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Masque Sound Custom Audio Equipment Package Shines Light on the Steve Martin and Edie Brickell New Musical, Bright Star

SAN DIEGO, CA, OCTOBER 14, 2014 – When Sound Designer Nevin Steinberg was in search of a stellar sound system for Steve Martin and Edie Brickell’s world premiere American musical, Bright Star, he turned to Masque Sound, a leading theatrical sound reinforcement, installation and design company, to provide a dynamic custom audio equipment package.The cast of the world premiere of Bright Star. Photo by Joan Marcus.

Playing at the San Diego Old Globe Theatre and inspired by Martin and Brickell’s Grammy® Award-winning collaboration Love Has Come For You, Bright Star features 20 new songs and tells a beguiling tale that unfolds in the Blue Ridge Mountains of North Carolina between 1923 and 1945. Billy Cane, a young soldier who just returned from World War II, meets Alice Murphy, the brilliant editor of a southern literary journal. Together, they discover a powerful secret that alters their lives. Tony Award®-winning director Walter Bobbie makes his Old Globe Theatre debut with this entertaining musical of enduring love, family ties and the light of forgiveness that shines from a bright star.

“Working with such legendary and talented artists, there was a lot of pressure to deliver something special in the sound design that would capture the excitement of Steve and Edie’s latest creative venture,” says Steinberg. “The show’s music is rooted in bluegrass, which isn’t typical for a theatre setting, so I knew that the sound system designed to communicate this music couldn’t be typical either. The show called for something with incredible warmth and high resolution in order to properly convey this music to the audience, which proved to be one of the project’s biggest challenges.”
Wayne Alan Wilcox as Jimmy Ray Dobbs and Carmen Cusack as Alice Murphy in the world premiere of Bright Star. Photo by Joan Marcus.
For Steinberg, part of overcoming this challenge was deciphering which loudspeaker system would best deliver the show’s bluegrass tunes. “When choosing a loudspeaker system, it was important to take into account the different brands of speaker systems currently on the market and the pros and cons of each when fitted into the Old Globe Theatre’s specific layout,” adds Steinberg.

After careful deliberation, and drawing from personal listening experience, Steinberg chose Alcons Audio’s speaker technology. “Alcons Audio is one of the only companies to have successfully incorporated ribbon drivers into its line array systems, which is an incredible feat,” Steinberg says. “The resolution is very high, and, overall, the speakers help to raise the quality we can expect of the audio re-production. Though Alcons Audio is a relative newcomer to the theatre market, once I connected the company with Masque Sound, the team there made sure that the Alcons Audio system was properly prepped in the shop to fit seamlessly with the rest of my custom audio equipment package.”

Aside from the intricacies of the show’s music compositions, the split orchestra also posed a challenge. Bright Star’s orchestra is composed of nine musicians—five play acoustic instruments onstage, while an additional four play from a remote location off-stage. To make matters even more complicated, the musicians onstage perform on a moving platform. The staging and movement prevented the use of any trailing cable, so the sound system, including all instrumentation, amplification and monitoring components, had to be wireless. Furthermore, IEMs and an Aviom system were required to synthesize the remote musicians and onstage orchestra into one, coherent group.
Wayne Alan Wilcox as Jimmy Ray Dobbs and Carmen Cusack as Alice Murphy with the cast of the world premiere of Bright Star. Photo by Joan Marcus.
To bring Steinberg’s vision for the orchestra to life, Masque Sound provided eight channels of Sennheiser Digital 9000 Wireless Microphone Systems. “The Sennheiser 9000 has been a game changer,” says Steinberg. “It sounds so good, we forget that it’s wireless. While working on the designing the show, I was keen to try some other new equipment, which is why I was thrilled when Masque Sound connected me to K-array, which supplied me with a low-profile speaker system for stage monitoring. I had been enthusiastic about their products for just such an application. Masque Sound has always bent over backwards to help me forge relationships with new manufacturers and, subsequently, keep me abreast of the latest audio equipment developments. This is a perfect example of a situation in which I had a wish list and Masque Sound helped turn those wishes into reality.”

Additionally, Masque Sound supplied Steinberg with a DiGiCo SD10T Live Digital Console, DPA 4011 microphones for the remote orchestra, additional Sennheiser wireless systems and DPA lavalier microphones for the cast and Shure UHF-R® Wireless Microphone Systems for a few of the instruments on the bandstand, as well as Sennheiser in-ear monitor systems.

“Masque Sound is part of a great audio team assembled for this production, which includes our mixing engineer, Scott Sanders, and my longtime associate, Jason Crystal, who each played an integral part in ensuring the show’s success,” adds Steinberg. “And the staff and crew at the Old Globe Theatre have been great to work with throughout this journey. I can’t wait to see what happens next with this beautiful show.”

Bright Star runs through November 2 at the Old Globe Theatre.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

New Clear Series 2 HDMI Packaging from ICE Cable Systems Blends Retail Beauty with Custom AV Functionality

Los Angeles, CA – October 14, 2014 – ICE Cable logo_webICE Cable Systems, a leading manufacturer of premium low-voltage wire and cable products, has begun shipping its Clear Series 2 HDMI cables in smart new packaging that makes a great first impression and benefits the installation process (storing, jobsite and client presentation phases).

”Most wire and cable companies in the custom channel ship their HDMI cables in clear bags which are either heat-sealed or zip-locked,” says ICE Cable Systems President Brian Rizzo.

”Integrators prefer bags because they can easily be stored in a work truck where space is a premium. The problem is that they look like sandwich baggies; this doesn’t make for a great presentation to your client.”

”We set out to design a bag that has an upscale feel while offering enhanced functionality,” furthers Rizzo. “We landed on a re-sealable package that with its lush artwork and glossy-coating captures the premium look-and-feel that ICE Cable Systems is recognized for, while also incorporating hang-holes for an impressive presentation at retail.”

”From a functionality perspective, we incorporated a really tough plastic exterior that can take a beating and protect against water damage too. All these features combined make for a bag that exceeds the daily demands of the integrator,” concludes Rizzo.

The company’s Clear Series 2 HDMI cables in lengths from .5 to 30 meters are available in the new packaging at no additional up-charge.

ICE Cable Systems' new Clear Series 2 HDMI Packaging

ICE Cable Systems’ new Clear Series 2 HDMI Packaging

For more information please contact ICE Cable Systems at 310.444.1950.

About ICE Cable Systems
Founded in 2004 by president Brian Rizzo, ICE Cable Systems is a leading manufacturer of premium low-voltage wire and cable products serving the Audio Video, Alarm and Security, Commercial, Electrical Contracting and Data Center channels. The company’s products are available to integrators both directly and through more than 50 distributors in North America and internationally. ICE Cable’s success is driven by ingenuity and its desire to make superior products that offer more value to installers. www.icecable.com

Continued Market Growth Spurs Promotions for Biamp Systems in the Americas

Sales team expertise continues to develop, delivering the depth of knowledge needed more

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Catalyst AV Distribution Network Now Distributing Dropcam Pro

Burlington, MA – October 13, 2014 – Catalyst_AV_Logo_webCatalyst AV, a nationwide distribution network of specialty products serving more than 15,000 integrators from 15 regions in the US, today announced that all of its 11 member companies are now selling the Dropcam Pro. (https://www.dropcam.com/dropcam-pro)

DropCam-PRO_Front_72dpiDropcam is a cloud-based Wi-Fi video monitoring camera and cloud service. With free live streaming, intelligent alerts and mobile and web apps, Dropcam makes it easy to stay connected to places, people and pets no matter where you are. The Dropcam Pro delivers a 130-degree field-of-view, granting the ability to capture an entire room without the need to pan or zoom. Additional capabilities include 8X zoom and notification alerts. The unit has an MSRP of $199.

”Dropcam is a significant addition to our app-based assortment of control products,” says Wally Whinna, Catalyst AV board member and principal of Allnet Distributing. “These products offer integrators new security solutions that can be implemented in jobs where they would have had no sales opportunity with conventional products.”

Catalyst AV is currently comprised of 11 privately-owned distribution companies:
• Allnet Distributing (www.allnetdistributing.com) (Midwest)
• Audio Video Warehouse (www.av-warehouse.com) (Nevada, Arizona)
• Custom Partners (www.custompartners.com) (Metro-NY)
• CustomPlus Distributing (www.customplusdistributing.com) (No. CA/ Pacific NW/ AK)
• Easy Access Distribution (www.easyaccessdistribution.com) (Northeast)
• Electronic Lane Distributors (www.electroniclane.com) (Southwest)
• Electronics Source (www.electronics-source.com) (Florida and Southeast)
• HCA Distributing (www.hcadist.com) (Rocky Mountains)
• Pioneer Music Company (www.pmcav.co) (Plains States)
• SPD (www.soundproductdistributing.com) (Upstate NY)
• Tech Source Distributors (www.techsourcedist.com) (Mid-Atlantic)

About Catalyst AV
Founded in 2012, Catalyst AV is a network of 11 independent consumer electronics distributors serving the residential and professional AV channels in the U.S. Catalyst AV grants manufacturers a consistent and cohesive nationwide distribution model to more than 15,000 professional integration specialists. Catalyst AV benefits integrators by delivering all the products and support necessary to execute the demands of job specifications with confidence. The Catalyst AV Board of Directors consists of Mike Hench (Electronics Source Distributors); Steve Presti (Easy Access Distribution) and Wally Whinna (Allnet Distributing). www.catalystav.com

Cain Joins Middle Atlantic As Director of Sales Support

Wally Cain

Wally Cain

Fairfield, NJ––Middle Atlantic Products has appointed Wally Cain as Director of Sales Support. In this newly created position, Cain will oversee and manage the Customer Support, Technical Support, Inside Sales, Residential Support and Design Services departments.

Prior to joining Middle Atlantic, Cain spent nearly 10 years at Lastar’s Cables to Go (C2G), which became part of Legrand North America earlier this year. At C2G, Cain most recently served as Manager of Customer and Technical Support and Product Manager, Inside Sales Manager and Account Manager prior to that. His educational background includes a BS in Organizational Leadership from Wright State University.

Commenting on the new appointment, Dan Tarkoff, Middle Atlantic Vice President of Sales, said, “Wally brings a wealth of experience in Customer and Tech Support, Inside Sales and Product Management in the A/V industry. He’s had a highly positive influence as a key member of the management team at C2G.

“We are excited at the prospect of having Wally guide our Customer Support and Inside Sales teams to a new period of significant and sustained growth as we continue our promise of providing the highest level of support to our customers.”

For technical specifications and in-depth information about Middle Atlantic Products, please click to www.middleatlantic.com or call 1.800.266.7225.

Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us

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Marvel’s Guardians of the Galaxy Recorded with DPA Microphones

Simon Hayes 2

Oscar-winning production sound mixer Simon Hayes relied on DPA lavalier mics to record Marvel’s film adaptation of Guardians of the Galaxy, directed by James Gunn.

Hayes, who first used DPA microphones as Production Sound Mixer for the film adaptation of Mamma Mia in 2008, has turned to DPA d:screet™ 4061 and 4071 miniature mics on every film he’s worked on since then. Recently these have included Les Miserables (for which Hayes picked up the Oscar and BAFTA for Best Sound Mixing) and upcoming releases Tarzan, directed by David Yates and Kingsman: The Secret Service, directed by Matthew Vaughan.

Hayes chose DPA miniatures for Guardians of the Galaxy so that he could capture original dialogue, right at the point of shooting. Given that Director James Gunn’s vision for the film was to preserve the authenticity and emotion of the actors’ performances, he felt this was the best way to serve the film and its creative team.

“It was clear from the first meeting with James Gunn that he wanted to capture original performances, which of course isn’t always easy when you’re talking about large budget special effects and action-driven visual effects type movies,” Hayes says.

“We knew that we were going to be shooting three or four cameras at all times so the DPAs took precedence over the booms on a lot of scenes. This meant that, in the final mix, at least 75% of the dialogue that made its way into the movie was recorded on DPA [d:screet] 4071s and DPA [d:screet] 4061s.”

Leading man Chris Pratt was fitted with the DPA d:screet 4061 omnidirectional mic. “We felt that the 4061 added a little something extra in the bass region for his voice, which was quite exciting,” Hayes continues. “All of the other characters used 4071s on their chest rigs and if we were rigging microphones in their hair or in their helmets, we used 4061s to increase the bass.”

As the title suggests, the sets for Guardians of the Galaxy were not going to be small. Finding regular-sized Sound Stages a little small, set designer Charlie Woods had sets housed in old Ministry of Defence buildings to allow enough space. This provided Hayes with a few hurdles to overcome sound-wise.

“That kind of environment isn’t as easy to record sound in as a sound stage, so I had a lot of background noise and a lot of reverb to contend with,” he says. “Again, the DPA mics excelled at rejecting that reverb and just capturing dry, up-front vocals for me.”

One of the things that really sets Guardians of the Galaxy apart from its kin in the superhero film genre is its esoteric 70′s soundtrack, which was integral to the way the sound was mixed. Hayes explains why this was a huge consideration when recording:

“Mixed in with the huge space sound-effects that the sound design team built for us, we really wanted close-up dry dialogue so that we could push the music and the effects harder, and that’s what the DPA mics helped us to do,” says Hayes, who collaborated closely with Alexandra Byrne (costume designer) and Dan Grace (costume supervisor) to design the mic placements used within the actors’ costumes.

“We had some really interesting rigs. For instance, Lee Pace, who plays Ronan, was wearing a helmet for his whole performance and we actually placed two 4061 mics into the helmet because the microphones were creating a tiny bulge. We wanted to have the bulge uniform, so we put one above each eyebrow, which not only gave a uniform look to the helmet, but it also gave us the opportunity to have two tracks running on Lee Pace’s dialogue.”

Ronan has a particularly dynamic part in the film, as Hayes continues: “This placement allowed Lee Pace more creativity in the way that he was playing Ronan and I was able to assure him that because we had the two 4061 mics on him, he could literally go from a whisper to a shout without us having any trouble whatsoever.”

Dave Bautiste, whose character Drax the Destroyer goes through the whole film topless, presented another challenge altogether, which meant finding an ingenious solution.

“We collaborated with the Special Makeup FX department and were able to have a [d:screet] 4071 basically rigged into the special makeup effects, which was applied to his upper body so it became part of a scar in the middle of his solar plexus,” Hayes says. “This meant that even though we had a topless man through the whole movie, in every single scene we were able to have a perfectly placed 4071. DPA’s are so reliable that you can have it buried under makeup and you know that it’s going to work all day, you’re not going to have any problems from them.”

With a run of over 18 films on which he’s used DPA microphones, Hayes concludes, “In the marketplace today there aren’t any lavalier mics that sound as natural and as transparent as DPAs. I feel that when I’m using a DPA microphone, I’m hearing actors through their performance rather than the microphone factoring it.”

After the box-office success of Guardians of the Galaxy, a sequel has already been announced, due for release in 2017.

-ends-

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

SVS LAUNCHES PC-2000 POWERED CYLINDER SUBWOOFER

The cylinder subwoofer form factor is reinvented by SVS with acclaimed 2000 Series subwoofer technology and décor-friendly styling.

Denver, CO – Rocky Mountain Audio Fest – October 10-12, 2014 – SVS, a worldwide leader in high performance home audio products, proudly announces the PC-2000 subwoofer, a modernization of the original SVS cylinder design featuring driver and amplifier technology from the vaunted 2000 Series subwoofers, and fresh, décor-friendly styling. With a footprint measuring just 16.5” in diameter, the PC-2000 delivers unmatched bass performance per square-inch of floor space.

“The cylinder subwoofer is an icon of our design heritage. The PC-2000 integrates our best technology and engineering resources, along with style upgrades, to make it appealing to contemporary audio and home theater enthusiasts,” said Gary Yacoubian, SVS president. “It’s an absolute beast of a performer and ideal for those who want outstanding deep bass effects and mid-bass slam, without the huge footprint.”

Standing 34” tall, the PC-2000 is a striking monolith of power that uses vertical height to achieve a generous enclosure volume, despite the small footprint. Interchangeable black ash or piano gloss top caps give the subwoofer design flexibility to match a range of décors. It is also the first SVS subwoofer to come standard with the SoundPath Isolation System. The elastomer feet decouple and isolate the PC-2000 from the floor, resulting in tighter and cleaner sounding bass, less room rattle, and fewer complaints from neighbors and roommates.

Inside, the PC-2000 boasts a 12” down-firing 2000-series driver. Nearly 20 driver prototypes were built by hand and punished with rigorous real-world testing; including 100-hours straight of full power testing; before the final version was approved for production. The drivers consist of dual high-grade ferrite magnets and an FEA-optimized motor for nearly distortion-free performance. A reinforced Nomex spider was integrated for improved linearity and driver control, especially important when the STA-500D amp is pushing the PC-2000 to maximum output levels.

Conservatively rated at 500 watts RMS continuous and 1100 watts peak dynamic, the Sledge STA-500D DSP amplifier inside the PC-2000 has brains to match its brawn. A sophisticated DSP in the amplifier includes an array of filters and volume, gain, and phase controls for fine-tuning performance. A frequency-dependent limiter/compressor algorithm with adjustable attack/release and compression parameters offers the ultimate in refined behavior at the drive limits of the subwoofer system. The DSP amplifier is effortless in its delivery of all this power, yet it consumes less than half-a-watt in stand-by mode.

Rated at 17-270 HZ +/- 3dB, the PC-2000 features a stereo line-level RCA input and 80Hz high pass filtered output connections, continuously variable volume and phase controls, and a rear-firing 4” high-flow port with large radius inner and outer flanges.

Pricing for the PC-2000 is $799.99 for the Black Ash top cap, and $849.99 for the Piano Gloss top cap.

For more information, please visit www.svsound.com  or follow them on Facebook, Instagram, Pinterest or Twitter.

About SVS

SVS is a global leader in high performance home audio products; designing, manufacturing and selling subwoofers and speakers through its Internet direct business. Founded in 1998 by a group of audio enthusiasts seeking to develop an alternative to traditional audio manufacturers, SVS was forged out of a passion for the science of sound married to a disruptive, forward-facing go-to-market strategy. Today, SVS takes a radical approach to how audio products are developed. Built on collective decades of experience, SVS is redefining performance and value for people who love music and sound.

Press Contact:  Caster Communications, Inc. at 401.792.7080

Nicholas Brown: nbrown@castercomm.com

Kimberly Lancaster: klancaster@castercomm.com

For digital images log on to: www.castercomm.com

METRIC HALO ANNOUNCES 2014 FALL SALE!

MetricHalo_2014_FallSaleSAFETY HARBOR, FLORIDA – OCTOBER 2014: Metric Halo announced the start of the 2014 Fall Sale with the best deals ever offered on Metric Halo gear. Save up to 58% off list prices on all products including hardware and software. With this sale, customers will save up to $1,100 off Metric Halo’s award-winning hardware products, and up to $400 off Metric Halo’s award-winning software products.

The Fall Sale celebrates the launch of Production Bundle v.2 which brings VST and Windows support to the Metric Halo Production Bundle, and also introduces a new plug-in – MH Dirty Delay.

Metric Halo products are available from dealers or directly from the Metric Halo website: http://mhlabs.com

The Metric Halo 2014 Fall Sale runs until 10/31/2014.

ABOUT METRIC HALO Based on the Gulf Coast of Florida, Metric Halo provides the world with award-winning software and hardware recording, processing, metering and analysis solutions.

www.mhlabs.com

SMPTE Elects Officers and Governors for 2015 and 2016; Robert Seidel of CBS to Serve as Society’s New President

Industry Leaders Elected to Key SMPTE Leadership Posts Reflect Growth of Global Society more

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Comprehensive Cable and Connectivity Celebrates 40 Year Anniversary

 

Comprehensive-Default-Logo--RGB-300dpi-JPG

 

This September marks the 40th year anniversary for Comprehensive Cable and Connectivity Company.

In 1974, the professional audio visual market was just emerging and the new small businesses across the country known then as “audio visual dealers” had a problem:  Whom do they go to get the connectivity, accessories and supplies they need for the equipment they are selling to local media, schools and businesses? Lucky for the AV industry, Comprehensive had the solution.

Originally known as Comprehensive Video Supply, Comprehensive began as a single source of accessories and supplies for the then up-and-coming “professional audio-visual” market. Sold exclusively through resellers, Comprehensive products, which included their now world-famous cables and connectivity products, were a must-have for every audio-visual and computer reseller. The same was true for the Comprehensive 200-page product catalog. Dealers could use the Comprehensive catalog as an invaluable resource, and have it custom imprinted with their business name and contact information for distribution to customers. (Keep in mind – popular use of the internet was still more than 20 years away, and it would be another 33 years before the first iPhone was introduced. Even the VCR had yet to be released).

Scott Schaefer, Comprehensive’s current President, commented, “Comprehensive was there at the beginning of both AV and IT. It is Comprehensive’s experience, commitment to reliability, value and service that has kept B2B customers around the world coming back year after year. We are so grateful for the decades of support that our industries, resellers, customers and employees – past and present – have shown Comprehensive. Without them, we would not be here today, and we never forget that. We thank each and every one.”

Over the years, Comprehensive built the business with a strong reputation for “putting its money where its mouth is” service by stepping up and standing behind its resellers and products from the very beginning. One of many enduring legacies that Comprehensive has given the industry is the ‘Lifetime Warranty’ on cable assemblies, connectors and adapters. While a marketing commodity in today’s internet age, Comprehensive takes those words very seriously.

“Comprehensive customers need reliability and service above all else. Customers come to Comprehensive because they know they can count on us; every product, every order, every time. ” said General Sales Manager, Martin Fensterstock.

Today, Comprehensive has grown into one of the leading connectivity brands in the U.S. and around the world and their reliability and service have become legendary in the industry. Over the decades, Comprehensive has truly become the “go to” company for B2B audio-visual and I.T. professionals in every industry.

In fact, looking at a partial client list of Comprehensive customers reads like a “who’s who” of technology, business, media, entertainment and government. Clients include: Sony, Panasonic, Disney, Microsoft, Apple, Crestron, NASA, U.S. Army, Columbia University, NBC, ABC, CNN   just to name a few. A list of resellers and distributors reads much the same – Ingram Micro, Anixter, AVI-SPL, The Whitlock Group, HB Communications, B&H Photo, New Egg.com, and the list goes on.

Originally located in Northvale NJ, Comprehensive was purchased by VCOM International Media Corporation in 1995 and has continued to expand even during the recent recession. With continuous, growing demand for their cable and connectivity products and services, Comprehensive recently moved into new, larger headquarters in Fairfield NJ. They are also hiring with many positions available.

Listening to customer needs, something Comprehensive has done since the very beginning, has led to many new and innovative products. The most recent being the extremely successful Pro AV/IT Series HDMI Cable family, which are the onlyHDMI cables specifically designed for systems integrators, corporate, government, medical and other demanding B2B environments. Exclusive features such as ProGrip® Connector Technology, SureLength® Indicators with cable lengths easily visible on all connector heads, as well as color Identification and 4K X 2K support are just a few innovations that customers can expect from Comprehensive products.

 In its first 40 years, Comprehensive became synonymous for reliable and innovative connectivity products that the audio-visual and I.T. professional could count on and that at least, is not something Mr. Schaefer thinks will change much over the next 40 years. “We are so excited about where Comprehensive and the market are going – 4K, HDBaseT, collaboration and the cloud, mobile, the opportunities are endless. Technology continues to evolve and advance and so does Comprehensive. We are doubling down on everything our customers have demanded from us in the past and building on it for tomorrow and beyond. The best is yet to come and like all things Comprehensive, you can count on that.”

For more information about Comprehensive or any Comprehensive products, including the Pro AV/IT Series High Speed HDMI Cables, please visit us at www.comprehensivecable.com, call toll free at 800-526-0242 or e-mail sales@comprehensivecable.com

 

About Comprehensive Cable
For 40 years, Comprehensive Cable has been the Pro A/V industry standard for professional connectivity performance, reliability and value. That’s why millions of Comprehensive cables and connectivity products are in use at stadiums, in broadcast and recording studios, stages, boardrooms, classrooms, government installations and now living rooms around the world. Comprehensive Cable and Connectivity Company is a division of New Jersey based VCOM International Multimedia Corporation.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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