The sound team at the Parco Della Musica Auditorium in Rome recently turned to DPA Microphones’ Reference Standard 4017 Shotgun Microphones to record the audio for a specially commissioned double DVD of two operas that were being performed as part of the Santa Cecilia Opera Studio, a master programme devoted to Bel Canto.

With high quality audio a prerequisite – and with strict instructions from the director that no microphones were to be seen anywhere in the video footage – sound engineer Giacomo De Caterini was initially struggling to work out how he could comply with the director’s brief.

“The director wanted to avoid any microphones that could be visible because he was determined to maintain strict focus on the performers,� De Caterini explains. “Due to bad experiences in the past, especially on video productions where close-up shots revealed poorly concealed microphones dangling from the singers’ wigs, he was very keen not to have any microphones on the singers’ heads. This ruled out the use of miniature microphones such as the DPA 4061s, which we had initially been considering.�

To add to De Caterini’s difficulties, some of the backgrounds were being video projected, which meant that microphones hanging from the ceiling were also out of the question.

“I was quite worried as the only option left was to use shotgun microphones positioned on the edge of the proscenium,� De Caterini says. “I realized this would only be OK if we had a sufficient quantity and if they were strategically placed to capture the audio properly.�

Luckily, Salvatore Zocco, product manager at DPA’s Italian distributor M. Casale Bauer, was able to come up with a solution. He gave Giacomo De Caterini some DPA Reference Standard 4017 Shotgun Microphones and suggested he tried them out as an option.

“Although I expected the high quality sound and trustworthiness that invariably comes with DPA microphones, what I did not expect was the ability of these microphones to deliver a sound unlike any other shotgun I have ever tried,â€� De Caterini explains. “They were much more akin to a pair of traditional cardioids, and with the amazing ability to behave more like ‘wide cannons’ than strict shotguns. In other words, instead of the typically coloured audio that becomes almost unusable as soon as the pickup is slightly off-axis, these microphones delivered great audio that required minimal tweaks and remained readable and clean even when picking up vocalists who were right as the back of the stage. Thanks to their new, dedicated preamps, they also delivered lower noise than any other shotgun microphone I have tried. Ultimately, what set them apart was something you certainly don’t expect from shotguns: sheer musicality.â€�

The two operas being recorded for this DVD project were Ravel’s “L’Heure Espagnole” and Puccini’s “Gianni Schicchi”. Both were performed in the Petrassi Hall, which has roughly 700 seats and is the smallest of the three halls that form the Parco Della Musica Auditorium complex. The double DVD production was co-produced by the Accademia Nazionale di Santa Cecilia and Infocamere, the IT company for the Italian Chamber of Commerce, and distributed as a special gift to major Chambers of Commerce clients.

After completing the recordings for the DVDs, Giacomo De Caterini was so impressed with the performance of the DPA 4017 Shotgun Microphones that he refused to return them to M. Casale Bauer.

“They were definitely a keeper,â€� he says, “and they have now joined the Auditorium’s stock of DPAs. I’ve used a lot of DPA in the past – and B&K before them. I love all the classics like the 4006, 4015, 4011 etc., and I also use the DPA miniature microphones for live work, especially the brilliant d:voteâ„¢ 4099 Instrument Microphones and the compact cardioid 4021 microphones, which I consider to be the most treasured tools of my trade.â€�

Recently, De Caterini had the opportunity to use a pair of DPA 4041s (running at 130V with the dedicated preamp) and was completely blown away by their performance.

“They combine the best features of DPA’s classic omnis with the low/mid ability that has previously been the trademark of DPA’s competitors. Using them for the first time provided me with a rare moment of illumination – not to mention an almost irrepressible urge to reach for my wallet!�

Since completing the opera DVD project, Giacomo De Caterini has been working on a number of other high profile recordings including engineering and post-producing a CD of Verdi’s music for EMI Classics, which features the Orchestra di Santa Cecilia with Sir Antonio Pappano.

-ends-

Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

May 6, 2013 (Wellington, Fla.)—This week marks a very special anniversary for the leading online marketplace: Ten years ago, Cynthia Viteri joined GearSource founder Marcel Fairbairn on his journey to build the best online resource for production inventory sellers and buyers. Viteri became the company’s second employee and helped to not only grow sales and the listings base, but also become a part of the company’s DNA. Today, Viteri manages the internal logistics systems for the company, while also taking care of a large customer base of her own. more

WOODBURY, New York – Hitachi Kokusai Electric America announces that TSE (Total Sports Entertainment) Services—a systems integrator based in La Crosse, WI—has installed three new Hitachi Z-HD5000 HDTV studio cameras, a YESCO video board, and a full HD production control room in the Convocation Center on the campus of Eastern Michigan University (EMU) in Ypsilanti, MI.

Under the project management of A/V Consultant Frank Moraski, Jr, a principal of Anthony James Partners (AJP) in Richmond, VA, the facility renovation involved LED displays from YESCO (Young Electronic Sign Company), in Logan, Utah, which in turn contracted TSE Services for the turnkey systems integration work.

Bob Johnston, regional sales manager, Hitachi Kokusai Electric America, facilitated the camera order, including three Hitachi Z-HD5000 HDTV studio cameras with CU-HD500 camera control units and FUJINON HD lenses, as well as a Hitachi RU-1000VR control panel for remote camera setup. Two Z-HD5000’s are in a studio configuration on tripods, while one is used as a shoulder-mount handheld within EMU’s Convocation Center – an 8,000-seat arena where the University’s NCAA Division I basketball, volleyball, wrestling, and gymnastics events are held.

“For live event entertainment, EMU has invested in broadcast-quality, HD cameras, and the picture quality is outstanding,� said Marty Masewicz, an A/V systems integrator with TSE Services, which specializes in the design and installation of big-board displays and A/V installations for sports, education, and other applications nationwide. “As the public becomes more media-savvy, picture quality is a key consideration, especially when the image will be displayed on a huge video screen.�

Another important consideration favoring the selection of Hitachi cameras was user-friendliness, since EMU students often operate the video equipment in the Convocation Center.

According to Masewicz, the HD control room was designed to serve the production needs of other athletic facilities on the EMU campus, including Rynearson Stadium, the 30,200-seat football stadium next door to the Convocation Center. “The Hitachi Z-HD5000’s fiber camera adapters enable long-fiber runs within the arena—and eventually from other campus venues—back to the ‘production room.’� In this room, TSE installed a Broadcast Pix Granite 2000 integrated HD production switcher and a NewTek 825 8-channel replay system, as well as ClickFX Crossfire and Blaze systems to feed the big-board.

At present, the Hitachi cameras will capture HD video of games and special events like graduations for display on a four-sided, center-hung YESCO LED display/scoreboard and two 50-foot courtside LED ribbons.

“In our experience,� Masewicz said, “colleges and universities have increasingly been adopting high-quality HD video displays to provide live entertainment during athletic and special events. The Hitachi Z-HD5000 is an affordable, high-performance solution, ideal for this application.�

About Hitachi, Ltd.

Hitachi, Ltd., (NYSE: HIT / TSE: 6501), headquartered in Tokyo, Japan, is a leading global electronics company with approximately 360,000 employees worldwide. Fiscal 2009 (ended March 31, 2010) consolidated revenues totaled 8,968 billion yen ($96.4 billion). Hitachi will focus more than ever on the Social Innovation Business, which includes information and telecommunication systems, power systems, environmental, industrial and transportation systems, and social and urban systems, as well as the sophisticated materials and key devices that support them. For more information on Hitachi, please visit the company’s website at http://www.hitachi.com.

MOUNTAINSIDE, NEW JERSEY & HOUSTON, TEXAS USA / 7 May 2013 / — Verrex, a global design-build integrator and managed services provider of conferencing, collaboration and presentation technologies, announced that David Wuensche, CTS, has joined as Project Manager for the Southwest USA and Latin America regions. He will be accountable for executing projects in-line with client expectations and scope, utilizing tools such as project milestones, project-based cost accounting and progress reports. As a Verrex Project Manager, he is a client’s single point of contact for progress and delivery. Wuensche reports directly to Verrex Director of Project Management, Jaime Callejo.

“A project is a fluid thing with challenges possible at every stage,â€� said Callejo. “David is the type of exceptional project manager that can anticipate challenges as much as possible and implement solutions quickly and effectively to stay on schedule. He is a respected member of Houston’s AV community, recognized by clients and trades as a skilled communicator and technical advisor. We are very pleased to have him on our team.â€�

Wuensche joins Verrex with over 20 years of experience in the management of people and projects. A 14-year tenure at JPMorgan Chase Bank (Houston, TX) provided broad experience in several disciplines, most recently including Anti-Money Laundering data compliance reviews for client records. For the majority of his career at JPMC, Wuensche led the Business Resiliency efforts for the bank’s Global Technology Infrastructure Field Operations team in the western half of the continental United States. He also spent 14 years as the Network & Audiovisual Systems Specialist and Business Manager at COMMSTAR (Magnolia, TX), specializing in integration and automation projects for custom homes and houses of worship in the greater Houston metro. Wuensche holds a Bachelor of Science in Industrial Physics/Industrial Management from Abilene Christian University (Abilene, TX) and has received Business Continuity Planner training from the Disaster Recovery Institute (New York, NY), as well as Project Management Professional (PMP) training from the Project Management Institute. He has also earned the CTS designation from InfoComm International and is a Crestron Control Systems Programmer.

“Understanding and managing client expectations is key to successful AV projects,� added Wuensche. “This means continuous communication not only with the client but with all other trades so scope of responsibility is clear, the project runs smoothly and the end result meets the utmost degree of scrutiny. I am enjoying working with all Verrex teams dedicated to such a high level of performance.�

Wuensche is based out of Verrex’s Southwest USA & Latin America office in Houston, Texas and can be reached at dwuensche@verrex.com.

About Verrex
Founded in 1947, Verrex designs, integrates, services and supports conferencing and collaboration systems globally that allow companies to communicate and collaborate through video conferencing and other audio visual technologies. Verrex’s approach is driven by a proprietary quality-management process and focus on documentation to deliver consistency and best-in-class standards across an entire enterprise. Led by full-service offices in key corporate hubs, Verrex has built an allied network across 40 countries to share its vision of exceptional integration and support services worldwide. For information, visit verrex.com.

Verrex, the Verrex Logo and GMS are registered trademarks of Verrex Corporation and/or its affiliates in the U.S. and other countries.
# # #

Media Contact:
Theresa Hahn, Director of Marketing & Business Development
Verrex
Phone: +1 908 664 8391
Email: thahn@verrex.com

The highly anticipated world premiere of Warner Bros. “The Great Gatsby� lit up the screen in brilliant 3D, thanks to Christie Solaria® Series digital cinema projectors, which brought to life the splendor of the roaring twenties in rich, saturated colors and sharp, 4K-resolution. The star-studded event took place at Avery Fisher Hall, an iconic New York City venue at Lincoln Center for the Performing Arts.

Directed by Baz Luhrmann, the film is based on the classic novel by F. Scott Fitzgerald, and will be distributed worldwide by Warner Bros. on May 10. The event was a glamorous evening worthy of the film’s 1920s setting, featuring an audience filled with the film’s stars—Leonardo DiCaprio, Tobey Maguire, Isla Fisher, Joel Edgerton, and Carey Mulligan. A host of other A-list celebrities, including Jay-Z and Jake Gyllenhaal, also made appearances at the red carpet event.

“Christie is thrilled to have projected the world premiere of ‘The Great Gatsby’, a long-awaited movie based on one of the most beloved literary classics,� said Craig Sholder, vice president, Entertainment Solutions, Christie. “As a trusted leader in digital cinema projection, we were pleased that that our projectors displayed all the splendor and opulence of ‘The Great Gatsby,’ fully realized in 3D!�

Preferred Christie® dealer Digital Media Systems selected two top-of-the-line Christie CP4230 DLP® digital cinema projectors for the screening, which converged the light from two projectors to create a seamless image projected onto a silver screen. Gregg Paliotta, president and owner of Digital Media Systems, said that this 4K Christie solution was the only choice for providing the brilliant 3D images needed.

“We have done other major premieres at Avery Fisher Hall in the past, such as ‘Hugo’ and ‘War Horse,’ so Warner Bros. and Lincoln Center trusted us and Christie to deliver the high brightness and absolutely flawless picture quality needed to screen this major studio event,� said Paliotta. “The Christie projectors always perform to our expectations, and ‘The Great Gatsby’ premiere was no exception. We are proud to be an exclusive Christie dealer for that reason.�

Following a record year for sales in the Asia and Pacific regions, DPA Microphones is consolidating its success by opening a new regional office in Hong Kong.

Headed by Ken Kimura, DPA’s general manager for the APAC region, the new office signals DPA’s commitment to its partners and customers by acting as a hub for sales, marketing and after-sales service. It will also enable the company to expand its sales network and develop new business channels in market sectors that have yet to discover the benefit of DPA’s high quality microphone technology and products.

Kimura, who was previously based in Shanghai, says: “Establishing our new office in Hong Kong makes sound economic and geographic sense. By basing our office here we can significantly expand our reach as well as visibility within the entire region and thereby aim our ambitions much higher.�

During the last trading year, DPA’s sales have been on the increase in virtually every APAC country with some showing growth as high as 40%. This incredible success has been achieved by DPA developing strong partnerships with its distributors and dealers so that they can fully support their customers.

Christian Poulsen, CEO of DPA Microphones, says: “The increased consciousness of good quality in the Asian markets, combined with our ability to develop fantastic products, has resulted in our huge success in this region. To follow up on this we take the next important step by establishing this new office to support our sales partners even more and encourage their commitment to the brand. This support has been delivered in a variety of ways, including listening to our partners’ needs and implementing specific activities such as customer events.�

Renowned for their audio accuracy, reliability and superb engineering, DPA microphones are the first choice for numerous recording and touring artists and sound engineers. The company’s extensive product range also encompasses many other industry areas including broadcast, film, theatre, installation, conferencing and security.

“The breadth and depth of our product range is really quite staggering and gives us plenty of scope to develop our customer base around the world,� Kimura says. “The APAC region is no exception – there are many applications for our technology that have yet to be exploited and our aim is to be highly visible so that we can make the most of these new business opportunities.�

DPA plans to supplement its existing team in Hong Kong with new sales staff and is interested in hearing from any suitable candidates.

For more information please contact Ken Kimura at kek@dpamicrophones.com.

-ends-

Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

DPA Microphones is delighted to announce the launch of the d:dicateâ„¢ Recording Microphone range, which combines the best capsules with the best pre-amplifiers to deliver superior sound for all applications where high quality audio is required.

The d:dicate range includes DPA’s new modular MMC4018 supercardioid capsule, the counterpart to the MMC4018V capsule used in the company’s new d:facto™ Vocal Microphone and one that is ideally suited to applications where clarity and audio quality are critical. d:dicate also includes the well-known MMC4007 hi-SPL omnidirectional capsule, previously known as 4007, now in a modular version. Widely used for measurement purposes, this capsule has an unbeatable dynamic range and can handle extremely high sound pressure levels. Both capsules is widely used for picking up drums, percussion, brass instruments – and for measurement purposes. Both are entirely compatible with other d:dicate preamplifiers.

Completing the d:dicate line-up are microphones from the familiar and well-loved DPA Reference Standard series, which has been absorbed into the d:dicate range with all former Reference Standard products now carrying d:dicate branding. These include the modular 4000 and 2000 series, which are manufactured to perform within very narrow tolerances and offer exceptional linear frequency responses, high SPL and superior gain before feedback. Within the 4000 series there are a wide variety of capsules including the new 4018 supercardiod, 4017 shotgun, 4015 wide cardioid, 4011 cardioid and 4006 omnidirectional. The 2000 series consists of two twin diaphragm capsules – the 2011 cardioid and the 2006 omni versions that are rooted in the design technology of DPA’s classic miniature capsules. All these capsules can be combined with a state-of-the-art A pre-amp, a B pre-amp with low cut and high boost filters, and a C pre-amp, which is a compact version for discreet miking.

Like all DPA microphones, every variant in the d:dicate range delivers clear, transparent and precise sound, along with the robustness and versatility that are the hallmarks of DPA’s ingenious engineering techniques. These high quality microphones are increasingly being employed in harsh live sound environments, particularly on drum kits where there is a demand for exceptional sound quality but where the microphones solution needs to be robust and sturdy so that it can be relied on time after time.

Christian Poulsen, CEO of DPA Microphones, says: “Our new d:dicate Recording Microphone range gives customers the ultimate in flexibility as any microphone in the range can easily be transformed into a new variant simply by choosing a different capsule or preamplifier. Customers will also find that owning several capsules is more cost effective than purchasing a completely new microphone.

“By gathering these microphones into a specific group, d:dicate now joins our other established product groups: d:fine™ Headset Microphones, d:vote™ 4099 Instrument Microphones and d:facto™ Vocal Microphones.�

New accessories have also been developed for the d:dicate Recording Microphone range, including modular active cables (MMP-ER with rear cable entry and MMP-ES with side cable entry) plus modular active booms (MMP-F) that are compatible with all d:dicate capsules. These new microphone solutions can be used in many different situations, for example as a podium microphone on a desktop or podium, suspended for high-end capture or on elegant stage stands. The active booms come in several lengths and configurations with flexible gooseneck and XLR termination, while the new active cable only adds a centimetre to the capsule, making it even more discreet than the compact C pre-amp, while giving comparable performance.

“It was difficult to split the preamplifier construction and make an ultra-compact head without sacrificing the sound quality,� Christian Poulsen adds. “However, we succeeded and now customers can have DPA’s renowned sound quality across many applications where we have not been widely used before, for example installation, concert halls, on stage, etc.�

The two new capsules and new accessories in DPA’s d:dicate Recording Microphones range will be available from August 2013. Former Reference Standard capsules and preamplifiers now included in the d:dicate range are available now.

-ends-

Editors’ information:
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphones and microphone solutions for professional applications in studio, broadcast, theatre, video/film and sound reinforcement environments. All DPA microphones and components are manufactured at the company’s purpose-built factory in Denmark.
For more information on DPA Microphones, please visit www.dpamicrophones.com

San Diego, California –- May 7, 2013 — DVEO, the broadcast division of Computer Modules, Inc. (CMI), has announced a licensing agreement with RealNetworks Inc. DVEO will offer high-end Telco-grade encoder/transcoder/video distribution server systems, built on RealNetworks Helix Universal Server.

“Helix Universal Server streams live and on-demand content to any IP device – including smart phones, PCs, tablets and more, with high-end, professional-quality video plus robust security to protect content. We partner with solid companies such as DVEO who bring high value to our ecosystem,” said Mike Womack, Senior Director, RealNetworks Helix Division.

“We are proud to work with RealNetworks. They were one of the first companies involved in media streaming and they continue to develop remarkably inventive products,” commented Scott Grizzle, Broadcast and Streaming Product Manager for DVEO. “We are excited that our companies are working together to develop great solutions for customers.”

DVEO’s LiveMedia Anytime: TELCOâ„¢ delivers stored and live groomed (preformatted with the right protocols) or ungroomed video via IP to mobile devices, set top boxes and IP televisions. Reality Anytime: TELCOâ„¢ delivers pre-groomed live streams along with stored video on-demand (VOD) files. The systems support over 500 simultaneous users who can initiate “pulls” or demands on the video content at any time. More users can be supported with optional Intel® Solid-State Drives.

Helix Universal Server delivers the highest-quality video streaming across all devices –
from iOS, Android and tablet to PC, Mac and Smart TV. Well-known for reliability, high-performance and easy integration, Helix Universal Server includes support for MPEG-DASH, multi-protocol stream ingest and stream pushing to content delivery networks or service providers.

Supplemental Information for Press Release

Suggested Retail Prices:
LiveMedia Anytime TELCO: $6,000 to $27,000 USD
Reality Anytime TELCO: $6,000 to $27,000 USD

About Computer Modules, Inc and DVEO
Computer Modules, Inc, founded in 1982, is a privately-held company headquartered in San Diego, California. DVEO, the broadcast division of Computer Modules, Inc., sells digital video and high definition television (HDTV) products to top television broadcast companies throughout the world.

For more information on CMI and DVEO, please contact Rebecca Gray at 858-613-1818 or rebecca@dveo.com. To download DVEO’s press releases and product images, visit the news section at www.dveo.com.

About RealNetworks
RealNetworks creates innovative applications and services that make it easy for people to connect with and enjoy digital media. RealNetworks invented the streaming media category and continues to connect consumers with their digital media both directly and through partners, aiming to support every network, device, media type and social network. Find RealNetworks corporate information at www.realnetworks.com.

For more information:
Jodi Swanson
206-892-6452
jodis@realnetworks.com

DVEO, LiveMedia Anytime: TELCO and Reality Anytime: TELCO are trademarks of Computer Modules, Inc. RealNetworks and its respective logos are trademarks, registered trademarks, or service marks of RealNetworks. All other trademarks and registered trademarks are the properties of their respective owners.

MGI to Represent Company’s Line of Virtual Studio and Robotic Camera Technology

Montrouge, France – Hybrid, a leading provider of real-time graphics and robotic camera systems, is announcing a dealership agreement with Media Group International (MGI), www.mgi.tv, a leading systems integrator in the Middle East. Under the agreement, MGI will sell and support Hybrid’s virtual studio and robotic camera products in the region.

With offices in Qatar, UAE, Oman, Bahrain and Saudi Arabia, MGI (formerly known as Salam Media Cast), has served the Gulf region for over 35 years. Within the past year, MGI has entered into several notable partnerships to help diversify its business. MGI recently signed a deal with HoloVis International, developers of advanced 2D and 3D immersive systems, as well as recent agreements with VidiGo, Visual Unity and never.no.

“I’m confident that MGI will provide excellent support and increase our exposure to potential customers in the Middle East,� said Olivier Cohen, CEO, Hybrid. “They take a keen interest in the product lines they carry and make sure their sales and technical support team are well versed on each line they represent. I’ve been very impressed with how they work and their commitment to their broad customer base.�

MGI will support and sell Hybrid’s flagship Krypton 3D tracking virtual studio solution, the NEON trackless virtual set, the Chrome broadcast robotic jib, and Hybrid’s entire line of robotic camera systems.

Some of the other partners MGI represents include: Avid, Axon, Canon, Christie Digital, Cisco Systems Inc., Evertz, Front Porch Digital, Fujinon /Fujifilm Global, Grass Valley, Harmonic Inc., JVC, Oracle, Quantel, ROSS, Sennheiser, Sonifex, Sony, Studer, Telestream, and Vizrt.

“Hybrid’s line of robotics and virtual sets are very innovative and fit perfectly into our current lineup,� said Paul Wallis, Sales Director, UAE, MGI. “We’re looking forward to learning as much as we can about the technology in order to share this knowledge with our current and prospective customers throughout the Middle East. In particular, we’re very excited to showcase the virtual studio in a box [NEON] system, as this solution can potentially be very cost effective, while enabling our clients to produce live shows with dynamic virtual sets. Personally, I believe there is a significant market for this product within corporations, government organizations, schools and news organizations of all sizes.�

While many of the virtual studio solutions currently on the market are expensive or technically complex, the NEON trackless virtual studio solution is a user-friendly system that simply requires software running on a PC. NEON supports up to five live HD/SD camera inputs and can be controlled via Hybrid’s Ozone software controller or through BPI I/O production switchers, such as Broadcast Pix, Sony, or Grass Valley production switchers.

Rather than camera tracking and calibration technology, the Neon 3D virtual studio solution enables virtual camera movements in real-time from fixed cameras on set. Despite its simplicity, the 3D virtual scenes are photo-realistic and anti-aliased. Users can either use Neon’s set design tools, or import virtual sets created using 3D Max, Maya, Softimage, or other common modeling software.

About Hybrid

Hybrid is a leading manufacturer of broadcast production technologies. The company’s mission is to develop solutions and products that allow the digital media market to produce value-added content within an integrated workflow. Our product range includes virtual studio and augmented reality solutions and broadcast robotic camera supports. Hybrid consistently develops new products and solutions that push the limits of content creation while providing a clear rationalization of costs. Further information is available at www.hybridtv.tv.

Media Group International

Media Group International (MGI) is a proven media broadcast and communications systems integrator, serving the media, telecommunications, security, education, hospitality and advertising industries in the Gulf region for more than 35 years. Formerly known as Salam Media Cast (SMC), the company joined GSSG Holdings in 2010, with offices in Qatar, UAE, Oman, Bahrain, Saudi Arabia and the UK.

Media Group International is diversifying its business into new technologies. As well as equipping professional television stations and studios, master control rooms, newsrooms, concert stages and theatres providing light and sound technology, the company also equips whole multivendor and multisensory environments. MGI provides solutions from safeguarding national security, such as in government operations, to creating the best educational venues in museums and classrooms, enhancing sports environments and revolutionising health facilities and satellite telecommunications.

Media Group International is ISO 9001:2008 certified, the world’s most recognised quality management standard. It is the first company of its kind to receive the prestigious accolade within the Middle East region, guaranteeing customers world-class quality assured products.

Media Group International recently launched their new website to give customers a better experience online. Visit: www.mgi.tv

Follow-On Contract in Excess of $1 Million US for Worldwide Satellite Network

Ottawa, ON – International Datacasting Corporation (TSX: IDC) (“IDC� or the “Corporation�) announces a contract to support the U.S. Government, valued in excess of USD $1Million, for the expansion of its worldwide satellite broadcast network.

The contract includes the selection of additional SuperFlex Pro Data receiver/routers for a centralized broadcast network that distributes encrypted data files and live streams to remote U.S. government agencies throughout the world.

This order was based upon the customer’s previous experience with IDC receivers as robust and highly reliable units for its mission-critical communications. This solution enables the U.S. Government to optimize and expand its distribution network to additional global agencies.

“Currently, no other receiver provides this type of decryption,� said Del Lippert, Chairman of the Board and Interim CEO at IDC. “The security and reliability of this receiver is evidenced by its continued deployment at installations like this where a system simply cannot fail.�

The receivers provide a highly secure and reliable network to deliver live streams and file-based programming to a large worldwide network of remote sites. This fully integrated solution allows for the reception of IP content over satellite via a secure, encrypted link and seamless distribution into the local LAN. As part of its SuperFlex networking solution, IDC provides end-to-end secure networks to its global customer base.

About International Datacasting Corporation:

International Datacasting Corporation (TSX: IDC) is a global leader in digital content distribution for the world’s premiere broadcasters in radio, television, data and digital cinema. IDC offers a broad portfolio of advanced solutions including the STAR Pro Audio solution, LASERTM Targeted Ad Insertion platform, and the Digital TattooTM DTH Over IP Gateway. The company’s products and solutions are in demand for radio and television networks, targeted ad insertion, digital cinema, 3D live events, satellite news gathering, sports contribution, VOD, and IPTV. IDC is headquartered in Ottawa, Canada, with regional offices in Arnhem, the Netherlands and in San Diego, California. The company has installations in over 100 countries and service offices in Thailand and Singapore, and an international network of value-added partners and resellers. For more information visit: www.datacast.com.