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Fairlight Launches Affordable QUANTUM.Live Table-Top Console

IBC 2014 will see the launch of QUANTUM.Live Table-Top (TT), the newest addition to Fairlight’s live console family that includes the award winning EVO.Live digital audio mixing system.

Based on Fairlight’s leading edge audio processing and control surface hardware, their groundbreaking range of live consoles can switch between live and post production at the touch of a button, delivering an exceptional return on investment as customers are effectively getting two consoles in one.

Designed for the most demanding on-air and live productions, Fairlight’s Live family is a highly flexible console range, available from 12 to 60 faders, as standalone chassis, In-Surface modules and Table-Top configurations.

The entry level QUANTUM.Live TT is the smallest console in Fairlight’s Live line-up. It comes with faders accommodating 144 signal paths over 12 layers. It delivers fast tactile access and full command over two monitor systems. A second TT frame can be added, increasing the system to 24 faders.
At the core of all Fairlight’s Live consoles is an incredibly powerful audio processing engine designed with FPGA (Field Programmable Gate Array) technology. The Audio Processor combines: Fairlight’s renowned Crystal Core engine; a redundant power supply; all interfaces for control screens, GPIOs, storage; local control room I/O; MADI connections for remote I/O; and other system hardware.

A QUANTUM.Live Table Top base configuration with 12 faders, a centre section, audio processing engine with 48 channels, 32 buses and a full complement of local audio I/O, starts at €30,000, US$40,000.

For more information about QUANTUM.Live TT and the full Fairlight Live console range, please visit us at IBC 2014 – Hall 7, Stand H17. Or visit the company’s website –www.fairlight.com.au

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About Fairlight:
Fairlight has been designing, engineering and manufacturing cutting edge, professional digital audio technology for more than 30 years. Its dedication to innovation, quality and customer service has made Fairlight one of the most respected companies in professional audio. With their integrated control surfaces and intuitive user interfaces, Fairlight’s award-winning media creation tools are renowned for their speed, flexibility and exceptional sonic quality. The company’s products offer full compatibility with virtually all open audio, video and sync standards, making them ideally suited to a wide range of audio post and live broadcast applications.
www.fairlight.com.au

HARMAN’s Studer ‘Expands Infinity’ With New Vista V Digital Console

AMSTERDAM, The Netherlands – At IBC 2014, HARMAN’s Studer is adding to the immense power of its Vista X digital console with the next step in processing power and intuitive functionality, the Studer Vista V. The new 52-fader Vista V is based on the same Quad Star technology as its predecessor the Vista X, but in a more compact footprint ideal for smaller studios, OB trucks and large live productions.

The Vista V features a built-in meter bridge, high-quality motorized faders, and a sophisticated, built-in Dynamic Automation system with DAW remote control. The console is fully surround-sound capable, with versatile panning and monitoring functionality.

At the heart of the Vista V is the Infinity Core, which uses CPU-based processors to deliver an unprecedented 800+ audio channels with superb sonic quality, and more than 5,000 inputs and outputs. The use of CPU-based processors suggests exciting possibilities for scaling up to even larger channel counts, and for running third-party algorithms. Being able to program in high-level languages like C++ speeds up the time of implementing new features—never possible when using DSPs and FPGA processing technology.

Infinity Core provides 12 high-capacity A-Link ports (1,536 channels per port) for D23m I/O integration or direct connection into routing systems from Artel, Evertz, Riedel and more. The Vista V also offers easy integration into most AoIP networks used in broadcast like Dante and Livewire, and AES67.
The Vista V with Quad Star technology uses four processors to achieve aviation-standard levels of redundancy in the control surface, while CPU-based DSP makes it viable to provide two completely independent DSP cores running in parallel with instant changeover, without a single sample of audio dropout.

The Vista V also comes replete with VistaMix, Studer’s proprietary automated microphone mixing algorithm, based on gain sharing ideal for simplifying the mixing task at multi-contributor events like game shows, debates etc.. VistaMix removes the need for an operator to manually adjust all the faders all the time, leaving the microphones of talking participants open, while closing the microphones of silent participants in order to reduce spill and background noise. As VistaMix runs directly on the core, no external boxes are needed.

Vista V mixing engineers are freed from the burden of complex mental mapping, thanks to Studer’s revolutionary Vistonics™ interface, which builds Vista V’s rotary controls and buttons directly into the flat screen displays, providing visual feedback exactly where you operate. Each audio function is always associated with the same colour, e.g. red for EQ and filters, green for dynamics, and so on.

FaderGlow™ combines with assignable channel naming to further reduce stress by illuminating each fader in the colour relating to the relevant Vistonics function, creating an instant overview of console status. Studer’s new Spill Zone feature enables users to line up a group’s contributing channels with the press of just one button. FaderGlow then identifies their affiliation assigning the appropriate illumination.
The Vista V also features a built-in, high-class Loudness meter. The large-scale bargraph meter monitors every channel from mono to surround, plus a history display of up to the last 50 seconds of audio to capture any annoying clicks and overloads that are so hard to find in a multi-mic live show.

Built into the Vista V is the BSS DPR-901 Dynamic EQ Plug-In, assignable to any channel as desired and running directly on the Infinity Core. In addition, up to six Lexicon PCM96 Surround high-quality reverb processors can be connected with their parameters stored in the mixer’s snap shots and accessible directly from the Vistonics interface.

The Vista V also allows users to connect up to four Soundcraft Realtime Racks, providing access to Universal Audio’s (UAD) huge Plug-In library assignable on up to 64 Insert-Channels where their parameters are stored and managed directly in the Mixer’s CUE-List automation.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

D-Tools and SupplyStream Form Strategic Partnership

Joint collaboration establishes standards for Data Management and Categorization for manufacturers, distributors and integrators – future integration of respective software solutions to streamline workflow for AV integrators

CONCORD, CA and DENVER, CO – SEPTEMBER 10, 2014 — D-Tools, Inc., the worldwide leader in system integration software, and SupplyStream, the leading web based product catalog  and industry purchasing platform today announced the formation of a strategic partnership that will  establish new standards for product specification gathering, categorization, management, and publishing to help streamline data management for manufacturers, distributors and integrators of audio video systems. The partnership will also focus on the integration of data and workflow for future versions of the D-Tools System Integrator software platform and SupplyStream’s online catalog and purchasing platform.

The management and publishing process for manufacturer product information is often manually executed and time-consuming, riddled with duplicate efforts and void of any set standards for nomenclature, categories, and sub-categories. One of the primary goals for the D-Tools and SupplyStream partnership is to establish a set of standards that can be used by both industry manufacturers and the dealers and integrators who ultimately utilize this information to specify, purchase, and resell products to their clients.

Furthermore, the integration of this product information into the D-Tools and SupplyStream solutions will ultimately benefit both manufacturers and dealers, as it will provide the basis for an end-to-end process for effective research, specification, design, procurement, and installation of low-voltage audio video systems.

“We’re pleased to work with the team at SupplyStream and are confident that this collaborative effort will make it easier for everyone in the industry to manage, categorize and publish product data,” says Adam Stone, President and CEO of D-Tools. “As pioneers of the data management process we understand the challenges manufacturers, distributors, and integrators face with regard to standardized management and communication of ever-changing product information.”

In addition to standards for data management, the strategic partnership will pursue ways to integrate the two industry-first software platforms in ways that users of both will benefit from. The goal of integration will be to further streamline AV integrator workflow, making it easier for integrators to manage their data and run their businesses. Stone explains, “Our software platform has facilitated a more efficient process for thousands of integrators over the years and we look forward to working with the team at SupplyStream as we discuss how to further improve the industry data and integration company processes moving forward.”

“It makes so much sense for us to partner with D-Tools and work collectively to make dealers’ lives easier. Our visions and dedication to the dealer experience are perfectly aligned. Not only will we work together with manufacturers to make industry data cleaner and more consistent, but we are also discussing how best to share our technologies so the dealer experience can extend across both of our platforms,” says SupplyStream Founder and CEO, Kirk Chisholm.

D-Tools will be previewing the latest version of its award-winning solution, System Integrator 2015 at CEDIA (booth #526), featuring new Mobile installation functionality. D-Tools will also be announcing the winners of the 2014 D-Tools Design Awards at the booth on Friday, September 12th at 3:00 P.M. MT. Dealers can register to win an iPad Mini and $500 towards D-Tools software.

SupplyStream will officially launch their web-based dealer purchasing platform out of beta at CEDIA Expo (Booth #1264). Dealers who stop by the booth can get a personal, live demonstration of the SupplyStream powered product catalog and industry purchasing platform.

About SupplyStream
SupplyStream is a complete, web based industry-specific product catalog that allows AV installers to find product information and make wholesale purchases from all of their suppliers in one place. SupplyStream collects and organizes product data by category, including pricing, availability, specifications, videos, and more, then presents it in a comprehensive yet intuitive web catalog, making it easier for resellers to find what they need and purchase wholesale on the web.

About D-Tools, Inc.
D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software platform. The company’s flagship product, System Integrator™ (SI), is a robust solution that utilizes Autodesk® AutoCAD and Microsoft® Visio to facilitate comprehensive system design, documentation and project management. D-Tools enables residential and commercial integrators to streamline business processes and increase revenues while reducing the time and cost associated with the installation and integration of low-voltage electronic systems. More than 4,500 leading companies currently use the award-winning D-Tools platform to reduce time, costs and to streamline the system integration process. Product updates and related information can be obtained by following D-Tools on Twitter and on Facebook.

Learn more about the D-Tools MVP Program, D-Tools System Integrator, or the undeniable benefits of using a streamlined system design, proposal, and estimation software platform at www.d-tools.com(866) 386-6571 ext. 1, or e-mail info@d-tools.com or mvp@d-tools.com.

Press Contacts
Tim Bigoness, D-Tools, Inc., (925) 270-4102timb@d-tools.comwww.d-tools.com

Katye (McGregor) Bennett, KMB Communications, (425) 328-8640katye@kmbcomm.comwww.kmbcomm.com

MVP Contact  
Josh Carlson, D-Tools, Inc., (925) 270-4105joshc@d-tools.com

 

 


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STEWART FILMSCREEN ELEVATES RESIDENTIAL THEATER TO COMMERCIAL DIGITAL CINEMA LEVEL WITH “THE 4K+ ULTRA HD EXPERIENCE THEATER” DEMONSTRATION AT CEDIA EXPO 2014

Stewart and Quantum Media Systems partner to provide 4K Ultra HD private theater packages that include advanced Digital Cinema projectors, uncompressed native 4K content, and highly specialized Stewart four-way masking screens

TORRANCE, CA and DENVER, CO – CEDIA BOOTH #136 – SEPTEMBER 10, 2014– Stewart Filmscreen Corp., the leading international manufacturer of projection screens and specialty optical coatings for residential and commercial applications—and the only manufacturer in the category that has been producing 4K+ products since 1947—is thrilled to bring CEDIA Expo attendees some of the best and most immersive visual experiences on the show floor. In collaboration with Quantum Media Systems, Stewart Filmscreen will present “The 4K+ Ultra HD Experience Theater” in booth #136 at the Colorado Convention Center September 11-13, in Denver, Colo.

Quantum Media Systems specializes in creating 4K private theater systems that go beyond typical home theater setups. Exclusively featuring Stewart Filmscreen projection screens, Quantum Media Systems Digital Cinema packages also include commercial-grade Digital Cinema projectors, proprietary Quantum Media Systems servers, and native and uncompressed 4K content for both first-run and home video releases, plus more. The 20’x24’x14’ 4K+ Ultra HD Experience Theater in Stewart Filmscreen’s booth at CEDIA Expo will feature an integrated Quantum Media Digital Cinema system that includes:

·  A 15-foot wide 1.78:1 Stewart Filmscreen Director’s Choice screen.

·  4K Commercial-grade Digital Cinema projectors.

·  Multiple servers running a wide variety of specialized uncompressed native 4K content utilizing the motion picture standard, JPEG 2000 codec.

“The video quality we are achieving in this space is so incredible, we hesitate to even call it ‘home theater’, which could be something as simple as a TV and a pair of speakers. These systems deserve the moniker private theater, because they have the same quality you’d find in a commercial 4K Digital Cinema, in a residential environment,” says Ken Hoffman, CEO of Quantum Media Systems. “Best yet, these systems are available to integrators right now.”

Quantum Media Systems uses standards practiced in commercial Digital Cinemas to deliver the 4K viewing experience, including 10-12 bit DCI P3 color space, DCP delivery (the method for delivering first-run Digital Cinema movies to commercial theaters), high dynamic range, JPEG 2000 encoding, and more. Stewart Filmscreen is used exclusively for these applications as the screens provide superior resolution and pixel density.

“We selected Stewart for Quantum Media Systems Digital Cinema packages because Stewart Filmscreen is not only a household name, it has a rich legacy of manufacturing 4K screen solutions that goes all the back to 1947. Because Stewart works closely with the Hollywood community, the company uniquely understands the complex technologies involved in our offering and delivers best-in-class screens that are ideally suited to the next-level residential theaters dealers are creating,” furthered Hoffman.

Those interested in experiencing, delivering, and learning more about the best possible visual experience are encouraged to connect with the Stewart Filmscreen team, Ken Hoffman, CEO of Quantum Media Systems, or Cesar Guererro, Director of Technology, while visiting the Stewart Filmscreen 4K+ Ultra HD Experience Center at CEDIA Expo in booth #136.

For more on Stewart’s legendary screens and technology, visit www.stewartfilmscreen.com, e-mail request@stewartfilmscreen.com, call(800) 762-4999, or follow @StewartFilm. For more on Quantum Media Systems, visit www.quantummediasystems.com or call (949) 240-4996. Please contact Katye (McGregor) Bennett of KMB Communications at Katye@kmbcomm.com or (406) 446-1283 for any Stewart Filmscreen media-related inquiries or to schedule a media tour.

About Stewart Filmscreen
Headquartered in Torrance, Calif., with additional manufacturing and satellite sales facilities in Ohio, Singapore, and Denmark, Stewart Filmscreen has been the consistent choice of discerning clientele around the world for more than 65 years. An Academy Award-winning manufacturer of projection screens and specialty optical coatings, aesthetic-conscious architects, consultants, systems designers, and property owners rely on Stewart Filmscreen for the perfect combination of superior quality, flexible design, and dedicated support, and we consistently deliver. Providing the most immersive experience in the industry, Stewart can custom engineer a projection screen solution to meet nearly every need. Proprietary material science and innovative manufacturing methods allow Stewart to produce some of the most optically immaculate screens in the world, ultimately delivering a visual entertainment experience that’s unrivaled in the marketplace. Simply put, if a screen can be imagined, Stewart Filmscreen can deliver it. www.stewartfilmscreen.com | @StewartFilm

Stewart Filmscreen Media Contact
Katye (McGregor) Bennett | KMB Communications | (425) 328-8640 | Katye@KMBComm.com | @katyemcgregor

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Images for use in publication can be downloaded from this link.

 

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DK-Technologies Appoints Anders Kjempff As New Sales and Marketing Director

DK-Technologies has announced the appointment of Anders Kjempff to the position of Sales and Marketing Director, with responsibility for promoting the company’s range of audio and video metering products including the award winning DK Meter. He will be based at DK-Technologies’ head office in Herlev, Denmark.

Kjempff brings extensive management experience to the role having previously run his own IT sales company, which he sold earlier this year. Prior to that he spent nine years with broadcast transmission company ProTeleVision Technologies (PTV) where he was Sales and Strategy Director.

Karsten Hansen, CEO of DK-Technologies, says: “There is a real sense of ‘Sliding Doors’ about Anders’ appointment because, in a parallel dimension, he should have joined the company in 2001 when DK bought the Studio Products Division of PTV. At that stage he was working for the part of the company that we didn’t buy, and that’s why he didn’t come across then. I am really delighted that our paths have finally come together. Anders has so much industry experience and is such a consummate sales and marketing professional that this is really great news for the future of DK-Technologies.”

Commenting on his appointment, Anders Kjempff adds: “I have known about DK-Technologies for many years and have always admired its approach to product design and development. DK products are conceived from a blank sheet of paper – there are no third party algorithms or components because everything is designed from scratch with no compromise. That is why the company has such a strong international reputation for quality. I am delighted that I am now part of this because I share the same values. Coming to DK really does feel like coming home.”

Under Kjempff’s guidance, DK-Technologies will be looking to promote its world class products and expand its sales network on a global scale.

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About DK-Technologies
DK-Technologies develops and produces audio meters, video sync and test signal generators, as well as video waveform monitors and colour analysers both for LCD and CRT monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany, UK and USA. www.dk-technologies.com

Sound Devices Introduces FileSafe into Rack-Mounted Video and Audio Recorders

New Mission-Critical Technology Protects Video and Audio Recordings from Unintentional Drive Removal and Power Loss

AMSTERDAM, SEPTEMBER 9, 2014 – Sound Devices (IBC Show: Hall 8, Stand B59) introduces its unique FileSafe™ technology as part of its 2.02 firmware release for its multi-drive, network connected video and audio rack-mounted recorders. Incorporated into the Video Devices PIX products, including the 270i, 260i and 250i, as well as the Sound Devices 970, FileSafe recovers video and audio files if, during recording, drives are unintentionally removed or power is lost.

“Pulling a drive mid-recording with a Windows, MAC or other hardware-based recording system will most likely result in corrupted files,” says Dan Desjardins, Software Development Manager at Sound Devices. “It’s taken some clever engineering to make FileSafe work, especially with high bandwidth ProRes and DNxHD video files.”

During recording, data is written to a proprietary Sound Devices file format optimized for high-data rate, real-time video and audio recording. Video Files have an ‘.sdv’ file extension and audio files have an ‘.sda’ file extension. When a recording ends, files are automatically “finalized” by converting the ‘.sdv’ files to QuickTime movie files and the ‘.sda’ files become ‘.wav’ files. This process typically only takes a couple of seconds. In the event that files cannot be finalized, whether due to power loss or inadvertent drive disconnection, they still remain intact on the drive. These files are recovered simply by inserting the drive back into a Sound Devices or Video Devices rack-mounted recorder. Each time a drive is mounted, the recorder automatically scans for unfinalized files and finalizes them.

In the absence of a Sound Devices or Video Devices rack-mount recorder, the FileSafe MAC or PC utility, which is available as a free download http://www.sounddevices.com/products/filesafe/, can be used to recover unfinalized files. Simply connect the PIX drive caddy via Firewire, USB or eSATA to the computer, open the utility and point it to the drive’s directory path containing the unfinalized files and click ‘Scan and Finalize.’

“Providing our customers with mission-critical product performance and reliability has always been a top consideration as we continue to develop the Sound Devices and Video Devices product lines,” says Paul Isaacs, VP of Marketing and Product Design. “FileSafe is yet another example of our commitment to this design philosophy.”

In addition to FileSafe, the new 2.02 firmware release includes longer file-splitting options, RS-422 control improvements and enhanced metadata editing.

Video Devices’ PIX line of rack-mounted products, PIX 270i, 260i and 250i, are a complete offering addressing a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports and events and mobile production. Video Devices recorders offer significant advantages and time-savings for production workflows, providing tapeless, file-based recording and playback with the ability to access and transfer high-quality files over Ethernet. The units record edit-ready Apple ProRes or Avid DNxHD files, and allow simultaneous multiple-drive recording, giving production staff rock-solid redundancy and backup capabilities.

A powerful tool for professionals requiring a significant number of audio channels, Sound Devices’ first-ever dedicated audio-only rack-mounted solution, the 970, records 64 channels of monophonic or polyphonic 24-bit WAV files from any of its 144 available inputs. Inputs available include 64 channels of Ethernet-based Dante, 64 channels of optical or coaxial MADI, eight channels of line-level analog and eight channels of AES digital. Any input can be assigned to any track. In addition, 32-track recording at 96 kHz is supported. The 970 records to any of four attached drives, which include two front-panel drive bays and two rear-panel e-SATA connected drives. Material can be recorded to multiple drives simultaneously or sequentially. This eliminates time-consuming post-record copying and allows for continuous long-form, high-track count recordings.

The Video Devices PIX recorders and Sound Devices 970 all feature the company’s proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss, the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Video Devices, a brand of Sound Devices, produces digital video recorders and related products that address a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports, live events and mobile production.

Founded in 1998, the company designs and manufactures both brands from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI. For more information, visit the Sound Devices and Video Devices websites, www.sounddevices.com; www.videodevices.com.

George Walter Joins Christie as Director, Home Entertainment

Christie®, a world leader in visual technology displays, today announced that George Walter has joined the company in the role of Director, Home Entertainment. Reporting to Tony Barton, senior director, Americas Sales, Mr. Walter will be based in Atlanta, Georgia.

Mr. Walter will work closely with a select group of accomplished, high-end North American home entertainment integrators to bring the best in video and audio solutions to home theaters. Drawing on Christie’s acknowledged experience and enviable reputation in the cinema world, Mr. Walter will orchestrate the delivery, installation and servicing of a wide-range of projectors, flat panel displays, processors and audio products to strengthen and complement the services of these high-end integrators.

“I am honored to be joining Christie, the world leader in professional cinema and entertainment products. The chance to bring the Christie level of performance to the home entertainment channel will be an exciting adventure for me and a logical extension for the company, which has always delivered an unparalleled entertainment experience to its customers,” said Walter.

Mr. Walter most recently served as Vice President of Home Cinema for Digital Projection, where he launched and managed that company’s home cinema initiative over 14 years. As well, he managed product and supplier relations for a variety of display products at that firm. In prior years he spent almost a decade at Barco in various product management and sales management positions.

“George’s experience with and knowledge of the needs of the home entertainment market are unmatched, so we are especially pleased that he saw in Christie’s existing and planned product and service offerings a winning combination for the discerning, tech-savvy clients that make up the high-end market,” said Tony Barton. “Over the years, as Christie led the digital-cinema revolution, directors, producers and actors asked us why we weren’t delivering ‘Christie quality’ to the home market, and now we can answer with an unqualified ‘yes, we’re here to help,’” added Barton.

Mr. Walter is a CEDIA member and is available for meetings at CEDIA 2014, September 10-13, in Christie Booth #1078, at the Colorado Convention Center, Denver. He also serves as a founding member of the Azione industry group http://azioneunlimited.com/.

Holding both a Bachelor of Science in Electrical Engineering (BSEE) degree and a Master of Business Administration (MBA), both from Syracuse University, Mr. Walter is truly an electronics and home entertainment expert.

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IC Realtime to Wow Crowds at CEDIA Expo 2014 with Industry’s First 720-Degree Video Surveillance Camera Technology. And its Integrated into Ferrari Race Car

Pompano Beach, FL – September 9, 2014 – At CEDIA Expo 2014 this week, IC Realtime, a global innovator of Internet of Things enabled video technology solutions, will be demonstrating its IC720 remote-viewing platform which captures 720-degrees (with no blind spots and without requiring any moving parts). Ideal for the most elite residential, commercial, governmental and municipal surveillance applications, the technology has been tested in 2013 Grand-AM Rolex GT championship-winning team Scuderia Corsa’s Ferrari 458 Italia race car where it streams HD video from racetrack to Ferrari guest’s devices. Both the race car and cameras will be on display at IC Realtime’s CEDIA Expo exhibit booth #776, where attendees can witness first-hand the wholly-immersive, 3D-like experience that the platform delivers.

“Pulling from experience in having brought to market our single-lens Immersive-360 camera line, our R&D division has pioneered a remote-viewing platform comprised of proprietary software — leveraging gyroscopic movement technology — and a dual-lens 720-degree camera system. By incorporating many software sensors and synchronizing both front and rear spheres (camera lenses) together, we’re able to capture 360-degree x 360-degree video to create a 3D-like experience that puts the viewer completely in the center of the action,” says Ivan Onuchin, Executive Vice President of R&D for IC Realtime. “This will create a realm of endless possibilities for what can be achieved in video surveillance. It is nothing short of remarkable.”

Many different megapixel versions of the IC720 dual-lens camera will be available beginning this year

The 720-degree technology will make its way to market this year in a brand-new series of two-lens mega-pixel cameras from IC Realtime called IC720. Different versions of the camera with interchangeable sensors and lenses to achieve a wide variety of video surveillance needs (including a 28-megapixel version) are currently in the works. According to Onuchin, the technology incorporates 15 unique aspects that the company has applied/received patent protection on.

IC720 and Scuderia Corsa Racing With Ferrari
“We originally spec’d the technology for automobile racing as it’s one of the most extreme testing grounds we can get our hands on,” says IC Realtime CEO Matt Sailor. “Its first application is in Scuderia Corsa’s Ferrari 458 Italia No. 63 – a car that is currently competing on the US circuit, and won the championship last year.”

Founded in 2011 by Giacomo Mattioli and Art Zafiropoulo, Scuderia Corsa Racing With Ferrari is the 2013 Grand-AM Rolex GT championship-winning team that supports the racing needs of Ferrari clients through turnkey programs, GT endurance racing, the North American Ferrari Challenge Series and track events. IC720 worked closely with the team to incorporate the camera into the racecar.

Streaming live high-definition video to mobile devices — and uncompromised at speeds in excess of 100 MPH — the camera is used during practice laps and is planned to eventually be used during racing as well.

“Soon the very same technology that we are testing with Scuderia Corsa Racing With Ferrari will be available for all types of elite surveillance applications,” adds Sailor. “This will be an industry game-changer.”

About IC Realtime
Established in 2006, IC Realtime is a global innovator of video surveillance technology for the residential, commercial, government and military channels. The company has pioneered the introduction of the Cloud Video Recorder™; 720-degree video surveillance camera technology, and is a strong supporter of the new UL2802 performance testing standard for camera image quality. In both the 2012 and 2013 CEPro Magazine CE Pro 100 Brand Analysis, IC Realtime ranked as #1 IP camera / surveillance brand. Follow IC Realtime on Facebook at https://www.facebook.com/icrealtimeus and on Twitter: @ICRealtime www.icrealtime.com

About Scuderia Corsa
The 2013 Grand-AM Rolex GT championship-winning team Scuderia Corsa was founded in 2011 by Giacomo Mattioli and Art Zafiropoulo. The team was created for the sole purpose of supporting the racing needs of Ferrari clients and includes turnkey programs, GT endurance racing, the North American Ferrari Challenge Series and track events. Giacomo Mattioli is the owner of Ferrari Maserati Beverly Hills and South Bay and partner in Ferrari Maserati Silicon Valley with Art Zafiropoulo.
Follow Scuderia Corsa on Twitter @Scuderia_Corsa, on Facebook at Scuderia Corsa, Instagram at #Scuderiacorsaferrari and ScuderiaCorsa.com

FOR-A to Introduce New 4K Frame Rate Converter at IBC 2014

Unit offers versatile conversion for better picture quality

Brugherio, Italy – FOR-A announces that it will introduce the FRC-9000 4K frame rate converter at the upcoming IBC Show, taking place September 12-16 in Amsterdam. Featuring FOR-A’s enhanced motion compensated frame rate conversion technology, FOR-A will showcase the FRC-9000 in its IBC booth, Hall 2, Stand A51.

The FRC-9000 builds upon the success of FOR-A’s FRC-8000 frame rate converter and provides high-quality conversion. Ideal for live transmission use, the unit can be used as a 2 X HD/SD-SDI frame rate converter. The FRC-9000 is ideal for broadcast and film production, offers 3G/HD/SD multi-format support, and can be used for 4K applications.

FOR-A’s new frame rate converter includes up, down, and cross conversion, automatic scene cut detection for simple processing of scene changes, adaptive interlace-to- progressive conversion, detection of 24 effective frames in 2:3 pulldown-converted 60i/p material for high-quality conversion, and detailed level setup. The FRC-9000 features an easy-to-use front panel touch screen and Web browser control, giving users the option to remotely control their unit. The frame rate converter also offers Dolby E support.

“The FRC-8000 has proven to be successful for broadcasting, sports, and live applications,” said Hiro Tanoue, General Manager of Overseas Sales and Marketing, FOR-A Company Ltd. “With its state-of-the-art motion compensated frame rate technology, FOR-A anticipates the new FRC-9000 to be a popular unit. We’re looking forward to introducing it to IBC attendees.”

FOR-A will also display its FRC Export Plug-in file-based video format converter at its IBC booth. First introduced earlier this year at NAB, the FRC Export Plug-in is a high-quality video format converter/MXF exporter plug-in software for Adobe Premiere Pro CC/CS6 Windows that includes both vector motion compensation and linear compensation conversion.

About FOR-A
FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, visit our web site at www.for-a.co.jp

RTW TM3-Primus TouchMonitor Now Shipping Worldwide

Ultra-Compact Meter Enables Extensive Loudness and Audio Metering Capabilities for a Variety of Applications and Budgets

AMSTERDAM, 8 SEPTEMBER, 2014 – RTW (IBC Hall 8, Stand D.92), the market leader in visual audio meters and monitoring devices, is pleased to announce that the TM3-Primus, its new smart series product, is now shipping worldwide. This highly compact model from the award-winning TouchMonitor line provides a full set of easy-to-read instruments for level and loudness metering in commercial and non-commercial production and broadcasting environments. Executives will be available during the 2014 IBC Show to demo the TM3-Primus and discuss its capabilities.

Introduced to the market earlier this year at NAB, the RTW TM3-Primus is a multifunctional audio measurement desktop unit featuring unbalanced RCA type two-channel analog, digital (SPDIF) and USB interfaces. In addition, it features an advanced USB hybrid mode where a metering point in a digital audio workstation (DAW) (implemented using a specific RTW plug-in) can be visualized right on the new TouchMonitor’s screen. Also, a USB port allows for implementing an innovative USB/plug-in hybrid mode that enables metering to be performed on the DAW so that a user can process and visualize the information instantly.

As a compact and low-cost member of the TouchMonitor family, the TM3-Primus is equally suited for professional use in minor or secondary workflows for broadcasting, video editing, music and other recording environments. It offers a new quality solution for non-commercial use in small radio environments or podcasting. Like other models from the award-winning TouchMonitor series, the TM3-Primus comes with a highly intuitive and user-friendly 4.3-inch touchscreen interface that simplifies system handling even for operators without a strong background in audio.

Supported loudness standards include: ITU BS.1770-3/1771-1, ATSC A/85, EBU R128, ARIB, OP-59, AGICOM and CALM. The TM3-Primus includes level and loudness display with bargraph type or numerical readout plus MagicLRA type. Other instruments included with the meter are PPM, moving coil, correlator, RTA, vectorscope, numerical and chart.

About RTW
RTW, based in Cologne (Germany), has nearly 50 years of experience in designing, producing, and marketing advanced recording-studio equipment, leading and innovating the market for high quality audio metering and monitoring tools. RTW operates a worldwide distribution and service network. For more information on RTW, visit www.rtw.com, www.facebook.com/rtw.de or call +49 221 709130.

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