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Christie Velvet and Christie Brio Win ‘Best of InfoComm 2014’

Christie®, the global leader in visual displays and audio technologies, was awarded three Best of InfoComm 2014 honors by rAVe Publications while 70,000 of the publication’s readers voted a Christie 4K product as Favorite Projector. Recognizing Christie for its innovative visual and collaboration technology solutions, rAVe Publications awarded Christie Velvet with Best New LED Wall, the Christie Brio Team + BYOD collaboration system with Best New Wireless Accessory and Christie’s Real-Time Projection Mapping Car App with Best Concept Product at InfoComm 2014.

Christie Velvet LED Wall


High Brightness and ‘Velvet’ Smooth – Best New LED Wall
Christie expanded its line of tiled displays with the introduction of Christie Velvet at InfoComm 2014. The high brightness indoor LED tiles are easy to install, seamless to integrate, and have wide-viewing angles, darker blacks, and low total cost of ownership. Configured according to customer needs, the tiles are built-to-order in 1.875 mm, 2.5 mm, 3 mm and 4 mm pixel pitches. Built for 24/7/365 use, the smart design tiles with their exceptional image clarity are suitable for indoor video wall applications, such as retail, hospitality, corporate lobbies as well as control rooms. Backed by industry-leading warranty and trusted pre/post sales service, Christie’s family of display solutions include a full selection of professional LCD displays, some with tiled and touch options, Christie Entero rear projection cubes, the award-winning Christie® MicroTiles® and now the new Christie Velvet LED display. As a single source provider Christie’s display solutions can be bundled with many options.

Brio Supports BYOD – Best New Wireless Accessory
The Christie Brio presentation and collaboration system is a family of three product solutions that share similar interfaces and control protocols to provide an integrated user experience through one unit. Supporting the ‘Bring Your Own Device” or BYOD environment, the Christie Brio Team, the newest addition to the group, is a ‘plug and play’ unit that makes it easy for individuals to wirelessly stream content onto displays from devices such as PCs, tablets, smartphones. Brio Team+ gives users all the features of Christie Brio Team as well as adding HD video sources to local meeting content, providing the advantage of displaying original video content at native resolutions through DVI-D wired video inputs. And, the Brio Enterprise allows collaborators to not only share and annotate content in the same room, but also enables secure collaboration and sharing of high-quality content between multiple locations as if there were in the same space.

Christie Design Studio: Real-time projection mapping – Best Concept Product
The Christie Design Studio, showcasing a one-fifth Hyphen-created scale model of a Corvette C7 Stingray at InfoComm 2014 demonstrated how imagination can become reality. Tools like projection mapping can be a catalyst to visual communications and the sharing of experiences. The C7 displayed at InfoComm was developed in collaboration with 3DXCITE and Ventuz, and built on top of RTT DeltaGen software – the same tool many automakers use for digital review of new car designs . To bring the car to life, the model rested within a diorama constructed of Christie® MicroTiles® , multiple combined Christie G Series 1-chip DLP® projectors with Christie Twist™ LT for warping and blending. Through projection mapped photorealistic graphics, and by interacting with a touch panel, users could explore design options instantly and customize their vehicle.

Easily deployed in any environment, the Christie Design Studio concept can be used in many settings beyond the auto industry, including retail where clothing can be mapped onto mannequins or where an infinite number of style choices can be mapped onto a shoe. An architectural firm could bring a proposed building model to a meeting and use projection mapping to show the customer how shadows and light will appear at different times of the day or year. A museum could have a large stock of 3D-printed copies of artifacts that could be brought to life by placing them into the projection field. Christie continues to make projection mapping more accessible and easy to use for customers and markets. The company’s new projection mapping resource, with scores of projects done around the world is available as a free downloadable app for iOS devices, Android devices, and as a PDF file.

Christie D4K35 – Readers’ Choice for Favorite Projector
At InfoComm, rAVe Publications surprised Christie senior product manager Mike Garrido on camera with rAVe’s Readers’ Choice award for Favorite Projector for the Christie D4K35, voted on by 70,000 readers. Live Design Magazine also awarded the Christie D4K35 Projector of the Year, with one judge stating, “The quality, color depth, and clarity of the picture created by Christie’s new 4K projector are mind-blowing” and another judge saying “Featuring unbelievable brightness, coupled with stunning resolution, the D4K35 brings vibrancy and detail to the largest events.”

Christie would like to congratulate two of its partners for their rAVE Publications awards. Premier Mounts won Best AV Cart for the PSD-MTC Mobile Cart and rp Visuals for Best AV Mount for its EZ-Louver Mount.

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Prism Sound Shows New Audio Products at IBC 2014

Prism Sound will be attending this year’s IBC convention (8.E34) with a range of new audio products aimed at post production and broadcaster engineers.

The company’s family of audio interfaces has been extended to include Titan and Atlas, both of which will be on show for the first time in Europe.

Titan and Atlas are multi-channel audio interfaces offering recording professionals ultimate quality analogue and digital I/O for Mac or Windows PC at sample rates up to 192kHz via a simple USB interface. In addition to a USB host interface, both units feature the new MDIO interface expansion slot, which can be used to expand its connectivity, for example by adding a direct connection to Pro Tools|HDX systems.

Titan has four microphone inputs, while Atlas has eight and is aimed at multitrack recording applications. Both are designed with Prism Sound’s latest and award-winning CleverClox clocking technology.

At IBC 2014, Prism Sound will also be showing the latest upgrade to its acclaimed SADiE 6 software, the audio recorder and editor of choice by countless national broadcasters. This new version delivers even greater benefits to the mastering community thanks to the inclusion of a brand new toolset for today’s ‘digital download’ age.

New features include WAV Master, which allows users to create WAV files for an entire album using PQ marks to define the start and end of the WAV file for each album track. Track Titles, Artist Name and other information is automatically incorporated into these files. Prism Sound has also introduced a new high quality Sample Rate conversion algorithm and ensured that resolution changes can be applied during the bounce process used to create WAV files.

The new version of SADiE 6 now caters for engineers who want to work with Broadcast WAV (BWF) files, which incorporate ISRC data. An ISRC in BWF feature is included in SADiE’s WAV Master option and is in the SADIE version 6.1 update as part of the ‘Mastering Suite’ and ‘Sound Suite’ packs.

Finally, SADiE has enhanced video support for BlackMagic Design Decklink cards, as well as timecode support on SADiE Native systems where the ASIO audio hardware used supports timecode functionality.

Finally, Prism Sound is showing its full range of Test & Measurement solutions, including the versatile dScope Series III Audio Analyzer. This award-winning unit features a freely-available test suite that can be used to evaluate the performance and compliance of any loudness meter on the market and ensure that a chosen product can deliver both ATSC and ITU BS.1770 compliance.


To find out more about the Prism Sound/SADiE range and to demo the new Titan and Atlas interfaces, please visit stand 8.E34.

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About Prism Sound
Founded in 1987, Prism Sound manufacture high-quality professional digital audio equipment for the International broadcast, film, music production, manufacturing and telecommunications sectors. The company’s product range includes the Prism ADA-8XR precision 8-channel converter unit, which is regularly used for music and film soundtrack projects by clients such as EMI Abbey Road, BBC, Sony, Lucasfilm and Walt Disney. Prism Sound also manufactures a range of audio test and measurement products, including the award-winning dScope Series III audio analyser system.

For more information: www.prismsound.com

RSG Media and Xytech Join Forces to Streamline the Digital Supply Chain

Joint Solution Implemented at One of America’s Largest Spanish-Language Broadcast Networks

(NEW YORK, NY/MISSION HILLS, CA) – RSG Media, purveyor of the dominant media business rights management system and Xytech, the leader in facility management software for the broadcast and media industries, today announced a technology partnership integrating the companies’ flagship products. For content owners taking on the complex task of automating the digital supply chain to maximize the monetization of their content, the joint solution will simplify and streamline their efforts.

As content programmers seek to grow digital revenues by taking advantage of the increasing number of new platforms available to them, they are faced with a time consuming and expensive process, filled with an ever changing variety of requirements, formats and standards. Xytech and RSG’s solution successfully combines rights and order management functions in one system, effectively closing gaps previously found in the digital supply chain.

RightsLogic(r), RSG’s rights management product, helps programmers determine which media assets programmers can use, when, and how (e.g. territories, platforms, languages, formats) it lets them window and schedule the content for maximum profitability. The system handles the financials, from amortization through royalty payments, and it presents usage, revenue and royalty information from every platform in at-a-glance dashboards and custom reports.

Xytech’s MediaPulse platform is a scalable solution automating workflows, managing assets, scheduling resources and offering an end-to-end order and billing system. The platform-independent, browser-based application tracks and manages workflow, resources, and costs from the moment a programmer publishes a schedule through media asset delivery for distribution or play-out.

As the companies have pre-integrated their two systems, programmers can implement a joint solution, gaining the benefits of digital supply chain automation quickly and easily. Xytech and RSG Media have already implemented their solution at one of the U.S.’s largest, Spanish-language broadcast networks.

“Automating the digital supply chain is absolutely vital to our clients looking to leverage the array of distribution platforms available,” said Greg Dolan, COO of Xytech. “Rights management is a key element in the chain, and RSG is the industry leader in this area. Integrating our two systems has already brought us success with a major broadcast client, and it is a win for all of our clients moving forward.”

Thomas Siegman of RSG Media


“Managing and optimizing the digital supply chain can be daunting and costly for organizations,” said Thomas Siegman of RSG. “By pre-integrating RightsLogic(r) with MediaPulse, we’ve taken the burden off of our customers while lowering their costs. Our joint solution already has a proven track record, therefore potential clients know it will work seamlessly for them as well.”

About RSG Media
The world’s leading media & entertainment companies use RSG Media’s expertise and software to maximize revenues from their content and advertising inventories. RSG Media’s RightsLogic is the dominant media business rights management system; it lets content owners & distributors, gaming companies, IP licensors, and sports leagues manage and report on the content lifecycle, including acquisitions, sales, planning & scheduling, and associated financials. RSG Media’s order-to-cash ad sales systems help clients plan and manage deals across all platforms quickly and easily. Their AdVant yield optimization suite uses advanced mathematics to optimize proposals, flighting, logs, and promos, significantly lowering liabilities while generating new revenues. They are headquartered in New York, with offices in London, Delhi, and Mumbai.

About Xytech
Xytech is the leading global provider of facility management software for the media and broadcast industries. For over 25 years, the world’s best media services companies, broadcasters, and transmission facilities have depended on Xytech to run their businesses. Xytech’s collaborative MediaPulse platform is the only end-to-end solution for the complete content lifecycle, providing scheduling, automation, asset management, billing, and cost recovery in a scalable, platform-independent application. Xytech has over 450 software deployments in more than 20 countries around the world, and the company is headquartered in Mission Hills, California, with regional offices in New York and London.

For more information, please visit www.XytechSystems.com or call +1.818.698.4900 (US) or +44 (0)20.7903.5170 (UK).

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Media Contact:
Chris Purse, 818.908.3473
ignite strategic communications
chris@ignite.bz or mimi@ignite.bz

DPA Microphones Capture The Kyteman Orchestra

Front of House engineer Sjoerd Terpstra used a selection of DPA microphones to capture the unique sound of the Kyteman Orchestra when they played six concerts at the Utrecht Tivoli in Holland recently.

The concerts, which took the form of elaborate jam sessions, were all multitrack recorded for subsequent mixing and broadcast on the internet.

“Our aim was to create a library of completely original Kyteman material,” Sjoerd Terpstra says. “None of the songs were written in advance – they were all improvised on the spot.”

Founded by Colin Benders (aka Kyteman), the Kyteman Orchestra plays a mixture of hip-hop, opera and jazz laced with melodies and raw beats. Its first album, The Hermit Sessions, was released in 2009 and was a great success in the Netherlands where it reached the top five of the Dutch Album Charts and sold over 75,000 copies.

Sjoerd Terpstra, who has been working with Kyteman for the last five years, says he chose DPA microphones for this project because he knew they were capable of delivering studio quality from the live stage. The microphones were supplied by Amptec, DPA’s distributor in the Netherlands.

“There are approximately 18 musicians in the orchestra,” Terpstra explains. “We used a lot of DPA d:vote 4099™ Instrument Microphones on strings and horns, a d:dicate 2011A on the drums and percussion and a set of d:screet 4061 Miniature Microphones on the upright piano because they sound amazing, especially at low noise levels. One of the snare drums initially gave me a lot of trouble because it was so low pitched and I just couldn’t get it to sound right, but eventually I used another d:vote 4099 and then it sounded great. The d:vote could handle the low pitch well and gave me enough ‘snap’ to make it cut in the mix.”

Terpstra adds that the d:vote 4099 Instrument Microphones were especially useful because they were able to deliver very isolated sound.

“We were recording on an exceptionally cramped stage so this was an important feature,” he says. “The isolation they achieved gave me tons of possibilities in both the FOH and studio mixes.”

With the latest Kyteman Orchestra project now completed, Sjoerd Terpstra is now working with a number of bands from the Middle East.

“I am hoping to use DPA microphones for some of those projects, too,” he says. “I am always happy with the results I get from DPA so have no hesitation in recommending them to all the bands I work with.”

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

A United ‘Console’ Kingdom

DiGiCo, Allen & Heath, and Calrec Announce the Formation of a New ProAudio Group

HEBDEN BRIDGE, U.K. — Aug. 1, 2014 – The DiGiCo team has spent the last 18 months consulting with Electra Partners about the possible combination of both Allen & Heath and Calrec with the DiGiCo family. The culmination of this brings together three British console companies to create a new professional audio group, while retaining their unique skills, customer relationships, and the identities of each brand.

James Gordon will become Group CEO supported by a strong and talented management team from across the new group. When asked about what this means for the future, James said:

“We have bold plans for the group but it is imperative that each company maintain its own independence and style. None of these brands needs to trade off each other’s technology or reputation.”

“These are three great companies and all the brands currently in the group have enviable reputations for technology, audio quality, reliability, and perhaps most importantly, customer focus and care. The strategy is to share technology and resources across the group and allow some interconnectivity across the product lines.”

“The combined R&D teams are about to enter a new world of possibilities and we intend to take full advantage of their resources, passion, and experience. It’s an amazing opportunity for us, and just maybe the whole British Pro Audio industry.”

Glenn Rogers, Managing Director of Allen & Heath, added, “The creation of the group with DiGiCo and their management is an impressive combination. It will certainly add new momentum to what Allen & Heath and Calrec had already planned for the future.”

Henry Goodman, Calrec’s Sales and Marketing Director, commented that “This exciting formation gives Calrec new opportunities for swifter development of a host of ideas we have been wanting to bring to the market. We will have a vast pool of engineers to share new ideas for the industry and target them specifically to each brand’s needs. Customers can expect us to maintain, and in some areas improve, our very high levels of support and service.”

The complexity of this combination required the effort and support of two of London’s top Private Equity houses. For the first time, Electra Partners and ISIS have pooled resources to support the management of this ambitious vision for the future of U.K. Pro Audio. Charles Elkington, Investment Partner at Electra Partners, said:

“DiGiCo augments our existing investment in the professional audio sector. We have worked hard over the last 18 months to bring together these three successful businesses. We look forward to working with James Gordon and his team to grow the group, while also preserving the distinctive brand identity and excellent customer relationships of each business.”

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About Calrec Audio Ltd.
Calrec Audio is exclusively dedicated to excellence in audio mixing for on-air and live production. A broadcast specialist for 50 years, Calrec has developed a range of digital consoles relied on by the world’s most successful broadcasters. For putting sound in the picture, broadcasters put their trust in Calrec. More information is available at calrec.com and community.calrec.com.

All trademarks appearing herein are the property of their respective owners.

A high-resolution image is available for download from: http://gasolinemedia.jalbum.net/New_pro_audio_group_formation/

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Biamp Systems Offers AV Training Sessions Ahead of InfoComm Mexico 2014

Commercial audio leader continues partnership with InfoComm to provide AV systems training to Spanish-speaking industry professionals

BEAVERTON, Oregon — Aug. 5, 2014 – Biamp Systems, a leading provider of innovative, networked media systems, will continue its partnership with InfoComm International by offering a third training session just prior to TecnoMultimedia InfoComm Mexico 2014. In an effort to help increase the number of trained AV professionals in Latin America, the course, held Aug. 18-20, will allow Biamp(R) partners to understand and troubleshoot the IT networks that support today’s unified AV systems. more

Masque Sound Returns to the Berkshire Mountains to Celebrate 60th Season of the Williamstown Theatre Festival

Efficient Custom Audio Package Features Dante-Enabled Equipment

WILLIAMSTOWN, MA, AUGUST 4, 2014 — When the Berkshire Mountains of western Massachusetts recently came alive for the 60th season of the Williamstown Theatre Festival, Masque Sound, a leading theatrical sound reinforcement, installation and design company, returned to celebrate its 11th season of providing audio equipment and services for the highly acclaimed summer theatre.

Since 1955, the Williamstown Theatre Festival has been bringing together America’s finest actors, directors, designers and playwrights as they present a unique opportunity for artists and audiences alike to revisit classic plays with innovative, new productions. This summer, two internationally renowned powerhouse performers—soprano Renée Fleming and multiple award-winning actress, dancer and singer Chita Rivera—will make their respective Williamstown Theatre Festival Main Stage debuts. The festival’s 2014 season kicked off with the opening of June Moon on the Main Stage and A Great Wilderness on the Nikos Stage. Now playing on the Main Stage are Living on Love and The Visit, while Fool for Love and The Old Man and the Old Moon will round out the Nikos Stage’s summer productions.

To ensure a successful season, Masque Sound provided a comprehensive custom audio equipment package for each of the two stages’ three summer shows. “Prior to the season opening, we start from scratch and work with Masque Sound’s talented crew to map out and create what we envision for the season’s equipment packages,” says Ben Truppin-Brown, sound supervisor, Williamstown Theatre Festival. “This year, we installed a fairly comprehensive, overarching audio system, designed to provide a front end PA that will work across the board, adequately addressing the audio requirements for each of the six shows between the two spaces, while also taking into account the particular needs of each individual show. The challenge is that when one production ends, we only have 24 hours to changeover for the next show. Masque Sound did a great job in helping us lay out the general infrastructure, so that we could very easily drop in the additional components that we needed for the next production.”

New to the Williamstown Theatre Festival this year is the addition of Dante-enabled equipment to Masque Sound’s custom package. “Masque Sound has always been incredibly accommodating to our needs, and when we asked about using the Dante™-enabled equipment for this season, they were happy to oblige,” adds Truppin-Brown. “Using the Dante network makes the distribution of the signal unbelievably simple and efficient. It’s an amazing addition and one that we are thankful Masque Sound made possible for us.”

In addition to the Dante-enabled custom audio equipment package, Masque Sound is also once again managing frequency coordination for the Williamstown Theatre Festival. The company’s expert wireless service team has been on-hand providing approximately 15 channels of wireless for the start of the summer and will be expanding to about 56 channels of wireless for the final two musicals.

The two main stages at the Williamstown Theatre Festival are equipped with an array of Meyer Sound and d&b audiotechnik speakers. The 511-seat Main Stage theatre features a Yamaha CL-5 Digital Mixing Console and the 173-seat Nikos Stage is equipped with a Yamaha CL1 console. All of the signal processing takes place digitally from the consoles to the Yamaha DME64 Digital Mixing Engine before breaking out to analog outputs. For wireless needs, Truppin-Brown utilized the Sennheiser 3000 series transmitters and receivers, supplementing it with Sennheiser SK 5012 and SK 5212 transmitters and EM 1046 receivers.

“One of the reasons why Masque Sound is such a reliable, well-respected company in the industry is because the crew offers a high-level of support to its customers, one that is unparalleled,” adds Truppin-Brown. “We produce shows of a high caliber, and we do it with a young, but talented, crew whose experience levels greatly vary. Equally as important as the production quality of the festival is the educational experience that we provide interns and staff. For most of the people on the Williamstown crew, this shop build was their very first. Masque Sound supports that educational mission through its staff’s willingness to teach and by allowing us to expose our crew to some of the best equipment available. It is an experience that I don’t think any other summer stock theatre can offer and that I don’t think any other shop can give. We could not be as successful as we are without Masque Sound, and we value our relationship with them.”

In addition to the two main stages, Masque Sound also provided custom audio equipment packages to the Goodrich Hall, for the festival’s cabaret performances; the Directing Studio’s workshop productions; and numerous rehearsal and performance spaces in and around the greater Williamstown area. To learn more about the Williamstown Theatre Festival, visit http://wtfestival.org/.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

DVEO Launches Real Time, End to End Pro-MPEG FEC SMPTE 2022 Stand Alone Error Correcting Router for UDP or RTP Traffic

FEC Box IP IP

FEC Box IP IP

San Diego, California — DVEO, the broadcast division of Computer Modules, Inc. (CMI), will soon start shipping their new FEC (Forward Error Correction) device that catches and corrects bit errors in Internet transmissions. DVEO will debut the new FEC Box IP IP at Stand 2.A34 at the International Broadcasting Convention (IBC) in Amsterdam, September 12-16.

The FEC Box IP IP increases the reliability of UDP or RTP IP streams over lossy network transports, and alleviates jitter and packet loss introduced on WiFi, satellite, microwave, cellular, Internet, and other networks sensitive to noise. It is designed for video over IP, streaming live IP camera views, or any application where UDP/RTP audio-visual traffic is used and data loss is possible.

Forward Error Correction (FEC) is a method for finding and correcting errors in data transmissions. Extra data, called checksum packets, are added to the outgoing video stream so that errors can be corrected at the receiving end. The Pro-MPEG Forum, an association of broadcasters and content developers, adopted open standards for implementing FEC when transporting video over IP networks. The FEC Box IP IP is compatible with SMPTE 2022-1, -2, and -3 standards. This ensures high video quality and interoperability with other devices.

“The FEC Box IP IP alleviates dropped or scrambled bits, and it fixes dropped pixels and lines when transmitting video over noisy IP connections,” stated Laszlo Zoltan, Vice President of DVEO. “It enables our customers to stream video or data with reliable delivery. It can also provide SMPTE 2022 based FEC compatibility to devices that don’t support it.”

The compact (4.5 inches/114 millimeters square) device is generally purchased in pairs — one at the transmitting end, and one at the receiving end. However, it also works with other Pro-MPEG compatible devices. To ensure compatibility with receivers that don’t support FEC, the internal structure of the transport stream itself is not modified.

The FEC Box IP IP supports IP UDP unicast and multicast, in or out, and supports both HD and SD H.264/MPEG-4 AVC or MPEG-2 encoded streams.

Supplemental Information for Press Release

Features — GNAT 1080p 60

  • Alleviates packet loss introduced on WiFi, satellite, microwave, cellular, Internet, and other networks sensitive to noise
  • Compatible with SMPTE 2022-1, -2, and -3 standards
  • Inputs/Outputs: UDP/RTP IP streams
  • Supports IP UDP unicast and multicast, in or out
  • Supports both HD and SD H.264/MPEG-4 AVC or MPEG-2 encoded streams
  • 10/100 Ethernet ports – switched for flexible use
  • Software updates can be performed via the Web GUI, or via the USB command stick
  • Will not alter the internal structure of the transport stream (PAT, PMT, etc.)
  • Tested for compatibility between other FEC equipped devices
  • Dimensions: 114 x 86 x 28 mm (4.48 x 3.38 x 1.12 inches)

Suggested Retail Price:
FEC Box IP IP (Usually sold in pairs): $1,195 U.S., each

DVEO and FEC Box IP IP are trademarks of Computer Modules, Inc.
All other trademarks and registered trademarks are the properties of their respective owners.

About CMI and DVEO
CMI, founded in 1982, is a privately held company headquartered in San Diego, California. DVEO, the Broadcast Division of Computer Modules, Inc., sells digital video and high definition television (HDTV) products to the top television broadcast companies throughout the world.

For more information on CMI and DVEO, please contact Rebecca Gray at +1 (858) 613-1818 or rebecca@dveo.com. To download DVEO’s press releases and product images, visit the news section at www.dveo.com.

DVEO, 11409 West Bernardo Court, San Diego, California, 92127
Web: www.dveo.com phone: +1 (858) 613-1818, fax: +1 (858) 613-1815

Biamp Systems Welcomes New Area Manager

Joshua Peterson joins growing global sales team as area manager for Northern Central North America

BEAVERTON, Oregon — Aug. 4, 2014 — Biamp Systems, a leading provider of innovative, networked media systems, today announced the appointment of Joshua Peterson as an Area Manager in North America. Based in Minneapolis, Peterson will be responsible for leading and accelerating the growth of the expanding Biamp(R) business for Northern Central North America. more

New Farm Cinemas Chooses Christie’s Complete Cinema Solutions for Brisbane Cineplex

Christie®, the global leader in visual displays and audio technologies, today announced that its complete cinema solutions comprising the Christie Solaria™ Series projectors and Christie Vive Audio™ cinema systems have been installed in a newly opened cineplex located in New Farm, a trendy inner-city suburb of Brisbane.

Known as New Farm Cinemas, the complex houses six state-of-the-art auditoriums that are color-themed with each theater catered for different purposes and clientele. Meticulously rebuilt over a period of 18 months on the site of a former two-screen cinema known as the Village Twin, the 205-seat Purple Room and the premium Bronze Room with 70 seats are to open to the public on August 1. In particular, the Purple Room is the first theater in Australia to be furnished with Christie Vive Audio solution, which provides an impressive cinematic experience for movie-goers. The installation of this extensive range of cinema solutions was undertaken by Christie and its Australian partner EDGE Digital Technology.

“We applaud New Farm Cinemas for their decision to install Christie’s projection technologies and Christie Vive Audio solution in their refurbished auditoriums situated at this historically and culturally iconic location in Brisbane,” said Lin Yu, vice president, Christie Asia Pacific. “We believe that the performance of our projection and line array speaker technologies provides a great visual and audio experience to every movie-goer and makes New Farm Cinemas one of the hottest destinations in the city.”

The innovative Christie Vive Audio, which offers truly rich, dynamic and detailed sound, unlocks the full potential of the DCI digital cinema audio format and supports leading formats such as Dolby® Atmos™, 7.1 and 5.1 surround sound. Combining the superior audio qualities of ribbon driver technology with the proven high quality performance of a line array speaker design – matched with powerful Class D amplification – Christie Vive Audio is the complete solution that envelopes audiences with dynamic, detailed and captivating sound.

The installation in the Purple Room comprises Christie Vive Audio speakers of varying combinations, including LA1 screen channel speakers, S215 subwoofers (for full range frequency response), S218 for Low Frequency Effects (subwoofers) channels, as well as LA1 and S115 for corner surrounds. Unlike most global Vive Audio installs to date, where surround speakers are mounted on the wall of the auditorium, a corner surround system is specially-designed for the Purple Room as its ceiling has been accorded local and state heritage protection due to its significance as an ongoing cinema since the 1920s.

New Farm Cinemas Chooses Christie’s Complete Cinema Solutions for Brisbane Cineplex

“We are committed in providing our patrons with the best movie-viewing experience by investing in the finest technologies such as Christie’s cinema technologies and equipping our theatres with the most modern facilities at this landmark cinema complex on Brunswick Street,” said Peter Sourris, owner of New Farm Cinemas. “On top of that, we want to extend the experience beyond just watching a film. It’s actually going to be a pretty trendy place to visit, even if you’re not watching a movie. People will come here just for a cocktail. It’ll be like a slice of Hollywood, in Brisbane.”

Besides the immersive aural experience brought about by Christie Vive Audio, audiences can expect nothing but the best visuals from the Christie Solaria CP2215 (equipped with Christie Integrated Media Block solution for seamless conversion and delivery of feature-film and alternative content) and the Christie Solaria One+ installed in the Purple Room and Bronze Room respectively, which utilize the latest generation DLP® Cinema electronics platform. The Solaria Series offers precise vivid color with superior contrast ratios and the light output necessary to light up even the largest auditoriums. The clear choice for any cinema exhibition environment, it is fully capable of providing the world’s most brilliant images, the highest level of content security, the easiest adaptability, operation and maintenance.

Boasting retro carpets, bean bags at the front of each auditorium for couples, arcade games and vintage film memorabilia, New Farm Cinemas is a unique, boutique-style theatre complex that pays homage to the golden age of cinema. Originally constructed in 1921 as the open-air Merthyr Picture Palace, the cinema was remodeled in the 1930s to become the Astor, before transforming into the Village Twin in 1970. The site, bought over by the Sourris brothers in 2013 and rebuilt into a modern 535-seat cineplex, is poised to revitalize this landmark site and turn it into an epicenter of social activity and pop culture. The cinema’s second phase, comprising four extra screens including two Gold Rooms offering top-of-the-range amenities, is currently under construction and is expected to be opened later this year.

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