A virtual press conference from Sound & Video Contractor

Archive of the Case Studies Category

HARMAN Professional To Debut Crown HiQnet Band Manager™ 2 At Winter NAMM: Next Generation Connectivity And Control System For Portable PA Brings Advanced Feature Set, Ease Of Use To Smaller Systems

ANAHEIM, California – In an introduction that provides audio professionals, musicians and enthusiasts with advanced system set up and design capabilities coupled with a highly intuitive user interface, HARMAN Professional today introduced Crown HiQnet Band Manager™ 2 at the 2012 Winter NAMM Expo. In doing so, the company is providing the broad community of musicians, DJs, venue owners and managers with access to better sound through sophisticated system integration and optimization technologies but also via a highly evolved user interface that is reliable, comprehensive and easy to navigate. According to Andy Flint, Business Segment Manager Portable PA, Crown Audio, today’s introduction will make DJs, engineers and audio rental professionals more efficient and effective at their job and will enable musicians, venue owners and managers to enjoy better performance — and better value — from their systems investment.

“If you’re going to invest in an audio system and you’re genuinely interested in getting the best possible sound for your business or performance, then HiQnet Band Manager 2 is a must-have,” Flint said today. “HiQnet makes great systems sound even better without the hassle, without the programming and without the requisite setup time that traditionally comes with preparing for a gig!”

HARMAN HiQnet Band Manager is an iteration of HARMAN’s industry-leading HiQnet system configuration and control protocol. The core systems integration and connectivity capabilities of HARMAN HiQnet have been customized and packaged for the systems integration, tour sound and MI markets respectively in HiQnet System Architect™; HiQnet London Architect™, JBL HiQnet Performance Manager™ and Crown HiQnet BandManager 2.

Band Manager 2 will include control and monitoring for Crown Audio’s XTi 2 product line. Users will be able to manage up to eight XTi 2 amplifiers via quick and simple USB interface. Crown will also have a brand new set of JBL presets for the XTi 2 product line that take full advantage of the enhanced processing and Peakx Plus™ limiters. HiQnet Band Manager 2 will also include presets for all the JBL JRX, MRX, SRX, and VRX product families and continued support for the original XTi Series, now discontinued.

It’s not surprising, therefore, that HiQnet Band Manager 2 boasts the performance firepower of highly evolved systems but Flint is quick to point out that this in itself presented a considerable challenge in making HiQnet Band Manager 2 usable for the broadest community of users. “Our first challenge in making HiQnet Band Manager valuable was first to make it accessible,” Flint notes. “We worked closely with target end-users and also modeled it on a browser paradigm and some good ideas from consumer interfaces to make Band Manager 2 easy to understand and quick to learn. We put this front-end on a powerful, scalable engine and we’re offering it for free. This adds up to a very accessible, attractive proposition and I encourage NAMM goers and interested parties everywhere to download Band Manager 2 and try it for themselves.”

“No other manufacturer can offer this scale of integration, system performance or price leadership,” Flint adds. “In today’s challenging economy, we’re not simply giving more — we’re also empowering MI customers everywhere to demand more of their systems and system manufacturers! In meeting with customers and dealers around the globe, I am consistently told that the investment that HARMAN made in developing HiQnet has paid a considerable efficiency dividend to our end-users in how they do their job and craft their art. We’re equally grateful for their input, ideas and adoption and we look forward to Band Manager 2 extending the franchise and usefulness to new communities going forward.”

HARMAN HiQnet™ is the world’s first connectivity and control protocol that integrates all product categories in the signal chain for professional audio systems of all types, size, and applications. HARMAN HiQnet no longer requires the user to manage multiple disparate operating systems or be responsible for programming individual signal processors, speaker controllers, wireless microphone systems, and mixing consoles. HiQnet was developed by engineers from across HARMAN’s Professional Division and is coordinated by the System Development and Integration Group (SDIG), a team of dedicated systems specialists based in Salt Lake City, Utah.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 12,500 people across the Americas, Europe and Asia, and reported net sales of $4.0 billion for twelve months ending September 30, 2011.

HARMAN’s BSS Audio Brings AVB to Soundweb™ London With Introduction of BLU-805 and BLU-325 Processors

ANAHEIM, California – HARMAN’s BSS Audio today introduced AVB (IEEE Audio Video Bridging) functionality to its acclaimed Soundweb London family of digital signal processors with the addition of two Soundweb London devices. The new Soundweb London BLU-805 and BLU-325 devices are AVB versions of the BLU-800 and BLU-320 CobraNet™ siblings from which they are derived.

The BLU-805 offers the same configurable signal processing capability as the existing BLU-800 device. Both new devices offer configurable inputs and outputs, compatibility with all Soundweb London input and output card options, logic processing capability, the 256-channel Soundweb London digital audio bus and GPIO.

Each device offers up to 16 inputs and outputs, configurable in banks of four. Card options include analog mic/line inputs with Phantom Power, analog outputs, digital inputs (AES/EBU and S/PDIF), digital outputs, the Soundweb London AEC Input Card and the Soundweb London Telephone Hybrid Card.

The BLU-805 and BLU-325 devices allow 64 incoming AVB channels and 64 outgoing AVB channels at 48kHz, or 32 incoming AVB channels and 32 outgoing AVB channels at 96kHz. Configuration, control and monitoring is provided by HiQnet™ London Architect.

Iain Gregory, Marketing Lead for Installed Sound at Harman Signal Processing stated, “Combining the proven and respected Soundweb London platform with the industry-supported AVB transport is a very natural evolutionary step for Soundweb London. It gives access to the incredible flexibility of Soundweb London and contemporary transport technology, all in a familiar environment.”

The BLU-805 and BLU-325 along with the other members of the Soundweb London family provide the building blocks of the perfectly tailored system solution.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 12,500 people across the Americas, Europe and Asia, and reported net sales of $4.0 billion for twelve months ending September 30, 2011.

WWE Continues To Amaze With Fairlight’s Constellation And Xynergi Consoles

STAMFORD, Connecticut- In order to deliver the full effect of bone crushing body slams and death-defying stunts that continue to leave fans in awe, the World Wrestling Entertainment (WWE) recently invested in Fairlight’s Constellation and six Xynergi consoles to meet its post-production needs. The WWE headquarters, located in Stamford, Connecticut, is the home to one of the largest entertainment companies in the world, reaching 13 million viewers in the United States while also broadcasting its shows in 30 languages to more than 145 countries. more

Iconyx Helps St. Matthews Get the Message Across

Pacific Palisades, CA, January 2012….Nestled in the rolling canyons of Pacific Palisades, Saint Matthew’s Episcopal Church is one of the area’s oldest and largest parishes. The sprawling 42-acre grounds are home to multiple buildings including St. Matthew’s Day School and Pre-School, as well as recreational facilities and the highly acclaimed Moore Ruble Yudell-designed sanctuary.

While wonderful to behold, the sanctuary’s stunning architecture, with its soaring ceilings and exquisite glass work, has long suffered from problematic acoustics. As Daniel Bae, project manager for Sierra Madre-based Platt Design Group, explains, the room’s previous systems did little to alleviate issues of intelligibility and poor sound distribution. “A lot of the complaints about the previous systems had to do with speech intelligibility and coverage,” says Bae. “The room isn’t very deep, but it is very wide, so time alignment was a major problem.”

“When the sanctuary was first built, we had two speakers on the ceiling,” says Jeremias Mendez, the church’s Plant Manager for more than 30 years. “One side of the room was completely dead – people were only able to hear the sermon from a few seats.”

“It’s my understanding that the sanctuary’s architecture was designed to make the most of the choir and organ, and not the sermons,” observes parishioner Jim Dutka, the project leader behind the drive to upgrade the church’s audio system.

Dutka and company contacted Platt Design Group, who recommended a pair of Renkus-Heinz Iconyx IC-Live steerable arrays, one on either side of the proscenium. “The IC-Live enabled us to steer the sound where it needed to go – away from the walls and reflective surfaces and into the seats.”

Not surprisingly, aesthetics was also a major concern. “Renkus-Heinz provided custom paint for the IC-Live cabinets, helping them to blend almost invisibly into the sanctuary’s beautiful architecture,” says Bae.

“We have a number of older parishioners who have traditionally relied on hearing-assisted technology systems every week,” says Dutka. “Since we’ve installed the new system, many of them have come to us and informed us that they no longer need the assisted listening.”

“Platt Designs and Renkus-Heinz have provided us with a tremendous improvement,” agrees Mendez.

“I’m proud to say we now have one of the finest audio systems in the area,” Dutka concludes.

 

###

 

Peavey Commercial Audio Demonstrates Integrated Residential AV Control Systems at CES

Peavey® Commercial Audio, the audio system of choice in more than 10,000 installations worldwide, from the halls of U.S. Congress to Soccer City Stadium in South Africa to Beijing Capital International Airport in China, is demonstrating the robust capabilities of its audio processing and control products in a residential environment at the Consumer Electronics Show, Exhibit 25330 (South Hall 2), January 10-13, in the Las Vegas Convention Center. more

Firehouse Productions Provides Arctic Monkeys With HARMAN’s Soundcraft Vi6™ For Live Sound Monitor Control

POTTERS BAR, United Kingdom — For the Arctic Monkeys’ current world tour, Firehouse Productions has supplied a HARMAN Soundcraft Vi6 digital audio console for monitor mixing.

The Arctic Monkeys, an English indie rock band formed in 2002, has released four studio albums. The band is known as one of the first groups to build a fan base and attention through social media, using new ways of promotion and marketing to help drive its rise to stardom. The band’s debut album titled Whatever People Say I Am, That’s What I’m Not in 2006, became the fastest-selling debut album in British music history, selling 363,735 copies in the first week.

Tim Fraleigh, Audio Technician at Firehouse Productions, believed the Vi6 would be the best console for the job given its ease of operation and intuitive user interface. “It’s an incredibly easy desk to work with,” stated Fraleigh. “It’s simple and the touchscreens make the adjustment of settings a straightforward process. Soundcraft has always been reliable. Knowing the type of response that the board will give is important, plus it’s incredibly user-friendly and with the confidence we have in HARMAN and Soundcraft, I knew it would do the job and everyone would be satisfied.”

Monitor engineer Will Doyle, who uses the desk to run stereo ears, wedges and side fills, said the Vi6 handles marvelously. “Even though I’ve been using a digital desk for some time now, I think one of my favorite things about the Vi6 is how much it feels like an analog desk. It’s very easy to see at a glance exactly what all the channels on each layer are doing. With the touchscreen, everything is at your fingertips,” stated Doyle.

“The Vi6 is great for multi-tasking as well,” Doyle continued. “With the fast assign function it means you can always have the most important mix or mixes on the encoders. This makes it easier to work with faders and still be able to react quickly to any onstage requests. Having the multiple touchscreens means that I can work on different channels at the same time. It may not sound like a big deal but it makes everything convenient and quick.”

According to Doyle, the user layers are very simple to set up and add loads of flexibility. “Doing monitors for a 4-piece rock band means I don’t have to stretch the capabilities of the desk too far, but I have started incorporating VCAs into my user layer,” he said. “So as well as being able to hide away all the extraneous channels, I only have to use one fader to turn up the drums. The great thing is that there’s a set of discrete VCAs for every output, so if you happened to be mixing a more complicated band, you could use up to 16 VCAs to control each mix instead of having to jump between layers to get to all 96 channels—more time looking at the stage instead of your desk. I mostly use them for keeping the balance between the vocals and their reverbs the same.”

For Doyle and the Arctic Monkeys, monitoring has run smoothly thanks to Soundcraft and the Vi6’s ease of use. “The board has plenty of functions and capability for what we need and makes our job easier everyday,” Doyle summed up.

For more information on Firehouse Productions, please visit: http://www.firehouseproductions.com

Photo Credit: Frida Borjeson

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 12,000 people across the Americas, Europe and Asia, and reported sales of $3.8 billion for the twelve months ending September 30, 2011.

Technomad and Electrocom Revitalize Stadium Audio at Historic Tacoma High Schools

BOSTON, January 5, 2012 — Two illustrious high school stadiums in the Tacoma Public Schools system enjoyed vastly improved sound for the 2011 football season, thanks to comprehensive distributed audio system upgrades at both locations.

Lynwood, Washington-based systems integration firm Electrocom managed the upgrades, installing Technomad advanced audio loudspeakers and high-powered amplifiers among other components at Stadium High School and Lincoln High School. Electrocom handpicked the systems to replace aging horn components that were in disrepair and bleeding into adjacent neighborhoods — prompting a flurry of complaints.

The stadiums’ long, rich histories are evident in their grandeur: large, bowl-shaped venue designs with concrete bleachers and expansive sideline space. This made sound improvements — especially even, venue-wide coverage — unusually challenging.

“These are not typical press box installations where we mount and blast away,” said Matt Wright, project manager at Electrocom. “We positioned narrow-dispersion loudspeakers at multiple points, with enough SPL, or sound pressure, to cover the distance of the field in some cases. We also needed a wireless amplifier solution at each stadium to remain under budget. It would have been expensive and complicated to run wires the length of the field and trench into the concrete.”

Technomad PowerChiton4 high-power amplifiers provide the wireless solution for pole-mounted loudspeakers on the visitor sidelines at each stadium. The IP66-rated amplifiers offer a waterproof design for outdoor audio, and a compact, modular form factor for greater proximity to loudspeakers. The 1600-watt amplifiers also pack plenty of power for loud stadium environments.

Wright adds that Technomad loudspeakers provide exceptional audio quality and are among the best at containing audio within the confines of a stadium or similar venue. “The end users are very happy with the audio quality,” he said. “The Technomad systems have improved intelligibility and increased audio isolation from the neighbors at both stadiums.”

Electrocom installed Berlin 9040 and 6040 narrow-dispersion loudspeakers at both stadiums. All Stadium High School loudspeakers mount to four large steel light poles — two above and behind the home side bleachers, and two above and behind the visitor side. Each home side pole supports two Berlin 9040 loudspeakers aimed toward the front row at a steep angle to cover the audience. One Berlin 6040 aims outward to cover the field.

One visitor-side pole supports two Berlin 9040 loudspeakers powered by a Technomad PowerChiton4 amplifier and RF solution to cover one end of the bleachers. A second pole supports two Berlin 9040 loudspeakers and a PowerChiton4 for the near bleachers; and a single Berlin 6040 with a dedicated PowerChiton4 amplifier to cover an extension of the bleacher away from the cluster. Allen PoleStar mounting hardware supports all loudspeakers.

A mix of Berlin 6040 and 9040 loudspeakers cover the Lincoln High School field from three locations behind the home bleachers, including the end zones for audio during track and field events. Berlin 6040s and PowerChiton4 amplifiers cover the visitor side from the front corners of the bleachers.

“These are among the largest stadiums we’ve done and there were plenty of challenges,” said Wright. “Technomad loudspeakers provide high-quality audio, high-frequency intelligibility and strong SPL along with a weatherproof design. And the PowerChiton amplifiers provided a way to get audio to difficult places without being cost-prohibitive.”

ABOUT TECHNOMAD
Technomad LLC, founded in 1995, designs and manufactures loudspeaker systems for the professional audio and security/military technology industries. The company invented the first reliable full-range weatherproof loudspeaker and now offers nine models ranging in power from 60-watt loudspeakers to 1250-watt subwoofers — most available in Turnkey PA System packages featuring amplifiers, mixers and other signal processing equipment in pre-wired racks. The company also manufactures a variety of audio infrastructure and communications equipment including playback and recording systems, weatherproof power amplifiers and turnkey remote audio systems. Contact Technomad at 617-275-8898 or visit www.technomad.com for more information.

Rumor Has It: HARMAN’s JBL Loudspeakers Are a Hit at Philadelphia’s Newest Nightclub

NORTHRIDGE, California – It’s not a rumor: Philadelphia’s brand-new Rumor nightclub is a 10,000-square-foot venue featuring two dance floors, multiple oversized bars, private catering facilities and more—including a private VIP room called the Vault. Patrons can enjoy music from Rumor’s multiple sound systems, which include a variety of HARMAN’s JBL loudspeakers powered by Crown amplifiers, and controlled with BSS processing and HiQnet London Architect™ software.

“We needed to provide sound for a number of spaces that differed greatly in their sound reinforcement requirements,” noted Ian Hoffer of Aurora Sound and Light Design, which specializes in nightclub system design. “The Vault is an elegant, high-end room with velvet walls. One of the bar areas has a VIP cove at the end that needed audio. There’s an oval-shaped dance room that presented some challenges, and even the bathroom hallway had its particular acoustical requirements.”

The system in the Vault includes four JBL AC28 compact 2-way loudspeakers and two ASB6115 15-inch subwoofers. “This combination gave us all the sound coverage we needed without overly intruding into the space,” said Hoffer. “We used two Crown Macro-Tech i Series MA-5000i amplifiers to drive this system. The velvet walls in The Vault were put there as part of the room décor, not for acoustic reasons, but they actually provide a great acoustic environment.”

The Lev Room is an oval shaped dance floor with a DJ booth at one end. “We found by installing two JBL AM7215 high-power, 15-inch, 2-way, full-range speakers and two ASB6125 dual-15-inch subs gave us powerful sound with plenty of impact, yet without creating any acoustic problems that might have occurred considering the room’s oval shape,” Hoffer noted. “The DJ booth is equipped with two SRX712M 2-way, 12-inch stage monitors, which happen to work perfectly in this application, along with an ASB6115 subwoofer. The combination of the SRX712M monitors and ASB6115 sub in the DJ booth work perfectly together.”

To avoid any dead spots in the club, Hoffer chose six JBL Control® Contractor 322CT in-ceiling speakers and two ASB6125 subwoofers in the VIP cove at the end of the 40-foot long bar, and four Control 47LP in-ceiling speakers in the bathroom hallway. “We installed the Control 47LP speakers there so people could still hear what was going on in the main rooms while they were in the hallway,” Hoffer added. “The bar is quite striking, by the way, because it’s illuminated and constantly changes colors.” A Crown CTs Series CTs 3000 amp powers the VIP cove and hallway speakers.

“We used the Control 47LP and 322C in-ceiling speakers because I feel you get a fuller sound from them than from competitive models,” stated Hoffer. “They were easy to install with no mounting issues at all.”

All the audio signals for Rumor’s sound system are handled by a BSS BLU-160 signal processor with digital audio bus capability, augmented by four BLU-BOB2 breakout box output expanders. Control is provided by the BSS London Architect programming interface and HARMAN HiQnet software. “I had never used the JBL ASB subwoofers before this project – and I was very impressed with them,” said Hoffer. “Thanks to the London Architect setup and configuration macro for the ASB subs, we were able to get a great sound from them.”

“Everyone at Rumor is happy with the project,” Hoffer concluded. “The Vault is the newest and most popular Thursday night venue in Philadelphia and Rumor has been getting nothing but rave reviews.”

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG, Harman Kardon, Infinity, JBL, Lexicon and Mark Levinson. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 12,500 people across the Americas, Europe and Asia, and reported net sales of $4.0 billion for twelve months ending September 30, 2011.

Broadway Music Redesigns Star Plaza Theatre’s Sound With HARMAN’s JBL VERTEC® Line Arrays

NORTHRIDGE, California – With a diverse event schedule featuring appearances by major touring artists, Merrillville, Indiana’s Star Plaza Theatre recently turned to Broadway Music to upgrade its sound system with HARMAN’s JBL VERTEC® line arrays. Star Plaza Theatre decided to make the investment after repeatedly needing to rent loudspeaker systems to accommodate the needs of larger productions. The new VERTEC system perfectly fills the 3,400 -seat venue with crystal-clear sound, from the main floor through to the mezzanine level.

Brian Wynn of Merrillville-based Broadway Music used his expertise, 25-year relationship with the Theatre and personal experience with JBL to provide Star Plaza Theatre with the best sound system possible. The main PA system features left-right arrays of eight VERTEC VT4888DP-DA midsize powered line array elements each, with a center array of three VRX932LAP powered Constant Curvature loudspeakers. VT4880ADP-DA powered fullsize arrayable subwoofers are hung three per side above the stage.

With a full schedule that also includes theatrical and orchestral productions, it was important to keep the subwoofers off the stage so they would not affect performances. Utilizing the self-powered speakers also pleased the engineers at the Star Plaza Theatre, as there was no need for additional amplifiers behind the stage.

“We’ve seen plenty of systems go in and out of the Star Plaza Theatre and we ended up at a point where there was no reason for the Theatre to continue renting or dealing with acts hauling their own VERTEC in, leaving the in-house system cold,” said Wynn. “Some of these bands already have saved settings for VERTEC so it’s almost a plug-and-play situation when they begin their setup and sound checks.”

“I could not believe that one of the best sounding venues in the world could sound even better,” said Mark Bishop, General Manager, Star Plaza Theatre. “The JBL VERTEC line arrays enhance the acoustically acclaimed Star Plaza Theatre to a whole new sound level. The folks at JBL and our friends at Broadway Music were a pleasure to work with throughout this project. The entire staff at Star Plaza Theatre is grateful, and I’m sure our audiences will appreciate the system for years to come.”

“The system sounds excellent,” Wynn concluded. “We have great coverage, even with the extremely high ceilings. There is definitely a significant difference in the performances and it is a positive one with JBL.”

For more information on Broadway Music, please visit https://www.facebook.com/broadwaymusic.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 12,000 people across the Americas, Europe and Asia, and reported sales of $3.8 billion for the twelve months ending September 30, 2011.

The University Of Delaware Enters New Era of Audio With HARMAN’s Soundcraft Vi1™

NEWARK, Delaware — The University of Delaware recently purchased a HARMAN Soundcraft Vi1 audio mixing console for use at its football games and other major events around campus. Joe Dombroski, Audio Engineering Technician and his colleagues at IT-University Media Services were looking for a new board to complete the expanding audio needs of the University’s large events. After comparing a number of products they chose the Soundcraft Vi1. The board was purchased through New Jersey-based Total Video Products.

“This board is perfect for University Media Services needs,” stated Dombroski. “It’s mostly used for entertainment during home football games and larger events around campus including commencements. I’ve worked with Soundcraft for a long time and I still have a Soundcraft Series 5 that I will never get rid of. It’s a classic.”

Dombroski found the Vi1 to be an ideal fit for a variety of reasons. “It has so much horsepower in a small footprint, it’s great to be able to run every channel through one CAT5 cable and know it can support it all,” he said. “I believe that sonically the Vi Series are the best boards out there. They have warm sounding pre-amps that draw you in and the Lexicon reverbs make everything so smooth and natural. It’s surprising sometimes that it isn’t an analog board, considering how good it sounds.”

Dombroski also spoke highly of the Vi1’s Common Mode Rejection Ratio—the preamps’ ability to reject noise. “So many boards have issues with grounding and interference,” he said. “They are quiet in the studio or on the bench but they light up with noise in the real world. I’ve never had a buzz or any sort of noise come out of the console. The number-one challenge of live audio is keeping things quiet—as soon as you have even five dB of extra noise it will degrade a mix.”

Along with the overall sound quality, Dombroski praised the setup and ease of use that the Vi1 offers. “The Vistonics™ is wonderful, having the ability to scan across the board and see clearly what the settings are is great,” he said. “It saves time and hassle instead of scrolling through many different menus. The multiple MADI cards are great and so convenient, giving so much flexibility to do a house mix or a multi-track mix, with endless options.”

The University of Delaware relies on other HARMAN equipment as well, including JBL VRX and VP Series loudspeakers, along with BSS Audio processing.

For Dombroski, IT-University Media Services and the University of Delaware, the Soundcraft Vi1 could not be any better to suit their audio needs. “I’ve compared a lot of boards, and nothing is as good as the Vi1. Even when paying for more expensive boards you won’t get the same audio quality that you do with Soundcraft,” Dombroski concluded.

For more information on the University of Delaware, please visit: www.udel.edu

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 20 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 12,000 people across the Americas, Europe and Asia, and reported sales of $3.8 billion for the twelve months ending September 30, 2011.

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

November 2014
M T W T F S S
« Oct    
 12
3456789
10111213141516
17181920212223
24252627282930

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication