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ihiji Introduces Powerful New Real-Time Remote Network Management Tools for Commercial Integrators at InfoComm 2014

ihiji ConnectNinja, Auto-Discovery, and Speed Test features make commercial market debut

AUSTIN, TX and LAS VEGAS, NV – JUNE 17, 2014ihiji, a global leader in remote network management for both commercial and residential technology integrators, will introduce its network management solution to the commercial market at the upcoming InfoComm 2014 in Las Vegas, June 14-20, 2014 (ihiji booth #N567a). The Company’s powerful demonstration will include an overview of the award-winning ihiji invision network management solution, as well as the new ConnectNinja, Auto-Discovery, and Speed Test features. Together, these features help integrators remotely monitor, service, and maintain all aspects of a client’s network and connected devices more efficiently and securely.

ConnectNinja Feature
ConnectNinja makes the ihiji invision zero-maintenance cloud-based network management solution even more powerful by giving authorized users secure remote access for troubleshooting and configuring devices and networks. One of ConnectNinja’s key benefits is that it eliminates the need for unsecure port forwarding and VPNs for everyday remote access. In addition, ConnectNinja offers simple and secure remote access from directly within ihiji invision’s cloud-based web portal by tunneling connections into the client device through ihiji’s servers. This feature allows technicians to resolve complex issues easily, saving time and money by virtually eliminating the need for truck rolls and multiple site visits.

“ConnectNinja is a powerful feature for the commercial market, especially when you consider high maintenance applications like digital signage or the management of a large number of IP-based devices,” said ihiji Vice President of Technology and Co-founder, Mike Maniscalco. “We’ve done the hard work for commercial integrators by forming a secure connection to devices through our cloud servers. ConnectNinja significantly reduces both time and money spent on troubleshooting or deploying technicians, and with this enhancement, ihiji invision is an even more valuable asset for technology integrators focusing on efficient and proactive customer service.”

ihiji’s ConnectNinja joins other NetNinja features; PowerNinja, which remotely reboots IP-addressable power units; SwitchNinja, which remotely power cycles PoE ports; and StealthNinja, which provides direct soft-reboots of devices.
ConnectNinja is included as a part of the ihiji invision solution at no additional cost. Additionally, ihiji’s zero-maintenance cloud-based architecture means that the feature will be available with no additional patches or upgrades needed by the integrator.

Cloud-Based Remote IP Scan and Auto-Discovery Feature
ihiji invision is introducing one of its most requested features from the commercial market, a new cloud-based remote IP network Scan and Auto-Discovery feature. This new enhancement collects data about all of the IP devices on a given network and provides detailed reporting that includes IP address, manufacturer, mac address, and last-seen/first-seen instances. This powerful new feature can also convert devices that are already in use into ihiji-managed devices, further simplifying the configuration process for technicians and IT managers.

Internet Speed Test
ihiji’s cloud-based Internet Speed Test, an essential tool for testing network latency and Internet connection quality, enables integrators and network managers to check and confirm network functionality as well as relative upload/download speeds at each of their client sites. In addition to taking a snapshot of Internet quality, this test also logs and charts connection quality over time, providing clients and service providers with a long-range profile of Internet quality that includes latency, upload speed, download speed, and network jitter information. These reports let the integrator identify trends to fine-tune the system and improve performance, while also allowing them to demonstrate the improvement in system uptime and availability before and after monitoring was implemented. ihiji’s Online ISP Speed Test will benefit clients and service providers as a critical component of their Service Level Agreements (SLAs).

“Adding cloud-based network scanning and an Internet speed test is not only a natural evolution of the ihiji invision system, it is a necessity,” stated Maniscalco. “We continue to aggressively add more robust network management features that better serve the specialized needs of both commercial technology integrators and IT professionals.”

ihiji executives and technical staff will be on hand to demonstrate these features, as well as many other ihiji innovations during the InfoComm 2014 conference, in booth #N567a.

About ihiji
ihiji is the only zero-maintenance, cloud-based, remote network management solution for IT professionals and technology integrators. The award-winning ihiji invision solution is easy to set up, uses a low-cost, palm-sized appliance as the only onsite hardware, and gives service providers a centralized, web-based dashboard with visibility into multiple client networks at once. Subsequently, ihiji’s customers become more proactive and efficient, eliminating up to 50% of service calls while simultaneously increasing recurring revenue and protecting profits. A global solutions provider, the privately held company is based in Austin, Texas. To learn more, visit www.ihiji.com or follow ihiji on twitter @ihiji.

ihiji Media Contact
Katye (McGregor) Bennett, KMB Communications, (425) 328-8640, Katye@kmbcomm.com

Accompanying images to use with publication
ihiji logo & network management dashboard with APP-500 network appliance shown

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Stewart Filmscreen’s ‘Stewart Large’ Category Boasts Seamless, Larger-than-Life Screens Up to 90 Feet Wide!

Stewart divides screen sizes into three categories, crystallizing its position as the only manufacturer that can build seamless screens at extra-large sizes

TORRANCE, CA and LAS VEGAS, NV – InfoComm Booth #C6821 – JUNE 17, 2014 – Stewart Filmscreen—world leader in built-to-order, high-performance, extra-large, projection screens for the commercial and residential markets—is proud to announce the formalization of three screen-size categoriesStandard, Large, and Stewart Large. By solidifying these three size categories, Stewart is further entrenched as the only company that can produce seamless projection screens at extra-large sizes for any commercial venue, including Hospitality, House of Worship, Education, Entertainment, Restaurants, Corporate, Government, Military, and more.

“We’ve been making extra-large screens for decades. In fact, no other manufacturer can make seamless fixed projection screens at the sizes we do. That’s why we are calling our largest screens ‘Stewart Large’. We are excited to finally formalize our size offerings so that everyone knows exactly what we are capable of, and can easily select size categories based on their needs,” says Douglas Brashear, president of Stewart Filmscreen.

Stewart’s three new size categories are Standard, which includes screens that offer images up to 12 feet wide; Large, which includes screens that have an image width of up to 24 feet; and Stewart Large, which boasts screens up to 90 feet wide and 40 feet high.

When the venue calls for a jumbo, behemoth of a screen, and image quality is a top priority, only Stewart can deliver,” says Brashear. “We’ve been manufacturing screens for more than 65 years for some of the most high-profile venues and events in the world, which, frankly, we don’t brag enough about, but probably should.”

Stewart Filmscreen, known for its material science; custom, built-to-order screens; design and engineering; sales support, and customer service, is committed to client satisfaction. For Typical screen solutions website users will be able to immediately produce a design-ready drawing. For custom solutions, those submitting design requests will be contacted within 24 hours to review and refine the design proposal.

Some of Stewart Filmscreen’s high-profile large-format screen projects include the Academy Awards®, the View®, CNN®, National political conventions, Flight and mine safety simulators, and much more.

Those interested in experiencing, delivering, and learning more about the best 4K displays at InfoComm14 are encouraged to connect with Stewart Filmscreen in booth #C6821. More information can also be obtained by visiting www.stewartfilmscreen.com, e-mailing request@stewartfilmscreen.com, calling (800) 762-4999, and by following @StewartFilm.

About Stewart Filmscreen
Headquartered in Torrance, Calif., with additional manufacturing and satellite sales facilities in Ohio, Singapore, and Denmark, Stewart Filmscreen has been the consistent choice of discerning clientele around the world for more than 65 years. An Academy Award-winning manufacturer of projection screens and specialty optical coatings, aesthetic-conscious architects, consultants, systems designers, and property owners rely on Stewart Filmscreen for the perfect combination of superior quality, flexible design, and dedicated support, and we consistently deliver. Providing the most immersive experience in the industry, Stewart can custom engineer a projection screen solution to meet nearly every need. Proprietary material science and innovative manufacturing methods allow Stewart to produce some of the most optically immaculate screens in the world, ultimately delivering an immersive experience that’s unrivaled in the marketplace. Simply put, if a screen can be imagined, Stewart Filmscreen can deliver it. www.stewartfilmscreen.com | @StewartFilm

Stewart Filmscreen Media Contact: Katye (McGregor) Bennett | KMB Communications | (425) 328-8640 | Katye@KMBComm.com | @katyemcgregor

 

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ASHLY AMPLIFIERS AND SIGNAL PROCESSORS NOW SHIPPING WITH DANTE™

WEBSTER, NEW YORK: Ashly Audio, maker of powerful, high-performance, cost-effective power amplifiers and signal processors, is now shipping Dante digital media networking solution with all their nXe, nXp, Pema and NE Series networkable amplifiers. NE Series rack-mount system processors (4400, 4800, 8800) are also available for purchase with Dante. With low latency, robust synchronization, I/O scalability, and simplicity of installation via standard IT technology, Dante will significantly enhance the power and value of Ashly’s networkable amplifiers line and select signal processors.

“We’re now ready to supply our market with this incredible audio networking technology in our nXe and nXp amplifiers” says Anthony Errigo, director of communications at Ashly. “Dante currently brings the best in flexible, yet robust, digital audio transport and we’re poised to build on its success by delivering this connectivity in our most premier amplifiers and processors. Our customers will benefit greatly by this advancement.”

Audinate revolutionizes the way that A/V systems are connected by transporting high-quality media over standard IT networks. Dante is a robust proven solution which is widely deployed in hotels, transportation centers, shopping centers, public address systems, live sound reinforcement, theaters, concert halls, stadiums, athletic venues, corporate boardrooms, universities, broadcast facilities, recording facilities, houses of worship, government facilities, and courtrooms.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

ABOUT AUDINATE Audinate’s patented Dante media networking solution has been adopted by eighty OEM manufacturers in the professional audio/visual industry and is a Promoter Member of the AVnu Alliance™. Audinate offices are located in US, United Kingdom and Australia. Visit www.audinate.com for the latest news and information on the company. Dante is Digital Media Networking Perfected.

Dante is a trademark of Audinate Pty Ltd. Audinate is a registered trademark of Audinate Pty Ltd.

STOP BY AND SEE ASHLY AT INFOCOMM BOOTH #C11308

ASHLY AUDIO CELEBRATES 40 YEARS OF BUILDING GREAT-SOUNDING, COST-EFFECTIVE, AND RELIABLE PRO AUDIO SOLUTIONS

WEBSTER, NEW YORK: Founded by Billy Thompson in 1974 on the wings of a successful live sound company, Ashly Audio has been pioneering innovative products for the pro audio industry for forty years. Although much has changed, such as Ashly’s steady pivot from analog solutions for live sound to digital solutions for installed sound, much has also not changed, and it is this constancy that underlies Ashly success and longevity. Ashly has always delivered great-sounding gear that is highly reliable, easy-to-use, and fairly priced, which is a combination that never goes out of style. Moreover, Ashly has always resolutely stood behind its products and offered its full support to its customers. Ashly continues in this tradition as it builds the next generation of networkable amplifiers, DSPs, and user interfaces.

“Ashly has always had a relatively slow but steady growth trajectory,” explained Mark Wentling, president of Ashly Audio. “Many similar companies started out around the same time as Ashly Audio but have since closed their doors or been absorbed into other companies to become just another ‘brand.’ People have moved on and factories have been shuttered or moved overseas. Our approach has always been to remain steady, dependable, and maybe a little conservative, and that contributed to the forty strong years that we’re now celebrating. Indeed, the Ashly philosophy reflects back on our employees… many of the people still on the payroll in engineering, administration, and manufacturing were there when the company was just starting up!”

Those were the days when Billy Thompson was still playing the role of mad scientist at a lab bench overrun with oscilloscopes, custom-made real-time analyzers, and voltmeters. The smell of solder hung thick in the air. Among many other gems, Thompson used that charismatic setup to design Ashly’s 1970s-era SC-Series of rack-mounted processors, which included classic compressors, equalizers, crossovers, line mixers, mic preamps, and all of the other goodies that today reside inside Ashly’s Protea™ Digital Signal Processing platform. The live sound industry flocked to these and other Ashly products because, for a fair price, they effectively solved real problems and were well-known to reliably endure the stresses of life on the road.

In the 1980s, Thompson pioneered Ashly’s now-legendary MOS-FET amplifiers, which revolutionized the amplifier market by dramatically increasing amplifier power and reliability while minimizing size and cost. Ashly’s MOS-FET amplifiers were among the first to be certified for meeting Lucas-films’ stringent THX movie theater sound systems. Today, Ashly continues in that tradition by delivering high-power, high-fidelity amplifiers in small-footprint, multi-channel configurations that maintain Ashly’s hallmark reliability and value.

“Our relatively small size allows us to be quite nimble and responsive to our customers, whom we deeply value,” said Wentling. “Ashly Audio still operates a full factory in Webster, New York, just outside of Rochester, where we design and manufacture all of our networkable products, including high-power Class-D amplifiers, DSP Matrix processors, and some legacy handmade analog mixers, like the MX-508. In addition, we have responded to market forces by opening Asia-based manufacturing for our KLR-Series amplifiers and some legacy analog products. However, this is just a component of our U.S.-based operations. Indeed, we expanded our U.S. manufacturing plant last year and grew the R&D team. We continue to add to our product line-up in the area of high-performance Class-D amplification, as well as DSP matrix & system processors.”

A development Thompson couldn’t have anticipated without Steve Jobs-like prescience is how quickly the pro audio industry has adopted network technology from the IT industry. Ashly’s nimble in-house engineering team has ensured that the company stays at the leading edge of this development, giving A/V integrators cost-effective options for building Ashly systems and tying them elegantly into the larger lighting and video infrastructures. Ashly’s network-ready amplifiers and processors play nicely on a TCP/IP network right out of the box, and integrators can network digital audio via CobraNet or Dante® (“and AVB when the time is right,” promises Wentling). In addition to networkable hardware user controllers, Ashly offers a popular Ashly Remote iPad app for custom control of its products and will look towards the eventual release of iPhone and Android variants as well. Beyond simply offering these technologies, Ashly’s dedication to customer support ensures that Ashly users are a phone call away from answers and solutions to the myriad questions and challenges that can crop up in complicated networked systems.

“There is an incredible history here,” says Anthony Errigo, director of marketing communications. “People at Ashly are dedicated and have great stories to share. Our employees are proud of this company and brand that they have built together.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

And to take an historical look at Ashly, visit: www.ashly.com/40

BE SURE TO STOP BY AND SEE US AT INFOCOMM BOOTH #C11308

PHOTO CAPTION: Billy’s bench, circa 1979, with his RTA (Real-Time Analyzer).

Broadcast Pix Highlights New Products at InfoComm 2014

Billerica, Massachusetts –Broadcast Pix™ will showcase new products and updated software tools at InfoComm 2014 (C5737), which runs June 18-20 in Las Vegas, Nev. Among its new offerings is its ClearKey next generation chromakey upgrade for its integrated production switchers, expanded family of Flint™ systems, and new standalone fX3D real-time 3D graphics system and ReVue HD slow motion replay system.

“We have a lot to show the AV community at InfoComm,” said Steve Ellis, general manager, Broadcast Pix. “This has been an exciting year for Broadcast Pix, with our new standalone production products that can help operations with smaller budgets deliver results that rival what you see on national networks. And by expanding the Flint family, we’re making it more affordable than ever to produce live multi-camera productions for broadcast or webcast.”

Part of the new Version 4.0 software for Granite™ and Mica™ systems, as well as Version 3.0 software for Flint, ClearKey features precise, highly adjustable keying that can handle challenging visuals and create more realistic shadow and lighting effects. Its robust color correction removes the most stubborn spill from chromakeyed objects, while a key crop function can confine the keying effect to certain areas of the screen. Chromakey color is selected with a simple eye dropper tool, and intuitive controls make it easy to adjust lighting, shadow and spill correction effects.

Both fX3D and ReVue work independently in existing production environments or can be tightly integrated with Broadcast Pix systems. fX3D features a simplified end-to-end graphics workflow that makes it easy to create and playout high-end graphics. Its three software modules provide an intuitive interface to create graphic content, complete with a built-in 3D modeler and template-based rundown controller. Developed in collaboration with strategic partner EditShare, ReVue plays back two or four channels of video in sync, so it is easy to cut between cameras and find the best replay angle. Its compact controller includes a jog/shuttle wheel for reviewing footage, intuitive controls for manual and preset playback speeds, and dedicated buttons for marking in and out points for playback.

Broadcast Pix has also expanded its family of Flint systems. All three HD models include the same workflow software tools, but provide different input configurations to address different production requirements and budgets. The entry-level system, Flint LE, supports three HDMI or analog (composite, component or S-Video) inputs. Flint LX features four SDI or HDMI input, while Flint LS supports six inputs and offers a choice of six SDI (two of which can be HDMI) or four SDI and two HDMI or analog inputs. All models include two additional network inputs, which are ideal for presentations and Web pages from remote computers.

Flint handles the entire production workflow, from ingest to distribution. It includes a multi-format production mixer that allows operators to include cloud-based content from Skype, Twitter and other resources during live productions. Flint ingests and scales all sources while maintaining constant lip sync. Other built-in tools include an internal Inscriber CG, two-channel clip server, audio mixer with on-screen stereo faders and VU meters, customizable multi-view and HD streaming in a variety of formats.

Also announced for the show is VOX™ Lite, a small-scale version of its popular VOX voice-automated production option. A popular automated solution for visual radio, as well as government and corporate meetings for television, Internet, and in-house projection, VOX Lite eliminates the need for an operator for live productions, as sophisticated software detects which microphone is in use and switches cameras for automatic video-follow-audio productions. VOX Lite supports four microphones and works with any Flint, Granite or Mica integrated production switcher.

About Broadcast Pix Founded in 2002, Broadcast Pix is the leader in integrated production switchers, with customers in more than 110 countries. Available in several configurations, from compact systems with end-to-end integration to large-scale systems for high-end live productions, Broadcast Pix switchers include CG, dual clip stores, file-based macros, external control software, and customizable multi-view and virtual sets with patented control options. Broadcast Pix also offers ReVue next generation slow motion systems, fX3D real-time 3D graphics, Rapid CG dynamic graphic playout software, and VOX voice-automated live video production, each designed to enhance our highly integrated live production switchers. Customers include leading broadcast, corporate, education, government, religious, sports, streaming, and visual radio studios. Learn more at www.broadcastpix.com.

Broadcast Pix, Flint, Fluent, Granite, Mica and VOX are trademarks of Broadcast Pix, Inc. Patented. Made in USA.

Christie Unveils World’s First Commercial Laser Projection System in Shanghai

Christie®, the industry-preferred brand in the digital cinema projection market, today announced the unveiling of the world’s first commercial pure laser projection system installed at the prestigious Shanghai Film Art Center on June 13, 2014.

The Shanghai Film Art Center, the first cineplex to be built in China, has just installed the Oriental Mega Screen and is equipped with state-of-the-art equipment and amenities. The installation of Christie’s laser projection system at this facility is a clear indication that high-brightness laser projection technology is officially ready to enter commercial operations. Having successfully demonstrated high powered laser projection systems at numerous industry events for the past two years, including the world’s first commercial laser engagement in 2013, Christie has once again accomplished the pioneering feat of placing this groundbreaking projection technology permanently within the reach of the mass audience.

Don Shaw next to Christie Laser Digital Projector

Laser Projection Redefines 3D Cinema
As the pioneer and leader in laser projection technology, Christie is in constant pursuit of maximum brightness and the most realistic color reproduction. Through continuous research and innovation, Christie’s industry-leading products and solutions have time and again captivated and amazed audiences around the world, and constantly elevate the audiovisual experience to new heights. Christie laser projectors will provide industry-leading brightness of up to 72,000 lumens per projector head, wider color gamut capabilities, higher contrast, and dramatically reduced maintenance requirements, resulting in a better experience for all applications.

With a maximum brightness of up to 72,000 lumens, Christie’s laser technology has achieved an astounding breakthrough, which completely shattered its previous record of 34,000 lumens using conventional xenon lamp technology. Not only does this greatly increase the brightness when viewing 3D content, it also further pushes the capability of high quality visuals and art forms to new heights and restores cinematic colors to its intended realism and brilliance.

One of the biggest advantages of Christie’s laser projection system is its scalable and upgradable architecture, which allows users to precisely select the amount of laser light needed for their screen, with the capability to simply add more laser modules in the future if they wish to increase the brightness. Moreover, using the industry-proven Christie Duo system, there is no practical limit to the amount of light that can be put on a cinema screen. For maximum reliability, Christie’s laser system features integrated cooling in each laser module to provide the right amount of cooling for the lasers that are in use.

Shanghai Film Art Center celebrates installation of Christie laser digital projector

If the mechanical cooling components in one module experience a failure, then only that module goes dark, but the movie can still play very brightly with the light from other modules. Competitive architectures feature a single cooling unit, which represents a high risk, single-point of failure for the entire system.

Smooth Installation of World’s First Commercial Laser Projector
The process of installing the world’s first commercial 4K laser projection system in Hall 1 of the Shanghai Film Art Center by Christie’s highly-proficient technical personnel has been smooth sailing. Boasting a brightness of 60,000 lumens, a contrast ratio of 3000:1, and a 1.4 gain high uniformity white screen measuring 23 meters in width, these technologies are set to deliver an unprecedented and ultimate visual experience for the audience. Christie is on track in setting a new record in the global film industry with the installation of this cutting edge laser projection system.

“As a pioneer in the visual display industry, Christie prides itself in the pursuit of achieving the highest in brightness and achieving the most realistic color reproduction,” said Don Shaw, senior director, Product Management, Christie.

“With our rich experience in the field of laser research and development, and having conducted a number of professional and commercial laser demos, Christie is able to deliver full-fledged laser technology at the Shanghai Film Art Center. The installation has been exceptionally smooth due to our longstanding expertise and practical experience in laser projection technology.”

Christie is the world’s first visual technologies company to receive the US FDA approval of variance allowing the sale of laser projectors for use in a cinema.

Christie Leads the Way in Commercial Laser Projection
The event at the Shanghai Film Art Center showcases the capabilities of Christie’s 4K laser projection system in displaying spectacular images that redefine the cinematic experience. From the gleaming bodywork of the hottest automobiles to flying sparks from chainsaw-wielding workers, the minute details on an owl’s feathers to soaring grains of sand generated from swift motions of a shark, the crystal-clear waters of natural landscapes to glimmering lights from multiple windows of a New York skyline at night, Christie’s laser projection system elevates stunning and lifelike visuals to a whole new level.

Guests who attended the event are not just enthralled by this unprecedented visual experience, they are also convinced that this installation marks a new milestone in cinema projection technologies. At the same time, they look forward to enjoying these breathtaking visuals at more theaters in China. The gala event concluded on a high note with the special preview of the Hollywood blockbuster film Godzilla.

“We are very proud to install and showcase the superiority and brilliance of the world’s first commercial laser projection system,” said Lin Yu, vice president, Christie Asia Pacific. “This revolutionary projector system will show how 3D light levels, color fidelity, image uniformity, viewing comfort, and a sense of immersion can be vastly improved, versus the conventional 3D systems found in cinemas around the world today. This heralds a new chapter in the milestones of global film technology and reinforces Christie’s position as the leader in ushering commercial theaters into a new era of high-brightness laser projection.”

STEWART FILMSCREEN ROCKIN’ TO RAISE FUNDS FOR NSCA EDUCATION FOUNDATION BY SPONSORING CHARITY PERFORMANCE BY THE DRUNK UNKLES ON OPENING DAY OF INFOCOMM14

Charity concert slated for Wednesday, June 18, at Hard Rock Hotel Club Vanity

TORRANCE, CA and LAS VEGAS, NV – INFOCOMM BOOTH #C6821 – June 16, 2014 – Stewart Filmscreen Corp., the leading international manufacturer of projection screens and specialty optical coatings for commercial and residential applications, is pleased to announce the Company is sponsoring a charity performance by the Drunk Unkles, Wednesday, June 18 at the Hard Rock Hotel in Las Vegas.

Dubbed Insanity at Vanity, the party and networking event is included in the lineup for InfoComm14 and is a fundraiser for the NSCA Education Foundation. This annual party draws thousands of A/V industry professionals, including dealers, distributors, manufacturers, integrators, members of the media, and InfoComm exhibitors.

In addition to Stewart Filmscreen, the show’s sponsors include AMX, AV Services, Barco, Biamp, Chief, Christie, FSR, IVCi, Liberty AV Solutions, NEC, Prysm, rp Visual Solutions, Sennheiser, Sharp, SurgeX, Synnex, West Penn Wire, and Whitlock.

The NSCA Education Foundation provides scholarships and training opportunities for both new professionals to the industry as well as veterans looking to expand their business. During the past nine years, the Drunk Unkles and show sponsors have helped to raise more than $500K for the foundation.

Attendees are invited to pick up a ticket to see the exclusive Drunk Unkles show at the Stewart Filmscreen booth #C6821 during InfoComm14. Tickets are also available at other sponsors’ booths as well – see complete listing below.

Those interested in experiencing, delivering, and learning more about the best 4K displays at InfoComm 2014 are encouraged to connect with Stewart Filmscreen in booth #C6821. More information can also be obtained by visiting www.stewartfilmscreen.com, e-mailing request@stewartfilmscreen.com, calling (800) 762-4999, or following @StewartFilm.

About Stewart Filmscreen
Headquartered in Torrance, Calif., with additional manufacturing and satellite sales facilities in Ohio, Singapore, and Denmark, Stewart Filmscreen has been the consistent choice of discerning clientele around the world for more than 65 years. An Academy Award-winning manufacturer of projection screens and specialty optical coatings, aesthetic-conscious architects, consultants, systems designers, and property owners rely on Stewart Filmscreen for the perfect combination of superior quality, flexible design, and dedicated support, and we consistently deliver. Providing the most immersive experience in the industry, Stewart can custom engineer a projection screen solution to meet every need. Proprietary material science and innovative manufacturing methods allow Stewart to produce some of the most optically immaculate screens in the world, ultimately delivering an immersive experience that’s unrivaled in the marketplace.Simply put, if a screen can be imagined, Stewart Filmscreen can deliver it. www.stewartfilmscreen.com | @StewartFilm

Stewart Filmscreen Media Contact: Katye (McGregor) Bennett | KMB Communications | (425) 328-8640 | Katye@KMBComm.com |@katyemcgregor

NSCA Education Foundation media contact: Jodi Jacobs, Marketing Coordinator | NSCA Education Foundation | (631) 609-7183direct | 800-446-6722 (office)

www.drunkunkles.com

www.nscafoundation.org

InfoComm Booth Numbers for Drunk Unkles Insanity at Vanity show sponsors:

AMX #C4908

Audio Incorporated No booth

A-V Services Inc. No booth

BARCO Projection Systems Inc. #C6308

Biamp Systems #C9736

Chief #C6830

Christie Digital Systems #N505 & N719

FSR Inc. #C8721

IVCi LLC No booth

Liberty AV Solutions #C8536

NEC Display Solutions #C7708

Prysm Inc. #N1115

rp Visual Solutions #N619

Sennheiser Electronic Corp #C10908

Sharp Electronics #C7418

Stewart Filmscreen #C6821

SurgeX #C8725

Synnex Corporation #C5425

West Penn Wire #C5434

Whitlock No booth

 

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Fishman Expands Sales Force To Keep Pace With Recent Growth

Andover, MA––Because of unprecedented growth spurred by products such as the new Fluence™ pickups and TriplePlay® Wireless Guitar Controller, Fishman has added John Polino and Gary Lopez to its sales force.

John Polino

A guitarist and vocalist, Polino is a 23-year veteran of the Boston music scene playing in popular Top 40, GB and Function bands such as “Dick n Jane” and “Hot Mess,” both of who have won “Best Band” awards from local radio stations. John comes to Fishman from First Act Inc., where he spent the last six years as a Warehouse Manager, Sales Sample Coordinator, Consumer Relations Manager and Product Manager.

Gary Lopez

Gary Lopez is a New England based vocalist/guitarist who’s been performing professionally since he was 17 and established himself in the Northeast as the front man for New Hampshire’s popular The Baker Street Band. Gary has shared the stage with Greg Allman and The English Beat, and performed in shows for President Bill Clinton. He has also been involved with music industry retail sales for over two decades working with Daddy’s Junky Music and Cambridge Soundworks.

Commenting on the new hires, Bill Norton, VP of Retail Sales, said, “We are genuinely happy to have these two very skilled sales representatives working for us as Fishman is continuing to grow at an amazing pace. John and Gary bring a high level of expertise into our new category entries including TriplePlay and Fluence electric guitar pickups.”

For more information about Fishman, please click to www.fishman.com.

Sarasota Upgrades to HD Production for City Commission Coverage with Broadcast Pix

Billerica, Massachusetts – Broadcast Pix™ today announced the city of Sarasota, Fla., has upgraded its City Hall facilities to a native HD infrastructure, anchored by a Granite™ 2000 integrated production switcher, to produce its city commission meetings for television and the Web.

In 2000, the city upgraded its small production facility in City Hall with an S-Video infrastructure. More than a dozen years later, however, the city found it difficult to maintain or replace its outdated equipment. In February, Encore Broadcast Solutions of Tampa, Fla., installed a system-wide upgrade, including an HD-SDI signal path.

“Part of our impetus for doing the upgrade was to upgrade to HD production and adopt a digital workflow,” said Miles Larsen, public broadcasting manager, city of Sarasota.

Coverage of city commission meetings is sent via fiber to master control in a nearby county building for Access Sarasota, a unique government access channel available locally on Comcast Cable and Verizon FiOS that is shared between Sarasota County and the city. Neither Comcast nor Verizon provides an HD channel, so Access Sarasota sends a 4:3 letterbox signal of its meeting coverage to maintain the wide aspect ratio. The city also provides live and on-demand HD meeting coverage on its Web site.

The upgraded system includes three new Panasonic PTZ HD cameras (as well as a previously purchased document camera) in the commission chambers. One camera provides a wide shot of the commission, another shoots close-ups of commission members, and a third is positioned to shoot presenters. The chamber upgrade also included new microphones and an electronic voting system.

In the control room, the Granite system replaced an aging Echolab switcher and PC-based graphics system. “We were not planning on doing a lot of crazy, elaborate stuff,” Larsen recalled. “This is a dedicated switcher just for covering meetings. We actually went back to Encore and asked if the Granite was more than what we needed, and they said we’d want room to grow. They were right.”

With 11 SDI inputs, Granite provides the city commission with enough inputs for all four cameras, as well as DVDs, USB thumb drives and tablets supplied by residents, when necessary. Plus, Encore and Broadcast Pix engineers were able to create an API to allow our switcher to integrate with the AMX control system in the commission chambers, so a staff member can run the production, if necessary.

Granite’s built-in production tools, including the customizable Fluent-View multi-view, have also improved workflow during meetings. In particular, the Inscriber CG is a “huge upgrade” from the previous graphics system, which Larsen said was poorly integrated and poorly positioned in the control room. “Having the CG inside the switcher is so nice,” he added. “There’s no rolling your chair back and forth between workstations, and it’s so much easier to make changes.”

The new system has only been in use since March, but Larsen is already planning to use Granite’s built-in clip store to add roll-ins to open and close meeting coverage. “We can do things we just couldn’t do before, and we have the freedom to think creatively and improve our production values,” he said. “Every time I sit down in front of the Granite, from the beginning of the meeting to the end of the meeting, I’m more convinced it was the right decision. It makes our productions easier and better.”

About Broadcast Pix Founded in 2002, Broadcast Pix is the leader in integrated production switchers, with customers in more than 110 countries. Available in several configurations, from compact systems with end-to-end integration to large-scale systems for high-end live productions, Broadcast Pix switchers include CG, dual clip stores, file-based macros, external control software, and customizable multi-view and virtual sets with patented control options. Broadcast Pix also offers ReVue next generation slow motion systems, fX3D real-time 3D graphics, Rapid CG dynamic graphic playout software, and VOX voice-automated live video production, each designed to enhance our highly integrated live production switchers. Customers include leading broadcast, corporate, education, government, religious, sports, streaming, and visual radio studios. Learn more at www.broadcastpix.com.

Broadcast Pix and Granite are trademarks of Broadcast Pix, Inc. Patented. Made in USA.

Christie Delivers Visual Display Technologies at InfoComm

Christie® is showcasing the widest range of visual display solutions at InfoComm 2014 at the Las Vegas Convention Center June 1820. A trusted market leader celebrating 85 years of experience and an InfoComm Gold Sponsor, Christie is introducing new laser phosphor 1-chip DLP® projectors, new LED tiles and LCD panels, the new Roadie 4K25 and 4K35, and a new Christie LX1750 3LCD projector for fixed installations, rental and staging, education, business, government and industry, sports and entertainment, houses of worship, meetings and events, and hospitality.

Christie products featured at InfoComm 2014

“Christie is a total solutions provider and it’s all about providing customers with the ultimate peace of mind; knowing that calling Christie means ‘problem solved!’” said Kathryn Cress, vice president, global and corporate marketing, Christie. “Christie solutions offer exceptional performance and reliability. They help customers create the world’s best shared experiences, visually and audibly, using the broadest range of collaborative tools available today.”

At InfoComm, Christie’s all-inclusive solutions will be highlighted in seven distinct zones.

Zone 1
Large, curved Christie® Velvet™ LED display with content managed by the Christie Spyder X20.

Zone 2
Christie 4K zone features blending of two Christie 4K25 3-chip DLP® projectors and two stacked Christie Roadie 4K35 3-chip DLP® projectors with content managed by a Christie Spyder X20.

Zone 3
Christie Brio Family of collaboration tools, introducing the new Christie Brio Team. Zone 3 also showcases the new Christie 84-inch Quad HD, Christie FHD651-T touch panels and the Christie Q Series, which will be using the new Christie One Mount.

Zone 4
Control Room display with stacked Christie Entero HB 70-inch HD front access display cubes, Christie Phoenix™, Christie JumpStart and Christie FHD552-X 55-inch ultra-narrow bezel LCD flat panels.

Zone 5
Christie Spyder image processing display solutions and a selection of Christie M Series 3-chip DLP® projectors, the Christie LWU501i and Christie Q Series.

Zone 6
The Projection Mapping zone includes the recently released Book of Transformations showcasing examples from all over the world. The display will be using Christie HD14K-M 3-chip DLP® projectors. The Christie Interactive Design Studio – 3D, interactive projection mapping display will feature Christie G Series projectors and Christie® MicroTiles®.

Zone 7
Interactive/Bulb-Free displays with the new laser-phosphor GS Series, Christie One Mount, Christie MicroTiles using Christie Interactivity Kit, and touch LCD panels.

Zones will include the following new solutions:

Christie GS Series Laser Phosphor Projectors
Christie is expanding its G Series projection family to include solid state illumination in WXGA (DWX555-GS), HD (DHD555-GS) and WUXGA (DWU555-GS) resolutions. Using 1-chip DLP® and a laser phosphor illumination system, the Christie GS Series provides an astonishing 20,000 hours of lamp-less operation and recommended for fixed installations where high resolution applications are required, such as boardrooms, higher education, houses of worship, and smaller entertainment venues.

Christie Velvet
Christie expands its line of tiled displays with the introduction of Christie Velvet high resolution indoor LED tiles that provide high image quality and are seamless to integrate. The new, smart design LED tiles are available in various sizes and can be built-to-order in 1.875 mm, 2.5 mm, 3 mm and 4 mm pixel pitches. With wide-viewing angles and exceptional image clarity, the tiles are suitable for indoor video wall applications, such as retail, hospitality, corporate lobbies and control rooms. Built for 24/7/365 use and backed by industry-leading warranty and trusted pre/post sales service, the high performance LED tiles can be used with Christie’s image processing and content management software.

Christie FHQ841-T 84-inch UHD LCD Panel

The new 84-inch “plug and play” Christie FHQ841-T multi-touch UHD LCD panel features 3820 x 2160 resolution, anti-glare glass and 10 simultaneous touch points. For customers and integrators who want a single source provider to meet all of its products and service needs, Christie offers a wide selection of displays that can be bundled with options such as Christie Brio integrated collaboration system, enhanced service plans and on-site support.

Christie FHD552-X 55-inch LCD Panel
Christie’s 55-inch ultra-narrow bezel LCD panel features a reduction in tiled space by 35 percent to just 3.5 mm between screens for a minimal loss of content. The Christie FHD552-X tiled display wall has full high-definition resolution, high pixel density and a LED-backlit screen. Images look sharp at any distance, with controlled brightness suitable for a variety of indoor environments. The Christie FHD552-X is compatible with Christie JumpStart and Christie Interactivity Kit for a fully interactive digital experience.

Christie Roadie 4K25 and 4K35 Ruggedized Projectors
The Christie Roadie 4K25 and Christie Roadie 4K35 3-chip DLP® projectors are built to withstand the rigors of the road delivering 25,000 and 35,000 lumens respectively. Both are ideal for rental/staging applications and offer 4K 60Hz projection that features industry-leading Christie TruLife™ electronics with 3G-SDI and Display Port as standard inputs and optional HDMI and DVI input modules.

Christie LX1750 3LCD Projector
Following on the heels of the highly successful Christie LX1500 comes the next generation Christie LX1750, offering a powerful 16,000 lumens (17500 center lumens), 4D color technology for superior color reproduction, and professional design. The LX1750 is ideal for houses of worship, large conference rooms, higher education, medium-sized auditoriums, and staging applications. The Christie LX1750 also features a suite of eleven optional, high performance lenses to support virtually any installation or venue, along with a fully motorized lensing system that offers easy setup and configuration.

Christie Brio Team
Christie Brio Team, the newest model in the Christie Brio family of presentation and collaboration systems, is a plug and play unit that makes it easy for individuals to wirelessly stream content onto displays from devices such as PCs, tablets, smartphones. Users can share content, edit in real time, save their work and capture action items for quicker follow-up while in study areas, small meeting rooms and huddle spaces. Brio Team, with its integrated Wi-Fi, AirPlay and WiDi receiver, requires no additional software apps, external dongles or local area network.

Christie Partners With Euromet Deliver Quality Ceiling Mount
Christie is partnering with Euromet to deliver a professional quality ceiling mount capable of supporting more than 20 Christie projectors. Christie One Mount is a modified version of the popular Euromet Arakno mount, but also includes a quick release pin to allow for easy projector serviceability. The Christie One Mount features a white and stainless steel color combination with a white ceiling mounting plate.

Christie Presence throughout InfoComm

Christie will be partnering with vendors throughout InfoComm including Crestron, in meeting room N250, which will be using a Christie D4K2560; Da-Lite, in booth C5408, with a Christie D4K2560, Christie HD10K-M and six Christie HD20K-J 3-chip DLP projectors; Stewart Filmscreen, in booth C6821, using the Christie Mirage 4K25 projector; coolux, in booth N405, with the Christie HD20K-J and Christie WU20K-J projectors; Alcorn McBride in booth N427, using Christie FHD551-X flat panels in landscape mode; the InfoComm Show Management, which is using several Christie projectors including the Christie S+22K-J, the Christie HD20K-J, the Christie HD14K-M in portrait mode, and the Christie Spyder video processor; rp Visual Solutions, booth N619, using 48 Christie® MicroTiles® Christie Interactivity Kit , and both the Christie Roadster HD20K-J and Christie HD14K-M 3-chip DLP® projectors; and InfiTec, booth N662, using Christie WU14K-M projectors.

NSCA Education Foundation Sponsorship

Christie is sponsoring the NSCA Education Foundation’s Drunk Unkles event, dubbed Insanity at Vanity, to be held at Hard Rock Hotel’s Club Vanity in Las Vegas, June 18. The annual event draws thousands of participants from the A/V industry, and media, to help raise money for the NSCA Education Foundation. For more information, visit www.drunkunkles.com.

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