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HARMAN’s BSS Audio, Crown and JBL Play for the Majors in San Diego

SAN DIEGO, California – Petco Park, home to Major League Baseball’s San Diego Padres, recently took a bold step toward delivering on its dedication to “Creating Major League Memories” as systems integrator Daktronics installed an all-star lineup of standard-setting audio equipment featuring HARMAN components. The facility, which opened in 2004, seats 42,445 and calls itself “The World’s Best Ballpark in America’s Finest City,” is now equipped with HARMAN’s JBL Professional loudspeakers, Crown amplifiers and BSS Audio processing components.

David Sturzenbecher, audio project engineer, and the Daktronics Audio team’s first step in the extensive Petco Park audio retrofit was evaluating the state of the previous system by testing every amplifier’s voltage gain and frequency response. Petco Park has two large amplifier rooms, each with 80 amplifiers, and up to 30 amplifiers in each of six smaller rooms. Daktronics Audio replaced each of the older amplifiers in the smaller rooms with Crown DCi amplifiers; the upgrade to the Crown DCi amplifiers in the larger rooms is ongoing. Featuring Crown’s DriveCore™ technology, the DCi series is more powerful and energy efficient then other large-scale install grade amplifiers and are just 2U rack spaces high.

For loudspeaker testing, Sturzenbecher along with Field Engineer, Doug Dodge took complex impedance measurements of each unit run from the amplifier rooms and listened to every passband of every loudspeaker. Once the needs were determined, JBL became the obvious choice. “The stadium is located only a quarter mile from the ocean, and the loudspeakers on the upper deck are quite exposed and only accessible via scaffolding,” he said. “So in addition to superior sound quality, we selected the JBL PD and AM weatherized boxes because we knew they would be able to handle these conditions without the need for additional service.”

While the sound requirements for most of Petco Park are on a grand scale, the facility does have a number of restaurants and bars that called for a lighter touch. To accommodate those areas, Sturzenbecher augmented the BSS Audio BLU-800 processers already installed throughout the venue by adding BLU-320 devices in the park’s more compact sections. “The BLU-320 provides the preamps for local audio input, but also provides the BLU link source for each local amplifier room,” he said. “The Soundweb London processors were programmed so that mix engineers can monitor any audio signal in the park from the control room.” In the Bud Patio area, Daktronics installed three JBL Control 29AV-1 loudspeakers and, for Hodad’s Restaurant, eight JBL C29AV-WH-1 70V loudspeakers. The lodge, restaurant and the Pier and Hall of Fame bars use Crown DCi 2I600N amplifiers.

The equipment inventory of HARMAN products that Daktronics installed in various areas of the park is extensive. On the Toyota Terrace, 19 JBL PD5322/95-WRX-WH weather-protected loudspeakers were installed. For the outer concourse, Sturzenbecher selected 30 JBL AWC129 all-weather loudspeakers with 70V transformers and two Crown DCi 2I1250N amplifiers. To fill in gaps in the concourse, two JBL PD5322/43-H-WRX weather-protected loudspeakers, two JBL AM5215/66-H-WRX weather-protected loudspeakers, powered with four Crown DCi 2I1250N amplifiers.

On the park’s upper deck, Daktronics installed a complete replacement, including 26 JBL PD5322/64 WRX-H-WH weather-protected loudspeakers, 26 JBL AM5215/26-H-WRX weather-protected loudspeakers, 26 AM5215/95-H-WRX weather-protected loudspeakers and 23 JBL AM5215/00-H-WRX weather-protected loudspeakers. Daktronics outfitted the Right Field Budweiser Scoreboard and Budweiser Patio Addition with four JBL PD5322/64-WRX-H-WH weather-protected loudspeakers, five JBL AM5215/26-H-WRX weather-protected loudspeakers, one JBL PD5215/95-WRX-H-WH weather-protected loudspeaker and, for the right outfield rear fill, seven JBL C29AV-WH-1 loudspeakers; the area is powered with a Crown DCi2I1250N 2 Channel amplifier. For the owners’ suites, Daktronics installed 12 JBL C29AV-WH-I weather-protected loudspeakers.

This deployment is also one of the largest to date of HARMAN HiQnet Audio Architect™ audio system design and configuration software, which retains the workflow-centered philosophy first introduced in HiQnet System Architect™ but also incorporates the BSS Audio Soundweb London DSP functionality to combine the power of the open-architecture platform with equally powerful microphones, amplifiers and loudspeakers.

By uniting HiQnet System Architect and Soundweb London, HARMAN believes that HiQnet Audio Architect represents the next stage in the evolution of audio systems design software. Sturzenbecher agrees. “HiQnet Audio Architect lets us combine programs and provide intuitive custom panels on a large touchscreen for the operators,” said Sturzenbecher, who installed the Petco Park deployment. “We have more than 200 HiQnet devices on the network, and the status of all of them can be seen by simply glancing at the software.”

The HARMAN lineup even helped address one of the unique acoustic challenges of Petco Park, which is the “Park at the Park” area just outside the stadium where fans can watch the game with their pets. “The main complaint from people in that area was that the sound was unintelligible,” Sturzenbecher said. “So we replaced about a dozen loudspeakers with two JBL CBT 70J+E column loudspeakers. The coverage throughout the park is great and the vocals are very clear.”

HARMAN designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a global workforce of 15,200 people and reported sales of $5.1 billion for the last 12 months ended March 31, 2014.

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Rui Da Silva invests in a Prism Sound Lyra 2 Audio Interface

Rui Da Silva, writer of international number one single Touch Me amongst many other diverse projects, describes himself as a Producer, Engineer, Beatmaker, Remixer, Writer, DJ and Programmer. He can now add Lyra 2 owner to the list as well, having recently bought one of the audio interface units from Prism Sound.

“I first heard about Prism Sound’s Lyra 2 through a magazine article,” he says. “I’ve been a longtime user of the company’s Orpheus audio interface and have also used the Dream AD-2 converter in the past. The Lyra 2 integrates perfectly in my new setup. Studio space is at a premium and while I still use the Orpheus in my studio in Windsor, Lyra 2 is the right fit for my central London studio and for travelling work. It has sufficient inputs and outputs to be able to run most of my sessions and has a small enough footprint for me to just put it in my backpack.”

For Da Silva, this makes Lyra 2 a ubiquitous tool in his kitbag. He not only used the unit to write, record and mix all of the debut album from Lisbon Kid, but also to record Chloe Howl and much of his latest solo productions and remixes.

“In fact, you can hear it on every single release I have put out in this past year,” he says.

The Lyra family of audio interfaces is proving to be an extremely popular one for Prism Sound. Built from a design brief that demanded Prism Sound quality at an even more accessible price point, Lyra has the same no-compromise analogue front and back ends as its bigger brother Orpheus, with the same fully-balanced-throughout architecture and the same isolation barriers protecting the analogue from digital and computer interference. And it achieves all this in a 2.1kg, 2/3 width, 1U 19in rack mountable unit.

“It has also allowed me to not have a mixer in the studio as I use the Lyra Control Panel instead,” comments Da Silva. “And it allows me to give a separate headphone feed to the singers when we are doing vocals. The latency — even if it is not an absolute zero — is very workable for almost every scenario.”

Da Silva adds that Prism Sound support has been brilliant and staff are ‘a pleasure to deal with’. But it’s the Lyra 2′s portability along with that ‘Prism Sound’ that is the real advantage for him.

“I have to make a long trip to Portugal this year to record some new material for Lisbon Kid and, of course, the Lyra 2 will be in the bag with me,” he says.

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

Music Students Step Up To CAD Headphones


Understanding the need for professional equipment when learning how to play and record musical instruments and vocals, CAD Audio recently donated a number of MH510 studio headphones to music students in Cincinnati, Ohio.

Aaron O’Keefe, a private music instructor and owner/co-owner of the Loveland, Maineville and Lebanon music academies, describes how his students got involved with CAD.

“Carmen Mark ‘Squiggy’ DiGiacomo of the MAD Consulting Group contacted us about the manufacturer’s tent at the Rock On The Range Festival in Columbus where music product and audio manufacturers demonstrate their products. CAD Audio was one of those companies and they were good enough to donate a number of their professional headphones to our music school programs.”

Aaron’s students typically range from age six to 16 and he personally teaches piano, guitar, voice, drums, bass, double bass, vibraphone, mandolin and ukulele, to name a few. “We’ll usually take a song like ‘Heart Shaped Box’ by Nirvana or ‘Sober’ by Tool,” he explains. “I’ll teach the song individually to my drum, guitar, bass player and voice students, we’ll put them together in a band, rehearse the song, then actually record and videotape the final performance.

“These CAD headphones are going to be used in countless studio recordings, Aaron continues, “because too often, the kids have cheap, walkman-style phones that don’t do the job. The Sessions MH510s are perfect for the studio because they have a closed-back design and there isn’t any bleed through into the microphones, which is really important. Plus the audio quality is exceptional. We’re using them extensively for tracking and overdubs, which is great because they’ll eventually appear in our videos. They’re the best headphones we’ve ever used.”

Knowing that his students’ version of Tool’s “46 and 2” bit.ly/1rbMKFv on YouTube has had well over six million, four hundred thousand views to this point, appearing in their videos has added significance for supporting manufacturers such as Zildjian, Jackson, ESP, Dunlop, Kramer and CAD Audio.

Describing the adventure of taking young music students to a night out at Rock on the Range, Aaron concludes, “Guns ‘N’ Roses was headlining and the kids got to meet members of Killswitch Engage, Asking Alexandria and Matt Pinfield of MTV.

“Taking eight kids to a Metal show was a little stressful because I had a nine, ten and a few fifteen year olds and I didn’t have any other chaperones which was crazy. But it worked out fine, the kids got equipment, met their heroes and the nine year old, Eva, called it ‘the best trip ever.’”

For more information about CAD Audio, please call 800.762.9266 or visit www.cadaudio.com.

Visual Unity Confirms its Worldwide Ambitions at IBC 2014

Leading OTT solutions provider Visual Unity will use the IBC 2014 platform (14.F34) to unveil the latest versions of its Award-winning vuMedia™ multiscreen platform and vuEasy™ Online Video Platform.

One of the most important changes will be the introduction of a raft of new languages to vuEasy™’s administrator user interface, including Chinese, Arabic, Spanish and Russian. This significant upgrade broadens vuEasy™’s international appeal and reinforces Visual Unity’s plans to expand sales into new geographic territories.

“Having recently secured an investment of 7.2 million US$ (5.2 million Euros) from 3TS Capital Partners, we are now able to support the growth of an international customer base for both vuMedia™ and vuEasy™,” says Visual Unity’s CEO Tomas Petru. “Our goal is to be the leading provider of OTT and multiscreen solutions and 3TS’s investment is already helping us to achieve this ambition by enabling us focus on product development and reach previously untapped markets.”

Introduced in 2011 and the winner of the 2012 ConnectedWorld.TV Award for the Best Use of Online Video by a Non-Broadcaster, Visual Unity’s flagship vuMedia™ is an end-to-end OTT platform that allows broadcasters and content owners to control how their brand and assets are managed, delivered and monetized in the multiscreen environment. Highly scalable and flexible, vuMedia™ delivers a cutting-edge live viewing experience on the web or any mobile or connected device. vuMedia™ also enables comprehensive Video on Demand services, social network integration and secures the distribution of content – all of which can be deployed into existing workflows and business processes.

In recent months, Visual Unity has upgraded vuMedia™ so that it now features an improved modular architecture and enhanced API integration for faster OTT integration into existing infrastructures. There is also support for Live Time-Shifting so that subscribers can rewind while watching live broadcasts. This user experience is enhanced with the inclusion of a Timeline Thumbnail Preview (vuMedia™ TTP), which makes it faster and easier for consumers to navigate within streamed content.

vuMedia™ is now fully integrated with Visual Unity’s vuEasy™Cloud-based service that allows Enterprise and Media companies to manage and monetize their audio, video and image libraries. vuEasy™ supports live streaming of up to 4K video and allows graphics and other audio and visual material to be associated with video or audio files, for brand promotion or to generate advertising revenue. Quick and easy to use, vuEasy™ alleviates the need for businesses to build an expensive, in-house and resource-intensive media library, by allowing them to publish their content online.

At IBC 2014, Visual Unity will show a new, white label version of vuEasy™ that gives partners the opportunity to sell the product under their own brand by changing the colours and logos on the user interface. Also new is Multi-level account administration, which allows Visual Unity customers to collaborate on OTT projects, share resources or limit access to specific parts of vuEasy™ to dedicated groups. It also allows vuEasy™ to support different re-seller and seller models and relationships.

Alongside support of live streams that can easily be added into an OTT trough, vuEasy™ also allows customers to record their own live events, include them in their content management systems and automatically published them on VoD portals.

Since first launching its vuMedia platform, Visual Unity has supported video delivery to iOS and Android devices. At IBC 2014, the comany will show a new, native application for iOS devices that enables delivery of VoDs that are DRM protected. This upgrade, which supports Widevine DRM in iOS applications, will give end users and even better experience.

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About Visual Unity

Visual Unity is a global provider of video and digital media solutions, enabling our clients to deliver premium quality video content. Our clients can measure, analyze and optimize their libraries over time and achieve optimal business success. Our platform capabilities inspire our clients to deploy their assets across multiple devices, screens, and media formats. Visual Unity helps clients manage, deliver and monetize their digital content.

Visual Unity is a Multiscreen Solution Provider, bridging the gap between linear broadcast, IT and IPTV to help clients reach and engage audiences on any screen. Since 1991, the team has been designing and delivering turnkey broadcast and complex multiscreen solutions worldwide – from HD outside Broadcast (OB) vehicles and major playout facilities to live internet streaming and Video on Demand services. Visual Unity’s award-winning vuMediaTM platform helps broadcasters and content owners control how their brand and assets are managed and monetized in the multiscreen environment. vuMediaTM is a highly scalable and a modular architecture, delivering a cutting-edge live viewing experience on the web or any mobile or connected device – all of which can be deployed into existing workflows and business processes.

Visual Unity is based in Prague, London, Cologne, Moscow, Bratislava, Belgrade, Nairobi and Dubai. For further information, please visit www.visualunity.com

Torus Power Appoints Kevin Main as Vice President, Sales & Marketing

Strategic executive-level hire positions Torus Power to expedite business development initiatives and further strengthen its market position within the Consumer Electronics and Custom Integration Markets

TORONTO, ON, CANADA – July 14, 2014 – Torus Power—maker of uncompromising clean-power source components and a subsidiary of Plitron Manufacturing—announced today the appointment of Kevin Main as Vice President, Sales & Marketing.

Main’s experience in the electronics industry spans more than 25 years. He comes to Torus Power after nearly more than a decade at JAM Industries—maker of professional audio and consumer electronics products and instruments—as Director of Sales an Marketing for American Audio and Video and as National Sales Manager for JAM’s Erikson Consumer division. Before that, Main worked at Kenwood Electronics and Jonic International in similar capacities.

“Kevin is a very strategic appointment because he brings to Torus Power an incredibly deep knowledge and experience in the Consumer Electronics and Custom Integration markets,” says Steve Nolan, Vice President Sales and Operations, Plitron. “Kevin has worked with numerous high-quality, high-profile brands, including Arcam, Mark Levinson, Revel, JBL Synthesis, NuVo, and Canton, for years.” 

This executive hire complements Torus Power’s strategic growth plan. Main is joining the team at a time when the company is adding more affordable, yet high-performance, power components to its already robust lineup, and will be tasked with building a more robust independent rep force and expanding the brand’s global reach.

“I’m very excited to help develop Torus Power within the Consumer Electronics and Custom Integration markets. I plan to build upon Torus’s strong reputation as the go-to power component source for impeccable quality and unfaltering reliability. Torus Power products are unquestionably engineered to perform, protect and improve the performance of audio, video, and control systems,” says Main. “With that foundation, we will position Torus Power as the premier brand in the market for high-performance power solutions.”

Torus Power is a Crestron Integrated Partner and a member of Savant’s Partner in Excellence Program, which enables seamless integration across platforms. More information about Torus Power can be obtained by visiting www.toruspower.com, calling (800) 754-8766, writing to tech@toruspower.com and by following @TorusPower on twitter.

About Torus Power
Torus Toroidal Isolation Power Conditioners are the world’s finest clean power source for audio, video, and control systems. Built to an uncompromising standard of quality, performance and reliability, Torus Power Conditioners are engineered to perform and protect like no other. Torus Power products are the consistent choice of knowledgeable audiophiles, home theater enthusiasts, custom electronic system integrators and designers, whose discriminating tastes and technical requirements mandate the ultimate performance and protection levels achievable.

Utilizing Plitron’s patented NBT technology and toroidal isolation transformers, Torus Power products restore incoming power to its clean original state, eliminate virtually all power line noise artifacts, and protect connected equipment from potentially damaging AC power line events, including severe lightning strikes and brownouts, thereby increasing system reliability and extending product life. Providing high levels of clean, instantaneous current, Torus Power products ensure that dynamic components – such as high power amplifiers – are never starved for power.

Precision engineered by Plitron Manufacturing Inc., a much sought-after OEM supplier of toroidal transformers and toroidal-based products for many of the audio/video industry’s leading amplifier brands, providing more than 30 years of experience and an unparalleled reputation, Torus Power is manufactured to rigorous standards under Plitron’s ISO9001 medical-level quality control system in Toronto, Canada. More information can be found online at www.toruspower.com. Follow Torus Power on Twitter @TorusPower.

About Plitron
Plitron Manufacturing Inc. is an ISO 9001:2008 company established in Toronto, ON, Canada in 1983. Specializing in research, design, development and manufacturing of toroidal transformers and toroidal based products, Plitron’s most recent developments include VREMS energy saving systems for lighting; Torus Power line conditioning for audio/video systems; MEDISO power isolation units for medical and industrial applications, and toroidal stators for wind turbines.

The Plitron toroidal transformer is inherently more efficient and effective than any other transformer type and is vitally important in today’s environment with the demands for cleaner and greener power. Through constant innovation and an unyielding commitment to superior engineering, Plitron provides OEM clients worldwide with power-based solutions for demanding applications in audio, medical, broadcast, telecommunications, computer, power conditioning, UPS, energy, and other industrial sectors. www.plitron.com

Torus Power Media Contact
Katye (McGregor) Bennett, KMB Communications, 425-328-8640katye@kmbcomm.com@katyemcgregorwww.kmbcomm.com/press.

 

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Latest Version of Digital Nirvana’s Powerful Broadcast Monitoring System Now Available

SmartSearch, SmartAlerts, Variable Speed Playback, and Intuitive GUI Set it Apart from Other Monitoring Systems

Fremont, CA – Digital Nirvana announces shipment of Monitor IQ 4.0, the latest version of its broadcast monitoring software. Monitor IQ is an in-house logging and compliance monitoring solution for traditional broadcasting media. Version 4.0 made its debut at the NAB convention this past April in Las Vegas. It is available for download and will ship on new units as of July 15, 2014.

New features within Version 4.0 include: SmartSearch, SmartAlerts, transport stream recording, variable speed speed playback, enhanced editing, and an improved, easy-to-use user interface.

“With these new features, we’ve solidified Monitor IQ’s position as the smartest monitoring solution in the industry with the most rapid return on investment,” said Arco Groenenberg, director of sales and marketing for Broadcast Products, Digital Nirvana. “Based on our close customer relationships, we’ll keep pushing the envelope and bring more broadcast-centric functionality to Monitor IQ.”

The new SmartSearch feature is a highlight of Version 4.0 and sets Monitor IQ apart from other broadcast monitoring systems. With SmartSearch users can search by date, time, and channel as well as by key words in the close caption, alert reports, as-run and traffic logs. Expression searches enable simultaneous keyword searches in the As Run log and closed captioning sections. Monitor IQ’s Boolean search capability makes it easier to define the search by adding AND, OR, + within search terms. This allows the user to search for captions that contain two words, i.e. Clinton AND Obama. The results are contained within a summary list with a hyperlink to the video content.

SmartAlerts, also new to Version 4.0, can be customized based upon the channel, time of day, duration, and choice of error such as a missing closed caption, loss of video or audio, loudness, etc. Users can set up custom profiles with specific preferences that, depending upon the application, are searchable by time, date and alarm profile.

The new variable speed playback option allows for playback at speeds such as 2x, 4x, 1/2x, and -2x, for example. It enables faster operations during legal reviews, ad verification, content review and repurposing applications.

Enhanced editing provides the user the ability to produce frame-accurate cut clip edits. Users can produce cut-clips on live or previous recordings, which allows for quick turn around when repurposing and editing content.

Monitor IQ 4.0 Broadcast Monitoring System

Monitor IQ combines signal-monitoring, loudness monitoring, aircheck-logging, ad verification, competitive analysis and content repurposing and runs on Digital Nirvana’s Open Media Appliance – a highly scalable, industrial-grade server. The Open Media Appliance accepts multiple inputs including SD/HD SDI, ASI, ASI-IP, ATSC, QAM, 50 Hz, 60 Hz and DVB-TC/S2. It exports content in a wide range of file formats for content repurposing, including Flash, MPEG-2, MPEG-4 and H.264, and XDCAM.

About Digital Nirvana

Since 1996, Digital Nirvana has been empowering customers with innovative knowledge management technologies. By combining media and digital technology expertise, Digital Nirvana makes it possible for organizations to streamline operations and gain competitive advantage with advanced product and service offerings. The company’s product portfolio includes the industry-leading Monitor IQ broadcast monitoring system, AnyStream IQ OTT monitoring solution, the MediaPro content repurposing system, and the FIFOPro ingest back-up system. A comprehensive service portfolio includes media monitoring and analysis, market intelligence and analytics, and learning management services. Digital Nirvana is headquartered in Fremont, California with offices in Hyderabad and Coimbatore, India. For more information visit http://www.digital-nirvana.com.

DK-Technologies Steps Up The DK T7 Game At IBC 2014

DK-Technologies has once again upped the functionality of its competitively priced DK T7 audio, loudness and logging meter by adding Loudness Automation, a software update that is free of charge to existing and future DK T7 users.

On show at DK-Technologies’ IBC 2014 stand (8.E60), this latest upgrade is based on SMPTE timecode and allows the DK T7 to instantly recalculate the Integrated Loudness value up to four hours back in time. For audio engineers, this exceptionally useful time saving function is a major improvement as it means they no longer have to re-run programme material to hit their Loudness target value.

Uffe Kjems, Product Marketing Director for DK-Technologies, says: “Every engineer working with broadcast audio knows that hitting the Loudness measure Bulls Eye can be a very tedious and time consuming process. For this reason, we know they will really appreciate our new Loudness Automation feature because it will save them so much time. Loudness Automation adds yet another cool and practical feature to the DK T7 – and at no additional cost – making it the strongest, most competitive and most affordable Loudness meter on the market today.”

DK-Technologies has also added USB mouse operation to the Multi touch screen DK T7, allowing for fast and easy on screen access or operation using the HDMI external monitor output. A number of other improvements have also been incorporated, including headphone volume control and more screen setup functions.

The DK T7 allows end-users to adapt to virtually any format including 3G SDI I/O. The unit also offers 8 AES/EBU input/output channels, 2ch Analogue input channels, headphone output and HDMI monitor output.

At just 20 x 135 x 180 mm (depth, height and width), the DK T7’s compact design allows it to be highly portable and easy to position, while its intuitive multi touch interface makes it very straightforward to use.

The meter is currently available in two different models – the DK T7 costing €3495 and the entry level DK T7 Stereo, costing €2895. Both models are available with or without balanced digital AES inputs as well as in 19” rack mountable versions.

For a demo and more information please visit DK-Technologies at IBC 2014 (8:E60) or visit www.dk-technologies.com.

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About DK-Technologies
DK-Technologies develops and produces audio meters, video sync and test signal generators, as well as video waveform monitors. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany and USA.

RTW Announces Legacy Trade-In Program

Initiative Offers Exchange of Used RTW Devices at Exclusive Pricing

COLOGNE, JULY 14, 2014 – RTW, the market leader in visual audio meters and monitoring devices, has announced an extensive trade-in program. Customers will have the opportunity to exchange their existing inventory of legacy RTW devices for latest-generation products, which provide loudness metering in compliance with worldwide standards, at attractive pricing.

Through October 31, 2014, customers can return any number of functioning devices from the RTW Peakmeter, PortaMonitor, DigitalMonitor or SurroundMonitor ranges and purchase the same amount of new devices in any configuration at an extra discount of 10 percent. For additional details, customers are encouraged to call their dealers or systems vendors. They can also contact RTW directly.

“With the recent release of the new TM3-Primus, as well as our continuous license offerings for our TouchMonitors, we felt this was a good way to give customers the opportunity to upgrade to our latest products and innovations,” says Andreas Tweitmann, CEO, RTW. “The RTW trade-in program will help our customers experience new tools at a cost-effective price point.”

For more information about RTW’s trade-in/trade-up program, please visit www.rtw.de.

About RTW
RTW, based in Cologne (Germany), has nearly 50 years of experience in designing, producing, and marketing advanced recording-studio equipment, leading and innovating the market for high quality audio metering and monitoring tools. RTW operates a worldwide distribution and service network. For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130.

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DPA Shows Its New d:screet™ Necklace Microphones At IBC 2014

DPA Microphones has always been renowned for its ability to deliver superb audio, even in the most challenging conditions. Now, thanks to a new range of body worn microphones, the company has overcome the biggest challenge of all – how to give control of mic placement to non-technical actors or reality show contenstants without compromising sound quality.

DPA’s solution, which will be on show at IBC 2014, is the d:screet™ Omnidirectional Miniature Necklace Microphone – a cleverly designed mic that houses a legendary d:screet 4061 Omnidirectional Miniature Capsule in a soft rubber necklace.


“These microphones are perfect for situations where fast costume changes are necessary – or for reality TV shows where the contestants have to place microphones without help from a trained audio engineer,” says DPA’s CEO Christian Poulsen. “The necklace design ensures that the microphone sits in exactly the same place on the body every time, so there is no need for EQ-ing between different recordings.”

The d:screet Necklace Mic is already being used in the Danish adaptation of Big Brother and DPA anticipates plenty of interest from other reality TV productions. The mic comes in black, white and brown and in lengths of 47 or 53 com (18.3 or 20.9 inches).

At IBC 2014, DPA is exhibiting alongside its Dutch distributor Amptec on booth 8.D70. At 5pm every evening it will be holding a prize draw, which will give one lucky show visitor the opportunity to win a DPA d:screet Miniature or d:fine™ Headset Microphone. At that same time, the company will challenge one of its mics to see exactly how much stress it can withstand. Could it be used as a drumstick, for example? IBC visitors need only come along to 8:D70 at 5 pm to find out.

While there, they can also see DPA’s new heavy-duty d:screet™ 4060 Omnidirectional Miniature Microphones and classic d:screet 4060 Omnidirectional Miniature Mics with reinforced cable relief, making them even more durable for demanding use. These microphones satisfy market demand for high-quality sound combined with a highly-durable housing and cable.

“Incorporated on all d:screet Miniature Microphones, our new robust strain relief version brings much needed reassurance to people who are not used to handling miniatures,” Christian Poulsen adds.

The heavy-duty 4060 microphone is ideal for people who require even more security and for whom the visual appeal is of less importance. It is perfect for placement in rigorous filming situations, such as incorporated into a combat suit for a fight scene or under a horse saddle in a period piece. Featuring a stainless steel housing, sturdy cable relief and a thicker 2.2 mm (.09-inch) cable, both enhanced versions are exceptionally durable and ideally suited to the rigors of broadcast productions.

DPA will complete its IBC 2014 line-up with its new d:fine™ 66 and 88 Headset Microphones, which are ideal for broadcast productions with vocal performers who need to move freely without obstructions from a handheld mic or one on a stand.

Combining the flexible mechanics of DPA’s modern d:fine ear mount solution with the sound qualities of the legendary 4066 Omni and 4088 Cardioid headworn mics, the new d:fine™ 66 and 88 Headset Microphones join the original d:fine as well as the traditional 4066 and 4088 Miniature Headset Microphones under the company’s d:fine family. With so many sound handling and size options to choose from, DPA’s d:fine family now addresses every need that actors, musicians and singers face when working in a live television environment.

“There is a growing need for durable body worn microphone solutions with excellent sound reproduction for stringent use in live environments and similar settings,” Poulsen adds. “When we launched the d:fine Headset Microphones we believed that they would define a new generation of headsets. They have certainly met our expectations, which is why we have decided to expand the d:fine Headset Microphone series with this brilliant solution to give users a broad assortment of styles and features.”

For more information please visit DPA at IBC 2014. Hall 8, Stand D70.

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Thierry Gandilhon Joins NETIA as Managing Director

CLARET, France — July 10, 2014 — NETIA today announced that Thierry Gandilhon has joined the company as its managing director. To this new leadership role, Thierry Gandilhon brings more than 25 years of technical experience in the field of software development, as well as a strong record of establishing and building successful technology companies.

“Thierry is an exciting addition to the company, as he has repeatedly demonstrated an ability to lead companies to success through technical excellence,” said Philippe Fort, president of NETIA. “His tremendous experience developing computer software in multicultural environments and his dedication to using complex technologies to create simple yet powerful solutions make him a smart fit for NETIA, and we’re looking forward to achieving further success with the benefit of his guidance.”

Prior to joining NETIA, Thierry Gandilhon co-founded Eptica, where he served as executive vice president and chief technology officer (CTO). Eptica is the leading European provider of multichannel customer interaction software. During Thierry Gandilhon’s tenure, Eptica developed its activities in Europe and Asia and was selected as one of the leaders in its domain by the Gartner Group through its prestigious Magic Quadrant analysis. Thierry Gandilhon earlier served as vice president and CTO at MATRAnet; CTO at Step One/Sharing Technologies; R&D director at Business Objects, where he was one of the first employees; and project manager and research engineer within the BULL artificial intelligence research group.

“I am passionate about building simple solutions that fit the market and customer need using complex technologies. I see this same dedication at NETIA,” said Thierry Gandilhon. “I firmly believe that technology is not an end, but rather a means, and NETIA’s product portfolio has enormous potential. Great things lie ahead for the company, and I am eager to be part of this future.”

Thierry Gandilhon will be based in NETIA’s head office in Claret, France.

More information about NETIA and its product portfolio is available at www.netia.com.

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About NETIA
NETIA, a Globecast company and part of Orange, is a leading provider of software solutions that enable efficient management and delivery of audiovisual content to today’s full array of media platforms. Relied on by more than 15,000 users in 200 installations in more than 40 countries, NETIA solutions allow content producers and owners to manage content from ingest to delivery, targeting multiplatform outlets including the Internet, VOD, IPTV services, and mobile devices.

NETIA provides radio automation, media asset, and workflow management solutions to major radio and television brands and to multimedia groups around the world. Clients include The Associated Press, ABC News Radio Network, WestwoodOne, Radio Globo in Brazil, RTM in Malaysia, SBS and ABC in Australia, MediaCorp Singapore, RAI Italy, RTL France, Radio France, RTBF in Belgium, and France Televisions. NETIA has its headquarters in France, with offices in the United States, Paris, Rome, and Singapore, in addition to a global network of professional distribution partners.

All trademarks appearing herein are the property of their respective owners.

Photo Link: www.wallstcom.com/NETIA/NETIA-Thierry-Gandilhon.jpg
Photo Caption: Thierry Gandilhon, Managing Director, NETIA

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