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Fairlight Unveils the Next Generation of Audio Post Production

Internationally acclaimed as the first company in the world to introduce FPGA technology to the audio post production business, Fairlight has now consolidate its position as an innovator with the launch of its second generation Crystal Core (CC-2) technology.

Hailed as the most powerful post production audio engine ever created, CC-2 incorporates an impressive 1000 playback channels, 100+ output buses and 100 live inputs. When teamed with Fairlight’s new V5 operating software, it offers the ultimate professional solution for the demanding delivery requirements of today’s broadcast industry.

In keeping with Fairlight’s long tradition of seamless upgrade paths, CC-2 is entirely compatible with the audio hardware currently operating with the company’s established CC-1 engine.

Tino Fibaek, Fairlight’s Chief Technical Officer, says: “Future proofing our technology has always been at the heart of our business philosophy. With the launch of CC-2, we have ensured that existing Fairlight customers can easily upgrade without having to replace their current audio interfaces or control surfaces. This means they can extend the life of their original hardware investment, whilst benefiting from the increased capacity that CC-2 brings.”

Fairlight’s CC-2 engine features a processor chip that is five times more powerful than the chip in its CC-1 engine. It also has four times the PCIe bandwidth, new dual channel memory architecture, an on-board expansion slot and almost twice the MADI connectivity.

Augmenting Fairlight’s renowned editing model, V5 sees the addition of Clipbender, an enhanced time compression and expansion feature allowing audio within a single clip to be aligned to picture, with multiple bend points and real time non-destructive processing.

Fairlight’s V5 software has advanced to a full 64-bit application, allowing unrestricted access to the full power of Intel’s latest processors. The associated increase in memory and speed delivers more simultaneous plug-ins, more video formats and larger media files. When used in combination with CC-2, this platform delivers faster than real-time, offline mixdown.

Also developed a part of the new 64-bit architecture is a brand new video engine, leveraging GPU acceleration for real-time video processing, offering support 4K video resolution, and features built-in HEVC decoding.

For more information about Fairlight’s new CC-2 audio engine and V5 software, please visit www.fairlight.com.au

-ends-

About Fairlight:

Fairlight has been designing, engineering and manufacturing cutting edge, professional digital audio technology for more than 30 years. Its dedication to innovation, quality and customer service has made Fairlight one of the most respected companies in professional audio. With their integrated control surfaces and intuitive user interfaces, Fairlight’s award-winning media creation tools are renowned for their speed, flexibility and exceptional sonic quality. The company’s products offer full compatibility with virtually all open audio, video and sync standards, making them ideally suited to a wide range of audio post and live broadcast applications.

www.fairlight.com.au

HARMAN’s Martin Professional Helps Foster Immersive Experience for Thousands at Eagle Brook Church

CENTERVILLE, Minnesota – When a person enters a service at Eagle Brook Church, the congregation’s goal is for them to be welcomed by real people, challenged by biblical messages that address everyday problems and inspired by excellent music. With 18,000 attendees worshiping at 6 locations throughout the Minneapolis-St. Paul metropolitan area, the scale of Eagle Brook Church makes providing a personalized, immersive experience a challenge. Making the music even more inspiring, however, became a little less daunting of a task with the installation of HARMAN’s Martin Professional lighting fixtures.

Deployed to compliment the message and the music at the Lino Lakes campus are 16 Mac Viper Air FX fixtures and eight Martin 250 Washes. For Easter and other special occasions, the church supplements its installed fixtures by renting other Martin Fixtures. The church’s Blaine campus boasts 10 Mac 700 Profiles and four Mac 250 Entours. At Spring Lake Park, six Mac 250 Entours and six Mac 250 washes are used, and eight washes and six Mac 250 Entours are used at the White Bear Lake campus.

Eagle Brook Church has come a long way since 1948, when it was founded as a Sunday school initially attended by only 19. Today, for weekend services, the teaching pastor’s message is delivered live at the Lino Lakes location and broadcast via simulcast technology to the Blaine, Coon Rapids, Spring Lake Park, White Bear Lake and Woodbury locations.

While the pastor’s message is simulcast, each Eagle Brook campus has its own music. Nate Nohling, Lead Lighting Director, oversees lighting and scenic design across the organization and works closely with Tom Clark and Travis Leatherman who help to design and program across the 6 campuses. “My goal is to create an immersive environment that enhances the worship experience,” he said. “We don’t want the lights to become the focal point or draw attention away from the experience. Instead, we want the lighting to match the energy of the music. To attain that, I work closely with the music pastors to make sure my design is cohesive with their vision.”

To help meet that challenge and many others, Nohling said that Eagle Brook Church was a Martin house before he joined the organization more than two years ago and that it will remain one for the foreseeable future. “We’re very particular about the brand of our campuses,” he said. “A part of that brand is making sure we have the same quality of fixtures to achieve the same type of environment across our campuses. Sticking with Martin fixtures helps us by having consistency when it comes to color palettes and overall output quality of our lighting.”

In the end, though, what’s important to Nohling and other members of Eagle Brook Church’s leadership team is making sure that everyone who attends a service has a deeply personal and immersive worship experience. “Lighting plays an important role in how people experience our brand,” he said. “And when you have different spaces, lit by different fixtures, creating the same lighting experience with different rigs is a challenge. That’s why maintaining a consistent design throughout our sites is a key part of my role. We need to have one design sensibility that we can draw on to create and deliver a consistent look and feel across campuses. Utilizing Martin fixtures helps us to be confident that when you walk into any one of our campuses, it is going to look and feel like Eagle Brook Church.”

Photo Credit: Tom Clark

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

DVIGear’s HDBaseT Extenders among the Products of the Year

Recognized as Two of the Best New Products of 2014SCN Product of the Year 2014

Marietta, Georgia    September 17, 2014  –  DVIGear, a leading manufacturer of digital connectivity products, was recently recognized by NewBay Media’s Systems Contractor News magazine.  The new HDMI HDBaseT Extenders were named among the Products of the Year in the September edition of SCN.  This award can also be viewed online.

SCN Products of the Year 2014

The DVI-7520 and DVI-7525 HDMI HDBaseT Extenders were recognized for their wide range of features, exceptional interoperability, and break-through value.  They provide simple and cost-effective solutions to extend uncompressed HDMI or DVI, embedded audio, bidirectional RS-232 and IR, and Ethernet (DVI-7525 only) using a single twisted-pair CAT-X cable.   Unlike other products, these extenders support the full range of HDBaseT features, including: 5 play, support for 4K / 30p (UHD) resolution, bidirectional IR, POH and long range operation.  The new DVI-7520 and DVI-7525 are among the first extenders on the market to offer a fully compliant implementation of “Power over HDBaseT” (POH), a key component of the HDBaseT standard.  To maintain system stability and compatibility, POH uses standardized 48 VDC power as well as a sophisticated handshake feature that prevents power exchange with incompatible devices.

“We are truly honored our new HDBaseT Extenders have been recognized for their innovative features and value,” stated Steven Barlow, President of DVIGear.  “We always strive to provide our customers with absolutely bullet-proof products that deliver every pixel perfectly from source to destination.  The new DVI-7520 and DVI-7525 HDBaseT Extenders are no exception.”

DVI-7520 and DVI-7525:  HDMI HDBaseT Extenders

The DVI-7520 and DVI-7525 deliver a powerful combination of advanced features and sterling performance at very attractive price points, which make them a true break-through in value for professional AV system integrators.  This makes them ideally suited for a wide range of digital display applications including rental & staging events, conference and training rooms, boardrooms, auditoriums, hotels, churches and other demanding environments.  The Product of the Year 2014 Award article appears in the September edition of SCN.  The award can also be viewed online.

About DVIGear

Founded in 1999, DVIGear (www.dvigear.com) is a leading supplier of Digital Connectivity Solutions for a wide range of professional display applications.  Located in Marietta, Georgia, DVIGear offers an extensive portfolio of high performance digital video distribution products including:  Digital Matrix Routing Switchers, Splitters, Extenders, Converters, Scalers, as well as long-length copper and optical cables.

###

Contact: Joseph Barbier  /  770.421.6699  /  joseph@dvigear.com
High Resolution Product Photo:  DVI-7520 and DVI-7525
Award Logo: SCN Product of the Year 2014

HDBaseT™ and the HDBaseT Alliance logo are trademarks of the HDBaseT Alliance.

HARMAN’s Studer Introduces New MADI Card to Accompany D23 I/O System

AMSTERDAM, The Netherlands – In correlation with the introduction of its D23m I/O system and A-Link 3 Gbit/s optical interface, HARMAN’s Studer is announcing the first MADI I/O card specifically designed to fit in the new D23 frame, which works seamlessly with Studer Vista X and Vista V digital consoles. The card may also be used in the Vista 1 I/O card slot.

The new I/O card is a dual slot card fitted with two redundant MADI interfaces and provides up to 128 channels of inputs and 128 channels of outputs on the two fully redundant interfaces. SFP modules are used for the front panel MADI interfaces and these hot-pluggable devices are available in a variety of optical and electrical formats.

MADI is a worldwide standard and is used for high capacity interfaces to much studio equipment such as Digital Audio Workstations (DAWs), video and audio routers, other consoles and, most importantly, stage boxes. Studer stage boxes have embedded control within the MADI stream, even if all 64 channels are used for audio. This new card may be connected to two Studer stage boxes, either D21m type or the Compact Stagebox. Full microphone control and remote frame status monitoring for both frames is provided on the console application.

Each of the two MADI interfaces provides dual outputs (with the same audio and control data). The MADI inputs will automatically switch in less than a millisecond to the reserve input if the data is corrupt or fails, thus providing full cable redundancy for typical OB operations.

MADI channel count to the D23m backplane may be set for both interfaces in eight channel steps individually from eight channels to 64 channels. MADI outputs may be set to 56-channel mode for compatibility with legacy equipment. MADI inputs may be in either 64- or 56-channel mode. Input sample rate converters may be enabled for use with non-synchronous sources.

The MADI interfaces will run at 44.1 kHz, 48kHz, 88.1kHz and 96kHz in the D23m frame. Channel count is halved unless two pairs of cables are used.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Apple Invites Larry Fishman To Speak At Special Employee Presentation


Cupertino, CA––With products such as iPhone, iTunes, MacBook, iMac and more, Apple Inc. is well known for beautiful design and seamless product integration. But where does Apple turn when looking for inspiration to help keep their ideas fresh?

Larry Fishman founder and President of Fishman, designer and manufacturer of pickups, amplification and other products for acoustic and electric musicians, was recently invited to speak to Apple designers, engineers and product managers.

Fishman delivered a presentation entitled “Inspiring Tools for Musicians: A Confluence of Engineering and Art” to a standing-room only audience. Not surprisingly, almost all in attendance raised their hand when asked by Mr. Fishman, “How many of you are engineers?” When asked the second question, “How many of you are musicians?” an equal number responded.

Fishman continues, “At that point I knew I was among friends. My own background with a Mechanical Engineering degree and years as a performing bassist has allowed me to seamlessly move between creative endeavors. Sometimes I’m playing my bass; sometimes I’m ‘playing’ my computer CAD system; at all times I’m creating.”

Mr. Fishman took the audience through his concept of creativity and how the engineering arts relate to and co-exist with the “fine” arts in terms of individuals and companies. He went on to explain how the Fishman culture of inspiration, rejecting institutional bias and “untying knots” has helped build an award winning, profitable and acknowledged leader in the MI industry over the last 33 years.

In addition to the lecture, music was used to reinforce key points and illustrate the end results of Mr. Fishman’s process. Performances featuring musicians Greg Koch, Roscoe Beck and Ritchie Fliegler were woven throughout the program.

Specific products were included such as Fishman’s first pickup design for upright bass along with his early relationship with guitar makers, which ultimately led to the development of the industry-standard Matrix pickup. Fishman spoke of his experience creating Parker Guitars with Ken Parker, and many of the challenges he faced with a radical new design that challenged the sensibilities of the conservative guitar market. Aura Acoustic Imaging Technology, Loudbox acoustic amplifiers and Fluence Multi-Voice electric guitar pickups were also used as examples to illustrate the Fishman creative technology process. Of particular interest to the Apple audience was the TriplePlay Wireless MIDI Guitar Controller and how it integrates with iOS and OS X software.

Fishman concludes, “At this point, Apple’s mark on product technology and design are indisputable. That they would invite me to speak to them as a peer is quite an honor. Being given the opportunity to share my views on product development to a receptive audience at Apple was an amazingly inspiring and humbling experience.

“Also, the fact that many of the attendees stayed and chatted well after the presentation was over definitely made my day. We could really relate to each other, as in ‘if you’re a computer company why are you making a phone?’ It’s not that much different from our expansion into digital processing, electric guitar pickups and amps. Ultimately, we all agreed the object is to bring value, something truly unique to people.”

For more information about Fishman, please click to www.fishman.com.

Masque Sound Takes Off with First National Tour of the High-Flying Hit Musical Comedy, Pippin

Custom Audio Equipment Package Delivers Broadway Experience to Audiences around the Country

DENVER, CO, SEPTEMBER 15, 2014 – When the Broadway smash hit Pippin embarked on its first national tour on September 6 at The Buell Theatre in Denver, Colorado, Masque Sound, a leading theatrical sound reinforcement, installation and design company, was along for the ride to support Sound Designers Jonathan Deans and Garth Helm’s vision for the high-flying, death-defying musical comedy.

Pippin tells the story of a young prince as he sets out on a thrilling journey to find meaning in his existence. He notes two potential paths: he can choose a happy, but simple life or risk everything in favor of a momentary flash of glory. A magical show, Pippin has become a well-known staple in the theatre community for its many classic Broadway numbers, including “Magic to Do,” “Corner of the Sky,” “Glory,” “No Time at All,” “Morning Glow” and “Love Song.”

Deans and Helm have been with Pippin since its Broadway opening in April 2013 and are both intimately familiar with the show’s audio requirements. “The creative concept behind Pippin was designed in New York, so we are now trying to bring that Broadway experience to the different theatres on the tour,” says Deans. “The show itself essentially stays the same as the one that appears on Broadway in every aspect, except for the sound design. Because we are putting on performances in different theatres of various sizes and capacities, as well as some with balconies and some without, we needed a very flexible sound system that could provide full coverage, with no matter to the room and its dimensions.”

In order to deliver as close to the Pippin Broadway experience as possible, Masque Sound provided the designers with a DiGiCo SD7 Live Digital Console complete with Stealth Digital Processing™. “The SD7 is very versatile, sounds great and does everything we want it to do,” says Helm. “It is extremely helpful in ensuring that we can expect exceptional sound coverage in all of the theatres in which the production will be playing.”

As part of the custom-designed audio system, Masque Sound also supplied an array of d&b audiotechnik speakers, which the designers chose for their excellent sonic soundscape, as the speakers help to keep the continuity between the Broadway show and the tour productions. In addition, a selection of microphones from Shure, Neumann and DPA, as well as a 40-channel wireless package featuring Sennheiser mics with DPA booms, were also included in the audio equipment package.

“The crew at Masque Sound is always wonderful to collaborate with,” adds Deans. “Masque Sound worked closely with us to build the ideal speaker package to fit our sound requirements. The crew really looks after the best interests of the show. They care about the production, they care about us, and that always makes working with them such a rewarding experience.”

In addition to providing the custom audio package for the show, Masque Sound also supplied frequency coordination for the show’s 40-plus channels of wireless microphones. Masque Sound’s expert team provided the touring crew with the information and RF equipment that they needed to ensure that all of the show’s wireless transmission would remain interference free.

Deans and Helm also acknowledge the importance of their own crew’s hard work in ensuring the show’s success. “Our Associate Sound Designer Drew Levy, Production Sound Supervisor Alex Ritter and two fantastic sound mixers, A1 FOH Mixer Maxine Gutierrez and A2 RF/Backstage Support Nathan Meredith, look after the show, tour with it and do an amazing job on all accounts.”

Pippin is directed by Diane Paulus and features choreography by Tony® nominee Chet Walker in the style of Bob Fosse and circus creation by Gypsy Snider of the Montreal-based circus company Les 7 Doigts de la Main, also known as 7 Fingers. The show opened on Broadway on April 25, 2013 and went on to win four 2013 Tony Awards, including Best Revival of a Musical and Best Director of a Musical for Paulus. The Pippin tour is currently slated to run through August 2015 with 33 stops, including Denver, Los Angeles, San Francisco, St. Louis, Washington DC, Atlanta, Dallas, Chicago and Seattle.

For ticket information, please visit www.pippinthemusical.com/tour.php.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

HARMAN’s Studer: IBC Debut of D23m I/O System For Huge Channel Count

AMSTERDAM, The Netherlands – Featuring enhanced channel count architecture that allows customers of its Vista X and Vista V digital consoles to transfer a huge number of channels; HARMAN’s Studer is demonstrating the new D23m I/O system. The D23m works seamlessly with Studer’s new Infinity Core and A-Link interface technology.
The D23m is fully compatible with D21m systems already in the field; all existing D21m I/O-cards are fully compatible and can be used in the new D23m frame. Plug-and-play features like automatic card detection are also available with D23m.

The D23m offers a new and robust I/O frame for all future Studer mixing consoles using A-Link technology, wherever a high channel count is required. The ability to use D21m cards protects existing customer investments and offers a cost-effective solution. The use of different I/O modules, be it existing D21m cards or new I/O higher capacity and new format interfaces, provides an I/O system tailor-made for customer needs.
The audio between the mixing console or router system and the D23m connects via the A-Link interface. The A-Link HD card hosts a powerful processor to operate all required patching and may be used as the sync master to the system, or may be slaved to a variety of external synchronization signals.

The D23m can host up to 12 I/O cards with a total of 1,536 inputs and 1,536 outputs, dependent of the I/O cards fitted.

The new D23m I/O system comes with two A-Link ports and two hot-swappable power supplies (including secondary regulators) for secure, redundant operation. Status displays on the front panel indicate the status of the frame or the status of installed cards.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Shotoku Broadcast Systems Announces New SmartTrack System at IBC 2014

Latest Solution Anchors New and Enhanced Studio and Field Camera Support Gear

Amsterdam • IBC2014 — Shotoku Broadcast Systems, the well-established leader in manual and robotic camera support, and virtual reality tracking, is anchoring this year’s IBC Stand with a new ‘smart’ rail camera system that targets the rigorous demands of daily TV studio use. The SmartTrack system is being shown alongside Shotoku’s advanced and high-performing control solutions, pan & tilt heads, robotic and manual pedestals, and virtual reality products for OB, studio, field production and legislative applications.

“As always, we are totally committed to IBC, which is a major event in our calendar. It allows us to showcase our systems to the European broadcast market as well as to professionals from so many other parts of the world. It’s a fantastic opportunity to meet new clients and catch-up with old friends with whom we’ve worked for many years,“ said James Eddershaw, sales director, Shotoku. “This year, we are showing a combination of systems from across our entire range of camera supports, including for the first time outside the USA the new SmartTrack rail-based camera system for floor or ceiling use.”

ROBOTIC HIGHLIGHTS
NEW SmartTrack

For the first time at IBC, Shotoku is demonstrating the new SmartTrack system, a fully integrated product based on the core track-based technology of MAT, Germany. In combination with Shotoku pan & tilt heads and control systems the MAT system is turned into the perfect solution TV studio use, day after day. It is highly adaptable, supporting floor or ceiling operation and a range of height column configurations, in both upright and inverted modes. The high quality engineering of the MAT and Shotoku systems ensure that the system is robust and stable, designed for long-term use in demanding applications such as 24/7 news or TV Shopping environments.

ENHANCED TR-XT Control Systems
Shotoku’s leading advanced control system is on display once again, incorporating the recent enhancements and expansions in terms of camera capacity and dynamic configuration. The systems on show are controlling multiple cameras and sharing camera operation across several controller-types.

ENHANCED Fully Robotic Pedestal
Shotoku is demonstrating the latest developments in fully robotic studio pedestals, providing complete X-Y-H camera positioning with free-roaming capability, where track systems would not be appropriate. Several enhanced features including Virtual Reality tracking and simple referencing make the pedestal ideal for many TV studio applications.

SEE IT LIVE Orchestra CMS Parliamentary Systems
Fully automated and with live video touch-screen operation, Shotoku’s world-leading parliamentary TV system is also being shown in action. The TG-27 pan and tilt head, becoming a standard among high-end parliaments and legislatures all over the world, is being demonstrated under the control of the TR-S panel.

MANUAL HIGHLIGHTS
NEW TTH1502C Carbon Fibre Tripod

Shotoku’s new 2-stage TTH1502C carbon fibre tripod incorporates the latest technology to give operators a lightweight, yet sturdy tripod system that is perfect for EFP or documentary production. Built to last with carbon fibre legs, the tripod weighs a mere 5.9kg (13 lbs.), features a 150mm bowl base, and stands over 1615mm (5’) tall at its maximum height. Available with a ground spreader or a mid-level spreader, the tripod is ideally paired with Shotoku’s SX300 pan & tilt head for optimal performance.

TRIED & TRUE SX300 Pan & Tilt Head
One of Shotoku’s latest mid-weight EFP pan & tilt fluid heads, the SX300 features outstanding balance, a robust build and ergonomic design. With a high capacity 38kg (83 lbs) payload and wide-balance capability, the SX300 supports an array of cameras, lenses and accessories, making it perfectly suited for field production, OB and studio use. The 300 head accommodates flat base or 150mm ball. Operators can not only expect top-class performance and reliability from the SX300’s VISCAM technology for smooth and adjustable pan & tilt drag with reinforced torque, but a continuously adjustable balance system.

FLEXIBLE SG900 Pan & Tilt Head
Shotoku’s SG900 manual pan & tilt head offers vibration-free speed in an ergonomically designed sturdy package. Ideal for OB and studio production with Teleprompters or box type lenses, the SG900 supports 90 kg (198 lbs), and features single knob balance adjustment. The unit incorporates the VISCAM ultimate fluid drag system to control smooth pan & tilt movement and REULAUX perfect balance system for maintaining the camera’s centre of gravity. The SG900 fits various pedestals including Shotoku’s TP200 lightweight, 2-stage pneumatic pedestal and both the TP-80 and TP-90 studio models.

BACKED BY EXPERIENCE Virtual Tracking Systems
Based on decades of extensive VR experience, Shotoku VR tracking systems offer outstanding design features, robust and reliable platforms for a wide range of camera and lens configurations. High-accuracy, real-time data output with absolutely no loss in manual performance is common to all Shotoku systems as is compatibility with all leading VR graphics systems. Shotoku’s VR range includes the simplest PT head and tripod right up through studio pedestals and high payload heads to state of the art cranes and jibs with total freedom of movement within VR studios small or large. Shotoku has samples of these systems on show at IBC.

About Shotoku Broadcast Systems
Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK. For further information: www.Shotoku.co.uk
# # #

Shotoku contact: James Eddershaw
+44 (0) 1784 224650 / mailto:info@shotoku.co.uk

Press contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / mailto:Harriet@DesertMoon.tv

Big Pic Media Becomes U.K. Reseller for Cinnafilm Tachyon Wormhole Retiming Solution

Powered by Wohler RadiantGrid Intelligent Media Transformation Platform, File-Based Solution Automates Retiming up to Plus or Minus 10 Percent of Runtime more

RECORD API 1608 SALES ALLOW FOR SUPERIOR COLLEGE AND UNIVERSITY CURRICULUMS ACROSS THREE CONTINENTS

Hochschule_Musik_NurnbergJESSUP, MARYLAND – SEPTEMBER 2014: Since introduced at the 123rd AES Convention in New York City in October 2007, the API 1608 console continues to make its way into colleges and universities across the globe. In the past year alone, more 1608s have been placed in educational institutions compared to any other year since 2007. These full-featured consoles, each with various channels of recording and mixing capabilities, now grant students, ranging from high school to graduate school, the opportunity to learn on the analog technology used in professional studios all over the world.

“We’re very pleased to have placed so many of these highly-versatile consoles in the past year,” said Larry Droppa, president of API Audio. “Each of these 1608s will now join the ranks of top audio schools including the New England School of Communications, American University, and California State University.”

Since the summer of 2013, nearly a dozen consoles have been placed in schools including Nashville’s Pearl-Cohn Entertainment Magnet High School, and Blackbird Academy. Colleges and universities in the United States include Emerson College in Massachusetts, Mesa Community College in Arizona, Broward College in Florida, Glendale Community College in California, and the University of Michigan in Ann Arbor. Locations outside the United States include the University of Western Ontario, Canada, Technologico de Monterrey in Mexico, the University of Örebro in Sweden, and Hochschule für Musik Nürnberg in Germany.

SUNY_PurchaseThe 1608 offers sixteen input channels, each with a mic pre and equalizer. It also has the option of adding sixteen-channel expanders, allowing for a 16, 32, or 48 channel console in total. API also offers its optional motorized fader automation system called P-Mix. Derived from the technology used extensively in API’s large format consoles, P-Mix offers a host of features found only in the most sophisticated console automation systems, often costing many times more.

“Since the 1608 is built to the same standards as our Vision and Legacy large-format consoles, it’s a powerful tool for students to learn with,” said Droppa. “It’s the same equipment used in some of the best recording facilities around the world, where many of the students will want to work after graduation.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and the BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

(PHOTO CAPTIONS) IMAGE 1: Hochschule für Musik Nürnberg in Germany; IMAGE 2: State University of New York (SUNY) Purchase.

STOP BY AND SEE US AT AES 2014 BOOTH #1219

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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