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PSX Worldwide Audio Visual Brings Life To Historic New Orleans’ Joy Theater With HARMAN’s JBL VERTEC(r) Line Arrays

LAS VEGAS, Nevada – To revitalize the historic, 65-year-old Joy Theater in New Orleans, PSX Worldwide Audio Visual recently installed a brand-new audio system featuring HARMAN’s JBL VERTEC(r) line arrays.

The Joy Theater, located on popular Canal Street in downtown New Orleans, has been through it all. The theater was closed for a brief time in 1978 and closed permanently in 2003. After Hurricane Katrina, the owners of the building wanted to completely renovate it back to its original state. The Joy Theater now marks part of a theatrical renaissance on Canal Street, bringing hope during the rebuilding of the community.

For the main PA system, PSX flew a total of 18 VT4887ADP-DA compact powered line array loudspeakers, nine per side, along with two VT4881ADP-DA powered subwoofers on each side and a VT4882DP-DA powered subwoofer.

Four AM7212/95 loudspeakers are used for upper balcony fill, along with 12 VP7212MDP powered floor monitors, four SRX728S ground-stacked subwoofers and two VP7215/95DPDA powered loudspeakers for side fill. An additional 25 Control 26CT ceiling speakers were also installed to cover the restrooms and lobbies.

PSX installed Crown IT 5000HD amplifiers to power the ceiling speakers and SRX subs and the system also features BSS audio processing.

When deciding on a new system for the Joy Theater, PSX wanted to provide as much flexibility as possible to accommodate a variety of world-class performers. “HARMAN and JBL are widely accepted across the country and we were confident that it would be a perfect fit for the venue. Anyone would be thrilled to play in this historic theater,” stated Jeff Borne, President at PSX.

“The biggest challenge of the whole project was time,” Borne continued. “The renovation process was designed to return the building back to its original design.” Construction started in November 2011, with the first show scheduled for December, so there was no time to spare and PSX had to work within the framework of the design.

The reliable performance of the VERTEC line arrays allowed PSX to focus on the task at hand, rather than worrying about glitches. “There was limited space for racks, so having the powered VERTEC line arrays was a great fix. The whole system fit together perfectly with the BSS processing and overall everyone was extremely satisfied with the results,” Borne stated.

“The support of HARMAN is always great, they make our job easier and we always come away with a great outcome,” Borne summed up. “The first show, which featured Irma Thomas just before the New Year, went off without a hitch. It was a great experience for all of us and it’s great to see the theater back up and running.”

For more information on PSX Worldwide Audio Visual, please visit: www.psx-inc.com

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG(r), Harman Kardon(r), Infinity(r), JBL(r), Lexicon(r) and Mark Levinson(r). The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.3 billion for the twelve months ended March 31, 2012.

HARMAN’s JBL Loudspeakers Take Flight at University of Rhode Island’s Swan Hall

LAS VEGAS, Nevada – Leading systems integration firm HB Communications recently upgraded the audio system at the University of Rhode Island’s Swan Hall with a variety of HARMAN’s JBL loudspeakers. Located in the heart of New England, the University of Rhode Island (URI) offers students a wide variety of educational opportunities and a choice of more than 80 different majors. URI’s Swan Hall is a focal point for the study of English, modern and classical languages, literature and film media. However, its audio and video facilities were in severe need of upgrading by the time the 2011 school year ended.

“Swan Hall had an outdated audio and video system,” said Jim Smith of HB Communications. “We were asked to do a complete overhaul. However, the shape of the room and the layout of the seating caused us to make some inordinate speaker and placement choices. The JBL CBT100LA column speakers and Control 67 HC/T pendant speakers proved to be the perfect solutions.”

Swan Hall is a wide, flat room that has about 200 seats in 11 tiered rows, with a sloped floor, making the seating higher in the back of the hall than in the front. However, the ceiling remains at the same height-which means that the people sitting in the back of the room have their heads closer to the ceiling than the people in the front.

“The loft ceiling was also a potential acoustical nightmare,” Smith noted. “It was completely bare with exposed trusses and duct work and no type of acoustic treatment-even a typical dropped ceiling would have reduced the amount of echo and reflections considerably.”

Smith deployed two JBL CBT100LA column speakers-one on each side of the projection screen located at the stage area at the front of Swan Hall. “The narrow column design and the tight pattern control of the CBT100LA allowed us to direct the acoustic energy straight back to the seating, as opposed to a typical speaker that would have a much wider dispersion pattern and would not work nearly as well,” Smith said. “The CBT100LA has a narrow vertical and wide horizontal coverage pattern that allowed us to direct the sound into the seating area without going into the ceiling loft above, which would have caused a lot of problematic reflections.”

To tackle the challenges of the sloping floor and the difference in ceiling height between the front and the back of the room, HB Communications chose to augment the system with the JBL Control 67 HC/T pendant speakers. “We realized the Control 67 HC/T pendant speakers were the ideal solution because they have a narrow down-firing dispersion pattern and can be hung from a ceiling, so we were able to place them in three rows of four speakers each, suspended above the seats,” Smith noted. “This allowed us to precisely control the sound coverage and direct the sound exactly to where we wanted into the seating area, without putting any sound into that echo-prone ceiling loft. This configuration also enabled us to achieve a good balance between the stage area and front seats, and the rest of the hall.”

Swan Hall is used as a classroom and lecture hall and also for film studies, so the University wanted a sound system that could be used for both applications and was within a reasonable budget. To reproduce the full-range audio required of movie soundtracks, HB Communications augmented the main speakers with a pair of JBL ASB6115 front-firing 15-inch subwoofers, mounted from the ceiling to the left and right of the projection screen and the CBT100LA speakers. The CBT100LA speakers and ASB6115 subwoofers are driven by Crown Audio XLS2500 amplifiers, while the Control 67 HC/T speakers are powered by Crown CTs4200 amps.

“We used the Crown amps because they have onboard digital signal processing that lets us optimize the performance of the loudspeakers and subwoofers,” Smith pointed out. “Because the ceiling is flat and the seating is tiered, the pendant speakers at the back of the hall are closer to the listeners’ ears than the speakers at the front of the hall. The DSP in the Crown amps enabled us to make adjustments for each row so the sound stays consistent for everyone.”

“The University of Rhode Island is very happy with the results,” concluded Smith. “In fact, when we finished the installation we demoed it by playing a live version of the Eagles’ ‘Hotel California’-and it wowed everyone.”

As the largest university in the smallest state, the University of Rhode Island is known regionally and worldwide for its innovative, big ideas, adaptive intelligence and breakthrough solutions to today’s puzzling problems. URI’s pioneering research extends the University’s influence well beyond its coastal borders, while its unique interdisciplinary courses provide its 16,000 undergraduate and graduate students with global opportunities in an intimate environment.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG(r), Harman Kardon(r), Infinity(r), JBL(r), Lexicon(r) and Mark Levinson(r). The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.3 billion for the twelve months ended March 31, 2012.

HARMAN Professional Introduces HiQnet Audio Architect(tm) Configuration and Control Software For Installed Sound Applications, And HiQnet Motion Control iOS App

LAS VEGAS, Nevada – At InfoComm 2012, HARMAN Professional today introduced HiQnet Audio Architect(tm) configuration and control software, marking a new era in the HARMAN HiQnet platform. HiQnet Audio Architect represents the single-most comprehensive audio networking solution for professional fixed install applications providing integrators with a unified platform for system design, programming and custom control.

HiQnet Audio Architect enables a greater level of integration for the end user by combining the functionality of predecessor software applications HiQnet System Architect(tm) and HiQnet London Architect(tm). The new software platform will provide system-focused configuration of over 100 HiQnet products from AKG, BSS, Crown, dbx, JBL and Lexicon. It merges the open-architecture DSP backbone of the BSS Audio Soundweb London family with the comprehensive workflow and customizable control of HiQnet System Architect.

In adding the feature set of HiQnet London Architect to the HiQnet System Architect software platform to create HiQnet Audio Architect, the HiQnet team has included numerous user experience and workflow enhancements in order to provide the operator with as much depth and complexity as each system requires. It cleverly hides advanced features from a more novice user but does not inhibit the design of a large-scale system. The workflow paradigm introduced in System Architect 2 and more recently adopted by JBL Performance Manager(tm) carefully guides the designer from start to finish, and presents a cleaner workspace by displaying only the tools appropriate for each and every stage of the design.

Being launched alongside HiQnet Audio Architect will be HiQnet Motion Control(tm) – an Apple iOS app which enables customized control interfaces designed in Audio Architect to be imported on iPad, iPhone and iPod Touch devices for mobile system control. Dedicated design templates are available within Audio Architect for the configuration of customized interfaces, which can be used to control devices from BSS, Crown, dbx and JBL. HiQnet Motion Control will be available from the Apple App Store imminently and will also function with HiQnet System Architect prior to the availability of HiQnet Audio Architect.

HiQnet Audio Architect positions itself as the most versatile software application available today for the network configuration, by providing the ability to route the emerging AVB open standard, Cirrus Logic CobraNet and Audinate Dante audio network protocols, as well as HARMAN’s proprietary BLU link high-channel, low latency digital audio bus, all within a single application. By providing the ability to route the three most widely-adopted audio network protocols within a single interface, a system designer educated in the use of HiQnet Audio Architect can flexibly move from one network platform to another without being experienced in multiple software packages. The BLU link digital audio bus offers a highly complementary solution to any network – whether AVB, CobraNet or Dante – by enabling far greater routing flexibility and the added benefit of alleviating bandwidth from the primary network.

“With this introduction HARMAN emphatically delivers the best of both worlds, combining the feature-set of HiQnet System Architect and HiQnet London Architect Software. The introduction of HiQnet Audio Architect is a major milestone in the vision of the unified, end-to-end HiQnet networked audio system. We are now offering the all-in-one design, routing and control solution that the professional AV community has been waiting for. No other manufacturer can match the diversity of product offerings and the versatility of networked audio routing within a single software application as HARMAN will now provide through HiQnet Audio Architect – and this phase of the HiQnet program is really only just beginning,” stated Adam Holladay, Market Manager, HARMAN System Development and Integration Group.

Fresh off the back of the co-sponsored AVB Networking Conference 2012, for which public interest was overwhelming, HARMAN is also exhibiting on the AVnu Alliance booth, C11039, where its AVB-capable BSS Soundweb London devices will be taking part in the largest AVB interoperability demonstration to-date.

HiQnet Audio Architect, the network topologies it configures and controls, and the accompanying HiQnet Motion Control iOS app will be demonstrated as part of an extensive HiQnet ‘system wall’ on the HARMAN booth, C10719.

HARMAN HiQnet(tm) is the world’s first connectivity and control protocol that integrates all product categories in the signal chain for professional audio systems of all types, size, and applications. HARMAN HiQnet no longer requires the user to manage multiple disparate operating systems or be responsible for programming individual signal processors, speaker controllers, wireless microphone systems, and mixing consoles. HiQnet was developed by engineers from across HARMAN’s Professional Division and is coordinated by the System Development and Integration Group (SDIG), a team of dedicated systems specialists based in Salt Lake City, Utah.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG(r), Harman Kardon(r), Infinity(r), JBL(r), Lexicon(r) and Mark Levinson(r). The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.3 billion for the twelve months ended March 31, 2012.

Australia’s JPJ Audio Invests In HARMAN’s Crown Audio VRACK For Live Sound Applications

ELKHART, Indiana – JPJ Audio today announced it has taken delivery of 26 HARMAN Crown Audio VRACKs, an amplifier management rack system solution. The VRACK features three built-in Crown I-Tech 12000HD amplifiers, providing an easy-to-configure, plug-and-play solution that eliminates the need to build amplifier racks.

Designed to work in conjunction with JBL VERTEC(r), VRX, and AE series loudspeakers, the system’s modular design is highly scalable and is designed to meet the needs of both small and large sound systems.

“We purchased the Crown VRACKs and replaced all our existing amplifiers that were driving our JBL VERTEC line arrays,” explained Jim Straw, CEO at JPJ Audio. “It gives us a new, lightweight packaged amplifier solution as well as access to the new JBL V5 VERTEC presets. It was the way other companies around the world were heading and so we decided to push VERTEC forward again and change the amplifiers. The decision to purchase was driven primarily by the presets.”

“The VRACK will help to set the standard for VERTEC systems everywhere in the world,” added Straw. “VRack ensures an optimum power match for all VERTEC models combined with uncompromised sound quality. Given its versatility, it can be used on VERTEC one day and then a monitor rack the next day.”

As soon as JPJ Audio’s VRACKs arrived they were put to work on the Lenny Kravitz Black & White tour mixed by Laurie Quigley. The PA system consisted of JBL VERTECs; 12 deep on the mains and nine deep on the sides with 12 subs a side and eight subs in the center. The JBL VERTEC was driven by 12 VRACKs, six a side situated behind the subs on side left and stage right.

Laurie stated that he was very happy with the JBL VERTEC on the new racks especially once the programs were written so that he could control different bands in groups.

“The VRACKs worked really well on the Australian tour and I was extremely happy with the sound quality,” he added. “The VRACKs are very versatile; you can do whatever you want with regards to turning certain amps up or down. We had a good sound system, good crew, good company. The gear is only as good as the company that preps it and only as good as the crew that puts it in the air.”

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG(r), Harman Kardon(r), Infinity(r), JBL(r), Lexicon(r) and Mark Levinson(r). The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.3 billion for the twelve months ended March 31, 2012.

HARMAN’s Studer Vista 5 M2 Records Malaysian King’s Royal Banquet

KUALA LUMPUR, Malaysia – During a ceremony steeped in royal tradition, Tuanku Abdul Halim Mu’azam Shah, 84, was recently installed as the 14th Yang di-Pertuan Agong. The event took place at the new Istana Negara (royal palace) in Kuala Lumpur and was followed by a formal banquet at the Malaysia New National Palace in Jalan Duta, Kuala Lumpur. This was attended by members of the Rulers, Prime Minister Datuk Seri Najib Tun Razak, Deputy Prime Minister Tan Sri Muhyiddin Yassin, Cabinet ministers, foreign ambassadors and senior government officials. Also present was a HARMAN Studer Vista 5 M2, supplied by Mahajak Trio, the territorial distributor, which recorded the occasion.

The program was sent to air nationwide on Radio Televisyen Malaysia (RTM), with a total of 32 microphone channels used throughout the night. The Vista 5 M2 console was selected for its innovative qualities, flexibility, ease of use, the precise meter bridge (displaying every status the sound engineer needed to see), user-friendliness of the Vistonics(tm) screen – and finally the fact that the console is aesthetically very attractive.

“The Vista 5 M2 enabled the sound engineers to implement fast copy-paste of all the parameters while the Vistonics interface provided immediate access to parameters by opening up settings onto the encoder, such as EQ, Dynamic, VCA and channel setting, without wasting time searching for any hidden buttons,” said Mahajak Trio’s Senior Manager Sales & Project, Lee Chin Kah.

Another key feature used to mix the event was ‘Master Contributions’, enabling the sound team to view and control all the contributions on Vistonics faders.

In addition to these powerful and unique features, Mr. Lee highlighted the instant recognition provided by the console’s use of color and icons for different control parameters. “The desk is extremely intuitive and easy to learn within a second,” he said. “This allows the user to focus on the creativity of his work.”

The cues were used to upmix the stereo transmitted signal to a 5.1 channel signal, and the professional broadcast contributed substantially to the event’s success.

Tuanku Abdul Halim Mu’azam Shah had been appointed on December 13 last year to succeed Sultan Mizan Zainal Abidin of Terengganu, whose 5-year term as the 13th Yang di-Pertuan Agong had ended.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG(r), Harman Kardon(r), Infinity(r), JBL(r), Lexicon(r) and Mark Levinson(r). The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.3 billion for the twelve months ended March 31, 2012.

Mediatec Chooses LYNX Technik Interfaces for New Streamlined OB Van Concept

Mediatec Broadcast, a European provider that specializes in the management and delivery of technical solutions for broadcast and event productions, has chosen LYNX Technik modular interface solutions for the production and broadcast of sporting and other special events throughout Europe. The new Mediatec OB Van will be based in Sweden and is currently being used for the media and television production services of Sweden’s most popular and elite sports league, the Swedish Hockey League.

Broadcast Solutions, a system integrator and sales & service partner of LYNX Technik implemented the complete Outside Broadcast Van (OB Van) for Mediatec, which was delivered at the end of February 2012. more

K&S Electronics Updates Courthouse Audio With Astatic Mics

When the Hillsborough North Superior Court in Manchester, New Hampshire underwent reconstruction and modernization, they brought in K&S Electronics of Craftsbury, Vermont to upgrade their sound system.

According to K&S President Ken Atherton, “The system had to provide audio for media and function effectively as a PA system. Because we support the FTR (ForTheRecord) digital recording format, our challenge was finding microphones that would provide audio for live reinforcement and recording verbatim testimony in courtrooms with digital-ready audio quality and minimal background noise.

“A while back, we had used 905R Astatic mics for court service windows in Maine.” Atherton continues, “and were impressed with their signal-to-noise performance and vocal clarity. Based on that, we chose Astatic 915B and 920B goosenecks for six courtrooms in the Hillsborough project because they also have impressive signal-to-noise performance and outperformed more expensive microphones.

“We also installed the Astatic 905R at the witness stands because their short length, tight pickup pattern and outstanding sensitivity at picking up soft-spoken witnesses allowed them to be mounted at a greater distance, which also provided a larger work surface. The mics also have a minimal visual impact because of the miniature gooseneck design.

“For the attorneys, we chose Astatic 40-117 microphone stands, which we use in virtually all installations. The muting function is essential for attorney-client privacy and the stand also lends itself well as a platform for modifications. We typically mount either a jack, for wired hearing assistance, or switches that can be wired for sound system-muting applications.”

The rest of the system upgrade included Shure SCM810 8-channel mic mixers, TOA A-912MK2 amplifiers, and Electro-Voice loudspeakers. Atherton also points out that the Shure mixers’ noise gating function teamed effectively with Astatic mics to further increase the gain-before-feedback.

Summing up, Ken explains “We’ve found that the price point of Astatic microphones make them an excellent choice in today’s economy without any compromises in quality. Comparing them with other brands, we’ve found they perform as well as brands that cost three times as much. And for Hillsborough, their performance was definitely up to the recording quality of the FTR system. They are quiet, natural-sounding microphones, which makes them an ideal choice for courtroom applications.”

For more information about CAD Audio and Astatic Commercial, please call 800.762.9266 or visit www.cadaudio.com.

Hannon Theatre Company Dramatically Improves Sound with KIVA

HTC's adaptation of The Drowsy Chaperone

Loyola High School’s theatre space upgrades to new L-ACOUSTICS system

LOS ANGELES — Hannon Theatre Company (HTC) at Loyola High School, the oldest secondary school in Southern California, has long been recognized for pushing its students to stage theatrical productions that are nothing short of professional-grade. As part of a continuing effort to improve overall quality, the downtown L.A. school chose to dramatically upgrade its technical production facilities this past season with the addition of an L-ACOUSTICS KIVA system. more

Martin Audio OmniLine Transforms Sound For United Church of Christ

Middletown, MD––When the United Church of Christ was damaged by fire, they took advantage of the situation and called in Audio-Video Group of Frederick, Maryland to redesign and upgrade their sound system as part of the renovation.

Fortunately, the church sanctuary hadn’t been too badly damaged, with the chancel and the area above it requiring the repairs that mostly involved new wiring. Asked about the challenges of installing the new sound system, Audio-Video Group’s President Eric Johnson says, “The church specified that no acoustical treatment was to be added, and since it was an acoustically challenging space because of the surrounding balcony and hard plaster ceiling and walls, the excessive reverberation was surely going to hamper intelligibility. The new system had to be designed around, and to directly combat this issue.”

“The previous sound system was built into the ceiling and the coverage was not that great. When they saw this opportunity to undertake a new sound system that would provide better coverage, speech and music reproduction, they pounced on it.”

Having a client used to speakers that were hidden from view and therefore wary of any audio system hanging from the ceiling into the sanctuary was also challenging. As Audio-Video Group’s Chief Engineer Stephen Bon explains, “Martin Audio’s OmniLine system was our first choice simply in terms of its minimal footprint and aesthetic appeal, which were very important to the Church.

“It also provided the solution to cover the main level seating under and out from the balcony and the balcony itself with full range sound,” adds Bon. “So the coverage pattern with a small, visually unobtrusive speaker was a key factor in choosing OmniLine. We’d used the system in the past and knew it was ideally suited for this project.”

The installed system consists of a single hang from the ceiling with 8 OmniLine enclosures and a Martin Audio AQ212 sub above the hang in the enclosure covered with a grille cloth opening that originally housed the audio system.

Audio-Video Group redid 90% of the audio system with new digital signal processing, amplification, speakers and additional wireless. The audio was converted from predominantly a speech, manual mixer only system to more of a performance-based combination automatic/manual setup.

System components included a Biamp Audia Flex DSP (14-In x 10-Out) for auto-mixing speech mics and all signal processing; a Lab Gruppen C28.4 four-channel amplifier; Biamp MCA-8050 eight-channel amplifier; four Shure ULX-series wireless systems and a Marantz PMD580 solid-state recorder.

Asked about the new system, Johnson points out, “The audio quality is as different as night and day. There’s a drastic difference in terms of intelligibility with smooth, even coverage even from the balcony down through the main seating area in the sanctuary.

“Now it works well for speech and music,” adds Bon. “The Church has moved into a more contemporary music program with acoustic instruments and the musical reproduction is fantastic for both. They wanted full fidelity and even coverage up to moderate levels, and that’s exactly what they have.”

The United Church of Christ’s sound operator Paul Fink is also enthusiastic about the change: “OmniLine speakers are an incredible improvement over the old system. The ability to place them in the active space and aim the sound output directly to the congregation while reducing the bounce effects has made the biggest difference. As to the quality of sound from the speakers, there is no real comparison to the old system. I have occasionally driven them to the limits of my hearing with no sound degradation at all.”

Describing the overall impact of the Church’s new audio system, Johnson concludes, “Intelligibility is the predominant characteristic of the OmniLine system. Looking at the entire congregation from the youngest to the oldest member, we were concerned that everyone would be able to understand the spoken word and OmniLine passed with flying colors.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

HARMAN’s BSS Audio Processors and Crown Amplifiers Are A Sure Sonic Bet for New York’s Resorts World Casino

ELKHART, Indiana – New York now has a new world-class casino: Resorts World, the first entertainment destination of its kind located within the five boroughs. Resorts World boasts more than 2,200 slot machines and assorted electronic table games, numerous restaurants and entertainment facilities – and a casino-wide networked audio system featuring more than 130 BSS Audio devices, 50 Crown CTs Series amplifiers and hundreds of JBL loudspeakers.

Commercial and residential systems contractor The Integration Factory of Rockledge, FL handled the installation of the system, which is used for background music, paging and announcements. The system is built around four BSS Audio Soundweb London BLU-800 Signal Processors, four BLU-320 I/O Expanders, 10 BLU-32 I/O Expanders, nine BLU-80 Signal Processors (all with CobraNet(tm)), eight BLU-8v2 Programmable Zone Controllers, 39 Analog Input Cards, 49 Analog Output Cards, a Digital Input Card and two Digital Output Cards. Amplification is provided by 34 Crown CTs 4200A and 17 CTs 1200 power amplifiers.

“We chose the Soundweb London components because of their networking capabilities, proven performance in many previous installations and their ability to interface with the Crown amps via HiQnet System Architect(tm). The Soundweb London components also operate perfectly with the control system the client wanted, and the HiQnet London Architect drag-and-drop programming interface really speeds up the setup and configuration process,” said Carlos Gonzalez, Senior Manager, The Integration Factory.

The system employs an extensive complement of JBL loudspeakers including 428 Control(r) Contractor 26C/T and 410 Control 226C/T in-ceiling speakers, 22 Control 47L/P low-profile in-ceiling models, 108 Control 67P/T pendant speakers and a pair of LSR2328P monitors.

“In a system as complex as this one, we knew we had to have components that worked together seamlessly and flawlessly,” added Gonzalez. “There are more than 36 zones in the property.”

“The Crown amplifiers provide the best value and reliability of any amplifiers I know,” Gonzalez continued, “and they’re ideal for fixed installations like Resorts World because of their easy integration with HiQnet and CobraNet, which provides comprehensive control and monitoring capabilities and the ability to send digital audio directly over the network to the amplifiers. Let’s not forget that they also deliver outstanding sound.”

For more information about The Integration Factory please visit www.theintegrationfactory.net.

HARMAN HiQnet(tm) is the world’s first connectivity and control protocol that integrates all product categories in the signal chain for professional audio systems of all types, size, and applications. HARMAN HiQnet no longer requires the user to manage multiple disparate operating systems or be responsible for programming individual signal processors, speaker controllers, wireless microphone systems, and mixing consoles. HiQnet was developed by engineers from across HARMAN’s Professional Division and is coordinated by the System Development and Integration Group (SDIG), a team of dedicated systems specialists based in Salt Lake City, Utah.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG(r), Harman Kardon(r), Infinity(r), JBL(r), Lexicon(r) and Mark Levinson(r). The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,000 people across the Americas, Europe and Asia, and reported net sales of $4.3 billion for the twelve months ended March 31, 2012.

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