A virtual press conference from Sound & Video Contractor

Archive of the Company Announcements Category

The 24th Annual Conference of the Association of Moving Image Archivists Opens Wednesday

Featuring Ian Mackaye, The Reel Thing, Screenings, and Dozens of Expert-Led Sessions
AMIA-2014-5-5-logo-300x221
Savannah, GA – The 24th Annual Association of Moving Image Archivists Conference begins Wednesday in Savannah, Georgia, bringing leaders and practitioners together in the number one event for the archiving, preservation, and content communities. This year’s Conference presents an extensive schedule to attendees, which is available at www.amiaconference.com. The Annual Conference runs from October 8th, to October 11th, 2014 at the Hyatt Regency in Savannah.

Over the course of four days, more than 50 sessions, section meetings, screenings, and workshops will be available to attendees. Keynotes and the daily plenaries feature speakers who will present a big picture perspective as well as opportunities to follow up those offerings with specific, technical, and targeted sessions. The Conference includes experts from the leading institutions around the world, including Library of Congress, Universidad de la República, HBO, Sony Pictures, WGBH, Indiana University, MOMA, and EYE Film Institute, as well as Iron Mountain, Deluxe, FotoKem, Kodak and other leading companies in the field. There will also be demos and vendors on hand during the Conference to showcase crucial technological developments.

At the end of the week, AMIA is offering a public screening for the Savannah community. Open free to families all over Savannah, the Lucas Theatre will screen Peter Pan at 3pm on Saturday, October 11th. The film will be introduced by a Disney preservationist.

A brief highlight of the extensive session lineup includes:

Ian MacKaye, Keynote
Currently the front man of The Evens and formerly of the influential punk bands Minor Threat and Fugazi, MacKaye is also founder of the Dischord Records music label and the mastermind behind the Fugazi Live Series project. The Fugazi Live Series is in the process of digitizing and publishing over 800 of the band’s nearly 20 years of shows performed and recorded internationally. MacKaye is a sought after speaker bringing a unique perspective and appreciation on archival practice and managing collections.

Curated Streams of Programs
The conference will offer a curated stream of programming each day. Topics include Global Exchange, Film in Transition, and Open Source Digital Preservation and Access. The streams will feature invited speakers from around the world.

Preserving Eyes on the Prize
Regarded as the definitive work on the Civil Rights Movement. There are more than 75 hours of additional, invaluable resources available for scholars, teachers, students, and filmmakers alike through its Eyes on the Prize Preservation Project.

Play It Again: Creating a Playable History of Australasian Digital Games from the Australian Centre for the Moving Image
The ‘Play It Again’ project is collaboration between cultural and academic institutions to preserve the largely unknown histories of 1980s game development in Australia and New Zealand.

Bing Crosby’s Dictaphone: Recovering the Lost Voice
In 1945, Bing Crosby acquired a piece of cutting edge technology, the Dictabelt,
two years before it was publicly available. For over twenty years, he spent hours every day recording letters and more, generating thousands of recordings.

Film, Feet and the Photochemical: The Next Three Years
As Motion Picture labs are shutting with regularity; existing labs that intend to continue photochemical preservation are purchasing equipment. The panel will address the challenges and future of film based preservation.

Surveillance and Security in the Archive: Managing Sensitive Multimedia Collections
In an increasingly technologically dependent world where access to information is a click away, society faces a growing reliance on digital tools and infrastructure that are easily surveilled, produce seemingly limitless records and data, and require security precautions to maintain basic privacy.

Juliette Gordon Low and the Girl Scouts
Savannah is the birthplace of both Girl Scouts and the organization’s founder Juliette
Gordon Low. Screening and panel discussion, that offers an inside glimpse.

Global Exchange Screening: Pan Si Dong
Pan Si Dong was regarded as lost until 2011 when a copy was found in the vaults of
The Norwegian National Library. The news about the find made headlines all over China. It is regarded as one of the most important films in the history of Chinese cinema.

During the Conference, AMIA will recognize important significant contributions to the field. This year’s Award recipients are:

* The Silver Light Award: Robert J. Heiber
* The O’Farrell Volunteer Award: Rick Utley
* The Alan Stark Award: Grover Crisp and Michael Friend for The Reel Thing
* AMIA Spotlight: Pam Wintle

AMIA, a non-profit international association, is dedicated to the preservation and use of the moving image. To that end, the organization sponsors a number of events and tools to its community in cities around the US. In October, AMIA will present the Digital Projection Workshop, in collaboration with The Alamo Draft House in Austin Texas. The Workshop is the first of a series of training seminars for film projectionists, to keep an important skill in place for film-based venues.

For information about the Conference or any AMIA activity, please call +1.323.463.1500, or visit amianet.org.

ABOUT AMIA
AMIA is a nonprofit international association dedicated to the preservation and use of moving image media. AMIA supports public and professional education and fosters cooperation and communication among the individuals and organizations concerned with the acquisition, preservation, description, exhibition, and use of moving image materials.

The annual AMIA Conference is the largest gathering of motion picture and recorded sound archivists and interested professionals. More than 550 annual attendees include members and colleagues from the world’s major media, library, university, military and other institutions.

The AMIA annual conference provides an opportunity for colleagues and those interested in the field to meet, share information and work together. For newcomers to this vibrant, dynamic and committed community, networking with other AMIA members and industry professionals is invaluable for professional development. AMIA conference registration includes participation in all regular sessions and screenings and some special events.

For more information about AMIA, events and membership, go to www.AMIAnet.org.

# # #

Media Contact:
ignite strategic communications
p: 818.980.3473
Christine Purse, chris@ignite.bz

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Company Announcements, News |

Sound Devices 970 Takes Audio to the Rack at AES 2014

64-Track Dante™ and MADI-Equipped Audio Recorder Features New FileSafe™ Technology to Guard Against Unintentional Drive Removal and Power Loss

LOS ANGELES, OCTOBER 7, 2014 – Sound Devices 970, the company’s first-ever dedicated audio-only rack-mounted recorder/player, makes its AES debut during this year’s convention (Location Sound Booth 1340). The 970 boasts an impressive 64 channels of Dante™ and MADI, and incorporates Sound Devices’ latest FileSafe™ technology, which recovers audio files if drives are unintentionally removed or power is lost during recording. The half-rack, 2U device simplifies any application requiring high-quality, high-track-count audio recording such as capture of multi-channel sound for large-scale live performance and acquisition of dialogue for TV reality shows, drama and film. Sound Devices 970 - front panel

The Sound Devices 970 records 64 channels of monophonic or polyphonic 24-bit Broadcast WAV files from any of its 144 available inputs. Inputs available include 64 channels of Audio-over-IP using Dante, 64 channels of optical or coaxial MADI, eight channels of line-level analog and eight channels of AES digital. It is a supremely powerful tool for professionals who require a significant number of audio channels. Any input can be assigned to any of the 64 tracks and any of these tracks can be routed to any output. In addition, 32-track recording at 96 kHz is supported.

The 970 records to up to four attached drives, which include two front-panel drive caddies and two rear-panel e-SATA connected drives. Material can be recorded to multiple drives simultaneously or sequentially. This eliminates time-consuming post-record copying and allows for continuous long-form, high-track count recordings.

Sound Devices FileSafeFileSafe, which automatically detects and repairs corrupted file headers when drives are mounted, is incorporated directly into the 970. During recording, data is written to a proprietary Sound Devices file format optimized for high-data rate, real-time audio recording using an ‘.sda’ file extension. When a recording ends, files are automatically “finalized” by converting the ‘.sda’ files to standard ‘.wav’ files. In the event that files cannot be finalized, whether due to power loss or inadvertent drive disconnection, they still remain intact on the drive. Users can recover these files by simply inserting the drive back into the 970. In the absence of the 970, the FileSafe Mac or PC utility, available as a free download (http://www.sounddevices.com/products/filesafe/), can be used to recover files that have not been finalized.

In addition to RS-422 and GPIO control, the Sound Devices 970 features an embedded Web-based control panel for remote transport and setup control from any browser-enabled device as well as the ability to remotely instigate file transfer over Gigabit Ethernet with SMB. In mission-critical audio-over-IP AV installations, where hundreds of audio channels are distributed between zones, the ability to setup a redundant Dante network to protect against loss of audio due to network failure provides peace of mind. The ability to have one drive transferring files over Ethernet, while another continues recording, offers significant production time savings.

Users can perform fast file metadata editing of scene name, take number, notes, track names, circle status and reel folders during, before and after recording across all drives. Metadata is stored in industry standard Broadcast Wave iXML and bEXT containers.

With its vast array of input and output types, the 970 allows for live conversion between analog, AES digital, MADI and Dante, acting as a bridge and routing matrix between these types of audio I/O. The built-in, rock-steady Ambient Recording Lockit time-code technology makes the 970 well suited to operate as a master clock. It can also slave or be jammed to any other time-code source. All common production time-code rates and modes are supported. The 970 also supports external synchronization from word clock, MADI or AES. To simplify the connection of multiple digital inputs, SRCs are available for all MADI, Dante or AES inputs.

Sound Devices 970 is designed with a large five-inch screen for large, easy-to-read, full scale metering of up to 64 tracks and for fast and intuitive menu control. It also features the Sound Devices proprietary PowerSafe technology. PowerSafe circuitry has a built-in 10-second power reserve. In the event of power loss, the unit continues to operate for up to 10 seconds, then stops any file operation and shuts down. This ensures that a complete power loss has no effect on the recording.

Sound Devices, LLC designs and manufactures portable audio mixers, digital audio recorders and related equipment for feature film, episodic television, documentary, news-gathering, live event and acoustical test and measurement applications. Video Devices, a brand of Sound Devices, produces digital video recorders and related products that address a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports, live events and mobile production.

Founded in 1998, the company designs and manufactures both brands from their Reedsburg, Wisconsin headquarters with additional offices in Madison, WI. For more information, visit the Sound Devices and Video Devices websites, www.sounddevices.com; www.videodevices.com.

Middle Atlantic Names Colindres As Western Regional Sales Manager

Fairfield, NJ––Middle Atlantic Products has appointed Marco Colindres as Regional Sales Manager for the Western Region. Colindres’ territory includes the Pacific Northwest, Northern California, Northern Nevada, and the Rocky Mountains (Wyoming, Montana, Colorado, Utah and New Mexico) for all market segments.

With extensive sales and marketing experience in the CE, Custom Install and Commercial markets and special expertise in the Power category, Colindres held several key positions at CORE Bands including Ecommerce Sales Manager, National Sales Training Manager and Special Products Marketing Manager prior to joining Middle Atlantic.

Colindres also served as National Sales Manager and Product Area Manager-Cable for Monster Products and headed up his own sales rep firm, Pride of Hawaii Sales Group in Honolulu. His educational background includes an MBA in Business Administration from San Francisco State and a BS in Business Administration Marketing from the University of San Francisco.

Commenting on Colindres’ appointment, Middle Atlantic Sales Director Whitt Adams said, “In addition to his extensive sales and marketing background and technical expertise in key market segments, Marco’s energy, passion and commitment to our customers is what really sets him apart. The fact that he’s become such a valuable asset for Middle Atlantic and our team in a such a short time comes as no surprise.”

For technical specifications and in-depth information about Middle Atlantic Products, please click to www.middleatlantic.com or call 1.800.266.7225.

Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us

RTW Mastering Tools PlugIn Makes US Debut at AES 2014

Additional Loudness Solutions on Display at Avid Connectivity Partner Pavilion

LOS ANGELES, OCTOBER 6, 2014 – RTW, the market leader in visual audio meters and monitoring devices, will showcase its RTW Mastering Tools, the second plugin in its Masterclass PlugIns line of software-based metering solutions, at the 137th AES Convention (Avid Connectivity Partner Pavilion Booth 1101). Ideal for post production, TV, film and music recording, the new addition brings extensive analysis and display functions for mastering, metering and loudness measurement for single- and up to eight-channel applications as a standard-format plugin for Windows and Mac OS platforms, including AAX Native 64-bit plugin for Avid ProTools 11.RTW_Mastering_Tools

Designed for simple, intuitive operation by a broader user base, RTW Mastering Tools offers a wide range of PPM scales, displays and TruePPM measurements. As with all of RTW’s software plugins and TouchMonitor line of meters, RTW Mastering Tools provide support for many of the leading global loudness standards including ITU BS.1770-3/1771-1, ATSC A/85, EBU R128, ARIB, OP-59, AGICOM and CALM Act. Other key features include numerical or bar graph-type readout, plus MagicLRA and correlator display, audio vectorscope, RTA (Real Time Analyzer), SSA (Surround Sound Analyzer) and multicorrelator. For added convenience, users can choose from up to six selectable window frame sizes and multiple instances.

“We are thrilled to introduce our new RTW Mastering Tools software to our friends in the U.S., especially as part of Avid’s Connectivity Partner Pavilion at AES,” says Andreas Tweitmann, CEO, RTW. “Our plugins put a very powerful tool for mastering, metering and loudness measurement into a convenient, easy-to-operate software package, adding further efficiency to the overall workflow. Having them available for use right within Avid ProTools is an exciting step for us and we are happy to join our new partner during this year’s show.”
RTW_Mastering_Tools_Box
Also on display will be RTW’s Masterclass PlugIns Loudness Tools software (also available as an AAX Native 64-bit plugin for Avid). RTW Loudness Tools was designed to serve the needs of users in the DAW sector. Finally, RTW will also demo its TM3-Primus, the latest entry to its smart product category, a compact, fully-loaded specialized meter at an entry-level price point, perfectly suited for individuals working in smaller production environments such as OB vans.

About RTW
RTW, based in Cologne (Germany), has nearly 50 years of experience in designing, producing, and marketing advanced recording-studio equipment, leading and innovating the market for high quality audio metering and monitoring tools. RTW operates a worldwide distribution and service network. For more information on RTW, visit www.rtw.com, www.facebook.com/rtw.de or call +49 221 709130.

wysiwyg Lighting Design Video Challenge 2014

video-challenge2

Make sure you register your vote at the People’s Choice Awards

The Challenge is not yet over.

Entries judged by the panel now flow to the second part of the wysiwyg Lighting Design Video Challenge 2014. So to register your vote for BEST Lighting Design, go to CAST Software’s Blog — http://tinyurl.com/o7bn2nw — and vote by noon Wednesday, 8 October 2014 (EST – Toronto, Canada).

www.cast-soft.com

Masque Sound Goes on Wild Trip with the Star-Studded Broadway Comedy, It’s Only a Play

Custom Audio Equipment Package Ensures the Laughs Keep Coming in Season’s Most Highly Anticipated Show

NEW YORK, OCTOBER 6, 2014 – When four-time Tony® Award-winner Terrence McNally’s raucous, ridiculous and tender comedy, It’s Only A Play, arrived on Broadway at the Gerald Schoenfeld Theatre, Sound Designer Fitz Patton and Associate Sound Designer Justin Stasiw turned to Masque Sound, a leading theatrical sound reinforcement, installation and design company, to provide a custom audio equipment package for the laugh-out-loud hit of the year.It’s Only a Play Gerald Schoenfeld Theatre

It’s Only A Play tells the story of opening night of Peter Austin’s new play as he anxiously waits to see if his show is a critical hit. With his career on the line, he shares his first Broadway night opening with his best friend, a television star; his fledgling producer; his erratic leading lady; his wunderkind director; an infamous drama critic; and a fresh-off-the-bus coat check attendant.

The all-star cast of It’s Only A Play includes F. Murray Abraham, Matthew Broderick, Stockard Channing, Rupert Grint, Nathan Lane, Megan Mullally and Micah Stock. This hilarious ensemble is directed by three-time Tony® Award-winner Jack O’Brien.

In designing the sound, Patton and Stasiw both aimed to create as transparent an audio system as possible. By strategically placing foot and boundary microphones hidden within the framework of the set and at the lip of the stage, the designers were able to successfully pick up the actors’ dialogues, while providing the audience with the transparent feel that they envisioned.
It’s Only a Play Gerald Schoenfeld Theatre
“The play features a high-profile cast, so we were looking to provide a very realistic, acoustical sounding package,” says Stasiw. “The goal in the sound design was to provide a slight vocal lift in order to ensure that everyone in the audience could hear the actors clearly, without it sounding like the dialogue was emitting from the loudspeakers. The selection and placement of microphones were two very important tasks for this play, and Masque Sound was instrumental in providing us with the equipment that we needed to be successful.”

Masque Sound supplied a selection of microphones from DPA, including the 4021s and 4061s. “We utilized the 4021s for our floor microphones and additionally hid some within the set. The 4021 is a great, compact cardioid microphone to use as a boundary source. We also used the 4061s, which not only sound great but also are so tiny that you can hide them without worrying that anyone will be able to see them. We hid microphones around the set in order to pick up the performers’ in as natural a manner as possible. The cast is an amazing set of performers who all have strong projecting voices, so most of the amplified signal is fed into the under balcony section and the delay system. These performers are so talented that their voices can easily reach all the way to the balcony rail, so we just have to ensure that the sound gets to the back of the house.”

At the heart of the custom audio equipment package that Masque Sound provided was the Yamaha CL5 Digital Mixing Console. “The CL5’s Dante® interconnect capabilities make it a great choice because the layout of the theatre makes it difficult to maneuver heavy paired cable from backstage to the front of house,” adds Stasiw. “The ability to only have to run two network cables from backstage to front of house is incredibly helpful. In addition, Yamaha still offers the most MIDI controllability out of any console, allowing us to automate the system by essentially controlling any singular function on the console with MIDI. The ability to have that remote control over any parameter in the deck was a necessity for this production”

The custom speaker system supplied by Masque Sound features a selection of speakers from d&b audiotechnik, including E12 two-way multipurpose loudspeakers for the main left and right and downfill, as well as C7-TOP two-way horn loaded loudspeakers for the center cluster. “The sound effects used for the show feature a lot of realism, including phones ringing, etc., so there are a number of speakers hidden in the set to help us image those objects on stage and ensure that the audience is sonically drawn toward the correct positions on stage,” adds Stasiw. “The d&b speakers are essential, as they sound superior, are easy to set up and minimize steps to successfully tune the sound system.”

Additionally, Masque Sound provided Patton and Stasiw with d&b audiotechnik E8 loudspeakers to position underneath the balcony along with a large surround system comprised entirely of E0s. Patton and Stasiw also hid some E0s on stage.

“Masque Sound is always great to work with,” concludes Stasiw. “I have always had a good experience coming out of their shop and really appreciate that they are a full solution provider. The crew has always been helpful in terms of assisting our staff with everything from service and technical support to equipment advice, and Masque Sound once again did a wonderful job in helping us bring our sonic vision to life on stage.”

It’s Only A Play’s 18-week limited engagement is slated to run through January 4, 2015 at The Gerald Schoenfeld Theatre (4235 West 45th Street). For more information, including how to purchase tickets, visit http://itsonlyaplay.com/.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

TRANSAUDIO GROUP ANNOUNCES DRAMATIC PRICE REDUCTION ON DAKING PRO AUDIO SIGNAL PROCESSORS

Daking_FET_3LAS VEGAS, NEVADA – OCTOBER 2014: Daking Audio has changed the way it brings its American-made equipment to market in order to increase value to the end user. Purchasers of Daking Audio signal processors will benefit from the resulting dramatic price reduction, which applies to all of its products. These include the Daking Mic Pre 1, Mic Pre EQ, Mic Pre 4, FET II compressor, and FET III stereo compressor, plus all of the Daking 500 Series equalizers, compressors, and preamps.

“Daking has ended its traditional export distributor program and enacted a major price reduction to end users, without changing its designs or its U.S. manufacturing quality,” explained Brad Lunde, president of TransAudio Group, Daking’s U.S. distributor. “We at TransAudio Group think Daking’s value is exceptional at these new price points and will represent a major change to how Daking is perceived in the marketplace.”

THE NEW MAP PRICES ARE AS FOLLOWS:
Mic Pre 500: Was $649 – Now $499
Comp 500: Was $699 – Now $499
EQ 500: Was $949 – Now $699
500 RS: Was $5,019 – Now $3,844
Mic Pre One: Was $845 – Now $599
Mic Pre EQ: Was $1,549 – Now $1,099
Mic Pre 4: Was $2,599 – Now $1,799
FET 2 Compressor: Was $1,549 – Now $1,099
FET 3 Compressor: Was $2,150 – Now $1,549

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

STOP BY AND SEE US AT AES 2014 BOOTH #1110

TRANSAUDIO GROUP HIRES ZACH WINTERFELD AS SOUTHERN CALIFORNIA REPRESENTATIVE

Zach_WinterfeldLAS VEGAS, NEVADA: TransAudio Group, U.S. distributor of the world’s best high-end studio recording equipment, has hired engineer, educator, and salesperson Zach Winterfeld to serve as its Southern California Rep. In that capacity, Winterfeld will represent all of TransAudio Group’s professional lines, including ATC monitors, Bettermaker, Bock, Drawmer, and Tube-Tech, as well as ATC’s hi-fi loudspeakers. Winterfeld’s diverse industry experience includes freelance engineering and positions with Mercenary Audio, Boston University, and Berklee College of Music.

“TransAudio Group President, Brad Lunde has assembled an amazing line of products and manufacturers,” said Winterfeld. “It is important to remember that we work in an unique industry. Our products serve to help people capture their artistic vision. Exposing dealers and, ultimately, end-users to products that will help them with their artistic vision is incredibly rewarding. I will continue the wonderful support TransAudio Group has given its dealers and will expand this in the L.A. and Southern California market.”

“Zach has extensive studio experience,” said Lunde. “He worked at Cello Studios (now East West Studios) and The Mix Room, and thus knows what great equipment can do for a project. As ‘Head of All Things Digital’ at Mercenary Audio, Zach got a premier dealer’s-eye-view of the industry that will serve him well at TransAudio Group.”

ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm.

www.transaudiogroup.com

STOP BY AND SEE US AT AES 2014 BOOTH #1110

JVC Americas Corp. and Kenwood U.S.A. Corporation Merge U.S. Operations

LONG BEACH, Calif. – JVC Americas Corp. and Kenwood U.S.A. Corporation, subsidiaries of Japan-based JVCKENWOOD Corporation have merged to form a single subsidiary, JVCKENWOOD USA Corporation. The merger, effective today, is part of a global integration strategy initiated by JVCKENWOOD Corporation in 2012.

The merger completes a process that was first announced in April, and is designed to enhance operating efficiencies and spur innovation throughout the company. The two entities will consolidate their business and financial resources under the new company.

Commenting on the merger, Kazuhiro Aigami, President, JVCKENWOOD USA Corporation “The merger of our two companies will accelerate innovation across all divisions by the sharing of technologies and expertise, and will provide efficiencies in logistics and back office operations. This has been carefully planned and executed to drive innovation and growth within the Kenwood and JVC brands and their respective product divisions.”

JVC and Kenwood will remain as two distinct brands in their respective user markets and sales channels for each brand. JVC and Kenwood sales and marketing of Car Electronics are already located in Long Beach, California. Sales and marketing of Communications and Security will be located in Suwanee, Georgia. Sales and marketing of Audio and Video products and Professional camera will remain in Wayne, New Jersey.
JVCKENWOOD USA headquarters will be located in Long Beach, California.

When two successful companies join together, the result is a combined organization that creates new and exciting opportunities. The combination will lead to powerful new areas of innovation, products and solutions, for consumer and enterprise markets.

About JVCKENWOOD USA Corporation
JVCKENWOOD USA Corporation is a wholly-owned subsidiary of JVCKENWOOD Corporation and is a leading developer of imaging, home and car entertainment and navigation products for the consumer market, and two-way radio communications systems for public safety, private industry and amateur users and video equipment for the broadcast and professional markets. For detailed information, call JVCKENWOOD USA at 1-800-950-5005 or visit us at http://us.jvckenwood.com, www.kenwoodusa.com and www.jvc.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Company Announcements, News |

A New Kind of Record Label: Blend.io

Blend announces record label and distribution deal, giving musicians and fans more control over their music

NYC – Blend (http://blend.io), the premier music collaboration platform, has partnered with the distribution powerhouse The Orchard to offer its community of producers and musicians a digital distribution outlet via the official Blend.io label (https://blend.io/label)

Blend sees the addition of a record label as a natural progression of the expanding platform by providing everything a music producer needs in one place: inspiration, collaboration, record deals, and distribution. By partnering with The Orchard, a music distributor that amplifies reach and revenue across hundreds of digital, physical and mobile outlets around the world, the Blend label is able to deliver music through a proven infrastructure to every digital music outlet.

blend-logo-final

Blend has managed to democratize the music publishing process and puts more control in the hands of its artists. It’s easy to see which songs and remixes gain the most notoriety in the vibrant Blend community as Blend members vote for their favorite pieces and engage with the music of their preferred producers. When a song or remix reaches a certain level of votes, it has a good chance of being included in the label’s line-up. This way, the decision of which pieces makes it to publication is not up to one executive but is made by a vote of peers – a revolutionary new model for music distribution.

“We don’t want to be arbiters of taste,” said Kolundzija in a recent interview with Billboard Magazine. “We want to see what’s happening with the platform and if there’s activity around certain projects we want to give those projects a bigger stage and the label and distribution deal allows us to do that.”

The label (https://blend.io/label) will develop up and coming talent as well established artists who are interested in new and innovative ways to connect, engage and create with their fans. Apart from the instant audience on Blend, the label will support marketing and help the artists to monetize their work through distribution.

“We built the label arm to further inspire and empower our users and artists. We continue to see how our platform encourages personal connection as well as workflow and creativity, and with our new capabilities we’ll be able to further foster these relationships and give even more back to the community,” adds Guy Licata, Blend Label Manager.

About Blend
Blend is a Betaworks backed startup for musicians and producers to connect and share in¬-progress tracks and collaborate. On Blend, users share music projects in their native (source) format. Blend supports major music software tools including Ableton Live, Logic Pro, FL Studio, Reason, Pro Tools and Garageband. For more information, please visit http://blend.io.

About The Orchard
The Orchard, a pioneering independent music and video distribution company operating in more than 25 global markets, provides an innovative and comprehensive sales and marketing platform for content owners. With industry leading technology and operations, The Orchard’s creative, tailored approach streamlines its clients’ business complexity while amplifying reach and revenue across hundreds of digital and mobile outlets around the world, as well as physical retailers in North America and Europe. The Orchard was founded in 1997 to foster independence and creativity in the music industry.

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

October 2014
M T W T F S S
« Sep    
 12345
6789101112
13141516171819
20212223242526
2728293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication