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SYMETRIX EXPANDS GLOBAL CTS CERTIFICATION BOTH ON SITE AND ONLINE

SEATTLE, WASHINGTON – MAY 2013: Symetrix, manufacturer of high-end professional audio solutions, specializing in DSP hardware and software, is pleased to announce the global expansion of its INFOCOMM accredited training. The announcement parallels the growth of Symetrix’ international sales.

“As we continue to expand internationally, the need for training also increases,” said Mark Ullrich, International Sales Manager with Symetrix. “We’re excited to now offer worldwide training courses that are INFOCOMM accredited. We have trainers covering Europe, Africa, the Middle East, Asia, and Australia, and the full-day course carries four CTS renewal points. Alternatively, for those who are unable to join in person for training, our self-paced online training provides renewal points as well. With CTS becoming more popular everyday among A/V professionals we’re glad to be able to offer this extra benefit for those attending our training.”

Ryan Curtright, Senior Technical Sales Engineer with Symetrix, will deliver domestic training throughout the United States. Hock Thang, Symetrix Technical Sales Engineer for Asia, will cover Asia. Iain Cameron, Director of Technical Support and Training with World Marketing Associates, will provide training throughout Europe, Africa, and the Middle East. Udo Stoof, Product and Project Manager for Digital Audio Products with TRIUS GmbH & Co., will focus on training in Germany. Matt Vance, Technical Training Specialist with Production Audio Video Technology, will deliver trainings in Australia. Mark Ullrich himself will provide training throughout the world based on demand. Online trainings are also available worldwide.

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix independent ownership and management. For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

STOP BY AND SEE US AT INFOCOMM BOOTH #922

ASHLY AUDIO INTRODUCES THE nX AMPLIFIERS: A WAVE OF TREMENDOUS POWER, EFFICIENCY, AND FLEXIBILITY FOR THE PRICE OF A MODEST SPLASH

WEBSTER, NEW YORK – MAY 2013: With founder Billy Thompson’s invention of the “Loud Amp” in the early 1970s and the introduction of its path-breaking MOS-FET amplifier technology in the early 1980s, Ashly Audio established itself as a company that would lead the industry in technological innovations. It continues that tradition with the new Ashly nX family of Class D amplifiers, which deliver up to 12,000W of clean power while drawing less than 1W in sleep mode. nX amplifiers are offered in four- or two-channel versions with selectable high-Z (70/100V) or low-Z output on each channel. nX model variants include the addition of Ethernet control, and onboard Protea™ DSP with load monitoring, to meet the many and varied requirements of modern fixed installation and live sound applications. True to the craftsmanship that launched the company, Ashly hand-builds nX amplifiers in the United States and backs their performance with a five-year warranty.

“nX amplifiers are lightweight and efficient, yet pack a tremendous amount of power and flexibility into a 2U chassis” said Anthony Errigo, director of communications for Ashly. “We have designed them to meet the demanding requirements of stadiums, arenas, performance venues, worship spaces, and convention centers – anywhere big sound and modern performance requirements are needed. nX amplifiers are especially appealing for value-engineered installs because they offer features, performance, and reliability that Ashly is known to deliver.”

Ashly is offering three series of nX amps with feature sets that build upon each other. The base nX amplifiers are available in four- or two-channel models at 3000W or 1500W per channel (@ 2 Ohms) and feature a defeatable automatic sleep mode. nXe series amps add Ethernet control, serial data control, aux preamp outputs, programmable standby mode, preset recall, fault condition logic outputs, event scheduling, and optional network audio and digital audio capability (CobraNet® or AES3). Finally, nXp series amps feature everything in nXe plus onboard 32-bit SHARC Protea DSP processing (48 or 96kHz sampling rate) and precision swept load-impedance monitoring.

Additional features include multiple independent power supplies for increased channel separation and reliability; front panel power switch and level controls (defeatable in nXe and nXp models); front panel LEDs for temperature, current, signal, clip, mute, bridge mode, protect, sleep, and more; Neutrik® Combo XLR – 1/4” TRS jack plus Euroblock input connectors; Neutrik speakON® twist locking loudspeaker connectors for security, safety, and reliability; rear panel DIP switches per channel for selection of high pass filter, limiter, input gain, and High-Z or Low-Z speaker output configuration; remote DC level control on each input channel; switch mode power supply automatically detects 120V or 240V AC operation; and extensive protection circuitry, including continuously variable cooling fans.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

PLEASE STOP BY AND SEE US AT INFOCOMM BOOTH #335

American Cinema Editors Announces Debut of EditFest London

Popular Event Heads to the U.K. for the First Time with World-Class Line-Up of Editors

(Universal City, CA) On 29 June, 2013, American Cinema Editors (ACE) will present the London debut of its popular event, EditFest. After five years in Los Angeles and New York, EditFest London will take place on Saturday, the 29th of June, marking the first time the event has traveled outside of the U.S. An impressive roster of top editors is scheduled to share their experiences with attendees for a full day at the Ray Dolby Screening Room in Soho.

ACE launched EditFest in 2008 in Los Angeles, in response to a need to put the industry’s top editors in conversation with other editors and post-production professionals. By popular demand, EditFestNY was added to its agenda in 2010. Considered the premier editing event of the summer in the U.S., the move to London is part of ACE’s efforts to provide programming and activities for a global audience. Designed for professional as well as aspiring editors, post production team members, content creators, production execs, and those who love the art and craft of editing, EditFest is a rare opportunity to hear the most compelling artists talk about their work and interact with them in an intimate theater setting. An impressive array of BAFTA, Oscar(r) and Emmy(r) winners and nominees are scheduled to be part of EditFest London.

ACE President, Alan Heim, A.C.E., stated, “ACE is thrilled to put these talented editors in front of and in touch with audiences in London. For the past 5 years, in Los Angeles and New York City, we have seen that there is a thirst among the editing community to meet, connect, and hear from their colleagues. We have had many requests over the years to bring EditFest to London and it’s exciting to finally make the vision a reality. We are looking forward to engaging with the editing community in the UK.”

The agenda for the 29 June event features interactive, face-to-face dialogue, Q&A sessions and includes:

Small Screen, Big Picture – Panel with Television Editors
Featuring Frances Parker, A.C.E.* (Game of Thrones), Alexandra Mackie, A.C.E.* (Downton Abbey) and Oral Norrie Ottey, A.C.E.*, (Generation Kill).

From Dailies to Delivery – Editing Features
Mick Audsley, (Harry Potter and the Goblet of Fire) will moderate a panel featuring Chris Dickens, A.C.E.* (Slumdog Millionaire), Tracy Granger, A.C.E. (Still Life), John Wilson, A.C.E. (Billy Elliott) and Eddie Hamilton, A.C.E. (Kick-Ass 1 & 2).

Closing Dialogue
ACE is honored to present an in-depth conversation with the legendary Anne V. Coates, A.C.E.* (Lawrence of Arabia, The Elephant Man, Erin Brockovich) moderated by Tom Rolf, A.C.E.* (Taxi Driver, The Right Stuff, War Games)

In every city where it unfolds, EditFest includes social events. In London, EditFest ends with a closing night cocktail reception, followed by an after-party led by Art of the Guillotine’s http://www.aotg.com Gordon Burkell.

To make this week even more of a not-to-be missed event for editors, EditFest London is collaborating with the Third Annual London SuperMeet. SuperMeets are annual events held in San Francisco, Las Vegas, Amsterdam, London and Boston. The London SuperMeet is set for Friday evening, 28 June in the Great Hall at the Kensington Conference & Event Centre. SuperMeet attendees will receive a discount for EditFest.

Tickets for EditFest are available online at www.editfest.com for £200/$299. For further information, email amercinema@earthlink.net or call +1818.777.2900.
*Denotes BAFTA, Oscar(r), Emmy(r), ACE Eddie nomination or win

About ACE
AMERICAN CINEMA EDITORS (ACE) is an honorary society of motion picture editors founded in 1950. Film editors are voted into membership on the basis of their professional achievements, their dedication to the education of others and their commitment to the craft of editing.

The objectives and purposes of the AMERICAN CINEMA EDITORS are to advance the art and science of the editing profession; to increase the entertainment value of motion pictures by attaining artistic pre-eminence and scientific achievement in the creative art of editing; to bring into close alliance those editors who desire to advance the prestige and dignity of the editing profession.

ACE produces several annual events including EditFest (a weekend editing festival in the summer), Invisible Art/Visible Artists (annual panel of Oscar(r) nominated editors), and the ACE Eddie Awards, now in its 63rd year, recognizing outstanding editing in ten categories of film, television and documentaries. The organization publishes a quarterly magazine, CinemaEditor, highlighting the art, craft and business of editing and editors.

About ACE EditFest
Launched in Los Angeles in 2008 to put the leading film editors in touch and in communication with editors and those who work with editors and editing enthusiasts, EditFest expanded to New York in 2010 and London in 2013. EditFest presents panels, conversations and social interaction with some of the most influential editors working in film and television. The highly anticipated annual event, which sells out each year, has plans to expand to additional cities in the future.

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Media contacts:

For EditFest:
Christine Purse
ignite strategic communications
c: +1.323.806.9696 | o: +1.818.980.3473
chris@ignite.bz
skype@cpurse

For ACE:
Lea Yardum
Perception PR
c: +1.323-606-2080 | o: +1.323.956.2817
lea.yardum@gmail.com

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Bexel Launches 4K Solution with Evertz Dreamcatcher

Purchase Adds Cutting-Edge Slow-Motion Replay Technology for Sports and Live Broadcasts

(BURBANK, CA) – Bexel, a unit of the Vitec Group‘s Services Division and a leading worldwide provider of broadcast services and solutions, has purchased two Dreamcatcher systems from Evertz, a leading global manufacturer of broadcast equipment. The acquisition serves as a cornerstone for Bexel’s new 4K solutions, which provide turnkey packages that will be available to augment any major sporting event or live production broadcast.

Dreamcatcher represents the next generation in slow-motion replay technology and offers real-world 4K benefits. The product provides enhanced storytelling capabilities by allowing a production team to capture an event from all angles, without ever missing a moment of action. When 4K cameras are used, Dreamcatcher’s zoom capability lets broadcasters zero in on the action and extract an HD image from a larger 4K frame. This high resolution zoom ability allows broadcasters to enhance the narrative and definitive coverage of close calls at sporting events. When used in conjunction with Evertz’ patent-pending tracking feature, the 4K zoom functionality enables a totally unique replay experience. Dreamcatcher’s proprietary Mosaic function synchronizes multiple angles that can be played out with the press of a single button, allowing a captured event to be shown from brand new perspectives.

Tom Dickinson, CTO of Bexel, comments, “Bexel is a leader in building server systems for a myriad of sporting events, and the addition of Dreamcatcher is a natural expansion of our offerings – and it’s ready for 4K now. Dreamcatcher will be available to our customers as part of a customized solution that will deliver an elegant, streamlined 4K package that can be integrated into a sports production easily, and play a key role in providing 4K replay for live events. Dreamcatcher is a great storytelling tool that employs state-of-the-art technology to allow broadcasters to use 4K to its fullest extent on an HD production.”

Evertz’ Joe Cirincione, VP Sales-U.S. Sports and Entertainment, who has been on over a dozen shoots including the Super Bowl and Daytona 500, says, “Dreamcatcher allows an audience to experience an event like never before, and we know that it will make a perfect addition to Bexel’s offerings. We have enjoyed a long and successful relationship with Bexel, and we are very pleased they have chosen Dreamcatcher.”

“We engage many Evertz products in our systems and solutions,” concludes Dickinson. “This is a logical expansion for Bexel and the Dreamcatcher’s features augment the sports experience in exciting new ways, and for live content replay and multi-screen output for award shows as well as other live events. We’re thrilled to add this to our fleet of solutions.”

About Bexel
Bexel is the pre-eminent worldwide provider of broadcast services including video and audio equipment rentals, fiber services, new audio sales, used equipment sales, and repairs/maintenance. Bexel provides brilliantly designed and flawlessly executed systems and solutions to all customers – including producers of the biggest and most important televised events in the world. For more information, visit www.bexel.com, and follow them on Facebook and Twitter.

About the Vitec Group
Capture the moment(tm)

For over 100 years, through every innovation in photography, film and digital image-making, Vitec businesses have developed a powerful portfolio of brand and products that have enabled some of the most amazing moments to be captured under some of the most challenging conditions. Vitec is an international Group principally serving customers in the broadcast photographic and military aerospace and government (MAG) markets. Vitec is based on strong, well-known premium brands on which its customers worldwide rely. Vitec is organized in three divisions: Videocom, Imaging and Services. Videocom designs and distributes systems and products used in broadcasting and live entertainment, film and video production and MAG. Imaging designs, manufactures and distributes equipment and accessories for photography, video and events. Services provides equipment rental, workflow design and technical support for camera, video, audio, fiber optic and wireless technology used by TV production and film crews. More information can be found at www.vitecgroup.com.

About Evertz
Evertz is a leading global manufacturer of broadcast equipment and solutions that deliver content to television sets, on-demand services, WebTV, IPTV, and mobile devices. Evertz has expertise in delivering complete end-to-end broadcast solutions for all aspects of broadcast production including content creation, content distribution and content delivery. Evertz delivers cutting edge hardware and software solutions for television broadcast, telcos, satellite, cable TV, and IPTV providers. For more information, visit www.evertz.com.

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Media Contacts:
ignite strategic communications
Lisa Muldowney – 760.212.4130 / lisa@ignite.bz
Sally Christgau – 415.238.2254 / sally@ignite.bz

Broadcast Pix Teams with EZNews to Provide Affordable News Automation Systems

Billerica, Massachusetts – Broadcast Pix™ today announced a partnership with Automated Data Systems to offer integrated news automation systems designed for the growing number of micro stations, Web broadcasters, universities, and others that need a professional but affordable system for news production. Priced from under $15,000 and available now, the systems include the award-winning Broadcast Pix Flint™ live production and streaming system, new EZNews LT news production software from Automated Data Systems, and exclusive interface software that enables EZNews titles to automatically flow into the Flint’s built-in CG. Integration for larger Broadcast Pix models and more robust EZNews systems was also announced.

The new system is a fraction of the cost of a traditional news control room and can be run by a small crew or even a single person. Flint includes a production switcher, clip server, Harris Inscriber CG, macros, customizable multi-view, robotic camera control, and a choice of control surfaces. It can incorporate content from cloud-based sources – such as Twitter, Skype, RSS feeds, Skype, and Dropbox – and output six broadcast formats while streaming and recording. EZNews LT software provides highly integrated scripting, show building/rundowns, timing, prompting, and real-time, on-air show control. The interface software allows a reporter or producer to enter CG content while scripting, then, with a one-click upload, automatically play out titles and graphics on the Flint CG.

“Our partnership with EZNews really grew from the successful deployment of our products by stations that needed affordable automated news production systems,” said Steve Ellis, Broadcast Pix CEO. “Today’s new package is perfect for colleges, companies, Web broadcasters, micro stations, or any organization that wants the polished look and operation of a live news show without the big price tag.”

“Broadcast Pix is a great integrated platform for EZNews,” added Bill Sacia, president, Automated Data Products. “EZNews LT adds the proven application for planning and creating highly professional live news content.”

EZNews LT is available in single user, three-user, and six-user configurations, as well as larger versions. The Flint system supports up to six cameras, but other Broadcast Pix systems that handle up to 22 cameras can also be paired with EZNews LT. All models are available now in North America.

About Automated Data Systems ADS is dedicated to providing the producers of TV (Web, Merged Media, too) News, Public Affairs, and similarly structured Programming with state-of-the-art solutions for the preparation, creation, production, and airing of these Shows in an efficient, affordable, and, yes, easy manner. ADS Founders and staff bring a wide range of experience, with extensive backgrounds in journalism, broadcast management, computer system sales and support, and software development. ADS is a Wisconsin Corporation, with business offices, programming and technical support facilities located in historic La Crosse, Wisconsin, USA. Find out more at www.autodatasys.com.

About Broadcast Pix The leader in live video production systems with end-to-end integration, Broadcast Pix was founded in 2002 and has customers in more than 110 countries. Its systems combine an integrated switcher, clip server and CG. They ingest cameras, files and cloud-based content, and create compelling video with patented production control surfaces and software. The product line ranges from compact systems controlled by touch-screen, iPad or voice automation to large sophisticated control panels. Customers include leading streaming, broadcast, sports, corporate, education, religious, and government studios. Learn more at www.broadcastpix.com.

Broadcast Pix, Flint, Mica, Granite and Fluent are trademarks of Broadcast Pix, Inc. Patented. Made in USA.

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DPA Microphones Spends A Night At The Opera

The sound team at the Parco Della Musica Auditorium in Rome recently turned to DPA Microphones’ Reference Standard 4017 Shotgun Microphones to record the audio for a specially commissioned double DVD of two operas that were being performed as part of the Santa Cecilia Opera Studio, a master programme devoted to Bel Canto.

With high quality audio a prerequisite – and with strict instructions from the director that no microphones were to be seen anywhere in the video footage – sound engineer Giacomo De Caterini was initially struggling to work out how he could comply with the director’s brief.

“The director wanted to avoid any microphones that could be visible because he was determined to maintain strict focus on the performers,” De Caterini explains. “Due to bad experiences in the past, especially on video productions where close-up shots revealed poorly concealed microphones dangling from the singers’ wigs, he was very keen not to have any microphones on the singers’ heads. This ruled out the use of miniature microphones such as the DPA 4061s, which we had initially been considering.”

To add to De Caterini’s difficulties, some of the backgrounds were being video projected, which meant that microphones hanging from the ceiling were also out of the question.

“I was quite worried as the only option left was to use shotgun microphones positioned on the edge of the proscenium,” De Caterini says. “I realized this would only be OK if we had a sufficient quantity and if they were strategically placed to capture the audio properly.”

Luckily, Salvatore Zocco, product manager at DPA’s Italian distributor M. Casale Bauer, was able to come up with a solution. He gave Giacomo De Caterini some DPA Reference Standard 4017 Shotgun Microphones and suggested he tried them out as an option.

“Although I expected the high quality sound and trustworthiness that invariably comes with DPA microphones, what I did not expect was the ability of these microphones to deliver a sound unlike any other shotgun I have ever tried,” De Caterini explains. “They were much more akin to a pair of traditional cardioids, and with the amazing ability to behave more like ‘wide cannons’ than strict shotguns. In other words, instead of the typically coloured audio that becomes almost unusable as soon as the pickup is slightly off-axis, these microphones delivered great audio that required minimal tweaks and remained readable and clean even when picking up vocalists who were right as the back of the stage. Thanks to their new, dedicated preamps, they also delivered lower noise than any other shotgun microphone I have tried. Ultimately, what set them apart was something you certainly don’t expect from shotguns: sheer musicality.”

The two operas being recorded for this DVD project were Ravel’s “L’Heure Espagnole” and Puccini’s “Gianni Schicchi”. Both were performed in the Petrassi Hall, which has roughly 700 seats and is the smallest of the three halls that form the Parco Della Musica Auditorium complex. The double DVD production was co-produced by the Accademia Nazionale di Santa Cecilia and Infocamere, the IT company for the Italian Chamber of Commerce, and distributed as a special gift to major Chambers of Commerce clients.

After completing the recordings for the DVDs, Giacomo De Caterini was so impressed with the performance of the DPA 4017 Shotgun Microphones that he refused to return them to M. Casale Bauer.

“They were definitely a keeper,” he says, “and they have now joined the Auditorium’s stock of DPAs. I’ve used a lot of DPA in the past – and B&K before them. I love all the classics like the 4006, 4015, 4011 etc., and I also use the DPA miniature microphones for live work, especially the brilliant d:vote™ 4099 Instrument Microphones and the compact cardioid 4021 microphones, which I consider to be the most treasured tools of my trade.”

Recently, De Caterini had the opportunity to use a pair of DPA 4041s (running at 130V with the dedicated preamp) and was completely blown away by their performance.

“They combine the best features of DPA’s classic omnis with the low/mid ability that has previously been the trademark of DPA’s competitors. Using them for the first time provided me with a rare moment of illumination – not to mention an almost irrepressible urge to reach for my wallet!”

Since completing the opera DVD project, Giacomo De Caterini has been working on a number of other high profile recordings including engineering and post-producing a CD of Verdi’s music for EMI Classics, which features the Orchestra di Santa Cecilia with Sir Antonio Pappano.

-ends-

Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

CYNTHIA VITERI CELEBRATES 10 YEARS WITH GEARSOURCE

May 6, 2013 (Wellington, Fla.)—This week marks a very special anniversary for the leading online marketplace: Ten years ago, Cynthia Viteri joined GearSource founder Marcel Fairbairn on his journey to build the best online resource for production inventory sellers and buyers. Viteri became the company’s second employee and helped to not only grow sales and the listings base, but also become a part of the company’s DNA. Today, Viteri manages the internal logistics systems for the company, while also taking care of a large customer base of her own. more

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Systems Integrator, TSE, Installs Hitachi Z-HD5000 Cameras and HD Control Room at Eastern Michigan University

WOODBURY, New York – Hitachi Kokusai Electric America announces that TSE (Total Sports Entertainment) Services—a systems integrator based in La Crosse, WI—has installed three new Hitachi Z-HD5000 HDTV studio cameras, a YESCO video board, and a full HD production control room in the Convocation Center on the campus of Eastern Michigan University (EMU) in Ypsilanti, MI.

Under the project management of A/V Consultant Frank Moraski, Jr, a principal of Anthony James Partners (AJP) in Richmond, VA, the facility renovation involved LED displays from YESCO (Young Electronic Sign Company), in Logan, Utah, which in turn contracted TSE Services for the turnkey systems integration work.

Bob Johnston, regional sales manager, Hitachi Kokusai Electric America, facilitated the camera order, including three Hitachi Z-HD5000 HDTV studio cameras with CU-HD500 camera control units and FUJINON HD lenses, as well as a Hitachi RU-1000VR control panel for remote camera setup. Two Z-HD5000’s are in a studio configuration on tripods, while one is used as a shoulder-mount handheld within EMU’s Convocation Center – an 8,000-seat arena where the University’s NCAA Division I basketball, volleyball, wrestling, and gymnastics events are held.

“For live event entertainment, EMU has invested in broadcast-quality, HD cameras, and the picture quality is outstanding,” said Marty Masewicz, an A/V systems integrator with TSE Services, which specializes in the design and installation of big-board displays and A/V installations for sports, education, and other applications nationwide. “As the public becomes more media-savvy, picture quality is a key consideration, especially when the image will be displayed on a huge video screen.”

Another important consideration favoring the selection of Hitachi cameras was user-friendliness, since EMU students often operate the video equipment in the Convocation Center.

According to Masewicz, the HD control room was designed to serve the production needs of other athletic facilities on the EMU campus, including Rynearson Stadium, the 30,200-seat football stadium next door to the Convocation Center. “The Hitachi Z-HD5000’s fiber camera adapters enable long-fiber runs within the arena—and eventually from other campus venues—back to the ‘production room.’” In this room, TSE installed a Broadcast Pix Granite 2000 integrated HD production switcher and a NewTek 825 8-channel replay system, as well as ClickFX Crossfire and Blaze systems to feed the big-board.

At present, the Hitachi cameras will capture HD video of games and special events like graduations for display on a four-sided, center-hung YESCO LED display/scoreboard and two 50-foot courtside LED ribbons.

“In our experience,” Masewicz said, “colleges and universities have increasingly been adopting high-quality HD video displays to provide live entertainment during athletic and special events. The Hitachi Z-HD5000 is an affordable, high-performance solution, ideal for this application.”

About Hitachi, Ltd.

Hitachi, Ltd., (NYSE: HIT / TSE: 6501), headquartered in Tokyo, Japan, is a leading global electronics company with approximately 360,000 employees worldwide. Fiscal 2009 (ended March 31, 2010) consolidated revenues totaled 8,968 billion yen ($96.4 billion). Hitachi will focus more than ever on the Social Innovation Business, which includes information and telecommunication systems, power systems, environmental, industrial and transportation systems, and social and urban systems, as well as the sophisticated materials and key devices that support them. For more information on Hitachi, please visit the company’s website at http://www.hitachi.com.

Verrex Expands Houston Team with Key AV Project Manager

Verrex Project Manager David Wuensche

Verrex Project Manager David Wuensche

MOUNTAINSIDE, NEW JERSEY & HOUSTON, TEXAS USA / 7 May 2013 / — Verrex, a global design-build integrator and managed services provider of conferencing, collaboration and presentation technologies, announced that David Wuensche, CTS, has joined as Project Manager for the Southwest USA and Latin America regions. He will be accountable for executing projects in-line with client expectations and scope, utilizing tools such as project milestones, project-based cost accounting and progress reports. As a Verrex Project Manager, he is a client’s single point of contact for progress and delivery. Wuensche reports directly to Verrex Director of Project Management, Jaime Callejo.

“A project is a fluid thing with challenges possible at every stage,” said Callejo. “David is the type of exceptional project manager that can anticipate challenges as much as possible and implement solutions quickly and effectively to stay on schedule. He is a respected member of Houston’s AV community, recognized by clients and trades as a skilled communicator and technical advisor. We are very pleased to have him on our team.”

Wuensche joins Verrex with over 20 years of experience in the management of people and projects. A 14-year tenure at JPMorgan Chase Bank (Houston, TX) provided broad experience in several disciplines, most recently including Anti-Money Laundering data compliance reviews for client records. For the majority of his career at JPMC, Wuensche led the Business Resiliency efforts for the bank’s Global Technology Infrastructure Field Operations team in the western half of the continental United States. He also spent 14 years as the Network & Audiovisual Systems Specialist and Business Manager at COMMSTAR (Magnolia, TX), specializing in integration and automation projects for custom homes and houses of worship in the greater Houston metro. Wuensche holds a Bachelor of Science in Industrial Physics/Industrial Management from Abilene Christian University (Abilene, TX) and has received Business Continuity Planner training from the Disaster Recovery Institute (New York, NY), as well as Project Management Professional (PMP) training from the Project Management Institute. He has also earned the CTS designation from InfoComm International and is a Crestron Control Systems Programmer.

“Understanding and managing client expectations is key to successful AV projects,” added Wuensche. “This means continuous communication not only with the client but with all other trades so scope of responsibility is clear, the project runs smoothly and the end result meets the utmost degree of scrutiny. I am enjoying working with all Verrex teams dedicated to such a high level of performance.”

Wuensche is based out of Verrex’s Southwest USA & Latin America office in Houston, Texas and can be reached at dwuensche@verrex.com.

About Verrex
Founded in 1947, Verrex designs, integrates, services and supports conferencing and collaboration systems globally that allow companies to communicate and collaborate through video conferencing and other audio visual technologies. Verrex’s approach is driven by a proprietary quality-management process and focus on documentation to deliver consistency and best-in-class standards across an entire enterprise. Led by full-service offices in key corporate hubs, Verrex has built an allied network across 40 countries to share its vision of exceptional integration and support services worldwide. For information, visit verrex.com.

Verrex, the Verrex Logo and GMS are registered trademarks of Verrex Corporation and/or its affiliates in the U.S. and other countries.
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Media Contact:
Theresa Hahn, Director of Marketing & Business Development
Verrex
Phone: +1 908 664 8391
Email: thahn@verrex.com

Christie Solaria Series Projectors Light Up the Warner Bros. World Premiere of “The Great Gatsby” in 3D at Avery Fisher Hall in New York City

The highly anticipated world premiere of Warner Bros. “The Great Gatsby” lit up the screen in brilliant 3D, thanks to Christie Solaria® Series digital cinema projectors, which brought to life the splendor of the roaring twenties in rich, saturated colors and sharp, 4K-resolution. The star-studded event took place at Avery Fisher Hall, an iconic New York City venue at Lincoln Center for the Performing Arts.

The Great Gatsby (Courtesy Warner Bros.)

Directed by Baz Luhrmann, the film is based on the classic novel by F. Scott Fitzgerald, and will be distributed worldwide by Warner Bros. on May 10. The event was a glamorous evening worthy of the film’s 1920s setting, featuring an audience filled with the film’s stars—Leonardo DiCaprio, Tobey Maguire, Isla Fisher, Joel Edgerton, and Carey Mulligan. A host of other A-list celebrities, including Jay-Z and Jake Gyllenhaal, also made appearances at the red carpet event.

“Christie is thrilled to have projected the world premiere of ‘The Great Gatsby’, a long-awaited movie based on one of the most beloved literary classics,” said Craig Sholder, vice president, Entertainment Solutions, Christie. “As a trusted leader in digital cinema projection, we were pleased that that our projectors displayed all the splendor and opulence of ‘The Great Gatsby,’ fully realized in 3D!”

Preferred Christie® dealer Digital Media Systems selected two top-of-the-line Christie CP4230 DLP® digital cinema projectors for the screening, which converged the light from two projectors to create a seamless image projected onto a silver screen. Gregg Paliotta, president and owner of Digital Media Systems, said that this 4K Christie solution was the only choice for providing the brilliant 3D images needed.

Avery Fisher Hall - Ready for Great Gatsby Premiere (Photo Courtesy Gregg Paliotta)

“We have done other major premieres at Avery Fisher Hall in the past, such as ‘Hugo’ and ‘War Horse,’ so Warner Bros. and Lincoln Center trusted us and Christie to deliver the high brightness and absolutely flawless picture quality needed to screen this major studio event,” said Paliotta. “The Christie projectors always perform to our expectations, and ‘The Great Gatsby’ premiere was no exception. We are proud to be an exclusive Christie dealer for that reason.”

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