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RTW Announces Legacy Trade-In Program

Initiative Offers Exchange of Used RTW Devices at Exclusive Pricing

COLOGNE, JULY 14, 2014 – RTW, the market leader in visual audio meters and monitoring devices, has announced an extensive trade-in program. Customers will have the opportunity to exchange their existing inventory of legacy RTW devices for latest-generation products, which provide loudness metering in compliance with worldwide standards, at attractive pricing.

Through October 31, 2014, customers can return any number of functioning devices from the RTW Peakmeter, PortaMonitor, DigitalMonitor or SurroundMonitor ranges and purchase the same amount of new devices in any configuration at an extra discount of 10 percent. For additional details, customers are encouraged to call their dealers or systems vendors. They can also contact RTW directly.

“With the recent release of the new TM3-Primus, as well as our continuous license offerings for our TouchMonitors, we felt this was a good way to give customers the opportunity to upgrade to our latest products and innovations,” says Andreas Tweitmann, CEO, RTW. “The RTW trade-in program will help our customers experience new tools at a cost-effective price point.”

For more information about RTW’s trade-in/trade-up program, please visit www.rtw.de.

About RTW
RTW, based in Cologne (Germany), has nearly 50 years of experience in designing, producing, and marketing advanced recording-studio equipment, leading and innovating the market for high quality audio metering and monitoring tools. RTW operates a worldwide distribution and service network. For more information on RTW, visit www.rtw.de, www.facebook.com/rtw.de or call +49 221 709130.

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DPA Shows Its New d:screet™ Necklace Microphones At IBC 2014

DPA Microphones has always been renowned for its ability to deliver superb audio, even in the most challenging conditions. Now, thanks to a new range of body worn microphones, the company has overcome the biggest challenge of all – how to give control of mic placement to non-technical actors or reality show contenstants without compromising sound quality.

DPA’s solution, which will be on show at IBC 2014, is the d:screet™ Omnidirectional Miniature Necklace Microphone – a cleverly designed mic that houses a legendary d:screet 4061 Omnidirectional Miniature Capsule in a soft rubber necklace.


“These microphones are perfect for situations where fast costume changes are necessary – or for reality TV shows where the contestants have to place microphones without help from a trained audio engineer,” says DPA’s CEO Christian Poulsen. “The necklace design ensures that the microphone sits in exactly the same place on the body every time, so there is no need for EQ-ing between different recordings.”

The d:screet Necklace Mic is already being used in the Danish adaptation of Big Brother and DPA anticipates plenty of interest from other reality TV productions. The mic comes in black, white and brown and in lengths of 47 or 53 com (18.3 or 20.9 inches).

At IBC 2014, DPA is exhibiting alongside its Dutch distributor Amptec on booth 8.D70. At 5pm every evening it will be holding a prize draw, which will give one lucky show visitor the opportunity to win a DPA d:screet Miniature or d:fine™ Headset Microphone. At that same time, the company will challenge one of its mics to see exactly how much stress it can withstand. Could it be used as a drumstick, for example? IBC visitors need only come along to 8:D70 at 5 pm to find out.

While there, they can also see DPA’s new heavy-duty d:screet™ 4060 Omnidirectional Miniature Microphones and classic d:screet 4060 Omnidirectional Miniature Mics with reinforced cable relief, making them even more durable for demanding use. These microphones satisfy market demand for high-quality sound combined with a highly-durable housing and cable.

“Incorporated on all d:screet Miniature Microphones, our new robust strain relief version brings much needed reassurance to people who are not used to handling miniatures,” Christian Poulsen adds.

The heavy-duty 4060 microphone is ideal for people who require even more security and for whom the visual appeal is of less importance. It is perfect for placement in rigorous filming situations, such as incorporated into a combat suit for a fight scene or under a horse saddle in a period piece. Featuring a stainless steel housing, sturdy cable relief and a thicker 2.2 mm (.09-inch) cable, both enhanced versions are exceptionally durable and ideally suited to the rigors of broadcast productions.

DPA will complete its IBC 2014 line-up with its new d:fine™ 66 and 88 Headset Microphones, which are ideal for broadcast productions with vocal performers who need to move freely without obstructions from a handheld mic or one on a stand.

Combining the flexible mechanics of DPA’s modern d:fine ear mount solution with the sound qualities of the legendary 4066 Omni and 4088 Cardioid headworn mics, the new d:fine™ 66 and 88 Headset Microphones join the original d:fine as well as the traditional 4066 and 4088 Miniature Headset Microphones under the company’s d:fine family. With so many sound handling and size options to choose from, DPA’s d:fine family now addresses every need that actors, musicians and singers face when working in a live television environment.

“There is a growing need for durable body worn microphone solutions with excellent sound reproduction for stringent use in live environments and similar settings,” Poulsen adds. “When we launched the d:fine Headset Microphones we believed that they would define a new generation of headsets. They have certainly met our expectations, which is why we have decided to expand the d:fine Headset Microphone series with this brilliant solution to give users a broad assortment of styles and features.”

For more information please visit DPA at IBC 2014. Hall 8, Stand D70.

-ends-

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Thierry Gandilhon Joins NETIA as Managing Director

CLARET, France — July 10, 2014 — NETIA today announced that Thierry Gandilhon has joined the company as its managing director. To this new leadership role, Thierry Gandilhon brings more than 25 years of technical experience in the field of software development, as well as a strong record of establishing and building successful technology companies.

“Thierry is an exciting addition to the company, as he has repeatedly demonstrated an ability to lead companies to success through technical excellence,” said Philippe Fort, president of NETIA. “His tremendous experience developing computer software in multicultural environments and his dedication to using complex technologies to create simple yet powerful solutions make him a smart fit for NETIA, and we’re looking forward to achieving further success with the benefit of his guidance.”

Prior to joining NETIA, Thierry Gandilhon co-founded Eptica, where he served as executive vice president and chief technology officer (CTO). Eptica is the leading European provider of multichannel customer interaction software. During Thierry Gandilhon’s tenure, Eptica developed its activities in Europe and Asia and was selected as one of the leaders in its domain by the Gartner Group through its prestigious Magic Quadrant analysis. Thierry Gandilhon earlier served as vice president and CTO at MATRAnet; CTO at Step One/Sharing Technologies; R&D director at Business Objects, where he was one of the first employees; and project manager and research engineer within the BULL artificial intelligence research group.

“I am passionate about building simple solutions that fit the market and customer need using complex technologies. I see this same dedication at NETIA,” said Thierry Gandilhon. “I firmly believe that technology is not an end, but rather a means, and NETIA’s product portfolio has enormous potential. Great things lie ahead for the company, and I am eager to be part of this future.”

Thierry Gandilhon will be based in NETIA’s head office in Claret, France.

More information about NETIA and its product portfolio is available at www.netia.com.

# # #

About NETIA
NETIA, a Globecast company and part of Orange, is a leading provider of software solutions that enable efficient management and delivery of audiovisual content to today’s full array of media platforms. Relied on by more than 15,000 users in 200 installations in more than 40 countries, NETIA solutions allow content producers and owners to manage content from ingest to delivery, targeting multiplatform outlets including the Internet, VOD, IPTV services, and mobile devices.

NETIA provides radio automation, media asset, and workflow management solutions to major radio and television brands and to multimedia groups around the world. Clients include The Associated Press, ABC News Radio Network, WestwoodOne, Radio Globo in Brazil, RTM in Malaysia, SBS and ABC in Australia, MediaCorp Singapore, RAI Italy, RTL France, Radio France, RTBF in Belgium, and France Televisions. NETIA has its headquarters in France, with offices in the United States, Paris, Rome, and Singapore, in addition to a global network of professional distribution partners.

All trademarks appearing herein are the property of their respective owners.

Photo Link: www.wallstcom.com/NETIA/NETIA-Thierry-Gandilhon.jpg
Photo Caption: Thierry Gandilhon, Managing Director, NETIA

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Riedel and German Broadcaster RTL Celebrate Six-Year Partnership That Brings Formula One to the World

WUPPERTAL, Germany — July 9, 2014 — Riedel Communications, provider of pioneering real-time video, audio, data, and communications networks, announced that Formula One host broadcaster RTL has, for the past six years, leveraged the Riedel RiLink Global Fiber Service to provide bidirectional links between the race circuits and the broadcast station in Cologne, Germany. In addition, Riedel’s Artist and MediorNet platforms are used for communications and signal acquisition and distribution at the various race venues around the world. more

Biamp Systems’ Tesira(R) SERVER-IO Powers Milwaukee’s ‘Listening to Mitchell’ Art Installation

DSP-enabled soundscape brings interactive public exhibit to life

BEAVERTON, Oregon — July 9, 2014 — Biamp Systems, a leading provider of innovative, networked media systems, today announced that the company will be donating the use of a Tesira(R) SERVER-IO to support the immersive sound installation for the “Listening to Mitchell” art project co-created by Sonja Thomsen and Adam Carr. Arup — an independent firm of designers, planners, engineers, consultants, and technical specialists — provided acoustic and audiovisual consulting and design services for the project and produced the 18-channel sound installation. The Tesira SERVER-IO provides the digital signal processing (DSP) behind the acoustically enveloping experience in the storefront sound installation. more

JVC Promo Offers Three-Year Extended Warranty on Select ProHD Cameras

WAYNE, NJ – JVC Professional Products Company, a division of JVC Americas Corp., is offering a free three-year extended warranty on parts and labor for a select group of ProHD cameras, including some new 800 Series shoulder-mount models, as well as the SR-HD2500US professional Blu-ray/hard disc drive combo deck and select studio components.

Products must be purchased from authorized U.S.-based JVC Professional
Products dealers after July 1, 2014, to qualify for the extended warranty. ProHD cameras included in the promotion are the GY-HM650U, GY-HM850U, GY-HM850CHU, GY-HM890U and GY-HM890CHU. Studio components included in the promotion include the KA-M790G multicore studio module and KA-790G studio sled; RM-HP790DU digital camera control unit, RM-LP20G remote, RM-LP25U local remote and RM-LP55U handheld remote; and VF-HP790G 8.4-inch color viewfinder.

Customers must register the purchase online at pro.jvc.com/register within 30 days of purchase date and save a copy of the confirmation screen as proof of registration. Proof of purchase (receipt or dealer invoice) will be required for warranty service.

ABOUT JVC PROFESSIONAL PRODUCTS COMPANY

Headquartered in Wayne, New Jersey, with West Coast operations in Long Beach, California, JVC Professional Products Company is a division of JVC Americas Corp., a wholly-owned subsidiary of JVC KENWOOD Corporation. JVC is a leading manufacturer and distributor of broadcast and professional video and audio equipment, D-ILA front projection systems, and Super LoLux HD video security products. For further product information, visit JVC’s Web site at http://pro.jvc.com or call (800) 582-5825.

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Extron Introduces Compact HDMI to HDMI Scaler

Extron Electronics is pleased to introduce the DSC HD-HD, a compact high performance, HDCP-compliant scaler that converts between HDMI resolutions and frame rates. It accepts video from 480i up to 1920×1200, 1080p, and 2K, and offers high performance upscaling and downscaling with multiple output rates up to 1920×1200, including HDTV 1080p/60 and 2K. The DSC HD-HD features advanced Extron video signal processing with 1080i deinterlacing and Deep Color processing for optimal image quality. It includes many integrator-friendly features such as on-screen display, test patterns, and EDID Minder. The DSC HD-HD is ideal for applications that require scaling HDMI video to match the different capabilities and requirements of sources, displays, videoconferencing codecs, and other equipment. The compact form factor allows simple integration at a source, destination, or in a distribution system. more

DPA Microphones Gets a Dose of Reality on Rising Star

New live results TV singing competition relies on company’s d:dicate™ 4017 Shotgun and system of d:screet™ 4061 Miniatures with Wisycom transmitters and receivers

LOS ANGELES, JULY 8, 2014 – When Daniel S. McCoy, CAS, scored the sound supervisor role for ABC’s new live results singing show, Rising Star, he knew he would need an innovative miking solution to support the performances. In addition to his tried-and-trusted d:dicate™ 4017 Shotgun Mic from DPA Microphones, McCoy also relies on his new DPA d:screet™ 4061 Omnidirectional Miniature Mics with Wisycom wideband transmitters and receivers.

With behind-the-scenes competitor interviews, commentary from host Josh Groban and mentoring from the likes of Ludacris, Kesha and Brad Paisley, Rising Star incorporates significant moments of dialogue in addition to the performances. In order to account for the show’s various ENG and reality needs, McCoy simultaneously uses the d:dicate 4017 and d:screet 4061s to give the post production team the ultimate choice in audio dynamics.

Using the d:screet 4061s with the Wisycom transmitters is a first for McCoy, a long-time enthusiast of DPA Microphones. New York-based Gotham Sound supplied the one dozen d:screets and beltpacks for Rising Star. McCoy chose the d:screet 4061 because it has a lower sensitivity and can handle 144dB SPL, which allows him to avoid distortion on the powerful singing voices. In addition, post requires vibrant-sounding mics that can be concealed, and DPA was the perfect solution.

“Wisycom’s transmitters are essentially the Ferrari of wireless,” adds McCoy. “I’ve been using DPA d:screets for years, and now I’m hearing them with new parameters. Since the transmitter is equipped with an AF input mic powering at 5.5 V, as opposed to the standard three or four, we can get an enhanced dynamic range and improved frequency response from the microphones. It’s been a real ‘ear opener,’ if you will. Using the d:screet 4061s and transmitter with a 24-bit 96 KHz A/D and D/A converters gives me a sound that makes me feel like I’m back in a recording studio while I’m in the field. It’s really interesting to me to find that, with proper amplification, DPA mics can give you so much more.”

The d:screet 4061 also makes it quick and easy for McCoy to swap users between a dialogue setup and a vocal arrangement. “The fact that I can use this mic for both styles is super effective,” he says. “I don’t need more gain and additional compressors, and I don’t have to slam on another limiter; I just need fade up and fade down. It’s freeing to be able to have a mic and transmitter combo that works so well together. I’ve been wondering for years how it is that European broadcasts sound so much better than here in the states, and I think I found the secret.”

Rising Star is based on a new format in which the audience judges the contestants in real-time through social media across three time zones. Voting is conducted through Facebook and Twitter to decide if a competitor moves ahead in the show, right in that moment.

Currently the owner and operator of ToneMesa, Inc., a location and post audio company based in Los Angeles, McCoy has received two Daytime Emmy Awards for “Best Live Audio Mix to Tape” for his work on the Ellen Degeneres Show and a Grammy® Award nomination for “Best Engineered Album” for Brian Wilson’s first self-titled solo project. In early 2008, McCoy became one of the youngest members to join the Cinema Audio Society.

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

SSL Live on Tour with Michael McDonald

“Because of the separation you get with the summing in the mix bus, it’s easier to place things in the mix”

NASHVILLE – Blue-eyed soul singer Michael McDonald joins 1980s super-group Toto this summer for a North American co-bill that stops at The Greek in Los Angeles and The Fox in Atlanta. McDonald’s front-of-house engineer Curtis Flatt was first introduced to Spectrum Sound of Nashville while in college and went to work for the company in 1986. Through the long association, Flatt’s career has spanned the best consoles and musicians of the last three decades, including Wynona Judd and the Judds, Donny Osmond and Michael W. Smith. He also filled in for a short time for Robert Collins on Eric Clapton. Today, he can be found at McDonald’s helm with an SSL Live console.

Flatt first took SSL Live out on McDonald’s Christmas Tour last winter. “Spectrum was going to order a pair for Jason Aldean and asked if I wanted to be the first to take one out,” he says. “I programmed it in my office and, without a production rehearsal, dove in at the first sound check. Michael’s musicians’ sounds are really good to start with. They play really well together and it’s a straightforward show. If you start with a good sounding product, mic it with quality microphones and run it through a console that has an excellent quality, you’re pretty much there. SSL Live brings me to that point and gives me the freedom to just mix and not have to think about a lot of external processes.”

The transparency of SSL Live’s mix bus, especially since it is a digital console, was one of the first things Flatt noticed. “There are a handful of consoles out there that sound good or really good, but as everybody who mixes knows, as you start to sum all those good sounding parts together, a lot of times you’re either working with or around the console to create that final sound, that final mix,” he explains. “On a warm console, you may have to figure out which inputs could lose a little warmth to fit in with everything so that it doesn’t get muddy. Live has such a separation that as you add all of the inputs, you don’t have this muddle going on, which happens so often on other live consoles. There’s definition to everything in the mix.”

Flatt credits the fidelity both in the highs and the lows of the console. “There’s a nice top-end on it and it’s really smooth; there isn’t an overabundance of hype on it,” he says, adding, “The low-end on the console is nice and round without being overbearing.”

He also notes an improvement in mixing and panning compared to other consoles. “Because of the separation you get with the summing in the mix bus, it’s easier to place things in the mix,” he says. “The palette is more open, so placement in the mix becomes really noticeable. Slight pans and movements here and there present a better picture. You hear subtle differences. For example, our drummer had two hi-hats; one was panned slightly left and one was barely right – and I mean barely, but you always knew which one he was playing, even with your eyes closed.

“I run a couple of parallel-compression bus groups because we try to maintain a certain level in the show and want to add a little bit of punch back into that in some areas without overly compressing the entire mix,” he continues. “So, I have a parallel drum group and a parallel background vocal group to level them out a little bit and add them in as needed. If the show really starts to push a little bit, there may be a dB or two of compression with the bus compressor, but the show is very dynamic so I don’t want to take the dynamics out, since the music lends itself to dynamics. It’s got pop, rock and R&B.”

The difference the SSL Live console makes during a performance is starting to gain recognition from the entire McDonald camp. “It’s not only been noticed by Michael and the band, but also management, other members of the crew and even some diehard fans noticed that something was different,” Flatt says. “When we did our first fly date after coming back from being on tour, I was using a different console because we flew in for a one-off show. Michael walked past FOH to say ‘hi,’ and when he looked over at the console and saw it wasn’t the SSL Live, he said, ‘Oh, it’s one of those.’ So it’s definitely something that he and the band have noticed; that management and production management have said ‘Yeah, we’re going to carry the SSL console, you don’t have to fight for it.’ ”

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast, live and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

Wohler and VSN Partner to Accelerate and Simplify Media Asset Management and Transformation Workflows

Integration of Wohler RadiantGrid Software-Based Processing Framework Into VSN MAM Makes for Dramatic Efficiency Gains

SAN FRANCISCO — July 8, 2014 — Wohler Technologies today announced that Spain’s VSN, an IT company specializing in high-performance multimedia content management solutions, is using Wohler’s RadiantGrid Intelligent Media Transformation Platform(TM) as the transcoding and media transformation engine for its media asset management (MAM) product. Integration of this Wohler technology into its MAM solution enables VSN to offer end users a turnkey solution for high-performance media management and processing.

“The unique speed with which Wohler’s RadiantGrid technology processes content translates to a significant benefit for customers using our VSN MAM solution,” said Jordi Utiel, CEO at VSN. “By partnering with Wohler, we’ve been able to offer a platform that accelerates media processing workflows and, in turn, enables our customers to realize efficiency gains that are so critical in today’s highly competitive media marketplace.”

With more than 20 years of experience, VSN has developed technology and manufactured solutions to meet the needs of more than 1,000 customers — TV stations, government organizations, universities, and news agencies — in 100 countries. Tailored to the requirements of the broadcast industry, VSN solutions help to ensure comprehensive media management for TV stations as well as independent producers and distributors of audiovisual content.

Wohler’s RadiantGrid applies TrueGrid(TM) file-based processing to manage and accelerate several tasks simultaneously while allowing users to realize true scalability across multiple machines. The result is a media transformation process that is simpler, faster, and dramatically more efficient than alternative solutions. Several installations of the VSN MAM with RadiantGrid technology have already been deployed successfully by customers in Asia-Pacific markets.

“VSN is a proven leader in IT-based solutions for the broadcast industry, and the intuitive interface and smart design of its solutions support straightforward management of media assets,” said Craig Newbury, vice president of sales for the Wohler RadiantGrid business line. “Through our collaborative work, VSN is able to back the highly refined front-end of its MAM user interface with unparalleled processing power and efficiency. For the end user, the result is a simpler workflow that enables faster time to market.”

Further information about the RadiantGrid Intelligent Media Transformation Platform and other RadiantGrid solutions is available at www.wohler.com.

# # #

About VSN
VSN is a global technology company focused on providing innovation and solutions for the broadcast and media sector. It offers a wide range of products based on standard IT infrastructure, solving the needs of creation, distribution, and management of audiovisual content in TV channels, public institutions, universities, and news agencies. The complete suite of VSN solutions has been developed with an open architecture, following industry standards. It allows the user to digitize and manage media contents and to automate and optimize daily operations, perfectly integrating the different areas and third-party applications. With offices in Barcelona (HQ), Dubai, Montevideo, Miami, and Hong Kong, along with a center of technological excellence in Alicante and a widespread network of partners, VSN offers worldwide coverage, always keeping close to its clients. VSN solutions solve the complete workflow of an audiovisual company, improving its efficiency and walking hand in hand with it in its journey towards multiplatform and cloud environments. More information about VSN is available at www.vsn-tv.com.

About Wohler Technologies Inc.
Wohler’s tradition of innovation began with the creation of the industry’s first in-rack audio, video, and data monitoring products, and it continues today through the company’s development of signal management and monitoring solutions for video, audio, and captioning applications. Wohler’s RadiantGrid(TM) platform extends the company’s award-winning product lines to include solutions for efficient file-based content creation and distribution, quality control, accelerated transcoding, and standards conversion. Together, Wohler’s advanced file-based solutions and proven, cost-effective confidence monitoring and content management products ensure high-quality media production across any platform and delivery to any device. More information about Wohler and RadiantGrid products is available at www.wohler.com.

All trademarks appearing herein are the property of their respective owners.

Photo Link: www.wallstcom.com/Wohler/Wohler-VSN-EXPLORER.jpg
Photo Caption: Wohler RadiantGrid Used in VSN MAM System

Photo Link:
www.wallstcom.com/Wohler/Wohler-RadiantGrid.jpg
Photo Caption: RadiantGrid Intelligent Media Transformation Platform(TM)

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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