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Lady Antebellum Engineer Clarke Schleicher Achieves GRAMMY®-Winning Sound with JBL LSR6328P Studio Monitors

Clarke Schleicher of Warner Music Nashville used JBL LSR6328P studio monitors for his GRAMMY Award-winning work on Lady Antebellum’s Own the Night.

NORTHRIDGE, California – Lady Antebellum has won the hearts of listeners everywhere with rich vocal harmonies, superb playing and songwriting talent, and captured the “Country Album of the Year” GRAMMY® Award for its third studio album, Own the Night. A big part of the band’s pure country pop sound is the engineering of Clarke Schleicher, Studio Services Director of Warner Music Nashville, who was credited for the GRAMMY Award along with producer Paul Worley. Schleicher has been working with Lady Antebellum since the band’s self-titled debut album in 2008.

“The single most important tool recording engineers use is their monitors,” Schleicher stated. He uses JBL LSR6328P studio monitors for all of his tracking, overdubbing and mixing. “The monitor has to be accurate at all SPL levels, louder as well as softer. It must have excellent stereo imaging at the center mixing position, yet also deliver an accurate sound field into the control room for the artists, producers and musicians to hear. I use the JBL LSR6328P because it does all those things perfectly—and more. I’d say its biggest advantage is its low-frequency presence, clarity and punch.”

Schleicher runs his LSR6328P speakers without subwoofers. “I don’t feel the need to [use subs]—at Warner Studios, I run them without subs and with the HF level at -1dB, and the tonal balance is just right,” he said.

Schleicher listens to three sets of LSR6328P monitors—one pair in the studio, one pair at home and another pair at Skyline Music Publishing with Worley, who has produced all of Lady Antebellum’s albums. “I’ve trusted JBL products for decades,” Schleicher added. “I also have a pair of JBL 4313B’s, 4410A’s and LSR6332’s in addition to the LSR6328P’s. I have collected many types of speakers for years and still have every pair I’ve ever purchased. No matter which brand I’ve tried, JBL speakers always seem to win.”

Besides Lady Antebellum, Schleicher uses the LSR6328P on all his other projects, including albums with Sara Evans, The Band Perry, The Randy Rogers Band and James Otto. “The artists, record labels and musicians are always asking what kind of speakers I use, because they like them so much,” he said. “The head of one record label liked them so much he’s getting a pair for his office.”

Headquartered in Northridge, California, JBL Professional is the world’s leading manufacturer of loudspeakers used in demanding recording, post-production and broadcast applications and facilities worldwide. JBL Professional is the recipient of numerous awards including a prestigious Technical GRAMMY® Award “for continual mastery and innovation…to ensure exacting standards for the most accurate sonic experience.” JBL Professional is part of the HARMAN International network of professional and consumer audio companies. For complete product and company information, go to the JBL Professional website at www.jblpro.com

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 12,500 people across the Americas, Europe and Asia, and reported net sales of $4.0 billion for twelve months ending September 30, 2011.

GRAMMY®-Winning Producer/Engineer Frank Filipetti On HARMAN’s JBL LSR6300 Series Studio Monitors: “They Give Me Accurate Playback No Matter Where I’m Working”

NORTHRIDGE, California – GRAMMY®-winning Frank Filipetti is one of the music industry’s most accomplished engineers and producers and was recently nominated for a 2012 GRAMMY for “Best Surround Sound” for the 5.1 mix of An Evening With: Dave Grusin. Filipetti began his career in the 1980s and has worked with top artists including Foreigner, KISS, Luciano Pavarotti, James Taylor, Andrea Bocelli, Billy Joel, Liza Minnelli, Elton John, Korn, Barbra Streisand and dozens of others. One thing stays constant through Filipetti’s variety of prestigious projects: his HARMAN JBL LSR6300 Series studio monitors.

An Evening With: Dave Grusin is a live recording that captured a 75-piece orchestra performing a collection of 12 songs by Grusin, Gershwin, Bernstein and other composers, with guest artists including Jon Secada, Patti Austin, Gary Burton and others. “Producer Phil Ramone and engineer Eric Schilling recorded the concert and I did the mixing and mastering,” Filipetti said. ”The challenge here was taking this large ensemble of instruments and performers and bringing clarity and focus to all those open mics in a 5.1 sound field. Trashing a prime directive of recording, I knew from the start that I was going to need to pan the instruments in a way totally at odds with the stage setup. But to do that and keep things from smearing, I needed to be absolutely sure I heard every element of the mix accurately. Accurate monitors are even more important in mixing for 5.1 than they are in stereo—any inaccuracy is now tripled! And the JBL LSR6300 monitors deliver accuracy in spades.”

“You can’t record, engineer, produce or mix anything well without an accurate sonic reference,” Filipetti continued. “If you can’t trust what your monitors are giving you, you’re always going to be working against yourself and everything you do will be a crap shoot. I know I can depend on the JBL LSR6300 Series studio monitors. They’ve proven themselves to me time and time again.”

Filipetti also recorded and mixed The Book of Mormon, which earned a GRAMMY Award for “Best Musical Theater Album.” “Recording The Book of Mormon was very challenging because of the number of open microphones in close quarters [especially the singers], which magnified phase issues and other sonic difficulties,” Filipetti said. “Having accurate, high-resolution monitors like the LSR6300’s was absolutely critical. We needed to be able to hear every nuance of what the mics were picking up both on and off axis before ever hitting ‘record,’ as there would be no time to fix it in the mix.”

Recording an outdoor concert can be one of the most daunting tasks in live production – especially when it’s Concerto, One Night In Central Park by Andrea Bocelli. “We were recording this in 5.1 and stereo for Blu-ray, and it was a one-off performance—so we had to get the entire concert in one evening, no second chance,” Filipetti noted. “Talk about high stakes—we had Alan Gilbert and The New York Philharmonic, along with Andrea; guest artists including Celine Dion, Tony Bennett, Bryn Terfel and Chris Botti. There were up to four opera singers onstage at one time, along with a full orchestra, a pop rhythm section, assorted soloists, a 100-voice choir, and 10 audience mics for a total of 160 mics traveling through nearly a quarter-mile of fiber optic cable into our truck. On top of it all, it was raining.”

“I’ve used the JBL LSR6300 monitors in hundreds of situations for nearly 10 years,” Filipetti concluded. “With other monitors I find I’m always wondering how things are going to sound on other systems, and mentally compensating. I don’t have to make those mental adjustments with the LSR’s, and that confidence gives me the ability to do what I feel is best because I know my productions are going to sound the way I heard them. What you hear is what you get!”

Headquartered in Northridge, California, JBL Professional is the world’s leading manufacturer of loudspeakers used in demanding recording, post-production and broadcast applications and facilities worldwide. JBL Professional is the recipient of numerous awards including a prestigious Technical GRAMMY® Award “for continual mastery and innovation…to ensure exacting standards for the most accurate sonic experience.” JBL Professional is part of the Harman International network of professional and consumer audio companies. For complete product and company information, go to the JBL Professional website at www.jblpro.com

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 12,500 people across the Americas, Europe and Asia, and reported net sales of $4.0 billion for twelve months ending September 30, 2011.

NFL Films Deploys Fairlight EVO and Xynergi Consoles For A Winning Strategy to Deliver Outstanding Production

MOUNT LAUREL, New Jersey- In order to achieve the highest level of audio quality in production and post-production of sports-themed entertainment and documentaries, NFL Films utilizes Fairlight’s EVO and Xynergi consoles to create material for the National Football League’s weekly highlights, analysis shows and documentaries featuring the league’s greatest players and performances.

At its Mount Laurel, NJ facility, NFL Films occupies 16 audio suites for production work, using the Xynergi console with the addition of five EVO’s in the past 18 months. “Our engineering staff was able to add the EVO consoles into our Xynergi rooms with very minimal downtime,” states Vince Caputo, Supervising Sound Mixer at NFL Films. “We knew the software and automation well, so adding the EVO control surfaces was an easy upgrade operationally as well.”

During the season, NFL Films produces weekly shows for a variety of outlets including NFL Network, ESPN, Showtime, The NBC Sports Network and Velocity. Their work in featured on programs such as NFL Films Presents, Inside The NFL, NFL Turning Point, and SoundFX.

NFL Films also produces documentaries and specials for HBO, such as the Emmy Award winning Lombardi, the recently premiered Namath, and the hit reality series Hard Knocks, a behind-the-scenes look into NFL training camps. Their America’s Game and A Football Life series both run on NFL Network, and have garnered critical acclaim.

“Sonically, the Fairlight product has always been brilliant, but the other main attraction for us is speed,” Caputo continued. “The bulk of our work is straight up editing of dialogue and nat sound, general track prep and sound effects placement. For all of that, the speed and flexibility of the Xynergi is unmatched. We also rely on the clip-based DSP, so that when we reach back in to our archives for a sound clip, we can import it with all of the work done, level, eq, rendered plug-ins, fades, etc. That saves us from having to do that same job twice.”

“With both the clip-based and channel strip control, there is an over-abundance of power and flexibility, so there are few boundaries,” Caputo said.

Combining the Xynergi with the EVO has only made the process easier for NFL Films, allowing the editing and mixing process to overlap. “There is much less delineation between the pre-dubbing and mixing processes, the mix is always on.” Simultaneous work helps to keep workflow moving, which is crucial for the NFL team.

Fairlight is an integral part of how NFL Films operates, as shown by their dedication to the products for nearly 20 years. “Our Fairlight network and file server are at the core of our audio operation. The server houses all of our shared data, sound efx libraries, HD video that we simultaneously stream from multiple rooms, and archives dating back over 20 years. Very little data is stored locally, making it fast and easy to work on the same project in multiple rooms,” Caputo mentioned.

For Caputo and the rest of the team at NFL Films, the ‘Fairlight way’ of operating is the only way to do it. “Our audio infrastructure and workflow are built around the Fairlight operating system. There are so many unique features in the Xynergi/EVO combination that you can’t find elsewhere. If you never had them, you wouldn’t miss them, but once you get used to that power, you can’t do without it.”

Caputo explained the long-standing relationship with Fairlight and how NFL Films has contributed in driving product development. “They trust us to give them reliable feedback, and have used it to implement features that are beneficial to us, as well as all of their end users. It is a powerful relationship we are proud to have.”

For more information on NFL Films, please visit: http://www.nflfilms.com

-ends-

About FairlightUS:
FairlightUS is headquartered in New Jersey USA and is the exclusive distributor for Fairlight products in the North American market. Fairlight has been at the forefront of digital audio development since its inception in 1975. Fairlight designs and manufactures media creation tools including digital audio recording, editing and mixing systems for standard and high definition audio post, broadcast and music production applications. www.fairlightus.com

About Fairlight:
Headquartered in Sydney, Australia Fairlight designs and manufactures media production systems powered by the company’s groundbreaking CC-1 FPGA digital processing engine. The Fairlight product range includes EVO, Xynergi and the new PyxisG2, all of which feature in the world’s leading broadcasters, commercial post facilities, music studios and film production studios. Fairlight has a rich tradition of innovation and development and is at the forefront of green computing technology.

Digital Rapids Encoding Solutions Power Multi-Screen Australian Open Coverage for unas media productions

February 15, 2015 — Passfield, UK: Digital Rapids announced today that unas media productions — the Austria-based video production company within the sportsman media holding group — used an array of Digital Rapids’ multi-format encoding solutions to produce high-quality live streams of the Australian Open tennis tournament for the official Australian Open streaming website, mobile devices and online betting providers.

unas media productions deployed a customized flight case incorporating five dual-channel, high-definition Digital Rapids encoders on-location in Melbourne, Australia. The encoders provided live streams from all seven courts as the world’s top tennis players competed in the first Grand Slam tennis tournament of the year, January 16th to 29th. The live streams were available on the Internet via ‘Australian Open TV’ and on Apple(r) iOS devices such as the iPhone(r), allowing the live action to be enjoyed by tennis fans around the world. more

HARMAN’s Studer OnAir 3000 Center Of Attention In Newly Constructed And Renovated Chinese Broadcast Stations

A Studer OnAir 3000 digital mixing console at the Soundcraft Studer facilities in Potters Bar, UK.

CHENGDU, China — With a growing emphasis on reliable digital transmission throughout the world, three China-based broadcasting companies have recently installed HARMAN’s Studer OnAir 3000 digital mixing consoles—two newly renovated and one recently constructed. The Sichuan Radio & Television Station Broadcasting system in Chengdu, Sichuan; the Wuxi Broadcast TV and Radio station in Jiangsu Province; and the Fujian Broadcasting Station Master Control system have all been upgraded with OnAir 3000 consoles.

Provided by Advanced Communication Equipment (ACE), the HARMAN Professional distributor in China, each station sought a more efficient and up-to-date solution for their broadcasting needs.

With 15 on-air rooms in the facility, Sichuan Radio purchased and installed 14 Studer OnAir 3000 and OnAir 2500 digital consoles to control their broadcasts. The master control room in the recently constructed building is fully digital and offers simulated analogue signals for backup purposes, commitment program exchanges and transmission capabilities, among other tasks. The audio system controls synchronization of the clock system, internal communications and video surveillance throughout the studio.

The studio also boasts 14 pairs of JBL LSR4326P and two LSR4328P studio monitors, four JBL Control 25 loudspeakers, Soundcraft Vi6 digital console, and Soundcraft FX16ii and EFX8 analogue mixers. The analogue mixers are used for backup purposes.

The Wuxi Radio station renovation included an installation of five OnAir 3000s and five OnAir 2000s, all based on Studer’s SCore Router. The digital consoles ensure transmissions distributed out of the studio are of the highest quality. Additionally, the master control system can be utilized to control the comprehensive surveillance and monitoring systems and silent alarm.

The Fujian Broadcast station installed a large variety of Studer equipment, including six OnAir 3000s, four OnAir 2500s, two OnAir 2000s and four OnAir 1000s. The studio also installed 11 pairs of JBL LSR4328P studio monitors, six pairs of LSR2325P and four pairs of LSR4326P studio monitors. Two Soundcraft Vi1 16-channel digital consoles round out the equipment installed in the project that renovated six live rooms, two backup live rooms, 10 recording rooms, two dialogue recording rooms, two monitoring rooms and the master control room.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 12,000 people across the Americas, Europe and Asia, and reported sales of $3.8 billion for the twelve months ending September 30, 2011.

UK Debut For HARMAN’s Studer Low-Cost Vista Digital Console and Compact Stagebox

LONDON, United Kingdom — HARMAN’s Studer has extended its popular Vista 5 M2 range of digital broadcast and production consoles to include a 22-fader option, realising the lowest cost Vista ever to be made available and accompanying it with a new low-cost, Compact Stagebox.

Like its bigger brothers the 32 and 42 fader versions, the new model is optionally equipped with new TFT metering, capable of displaying signal levels from mono through to 5.1 channels on each input, with a configurable lower area which can be used to display bus assignments, surround images or the unique ‘History Mode’, where a scrolling audio waveform displays signal anomalies and highlights them for up to 50 seconds to allow the engineer to identify where the event occurred. Metering for ‘layer 2’ signals can also be viewed, while the Control Bay screen can be used to provide configurable user pages with up to 40 meters. When the TFT meter bridge is fitted, the external GC screen becomes an integral part of the chassis.

The Vista 5 family has found its home in all kinds of broadcast and theatre production facilities around the world. Existing Vista 5 owners will be pleased to learn that their console may be easily upgraded to the M2 version to be ready for the optional meter bridge, which is a simple add-on to the console chassis.

To provide a cost-effective package with the 22-fader console, Studer has also introduced the optional Compact Stagebox, which offers a high density of I/O connections in only 4U of rack space. The modular unit is fully configurable but is offered with a standard configuration of 32 mic/line inputs and 16 line outputs. Optionally, the Compact Stagebox can be equipped with an additional 16 mic/line input module instead of the output module, then providing 48 inputs. Alternatively, up to three output modules resulting in 48 outputs may be fitted.

The expansion slots for standard Studer D21m I/O cards may be used for interfaces connecting to most popular digital formats, including CobraNet® or Aviom A-Net® 16, Ethersound, ADAT, TDIF, SDI (SD/HD/3G), Dolby® E and Dolby Digital. A MADI recording interface can be fitted to the expansion slots as well.

The Compact Stagebox is connected to the host console using either Cat5 or optical-fibre MADI, the same way as the larger 64 mic/line Stagebox is hooked up, and shares the same redundant MADI cable capability. The unit comes complete with twin redundant power supplies, thermostatically-controlled fan cooling and full LED status monitoring. An 8ch GPIO interface is also provided.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 12,000 people across the Americas, Europe and Asia, and reported sales of $3.8 billion for the twelve months ending September 30, 2011.

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Derik Lee Turns to HARMAN’s JBL LSR4300 Studio Monitors to Create The Soundtrack for “Bring It On: The Musical”

NORTHRIDGE, California – Derik Lee is a New York-based musician, composer and recording engineer who was invited to travel across the country to record and mix the score for “Bring It On: The Musical,” a new theatrical musical comedy which recently debuted at the Ahmanson Theatre in Los Angeles. On location, Lee had to work in a number of acoustically less-than-ideal environments—including a dressing room, and relied on the accuracy of his JBL LSR4300 Series studio monitors as a sonic reference point.

“I began recording and producing the music in my Brooklyn home studio, which of course I’m intimately familiar with, and which is based around JBL LSR4328 monitors,” noted Lee, who learned his craft working with renowned producer/ engineer Frank Filipetti. “Soon after, I had to move my setup to a room in Studio 54 in New York, which turned out to be fine.”

However, when composer Tom Kitt and orchestrator/arranger Alex Lacimore asked Lee to come to Los Angeles, Lee knew he was in for a challenge. “When I got to the room—which was normally used by the theater ushers—I took one look and thought, ‘I’m dead.’ I was in an area that was like a little box and didn’t see how it could possibly sound good. I set up my laptop, keyboard, and a pair of JBL LSR4328 monitors—and the sound was way too boomy. My heart sank…but that was before I turned on the RMC Room Mode Correction feature.”

Using a supplied microphone and internal analyzer, the LSR4328’s RMC system measures and compensates for the misleading peaks in bass response caused by room modes and the speakers’ proximity to walls and work-surface boundaries.

“I turned on the RMC system and the clouds parted and the butterflies came out,” said Lee. “After a huge sigh of relief, I knew I could keep working. Having a reliable reference monitor is important for any project, but it was especially important for ‘Bring It On’ because of the nature of the music. It’s intensely synthesizer-driven and has a lot of sonic elements.”

Just when Lee was getting a handle on the project, he had to relocate again—this time to an office. “If that wasn’t enough, after a while I had to move once more, to the conductor’s dressing room! The dressing room in particular had trouble written all over it,” Lee said. “But once I kicked in the LSR4328P RMC system, the low-frequency response I was getting was excellent. That and some judicious speaker positioning enabled me to get accurate mixes no matter where they stuck me.”

In addition to smooth bass response, Lee needed speakers that were accurate through the rest of the frequency range, and had resolution of musical detail that would let him know exactly what was being recorded. “I couldn’t have gotten through this project without the LSR’s,” Lee said. “I never had to use the RMC feature in so many places before and under conditions where we were constantly making revisions to the score right up until opening night. No matter what rooms they threw me in, I knew I could trust that my mixes would translate well in the theater.”

Headquartered in Northridge, California, JBL Professional is the world’s leading manufacturer of loudspeakers used in demanding recording, post-production and broadcast applications and facilities worldwide. JBL Professional is the recipient of numerous awards including a prestigious Technical GRAMMY® Award “for continual mastery and innovation…to ensure exacting standards for the most accurate sonic experience.” JBL Professional is part of the Harman International network of professional and consumer audio companies. For complete product and company information, go to the JBL Professional website at www.jblpro.com

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 12,500 people across the Americas, Europe and Asia, and reported net sales of $4.0 billion for twelve months ending September 30, 2011.

Rat Sound and L-ACOUSTICS Help the Stars Shine at the Observatory

Tiësto at the Observatory on New Year's Day 2012

Santa Ana’s Galaxy Theatre, now under new management, splits into two venues and updated with acoustic treatments and KARAi system

SANTA ANA, California — Orange County’s 40-year-old Galaxy Theatre changed ownership back in August and has now undergone a significant metamorphosis into two separate live performance spaces: the intimate 350-capacity Constellation Room and much larger Observatory, which can accommodate an audience of over 1000. One of the primary improvements made to the venue in the process was the installation of an L-ACOUSTICS KARAi line source array system provided by Certified Provider Rat Sound Systems, Inc. of Camarillo, California. more

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College Expands, Chooses TechPod Classroom Podiums!

The Ashkelon Academic College has recently completed an entire wing expansion. The new, beautifully designed building has over 45 learning spaces, all were equipped with Tecom’s All in One Interactive Lecterns.

The lecture halls, classrooms and computer labs were equipped with TechPod Interactive (TPI-12), a breakthrough audio-visual lectern that has every multimedia capability built in.

One simple control panel is used for controlling every AV device, from an LCD projector, PC or document camera to a laptop and DVD player.

The rooms were equipped with short-throw projectors and a sound system to allow complete interactivity and new, ease to use and comfortable learning environment.

www.techpod.com

PSAV Deploys HARMAN’s Crown Audio VRack Complete Amplification System to Make Hotel Events Easier

ELKHART, Indiana — PSAV Presentation Services is the world’s largest A/V rental supplier with more than 800 offices worldwide, many located on-site at major hotels. Headquartered in Long Beach, CA, PSAV specializes in providing in-house audiovisual services to the hospitality industry for meetings and events, and maintains one of the largest, most up to date equipment inventories in the industry.

PSAV has been using HARMAN’s Crown Audio VRack complete amplification system since its introduction. The Crown VRack is a turnkey, out-of-the-box amplifier rack system that includes three I-Tech HD I-T12000 power amplifiers, a versatile input panel with analog and digital connections and a globally universal power distribution system that can be set to meet US and international power standards. All the components are housed in a wheeled rack that can be flown in the same manner as a line array loudspeaker system.

“Typically, a hotel sells the meeting space and we work with the end client to provide the equipment and labor required to manage the event,” noted Jacob Ingle, Audio Product Manager for PSAV. “Since we own all of our equipment, we have to select products that are cost-effective, efficient and reliable in order to maintain a profitable bottom line.”

“We have been using HARMAN products for quite a long time and even discussed building pre-configured amp racks with Crown before VRack was introduced. When they introduced the VRack, it was the perfect solution for a number of our amplification needs,” continued Ingle.

“One of our goals is to standardize gear as much as possible so our technicians can move from location to location and be familiar with the equipment they’re going to use,” said Ingle. “Having a unified amplifier package like VRack makes this a lot easier. We have many locations large and small, and VRack is adaptable to different situations because it allows multiple configurations for analog and digital inputs, for different types of speakers and for system networking,” stated Ingle.

“Crown’s VRack is the perfect solution for the audio rental supplier because of its benefits as a plug-and-play solution for customers like Jacob who face an ever-changing set of challenges based on each event,” stated Brian Pickowitz, Marketing Manager for Crown.

“Another major advantage is that VRack interfaces with Harman’s HiQnet Performance Manager™ system design and setup software and is specifically designed to work with JBL VERTEC® loudspeakers. Because we use a lot of JBL, Soundcraft and other HARMAN gear in addition to Crown, VRack becomes part of an all-in-one solution where all components ‘talk to each other’ using HiQnet. This makes system setup and operation much easier and a great deal more efficient,” added Ingle.

About PSAV® Presentation Services
PSAV provides the ideas and technology that inspire great meetings. This has made PSAV the leading provider of event technology for meeting planners and producers across the corporate, association, and tradeshow markets. PSAV provides an unparalleled range of event technology to support its customers’ ability to create, collaborate, and communicate. With more than 800 partner locations worldwide, PSAV provides people and resources right where you want to have your meeting. www.psav.com

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 12,500 people across the Americas, Europe and Asia, and reported net sales of $4.0 billion for twelve months ending September 30, 2011.

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