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Triad Speakers Introduces R-Series – it’s Most Cost-Effective In-Ceiling Line to Date

Portland, OR — October 23, 2014 — Custom made-in-the-USA manufacturer Triad Speakers, Inc. today announced its new cost-effective yet high-performing in-ceiling loudspeaker line, called R-Series. Three models are available: the R-25 (5.25-inch driver),R-26 (6.5-inch) and R-28 (8.5-inch). Each is a shallow-depth, open-back 2-way loudspeaker system that provides full-range sound and also incorporates the company’s new-and-improved paintable micro-perf grill (both a round and square plastic trim bezel are supplied) to grant integrators added flexibility to blend with the décor of the home. MSRP is set at $300, $350, and $400 respectively, per pair.

The R-Series is Triad's most affordable in-ceiling solutions to date, great for distributed audio applications

The R-Series is Triad’s most affordable in-ceiling solutions to date, great for distributed audio applications

”Triad’s R-Series is designed for cost-conscious music lovers,” says Triad Speakers, Inc. Founder / President and CEDIA Chairman Larry Pexton. ”We’ve designed and engineered each speaker with pride in the United States of America, with the utmost attention to quality, décor-friendly design, and high performance sound – eliminating costly frills and features that add nothing to sound quality.”

“All R-Series models, even the smallest, are fully-engineered to deliver the rich natural sound that Triad is famous for in open acoustical environments, especially in locations that lack the depth required for sealed enclosures,” added Pexton.

Each of the R-Series speakers can be custom paint-matched in Triad’s Portland, OR factory. All are backed by a 10-year warranty. The new models are shipping now.

R-Series Specifications
R-25 Grill Diameter: 8-5/16 inches
R-26 Grill Diameter: 9-11/16 inches
R-28 Grill Diameter: 11-5/16 inches

Drivers
Woofer:
R25: One 5.25-inch carbon fiber driver
R26: One 6.5-inch carbon fiber driver
R28: One 8.5-inch carbon fiber driver

Tweeter: One 1-inch cloth dome tweeter (all models)

For more information, please call Triad Speakers at 503.253.2600.

About Triad Speakers
Established in 1982 by President Larry Pexton (a founding member and Chairman of CEDIA), Triad Speakers, Inc. is a steadily growing provider of complete loudspeaker solutions for multi-room residential and home theater system applications.

A top choice by many custom integrators nationwide, Triad has made significant advancements in the arena of front-channel speakers, surrounds, subwoofers, distributed audio speakers via enclosed in-wall, in-ceiling, on-wall and freestanding designs. Over 80% of Triad’s products are manufactured daily in Portland Oregon, in a pure build to order operation with no work in progress and no finished goods inventory of the US built products.

Visit us on the web at: www.triadspeakers.com. Follow us on Twitter @TriadSpeakers and on Facebook at www.facebook.com/triadspeakersfans

FSR Demonstrates Ever-Expanding Leadership Role In Education Market With Launch of Dedicated Website

Woodland Park, NJ – FSR, an industry-leading manufacturer of products for the Pro AV market, continues to make serious inroads in the education market by announcing the launch of its new, dedicated education website (www.fsr.education). Jan Sandri, FSR president, announced details from the company’s headquarters in Woodland Park, NJ, of how it will continue to strengthen and grow its presence and brand recognition even further within education — a key segment of the market. This news follows FSR’s appointment earlier this year of Gina Sansivero as its new director of educational sales.

“We clearly take schools, learning and the education market extremely seriously and feel that many of the initiatives we’ve taken this year have demonstrated FSR’s ever increasing commitment to this important market segment,” said Sandri. “We welcomed Gina to the FSR team in early 2014 to help us continue to expand our role as a leader in this market. Now, we take our commitment even further by launching a web site completely dedicated to this same segment. As technology for learning continues to evolve, along with the needs of those working in various areas of this core industry, it’s imperative that we keep providing our customers with the advanced tools and technologies they need to properly prepare the next generation of thought leaders.”

The new website, which is dedicated to tech managers and end-users, delivers the latest news on technology and infrastructure solutions for higher education and K-12 school systems. Among key social and dynamic features is a blog that helps keep visitors informed of new and emerging industry trends and ideas, a related Twitter handle (FSR_EDU) and a place for visitors to sign up to receive an education specific monthly e-newsletter that will feature current information about trends in education, articles, news and FSR’s products and solutions specific to the education market. Further, the newest FSR case studies are posted to exemplify how FSR’s technologies are used throughout all areas of the education market and how new products and solutions are ever evolving to create an even more comprehensive and cohesive offering to the company’s highly regarded education customers. Additionally it will be a resource for those involved with educational technology to share feedback, requests, challenges and successes so that FSR can address them with solutions tailored to their need.

FSR is committed to teaching those working in higher education and K-12 about the company’s newest opportunities and solutions for interactive and collaborative learning systems. The new website features the latest company news and events that will offer those interested the opportunity to meet with FSR staff in person at various industry and market specific shows and conferences.

About FSR
FSR, established in 1981, manufactures a wide variety of signal management and infrastructure solutions for the audio / video, datacom, education, hospitality, government, and religious markets, including floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and HDBaseT & CAT-X signal delivery solutions.

The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information: www.fsrinc.com.

FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Public Relations & Advertising
Harriet Diener
845-512-8283 • mailto:harriet@desertmoon.tv

Estonia Public Broadcasting Achieves “Best Sound Ever” with HARMAN Studer’s Vista 5 M3 Digital Console

Studer_EstoniaTALLINN, Estonia – Estonia Public Broadcasting recently upgraded its OB van with a HARMAN Studer Vista 5 M3 digital console. The organization chose to make the upgrade in anticipation of the Estonian Song and Dance Celebration, which took place July 4-6 in Tallinn.

Sold through ProMedia Inc., Studer’s Estonia distributor, the Vista 5 M3 is being used to mix all audio through EPB’s OB van. The console is also complemented with Studer’s Vista FX engine, a 2U chassis that offers Lexicon surround effects and a graphic EQ, all controlled through the Vistonics™ user interface. Connection to the console’s DSP engine is made directly via two high-capacity multichannel HD links.

“This is the first time we have had the chance to mix 150 channels—with the Vista 5, it’s now possible,” said Vytautas Martinonis, Head of the Radio Technical and Sound Recording Department, Estonia Public Broadcasting. “It’s given us the best sound I’ve ever heard from a digital console.”

The Studer Vista 5 M3 is ideal for small to midsize studios and OB trucks, thanks to its compact size and simple connectivity. The total I/O capacity, comprising various cards including mic/line, ADAT, TDIF, AES/EBU, SDI and MADI, may exceed 1,700 inputs and outputs.

“We chose the Vista 5 M3 because it made the most sense from an ergonomic perspective, and we know this console was specifically built with OB vans in mind,” Martinonis noted. “We have also had a positive experience with the Vista 9 that we use at the Estonia Concert Hall, so we found it to be the perfect choice.”

Martinonis also pointed out that durability was also a key factor in choosing the Vista 5 M3. “It was important to have a console that could perform in higher temperatures and could absorb the movement and bumps that come with being in a portable truck,” he said.

For more information on Estonian Public Broadcasting, please visit www.err.ee

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

D-Tools and SpringDeck Form Strategic Partnership

Collaboration Gives Manufacturer Partners and Users Seamless Control and Unprecedented Visibility Throughout the Entire Sales Process 

CONCORD, CA – OCTOBER 23, 2014 D-Tools, Inc., the worldwide leader in system integration software, and SpringDeck, an innovative new sales presentation app provider today announced the formation of a strategic partnership that offers manufacturer partners and users the unprecedented ability to seamlessly move through the entire sales process—from initial sales presentation to final installation—with never before seen visibility into pipeline activity DTools_SpringDeck partnership image_orangeand success. Users of both systems will be provided the added benefit of robust analytics that will ultimately illustrate how, what, where, and why products are being presented, specified and installed.

This complementary new partnership helps those in the electronic systems integration community—systems integrators, designers, consultants, tech managers and manufacturers—streamline operations, standardize processes and reduce redundancies. By coupling SpringDeck’s comprehensive app-based connection tool that brings together products, sales teams and potential clients with D-Tools’ data-driven software platform, users of both systems will be able to seamlessly execute the entire sales process from the initial sales presentation via SpringDeck, to the estimation, design, project and installation management via D-Tools, utilizing up-to-date product specification detail available via D-Tools’ extensive manufacturer Data Library. By reducing the complexities involved, product information will be easily shared from concept to quote, thereby expediting the time it takes to close sales.

“The D-Tools platform has significantly evolved over the years and now delivers an unprecedented 360-degree view of the design, proposal, specification and install process,” says Adam Stone, President and Founder of D-Tools. “SpringDeck compliments the D-Tools offering by simultaneously enabling a stronger, more cohesive sales presentation that shortens the sales cycle. Our collaboration will provide manufacturers even greater insight into when, where, why and how products are being presented and ultimately sold and installed. This is incredibly valuable data that’s never been offered with this much depth and integration capacity.”

SpringDeck offers D-Tools users a centralized hub that includes access to everything needed for a successful sales presentation. Product cut sheets, videos, and other content from manufacturers are readily accessible, and updated product libraries are available on the go. In-depth analytics provide valuable insights into customer interaction with product information, what products are most popular, and when to follow-up to close the deal.

“We recognized a hole in our industry and we filled it,” said Ryan Sullivan, CEO of SpringDeck. “While there are several solutions for proposals, scheduling, ordering, and system design, nothing exists to help the dealer connect with the manufacturer like SpringDeck does. Nothing is out there to help a dealer’s sales process before the quote. With our new partnership with D-Tools, we’re enabling the natural progression from presentation to proposal and through completion of the installation, with best-of-breed capabilities in all areas.”

To learn more about D-Tools, the D-Tools MVP Program, D-Tools System Integrator, or the undeniable benefits of using a streamlined system design, proposal, and estimation software platform visit www.d-tools.com, call (866) 386-6571 ext. 1, or e-mail info@d-tools.com. For more information about SpringDeck, visit www.springdeck.com.

About SpringDeck
SpringDeck® is a connection tool that brings together products, sales teams and potential clients. With the SpringDeck app, products are available at the touch of a screen, sales teams are prepared for the pitch, and clients are impressed with a customized product experience. For more information, visit www.springdeck.com or follow SpringDeck on Twitter and Facebook.

About D-Tools, Inc.
D-Tools®, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software platform. The company’s flagship product, System Integrator™ (SI), is a robust solution that utilizes Autodesk® AutoCAD and Microsoft® Visio to facilitate comprehensive system design, documentation, project and installation management. The D-Tools platform enables residential and commercial integrators to automate business processes and eliminate redundancies while simultaneously increasing revenues by reducing the time and cost associated with the integration of low-voltage electronic systems. More than 4,500 leading companies currently use the award-winning D-Tools software platform to reduce time, costs and to streamline the system integration process. Product updates and related information can be obtained by following D-Tools on Twitter and on Facebook.

D-Tools Media contacts  
Tim Bigoness, D-Tools, Inc., (925) 270-4102timb@d-tools.com

Katye (McGregor) Bennett, KMB Communications Inc., (425) 328-8640katye@kmbcomm.com

SpringDeck Media contact
Ryan Sullivan, SpringDeck, (918) 574-6132ryan@springdeck.com

 

 

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Deluxe Toronto Demonstrates Commitment to World-Class Quality, Outfits New Facility with HARMAN’s JBL M2 Master Reference Monitors, Crown Amplifiers and BSS Audio Processing

HARMAN_DeluxeTorontoTORONTO, Canada — Deluxe Toronto Ltd., one of the world’s most prestigious and successful suppliers of services and technologies to the worldwide entertainment industry, has completed relocation to a new state-of-the-art facility on King Street West in Toronto. Affirming its commitment to offering the very best in technology, Deluxe has standardized on HARMAN’s JBL M2 Master Reference Monitors, Crown Macro-Tech 9000i amplifiers, and BSS Soundweb London processing.

Deluxe Toronto’s main theaters are equipped with three JBL M2 Master Reference Monitors behind the screen in a left-center-right configuration, powered by Crown Macro-Tech 9000i amplifiers and tuned using BSS Soundweb London processing. Deluxe’s largest mixing stage, Mix 1, is also Canada’s first Dolby Atmos-equipped mixing stage (while also being equipped for IMAX). Deluxe chose JBL 3 Series Studio Monitors in its pre-mix room. The monitoring systems were supplied by HARMAN’s distributor, SC Media Canada.

According to Nick Iannelli, VP of Post Production Operations, Deluxe Toronto, the ability to have identical setups in each mixing room not only ensures consistency for its team of audio engineers; it also provides valuable flexibility for its clients.. “Having the same technology in multiple rooms means we can transfer our work throughout the facility to accommodate different schedules, with no change in what we are hearing.”

“The JBL, Crown and BSS technologies are all built to work together,” said Phil Seel, Senior Engineer, Deluxe Toronto Ltd. “So we have this tremendous, integrated package that not only performs incredibly well, it’s also easy to customize for our operation.”

The choice of HARMAN equipment was the result of Deluxe’s extensive evaluation of the world’s best technologies, and the M2 monitors stood out markedly from the competition. “We did a lot of testing with a lot of different systems, and the M2’s sounded terrific right out of the box,” said Mike Baskerville, Manager, Sound Operations, Deluxe Toronto Ltd..

“When we first listened to the M2 speakers, it was so easy to hear the difference compared to other monitors we tested. The flatness and consistency across the room, was very evident, it didn’t matter where we stood in the room. It was amazing!” Iannelli said.

“Mixing requires critical listening. The second we changed something in the EQ, there was an instant response from the M2 speakers. This accurate sound reproduction effortlessly allows us to find the balance among so many different elements. We could hear the difference right away. It makes mixing exciting,” Baskerville said.

Moreover, the Crown amplification provides Deluxe Toronto with plenty of flexibility, regardless of the project. “We need a lot of headroom and dynamic range for a lot of the theatrical mixing we do, and the Crown amps give us that and more,” Baskerville said.

As Deluxe Toronto hoped, the consistency between rooms has paid off in spades. “For workflow it’s been great,” Baskerville said. “Not only are we hearing the same thing, we continue to be amazed at the quality of the sound, even though we’ve all been working in this industry for a long time!”

“Initial exposure to the new rooms has been met with exceptional reviews,” Iannelli said. “Everyone can now hear every single detail in the mix, which actually creates more work for us in the short term but enables us to deliver a better product at the end of the day!”

“The M2’s are a game changer,” Seel concluded. “To have this kind of fidelity in these systems, it’s mind blowing. We’ve never heard anything like this before.”

Deluxe Entertainment Services Group Inc. is a global leader in media and entertainment services for film, video and online content, from capture to consumption.

Since 1915, Deluxe has been the trusted partner for the world’s most successful Hollywood studios, independent film companies, TV networks, exhibitors, advertisers and others, offering best-in-class solutions in production, post production, distribution, asset and workflow management, and new digital solution-based technologies.

With operations in Los Angeles, New York and around the globe, the company employs nearly 6,000 of the most talented, highly honored and recognized artists and industry veterans worldwide. Deluxe is a wholly owned subsidiary of MacAndrews & Forbes Holdings Inc. For more information visit www.bydeluxe.com and www.bydeluxetoronto.com.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014

HARMAN’S AKG Celebrates C214 as Best-Selling Condenser Microphone for Studio and Stage in the US for Past 12 Months

AKG_C214NORTHRIDGE, California — HARMAN’s AKG announced that its C214 microphone has been the best-selling condenser microphone for studio and stage in the United States over the past 12 months. From October 1, 2013 to September 30, 2014, no other condenser microphone generated more revenue, as the C214 found its way into countless projects, ranging from home recording studios to international concert tours and everything in between.

The C214 is a tremendously popular recording microphone, delivering a similar sound character as the legendary C414 XLII microphone. However, thanks to its robustness and world-class sound quality, it is also popular as a live microphone, having been used on tour by Dave Natale, Dweezil Zappa, Steve Vai, and others. As further evidence of its versatility, the C214 is also part of AKG’s Drum Set Premium.

Designed as a cost-effective alternative to the high-end C414 family, the C214 large-diaphragm condenser microphone offers a supreme one-inch capsule on an integrated suspension to reduce mechanical noise. It also features a high-performance spider-type shock mount, windscreen and is sold in a heavy-duty aluminum case. In addition, AKG offers two C214 microphones in a Matched Stereo Pair bundle to delivering stunning performance in recording and live settings.

“Having developed and manufactured the C214 in Vienna—a city known for its rich musical history—we here at AKG are thrilled about the microphone’s popularity among leading musicians in the studio and on stage,” said Erich Gaertner, Product Line Manager, AKG. “We are looking forward to continued success with the C214 and will continue developing world-class microphones for the recording and performing communities!”

For more information on the AKG C214, please visit www.akg.com

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Registration for the 21st HPA Tech Retreat Now Open

The Bellwether Entertainment Technology Event Returns to Indian Wells
HPA Tech Retreat

(Los Angeles, CA) Today at the SMPTE Symposium, produced by the Hollywood Post Alliance (HPA(r), registration for the 2015 HPA Tech Retreat officially opened. For the 21st consecutive year, a veritable who’s who of engineering, technology, creativity and strategic business leaders will gather in the desert to discuss the trends and technologies of the future, while tackling head-on the issues of the present. The HPA Tech Retreat takes place at the Hyatt Regency Indian Wells, near Palm Springs, CA, from February 9th to the 13th, 2015.

The HPA’s preeminent event enjoys a global reach, bringing together the thought leaders and senior practitioners driving the rapidly advancing entertainment technology landscape. The HPA Tech Retreat has consistently proven to be a crucial gathering where technological developments in production, post production and broadcast are unveiled, discussed and debated. During the Tech Retreat, attendees from the media and entertainment industries are uniquely able to share time and ideas with academics from around the world, scientists, and experts in technology from various disciplines. The environment is one of discovery and exploration.

Mark Schubin, who has led the programming for the HPA Tech Retreat for many years, notes, “Each year, we receive submissions from all over the world – about six times more than we can possibly use – and, based on what I’ve seen so far, it’s going to be hard to choose. So many new technologies have been introduced at the Retreat over the years that it’s tough to count them all.”

Over the course of its history, the HPA Tech Retreat has seen a number of breakthrough products and processes previewed in advance of their actual debuts. Surround headphones, full-color full-motion holograms, Sony’s HDCAM SR, SR Memory, targeted-ad production and distribution systems, Panasonic’s Varicam and stereoscopic cameras, Dolby’s high-dynamic-range video monitors, Pencil-beam microphones, and OLED monitors to name just a few of the many “firsts” to be unveiled at the Tech Retreat.

Leon Silverman, President of HPA, notes, “The Tech Retreat is the place you go to see history before it’s made, and to move and shake with the movers and shakers across the technology community. The subjects are always topical, but the real value of this event is the ability to share ideas and challenges, to understand from those who really know and get inspired. While I take away so much from this event each year in program content, an equally important take away comes from mingling with this amazing group – the teachers who teach the teachers. If you have not been to the Tech Retreat, you owe it to yourself to make a pilgrimage to the desert. If you have been, you know exactly what I’m talking about.”

Breakfast roundtables are also a popular part of every HPA Tech Retreat. Schubin comments, “Participants begin hashing out the future of media at the lively breakfast roundtables. Among the topics already confirmed for the 2015 event are net neutrality, content security, workflow complications, and a review of the legislative and regulatory environment.”

The HPA Tech Retreat is a not to be missed opportunity for industry professionals. The five day, multifaceted event includes dynamic conference sessions, a curated Demo Room with leading-edge technologies, networking events, and parties. The session schedule and programming information will be announced soon.

Earlier this year, SMPTE and HPA became official partners, moving forward with plans for full organizational consolidation by May 2015. Today’s Symposium is the first jointly produced HPA/ SMPTE event, an auspicious time to open registration for the HPA Tech Retreat.

The event has a history of selling out, and timely registration for the 2015 HPA Tech Retreat is recommended. Registration at Early Bird rates is now available, REGISTER. For more information on the event and sponsorship opportunities, visit www.hpaonline.com, call the HPA office at (213) 614-0860, or email Eileen Kramer at ekramer@hpaonline.com.

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About the HPA Tech Retreat
The HPA Tech Retreat(r) is an informal gathering, in the Palm Springs area, of the top industry engineering, technical, and creative talent, as well as strategic business leaders focused on technology, from all aspects of digital cinema, post production, film, television, video, broadcast and related technology areas, for the exchange of information. The 2015 HPA Tech Retreat will take place February 9 to 13, in Indian Wells, California.

About the Hollywood Post Alliance(r)
Hollywood Post Alliance (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media and other dynamic media content. Through their partnership with the Society of Motion Picture and Television Engineers(r) (SMPTE(r)), the leader in the advancement of the art, science and craft of the image, sound, and metadata ecosystem, the HPA continues to extend its support of the community it represents. Information about the HPA is available at ww.hpaonline.com.

Media Contact:
ignite strategic communications
p: 818.980.3473
Christine Purse, chris@ignite.bz or
Mimi Rossi, mimi@ignite.bz

Hollywood Post Alliance to Honor Alan Heim, ACE, and Randy Roberts, ACE, with Lifetime Achievement Awards

2014 HPA AwardsOrganization Will Recognize the Careers and Contributions of Influential Editors

(Los Angeles, CA) The Hollywood Post Alliance(r) (HPA) has announced that Alan Heim, ACE, and Randy Roberts, ACE, will each receive one of the organization’s highest honors, the Lifetime Achievement Award. The special awards, which are determined by the HPA Board of Directors and a select committee, are presented to honorees whose contributions to the field of post production are significant. Heim and Roberts will be on hand to accept their awards at the 9th Annual HPA Awards Show on November 6, 2014, at the Skirball Cultural Center in Los Angeles, CA.

Leon Silverman, President of the HPA, said, “The bonds between editors and other members of the post production community are amongst the most binding. It is an honor to celebrate the work of these two wonderful men with this award, which is given in recognition of their creativity, dedication and service to our industry. Alan and Randy have both served as President of American Cinema Editors, bringing awareness and respect to the role of editorial during this exciting time of industry transition. In addition, they have made important contributions to the art and craft of editing through their hard work and dedication. It is a personal and professional honor to be able to recognize them with this award. I have been honored to have worked with both Randy and Alan in our professional roles as well as in the HPA’s collaboration with ACE for many years. I could not be more delighted to give these two men this award, which means so much to me personally and to the HPA.”

Alan Heim, ACE

Alan Heim, ACE


Alan Heim, ACE
HPA Lifetime Achievement Award recipient Alan Heim, ACE is a native New Yorker whose credits and awards span feature films and television. Early in his career, he worked on many television shows as a sound editor, eventually working with Sidney Lumet on a number of films including The Pawnbroker and The Group, and with Mel Brooks on the original version of The Producers. He also worked as a music editor on Paul Newman’s Rachel, Rachel. He then became a picture editor and edited The Sea Gull for Lumet, The Twelve Chairs with Brooks, and many other projects, including Godspell, She’s Having a Baby and Funny Farm. Heim was nominated for an Emmy(r) for Liza With a Z, directed by Bob Fosse. That was the beginning of a collaboration that spanned three films: Lenny, All That Jazz and Star 80. Heim won an Oscar(r), BAFTA, and ACE Eddie Award for All That Jazz. He also edited Network for Lumet, for which he was again nominated for an Oscar. Heim moved to Los Angles in 1994, where he worked on American History X, The Notebook and Alpha Dog. In addition, Heim won an Emmy for editing the miniseries Holocaust, and was nominated for Introducing Dorothy Dandridge, and Grey Gardens. He is currently President of both ACE and the Motion Picture Editors Guild.

Heim commented, “I learned to edit on the Moviola, then the Kem and Steenbeck and other venerable mechanical systems and have spent some years meeting with many of the people who have advanced the technologies that impact the editing room. We are all in service to telling great stories. I have been privileged to be a part of my community – MPEG and ACE – and that work continues to be very important to me. To be honored with this award from my peers in the post production community is extremely meaningful, and the recognition of my colleagues is deeply appreciated.”

Randy Roberts, ACE

Randy Roberts, ACE

Randy Roberts, ACE
Honoree Randy Roberts, ACE, has served the American Cinema Editors tirelessly for nearly two decades; as a member of the board of directors since 1996, as vice president from 2005-2008, as president from 2008-2012, and currently as the organization’s director of marketing. Roberts is one of the originators of EditFest, a global series of editing festivals that highlight the art and business of film editing. He helped to implement ACE Tech Day to help ensure that the organization’s membership remain at the top of their field in technology. Born into the entertainment industry in Burbank, California, Roberts began his career in front of the camera with a number of roles in movies, TV shows and commercials during his youth. Eventually, he worked his way into the Film Editing Department at Warner Bros. and an apprenticeship with the union. His first feature film editing credit was on Richard Pryor’s Greased Lightning, followed by projects with Francis Ford Coppola (One from the Heart), Robert Evans (Players), David E. Kelley and Dick Wolf, to name just a few. In addition to his motion picture and television editing credits, which include Chicago Hope, LA Law, The Agency and Tour of Duty, Roberts’ career has also included directing a number of episodes of network television, but his first love remained the cutting room. He spent the last decade working as supervising producer on the long-running hit series Law and Order: Special Victims Unit. He is an ACE Eddie Award winner and nominee, a Primetime Emmy Award nominee, and the recipient of the American Cinema Editors’ Heritage Award.

Of being honored, Roberts said, “My career in this industry is an incredibly important part of my life, coaxing stories into life, working with some of the greatest people I have ever known. I have enjoyed the collaboration and participation of so many people and companies in the post production community, and it has consistently been a great partnership. To receive this award from my friends at the HPA is heartwarming and means the world to me. I am personally grateful, but also want to say thank you for recognizing the incredibly important role of editors in our industry.”

In addition to the Lifetime Achievement honors, winners in 12 craft categories, special awards for Creativity and Innovation, and the Engineering Excellence Award will be bestowed at the HPA Awards gala on November 6th.

Tickets for the 9th Annual HPA Awards are now available (TICKETS). For questions regarding ticket purchases call +1(213) 614.0860 or write to info@hpaawards.net. Press inquiries should be directed to Christine Purse or Mimi Rossi at ignite, 818.980.3473 or email mimi@ignite.bz.

For information about the HPA Awards, please contact Alicia Rock, arock@hpaonline.com or call +1(213) 614.0860. To learn more about sponsorship opportunities for the 2014 HPA Awards, please contact Garrett Randall, garrett@MESAlliance.org, or call +1 (310) 882.9204.

About the Hollywood Post Alliance(r)
Hollywood Post Alliance (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media and other dynamic media content. Through their partnership with the Society of Motion Picture and Television Engineers(r) (SMPTE(r)), the leader in the advancement of the art, science and craft of the image, sound, and metadata ecosystem, the HPA continues to extend its support of the community it represents. Information about the HPA is available at ww.hpaonline.com.

About the HPA(r) Awards
The HPA Awards were created to foster awareness of post production, promote creative and technical excellence, recognize the achievements of post production talent, and build involvement in the Hollywood Post Alliance. The HPA is a partner of the Society of Motion Picture and Television Engineers(r) (SMPTE(r)). Information about the HPA Awards is available at ww.hpaonline.com. The HPA Awards will be presented with generous support from Foundation Members: Avid and Dolby Laboratories and Supporting Sponsors: The Hollywood Reporter and MESA.

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Media Contact:
ignite strategic communications
p: 818.980.3473
Christine Purse, chris@ignite.bz or
Mimi Rossi, mimi@ignite.bz

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Berklee College of Music Expands Its Music Production Facilities with SSL Duality

“Duality is a fine example of what happens when a quality company produces a quality product, and that is why we have two”

BOSTON – Rising 16 stories above the hustle and bustle of Boston’s Back Bay neighborhood, Berklee College of Music has completed its first-ever built-from-the-ground-up residence, rehearsal, performance and educational tower. Dedicated to the art of contemporary music, live performance, music production and engineering in all its forms, the building features a two-story state-of-the-art 10-studio complex designed by Walters-Storyk Design Group (WSDG). Among the largest of its kind in the United States, the facility features scoring and dubbing stages, large tracking and mixing rooms and a mastering studio, along with production suites and a multi-seat tech lab. To ensure students are learning on the latest professional tools, the school installed its second new SSL Duality for tracking and mixing in Studio 3 (aka “The Bridge”), purpose-built for advanced students. Duality delivers the company’s signature sound through an analogue workflow, elegantly integrated with a sophisticated DAW controller, making it ideal for teaching students to work in a hybrid production world.SSL Duality at Berklee College of Music

“Duality nicely bridges the gap between teaching on our traditional in-line analogue consoles, and our DAW controllers,” says Dan Thompson, Assistant Chair of Music Production and Engineering at Berklee College of Music. “The console is an extremely interesting teaching tool because it can act as an advanced analogue console alongside comprehensive control layer for DAW-based projects. In our advanced tracking and mixdown curricula, Duality perfectly illustrates this hybrid workflow and professional paradigm.”

Berklee College of Music has been on the forefront of innovation for more than 65 years, reflecting state-of-the-art of music and music business education, leading the way with the world’s first baccalaureate studies in jazz, rock, electric guitar, film scoring, songwriting, turntables, electronic production and more than a dozen other genres and fields of study. The school’s alumni have won more than 270 Grammy and Latin Grammy Awards (27 of which were won by alumnus Quincy Jones), along with numerous Emmy and Academy Awards. With this pedigree, the new studios need to represent the highest quality available for degree course work.

“We have had a great relationship with SSL over the past 20 years,” says Rob Jaczko, Chairman of Music Production and Engineering at Berklee. “Part of the mission here is to always train students on definitive professional equipment that they are going to encounter in commercial studios in New York, LA, London, Nashville and the world. Solid State Logic is obviously one of the principal platforms we need our students to train on, and Duality is the logical choice for our advanced studies.”

Berklee purchased its first Duality in 2010, primarily for teaching advanced mix techniques. With the expanded footprint of Berklee’s production facilities, both Duality consoles are now installed in tracking rooms (Studio B and The Bridge) and service advanced recording and mix classes and projects.

“Duality certainly represents multiple modalities and different ways to work,” continues Jaczko. “You’re not locked into a singular workflow in the room and, now that we’ve positioned both of the consoles in tracking spaces, we’re exploring the new variable harmonic front-end on the mic pres and using them in mix situations where they serve as controllers or as straightforward analogue consoles as we know them. The Duality consoles provide a lot of flexible options on how they get used, to the benefit of our students.”

“The Duality’s signal path and sound is pristine,” adds Thompson. “It offers clarity, separation, punch, extension and depth, whether used for tracking or mixing. Duality is a fine example of what happens when a quality company produces a quality product, and that is why we have two.”

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

‘Reliable, Rugged and Feature-Rich’ Symetrix DSPs Revamp Grand Casino Audio

Grand Casino Mille Lacs in Minnesota, USA, has been equipped with multiple Symetrix processors as part of an extensive audio upgrade.

MINNESOTA, USA: Digital signal processing solutions from Symetrix helped design and integration firm Excel AV Group to achieve its largest DSP installation to date at Grand Casino Mille Lacs recently. The system at the Minnesota, USA, entertainment complex features no fewer than 36 inputs and 28 outputs.

As company president Kevin Crow recalls, the venue operators “began looking at upgrading the sound for the main ballroom and smaller adjoining meeting rooms in February 2014. The main challenges were that they did not have a very good main PA, their control system was difficult to use, and patching was difficult.”

Flexible and easy-to-use processing was a priority, and Excel AV’s research quickly led them to investigate the possibility of deploying two Symetrix SymNet Radius open architecture Dante-scalable DSPs. “The Radius units are so powerful and with Dante capability the networking is just amazing. Also, we had already deployed them successfully on a number of projects,” says Crow.

The final Symetrix installation – comprising two Radius 12×8 DSPs along with one Axiomtek GOT-5152T-830-J touch panel controller, one xIn 12 input expander and two xOut 12 output expanders – allows staff to effortlessly combine and un-combine ballroom sound. Eight wireless mic channels can be patched to any room or zone via a wireless tablet loaded with Symetrix SymVue control software. Crow notes: “It’s now super-easy for a user to control volume for individual mics or to change room configurations and/or patching.”

For Excel AV Group, the Grand Casino installation is only the latest in a long sequence of projects for which Symetrix DSPs have proven to be ideally suited. “We love the pro-audio EQ offerings that Symetrix has in its software, and we use Symetrix for our pro-audio rigs all the time without hesitation,” says Crow.

Shure wireless microphones, Danley Sound Labs mains loudspeakers and JBL distributed speakers were also selected during an installation that has met with a wholly positive reaction from casino personnel. “They have encountered no issues running the system, which sounds fantastic for all types of entertainment, from regional acts to comedians and much more besides,” says Crow. “Reliable, rugged and feature-rich, the Symetrix products are integral to the installation and we could not be more pleased with their performance.”

www.symetrix.co

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