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Archive of the Company Announcements Category

PreSonus Lands Top Distributors for France, Israel, Russia, and Spain

Belturbet, County Cavan, Ireland, March 2014… PreSonus is pleased to announce new distribution agreements for France, Israel, Russia, and Spain. “We’re honored and very fortunate to have reached agreements with four outstanding distributors,” says PreSonus Europe Ltd. Managing Director Michelle Lynch. “Each of these companies is a leader in its market, and together, we’ll make an unbeatable team.”

Established in 1971, and boasting 230 passionate employees, ALGAM France is the leading distributor of MI and professional audio products in France and the Benelux. “When PreSonus first contacted us, we were happily surprised and honored, as PreSonus is a fast-growing and highly innovative company,” says CEO and founder Gérard Garnier. “Moreover, we share the same state of mind: to keep moving forward. ALGAM France will draw on the largest network in France and our local marketing expertise to help PreSonus’ efforts.”

Established in 1972 by CEO and owner Avinoam Yarkoni, A.B. Electronics has been at the pinnacle of professional audio and lighting distribution and marketing in Israel for more than 40 years. Remarks Yarkoni, “A.B. Electronics are proud to be able to offer its current and future customers PreSonus’ vast array of excellent and innovative professional audio solutions.”

Adagio is one of the top music-industry distribution companies in Spain and Portugal, with a network of more than 400 dealers and a highly professional team. “We are very happy to have PreSonus onboard,” states Product Manager Roque Molina. “We look for brands that bring high added value and advanced technology, and PreSonus’ impressive product portfolio perfectly fits and complements our product family of computer-music and live-sound solutions.”

Established in 2012, OKNO-AUDIO is a division of Russia’s premier broadcast systems-integration company, OKNO-TV, which has been in operation for more than 20 years. The company distributes a number of key pro-audio brands. Notes Kirill Pavlov, General Director of OKNO-AUDIO, “It was extremely important for us to become a distributor for such an innovative and respected brand as PreSonus.” Adds Vladislav Manaenkov, co-founder and Executive Director, “We are proud to be an integral part of the PreSonus international team and will do our utmost for the brand’s development in all spheres of the Russian professional market.”

For more information, visit www.presonus.com.

 

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About PreSonus Audio Electronics, Inc. - Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording and live-sound software, hardware, and related accessories. PreSonus’s software, microphone preamps, signal processors, digital audio interfaces, digital mixers, control surfaces, loudspeakers, and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

  


Digital Vision Launches Golden Eye 4 Scanner at NAB 2014

- Customer feedback leads development of new features -

NAB 2014, Stand Sl6026 / Chairman’s Suite, Renaissance Hotel

(London, UK) – Digital Vision will launch the Golden Eye 4 film scanner for restoration and archive at NAB 2014. The new scanner incorporates many new features that have been requested by users of Golden Eye 3.

Kelvin Bolah, President, Digital Vision, said, “The Golden Eye 4 will become, without doubt, the best scanner in the world. Our customers have been very engaged in the development process, telling us what they like and how we can improve the scanner. We’re very proud to launch the Golden Eye 4, which provides many new features including universal optics that can handle any film size, faster scanning and automated processes.”

A key new feature of the Golden Eye 4 is universal optics – a single lens, motor driven, multi-axis optical system for precision image sizing, position and focus. Users can scan any film size from 8mm to 70mm without changing the optics.

Other new features for the Golden Eye 4 include:

* New gates and optics
* New tri-linear camera
* Automatic restoration processes using Phoenix restoration software, and distributed automated processing using Loki
* Limitless handling of shrunken film
* Real-time scanning in 2K and up to 11fps in 4K
* Optional wet gate

Studio Hamburg has ordered the first Golden Eye 4 film scanner with 70mm option, to complement their Golden Eye 3.

Christoph Lohfeldt, Studio Hamburg, said, “We chose the Golden Eye because we appreciate the innovative technology and the very good support we receive from Digital Vision. The Golden Eye also offers an excellent price-performance ratio, compared to similar yet far more expensive scanners.”

About Digital Vision
Digital Vision is the supplier of the world’s best colour grading, restoration and film scanning solutions for the broadcast, film, commercial and archive industries. Founded in 1988 in Stockholm, Sweden, Digital Vision has offices in London, Los Angeles, New Zealand, and Linköping in Sweden. Digital Vision’s Emmy award winning technology and products include Nucoda and Phoenix colour grading, finishing, mastering and restoration solutions that are used to create much of the worlds’ high profile television, film and commercials media broadcast and distributed today. In addition to the Nucoda and Phoenix ranges, Golden Eye film scanners and the Bifrost Archive Bridge solution provide innovative tools to create the industry recognised highest quality in scanning, film digitisation, preservation and archiving.

In April 2011, Digital Vision acquired Image Systems and is now a division of the Image Systems group of companies. For more information, visit www.digitalvision.se

All trademarks used herein, whether recognized or not, are the properties of their respective companies.

# # #

Digital Vision Marketing Contact:
Patrick Morgan | patrick.morgan@digitalvision.se | Tel: +44 (0) 20 7734 8282 | Mobile +44 (0) 7917674711

Digital Vision PR Contacts:
EMEA/APAC
Dawn Egerton, Bubble & Squeak | dawn@bubblesqueak.co.uk | Tel: +44 (0)7887 627764

USA
Chris Purse, Ignite | chris@ignite.bz | Tel: +1 818 980 3473

Broadcast Pix Expands Flint Integrated Production Switcher Family

Billerica, Massachusetts – Broadcast Pix™ will unveil its expanded family of Flint™ end-to-end integrated production switchers at the 2014 NAB Show (Booth SL6325), which runs April 7-10 in Las Vegas, Nev. All three HD models include the same Fluent™ workflow software tools, but provide different input configurations to address different production requirements and budgets.

There are three new Flint models available. The entry-level system, Flint LE, supports three HDMI or analog (composite, component or S-Video) inputs and is now priced at $7,495. Flint LX features four SDI or HDMI inputs for $9,995. Flint LS supports six inputs and offers a choice of six SDI (two of which can be HDMI) or four SDI and two HDMI or analog inputs for $12,995. In addition, all three models include two additional network inputs, which are ideal for presentations and Web pages from remote computers. All three models are available now.

Broadcast Pix will also have two raffles during the NAB Show, providing attendees the opportunity to win a Flint system as well as a new fX3D real-time 3D graphics software package. Raffle rules and instructions will be available at the Broadcast Pix booth.

“Flint has quickly become a popular choice among streaming video professionals, because it provides a complete set of production tools for true end-to-end integration,” said Steve Ellis, general manager, Broadcast Pix. “By expanding the Flint family, we’re making it more affordable than ever to produce live multi-camera productions for broadcast or webcast.”

Introduced last year, Flint handles the entire production workflow, from ingest to distribution. In addition to cameras and file-based graphics and video, its multi-format production switcher allows operators to include cloud-based content from Skype, Twitter, RSS feeds, Google Drive, Dropbox and other resources during live productions. Flint ingests and scales all sources while maintaining constant lip sync.

Flint’s switcher also includes three keyers for layering, each with PiP and customizable DVE. An internal Inscriber CG provides six graphic channels, while a built-in, two-channel clip server stores up to 30 hours of clips and animations in a variety of file formats, including ProRes, H.264, DNxHD and QuickTime animations. Flint’s audio mixer is controlled through an intuitive audio interface with on-screen stereo faders and VU meters, and two outputs allow separate mixes with independent control for master recording and Web presentations.

With up to seven simultaneous output formats, Flint offers built-in HD streaming in a variety of formats and allows live recording on its internal hard drive. Other features include a customizable multi-view, customizable virtual sets, and control of robotic cameras, video servers, external audio mixers, and other devices.

Version 3.0 software, which was announced earlier this month, allows all Flint systems to be tightly integrated with Broadcast Pix’s new fX3D and ReVue multi-channel slow motion replay system. It also includes ClearKey, Broadcast Pix’s next generation chromakey, and new device control of Blackmagic HyperDecks. The software will be available in May as a free upgrade for all Flint systems under warranty.

About Broadcast Pix Founded in 2002, Broadcast Pix is the leader in integrated production switchers, with customers in more than 110 countries. Available in several configurations, from compact systems with end-to-end integration to large-scale systems for high-end live productions, Broadcast Pix switchers include CG, dual clip stores, file-based macros, external control software, and customizable multi-view and virtual sets with patented control options. Broadcast Pix also offers ReVue next generation slow motion systems, fX3D real-time 3D graphics, Rapid CG dynamic graphic playout software, and VOX voice-automated live video production, each designed to enhance our highly integrated live production switchers. Customers include leading broadcast, corporate, education, government, religious, sports, streaming, and visual radio studios. Learn more at www.broadcastpix.com.

Broadcast Pix, Flint and Fluent are trademarks of Broadcast Pix, Inc. Patented. Made in USA.

New FOR-A 4K Compatible Multi Viewer to Make Debut at NAB 2014

Company to introduce the MV-4200, MV-42HSA, and MV-1620HSA multi viewers

Cypress, CA – FOR-A Corporation of America announces the introduction of its new 4K compatible MV-1620HSA, MV-42HSA and MV-4200 multi viewers at the NAB Show. The company will exhibit in Booth C5117 during the show, which takes place April 7-10 at the Las Vegas Convention Center.

The MV-1620HSA 3G/HD/SD/Analog Mixed High-Resolution multi viewer accepts up to 16 channels of signals for monitoring on up to two screens. The 1RU unit is a compact but full-featured multi viewer, including the option to cascade it with other units to display up to 64 sources simultaneously.

Another 4K compatible multi viewer to be unveiled by FOR-A at NAB is the MV-4200 3G/HD/SD/Analog/HDMI/DVI/RGBHV Mixed High-Resolution solution – a 2 RU unit multi viewer that accepts 4K signals and is capable of handling up to 68 inputs and 8 channels of output.

Both the MV-1620HSA and MV-4200 feature a Windows-based Layout Manager that enables easy layout of 4K video in a seamless display by using four 3G-SDI inputs. Both multi viewers support a versatile mixed-source environment, and include video streaming capabilities for remote monitoring, additional local computer display and error capture.

FOR-A will also show its new MV-42HSA 4K (QFHD) monitoring down converter, an enhanced version of the company’s popular MV-42HS HD/SD multi viewer. In addition to HD-SDI, SD-SDI and analog composite inputs, the unit newly supports 3G-SDI (Level A) inputs and 4-input split-screen displays. The MV-42HSA is an ideal choice for use as a down-converter that monitors 4K footage on an HD or PC monitor.

About FOR-A

FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 714-894-3311 or visit our web site at www.for-a.com.

TED2014 Speaks Up with DPA Microphones

McCune Audio, full-service technical event specialists, rely on classic 4088s and d:screet 4060s to mic guests and props for the renowned conference

VANCOUVER, APRIL 3, 2014 – Heard by thousands of people through live audiences, simulcasts, webcasts and recordings, and millions more through online video engines, the annual TED Conference requires gear that matches its prestige. With discussions that address a wide range of topics within the research and practice of science and culture, microphones are vital to all TED audiences. To provide the ultimate in sound quality for presenters and performers at TED2014, technical team from McCune Audio/Video, the symposium’s sound services company, relies on DPA Microphones’ classic 4088 Directional Headset Microphones and d:screet 4060 Omnidirectional Microphone.

TED2014 marks the second time that DPA Microphones is part of the audio setup for the conference. The McCune Audio team used the same selection of mics at last year’s event because of the high-quality audio of both mics and comfortable fit and feel of the 4088, each requests from production crew workers and presenters, respectively.

“For years, the post-production crew was trying to get us to reduce the amount of room acoustics we were hearing in the recordings,” says Nick Malgieri, McCune’s Head of Audio for the TED Conference. “Because of the live PA system in the room, there was a slap-back echo always happening in the voice. We really used some pretty extreme processing paths with our previous mics just to try to help us get ahead of the issues. Once we switched to DPA 4088s, the added isolation let us really scale back on the processing. The sound was so much better that the post-production crew asked us to deploy ambient mics to capture the energy of the venue. That led us to the d:screet 4060s, which we use to pick up a lot of the stage noise from the props and scenery on set, such as chalkboards during presentations, a fire organ for a pyrophone performance or a target being hit by an archer.”

The versatility of the DPA mics also plays an important role in the audio support at the TED Conference, which hosts 12 90-minute shows over the course of five days. Throughout each of these individual productions, Malgieri and his crew need to mic as many as 10 separate presenters speaking for up to 18-minute segments each. In these instances, the audio team uses the 4088s. The shows also incorporate other types of presentations, such as musical, theatrical or dance performances, or magical acts, which require the 4060s.

“The technology setup for this show is very important because of the high turnover and the way the show is actually produced,” explains Malgieri. “We are doing three shows a day, with only an hour or so to reset between them, so we need high-end gear that can keep up with the constant demand and rigorous use.”

As one of DPA’s most popular products, the 4088 is ideal for a variety of performing and vocal presentations. It is designed for acoustically demanding live performance environments, where background noise and feedback is a concern, and boasts the same open and natural sound qualities of the company’s other legendary microphones.

Originally designed for use with wireless systems in theater, television and close-miked instrument applications, the d:screet 4060 capsule is highly unobtrusive. Because of its small size, this tiny condenser mic exhibits an exceedingly accurate omnidirectional pattern, and therefore does not need to be aimed directly at the sound source to achieve quality pickup.

As the technical specialists of record for the TED Conference since it began, McCune Audio/Video provides live sound, projection and video production services for the event. Over the course of its 82-year history, McCune has been involved with some of the nation’s top events, including the final Beatles concert – held at Candlestick Park, the Monterey Pop Festival, Monterey Jazz Festival, and the Playboy Jazz Festival. They have also supported a variety of speeches for every sitting U.S. President since John F. Kennedy.

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

Masque Sound’s Custom Audio Package Charms Audiences for New Touring Production of Joseph and the Amazing Technicolor Dreamcoat

EAST RUTHERFORD, NJ, APRIL 3, 2014 — When Andrew Lloyd Webber and Tim Rice’s enduringly popular musical Joseph and the Amazing Technicolor Dreamcoat embarked on its 2014 U.S. tour on March 4, Masque Sound, a leading theatrical sound reinforcement, installation and design company, supported Co-Sound Designers David Patridge and John Shivers in their quest to bring this new, contemporary production of the 1968 hit to the stage.

Joseph and the Amazing Technicolor Dreamcoat is the irresistible family musical about the trials and triumphs of Joseph, Israel’s favorite son. Retelling the Biblical story of Joseph, his eleven brothers and the coat of many colors, this magical musical is full of unforgettable songs including Those Canaan Days, Any Dream Will Do and Close Every Door. Directed and choreographed by Tony® Award-winner Andy Blankenbuehler, this new production features Broadway stars Diana DeGarmo (Hairspray, Hair) as the Narrator and Ace Young (Grease, Hair) as Joseph.

Since Joseph and the Amazing Technicolor Dreamcoat is scheduled to tour through spring of 2015, Patridge and Shivers wanted to make sure that in designing the sound system it would be capable of easily moving and fitting into a small footprint on the truck. “We wanted to provide the best audio experience that we could, in working within the confines of a traveling production’s space limitations,” says Patridge. “In order to maximize the power and efficiency for the system, and get the most ‘bang for the buck,’ we once again showed no hesitance in turning to Masque Sound.”

With space at a premium, the designers opted to utilize the smaller-footprint Yamaha CL5 Mixing Console, along with a Yamaha CL3 for monitoring, both of which worked quite well for the show. The Yamaha Console was ideal for the production not only for its compactness, as it could be picked up and lifted into position by two people, but also because its comprehensive feature set addressed all of the production crew’s needs. In addition, connecting the console together is a fairly straightforward process and can be done with Cat 5 cabling, which is ideal on a show that needs to move quickly and efficiently.

For the PA, Masque Sound provided an L-Acoustics dV-DOSC array, a tried and true speaker design that sounds great. The dV-DOSC line array was integrated into existing speaker towers from Masque Sound’s inventory, which gives the show a PA that is quite spectacular. The flexible system that Masque Sound provided is ample enough to fit, but also compact enough for smaller venues, which was particularly ideal for this production tour, as it features various venues of different sizes.

“Fortunately Masque Sound has a very deep shelf of available gear, and we were able to put together an excellent audio package with its equipment that stayed within our budget and did not compromise on the quality of the sound at all,” adds Patridge. “In addition, Masque Sound’s modification of existing inventory speaker towers to fit with the L-Acoustics PA was a large cost savings to us. Masque Sound is always great about trying to repurpose available structural items. The talented crew in the metal shop is able to piece together these sorts of things relatively easy, which is a huge benefit and just one of many reasons we like working with them.”

Masque Sound also provided its expert frequency coordination services for the tour. The wireless package consisted of Sennheiser SK5012 wireless mini bodypack transmitters and Sennheiser EM1046 receivers. “Masque Sound’s RF department is top notch at keeping equipment range tested and ready to go,” concludes Patridge. “Masque Sound is wonderful at listening to us and providing us with the equipment and services we need to be successful, and once again did a great job.”

The new tour launched at Playhouse Square in Cleveland on March 4, 2014 and is scheduled tour through spring of 2015. For more information, visit www.josephthemusical.com/ustour.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

Prism Sound Discusses Audio Production at Brighton Music Conference

Internationally acclaimed manufacturer Prism Sound is hosting a production panel at this year’s Brighton Music Conference where it will also be taking an exhibition stand for two days.

Prism Sound’s panel will discuss all things audio – from creative audio production through to studio techniques and tips. Confirmed panelists include producer Steve Mac, DJ Dave Clarke, Producer and re-mixer James Wiltshire (Freemasons) and Anthony Middleton of Audiofly.

Brighton Music Conference (BMC) runs from April 11th – 12th and Prism Sound’s panel will be held on Friday April 11th at 16.35 in the Exhibition Room.

“Our panel is designed to be educational as well as entertaining,” says Prism Sound Product Specialist Chris Allen, who is hosting the event. “There will be plenty of opportunity for the audience to fire questions at our panelists and we are anticipating lively debate.”

Prism Sound will also be using the BMC platform to show its internationally acclaimed family of audio interfaces, which include Orpheus, Titan, Atlas, and Lyra. Also on show will be the company’s range of Maselec audio production tools such as the MEA-2 EQ and the MLA-2 compressor.

“We have launched three new products in less than a year, which is a record for Prism Sound,” Chris Allen adds. “This indicates our determination to offer recording professionals the widest possible choice when it comes to the high quality, richly featured and competitive tools they want and need.”

As part of its commitment to the audio production community, Prism Sound will also be promoting the Music Producers Guild on its BMC stand. Representatives from MPG will be on hand to talk about the issues the organization is involved in and highlight the benefits of joining.

-ends-

About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

Professional Wireless Systems (PWS) Expert Frequency Coordination Team Takes to the Court for 2014 March Madness

ORLANDO, APRIL 2, 2014 – When the second round of the NCAA Men’s Division I Basketball Championship kicked off at the Amway Center in Orlando, Florida on Thursday, March 20, Professional Wireless Systems (PWS), experts in supplying and supporting wireless systems for live, broadcast events and installations, was courtside to provide frequency coordination for the tournament.

Commonly referred to as “March Madness,” the six games played at the Amway Center were held over two days for the second and third rounds of the South region bracket. The onsite PWS team was responsible for handling 175 channels of wireless for the broadcast media (TNT and CBS), visiting and local media as well as in-house arena frequencies.

“PWS’ expertise and extensive experience providing frequency coordination for such high profile sporting events, such as the NBA Finals and the SuperBowl, allows us to streamline the process in terms of how we handle the media and all of their wireless needs for events like the NCAA basketball tournament,” says Jim Van Winkle, general manager, PWS. “March Madness is unique in that there are four games played in one day at the same venue, so we are extremely busy coordinating visiting media from eight various college cities as well as national media. Large scale events like this are always challenging for us, but our team once again did a fantastic job.”

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

Sound Devices Introduces the ‘970’ Its First Dedicated Rack-Mounted Audio Solution at the 2014 NAB Show

64-Track Dante and MADI-Equipped Multi-Track Audio Recorder Makes Industry Debut

LAS VEGAS, APRIL 2, 2014 – Sound Devices, specialists in audio and video products for production, introduces 970, its first-ever dedicated audio-only rack-mounted solution, which boasts an impressive 64 channels of Dante and MADI, at the 2014 NAB Show (Booth C2546). The half-rack, 2U device simplifies any application requiring high-quality, high-track-count audio recording, including drama and reality production, and live concert recording.

Sound Devices’ 970 records 64 channels of monophonic or polyphonic 24-bit WAV files from any of its 144 available inputs. Inputs available include 64 channels of Ethernet-based Dante, 64 channels of optical or coaxial MADI, eight channels of line-level analog and eight channels of AES digital. The 970 is a powerful tool for professionals who require a significant number of audio channels. Any input can be assigned to any track. In addition, 32-track recording at 96 kHz is supported.

The 970 records to any of four attached drives, which include two front-panel drive bays and two rear-panel e-SATA connected drives. Material can be recorded to multiple drives simultaneously or sequentially. This eliminates time-consuming post-record copying and allows for continuous long-form, high-track count recordings.

With its built-in, rock-steady Ambient Recording Lockit time-code technology, the 970 is well-suited to operate as a master clock. It can also slave or be jammed to any other time-code source. All common production time-code rates and modes are supported. The 970 also supports word clock synchronization from external word clock, video sync, MADI or AES. To simplify the connection of multiple digital inputs, SRCs are available for all MADI, Dante or AES inputs.

The Sound Devices 970 features an embedded Web-based control panel for machine transport and setup control over Ethernet-based networks as well as file transfer over the data network with SMB. File metadata editing of scene name, take name, notes, track names, and reel folders can be done during, before and after recording across all drives. In addition to RS-422 and GPIO control, the unit also allows for format conversion between analog, AES digital, MADI and Dante.

Sound Devices’ 970 is designed with a large five-inch screen for metering of up to 64 tracks and for fast and intuitive menu control. It also features the Sound Devices proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss, the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

Sound Devices Expands Line of Video Recorders with Introduction of PIX 270i and 250i at NAB 2014

New Recorders Offer Extensive High-Quality Video, Audio and Networking Capabilities Addressing the Multiple Source Needs of Today’s Large-Scale Productions

LAS VEGAS, APRIL 2, 2014 – Sound Devices, specialists in audio and video products for production, introduces its latest PIX recorders, PIX 270i and PIX 250i, at the 2014 NAB Show (Booth C2546). PIX 270i and PIX 250i seamlessly replace tape- and disc-based video decks for a complete offering that addresses a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports and events, and mobile production.

The PIX 270i and PIX 250i recorders offer significant advantages and time-savings to production workflows, providing tapeless, file-based recording and playback with the ability to access and transfer high-quality files over Ethernet. The units record edit-ready Apple ProRes or Avid DNxHD files and allow simultaneous multiple-drive recording, giving production staff peace of mind with their rock-solid redundancy and backup capabilities (four drives for PIX 270i and two drives for 250i). Their extensive audio capabilities, including 64 channels of both MADI audio and Dante audio-over-Ethernet for PIX 270i, and PIX 250i’s 16 tracks of audio, make each unit a comprehensive, cost-effective replacement for complex video servers and an effective tool for high-performance video production.

The PIX recorders offer 3G-SDI (12-bit, 4:4:4) and HDMI I/O, and can record at numerous data rates. Full RGB Apple ProRes 4444 (330 Mbps) and low data rate proxy files (36 Mbps) are available. Files are ready for import directly into popular editing environments, including Avid, Final Cut Pro and Adobe Premiere Pro, eliminating time-consuming transferring and transcoding.

Up to four drives, two SATA drives in PIX-CADDYs and two SATA-connected drives can be connected to the PIX 270i. All four drives can be recorded to simultaneously or sequentially for redundancy and long-form programs. For PIX 250i, up to two SATA drives in PIX-CADDYs can be connected to the easily accessed front-panel drive bays. In the same fashion, both drives can be recorded to simultaneously or sequentially. This redundancy in local, removable storage devices, coupled with standard, Ethernet-based file-transfer features, further reduces steps in the production workflow. Recording to multiple drives offers immediate file backup, eliminating time-consuming post-record copying. Gigabit Ethernet network ports enable remote access to recorded files and the ability to transfer these files quickly into a post-production environment.

Both products feature extensive network connectivity and can be connected over Ethernet for simultaneous grouped recording and playback, creating a cost-effective scalable solution that addresses the multi-camera recording needs of today’s production. Its built-in Web server, PIXNet offers browser-based transport and setup-menu control of any number of units. In addition, PIX 270i features built-in multiple unit synchronization, offering simultaneous, frame-accurate recording and playback, ideal for multi-camera production and live event multi-screen playback. Any number of units can be grouped and controlled as a single system from either the hardware or the built-in Web-based control panel. Frame accurate sync works with other PIX 260i and PIX 270i recorders. The PIX 250i can be grouped with other PIX 250i, PIX 260i and PIX 270i recorders. The PIX can also be controlled by external RS-422 (Sony 9-pin compatible) controllers as well as via its GPIO port.

The PIX 270i offers extensive audio capabilities, with 64 record tracks (32 tracks at 96k), eight channels of analog audio, eight channels of AES digital audio, 16 channels of embedded SDI audio, and 64 channels of both MADI (coaxial and optical) audio and Dante audio-over-Ethernet. The PIX 250i features eight channels of analog audio, eight channels of AES digital audio and 16 channels of embedded SDI audio, and supports up to 16 tracks of audio.

With its built-in Ambient Clockit time-code generator/reader with genlock output, the PIX line is designed for multiple-camera and double-system sound applications. In addition to generating ultra-stable time-code, time-code can be read from the SDI stream, the HDMI stream or external sources. PIX 270i and PIX 250i include a high-performance hardware scaler and frame-rate converter. Regardless of the incoming signal, PIX records the signal after up-, down- or cross-conversion at the same or different frame rate. Hardware-based 3:2 pull-down removal is also available. Its convenient 1/2-rack, 2-U chassis dimension allows it to be easily integrated into any existing environment. It is powered by 10-27 VDC through a four-pin XLR connector. The PIX 270i offers a secondary DC input for power supply redundancy.

The newest additions to the PIX line of products feature Sound Devices’ proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording.

Both the PIX 270i and PIX 250i have precision five-inch IPS, 800- x 480-pixel displays for setup menu access and video monitoring. The high-accuracy display, with its peaking, false color and zoom functions, is perfect for framing, exposure and focus evaluation.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders, and digital video recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Founded in 1998, the company designs and manufactures from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI and Highland Park, IL. For more information, visit the Sound Devices website, www.sounddevices.com.

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