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Nouvelle Star’s Amel Bent Takes SSL Live on the Road for 2014 Instinct Tour

“This is the console I have been waiting for; it gives me the utmost in flexibility, ergonomics, sound and options”

PARIS – Pop star Amel Bent first took France by storm as a semi-finalist on the pop idol television show Nouvelle Star in 2004. Ten years later, she’s still going strong. Currently in the midst of her Instinct Tour, Bent is performing to enthusiastic audiences across France and Switzerland, where a pair of SSL Live consoles, supplied by SGroup’s Alès location, are handling FOH and monitors.

Having previously worked with Christophe Willem, Zazie and 1789 Les amants de la bastille as PA tech, FOH engineer Thibault Maestracci joined Bent in November 2013 at the start of the tour. For this production, he takes approximately 50 channels from the stage and handles FOH mixing with a system that incorporates two Pro Tools® HD rigs.

“The first Pro Tools system is used as a ‘toolbox,’ mainly for effects for ‘stem group’ processing,” he explains. “The second system functions primarily as a backup during the show, but I can also use it as a multi-track recorder/player for rehearsals. The microphone preamplifiers are located on stage and are connected to the FOH console using SSL’s Blacklight II audio transport on two optical fibre connections. Alex [Maggi, the monitor engineer] and I have independent control over preamp gain for each desk.”

Maestracci is very happy with the results he gets with the SSL Live. “The sound quality is excellent and preamplifiers have the headroom to accept high input levels,” he adds. “I don’t need an external preamplifier with this desk — even for the lead vocal! The fader and encoder layout is great, and the way you can deploy the channels on different banks is very useful. You can put what you want where you want it. Once you understand the logic behind the desk, it is very easy to customize, and the ability to use both screens simultaneously is a powerful feature.”

According to Maestracci, the Instinct tour began indoors with a PA system that was configured for audiences between 500 and 1200. “For the summer, we’ve switched to an outdoor configuration with a local ‘festival-style’ PA,” he continues. “With this setup, the main output of the SSL Live is sent at 96 kHz via the AES output to two system processors, then distributed via Dante to the power amps.”

Meanwhile, Maggi, whose credits include Lara Fabian, Nolwenn Leroy and the production of Les Victoires de la Musique, mans his SSL Live from stage left, feeding monitor mixes to wireless IEM transmitters and wired IEM amplifiers. He met the Parisian pop sensation in 2004 while working on Nouvelle Star and soon after began touring as her monitor engineer.

“I’ve been waiting for a new generation of digital mixing consoles that could provide a higher number of output buses and increased reliability over the older digital desks I had been using,” he says. “The SSL Live gives me all of that, plus more. A big strength of the desk is that I can operate it in any number of methods. I can use the large touch screen or the small touch screen with its associated knob controllers, to access parameters for any input or output channel — whatever way is best for me. I find that I mainly use the small touch screen and the Channel Control Tile, which gives me rotary controls for the parameters and dedicated buttons to quickly access EQ, dynamics, panning and inserts. This is the console I have been waiting for. It gives me the utmost in flexibility, ergonomics, sound and options.”

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

Video Devices PIX 260i Captures Footage Fit for a King as Part of The Royal Society Headquarters Refit

LONDON, JULY 30, 2014 – When The Royal Society in London was looking to refit the audio and visual facilities in two rooms at its headquarters at Carlton House Terrace in London, it turned to Video Devices, mission-critical video products by Sound Devices, and its PIX 260i for its video recording needs.

A fellowship of the world’s most eminent scientists and the oldest scientific academy in continuous existence, The Royal Society acts as a scientific advisor to the British government, receiving a parliamentary grant-in-aid. Installed by Winchester-based AV integrator Whitwam, and provided through Shure Distribution UK, The Royal Society fitted three PIX 260i’s in its largest gallery, the Wellcome Trust lecture theatre, to capture video from the four cameras installed in the space. Throughout the year, members of the Society give presentations in the various lecture halls. Many are broadcast, recorded and archived. In addition, the organization installed two Shure SCM820 eight-channel automatic audio mixers in the dining rooms as part of its improved sound reinforcement efforts for speeches and awards.

The rack-mounted PIX 260i is a file-based audio and video recorder that seamlessly replaces tape-based video decks in production and post-production environments. The Video Devices PIX 260i also offers 32 tracks of audio recording and playback as well as control from browser-capable computers and tablets. It records QuickTime files in either Apple ProRes or Avid DNxHD video formats. Files recorded in these intra-frame codecs are ready for editing directly from the recorder in such common editing environments as Avid, Final Cut Pro and Adobe Premiere, eliminating time-consuming transferring and transcoding. For color-critical applications, the PIX 260i supports Apple ProRes 4444 through its 12-bit, 4:4:4 3G-SDI I/O. Users can also play out files from the PIX 260i for real-time applications.

PIX 260i recorders can be controlled from browser-capable computers and tablets. When connected to a data network, transport controls and setup menu controls are available on the Video Devices PIXNET, which offers IP-addressable control of one or multiple PIX 260i recorders. Users can group multiple units for simultaneous control. Data drives connected to the PIX 260i are also accessible on Ethernet-based networks as read-only SMB shares, opening up endless possibilities for file sharing. Files can be copied from any PIX 260i located on a network, enabling access from across a room or the globe. Up to four SATA drives can be connected to the PIX 260i simultaneously. For RAID-type redundancy and to eliminate the need for post-record copying when multiple copies are required, users can record to all four drives simultaneously.

Building on the company’s deep heritage in production sound, Video Devices has infused the PIX 260i with 32-track record/playback capabilities. In addition to 16 channels of embedded SDI audio and eight channels of HDMI audio, the PIX 260i also accepts eight channels of line-level analog I/O and eight channels of AES digital audio. Using Audinate’s Dante, the PIX 260i accepts and transmits up to 32 channels of audio over Ethernet.

The PIX 260i includes a built-in Ambient Clockit time-code generator and reader with genlock output for rock-steady multi-camera and double-system sound applications. In addition to generating ultra-stable time code, time code can be read from the SDI stream, the HDMI stream or from an external source. It also includes a sophisticated scaler and frame-rate converter. Regardless of the incoming signal, the PIX recorders can record the signal after up-, down- or cross-conversion at the same or a different rate. Hardware-based 3:2 pull-down removal and anamorphic conversion is also available. PIX 260i’s convenient half-rack, 2U chassis dimension allows it to be easily integrated into any existing environment. It is powered by 10-27 VDC through its four-pin XLR connector.

Video Devices, a brand of Sound Devices, includes digital video recorders and related products that address a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports, live events and mobile production. Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures both brands from their Reedsburg, Wisconsin headquarters, with additional offices in Madison, WI and Highland Park, IL. For more information, visit Video Devices and Sound Devices websites, www.videodevices.com; www.sounddevices.com.

Symetrix Appoints Millar Electronics as Rep in Southeast U.S.

SEATTLE, WASHINGTON: Symetrix, manufacturer of a wide range of DSP solutions for the installed sound market, from turnkey Jupiter processors to Dante-based, open architecture Radius and Edge processors, announces the appointment of North Carolina-based Millar Electronics as its rep in the Southeast. Millar Electronics will cover North Carolina, South Carolina, Georgia, Tennessee, Alabama, and Mississippi, where it has a deep history and a well-established network of connections. Millar Electronics was founded ninety years ago – in 1924 – as a components company selling capacitors, resistors, and the like. Over the decades, it grew with the times to become an audio/video manufacturers rep firm.

“Millar Electronics has built its success on relationships,” said Craig Richardson, vice president of global sales with Symetrix. “When I talk with people who do business with Millar Electronics, they always relate the trust they have in the salesmen they work with. Those salesmen are always out in their territories, talking with their clients, and keeping on top of what’s going on. They help their clients make the right choices for success now and in the long run.”

“We’re excited to work with Symetrix,” said Pete Petty, sales manager with Millar Electronics. “Symetrix builds cutting-edge DSP solutions, and its Edge and Radius products use Dante as a networking platform. Of course, Dante is becoming a big part of the industry, and Symetrix’ native Dante capacity will work hand-in-hand with a lot of the other equipment we represent and provide our clients with a complete solution. Moreover, great people work to make Symetrix what it is, and, having personally worked with them before, I know they’ll make it easy for us to go out and do our job. We’re looking forward to delivering a substantive increase in Symetrix’ market share in our territories.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

Flux releases IRCAM SPAT v3 for AAX/AU/VST

Flux completes migration to v3 with the release of SPAT v3 adding support for AVID AAX and 64 bit systems.

Oceanside, California, USA – Flux Sound and Picture Development of Orleans, France is proud to announce the release of SPAT v3, a positional audio plug-in combining three independently definable surround reverbs in a single plug-in with the ability to position and animate, with full automation, mono and stereo sound sources within these reverberant spaces.

SPAT may also be used to position and animate sources with all reverbs disengaged. This advanced feature set makes SPAT an indispensable tool for post-production professionals for ADR.

SPAT has been embraced by many within the community of orchestral composers as a tool for placing instruments on a virtual performance stage for position-correct and convincing orchestral emulations.

SPAT v3 adds support for AVID’s new AAX Native plug-in format. In addition to AAX, Audio Units and VST remain supported on both Mac and Windows. SPAT v1 remains available for users of RTAS systems.

All Flux v3 audio tools support both 64 and 32 bit systems with sample rates up to 384K. The Flux v3 platform delivers exceptionally rich, informative and responsive metering with near zero CPU cost by distributing UI processing to your systems’ GPU. All Flux audio tools are 8-channel ready for surround applications up to 7.1. The only exception is the distinctly named Stereo Tool freeware.

SPAT v3 is available to current SPAT users for no charge. Download SPAT v3 here: www.fluxhome.com/download

In celebration of both the release of SPAT and the completion of the Flux migration to v3, Flux is offering SPAT, the IRCAM TOOLS bundle containing SPAT and all upgrades to SPAT at a 30% discount, effective immediately.

Locate an authorized dealer for Flux and IRCAM Tools by visiting the exclusive Flux US distributor: www.AudioSage.com.

About Flux
Flux Sound and Picture Development of Orleans, France are developers of advanced software audio tools compatible with all major DAWs. Flux specializes in advanced dynamic control, rich real time analysis and EQ. Flux produces the IRCAM Tools line of psychoacoustic post-production tools in collaboration with the prestigious IRCAM Institute of Paris.

Lee Boylan Joins the PreSonus Europe Team

Belturbet, County Cavan, Ireland, July 2014… Highly respected multi-instrumentalist, producer, and engineer Lee Boylan has joined the PreSonus® Europe Ltd. team as a product specialist. In his new position, Boylan will demonstrate PreSonus products to dealers and distributors in Europe, the Middle East, and Africa; provide technical support; and generally assist PreSonus distributors in the region.

“We’re delighted to have Lee on our team,” says PreSonus Europe Ltd. Managing Director Michelle Lynch. “His knowledge, experience, and ability to work with a wide variety of people are exactly what we’ve been looking for.”

“I’m very excited to get the opportunity to work with such a passionate and innovative company as PreSonus,” responds Boylan. “It’s a pleasure to be given the task of showing people how great these products are every day.”

In addition to his responsibilities with PreSonus, Boylan operates a recording studio and works as a live-sound engineer in his native city of Dublin, Ireland. He had a number 1 hit album in Ireland with his band Fight Like Apes and has played in a wide variety of other bands, including drumming with John Illsley (ex-Dire Straits). Boylan also holds a Masters degree in Music and Media Technology from Trinity College Dublin.

For more information about PreSonus, please visit www.presonus.com.

***

About PreSonus Audio Electronics, Inc. – Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording and live-sound software, hardware, and related accessories. PreSonus’s software, microphone preamps, signal processors, digital audio interfaces, digital mixers, control surfaces, loudspeakers, and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

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HPA to Host Symposium Leading Into SMPTE 2014 Annual Technical Conference & Exhibition

‘Making Do With More’ Event at Hollywood’s Historic El Capitan Theatre Will Explore the Impact of Enriched Pictures and Sound for Filmmakers and Content Creators

WHITE PLAINS, N.Y. — July 24, 2014 – The Society of Motion Picture and Television Engineers(R) (SMPTE(R)), the worldwide leader in motion-imaging standards and education for the communications, media, entertainment, and technology industries, today announced that the SMPTE 2014 Annual Technical Conference & Exhibition (SMPTE 2014) will feature a pre-conference event — the SMPTE 2014 Symposium, hosted by the Hollywood Post Alliance(R) (HPA(R)) and titled “Making Do With More.” The daylong event is scheduled for Monday, Oct. 20 at the historic El Capitan Theatre in Hollywood, California.

“As we consider how technological advances will improve the entertainment experience, we must also address the workflow challenges that will arise,” said Pat Griffis, SMPTE education vice president. “Each area of potential enhancement — higher resolution, greater contrast and color, higher brightness, more frames, and more objects associated with sound — brings with it new demands on workflow. Sessions within the SMPTE 2014 Symposium will address these and other next-generation workflow concerns from both a technical and creative standpoint.”

The SMPTE 2014 Symposium is among the first joint efforts of SMPTE and HPA as they move forward with plans for full consolidation by May 2015, and it highlights the strengths of both organizations. HPA is known for facilitating dialog among all disciplines in the entertainment industry, and for its contributions to SMPTE educational events such as SMPTE 2014 that enrich and expand the larger conversation about key topics shaping the industry.

HPA is well-known for the annual HPA Tech Retreat(R), which brings technologists and filmmakers together to address many controversial topics influencing the industry. In developing the SMPTE 2014 Symposium as a “filmmaker’s symposium,” HPA is orchestrating sessions that take an in-depth look at advanced technologies that bring new tools to storytelling. The symposium will include creative sessions from renowned cinematographers, visual effects specialists, colorists, and other filmmakers discussing what they hope to do with enhanced pictures and frame rates.

Additional sessions will offer a look at immersive sound, its impact, and how it’s being applied today; changing models for delivery of content to the consumer — including theatrical, broadcast, physical media, and digital distribution — across TV sets, computers, and mobile devices; and the standards and practices being developed to address the changing content life cycle.

“By connecting the creative community and its supporters with the technical community at the SMPTE 2014 Symposium, SMPTE and HPA are creating an opportunity for all participants to gain a richer and deeper understanding of technology’s impact on the creative process,” said Leon Silverman, HPA president. “The new displays and distribution approaches being proposed by technology companies need to be understood in the context of how the creative community will use this extended tool kit. It is also critical that we examine the standards and workflow approaches that will be necessary to deliver something more to consumers than a higher numbers of pixels.”

SMPTE 2014 is the premier annual event for motion-imaging and media technology, production, operations, and the allied arts and sciences. Each year the event draws elite and world-renowned technology thought-leaders from motion picture studios, broadcast and distribution networks, production and postproduction communities, software companies, systems integrators, manufacturers, display technologies, distribution providers, over-the-top providers, and others leading the evolving motion-imaging industry.

Further information about SMPTE 2014 and the preconference symposium is available at www.smpte2014.org/.

# # #

About the Hollywood Post Alliance(R)
Hollywood Post Alliance(R) (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools, and infrastructure for the creation and finishing of motion pictures, television, commercials, digital media, and other dynamic media content. The annual HPA Tech Retreat(R) draws top industry engineering, technical, and creative talent, as well as strategic business leaders focused on technology, from all aspects of digital cinema, postproduction, film, television, video, and related technologies together for an informal exchange of information. The 2015 HPA Tech Retreat is scheduled for Feb. 9-13 in Indian Wells, California. Further information is available at http://hollywoodpostalliance.org/?ai1ec_event=2013-hpa-tech-retreat&instance_id=293. Information on joining HPA is available at http://hollywoodpostalliance.org/.

About the Society of Motion Picture and Television Engineers(R) (SMPTE(R))
The Oscar(R) and Emmy(R) Award-winning Society of Motion Picture and Television Engineers(R) (SMPTE(R)), a professional membership association, is the preeminent leader in the advancement of the art, science, and craft of the image, sound, and metadata ecosystem, worldwide. An internationally recognized and accredited organization, SMPTE advances moving-imagery education and engineering across the communications, technology, media, and entertainment industries. Since its founding in 1916, SMPTE has published the SMPTE Motion Imaging Journal and developed more than 800 standards, recommended practices, and engineering guidelines.

The Society is sustained by more than 6,000 members — motion-imaging executives, engineers, creative and technology professionals, researchers, scientists, educators, and students — who meet in Sections throughout the world. Through the Society’s partnership with the Hollywood Post Alliance (HPA), this membership is complemented by the professional community of businesses and individuals who provide expertise, support, tools, and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media, and other dynamic media content. Information on joining SMPTE is available at www.smpte.org/join.

All trademarks appearing herein are the property of their respective owners.

Professional Wireless Systems Sets the Stage with Wireless Equipment Package and Frequency Coordination Services for Univision’s Premios Juventud

MIAMI, FL, JULY 23, 2014 – When the world’s biggest Spanish-speaking celebrities gathered in Miami for the 10th annual Premios Juventud awards show on July 17 at the BankUnited Center, Professional Wireless Systems (PWS) was once again backstage with a custom RF entertainment and intercom package to manage frequency coordination for the festivities.

Presented by Univision, Premios Juventud (Youth Awards) is an awards show that nominates Spanish-speaking celebrities to celebrate their artistic achievements in 27 unique categories within the areas of film, music, sports, fashion and pop culture. In an interesting twist, the awards show asks the public to nominate their favorite singers, athletes and actors for award consideration and to then subsequently choose the winners through an online voting portal. Past winners include high-profile pop culture celebrities such as Shakira, Daddy Yankee, Antonio Banderas and Jennifer Lopez.

PWS has been providing equipment and handling wireless frequency coordination for the show since its inception in 2004. PWS managed a total of 130 frequencies for the main stage performances this year. In order to ensure that there were no signal interference issues, PWS utilized a wireless package from Sennheiser, which included 3732-II receivers with 5200-II handhelds and 5212-II belt packs. The crew also utilized a Shure Axient® Wireless Management Network along with Shure PSM1000 in-ear monitors. PWS primarily selected the Shure Axient for the show’s artist presenters, as it is a comprehensive, innovative and fail-safe system with highly advanced planning, setup and control capabilities that make it a dependable product capable of combating any unforeseen challenges with ease. In addition, Univision supplied 20 Shure UHF-Rs to complement the Shure Axient system as well as eight PSM 1000 in-ear monitors.

“One of the biggest challenges we face when providing wireless for an event of this caliber is managing last-minute equipment changes, as many artists bring in their own mics and transmitters for the show,” says Evan Hall, PWS lead RF coordinator. “This is one of the primary reasons why we choose to rely on the Sennheiser 3732-II receivers and Shure Axient Wireless Management Network, because they are the only two products currently on the market that offer the entire spectrum range. With Sennheiser and Shure, we know that our crew will be adequately prepared to handle any artist equipment accommodations that may arise without repatching the entire system.”

PWS also supplied and deployed a number of Telex BTR-800s for its wireless communications as well as a majority of its own equipment, including a combination of its Domed and Helical Antennas, DB Series – Multicouplers, as well as GX-8 Combiners for intercom, IFB and in-ear monitors. “We used 11 Telex systems, which presented quite a challenge, as it comprised more than half of our available spectrum,” adds Hall. “For this type of high-profile awards show, the wireless intercom system has to work on stage and off. We efficiently managed the large number of intercoms, along with all the other wireless equipment, with PWS’ GX-8s and DB-IC Multicouplers.”

Tying everything together, PWS managed the show’s frequencies with its own Intermodulation Analysis Software System (IAS). PWS’ IAS software cuts down on setup time by combining a database of wireless performance equipment and access to local television frequencies in use, allowing the RF technician the ability to simply enter the current zip code and, in a matter of moments, inventory the entire list of equipment and frequencies in-use. “IAS is the building block to all of the productions that PWS works on, as it helps us to quickly choose the clear frequencies for each specific wireless system and tuning range,” adds Hall. “The PWS team once again did an amazing job; the show looked and sounded great.”

For more information about Professional Wireless Systems, visit http://www.professionalwireless.com.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

Martin Audio Appoints New Managing Director

Luke Ireland

Martin Audio has appointed Luke Ireland as its new Managing Director, effective immediately.

An experienced business leader for a number of global businesses with a passion for technology and music, Ireland’s mission will be to lead Martin Audio and ensure its success in the future by developing reliable business structure and scalable process capabilities to increase the velocity of innovation and reliability of supply.

With a Masters in Business Administration and a 24-year career spanning multiple sectors of technology, IT and media, Luke is well versed in product development, manufacturing excellence, sales and marketing. He believes that building exceptional client relationships is the only way to achieve success.

On his appointment, Ireland remarked, “Excited would be an understatement. Martin Audio has enjoyed a period of great success that I witnessed first hand at this year’s Glastonbury Festival. They have tremendously exciting products that make a real difference to this industry. Having the opportunity to join such a business and lead it to achieve its true potential is very motivating.”

Simon Bull, International Sales Director, added “All my fellow directors were very impressed with Luke’s energy and vision for the company, and we were unanimous in his selection from a distinguished line up. We look forward to working with Luke to set Martin Audio on a very bright future, and I know he will hit the ground running.”

Summing up, Mark Graham, CEO of Loud Technologies, said, “I am very pleased to announce the appointment of Luke Ireland to the Position of Managing Director, Martin Audio. Luke brings a compelling package of experience and dynamic leadership that will contribute powerfully to Martin Audio’s continued success and make it an ever more reliable business partner.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

SUMMER PRICING ON NEW ATC SCM20PSL MONITORS

LAS VEGAS, NEVADA – JULY 2014: TransAudio Group, U.S. distributors for ATC UK, announces special introductory pricing on the ATC SCM20PSL MkII near-field reference monitor. The passive ATC SCM20PSL MkII improves upon the previous ATC six-inch, two-way passive and is ATC’s smallest and least expensive monitor in the ATC Professional line up. Built to the same exacting standards as its active pro range siblings, the SCM20PSL MkII is ideal for those already using passives but seeking a new level of resolution in a compact passive package. Purchases made before September 1, 2014 benefit from the reduced price of $2,990 per pair. After that, the price rises to a (still very reasonable) $3,490 per pair.

“ATC is well-known for designing and building studio monitors that are unflinchingly truthful and that help engineers deliver mixes that translate everywhere,” said Brad Lunde, president of TransAudio Group. “ATC founder, Billy Woodman, and his team of R&D engineers never tire in the pursuit of perfection, and our request for a smaller monitor has led them to develop the SCM20PSL Pro MkII. We’re offering the special introductory pricing to both celebrate and motivate.”

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

The ATC SCM20 PSL Monitors are now shipping.
MSPR: Now until September 1st – $2,990.00 pair • After September 1st – $3,490.00 pair.

Yamaha YCATS Training Moves Toward Future In Networking

BUENA PARK, Calif.—Yamaha Commercial Audio Training Sessions (YCATS) is moving in a new direction with their console training programs. This year, YCATS has created two new console classes in order to eliminate the repetition between the CL, QL, M7CL and LS9 seminars as these consoles share many of the same software features. The new classes will initially be held at HB Live during the first week of August, HB Live is sponsoring a CL/QL Series Essentials Class in North Haven, CT and ATR/Treehouse is sponsoring the same class in Warwick, RI.

HB Live, a division of HB Communications will host new sessions Tuesday, August 5th between 8:30 – 5:00 pm at 60 Dodge Avenue, North Haven, CT. For more information, call 800-331-1804. Registration details below.

ATR/Treehouse sessions will be held Thursday, August 7th between 8:30 am – 5:00 pm at the Ocean State Theater, 1245 Jefferson Blvd, Warwick, RI. Complementary breakfast and lunch will be served. For more info, contact ATR/Treehouse at 401-751-3121. Registration details below.

“The new YCATS training direction will be much for efficient and streamlined for our customers,” states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. “We are improving the YCATS programs for networking and acknowledge that our end user customers operate different Yamaha digital consoles from time to time with many common paradigms between the various models that enables us to improve the efficiency and effectiveness of our training programs.”

Console Operation – Level 1 is for those with little or no familiarity with Yamaha live sound consoles. Console Operation – Level 2, is more of an intermediate to advanced class designed for those familiar with the basic functions of Yamaha digital consoles. This new training format will allow YCATS more efficiency in terms of customer time. It will also reinforce that the software of Yamaha digital consoles is the same, and a user familiar with one should have no problem operating another. Right now, the largest demand is for training on CL, QL, M7CL and LS9; all sharing similar software.

In addition to the new Console Operation Levels, YCATS is adding “Digital Sound Reinforcement – Dante” and “CL/QL Series Essentials”. “DSR – Dante” is a one-day class covering design and use of Dante networks with Yamaha products as well as several third party products (i.e. Shure ULX-D and Aviom D800). “CL/QL Series Essentials” is a class for those who have been trained on the M7CL and LS9 and covers all new features with the CL and QL consoles and the set up of Dante networks.

For an end user looking for more in depth information on a particular console, YCATS has produced an online video series that can be used as a reference. New videos and webinars are on the docket for later this year.

Detailed descriptions of the new classes can be found online at:

Console Operation – Level 1: http://www.yamahacommercialaudiosystems.com/training_class_desc.php?courseID=33
Console Operation – Level 2: http://www.yamahacommercialaudiosystems.com/training_class_desc.php?courseID=34
Digital Sound Reinforcement – Dante: http://www.yamahacommercialaudiosystems.com/training_class_desc.php?courseID=35
CL/QL Series Essentials:
http://www.yamahacommercialaudiosystems.com/training_class_desc.php?courseID=32

Look for the new YCATS classes coming in Chicago, IL; Hayward, CA’ Long Island City/Queens, NY; and Nashville, TN. A full list of locations for this year can be found at: http://www.yamahacommercialaudiosystems.com/training.php?catID=11001.

-END-

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

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