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Michael Franks Chooses HARMAN’s Martin Professional For the 2014 NFL Draft

NEW YORK, New York — Held at New York City’s prestigious Radio City Music Hall, the 2014 NFL Draft was the highest rated ESPN Draft telecast in more than two decades. To ensure proper lighting of the players, audience and for the live television broadcast on both ESPN and NFL Network, Christie Lites and Principal Lighting Designer, Michael Franks, deployed HARMAN’s Martin Professional fixtures to provide light to the entire venue.

In total, more than four miles of cable were used to power 14 Martin MAC Auras, 20 MAC Viper AirFxs, 19 MAC Viper Performances and 24 MAC Viper Profiles throughout Radio City Music Hall from Thursday, May 8th – Saturday, May 10th.

What began as a relatively quiet experience in 1936, the NFL’s annual Draft has become one of the largest productions and most anticipated yearly events. As the NFL has continued to grow, so has the emphasis on production quality.

“This was our first year with a complete Martin rig,” Franks said. “Doing this project for 18 years, the Draft has consistently grown into a bigger event. We are constantly looking at how we can make it better each year and this year Martin played a big part in that. With two different networks now covering the event, the challenges grew even more as additional areas needed lighting coverage. It was a lot to manage but having the consistency of one team, we were able to create a uniformed look that worked for everyone.”

Franks decided to make the transition to Martin fixtures after several product demos and side-by-side comparisons with competitors. “We did the entire set-up in a matter of three days so there was definitely a lot of pressure to get it perfect the first time,” he said. “In addition, there is a new red carpet set-up outside the Draft before the first night that we were responsible for lighting. There were a lot of different parts but Martin helped tie it all together.”

Echoing Franks’ statement, John Trowbridge, Gaffer Crew Chief at The Wolf Productions stated that he enjoyed working with a quality product such as Martin. “In prior years,” he said, “we’ve used a selection of different manufactures, so it was nice to tighten things up with just Martin. Christie Lites is a Martin shop with a bunch of great fixtures so it made my life and my team’s life easier dealing with one company.”

At Radio City, the team needed to ensure that every area of the venue, including the hallways and all three balconies, were lit for live television. “Martin’s fixtures helped us to keep a uniform look and they also proved to be really even and bright,” said Franks. “We used a few of Vipers as follow spots which gave us the ability to light the players when they walked into the audience, since the ‘house’ followspots couldn’t reach them there. The Viper AirFXs and Viper Performances were used to light the walls, giving them color and patterns that were shown behind players and correspondents on both ESPN & NFL Network. We also used the Performances to light the tables in a controlled way due to the fact that this year, they were positioned behind the fans.”

Franks said he appreciates the quality of light, and color of the Martin fixtures, as they are different than what he has seen from competing lighting manufacturers. “I’m always one to refer to the phrase that ‘change is the only constant’,” he said. “A project like this never stops changing and the switch to Martin was a great choice for this production. We always need to find ways to be more efficient and Martin has been an improvement and a refinement in how we handle the Draft.”

Chris McMeen, Christie Lites, was the account representative for the package.

For additional information on Christie Lites, please visit: www.christielites.com

For additional information on The Wolf Productions, please visit: www.thewolfproductions.com/

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

D-Tools Workflow-Enhancing Native iOS Mobile Quote App Now Available

Companion app to SIX 2013 enables electronic systems integrators to remotely generate bids and later import them into the D-Tools SIX 2013 software platform for full project design and management

CONCORD, CA, USA  MAY 27, 2014 — D-Tools, Inc., the worldwide leader in electronic system integration software, announced today that the new D-Tools Mobile Quote app—an iOS-based companion app for its flagship software, SIX 2013—is now available for D-Tools users worldwide. This mobile extension of SIX 2013 provides mobile project quoting capabilities that enable Commercial and Residential Audio, Video, and Security systems integrators to generate quotes natively on an iPad®, then import them into the full D-Tools SIX 2013 software platform for further project design and management. Delivering on D-Tools’ commitment to timely product updates and enhancements, this new D-Tools Mobile Quote app will immediately extend the highly functional D-Tools SIX 2013 workflow to mobile sales and specification teams.

A native iOS application, the D-Tools Mobile Quote app leverages D-Tools’ extensive manufacturer product library by enabling system integrators to access and integrate product category, sub-category and package information and price range from their SIX 2013 catalog while working with customers in the field. Integrators can enter client and contact information into the Mobile Quote app, then walk prospective customers through available installation scenarios in order to create a quote for approval. Once complete, the resulting quote can then be imported into the full SIX 2013 software application for additional design work and synchronization.

A highly efficient productivity solution, the Mobile Quote app uses many of D-Tools’ workflow concepts, extending them to the mobile environment where customer interaction often takes place. Enabling the specification of locations and systems provides integrators the ability to provide packages or pre-configured systems for inclusion in the quote. Labor and general pricing is automatically calculated, and customers are provided an accurate proposal that in many cases can be signed off for approval on the spot.

By using D-Tools mobile quoting software, integrators give their customers a professional and impressive solution that illustrates both their commitment to the latest in cutting-edge technology and respect for their clients’ time by offering fast bids on-site. An integrator’s customer no longer has to wait anxiously until the integrator gets back to the office and spends hours pounding out a quote. Solutions are quick, easy, and professional, allowing the integrator to get started on their project right away. Available to D-Tools customers via the Apple App Store, the Mobile Quote app will carry a monthly subscription fee of $25.00 per user/device.

“We’re pleased to make the D-Tools Mobile Quote app available to our global user community,” said Adam Stone, President and Founder of D-Tools. “Providing our users the ability to create quotes in the field is a natural evolution for our platform, and the Mobile Quote app is an important component that ensures D-Tools continues to meet the growing needs of our expanding electronic systems integration customer base. The Mobile Quote app release is the first release of our mobile capabilities roadmap to significantly enhance and complete our project workflow. As we have demonstrated since the release of SIX last year, this new platform enables us to deploy new features as part of rapid and regular release cycles, which ultimately provides our customers a clear path for sustained growth.” 

More than 4,500 companies worldwide use D-Tools Systems Integrator Software to streamline the estimation, design, and project management processes associated with the installation and integration of low voltage systems.

iPad® is a trademark of Apple Inc., registered in the U.S. and other countries.

About D-Tools, Inc.
D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software platforms. The company’s flagship product, System Integrator™ (SI), is a robust solution that utilizes Autodesk® AutoCAD and Microsoft® Visio to facilitate comprehensive system design, documentation and project management. D-Tools enables residential and commercial integrators to streamline business processes and increase revenues while reducing the time and cost associated with the installation and integration of low-voltage electronic systems. More than 4,500 leading companies currently use the award-winning D-Tools platform to reduce time, costs and to streamline the system integration process. Product updates and related information can be obtained by following D-Tools on Twitter and on Facebook.

Learn more about the D-Tools MVP Program, D-Tools System Integrator, or the undeniable benefits of using a streamlined system design, proposal, and estimation software platform at www.d-tools.com(866) 386-6571, ext. 1, or e-mail info@d-tools.com ormvp@d-tools.com.

Press Contacts
Tim Bigoness, D-Tools, Inc., +1 (925) 270-4102, timb@d-tools.comwww.d-tools.com

Katye (McGregor) Bennett, KMB Communications, +1 (425) 328-8640katye@kmbcomm.com

MVP Contact
Josh Carlson, D-Tools, Inc., +1 (925) 270-4105joshc@d-tools.com

Link to accompanying images for use in publication:
https://www.dropbox.com/sh/e99zhtd1lhkb2h6/AAAtJc2LeZpbWLXKv42LGp3Fa

 

# # # ENDS

TDC provides core video expertise for largest-ever light festival Vivid Sydney

Aquatique Show International, Vivid Aquatique, Darling Harbour, Photography by Rodney Campbell.

TDC – The Technical Direction Company is proud to be deploying the full range of its professional and technical expertise in providing core technology and services to Destination NSW for the sixth annual Vivid Sydney festival running from 23 May to 9 June.

Anthony Bastic, Vivid Light Festival Director said: “Vivid Sydney is a unique celebration of light, music and ideas that will see the centre of New South Wales’ vibrant capital transformed by a series of state-of-the-art visual and creative art installations. There are two components to Vivid Light. The first is the Light Walk, which is the public interface of Vivid Sydney. This includes numerous light installations by artists. Secondly, also forming part of the Light Walk, are projections onto some of Sydney’s most iconic buildings including the Museum of Contemporary Art and Customs House. We are thrilled to work with TDC in bringing the artists’ vision to light.”

“This is our third year of working with Destination NSW on Vivid Sydney, providing a huge range of technologies including 3D media servers, 3D mapping, video projection equipment, projection tower infrastructure and sound installations, not to mention our highly skilled crews to manage the technology,” comments Kain Jones, Special Projects Manager at TDC. “We have used our experience of working on Vivid Sydney for the last three years to apply the insights with have learned to how to adapt and continue to make sure that the elements TDC is involved in are amazing.

“As Vivid Sydney grows, new buildings and locations are added, so initially we spend considerable time analysing which technology is best-aligned to meet the artists’ vision. We get involved from the outset in installation design, mapping the buildings to enable the designers to create content specific to the outline of those buildings. We then work on optimal locations for projector placement, media server selection, lens selection and the number of projectors required to meet specific brightness (lux) output for each installation.”

“Vivid Sydney is a great challenge for our company, the scale of this event is enormous in regard to projection technology required to bring it all together,” comments Michael Hassett, TDC’s Managing Director. “This year over 50 Barco projectors will be deployed in total, ranging from the brightest projector in the world, the HDQ-2K40 (40,000 lumens brightness) along with Barco HDF-W26 (22,000 lumens brightness) and FLM-R22+ (22,000 lumens brightness) projectors. This is a projection technology feat and not something that any company globally could pull together easily. We’re proud to be working with the great team at that Destination NSW again this year, and we look forward to the continued success of Vivid Sydney.”

• Over 50 Barco projectors will be deployed in total, ranging from the brightest projector in the world, the HDQ-2K40 (40,000 lumens brightness) along with Barco HDF-W26 (22,000 lumens brightness) and FLM-R22+ (22,000 lumens brightness) projectors. Photography Rodney Campbell.

The TDC team preparing for Vivid Sydney. Photography by Rodney Campbell.

TDC getting ready for Vivid Sydney. Photography by Rodney Campbell.

And the last word goes to Olin Winton, Technical Manager at TDC who says: “It’s always a joy to work on large format projection projects and Vivid Sydney is no exception. The opportunity to display images on iconic buildings takes months of planning and long nights of alignment. This year we have added several new projects to our list, which we are extremely pleased with. Seeing it all come together, working with world class technicians and seeing the end result of people interacting with the buildings is extremely rewarding.”

World firsts from TDC

This year’s Vivid Sydney programme includes a number of significant technological and creative firsts.

Dichroic Dimensions

Digital Shamans, Dichroic Dimensions, Museum of Contemporary Art Australia (Mordant Wing). Photography by Rodney Campbell.

Kain Jones points to one aspect of a unique interactive installation at the new building of the Museum of Contemporary Art Australia (MCA), where artist-in-residence Ross Manning has collaborated with multidisciplinary artistic collective, The Digital Shamans to give visitors the chance to projection-map the façade of the building using only their voice.

“There’ll be two microphones on a slightly raised platform. As the audience uses their voice to interact with the installation, various hidden layers of visuals and soundscapes will be revealed based on pitch,” explains Michael K Chin at The Digital Shamans. “TDC are an amazing company with the technical know how and equipment to cope with the subtleties in our work. Especially with the HD video taken of dichroic filters producing subtle gradients in tones and colour shifts, strong contrast and vivid colour. It’s been a pleasure working with TDC for the first time. They are very professional and their experience with past Vivid Sydney festivals has been invaluable.”

Gamma World

Jess Johnson & Spinifex, Gamma World, Original Façade, Museum of Contemporary Art Australia. Photography by Rodney Campbell.

Bringing together the worlds of live performance, interaction and visual art onto the original façade of the Museum of Contemporary Art, ‘Gamma World’ combines isometric designs, old school gaming, pop up 3D books and forced perspective using 3D and animation tricks that powerfully takes the viewers on a journey through changing worlds.

Stella Carmody, Producer at Spinifex Group Sydney says: “What makes this projection so special this year is that we were able to combine our love of story-telling with the wonderfully inspiring artwork of Jess Johnson to create an abstract, engaging and playful piece of moving art on this iconic building. Hardware and projection mapping was undertaken by our good friends, large-scale projection experts, TDC.”

Urban Tree Project

Urban Tree Project, Ample Projects – MLC Centre, Martin Place. Photography by Rodney Campbell.

If you ever find yourself wondering what grew in the CBD before monuments of glass and steel, Urban Tree Project in Vivid Sydney 2014 will show you. The CTA building in Martin Place will grow out of the ground to become a magnificent living tree within the surrounding urban environment to celebrate and reflect on Sydney’s original green landscape. Design and animation company, Ample Projects turned to TDC to provide the projection solution.

“This project had unique technical challenges, so the natural choice for us was TDC. Ample designed a complex 3D mapping solution in collaboration with the TDC team. They were highly professional, providing projection design solutions for a cylindrical architecture screen with extreme focal planes. We look forward to working with them again soon,” says Ample Creative Director, Nicholas Tory.

“The shape of the structure was great to work on. We decided that the best solution was to map the projection to the curves of the building using Coolux Pandoras Box Media Servers,” comments Pete Lynn, TDC’s Media Server Specialist. “We’re very happy with the results.”

The projections for the Urban Tree Project are synchronised with a stunning laser lighting show as is the case with TDC’s projections for the Vivid Aquatique Water Theatre installation.

Spirit of Patyegarang

•	Patyegarang, Bangarra Dance Theatre Company – Vivid Light Walk Tour, Harbour Bridge Southern Pylon. Photography Greg Barrett.

Bangarra Dance Theatre is Australia’s leading Indigenous performing arts organisation celebrating its 25th anniversary this year. To mark this milestone the company presents its new production at the Sydney Opera House Patyegarang until 5 July and participates for the first time in Vivid Sydney with The spirit of Patyegarang. Projected onto the southern pylon of the Sydney Harbour Bridge, The spirit of Patyegarang is a video installation marking the first Indigenous contribution to the Vivid Light Walk.

Bangarra’s Executive Director, Philipe Magid, said: “TDC is providing equipment and video expertise enabling our company to project a stunning work of art on to a section of the iconic Sydney Harbour Bridge. Through a fusion of dance movements and music soundscape and thanks to video projections supported by TDC, the important story of Patyegarang will awake and inspire with the sensations and emotions of ‘first contact’”.

Play Me

Play Me, Customs House, Photography by Rodney Campbell.

In a poetic explosion of colour, light and sound, ‘Play Me’ will transform the façade of Customs House into a series of massive ‘musical sculptures’ that are individually selected and manipulated by the audience.

“Each of these ‘sculptures’ depicts a family of musical instruments which the audience can ‘play’ in real-time using a touch screen located on a platform in front of Customs House bringing it to life in glorious torrents of ever-changing colour, light form and sound,” says Sergio Carrubba, director and projection designer at Danny Rose, the design team for this project. “We’ve worked with TDC before on the ‘Move Your Building’ exhibit at Vivid Sydney 2013. In all cases, TDC offers exceptional support during planning phases, onsite technical support and the very best in projection equipment to assist with our designs which will all be brought to life at Vivid Sydney.”

Ignatius Jones, Creative Director, Vivid Sydney, comments: “Vivid Sydney is a strange beast: on the one hand it is a major government initiative designed to drive visitation and tourist expenditure during the year’s lowest season, and on the other a celebration of the fusion of Art and Technology that is changing our world forever and for the better. As Creative Director I must split my focus between the exacting contractual and economic demands of government, and the necessity to provide cutting-edge technical solutions to all the issues of larges-scale – or should I say vast-scale – public entertainment.

“TDC has an instinctive and comprehensive understanding of these issues. They are the perfect collaborators: calm, creative and totally competent. I would have no qualms in recommending them to anyone in the tough world of live mass entertainment, and hope to be working with them for a long time to come.”


TDC staff working on this project:

Kain Jones – Special Project Manager
Olin Winton – Technical Manager
Steve Cain – Head Technician/Media Server Specialist
Pete Lynn – 3D Media Server Specialist
Drew Ferors – Projectionist
Gareth Marsh – Projectionist
Katrina Harding – Projectionist
Isaac McKenzie – Projectionist
Adam Fiddler – Technician

TDC are working with following designers for Vivid Sydney:
• Urban Tree Project, Ample Projects – MLC Centre, Martin Place http://www.vividsydney.com/events/urban-tree-project
• Aquatique Show International – Vivid Aquatique, Darling Harbour, http://www.vividsydney.com/events/vivid-aquatique
• Patyegarang, Bangarra Dance Theatre Company – Vivid Light Walk Tour, Harbour Bridge Southern Pylon, http://www.vividsydney.com/events/the-spirit-of-patyegarang
• Starry Night, Brad Miller – Pier 8, Walsh Bay Wharf, http://www.vividsydney.com/events/starrynight
• Digital Shamans – Dichroic Dimensions, Museum of Contemporary Art Australia (Mordant Wing), http://www.vividsydney.com/events/dichroic-dimensions
• Danny Rose – Play Me, Customs House, http://www.vividsydney.com/events/play-me
• Heinz Kasper – Mystery of Creation (Fragments of The Seasons), Cadman’s College, http://www.vividsydney.com/events/mystery-of-creation-fragments-of-the-seasons
• Jess Johnson & Spinifex – Gamma World, Original Façade, Museum of Contemporary Art Australia, http://www.vividsydney.com/events/gamma-world-mca-original-facade

TDC equipment supplied:

• Over 50 Barco projectors will be deployed in total, ranging from the brightest projector in the world, the HDQ-2K40 (40,000 lumens brightness) along with Barco HDF-W26 (22,000 lumens brightness) and FLM-R22+ (22,000 lumens brightness) projectors.
• Coolux Pandoras Box Media Servers
• Dataton WATCHOUT™ multi-image display and presentation software

Remembering PreSonus CTO Bob Tudor

Baton Rouge, LA – May 23, 2014...PreSonus sadly announced today the passing of Bob Tudor, the company’s widely admired, respected, and beloved Chief Technology Officer.

A legend in the pro audio/MI industry, Tudor followed a long and winding road to PreSonus. A child prodigy, he studied piano with Arthur Rubinstein protégé and Julliard fellow Josephine Bacher. Tudor later studied electrical engineering at the prestigious Rensselaer Polytechnic Institute but switched to the Berklee College of Music, where he studied film scoring, jazz, and music production. He cofounded Boston’s Metropolis recording studio and recorded such well-known acts as Peter Wolf/J.Geils Band, Extreme, Aime Mann, New Kids on the Block, and Bobby Brown. He also played keyboards and acoustic piano on numerous records as a studio musician and remixed “Cradle of Love” for Billy Idol.

Fascinated with how gear worked, Bob eventually combined his passions for music and engineering, creating a long list of companies, products, and technologies. As one of the pioneers at Mackie Designs, he created the company’s line of digital mixers, hard-disk recorders, and control surfaces. After leaving Mackie, he founded SaneWave, where he developed products for a wide assortment of pro audio manufacturers.

Overall, Tudor and the SaneWave team had designed more than 100 products, including such hits as the TASCAM US-2400 Control Surface and X-48 Hard Disk Multitrack Audio Recorder, Electro-Voice DC-1 Speaker Processor, M-Audio ProjectMix, and Lexicon MX-500 FX Processor. He did additional projects for QSC, Samson, Shure, Alesis, Gibson, Fender, and many others. One of SaneWave’s best clients was PreSonus, for which he helped define and design the FaderPort and the StudioLive digital-mixer line. That led to his decision to join the company full time in 2008. His products have garnered five TEC Awards, five MIPA Awards, and numerous other awards. As Tudor put it, “I enjoy developing disruptive products”—that is, innovative products that can potentially shake up and energize the market.

As Chief Technology Officer, Tudor oversaw all PreSonus advanced development activities and evaluated and implemented emerging technologies that have been utilized in many of the companies most successful products. Along with PreSonus CSO Jim Odom, he developed the strategic direction of the company’s innovative products and technologies.

Said Jim Mack, PreSonus CEO, “Anyone who has ever had the pleasure of working with Bob, or even interacting with him at events or trade shows, was likely touched by his energy, enthusiasm, and passion for technology—and specifically, technology that allowed people to make better music. He was always fascinated with what could be done and was never really deterred by challenges or technical hurdles. He not only made things that no one else could see or do possible, he made them look easy. We have not only lost a truly amazing engineer but a very dear friend to so many people in this industry.”

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JVC 3.0 Firmware Upgrade for GY-HM600/GY-HM650 ProHD Mobile News Cameras Now Available

WAYNE, NJ – JVC Professional Products Company announces the availability of its Version 3.0 firmware upgrade for its GY-HM600 and GY-HM650 mobile news cameras. Available through the JVC Web site, the upgrade is free to all current GY-HM600 and GY-HM650 owners.

For both cameras, the upgrade includes 1080p/60 recording modes, Extreme High Quality (XHQ) recording with virtually lossless 50 Mbps H.264 (.MOV), and large file support for SDXC media cards. The firmware upgrade adds Zixi advanced streaming capabilities and live RTSP/RTP format streaming to the GY-HM650.

Using Zixi’s new Advanced Streaming Technology (AST), the GY-HM650 3.0 provides content-aware error correction and bandwidth shaping. Proprietary Zixi algorithms maximize bandwidth to ensure reliable transmission, and advanced content aware error correction compensates for up to 30 percent packet loss. With the upgrade, the GY-HM650 is also compatible with JVC’s Professional Streaming Services, including the new ProHD Broadcaster server powered by Zixi that provides reliable live content delivery to a variety of hardware decoders, CDNs, and the Web.

ABOUT JVC PROFESSIONAL PRODUCTS COMPANY

Headquartered in Wayne, New Jersey, with West Coast operations in Long Beach, California, JVC Professional Products Company is a division of JVC Americas Corp., a wholly-owned subsidiary of JVC KENWOOD Corporation. JVC is a leading manufacturer and distributor of broadcast and professional video and audio equipment, D-ILA front projection systems, and Super LoLux HD video security products. For further product information, visit JVC’s Web site at http://pro.jvc.com or call (800) 582-5825.

Revolabs Connects With Business Breakthrough Paris 2014

SUDBURY, Mass. — May 22, 2014 — Revolabs today announced that it will exhibit its next-generation Executive Elite wireless microphone system and audio-enhancing FLX UC 500 USB conference phone at the Business Breakthrough Event Paris 2014 on June 3 at The Espaces CAP 15. This is the second Business Breakthrough Event to be held in Europe this year and offers attendees up-to-date information on evolving unified communications (UC) and collaboration solutions and workflow integration. more

Biamp Systems Showcases TesiraFORTÉ at the Business Breakthrough Event 2014 in London

Biamp’s DSP-based audio processors provide incredible flexibility for everyday and enterprise-grade applications

BEAVERTON, Oregon — May 22, 2014 — Biamp Systems, a leading provider of innovative, networked media systems, today announced its participation in the Business Breakthrough Event 2014 in London on May 29. The premier event will provide attendees with information, discussion platforms, and solution updates within the rapidly evolving unified communications space. As a gold-level sponsor of the event, Biamp(R) will showcase its newly launched TesiraFORTÉ digital signal processors and host an educational presentation titled “It’s Amazing What Happens When People Hear What You Say — Delivering Audio That Works.” more

HARMAN Professional Opens New Technology Center In Salt Lake City, Utah

SALT LAKE CITY, Utah – HARMAN Professional today announced the opening of its Technology Center in Salt Lake City, Utah. The 50,000-square-foot facility employs 165 and houses the company’s Signal Processing Business Unit Professional Systems Development and Integration Group, responsible for the development of HiQnet™ networking software, Corporate Technology Group, and the HARMAN Professional Training Center. The facility is located at the foot of the Wasatch Mountains in the high-tech South Jordan RiverPark area of Salt Lake City.

“By bringing our resources and our talented engineering, design and research staff under one roof we have created a world-class facility that will enable us to be more efficient in all elements of our day-to-day operations than ever before,” said T.J. Smith, General Manager, HARMAN Professional Signal Processing Business Unit.

HARMAN Professional’s Signal Processing Unit develops and supports professional audio products used by musicians, studios, houses of worship, theaters and large venues such as stadiums, arenas and convention centers. Their iconic brands include Lexicon, dbx, BSS Audio and DigiTech. The technology developed at HARMAN Signal Processing is also used in larger audio systems applications for other HARMAN brands JBL Professional, Crown Audio, Soundcraft, and Studer.

HARMAN’s Corporate Technology Group leads the company’s cutting-edge research efforts and the development of HARMAN International products and technologies. The HARMAN Signal Processing Business Unit is responsible for product engineering, development, sales, marketing and administration of the DigiTech, Lexicon Pro, dbx and BSS Audio brands.

The HARMAN Professional Training Center was created to train audio professionals in the use of the company’s products and HiQNet audio system control software. The Center includes four studios/sound rooms, provides in-depth, instructor-led training and also provides the opportunity for professional certification for HARMAN products and systems.

“HARMAN Professional is evolving to meet the changing needs of our customers worldwide,” said John Fitzgerald, Vice President and General Manager, HARMAN Amplifier and Signal Processing Business Units. “This facility underscores our commitment to investing in our employees and providing them with the resources to build, service and support the best professional audio products available.”

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

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Hisense H6 55” SMART TV With Android 4.2.2 Now Available at Walmart

Suwanee, GA – May 22, 2014 — Hisense today announced the immediate availability of the new H6 SMART TV powered by Android™ 4.2.2 for under $700 at select Walmart stores nationwide. The 55-inch H6 features a stunning, intuitive new user interface and comes with an incredibly simplified Merlin™ remote control air mouse.

“Today, by coupling Hisense’s television expertise with Walmart’s immense retail reach, we are delivering a truly smart TV at a highly accessible price point,” said Jonathan Frank, Vice President of Marketing, Hisense USA. “We are proud to bring Android TV to the North American market with the Hisense H6 and look forward to working with our various partners to advance the viewer experience of consumers everywhere.”

The H6 comes with the Hisense Social TV™ App and Hisense Cloud Services Hi-Media™ Player and Receiver for sharing and storing all of your favorite videos and photos. It features a 120Hz refresh rate and is Energy Star 6.0 qualified. The H6 remote comes with just 30 keys, a built-in air mouse with IQQI Smart Input and voice search with a built-in microphone.

The SMART functionality of the H6 brings Vudu HD Movies, Netflix, Amazon Instant Video, Chrome™, YouTube™, Google Play™, Google Voice Search™, and PrimeTime applications into your living room. The Android-based TV v4 Media Streaming, multiple HDMI-In/Out, WiFi, Ethernet, Bluetooth and USB ensures that the consumer is never without content.

Android, Google Play, Google and other marks are trademarks of Google Inc.

For more information please visit: www.hisense-usa.com. You can also find us on Facebook at www.facebook.com/HisenseUSA or follow us on Twitter and Instagram @Hisense_USA.

About Hisense USA Corporation
Established in 2001, Hisense USA Corporation is a wholly owned subsidiary of the Hisense Company Ltd., headquartered in Qingdao, China.

Hisense USA offers a broad range of technology driven consumer electronics products that are manufactured and distributed across North American, including televisions, refrigerators, air-conditioners, dehumidifiers, beverage coolers and freezers. Hisense USA sells into national retailers across North America, including Walmart, Sams.com, Costco, P.C. Richards, Canadian Tire and more. The Company has established R&D centers in Atlanta, Georgia and San Jose, California to enable localized product development and innovation.

Hisense Company Ltd. has production facilities in China, South Africa, Algeria, Egypt as well as Mexico and is one of the largest television manufacturers in the world with over 10 million televisions produced per year. The Company has sales offices in North America, Europe, Australia, South Africa, the Middle East and Asia while exporting products to over 130 countries and regions throughout the world.

Zylight to Exhibit Product Range at Cine Gear and Lightfair International

LOS ANGELES – Zylight, a leading manufacturer of innovative LED lighting solutions, will showcase its wares at next month’s Cine Gear Expo in Hollywood and Lightfair International in Las Vegas. Zylight’s instruments will be displayed within their North American distributor, Ushio America’s, booth at both exhibitions. Among the Zylight offerings on hand will be the F8 LED Fresnel, palm-sized Z90 LED and IS3c LED lights.

Ushio will be in booth #S310 at Cine Gear and booth #5124 at Lightfair International.

Cine Gear occurs from June 5-8th at The Studios at Paramount in Hollywood. In its 18th year, it is the premier film, video, and digital media expo for the entertainment industry.

Gear Expo attracts specialists from every major department of the entertainment production and the post production world.

Held from June 3-5 at the Las Vegas Convention Center, Lightfair International is the the world’s largest annual architectural and commercial lighting trade show and conference. Lightfair International is co-owned by the International Association of Lighting Designers (IALD, www.iald.org) and the Illuminating Engineering Society (IES, www.ies.org). The event is co-owned, produced and managed by AMC, Inc. (www.americasmart.com).

F8 LED Fresnel

Recently updated, Zylight’s F8 LED Fresnel delivers close to the light output of a traditional 1000-watt Fresnel and collapses to less than four inches thick for easy transport. A number of refinements deliver improved performance for field and studio applications. The yoke mount has been angled for greater positioning range and can accommodate 90-degree stand mounting. All locking and adjustment can be done with a single knob. The light’s self-locking focus automatically holds focus position. Other improvements include: improved bellows design for smoother operation, a self-terminating DMX input, better protection from the elements, and a new heat sink orientation that allows 20 percent better cooling.

“We’ve been blown away by the response to this light. Commercial and TV show producers as well as independent filmmakers are embracing our LED Fresnel,” said Joe Arnao, president of Zylight. “We went back to the drawing board a few months ago to make the F8 even better, without changing the features that make it the most exciting lighting instrument on the market.”

Z90

The palm-sized Z90 LED provides the flexibility of variable color temperature and access to any color of the rainbow at the touch of a button – without gels or filters. It can instantly switch between fully calibrated Daylight and Tungsten, with no color shift while dimming. An adjustable 2500K-9000K color temperature and variable ±GREEN color correction enable smooth on-location lighting adjustments. Built-in controls and digital display make set-up fast, with user-defined presets for storing frequently used settings. The light’s built-in color mode provides immediate access to millions of colors. The Z90’s HD-led™ module is the brightest available anywhere. And its 130° spread ensures that one Z90 will do the job of two or more inferior bulb-type LED lights.

IS3c

The IS3c combines Zylight’s color-mixing technology and high-quality construction to meet the needs of location and studio professionals who require an extremely bright and wide soft source, while offering all of the innovative features for which Zylight is known: fully dimmable with minimal color shift, adjustable color temperature and color correction, unlimited color control, and rugged construction for years of reliable service.

The IS3c’s advanced four-color mixing ensures excellent skin tones and rich, accurate color rendition. And the IS3c’s wide 90° spread means the IS3c can shoot with wide angle lenses or in 16×9 format.

Integrated ZyLink™ wireless control

Each of the lights are equipped with Zylink wireless control technology that allows the operator to wirelessly link multiple Zylights to create a soft LED source as large as necessary. Zylights that are linked act in concert as if they were one unified LED source, with adjustments made on one light changing all lights in the group. Lights can be controlled wirelessly or from another light from up to 60′ away.

ABOUT ZYLIGHT LLC

Founded in 2003, Zylight LLC is the leading manufacturer of intelligent LED lighting instruments for the film and video production industry. Every model in its easy-to-use lighting system produces fully calibrated bright white light, while some also provide a spectrum of adjustable colors without gels. Full wireless control and DMX integration are included, and AC or DC power options are available. The Zylight state-of-the-art LED system is truly the most unique and flexible lighting system on the market today. With more than 50 dealers worldwide, Zylight continues to develop innovative LED lighting solutions to help make your job easier. More Than Bright – Zylight. Find out more at www.zylight.com.

ABOUT USHIO AMERICA, INC.

USHIO America, Inc. is a leading manufacturer of Specialty and General Illumination lighting solutions based in Cypress, California. Established in 1967 as a subsidiary of USHIO Inc, in Tokyo, Japan, USHIO now carries over 3,500 lighting related products. These Lighting-Edge Technologies™ are provided to a variety of industries such as general illumination, audio-visual, photographic, stage, studio and television, semiconductor, printed circuit, video projection, cinema, UV curing, germicidal, horticulture, graphic arts, flashlight, scientific, medical, dental, ophthalmic, infra-red heating, and many others. For further information, visit www.USHIO.com.

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