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Broadcast Pix Introduces ‘PixPlay’ Slo-Mo Replay Option for Blackmagic Design HyperDeck, AJA Ki Pro

Billerica, Massachusetts – Broadcast Pix™ today announced PixPlay, a new software option that will allow any Broadcast Pix integrated production switcher to provide slow motion control to a Blackmagic Design HyperDeck or AJA Video Systems Ki Pro disk recorder.

Originally developed as a cost effective solution so game officials could review footage for high school and college sports, PixPlay can also be used during production for almost any sports application, including football, basketball, baseball, soccer and even extreme sports like auto racing. Regularly priced at $495, PixPlay will be offered free to customers purchasing a new Flint™, Granite™ or Mica™ integrated production switcher until Sept. 30.

An operator can replay footage manually using controls on the front panel of the HyperDeck Studio or Ki Pro. With PixPlay, however, VTR control is ported to the production switcher along with six preset replay speeds. Users can also “scrub” or single step through a scene for better control and functionality.

PixPlay also includes an unlimited number of “in” points as part of a playback EDL, which instantly cues the proper scenes. All scoring plays during a football game, for example, can be selected and cued for instant playback at one of PixPlay’s preset replay speeds.

“Broadcast Pix systems already work well with AJA and Blackmagic file-based recorders via our PixPad interface, but our new PixPlay adds a new level of integration and functionality,” said Steve Ellis, CEO of Broadcast Pix. “The workflow is remarkably easy and delivers great slo-mo imagery at a fantastic price.”

About Broadcast Pix Founded in 2002, Broadcast Pix is the leader in integrated production switchers, with customers in more than 110 countries. Available in several configurations, from compact systems with end-to-end integration to large-scale systems for high-end live productions, Broadcast Pix switchers include CG, dual clip stores, file-based macros, external control software, and customizable multi-view and virtual sets with patented control options. Broadcast Pix also offers ReVue next generation slow motion systems, fX3D real-time 3D graphics, Rapid CG dynamic graphic playout software, and VOX voice-automated live video production, each designed to enhance our highly integrated live production switchers. Customers include leading broadcast, corporate, education, government, religious, sports, streaming, and visual radio studios. Learn more at www.broadcastpix.com.

Broadcast Pix, Flint, Granite and Mica are trademarks of Broadcast Pix, Inc. Patented. Made in USA.

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Westlake Pro Hosts Mixing Master Class with Andrew Scheps

First videos in series now available on YouTube

Los Angeles, CA – Westlake Pro, a leading retailer of professional audio, video, broadcast equipment, recording, and live sound equipment, technical services and musical instruments, recently hosted a Mixing Master Class with legendary audio engineer Andrew Scheps. The seminar, which took place at The Village Studios in Los Angeles, was filmed and edited into a video series, with the first of 13 now available for viewing on Westlake Pro’s YouTube channel.

Known for his distinctive mixing style and ability to bring the emotion out of songs, Scheps has engineered and mixed for some of the biggest rock bands in music: Metallica, Red Hot Chili Peppers, Weezer, Audioslave, Linkin Park, Green Day and U2. He’s also worked with icons such as Johnny Cash, Neil Diamond and Iggy Pop, as well as many independent artists.

Having successfully mixed with computers and software, or “in the box”, and on large format analog consoles, Scheps brings a unique perspective to mixing workflow, which he demonstrates by deconstructing some of his current work using Avid Pro Tools and S6 Control Surface.

The Mixing Master Class video series is divided into 13 videos of five to eight minutes in length and cover a wide variety of mixing topics as well as a Q&A session with the audience of around 150 people, most of which are working audio professionals. New videos in the series will be posted on Westlake Pro’s YouTube channel over the next several weeks. Please visit https://www.youtube.com/user/WestlakePro1.

About Westlake Pro
Based I Los Angeles, Westlake Pro specializes in business-to-business and retail sales of professional audio and video equipment, broadcast equipment, video editing software, recording software, computers, musical instruments and live sound application products. The company also provides technical services from complete studio design to live sound system design. Westlake Pro serves the Post Production, Broadcast, Music Production, Educational, House of Worship and Government markets.
For more information, visit www.westlakepro.com.

Women in Consumer Electronics Sets New Day for CEDIA EXPO 2014 Breakfast Event

Featured Work-Life Balance Panel to Highlight Annual Gathering

HOLLYWOOD, Calif. — Aug. 6, 2014 — Women in Consumer Electronics (CE), an industry organization focused on empowering women, building networks, and supporting career opportunities in the consumer electronics industry, has announced a new day for its sixth annual gathering during CEDIA EXPO 2014. The breakfast event, which has moved to Friday, Sept. 12 at 7:30 a.m. at the Denver Convention Center, Four Seasons Ballroom 4, will feature a panel discussion titled “Work-Life Balance: A Juggling Act!” centered around managing careers at various life stages. more

Jünger Audio Launches D*AP8 Codec Edition At IBC 2014

Digital audio specialist Jünger Audio is using the IBC 2014 platform (Hall 10, Stand A49) to launch a new Codec Edition of its D*AP8 Digital Audio Processor.

This unique device has a vital role to play in today’s broadcast environment because it is the only combination of broadcast audio codec and processor on the market that can carry out real-time metadata emulation.

Peter Poers, CEO of Jünger Audio, says: “Following Dolby’s decision in 2013 to discontinue its DP570 Multichannel Audio Tool, we are now the sole company in the world making and supplying a product that fills that gap. Our D*AP8 Codec Edition incorporates a Dolby decoder as standard and with a choice of optional encoders means that broadcast engineers in post-production, DVD and DTV facilities can check the quality of Dolby Digital AC3/E-AC3 encoded audio prior to transmission. Without this product, it is fair to say that broadcast engineers would not be able to carry out precise real-time metadata emulation in recent build production environments and would therefore have no way of checking exactly what television audiences hear at home.”

Mike Babbitt, Senior Manager, Professional Support Dolby Laboratories, Inc., says: “Dolby is happy to partner with Jünger Audio in bringing critical and innovative broadcast-enablement products to the worldwide broadcast community. Through our technical partnerships with valued partners like Jünger Audio, Dolby is continuing to enable current and next-generation broadcast and OTT workflows to provide consumers with the ‘In Dolby’ experience.”

The D*AP8 Codec Edition features a built-in Dolby® Metadata generator and Dolby® decoder that allows users to decode Dolby-E, Dolby-D (AC-3) and Dolby Digital plus (E-AC-3).

“Metadata is important because it ensures that television audiences at home hear their programs the way producers and content creators intended them to be. All kinds of audio parameters, including Loudness levels, are controlled this way. In countries where you can be fined if you get audio loudness wrong, it’s vital that broadcasters can check exactly what consumers will hear before material leaves their facilities.” Peter Pörs adds.

By incorporating SDI I/O with 3G/HD/SD auto detection, the D*AP8 Codec gives users the option of dealing with all 16 channels of SDI embedded audio at the same time. It is also possible to send further embedded programs to D*AP8 MAP’s AES outputs to feed a third party instrument for analyzing and/or display.

The D*AP8 Codec SDI board also acts as an embedder and comes with video delay to compensate for any kind of audio delay. This feature is ideal for those looking to maintain lip sync before encoding in QA suites or control rooms.

“Now that most of the DP products are no longer available, broadcast engineers still need hardware based solutions that can decode and encode Dolby®-E, Dolby®-D (AC-3) and Dolby® Digital plus (E-AC-3), as well as HE-AAC formats, and provide the essential metadata emulation function” Poers explains. “Our D*AP8 Codec Edition is the latest unit on the market that can offer various combinations of this and is effectively the successor of not just the DP570, but also in combination with the DP564/569 and 571/572.”

For more information about Jünger Audio, please visit IBC stand 10.A49 or visit the company’s website at www.jungeraudio.com

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About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities. www.jungeraudio.com

Christie Velvet and Christie Brio Win ‘Best of InfoComm 2014’

Christie®, the global leader in visual displays and audio technologies, was awarded three Best of InfoComm 2014 honors by rAVe Publications while 70,000 of the publication’s readers voted a Christie 4K product as Favorite Projector. Recognizing Christie for its innovative visual and collaboration technology solutions, rAVe Publications awarded Christie Velvet with Best New LED Wall, the Christie Brio Team + BYOD collaboration system with Best New Wireless Accessory and Christie’s Real-Time Projection Mapping Car App with Best Concept Product at InfoComm 2014.

Christie Velvet LED Wall


High Brightness and ‘Velvet’ Smooth – Best New LED Wall
Christie expanded its line of tiled displays with the introduction of Christie Velvet at InfoComm 2014. The high brightness indoor LED tiles are easy to install, seamless to integrate, and have wide-viewing angles, darker blacks, and low total cost of ownership. Configured according to customer needs, the tiles are built-to-order in 1.875 mm, 2.5 mm, 3 mm and 4 mm pixel pitches. Built for 24/7/365 use, the smart design tiles with their exceptional image clarity are suitable for indoor video wall applications, such as retail, hospitality, corporate lobbies as well as control rooms. Backed by industry-leading warranty and trusted pre/post sales service, Christie’s family of display solutions include a full selection of professional LCD displays, some with tiled and touch options, Christie Entero rear projection cubes, the award-winning Christie® MicroTiles® and now the new Christie Velvet LED display. As a single source provider Christie’s display solutions can be bundled with many options.

Brio Supports BYOD – Best New Wireless Accessory
The Christie Brio presentation and collaboration system is a family of three product solutions that share similar interfaces and control protocols to provide an integrated user experience through one unit. Supporting the ‘Bring Your Own Device” or BYOD environment, the Christie Brio Team, the newest addition to the group, is a ‘plug and play’ unit that makes it easy for individuals to wirelessly stream content onto displays from devices such as PCs, tablets, smartphones. Brio Team+ gives users all the features of Christie Brio Team as well as adding HD video sources to local meeting content, providing the advantage of displaying original video content at native resolutions through DVI-D wired video inputs. And, the Brio Enterprise allows collaborators to not only share and annotate content in the same room, but also enables secure collaboration and sharing of high-quality content between multiple locations as if there were in the same space.

Christie Design Studio: Real-time projection mapping – Best Concept Product
The Christie Design Studio, showcasing a one-fifth Hyphen-created scale model of a Corvette C7 Stingray at InfoComm 2014 demonstrated how imagination can become reality. Tools like projection mapping can be a catalyst to visual communications and the sharing of experiences. The C7 displayed at InfoComm was developed in collaboration with 3DXCITE and Ventuz, and built on top of RTT DeltaGen software – the same tool many automakers use for digital review of new car designs . To bring the car to life, the model rested within a diorama constructed of Christie® MicroTiles® , multiple combined Christie G Series 1-chip DLP® projectors with Christie Twist™ LT for warping and blending. Through projection mapped photorealistic graphics, and by interacting with a touch panel, users could explore design options instantly and customize their vehicle.

Easily deployed in any environment, the Christie Design Studio concept can be used in many settings beyond the auto industry, including retail where clothing can be mapped onto mannequins or where an infinite number of style choices can be mapped onto a shoe. An architectural firm could bring a proposed building model to a meeting and use projection mapping to show the customer how shadows and light will appear at different times of the day or year. A museum could have a large stock of 3D-printed copies of artifacts that could be brought to life by placing them into the projection field. Christie continues to make projection mapping more accessible and easy to use for customers and markets. The company’s new projection mapping resource, with scores of projects done around the world is available as a free downloadable app for iOS devices, Android devices, and as a PDF file.

Christie D4K35 – Readers’ Choice for Favorite Projector
At InfoComm, rAVe Publications surprised Christie senior product manager Mike Garrido on camera with rAVe’s Readers’ Choice award for Favorite Projector for the Christie D4K35, voted on by 70,000 readers. Live Design Magazine also awarded the Christie D4K35 Projector of the Year, with one judge stating, “The quality, color depth, and clarity of the picture created by Christie’s new 4K projector are mind-blowing” and another judge saying “Featuring unbelievable brightness, coupled with stunning resolution, the D4K35 brings vibrancy and detail to the largest events.”

Christie would like to congratulate two of its partners for their rAVE Publications awards. Premier Mounts won Best AV Cart for the PSD-MTC Mobile Cart and rp Visuals for Best AV Mount for its EZ-Louver Mount.

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Prism Sound Shows New Audio Products at IBC 2014

Prism Sound will be attending this year’s IBC convention (8.E34) with a range of new audio products aimed at post production and broadcaster engineers.

The company’s family of audio interfaces has been extended to include Titan and Atlas, both of which will be on show for the first time in Europe.

Titan and Atlas are multi-channel audio interfaces offering recording professionals ultimate quality analogue and digital I/O for Mac or Windows PC at sample rates up to 192kHz via a simple USB interface. In addition to a USB host interface, both units feature the new MDIO interface expansion slot, which can be used to expand its connectivity, for example by adding a direct connection to Pro Tools|HDX systems.

Titan has four microphone inputs, while Atlas has eight and is aimed at multitrack recording applications. Both are designed with Prism Sound’s latest and award-winning CleverClox clocking technology.

At IBC 2014, Prism Sound will also be showing the latest upgrade to its acclaimed SADiE 6 software, the audio recorder and editor of choice by countless national broadcasters. This new version delivers even greater benefits to the mastering community thanks to the inclusion of a brand new toolset for today’s ‘digital download’ age.

New features include WAV Master, which allows users to create WAV files for an entire album using PQ marks to define the start and end of the WAV file for each album track. Track Titles, Artist Name and other information is automatically incorporated into these files. Prism Sound has also introduced a new high quality Sample Rate conversion algorithm and ensured that resolution changes can be applied during the bounce process used to create WAV files.

The new version of SADiE 6 now caters for engineers who want to work with Broadcast WAV (BWF) files, which incorporate ISRC data. An ISRC in BWF feature is included in SADiE’s WAV Master option and is in the SADIE version 6.1 update as part of the ‘Mastering Suite’ and ‘Sound Suite’ packs.

Finally, SADiE has enhanced video support for BlackMagic Design Decklink cards, as well as timecode support on SADiE Native systems where the ASIO audio hardware used supports timecode functionality.

Finally, Prism Sound is showing its full range of Test & Measurement solutions, including the versatile dScope Series III Audio Analyzer. This award-winning unit features a freely-available test suite that can be used to evaluate the performance and compliance of any loudness meter on the market and ensure that a chosen product can deliver both ATSC and ITU BS.1770 compliance.


To find out more about the Prism Sound/SADiE range and to demo the new Titan and Atlas interfaces, please visit stand 8.E34.

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the award-winning dScope Series III audio analyser system.

For more information: www.prismsound.com

RSG Media and Xytech Join Forces to Streamline the Digital Supply Chain

Joint Solution Implemented at One of America’s Largest Spanish-Language Broadcast Networks

(NEW YORK, NY/MISSION HILLS, CA) – RSG Media, purveyor of the dominant media business rights management system and Xytech, the leader in facility management software for the broadcast and media industries, today announced a technology partnership integrating the companies’ flagship products. For content owners taking on the complex task of automating the digital supply chain to maximize the monetization of their content, the joint solution will simplify and streamline their efforts.

As content programmers seek to grow digital revenues by taking advantage of the increasing number of new platforms available to them, they are faced with a time consuming and expensive process, filled with an ever changing variety of requirements, formats and standards. Xytech and RSG’s solution successfully combines rights and order management functions in one system, effectively closing gaps previously found in the digital supply chain.

RightsLogic(r), RSG’s rights management product, helps programmers determine which media assets programmers can use, when, and how (e.g. territories, platforms, languages, formats) it lets them window and schedule the content for maximum profitability. The system handles the financials, from amortization through royalty payments, and it presents usage, revenue and royalty information from every platform in at-a-glance dashboards and custom reports.

Xytech’s MediaPulse platform is a scalable solution automating workflows, managing assets, scheduling resources and offering an end-to-end order and billing system. The platform-independent, browser-based application tracks and manages workflow, resources, and costs from the moment a programmer publishes a schedule through media asset delivery for distribution or play-out.

As the companies have pre-integrated their two systems, programmers can implement a joint solution, gaining the benefits of digital supply chain automation quickly and easily. Xytech and RSG Media have already implemented their solution at one of the U.S.’s largest, Spanish-language broadcast networks.

“Automating the digital supply chain is absolutely vital to our clients looking to leverage the array of distribution platforms available,” said Greg Dolan, COO of Xytech. “Rights management is a key element in the chain, and RSG is the industry leader in this area. Integrating our two systems has already brought us success with a major broadcast client, and it is a win for all of our clients moving forward.”

Thomas Siegman of RSG Media


“Managing and optimizing the digital supply chain can be daunting and costly for organizations,” said Thomas Siegman of RSG. “By pre-integrating RightsLogic(r) with MediaPulse, we’ve taken the burden off of our customers while lowering their costs. Our joint solution already has a proven track record, therefore potential clients know it will work seamlessly for them as well.”

About RSG Media
The world’s leading media & entertainment companies use RSG Media’s expertise and software to maximize revenues from their content and advertising inventories. RSG Media’s RightsLogic is the dominant media business rights management system; it lets content owners & distributors, gaming companies, IP licensors, and sports leagues manage and report on the content lifecycle, including acquisitions, sales, planning & scheduling, and associated financials. RSG Media’s order-to-cash ad sales systems help clients plan and manage deals across all platforms quickly and easily. Their AdVant yield optimization suite uses advanced mathematics to optimize proposals, flighting, logs, and promos, significantly lowering liabilities while generating new revenues. They are headquartered in New York, with offices in London, Delhi, and Mumbai.

About Xytech
Xytech is the leading global provider of facility management software for the media and broadcast industries. For over 25 years, the world’s best media services companies, broadcasters, and transmission facilities have depended on Xytech to run their businesses. Xytech’s collaborative MediaPulse platform is the only end-to-end solution for the complete content lifecycle, providing scheduling, automation, asset management, billing, and cost recovery in a scalable, platform-independent application. Xytech has over 450 software deployments in more than 20 countries around the world, and the company is headquartered in Mission Hills, California, with regional offices in New York and London.

For more information, please visit www.XytechSystems.com or call +1.818.698.4900 (US) or +44 (0)20.7903.5170 (UK).

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Media Contact:
Chris Purse, 818.908.3473
ignite strategic communications
chris@ignite.bz or mimi@ignite.bz

DPA Microphones Capture The Kyteman Orchestra

Front of House engineer Sjoerd Terpstra used a selection of DPA microphones to capture the unique sound of the Kyteman Orchestra when they played six concerts at the Utrecht Tivoli in Holland recently.

The concerts, which took the form of elaborate jam sessions, were all multitrack recorded for subsequent mixing and broadcast on the internet.

“Our aim was to create a library of completely original Kyteman material,” Sjoerd Terpstra says. “None of the songs were written in advance – they were all improvised on the spot.”

Founded by Colin Benders (aka Kyteman), the Kyteman Orchestra plays a mixture of hip-hop, opera and jazz laced with melodies and raw beats. Its first album, The Hermit Sessions, was released in 2009 and was a great success in the Netherlands where it reached the top five of the Dutch Album Charts and sold over 75,000 copies.

Sjoerd Terpstra, who has been working with Kyteman for the last five years, says he chose DPA microphones for this project because he knew they were capable of delivering studio quality from the live stage. The microphones were supplied by Amptec, DPA’s distributor in the Netherlands.

“There are approximately 18 musicians in the orchestra,” Terpstra explains. “We used a lot of DPA d:vote 4099™ Instrument Microphones on strings and horns, a d:dicate 2011A on the drums and percussion and a set of d:screet 4061 Miniature Microphones on the upright piano because they sound amazing, especially at low noise levels. One of the snare drums initially gave me a lot of trouble because it was so low pitched and I just couldn’t get it to sound right, but eventually I used another d:vote 4099 and then it sounded great. The d:vote could handle the low pitch well and gave me enough ‘snap’ to make it cut in the mix.”

Terpstra adds that the d:vote 4099 Instrument Microphones were especially useful because they were able to deliver very isolated sound.

“We were recording on an exceptionally cramped stage so this was an important feature,” he says. “The isolation they achieved gave me tons of possibilities in both the FOH and studio mixes.”

With the latest Kyteman Orchestra project now completed, Sjoerd Terpstra is now working with a number of bands from the Middle East.

“I am hoping to use DPA microphones for some of those projects, too,” he says. “I am always happy with the results I get from DPA so have no hesitation in recommending them to all the bands I work with.”

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

A United ‘Console’ Kingdom

DiGiCo, Allen & Heath, and Calrec Announce the Formation of a New ProAudio Group

HEBDEN BRIDGE, U.K. — Aug. 1, 2014 – The DiGiCo team has spent the last 18 months consulting with Electra Partners about the possible combination of both Allen & Heath and Calrec with the DiGiCo family. The culmination of this brings together three British console companies to create a new professional audio group, while retaining their unique skills, customer relationships, and the identities of each brand.

James Gordon will become Group CEO supported by a strong and talented management team from across the new group. When asked about what this means for the future, James said:

“We have bold plans for the group but it is imperative that each company maintain its own independence and style. None of these brands needs to trade off each other’s technology or reputation.”

“These are three great companies and all the brands currently in the group have enviable reputations for technology, audio quality, reliability, and perhaps most importantly, customer focus and care. The strategy is to share technology and resources across the group and allow some interconnectivity across the product lines.”

“The combined R&D teams are about to enter a new world of possibilities and we intend to take full advantage of their resources, passion, and experience. It’s an amazing opportunity for us, and just maybe the whole British Pro Audio industry.”

Glenn Rogers, Managing Director of Allen & Heath, added, “The creation of the group with DiGiCo and their management is an impressive combination. It will certainly add new momentum to what Allen & Heath and Calrec had already planned for the future.”

Henry Goodman, Calrec’s Sales and Marketing Director, commented that “This exciting formation gives Calrec new opportunities for swifter development of a host of ideas we have been wanting to bring to the market. We will have a vast pool of engineers to share new ideas for the industry and target them specifically to each brand’s needs. Customers can expect us to maintain, and in some areas improve, our very high levels of support and service.”

The complexity of this combination required the effort and support of two of London’s top Private Equity houses. For the first time, Electra Partners and ISIS have pooled resources to support the management of this ambitious vision for the future of U.K. Pro Audio. Charles Elkington, Investment Partner at Electra Partners, said:

“DiGiCo augments our existing investment in the professional audio sector. We have worked hard over the last 18 months to bring together these three successful businesses. We look forward to working with James Gordon and his team to grow the group, while also preserving the distinctive brand identity and excellent customer relationships of each business.”

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About Calrec Audio Ltd.
Calrec Audio is exclusively dedicated to excellence in audio mixing for on-air and live production. A broadcast specialist for 50 years, Calrec has developed a range of digital consoles relied on by the world’s most successful broadcasters. For putting sound in the picture, broadcasters put their trust in Calrec. More information is available at calrec.com and community.calrec.com.

All trademarks appearing herein are the property of their respective owners.

A high-resolution image is available for download from: http://gasolinemedia.jalbum.net/New_pro_audio_group_formation/

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Biamp Systems Offers AV Training Sessions Ahead of InfoComm Mexico 2014

Commercial audio leader continues partnership with InfoComm to provide AV systems training to Spanish-speaking industry professionals

BEAVERTON, Oregon — Aug. 5, 2014 – Biamp Systems, a leading provider of innovative, networked media systems, will continue its partnership with InfoComm International by offering a third training session just prior to TecnoMultimedia InfoComm Mexico 2014. In an effort to help increase the number of trained AV professionals in Latin America, the course, held Aug. 18-20, will allow Biamp(R) partners to understand and troubleshoot the IT networks that support today’s unified AV systems. more

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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