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Elite Multimedia Productions Hires Industry Veteran as New Head of Lighting to Assist in Expansion

Nashville, March 5, 2013 – Elite Multimedia Productions (EMP) recently hired industry veteran Jason “Cannonball” Jenkins as the new head of lighting in order to continue the growth of the Nashville-based audio, video and lighting production company’s client base.

EMP moved its production branch to Nashville at the end of 2012 with notable clients like Luke Bryan, Rodney Atkins and Thompson Square, and have added Gary Allan, Dream Theater and Casting Crowns to their roster going into 2014.

Jenkins has his own list of esteemed country and contemporary Christian artists he has worked with. Since 2003 he has worked various positions in the lighting and tour production world including road tech, lighting designer and crew chief for artists like Toby Keith, Reba McEntire, Steven Curtis Chapman, One Republic and Jethro Tull. Jenkins also touts a degree in entertainment design and technology from Otterbein College in Westerville, Ohio.

“Because of Cannonball’s combination of extensive touring experience and commercial leadership, he’s uniquely qualified to lead our lighting department,” said Monty Rains, EMP’s chief operating officer of Jenkins’ addition to the Elite Multimedia team.

Jenkins is looking forward to expanding EMP’s touring capabilities and taking EMP to the next level of development. He is also anticipating being able to act as an intermediary between the company and its clients, and ensuring shows maximize creativity for the artist, while remaining budget-conscious and realistic for management.

“I’m excited to be a part of the energy and excitement at EMP,” Jenkins said. “It’s a new challenge for me, and I like a challenge.”

To reach Jenkins, contact him at jjenkins@elitemultimedia.com, or 615-457-3540 extension 314. For more information on Elite Multimedia Productions, visit www.EliteMultimedia.com.  Follow Elite Multimedia Productions at www.facebook.com/elitemultimedia or @elitemultimedia.

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HARMAN’s Soundcraft to Host “Mixing with Professionals” Sessions at Prolight & Sound 2014

FRANKFURT, Germany – HARMAN’s Soundcraft is hosting its popular “Mixing with Professionals” (MwP) training sessions at Prolight & Sound 2014 in Frankfurt. The sessions will offer formal training and demonstrations on Soundcraft’s Si Expression range and the groundbreaking new Vi3000 digital live sound console.

“We trained around 2,000 engineers over the past year on the Expression range as well as Vi and know the Vi3000 especially will draw lots of interest at the show,” said Keith Watson, Marketing Director, Soundcraft Studer & AKG, HARMAN Professional. “The MwP sessions offer a great opportunity to get hands-on experience with industry experienced engineers on hand to help and provide tips of the trade, everyone is welcome to join a session.”

The ‘all-in-one-box’ Soundcraft Vi3000 digital live sound console offers a host of state-of-the-art features, a new industrial design, 96 channels to mix, and onboard Dante. The Vi3000 uses the new internal Soundcraft® SpiderCore DSP based on sister company Studer’s Vista 1 engine, with Soundcraft’s Vi Version 4.8 operating software offering the new ‘3D’ Vistonics™ user interface, while adding a fourth 24-channel fader layer to improve access to the console’s 96 input channels. The surface operation and layout is similar to other Vi Series consoles, providing a familiar feel while offering expanded functionality. The Vi3000 also features upgraded microphone preamps and 40-bit Floating Point DSP processing for superlative sound quality.

The MwP sessions will be held on all four days of the show (March 12-15) in both German and English languages at the Harman booth F32 in Hall 8. More details are available at www.soundcraft.com/mwp/events.aspx.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,600 people across the Americas, Europe, and Asia and reported sales of $4.5 billion for the last twelve months ended September 30, 2013.

HARMAN’s Soundcraft Vi3000 Ushers in the Next Generation of Digital Consoles

POTTERS BAR, United Kingdom – HARMAN’s Soundcraft today announced the introduction of its incomparable Vi3000 digital live sound console, offering a host of state-of-the-art features including the groundbreaking internal DSP Soundcraft® SpiderCore, a new industrial design, 96 channels to mix, Dante compatibility and more.

“The new Vi3000 represents a massive leap forward in digital console design and functionality, while also keeping the best elements of the Vi4 and Vi6 consoles,” said Andy Brown, Vi Series Senior Product Manager, Soundcraft. “We have a totally new internal core based on the highly successful Studer Vista 1 and a completely new, more efficiently designed surface running updated operating software. Compared to other consoles in its price range, the Vi3000 offers more input channels, more busses, more faders, and a user interface like no other. We are proud to say the Vi3000 is simply unparalleled in its category.”

The Vi3000 utilizes the new internal DSP SpiderCore based on the company’s Vista 1 engine, with Soundcraft’s Vi Version 4.8 operating software, while adding a fourth 24-channel fader layer to improve access to the console’s 96 input channels. The surface operation and layout is similar to other Vi Series consoles, providing a familiar feel while offering expanded functionality. The Vi3000 features upgraded microphone preamps and 40-bit Floating Point DSP processing for superlative sound quality.

The Soundcraft Vi3000 features an all-new appearance with a more efficiently designed control surface, 36 faders, 24 mono/stereo busses and a sweeping black screen panel with four Vistonics II™ touch screen interfaces with sleek, updated 3D graphics. Because the Vi3000 has four touchscreens, it’s the only console in its class that can be used by two engineers at the same time.

“Visibility of parameters and easy access to them are the most important features a console can have,” Brown noted. “When something unexpected happens—as it always does in live sound—being able to see a lot of settings quickly is a massive advantage.”

The Soundcraft Vi3000 offers extensive rear panel connectivity. In addition to a full complement of analog and digital inputs and outputs, the console provides MIDI, USB, Ethernet, DVI out, Dante/MADI record feed outputs, redundant power supply and other connections. The Vi3000 has two expansion bays that can be fitted with MADI Stagebox cards, to connect multiple Soundcraft Stagebox input expander modules. The Vi3000 can also accommodate the new Soundcraft Realtime Rack, a hardware/software unit designed in collaboration with plug-in manufacturer Universal Audio that provides access to 74 industry-standard UAD plug-ins. The Vi3000 is the first Soundcraft console to incorporate a Dante interface as standard, for seamless digital audio networking with Dante-enabled devices.

Along with its greatly expanded functionality, the Vi3000 retains all the features that have made the Soundcraft Vi Series the consoles of choice for live sound engineers worldwide, such as FaderGlow™ illuminated faders that display different colors according to function, the ability to store and recall snapshots and cues, compatibility with Soundcraft’s ViSi app that allows remote control from an iPad, built-in Lexicon reverb/delays, dbx compression,effects and more.

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

PESA Receives 2014 Governor’s Trade Excellence Award

Huntsville, Alabama – PESA, a leading U.S.-based designer and manufacturer of professional audio and video connectivity, was selected as a 2014 recipient of the 8th annual Governor’s Trade Excellence Award. The company received its honor from Governor Robert Bentley on March 5 in a ceremony at the State Capitol in Montgomery, Ala.

Presented by the Alabama Department of Commerce and the Export AlabamaTrade Alliance, the Governor’s Trade Excellence Award recognizes companies in Alabama that excel in overseas sales and service. The objectives of the program are to identify the state’s successful and innovative exporters, promote them as role models to encourage increased involvement in the global marketplace, and develop awareness of how exporting impacts Alabama’s economy. PESA is one of only eight companies to receive the award in 2014.

“We are very pleased to be recognized for our international efforts with the Governor’s Trade Excellence Award,” said Chuck Tillett, PESA president and COO. “International sales continue to be an important part of PESA’s business plan, as we roll out new products and services to video professionals in a variety of industries.”

“Alabama products are among the best in the country, and the companies recognized today show how successful Alabama products are reaching the global marketplace,” Bentley said. “In 2013, Alabama exports total $19.3 billion, which represents a 57 percent increase since 2009. The Export Alabama Alliance is connecting Alabama companies with exciting new opportunities, and that’s good business for this state.”

About PESA

As a leading provider of audio/video (A/V) Baseband and IP connectivity products, PESA offers a wide selection of multi-path streaming products, routing switchers, matrix switchers, extenders, converters, media extenders, and signal processing gear to support government, military, industrial, commercial, medical, broadcast, and mobile truck applications. From large to small-scale A/V routing and extender products to multiple IP streaming appliances, PESA offers a diverse suite of AV products, all of which are supported by 24/7 technical support. PESA is located in Huntsville, Ala., with regional sales offices throughout North America and China. Our cost effective solutions are available around the world through our industry leading team of Channel Partners offering local support and installation. All products mentioned herein are trademarked property. Learn more about us at www.pesa.com and www.pesaxstream.com. Follow us on Twitter: @PESA_ONLINE.

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Masque Sound Has Its Latest Broadway Fling with Romantic Musical, The Bridges Of Madison County

Custom Audio Equipment Package Heats Up the Stage with Passionate Adaptation of Hugely Popular Novel

NEW YORK, MARCH 6, 2014 – Masque Sound, a leading theatrical sound reinforcement, installation and design company, provided a custom audio equipment package for the new romantic musical, THE BRIDGES OF MADISON COUNTY at the Gerald Schoenfeld Theatre. The show officially opened on Thursday, February 20.

Based on James Waller’s best-selling novel, THE BRIDGES OF MADISON COUNTY tells the story of photographer Robert Kincaid and his life-changing, four-day love affair with Iowa farm wife Francesca Johnson. Developed by a Pulitzer®- and Tony® Award-winning creative team, this new musical captures the lyrical expanse of America’s heartland along with the eternal question, “What if…?” Directed by Tony Award-winner Bartlett Sher and book by Marsha Norman, THE BRIDGES OF MADISON COUNTY features a score by Tony Award-winning composer Jason Robert Brown and stars four-time Tony Award-nominee Kelli O’Hara and Steven Pasquale.

Sound Designer Jon Weston and Masque Sound began their collaboration on THE BRIDGES OF MADISON COUNTY when the musical made its world premiere at the Williamstown Theatre Festival last summer. “I have enjoyed a long relationship with Masque Sound and it’s great to be working with them once again,” says Weston. “They are an excellent sound shop to collaborate with and I can always count on them to provide me with the equipment that I like to use, which in some cases is not that easy to find since I like the characteristics of older gear. I specifically chose an older-era console, speakers and amplifiers for this production.”

Weston’s goal in designing the sound for THE BRIDGES OF MADISON COUNTY was to be as sonically transparent as possible. “In order to provide that organic, analog feel for the show, we walked the line of acoustic reinforcement very carefully and discretely, including an all-acoustic orchestra pit,” he adds. “I really wanted the sound to be as real as possible.”

At the heart of the custom audio equipment package Masque Sound provided was the Cadac J-Type analog console, which Weston considers the finest-sounding audio mixing console. Masque Sound’s custom equipment package also included Tannoy 3836 Dual Concentric 15-inch speakers, EAW JF200 and JF60 ultra-compact two-way range speakers, d&b audiotechnik E8 and E12X-Sub loudspeakers, Meyer Sound subwoofers and speaker processors, Yamaha H series power amplifiers alongside d&b audiotechnik power amplifiers, Sennheiser and Shure wireless microphones, XTA Electronics DP428/448 Speaker Management System and a Clear-Com intercom system. In addition, Masque Sound provided frequency coordination for the 24-channels of wireless in-use throughout the show.

“My biggest challenge on this project was finding the equipment I wanted because it’s not stuff that rents all the time and Masque Sound did an incredible job in accommodating my needs,” says Weston. “This was a true collaboration and my team, made up of Head Sound Engineer Jason Strangfeld; Assistant Sound Engineer Sean Luckey; Production Engineer Charlie Grieco; Sound Engineer Michael Eisenberg and Assistant Sound Designer Josh Millican, along with the designers of the other departments, were all on the same page on how we wanted the show to look and feel, and I think we were very successful.”

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

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SSL Live Console on the Road with Peter Gabriel’s Back to Front Tour

“I am now at the stage where I am sure I would miss Live if I had to revert to my previous system”

OXFORD, ENGLAND – When the company’s owner mandates the use of its latest technology for its first major tour, you can be sure everyone involved, knowing his perfectionist approach, gives it their full attention and then some. Peter Gabriel’s Back to Front tour made full use of the new SSL Live consoles supplied by Britannia Row Productions for the first part of the tour in Sept/Oct 2013, and will continue to demand perfection from the console when the tour resumes in April 2014. Happily, the hard work paid off and artists, engineers and SSL’s design team were all thrilled with the results – as were audiences across Europe.

Three Live consoles were employed to handle the Back to Front performances. One at front-of-house, one was for the band’s monitors and one was used for Peter Gabriel’s monitoring system. All the consoles performed flawlessly.

“The first thing to say about Live is that it sounds really good and makes mixing live audio very easy,” says Ben Findlay, FOH engineer. “You get lots of separation and clarity. The EQ is musical, never harsh, and the dynamics are transparent even when compressing a signal hard, as you would expect from an SSL console. The mixes come together quickly when starting from scratch. Because the audio is very clearly defined, you have more options regarding relative levels, so elements of a mix that may normally be masked with another console are still clearly audible. This leads to accomplishing the often illusive third dimension to a mix that live engineers strive for — and that is a real sense of depth. The console is also extremely reliable with not so much as a flicker during the whole tour. I am now at the stage where I am sure I would miss Live if I had to revert to my previous system. Live is a great console.”

The Live console was designed to appeal to engineers with a range of operational approaches and can be used very flexibly. The Back to Front shows provided clear evidence as the three highly experienced mixers took advantage of the adaptable bus architecture, processing tools and user interface options to support their personal approach to the differing tasks they were managing.

“Ben and I recorded a multi-track version of the Back to Front show during the U.S. tour in 2012, so we had a ready reference to run through the Live console when it became available before official show rehearsals,” says Richard Chappell, Peter Gabriel’s live show coordinator and personal monitoring and studio engineer. “When we first worked with Live, we realized how very exciting and pioneering this console was. This console sounds great. The first part of the learning curve was the impressive touch screen that allowed each of us to configure the setup the way we wanted to work. The needs of monitoring are, after all, different from FOH. For me, Live is the engineering equivalent of what a musical instrument is to a performer. I can now do what I do better with Live. Secondly, I’ve heard horror stories in the past about other new consoles going out and crashing or not working. With Live, we never lost a show, it always worked.”

“Live is a hybrid console that has a touch screen but it’s also button operated; a real crossover between two ways of working,” says monitor engineer Dee Miller. “For an engineer, it’s a very powerful tool and capable of doing a lot of things. What I’ve had to do is learn how to use the desk to mix the show my way, so Live is a tool for any particular job as opposed to bending a job around a different manufacturer’s tool. It’s got some great features on it and it’s very powerful. Live sounds great, the clarity is extremely good and I would just say that you can hear everything really, really well. From an engineering point of view, I made many performers happy with their monitor mixes using Live.”

Photography: York Tillyer
© 2013 Peter Gabriel Ltd.

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

ASHLY AUDIO APPOINTS NETHERLANDS-BASED MIKE VAN DER LOGT AS NEW SALES MANAGER FOR EUROPE, THE MIDDLE EAST, AND AFRICA

WEBSTER, NEW YORK – MARCH 2014: Spurred by growing demand in foreign markets that has prompted a complete sales reorganization, Ashly Audio has appointed industry veteran Mike van der Logt of 4M4You, to serve as its sales manager for Europe, the Middle East, and Africa (EMEA). Van der Logt has over 25 years of experience in the industry providing product and relationship advice to pro audio manufacturers. Based in the Netherlands, he is well-suited to serve EMEA customers. On behalf of Ashly, van der Logt will travel the region to strengthen and expand business with existing distributors and develop new relationships to sustain and build sales momentum.

“Mike has extensive product knowledge, creative ideas for product applications, and a solid history of sales success,” said Mark Wentling CEO at Ashly. “He has a proven ability to develop sales in both new and existing markets, strong analytical and planning skills, and excellent rapport with people and cultures across EMEA. Mike develops meaningful relationships with clients and turns them into solid partners.”

“Ashly Audio would also like to thank Peter Malech of PM Distribution Germany, for his many years of exemplary representation of Ashly in the EMEA. While Peter is stepping down from his Ashly duties, and assisting in this transition, PM Distribution will also continue on with EMEA representation for other manufacturers.”

“Ashly has been in business for forty years and has a serious legacy in the industry,” said van der Logt. “Ashly’s track record and famous reliability has earned them a lot of loyalty, and I’m excited to build on that kind of success. There is a lot to talk about in Ashly’s extensive product line, from the established workhorses – like the modular ne24.24M processor – to exciting new advances – like the nX-Series amplifiers, which pack tremendous power, higher channel counts, plus Ethernet control, Network Audio, and DSP into just a 2-rack space footprint.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

(PHOTO CAPTION) (from left) Jon Paul Boucher – Ashly Audio COO; Mike van der Logt – Ashly Audio EMEA Sales Manager; Mark Wentling – Ashly Audio CEO.

Please stop by Ashly’s Prolight + Sound Booth 8.0D01 to meet Mike van der Logt and learn about Ashly’s ever growing product line.

JVC Professional Products Promotes Larry Librach to Senior Vice President

WAYNE, NJ – JVC Professional Products Company, a division of JVC Americas Corp., today announced Larry Librach has been promoted to senior vice president of JVC Professional Products. A 32-year JVC veteran, most recently serving as vice president, Broadcast and Public Sector, Librach will be responsible for the overall guidance and direction of the company’s sales and management.

“For more than 30 years, Larry has been an important part of our sales efforts,” said Mr. Junji Kobayashi, president, JVC Americas Corp. “In the broadcast electronic newsgathering [ENG] market, where few thought there was room for new competition, he helped establish JVC as a leading manufacturer. Now, we look forward to Larry leading JVC Professional Products toward new markets and new challenges.”

ABOUT JVC PROFESSIONAL PRODUCTS COMPANY

Headquartered in Wayne, New Jersey, with West Coast operations in Long Beach, California, JVC Professional Products Company is a division of JVC Americas Corp., a wholly-owned subsidiary of JVC Kenwood Corporation. JVC is a leading manufacturer and distributor of broadcast and professional video and audio equipment, D-ILA front projection systems, and Super LoLux HD video security products. For further product information, visit JVC’s Web site at http://pro.jvc.com or call (800) 582-5825.

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Belfast Systems Integrator Niavac Upgrades Inventory with HARMAN’s AKG CS3 Conferencing System

BELFAST, United Kingdom – Belfast-based AV presentation system specialists, Niavac, have upgraded their rental inventory by investing in HARMAN’s AKG CS3 conference system. According to MD James Conlon, this ‘plug and play’ solution is already proving extremely popular with their customers, particularly in the educational and healthcare segments, which form part of their core business. The system was sold to Niavac through Sound Technology Ltd., who distribute HARMAN Professional products throughout the UK and ROI.

Although Niavac—who have been in operation for over 50 years—have run AKG previously in their hire fleet, they canvassed the market to look for the most suitable options before readopting the brand.

“We were recommended to AKG by a third party,” stated Conlon, “but we also looked at the offerings of the other market leaders. I did a complete trawl and then contacted distributors Sound Technology Ltd, placing an order for a 30-station system.”

The old AKG system, he said, had served the company well for many years but was reaching the end of its useful life. “And since we are staging high end conferences and board meetings in areas such as education, healthcare and the private sector, we wanted to replace like for like, but with a superior solution.”

The CS3 System is a modular and flexible conference system suitable for any venue—from corporate boardrooms to council chambers—and its components can be easily set up, and scaled to suit (for instance, one CS3 base unit can support 60 microphones which connect to all relevant devices like PA, recording, external audio sources and camera control systems). The CS3 microphone station comes with a robust interface connector, which makes it easy to interchange the mics, which come in two detachable versions.

Since Niavac are also a major system integrator in Northern Ireland, supplying microphones and portable racks regularly to the education segment, it was important they got the choice right. “We needed the new system quickly, and having had a demonstration of some of the other brands AKG won out on sheer quality, the reliability we had experienced with the brand before, its ease of operation, its competitive price and the fact that it would sit easily in our existing transit boxes,” Conlon said. “Also, it looked very corporate-friendly; with other systems we reviewed [operators] were confused by the button pressing protocols.”

To emphasize his point, Conlon stated that one of their key clients, the local Healthcare Trust “absolutely love it”—adding, “they will attach it to amps, speakers and handheld radio mics.”

For more information on Niavac, please visit www.niavac.com

For more information on Sound Technology, please visit www.soundtech.co.uk

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

Broadcast Pix Announces fX3D Real-Time 3D Graphics System

Billerica, Massachusetts – Broadcast Pix™ today introduced fX3D, a real-time 3D graphics system designed to build dynamic graphic content for live events, sports, broadcast news, or channel branding. Designed as a standalone graphics system for existing broadcast infrastructures or as an addition to Broadcast Pix Granite™ or Mica™ integrated production switchers, fX3D makes it easy to create and playout high-end graphics. fX3D will be available at the 2014 NAB Show (Booth SL6325), which runs April 7-10 in Las Vegas, Nev., and is one of several new products that will be demonstrated by Broadcast Pix.

The fX3D system includes three software modules that create a simplified end-to-end graphics workflow. fX3D Creator software provides an intuitive interface to design and create graphic content, complete with a built-in 3D modeler. Lights, shaders, movement, and materials on 3D objects can be controlled in real time and in resolution independent HD. fX3D API allows the system to be controlled through Broadcast Pix switchers, and also allows integration with third-party products, such as broadcast news systems.

fX3D Playout is a template-based rundown controller that brings completed graphics to air. Assets can be searched using a variety of parameters, including keywords and date. fX3D Playout also allows manual or automatic graphic content updates via external resources, including RSS feeds or XML files, and supports multi-resolution output.

“Many of our customers have expressed interest in a powerful but affordable high-end graphics system, and our answer is fX3D. From designing and creating graphics to updating information within those graphics and then taking those graphics to air, fX3D does it all,” explained Steve Ellis, general manager, Broadcast Pix. “It is a complete graphics solution, so you never need to leave the application to get results that rival what you see on national networks.”

The hardware behind fX3D is the real-time fX3D Engine, which provides the power to create and repurpose 3D graphics simultaneously. Housed in a 3 RU chassis, the Windows-based, single-channel system will also be available in a dual-channel configuration. Plus, a high efficiency broadcast model with dual power supplies and support for higher pixel counts will be available in May.

fX3D system pricing starts at $15,995, though modules can be purchased separately.

About Broadcast Pix Founded in 2002, Broadcast Pix is the leader in integrated production switchers, with customers in more than 110 countries. Available in several configurations, from compact systems with end-to-end integration to large-scale systems for high-end live productions, Broadcast Pix switchers include CG, dual clip stores, file-based macros, external control software, and customizable multi-view and virtual sets with patented control options. Broadcast Pix also offers ReVue next generation slow motion systems, fX3D real-time 3D graphics, Rapid CG dynamic graphic playout software, and VOX voice-automated live video production, each designed to enhance our highly integrated live production switchers. Customers include leading broadcast, corporate, education, government, religious, sports, streaming, and visual radio studios. Learn more at www.broadcastpix.com.

Broadcast Pix, Granite, and Mica are trademarks of Broadcast Pix, Inc. Patented. Made in USA.

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