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iZotope Releases Ozone 6: Creative Mastering Platform

Ozone 6 features a redesigned interface, standalone application, and new Dynamic EQ module

Cambridge, MA (October 30, 2014) – iZotope, Inc., a leading audio technology company, has launched the latest version of its critically acclaimed line of mastering software, Ozone.

iZotope-Ozone-6-Advanced-box

Ozone 6 is a creative mastering platform that enables both project studio producers and mastering engineers to easily add a final level of professional polish to their mix.

The modern new workflow is centered around creativity. A fully redesigned interface and real-time visual feedback in every module assist users in creating masters with ease.

“Our goal was to create an elegant visual aesthetic and fluid workflow,” says iZotope Product Manager Brett Bunting, “in order to bring the creative elements of mastering front and center and allow users to define their own sound.”

Ozone 6 takes the guesswork and the manual labor out of the mastering process, helping users experiment without fear of making the wrong sonic choices. Using Ozone’s presets as a starting point, pros and newcomers alike can immediately achieve authentic sounds in any genre.

izotope-ozone6-equalizer-single-band-sa

Ozone also produces great sound, providing the warmth and character of analog sound without the restrictions of hardware. And since Ozone 6 works as either a standalone application or a suite of plug-ins, users can choose to work exclusively in Ozone, or to complement their audio editor of choice.

For professional users, the Advanced version’s Dynamic EQ module lives and breathes with your music, harnessing the precision of an equalizer and the musical ballistics of a compressor. It’s an ideal tool for transparently sculpting audio.

“Ozone is full of great mastering tools,” says Adam Ayan, GRAMMY-winning mastering engineer at Gateway Mastering, “and it just keeps getting better!”

Learn more at www.izotope.com/ozone6.

Watch the video at http://youtu.be/GZMvIxPZ-50.

Availability
Ozone 6 is available now at www.izotope.com/ozone and at select retailers.

Pricing
Ozone 6 – Promotional Price: $199 USD, Regular Price: $249 USD

Ozone 6 Advanced – Promotional Price: $599 USD, Regular Price: $999 USD

Upgrade from Ozone 1-5 to Ozone 6: Always available at a special price of $99 USD

Upgrade from Ozone 1-5 to Ozone 6 Advanced – Promotional Price: $399 USD, Regular Price: $750 USD

Upgrade from Ozone 5 Advanced to Ozone 6 Advanced: Always available at a special price of $299 USD

For international customers, check with your local reseller for Ozone 6 pricing.

Grace Period Purchases
Customers who purchased Ozone 5 after September 1, 2014, will receive a free upgrade to Ozone 6 upon release.

Customers who purchased Ozone 5 Advanced after September 1, 2014, will receive a free upgrade to Ozone 6 Advanced upon release.

About iZotope, Inc.
iZotope makes innovative products that inspire and enable people to be creative. Based in Cambridge, Massachusetts, iZotope has spent over a decade developing award-winning products and audio technologies for professionals and hobbyists alike. Used by millions of people in over 50 countries, iZotope products are a core component of GRAMMY-winning music studios, Oscar and Emmy-winning film and TV post production studios, and prominent radio studios, as well as basement and bedroom studios across the globe. Through a robust licensing program, iZotope also powers products made by industry partners such as Adobe, Avid, Microsoft, and Sony. iZotope was recently honored with an Emmy® Award for Outstanding Achievement in Engineering Development for its flagship audio repair suite, RX®. For more information on iZotope products, please visit www.izotope.com.

Italian Superstar Pino Daniele Chooses DPA Microphones

Pino Daniele with DPA 1

Pino Daniele, one of Italy’s best known singer/songwriters and a man whose career spans both genres and decades, has recently started using a range of DPA microphones, including the company’s ground-breaking d:facto™ Vocal Microphone.

Fabrizio Facioni, Daniele’s sound engineer, jumped at the chance of using d:facto when the opportunity presented itself.

“I like its sound. It’s so ‘present’ and natural,” he says. “This microphone reproduces exactly what it is given in terms of the vocal, and that greatly simplifies my job.”

The d:facto Vocal Microphone joined a range of DPA mics that were used over the summer for the NERO A META’ tour, which reunited Daniele with band members from the 1980s alongside special guests. For his forthcoming theatre tour, the line-up is more intimate and includes Pino Daniele on vocals and acoustic guitar, a second acoustic guitar, an upright bass, piano and drums played by internationally acclaimed producer and arranger Alfredo Golino, who regularly works with artists such as Laura Pausini.

Facioni says: “The decision to use DPA microphones initially came about when I needed a microphone for Pino’s acoustic guitar. I spoke to Agora, our PA rental company, and they recommended DPA’s d:vote™ 4099 Instrument Microphones. After trying one, I knew it was perfect for the task. Both Pino and I were so impressed that we decided to use d:vote 4099s on his guitar and on the second acoustic guitar.”

Facioni adds that the improvement in sound made him question the microphones he was using on the other instruments in Daniele’s intimate line-up. It was at this point that Alfredo Golino suggested he got in touch with Salvatore Zocco from DPA’s Italian distributor M. Casale Bauer for more advice on the DPA range.

Salvatore Zocco says: “Alfredo is a great ambassador for DPA and has used the company’s microphones for a long time, so it was perfectly natural for him to put Fabrizio in touch with me. I was able to recommend the most appropriate microphones for Fabrizio’s requirements.”

The final choice came down to d:vote 4099 Instrument Microphones for the high hat, snare (top and bottom) and toms. DPA d:dicate™ ST4011C and ST4015C Recording Microphones were respectively chosen to handle overheads and percussion. The acoustic guitars and upright bass are also miked with d:vote 4099s, while Pino Daniele has two d:facto Vocal Microphones – one for when he’s standing and the other for when he performs with his acoustic guitar.

“I have been very satisfied with the results these microphones have delivered,” Facioni adds. These were exactly the mics I needed to give me a natural sound. I am a studio engineer as well, so I already knew DPA mics for piano and orchestra and I like them a lot. But this is the first time I have tried them for percussion and bass and I am definitely impressed.”

And perhaps more importantly, Pino Daniele himself has also been impressed with the performance of the d:facto Vocal Microphone which he used consistently during his summer tour of Italy’s sports arenas.

“We are now planning more dates in smaller theatre venues during November and December and the d:facto will once again be part of our microphone set up,” adds. “It has worked for Pino and he really like it. He says he now recognises his own voice!”

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Visual Unity Shows vuMedia™ at NAT Expo 2014 and Inter BEE 2014

multiscreen_devices_vu

Leading OTT solutions provider Visual Unity is showing the latest version of its Award-winning vuMedia™ multiscreen platform at NAT Expo in Moscow (November 19-21, 2014) and Inter BEE in Tokyo (November 19-21, 2014). The software will include a new, white label version that gives partners the opportunity to sell the product under their own brand by changing the colours and logos on the user interface.

“Having secured an investment of 7.2 million US$ (5.2 million Euros) from 3TS Capital Partners, we are now able to support the growth of an international customer base for vuMedia™,” says Visual Unity’s CEO Tomas Petru. “We are positioning Visual Unity as the leading provider of OTT and multiscreen solutions and to this end we are very focused on both product development and expanding into previously untapped markets.”

The company, which will be exhibiting on booth B23 at NAT Expo in Moscow, while at InterBEE it will be exhibiting in conjunction with its Japanese distributor DSP-Japan (Booth 5380).

Visual Unity’s updated vuMedia™ platform now includes a raft of new languages that have been incorporated into the software’s administrator user interface. This significant addition broadens its international appeal and reinforces Visual Unity’s plans to expand sales into new geographic territories. Also new is Multi-level account administration, which allows Visual Unity customers to collaborate on OTT projects, share resources or limit access to specific parts of vuMedia™ to dedicated groups. It also allows vuMedia™ to support different re-seller and seller models and relationships.

Introduced in 2011 and the winner of the 2012 ConnectedWorld.TV Award, Visual Unity’s flagship vuMedia™ is an end-to-end OTT platform that allows broadcasters and content owners to control how their brand and assets are managed, delivered and monetized in the multiscreen environment. Highly scalable and flexible, vuMedia™ delivers a cutting-edge live viewing experience on the web or any mobile or connected device. vuMedia™ also enables comprehensive Video on Demand services, social network integration and secures the distribution of content – all of which can be deployed into existing workflows and business processes.

vuMedia™ can be bought in two formats – Platform as a Service (PaaS) or Software as a Service (SaaS) for customers who don’t want to invest in new hardware.

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About Visual Unity

Visual Unity is a global provider of video and digital media solutions, enabling our clients to deliver premium quality video content. Our clients can measure, analyze and optimize their libraries over time and achieve optimal business success. Our platform capabilities inspire our clients to deploy their assets across multiple devices, screens, and media formats. Visual Unity helps clients manage, deliver and monetize their digital content.

Visual Unity is a Multiscreen Solution Provider, bridging the gap between linear broadcast, IT and IPTV to help clients reach and engage audiences on any screen. Since 1991, the team has been designing and delivering turnkey broadcast and complex multiscreen solutions worldwide – from HD outside Broadcast (OB) vehicles and major playout facilities to live internet streaming and Video on Demand services. Visual Unity’s award-winning vuMediaTM platform helps broadcasters and content owners control how their brand and assets are managed and monetized in the multiscreen environment. vuMediaTM is a highly scalable and a modular architecture, delivering a cutting-edge live viewing experience on the web or any mobile or connected device – all of which can be deployed into existing workflows and business processes.

Visual Unity is based in Prague, London, Munich, Moscow, Nairobi, Dubai, Istanbul, Ottawa, Los Angeles and Hong Kong. For further information, please visit www.visualunity.com

Biamp Systems Names Kiley Henner as Director of Customer Experience

Promotion Underlines Company’s Continued Commitment to Quality Customer Experience

BEAVERTON, Oregon — Oct. 30, 2014 — Biamp Systems, a leading provider of innovative, networked media systems, today announced the promotion of Kiley Henner to director of customer experience. In his new role, Henner will oversee the company’s applications engineering, training/education, and customer service departments as Biamp(R) continues expanding its focus on providing an unrivalled customer experience and complete satisfaction. more

Masque Sound Custom Audio Equipment Package Helps Audiences Discover Charming New Musical, FOUND

NEW YORK, NY, OCTOBER 30, 2014 – When the ambitious and original new musical FOUND opened at the Atlantic Theater Company’s Linda Gross Theater on October 14, Sound Designer Ken Travis enlisted the services of Masque Sound, a leading theatrical sound reinforcement, installation and design company, to provide a custom audio equipment package to help audiences discover this Off-Broadway gem. FOUND at Atlantic Theater Company. Photos by Kevin Thomas Garcia. Photo 1

FOUND isn’t just based on a true story; it’s based on hundreds of them. FOUND is an original musical featuring scores of surprising and eccentric discarded notes and letters that have been “found” in the real world by every-day people. Inspired by actual events, the show follows Davy who, along with his two best friends, is lost and broke. When he finds a strangely revealing note on his windshield meant for someone else, it sparks an outlandish idea that finds him and his companions on a wild, comedic journey. By bringing a host of real notes and letters from Davy Rothbart’s popular FOUND Magazine to irreverent theatrical life, this insightful new musical tells a story of ambition, betrayal and loyalty while celebrating the weirdness in us all.

Travis’ biggest challenge in designing the sound was adhering to the very quick amplification changes in the theater, which was previously an old church. “Because of its architectural design, you can’t really hit the walls and you can’t activate the room,” says Travis. “We needed to be able to go from really loud to super intimate within a second and allow the audience’s ears to settle into that adjustment. It took a little while to figure out how we would accomplish that without losing any energy and without having the audience members miss a single word.”
FOUND at Atlantic Theater Company. Photos by Kevin Thomas Garcia. Photo 2
For Travis, equipment selection proved essential to the show’s success. He found what he was looking for with a speaker system featuring d&b audiotechnik products. The sound system features a Q-Series rig, along with E3 loudspeakers for delays and B2 subwoofers. “In a matter of one minute, the actors can go through 10 songs, and, stylistically, each song is 100 percent different,” adds Travis. “It can range from something that pays homage to Queen and Bruce Springsteen, to 80s metal bands and country music. Dynamically, the shifts are huge, and the d&b system allowed us to really bring out the style of the various music genres in a rapid succession.”

Additionally, Travis wanted to ensure that no microphones were visible on the cast during the production, so he relied on Sennheiser MKE1 Professional Lavalier Microphones, along with one of Masque Sound’s pre-built Sennheiser 2000 Series wireless transmitter kits. Designed for quick and easy dispatch, Masque Sound’s pre-built kits provide 24 wireless channels and are targeted for the Off Broadway and regional markets. The orchestra was mic’ed with DPA 4011 Cardioid Microphones, DPA 4099 Instrument Microphones, Schoeps MK4 Cardioid Capsules and Beyerdynamic M 160 Hypercardioid Ribbon Microphones. Masque Sound also provided an Avid VENUE SC48 digital console.

Since the orchestra is present on stage, with musicians spread between a few small pods, Travis wanted the sound design to creatively capture and evoke a natural and intimate sound. To accomplish this, he utilized a Meyer Sound LCS LX-300 delay matrix. “We wanted the orchestra to be able to go from a chamber sounding musical, involving violin, cello, guitar, bass, drums and piano, to a heavy rock sound,” he says. “We used the delay matrix to time every single instrument on stage so that when we were amplifying it, it really sounded like it was coming from the specific instrument. We also divided the stage into zones, which ensures that the engineer has a lot of cues for the actors.”
FOUND at Atlantic Theater Company. Photos by Kevin Thomas Garcia. Photo 3
Furthermore, with regards to timing, this production requires that the audio is perfectly synched up to the show’s video images. Travis relied on MIDI to achieve this, using one big MIDI loop to ensure that the design teams could send information back and forth. This was an easy way to simplify a very technically challenging show on an Off-Broadway budget.

“This was a great team effort,” concludes Travis. “My associate, Justin Stasiw, A1 Jillian Walker and A2 Laura Brauner all did a wonderful job, and it was terrific that the whole design team was able to come together for this fun and original production. Masque Sound was once again great to work with and very accommodating in providing me with the equipment I wanted to use.”

FOUND began previews on September 18 and is slated to run through November 9 at The Atlantic Theater Company’s Linda Gross Theater, located at 336 West 20th Street in Manhattan. To learn more about FOUND, visit atlantictheater.org.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

FSR Extends Line of Table Box Offerings With Introduction of T3-DV2S

New model ideal for single users, needing access to HD HDMI video/audio source input and AC power sources

Woodland Park, NJ – FSR, leading manufacturer of a wide variety of products for the audio/video, education, hospitality, government, and religious markets, adds to its family of Table Box products with the launch of its new T3-DV2S Table Box unit. This new solution is intended for single users where convenient access to HD HDMI video/audio source input, and AC power sources is required. The T3-DV2S allows users to power and connect their laptop or any HDMI source to an external video display and house sound systems as well as connect with network, phone lines and other AV system infrastructure.

All T3-DV2S models are HD ready with an HDMI pass-through connector, standard grounded AC outlet and openings for two keystone snap-in connectors. The two keystone openings, supplied with two blanks, can be populated with a variety of snap-in connectors including network, telephone, RCA or mini stereo audio, to custom configure the units to suit unlimited applications. A large selection of keystone style snap-in connectors, including USB DC powered charging stations to charge digital mobile devices, are available separately from FSR.

“FSR is always working hard to offer our customers in the professional audio/video markets innovative and reliable solutions that meet a variety of needs,” said Jan Sandri, FSR president. “We are proud to be able to grow our popular family of Table Box solutions with the addition of the new T3-DV2S. These new models, fitting a 3 1⁄2-inch round opening, are not only stylish with round and square covers available in black, brass or aluminum to blend with the décor, but the small footprint provides an un-obtrusive solution to any interior. AND, they are HD ready!”

There are options for one or two button momentary switches / bi-color LED arrangements on the cover bezel that enable user control input and status indication for an external control system application. Screw down terminals are provided for fast, convenient cable termination.

As always, all FSR products are made of durable materials in the USA.

About FSR
FSR, established in 1981, manufactures a wide variety of signal management and infrastructure solutions for the audio / video, datacom, education, hospitality, government, and religious markets, including floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and HDBaseT & CAT-X signal delivery solutions.

The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information: www.fsrinc.com

FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Public Relations & Advertising
Harriet Diener
845-512-8283 • mailto:harriet@desertmoon.tv

Michael Feinstein and the Pasadena POPS Take to the Stage with DPA Microphones for Summer Concert Series

Company’s d:facto™ Vocal and d:vote™ 4099 Instrument Mics are mainstays for all recent performances

LOS ANGELES, CA, OCTOBER 30, 2014 – Michael Feinstein and the Pasadena POPS recently concluded their 2014 Sierra Acura Summer Concert Series at the LA County Arboretum to an audience of nearly 5,000 people. DPA microphones was among the star-studded lineup, not only for this concert series but for Feinstein’s additional performances, with its d:facto™ Vocal Microphone and d:vote™ 4099 Instrument Microphones for Piano.Michael Feinstein Pasadena dfacto 1

Michael Feinstein’s long-time Production Manager and FOH Engineer Andy Brattain was introduced to DPA Microphones a few years ago at a show at the Palladium in London. Brattain secured the mics for Feinstein’s Jazz at Lincoln Center Series and has been using the microphones ever since.

“We were heading out on the road and had a lot of different types of shows scheduled throughout this past summer, which included everything from the outdoor symphony shows to a small trio show in a club setting,” says Brattain. “I made sure that I had a couple of DPA mics with me and this is when we really started liking them, as they worked perfectly in so many different applications with all different types of sound systems.”
Michael Feinstein Pasadena dfacto 2
As a baritone, DPA’s d:facto Vocal Microphone matches well with Feinstein’s voice. “He can get a little hot on the low end, but the d:facto is able to smooth some of that out without any coloration,” adds Brattain. “Also, the proximity of where Michael holds the mic in relation to his mouth, whether really close or really far away, works nicely with the d:facto. He has the freedom to move around and the d:facto evens out the sound, leaving me with minimal EQing.”

In addition to the d:facto, Brattain relies on DPA’s d:vote 4099 Instrument Microphones for Piano. “We play with the piano lid closed for 99 percent of our performances and with most microphones you are fighting the low end that produces a harsh sound. With the d:votes you can position the mics exactly how you want and when you close the lid you have this great open and natural sound,” continues Brattain. “I’ve had an engineer tell me it’s the best sounding close-lid piano they’ve heard. It’s such an easy installation too, some pianists don’t want me to tape mics to their piano, but with the d:vote magnet mounts I don’t have to worry about scratches or a gluey mess, it leaves everyone happy.”Michael Feinstein Pasadena dfacto 3

Not only is Brattain happy with the quality of DPA’s microphones but the system tech and other FOH engineers that were at the Pasadena POP performances commented on how well they sounded. “Everyone was pretty blown away about not having to do a lot of EQing, just take the high pass up a little bit and call it a day, it was great,” concludes Brattain.

Feinstein is a multi-platinum-selling, two-time Emmy and five-time Grammy® Award-nominated entertainer dubbed “The Ambassador of the Great American Songbook.”

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

Listen Technologies Announces Inaugural Champion Award

— First recipient is Bill Register, Director of Facilities & Theater Management, Nederlander Producing Company —

BLUFFDALE, UT, October 24, 2014 — Listen Technologies Corporation, the leading designer, manufacturer and distributor of assistive listening products for over 16 years, announces the inaugural Listen Champion Award, an annual award for those exemplifying forward thinking in assistive listening. The award will be presented annually each October. Criteria for honorees include their contributions to advocacy, compliance, implementation, technology and/or innovation. The recipient of the inaugural award is Bill Register, Director of Facilities & Theater Management, Nederlander Producing Company. Cory Schaeffer, Listen Technologies Co-Founder and Vice President of Business Development, announced the establishment of the annual award, which underscores Listen’s ongoing commitment to raising awareness of hearing disabilities and assistive listening and to acknowledging leaders in these initiatives. The inaugural award was presented to Mr. Register at a private ceremony in New York on October 14.

Cory Schaeffer stated, “Our goal at Listen Technologies is to highlight and express our gratitude to those who endlessly work to help accommodate people with hearing loss, and with that in mind we have established the Listen Champion Award. Our first recipient, Bill Register, is a stellar example of what we honor. His actions to support assistive listening implementation and advocacy are making a huge difference on Broadway, and we acknowledge and appreciate the work he is doing. His efforts are to be applauded.”

For more information on this award and all other inquiries, please email sales@listentech.com.

About Listen Technologies Corporation
Listen Technologies brings power and clarity to the sounds that enrich your life—by overcoming the challenges of noise, distance, lively debate, and hearing loss to deliver precise and personalized audio in any setting or environment. With Listen solutions, you can cut through the clutter and connect to an experience of pure, focused sound. Listen solutions are used in gathering places around the world including schools, houses of worship, factories, entertainment venues, government agencies, and more. For more information on Listen solutions, watch this short video. Contact Listen Technologies at 1.800.330.0891, +1.801.233.8992, or visit www.listentech.com.

CONTACTS:
Listen Technologies Press Contact:
Kim Spencer / Tel: 801-542-7720 / kim.spencer@listentech.com / www.listentech.com

PR Contact:
Robert Clyne / Clyne Media / Tel: 615-662-1616 / Robert@clynemedia.com / www.clynemedia.com/

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HARMAN’s Martin Professional Introduces P3 System Controller Software Version 3.1.0 With Improved Presets and Fixture Placement Tools

MARTIN_P3 Controller FamilyAARHUS, Denmark — HARMAN’s Martin Professional today introduced the latest software update for its P3 System Controller family of LED video processors. Version 3.1.0 includes an improved preset system, placement tools for creative projects, and a host of additional new features for improved functionality and ease-of-use.

“Since its introduction in 2008, Martin’s P3 System Controller has become the industry standard for integrating video and lighting,” commented Wouter Verlinden, Product Manager – LED Video, Martin Professional. “Setting up LED video systems can be a lengthy process. However, the P3’s real time control capabilities paired with the new Version 3.1.0 software allows lighting designers to more easily integrate screen processing as part of the creative process and set up an entire system with a few mouse clicks. ”

The new software’s updated preset system allows fixture/fixture-group positions and rotations to be stored for quick recall of different layouts within the same show, making it ideal for events with moving scenery as well as large-scale festivals.

Also featured in the update are upgrades to wizards and placement tools for even faster handling of creative products, such as Martin’s VC-Dots and VC-Strips. The new placement tools allow for flexible fixtures, such as VC-Dots, to be set in free placement or “snap-to-grid” placement for easier system layout.

Other improvements include full copy/paste support for handling big setups, an updated fixture library sorted by product family for a better overview, and automation integration now supports Tait Navigator, Kinesys K2, and Kinesys Vector.

Software Version 3.1.0 is available for all Martin P3-100, P3-200 and P3-PC System Controllers.

For more information on Martin’s P3 System Controller line, please visit: www.martin.com

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Chartmakers Mastering Stocks Up On Prism Sound Kit

Henkka Niemisto photo credit Christoffer Relander (1024x683)

High profile Finnish mastering studio, Chartmakers Mastering, recently bought both a Prism Sound Dream AD-2 A/D converter and an MEA-2 EQ for its state-of-the-art facility in the Töölö district of the nation’s capital, Helsinki.

Established by Svante Forsbäck together with long-term associate Henkka Niemistö, the studio is celebrating its tenth birthday this year and is as dedicated to high-quality audio mastering services as ever.

“All music styles are more than welcome to use our services,” says Niemistö. “I usually work with pop, dance, hip-hop and electronic music and some metal and rock groups. My clients are mainly Finnish bands and include Husky Rescue, Pepe Deluxe, Sofi De La Torre, Machinae Supremacy and many more.”

Chartmakers currently runs three studios in Helsinki itself and a satellite about 20 minutes to the west in Espoo. Niemistö is a firm believer that the simplest mastering chain of very high-grade equipment delivers the best results. As such, he says that the AD-2 and the MEA-2 have both been on his mind for a long time.

“It was time to finally give them a go,” he says. “Svante and I have gone through pretty much everything on the mastering market, and Prism Sound was, for me, the last largely untested equipment to try.”

The kit was supplied by Finnish distributor Qualitron and Niemistö says that as soon as the converter and the EQ were connected he felt right at home with them.

“They are a joy to use. The converter continues to surprise me, almost every day,” he says. “The EQ has some strange way of adding a sort of ‘glue’ to the master sound — I can’t really explain it. They both definitely bring the game to the next level.”

Niemistö adds that he particularly likes the fact that the converter can drive two different sample rates to different AES/EBU outputs.
“The clock also sounds very nice,” he says. “Since I do a lot of bassy electronic music I love the fact that the EQ goes down to 19Hz and up to 27k.”

Niemistö is using his Prism Sound equipment on all of his current projects where it meshes well into his existing set-up.

“I personally use three Amphion Two18 speakers and two One18s in the back for full surround, and I have a Maselec MTC-2 mastering console,” he explains.

And there might well be more Prism Sound kit added into the Chartmasters slate in the near future.

Niemistö says: “We just got the Prism Sound compressor in to test, and we might have to get that one as well…”

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the de facto standard DSA-1 handheld digital audio generator/analyser and the dScope Series III audio analyser system.

For more information: www.prismsound.com

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