210 compact subwoofers, one indoor and one outdoor which allows both the CBT’s and Control loudspeakers to work more efficiently without being pushed to the max. Also installed were five JBL Control 24C ceiling loudspeakers to provide sound in the bathrooms and alcove seating area. For amplification, four Crown XLS series amplifiers were installed along with dbx ZonePro 1260 system processing.

“The Control pendant speakers worked perfectly for the application,” said Pandey. “They provide great coverage and allow us to better control the volume of the loudspeakers to provide customers with soothing background music while eating. The CBT’s were easy to mount and their outdoor capability makes them the best option. We also don’t have to worry about hot spots or distortion over time, especially in Boston where the weather can change every 10 minutes.”

The install at the Salty Pig has also left room for an upgrade when the time is right with the ample power provided by the Crown amplifiers. “Everything is about the experience at the Salty Pig,” mentioned Pandey. “It really is about the food and the customer experience and we wanted to provide the restaurant with a sound system that could be pushed to the limit if needed, but also allowed customers to sit back and relax and enjoy their meal.”

The system has surpassed the restaurant’s expectations, according to Pandey. “Going with HARMAN, I knew I had a great product selection to chose from,” Pandey continued. “This turned out to be important when it became difficult to mount speakers in certain areas. Everything was extremely easy to connect and the dbx processing connected everything beautifully.”

For more information on GC Pro, please visit: http://www.gcpro.com

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,400 people across the Americas, Europe and Asia, and reported sales of $4.4 billion for the fiscal year ended June 30, 2012.

Jünger Audio’s LEVEL MAGIC™ Loudness Control Technology Helps Direct 8 and Direct Star Stay Within The Law

The need to comply with recently introduced broadcast audio loudness legislation has inspired French free to air digital channels Direct 8 and Direct Star to invest in new loudness control equipment from German dynamics processing specialist Jünger Audio.

Based in Puteaux, a suburb of Paris, Direct 8 specialises in delivering news, cultural programming, entertainment and film, while Direct Star focuses on music programming including music documentaries and live music broadcasts.
In conjunction with its French distributor 44.1, Jünger Audio has supplied Direct 8 and Direct Star with four D*AP LM4 four-channel digital audio processors. Each channel now has a pair of processors that are being used to control and regulate broadcast audio loudness. This investment in Jünger Audio’s EBU R128-compliant loudness control technology has ensured that both channels remain within the boundaries of new legislation recently introduced by France’s CSA (Conseil Supérieur de l’Audiovisuel).

Nicolas Albingre, Technical and Audio Visual Manager across both channels, says: “There are a number of loudness control solutions on the market that would have enabled us to implement the new EBU R128 loudness recommendation, but we chose Jünger Audio’s technology because we like the company’s LEVEL MAGIC™ adaptive control algorithm. LEVEL MAGIC™ is very effective at controlling loudness but it also gives us the audio transparency we were looking for. And, of course, it is compliant with R128, so it solves that problem as well.”

Jünger Audio’s LEVEL MAGIC™ algorithm allows broadcasters to adjust the audio level from any source at any time, with no pumping, breathing or distortion. Capable of using any kind of I/O (Analog and Digital) sources, as well as SDI, HD/SDI, Dolby 5.1 and all its related metadata, LEVEL MAGIC™ is based on a simultaneous combination of an AGC, a Transient Processor for fast changes and a “look ahead” Peak Limiter for continuous unattended control of any programme material, regardless of its original source. Its versatility, combined with its ability to deliver high-quality audio, has made it the algorithm of choice for line and real time processing.

Direct 8 and Direct Star are now using their D*AP LM4 units as part of their transmission delivery chain and Nicolas Albingre says he is very satisfied with the results they are achieving.

Jünger Audio’s Managing Director Peter Poers, adds: “Direct 8 and Direct Star are now part of a growing number of French broadcasters, including France Television and Canal Plus, which have chosen Jünger Audio’s loudness control technology to help them comply with the new CSA regulations. While it is satisfying to be able to provide a solution to a regulatory issue, it is even more satisfying that all of these broadcasters chose our LEVEL MAGIC™ solution because they appreciate the quality and transparency of the audio it delivers.”

-ends-

About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities. www.junger-audio.com

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Bridgestone Technical Center Gets Great Sound with Iconyx

Akron, Ohio, September 2012… Akron, Ohio has a long and storied history as the heart of the US tire business. In April of 2012 the city celebrated that proud heritage with the grand opening of Bridgestone Americas’ 260,000-square-foot worldwide technical center. The USD $100m research and development facility was designed by architects Harris/Day to exceed Gold LEED standards, and it shows. The building features wide, open spaces, a “living roof” with gardens and lounge areas, and plenty of natural light thanks to an abundance of glass throughout.

The showcase structure’s east and west wings intersect at a massive three-story atrium area that serves as building’s social nexus. The common space is outfitted with a large video wall, and serves as the hub of the technical center’s communications with the outside world, and with the company’s headquarters in Tennessee.

Of course, three stories of glass, while visually stunning, tends to create a less than optimal acoustical setting. As Gary Matthews of Middleburg Heights, OH-based Audio Video Interiors explains, even with a fair amount of acoustical treatment, the environment was a challenging one.

“It’s a big, open, reverberant space,” he says. “They did a great job in treating the back wall, which helps a lot, but it’s still a large, glassed-in space, with a high level of ambient noise, and intelligibility inevitably suffers.”

The architect’s vision included a desire for low-profile audio and video components, but the design was at odds with that goal. “Their original proposal was for 34 individual loudspeakers hung on walls and on ceilings throughout the area,” says Matthews. “They came to us and asked if there was anything they could do differently, because they didn’t want to see so many speakers.”

AVI’s  recommendation was for three Renkus-Heinz Iconyx steered steered arrays to cover the entire area. “So we got it down from 34 speakers, to three Iconyx ICX7 units built into the video wall, with zero visibility. And the sound coverage is far superior, with no distribution issues and no dead spots.”

With an Ashly Pêma 8×8 amplifier and signal processor already in place, AVI opted for the ICX7 passive system instead of the powered version. “We built pockets for them in the walls, and you can’t even see that they’re there,” says Matthews. A Listen Technologies assistive listening system and a pair of Shure SLX wireless mic systems completes the audio system.

“The Iconyx system was perfect for aiming the sound only at the areas we wanted to cover, and away from the walls and windows,” Matthews concludes.

###

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

LD Systems Orders Massive L-ACOUSTICS System

Purchase of nearly 400 enclosures plus 150 amplified controllers underscores company’s dedication to K1/KUDO

HOUSTON, Texas — Lending further proof to the saying “everything is bigger in Texas,” L-ACOUSTICS US reports that Houston-based LD Systems has now purchased a mega-stadium-sized K1/KUDO system. Hailed as one of the largest sales in the manufacturer’s 28-year history, the order comprises 386 enclosures — including variable curvature, constant curvature and coaxial systems — all powered by LA-RAK.

According to Rob McKinley, co-founder, president and owner of LD Systems, the quantity of product was largely driven by the sound reinforcement needs of the Houston Livestock Show and Rodeo, which has been an annual client since 1985. In February and March of each year, as part of RodeoHouston, up to 75,000 people pack Reliant Stadium on any given night for three straight weeks of rodeo action and concerts from some of the biggest stars in pop, rock and country music. more

Classic Church Gets Modern Update

Brigantine, NJ, September 2012….  Like most of New Jersey’s seaside communities, life on this resort island near Atlantic City is affected by the seasons. In the summer months, the sun seekers and beach lovers help to swell the congregation at St. Thomas the Apostle from 1,000 to more than 3,000 – well beyond what their existing sanctuary can handle. As Bobby Harper, VP of Sales at Egg Harbor-based ACIR Professional explains, the church came up with a creative solution.

“It’s an older structure, and it has some history, and they didn’t want to just tear it down and build something bigger,” says Harper. “So they opted to renovate the original building and also build an event center, which could handle the overflow, as well as other functions.”

The idea of connecting the events center to the sanctuary via audio and video was suggested early on, but a complex digital matrix with touch panels was simply not feasible. “We wanted to create a solution for them that would meet their needs without getting into complex and expensive networking,” Harper explains. In the end, a bit of creativity was all it took.

Using the seasonal population shifts to their advantage, the project was carried out in two phases. “The first summer, they used the (just-completed) events center as just that – a multi-purpose events center,” explains Harper. When fall approached, the event center was pressed into service as temporary sanctuary while the original 1920s-era building was then renovated, expanded, and tied in with the events center via audio and video feeds. “This summer they are finally enjoying it as an expansion space.”

The new sanctuary presented some challenging acoustics. “The sanctuary is pretty reflective inside,” says Harper. “They replaced the carpet with granite and marble, which increased the reverberance.” The addition of naves to the left and right of the altar also impacted the room’s acoustics.

“We decided to go with a distributed system,” Harper continues. “We didn’t want to energize the space with a large system, and we wanted clarity and consistency in coverage.”

The room’s audio includes a pair of Community VERIS 28 dual 8-inch systems at left and right of the altar, with another three VERIS 8 single 8-inch loudspeakers along each side. Yamaha 3500 and 5000 amplifiers power the system. “The church has a full praise band, with drummer, bass , keyboard, organ, a couple of violins and flute, and musicality was an important consideration,” says Harper. “We had been looking into the VERIS systems, and it seemed like a perfect fit.”

System drive and processing is covered by Community’s dSPEC™ networked loudspeaker processor. “The dSPEC is a great piece of gear,” says Harper. “We’re hardly pushing the amps – that’s the beauty of it. We use the dSPEC  to calibrate the limiters on the amps for maximum efficiency with the loudspeakers. And it’s very user friendly. I plugged it in, had no training on it, and had it sorted out in less than an hour.”

A Yamaha MG16 console is installed at the sanctuary’s mix position, with a Yamaha MG24 for the choir monitors. Sennheiser mics and wireless systems cover the choir loft, altar and musicians. A Sony PTZ70 camera captures the service and sends the signal via Ethernet to the event center. Space to the left and right of the altar have been converted into naves, each of which are served by a pair of MX10 compact monitors as wedges. “We custom-painted them to match the wall, and mounted them where the wall meets ceiling,” says Harper. “They look fantastic and they sound great.”

Over in the event center, another Yamaha MG16 console covers mix position. Connected pairs between each of the three consoles enables each to receive aux send audio feeds from the others. As Harper observes, “the system is not quite foolproof, but fortunately the church’s technical personnel are savvy enough not to route things into a feedback loop.”  A smaller 5.1 consumer system covers most of the room’s audio needs, and an Eiki LCWB42NA projector gets the Sony PTZ’s video feed to a ceiling-mounted DaLite screen.

As Harper points out, the event center was conceived from the outset as a multi-use venue, with flexibility a key requirement. “We installed audio I/O panels throughout the room, and they can easily configure the system for whatever event they’re holding. They can take the audio and video feed from the sanctuary, or they can host a power point demonstration, or watch a movie, or Monday night football,” he says. “It also made it easy to configure a portable church while the main sanctuary was under construction.”

While A/V interconnectivity is more often the province of contemporary churches, Harper says the implementation of it in this older, more traditional setting was worth it. “There were certainly some challenges in terms of running cable and working out logistics, but the end result is exactly what we wanted.”

###

Community Professional Loudspeakers is a manufacturer and supplier of professional audio equipment.  Since 1968, Community has led the pro-audio industry with technological innovations which have become industry standards. Today, Community offers over 150 professional loudspeaker products, including installed loudspeaker systems, weather-resistant outdoor loudspeaker systems, ceiling loudspeakers, high level voice paging systems, and portable entertainment systems.  Visit www.communitypro.com for more information. 

 

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