ASHLAND, MASSACHUSETTS – JUNE 2013: Under a new co-marketing agreement, RF Venue will offer Revolabs® dealers and installers its new directional Remote Antenna Extension System, designed for use with Revolabs’ Executive HD wireless microphone systems.

The wall mounted antenna features 9 dB of gain and a directional pattern, which improves RF signal level and coverage area for installed systems, giving system integrators and designers greater flexibility in locating wireless equipment racks and overcoming RF signal loss over coaxial cables. The Remote Antenna Extension System also features four high-quality coaxial cable leads terminated with N-type connectors and a high-quality eggshell white enclosure, which may be painted to match the color of any interior. The Antenna Extension System is also available bundled with plenum-rated low-loss coaxial cables in lengths of 25, 50, and 100 feet with custom lengths and cable types available.

“We are excited to be partnering with Revolabs to provide this important piece in the wireless signal chain,” commented RF Venue CEO Chris Regan. “The 1.9 GHz frequency band has numerous advantages, such as freedom from interference, but signal attenuation from walls, in between floors, and long coaxial cable runs can make locating equipment a challenge. Our Remote Antenna Extension system for Revolabs overcomes these issues and gives system designers and installers much greater flexibility to integrate the system with the client’s facility.”

“More and more system design consultants and integrators are locating audio/visual equipment racks in dedicated IT equipment rooms, which neatly consolidates a facility’s equipment but poses challenges for wireless signal distribution,” commented Revolabs CTO Tim Root. “The RF Venue Remote Antenna Extension System is a turnkey platform for Revolabs Executive HD products that will greatly facilitate integration and improve system performance in multi-room applications.”

The Remote Antenna Extension System is available directly from RF Venue and qualified dealers may apply at www.RFvenue.com and place orders with the company.

ABOUT RF VENUE RF Venue manufactures wireless audio equipment including remote antennas, RF distribution equipment, and cable assemblies. The company’s primary antenna products include the interference mitigating RF Spotlight, the lightweight foldable helical antenna CP Beam, and the polarization diversity antenna dubbed Diversity Fin. For more information visit: www.RFvenue.com

STOP BY AND SEE US AT RF VENUE INFOCOMM BOOTH #1075 OR REVOLABS BOOTH #2181

New Remote Line Extender and Tempest900 BeltStation Increase the System’s Capabilities

ORLANDO, FL, JUNE 5, 2013 – Clear-Com® is showcasing the latest enhancements to its Tempest Digital Wireless Intercoms at InfoComm 2013 (Booth 921). Included among the offerings is the new Tempest®900 BeltStation, which is equipped with an advanced Planar Inverted-F Antenna (PIFA) to increase its range and wireless coverage. Also new to the lineup is a Remote Transceiver Line Extender that boosts the cable run distance of the systems’ remote antennas. These solutions further extend Tempest’s wireless communications capabilities for outdoor events and mobile productions staged in RF-heavy environments.

The Tempest line of feature-rich wireless intercoms comprises the 2.4 GHz Tempest®2400 and 900 MHz Tempest900 wireless systems in either a two- or four-channel option. Both Tempest systems deliver cutting-edge RF technologies to ensure interference-free communications for all types of venues. The Tempest2400 offers a Seamless Roaming feature, which provides sound engineers with continuous wireless coverage across expanded production spaces, such as such as college campuses and sports arenas. With the Seamless Roaming feature, BeltStation users can migrate between as many as 16 different Tempest BaseStations (coverage areas or zones) without having to change the settings on their BeltStations. This enables audio professionals to fully focus on critical production cues without distraction. Both Seamless Roaming and iSelect Roaming are available to accommodate virtually every application need.

As part of a continuing effort to expand the Tempest system further, Clear-Com is releasing its new PIFA-equipped Tempest900 BeltStation. Increasingly popular in the mobile phone market, the low-profile PIFA has an omnidirectional signal pattern that can receive a connection from any direction. Backward compatible with Tempest900 firmware version 3.0, the new BeltStations are fully compatible with both two- and four-channel versions of the Tempest900 BaseStations and BeltStations. The longer wavelengths and wider symbol width of this band allow the system’s signals to permeate dense walls and other structural objects more easily. This feature increases the range of the system and reduces any potential loss of audio.

Clear-Com will also unveil its new Tempest Remote Transceiver Line Extender. One Line Extender increases the systems’ cable run by 3,000 feet, while two or more Line Extenders can increase it by 2,000 feet per Line Extender. A total of three Line Extenders can be connected to provide total coverage of up to 7,500 feet. With this functionality, users can deploy larger systems with longer cable runs from the BaseStation.

About Clear-Com®
Clear-Com, an HME company, is a global provider in professional voice communications systems since 1968. We develop and market proven intercom technologies such as Analog & Digital Partyline, Digital Matrix, Wireless and Intercom-over-IP systems for critical communication applications in broadcast, performance venues, military, government and enterprise markets. Recognized for our legacy of intercom innovations, production teams around the world have come to depend on Clear-Com for clear, reliable and scalable communications solutions. For more information, please visit www.clearcom.com.

Engineering Excellence, Creativity and Innovation Deadlines Also Approaching

(Hollywood, CA) The Hollywood Post Alliance has announced that several important deadlines are approaching for the 8th Annual HPA Awards Call for Entries. Early Bird pricing, which will end June 14, 2013, provides reduced entry fees for the Creative Categories. The Creative Categories cover feature film, television and commercials and include Outstanding Color Grading, Editing and Sound, as well as an expanded Visual Effects category, which replaces the Compositing categories. Regular, non-discounted entry fees will apply for these categories from June 15 through the final Creative Category entry deadline of July 12, 2013. The final entry deadlines for the HPA Engineering Excellence Award and the HPA Judges Award for Creativity and Innovation are also nearing.

In addition to the Creative Categories, there are two awards that draw attention to other areas of post production with upcoming deadlines – The Engineering Excellence Award, which spotlights the companies and individuals bringing technical and creative ingenuity to the real world of post production while raising the profile of breakthrough technologies within the industry; and The HPA Judges Award for Creativity and Innovation in Post Production, which was conceived to recognize companies and individuals who have made significant achievements and pushed the envelope forward in post production, whether in creative storytelling and/or technical innovation. Valid entries should demonstrate new approaches in tools, workflows or ideas from a technical, creative or efficiency perspective. Both Engineering Excellence and the Creativity and Innovation Award are accepting submissions through June 21, 2013.

The period of eligibility for the HPA Awards Creative Categories is September 11, 2012 through September 3, 2013. To be considered eligible, work must have debuted domestically and or internationally during this period. Entrants need not be members of the Hollywood Post Alliance or working in the U.S. to submit work for consideration. The HPA Awards will take place November 7, 2013 at the Skirball Cultural Center in Los Angeles.

Attracting attention for the companies and individuals who work creatively and technically to bring vision to reality, the awards are the standard by which creative and technical excellence in the art, science and craft of post production is measured.

Contact Eileen Kramer at 213-614-0860 or write to ekramer@hpaonline.com for information about sponsorship opportunities for the 2013 HPA Awards show. For more information about the HPA Awards, visit www.hpaawards.net, write to info@hpaawards.net or call 213.614.0860.

About the Hollywood Post Alliance(r)
Hollywood Post Alliance (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media and other dynamic media content.

About the HPA(r) Awards
The HPA Awards were created to foster awareness of post production, promote creative and technical excellence, recognize the achievements of post production talent, and build involvement in the Hollywood Post Alliance.

# # #

Media Contact:
ignite strategic communications
p: 818.980.3473
Christine Purse, chris@ignite.bz or
Mimi Rossi, mimi@ignite.bz

Ambient light. Room size. Projector specs. Content. All of these variables can have an impact on the projected image, and on the selection of the appropriate projection screen material. During InfoComm 2013, Draper Inc. will offer a training course to help.

Draper National AV Consultant Steve Cook will present a basic course on which projection screen materials work best for applications with various lighting conditions, screen sizes and content.

The class will be offered Wednesday, June 12 from 8:30 – 10:00 AM. The session ID for this intermediate level course is MT60, and is worth 1.5 RUs.

Steve Cook has over 30 years in the AV industry with product and applications engineering experience from a variety of manufacturers in the projection industry starting with Kloss Video in 1981. Steve is National AV Consultant Manager at Draper.

To register for Draper’s course, visit www.infocommshow.org, click on “Attendee,� then “Education.� At the bottom of the Education page, click the “Search All Sessions� button, and search for “MT60� in the search box on the left side of the page.

New offerings include Broadcast Content Acquisition,
Multi-Language Media Analysis, and Live Stream Monitoring in the Cloud

Newark, CA – Digital Nirvana is introducing new services and technologies for media monitoring companies at the International Association for Measurement and Evaluation of Communication (AMEC) show, June 5 to 7 in Madrid, Spain. Digital Nirvana is a Silver Sponsor at the event.

With the launch of the new Broadcast Content Acquisition service, Digital Nirvana becomes an end-to-end service provider, handling everything from TV and radio content acquisition to media analysis and custom reporting.

“Our end-to-end approach is what makes Digital Nirvana stand out,� said Vishnu Beri, COO at Digital Nirvana. “Thanks to our advanced technologies, we can now acquire, analyze and customize broadcast content delivery for our media monitoring customers. We also deliver cost benefits that help reduce operating expense and improve margins for our clients.�

Digital Nirvana is also launching a Multiple Language Media Analysis service. Previously, this service was available in English only. Now it is available in French, German, Spanish, Portuguese, Arabic and all Indian languages.

Also making its European debut is AnyStream IQ – the industry’s first live stream media monitoring solution. This cloud-based software-as-a-service helps broadcasters record, log and monitor live streamed media, validate ad runs, prove web captioning compliance, and cut clips for easy sharing. This new solution made its North American debut at the National Association of Broadcasters (NAB) show in Las Vegas, Nevada USA.

Other Digital Nirvana services highlighted at AMEC 2013 include media content management, news report generation, broadcast news summarization, and transcription.

The company is also featuring its flagship Monitor IQ broadcast monitoring system used by leading broadcasters worldwide, as well as the MediaProTM content repurposing system, and the Repeat Audio Detection (RAD) system for song and ad tracking.

Learn more at www.digital-nirvana.com.

About Digital Nirvana

Since 1996, Digital Nirvana has been empowering customers with innovative knowledge management technologies. By combining media and digital technology expertise, Digital Nirvana makes it possible for organizations to streamline operations and gain competitive advantage with advanced product and service offerings. The company’s portfolio includes the industry-leading Monitor IQ broadcast monitoring system, AnyStream IQ live stream monitoring solution, MediaPro content repurposing system, and repeat audio detection systems (RADS) for song tracking and ad tracking. A comprehensive service portfolio includes media monitoring and analysis, market intelligence and analytics, learning management services, and professional services. Digital Nirvana is headquartered in Newark, California with offices in Hyderabad and Coimbatore, India. For more information visit www.digital-nirvana.com.

Richard Crudo Named President

(LOS ANGELES, CA) – The Board of Governors of the American Society of Cinematographers (ASC) has held its annual election to appoint its new slate of officers. Richard Crudo will serve as president, along with Vice Presidents Owen Roizman, Kees Van Oostrum and Lowell Peterson; Treasurer Victor J. Kemper; Secretary Fred Goodich; and Sergeant-at-Arms Isidore Mankofsky.

The members of the Board, elected in May by the organization’s active membership, include: Curtis Clark, Dean Cundey, George Spiro Dibie, Richard Edlund, Fred Elmes, Francis Kenny, Matthew Leonetti, Stephen Lighthill, Michael O’Shea, Rodney Taylor and Haskell Wexler. Alternate Board members consist of Kenneth Zunder, Steven Fierberg, Karl Walter Lindenlaub, and Sol Negrin.

“I am honored to have another opportunity to serve this great organization,” says Crudo, who previously served three terms as ASC president from 2003 through 2005. “Our 94-year history makes us the longest standing group in the motion picture industry. As always, we will be aggressively promoting our art and craft, as well as the related interests of cinematographers everywhere.”

The ASC carries out its mission of inspiring the next generation of filmmakers through many industry events and initiatives, such as its Student Heritage Awards, Breakfast Club seminars, panel discussions by their Education and Outreach committee, the burgeoning Friends of the ASC membership level, and the org’s ongoing collaborations with other industry associations vital to the image-making process.

“I want to thank Stephen Lighthill for his hard work and dedication during the past term,” Crudo adds. “We operate in an astonishingly fast-moving world, and I look forward to working with him and the other Board members as we expand our efforts on all fronts, from pre-visualization through post-production and image delivery.”

Crudo is also a member of the Academy of Motion Picture Arts and Sciences, serving as an Academy Governor and Chairman of the Cinematographers Branch. In addition, he has chaired and co-chaired the ASC Awards for several years throughout the past decade.

Born and raised in Brooklyn, New York, Crudo began his film career as an assistant cameraman. As a director of photography, he has shot a wide range of feature, television and commercial productions. Among his feature credits are Federal Hill, American Buffalo, American Pie, Music From Another Room, Outside Providence, Down To Earth, Out Cold, Grind, Brooklyn Rules, and My Sexiest Year. He has also directed several independent films, and currently shares cinematography duties with Francis Kenny, ASC on the popular FX Channel series Justified.

ASC was founded in 1919. There are 330-plus active members today who have national roots in some 20 countries. There are also 150 associate members from ancillary segments of the industry.

For additional information about the ASC, visit www.theasc.com, or join ASC on Facebook at http://www.facebook.com/the.ASC and American Cinematographer magazine fan page at http://www.facebook.com/AmericanCinematographer.

# # #

(Photos available on request)

Media Contacts:
ignite strategic communications
Sally Christgau / Lisa Muldowney
sally@ignite.bz / lisa@ignite.bz
818.980.3473

New Fiber-Optic Tri-Loc® Camera Connectors Set a New Standard in SMPTE Options

ORLANDO, FL, JUNE 5, 2013 – The RapcoHorizon Company, a leading manufacturer of audio/video interfacing and cable equipment, showcases Pro Co Data’s SMPTE 304 Connectors at InfoComm 2013 (Booth 709). The new Fiber-Optic Tri-Loc camera connectors are compatible with all connectors in the field, making them ideal for high-end, live-broadcast productions.

Extremely rugged and reliable, the connectors are comprised of the heaviest gauge stainless steel available on the market. They also feature a low-loss Telcordia® GR-326 fiber-optic endface geometry core, perfect for today’s cinematic and broadcast productions. With industry-standard options such as a quick disconnect push/pull self-latching system and ARIB/EBU and ANSI/SMPTE compliancy, the SMPTE 304 Connectors are among the highest-performance options on the market.

“The composition of our SMPTE 304 Connectors makes them perfect for use in broadcast trucks and studios and at sport stadiums,� says Josh Welsh, technical services manager for Pro Co Data, a RapcoHorizon Company brand. “The steel construction provides the durability necessary for continuous use in the field, while the fiber optic connectivity interfaces with today’s digital cameras. Both of these features put Pro Co Data’s SMPTE 304 connectors at the top of their class.�

Customers can choose between Belden-, Furukawa- or RapcoHorizon-brand wires for a complete cable system. Custom reel options also give the user control over how and when to deploy the cable system.

The RapcoHorizon Company, located in Jackson, Missouri, is one of the world’s largest manufacturers and suppliers of audio, video, home theater, data and telecommunications interfacing products. Comprising RapcoHorizon, Momentum, Pro Co, Pro Co Data, RAT, RoadHog and StageMASTER, each RapcoHorizon Company brand has developed a reputation in many industries for reliability, and superior sound performance. Used worldwide by concert touring sound companies, video and sound contractors, recording studios, system integrators, audiophiles and musicians, the company’s products provide optimal flexibility and premium performance. The RapcoHorizon Company also has a state-of-the-art Custom Shop to modify existing products or build new devices to meet any need. For more information, please visit the company’s Web site at www.rapcohorizon.com.

With its completely customizable design, RS-232 routing capabilities, integrated Power over HDBaseT and near-limitless selection of input configurations, Wyrestorm’s MX-PP-POH is the company’s most flexible, scalable, fully featured HDBT matrix yet.

Memphis, TN – June 5, 2013 – Wyrestorm, a global manufacturer that specializes in the design and development of innovative HD distribution products, takes truly custom AV distribution to the next level and new price point with the introduction of the MX-PP-POH Pro Plus Matrix, a totally modular, built-to-order addition to Wyrestorm’s popular Pro-Plus line of HDBaseT™ matrices, that is compatible with all leading control systems. The MX-PP-POH (power over HDBaseT) provides commercial and custom residential system integrators with the utmost in switching and installation flexibility thanks to its choice of eight or 16 fully customizable expansion bays, RS-232 control signal routing, and Power over HDBaseT capabilities—all backed by an extensive nationwide dealer training program to start in August 2013.

Building on the HDBaseT foundation at the heart of Wyrestorm’s Pro-Plus line, the MX-PP-POH supplies HD video, high-resolution audio, RS-232 and IR, as well as low voltage power via a single Cat5e/6 cable (removing the need for power supplies for each display receiving device), making it more convenient than ever before for installers to deliver feature-rich multimedia distribution systems with rock-solid reliability, enhanced flexibility, and the utmost in scalability.

Starting with a clean, 8 module compact chassis that measures only two rack units high or a 16 module chassis at three rack units high, dealers will be able to take advantage of Wyrestorm’s new, intuitive online web widget to configure the MX-PP-POH with a near-limitless combination of both analog and digital transmission cards, custom-tailored for both residential and PRO AV applications. Wyrestorm provides design ideas and concepts so integrators can easily identify configurations to meet various applications – as a boardroom presentation switcher, enhanced HDBT splitter, or a full HD video and audio distribution solution for a large scale entertainment and commercial display systems.

Examples of the numerous modular transmission card configurations include:

• An HDMI input card with HDBT 70m output (with embedded RS232 transmission), a mirror HDMI output, IR transmission, and Power over HDBaseT —the perfect choice for use with AV receivers or activating a slave outputs by using a Wyrestorm extender product. This card provides 16 or 32 active outputs depending on chassis selection.

• A DVI input card, with HDBT 70m output (with embedded RS232 transmission), IR transmission, and Power over HDBaseT—ideal for professional AV applications that don’t require audio distribution.

• An analog audio input card with HDBT 70m output (with RS232 transmission), a mirror HDMI output, IR transmission, and Power over HDBaseT —perfect for adding audio-only devices such as iPod docks, audio zone players, and media servers to your AV distribution system removing the need to run duplicated digital/analog audio products

• A VGA plus stereo audio input card with, supporting resolutions from 640×480 up to WUXGA 1920×1200.

• And non-switching HDMI Pass Thru card with HDBT 70m output (with RS232 transmission), IR transmission, and Power over HDBaseT for use with cascading matrix devices making systems such as 16×32, 16×48. This card will also be used for HD to IP wireless streaming video preview function which is a feature within the new Enado user interface due for release later this year.

• A simultaneous SPDIF Optical Out/Stereo Audio Output card HDBT 70m output (with RS232 transmission), IR transmission, and Power over HDBaseT—designed to provide local AV receivers or traditional multi-room amplifiers with digital or analog audio.

Owing to the MX-PP-POH’s modular design, on-site changes or updates will be easier than ever before, and dealers will have the flexibility to craft truly custom matrices, in configurations as diverse as 3×8, 4×8, 6×8, 8×12, 6×14, 12×16, 10×32 or any permutation in between. Add Wyrestorm’s AMP-001-010 HDBaseT Amplifier for zone amplification and video output, and you have a self-contained, one-brand video and audio distribution solution with full HD capabilities, with EDID management, HDCP compliance and complete control of all connected devices.

All MX-PP-POH orders will be assembled to the custom specifications of dealers in US and EU, with local delivery within 10 days of order, with optional custom delivery timing. Pricing of each unit will be dependent upon the dealer’s custom specifications. In addition, Wyrestorm’s line of non POH Pro Plus matrices, MX0404-PP, MX0606-PP, MX0808-PP and MX0808-PP-AUD, will continue at a new lower price point which will open HDBaseT stability to all dealers & projects regardless of project size or budget.

For more information about Wyrestorm Pro AV Solutions, visit www.wyrestorm.com.

At the Marina at Pier 57, Christie® M-Series HD projectors are helping visitors “travel� through New York City by creating a multi-sensory experience for The Interactive New York (T.I.N.Y) exhibition, an interactive multimedia art installation by video artist Garson Yu. The exhibit is inspired by New York City as a living organism, and will let visitors interact with video and sound reminiscent of traveling in the city.

The interim art space, created at the entryway to Pier 57, features a “magic carpet� sculptural installation of 36 hanging shipping containers designed by Madrid-based architecture firm CH+QS Arquitectos. Eight Christie HD10K-M 1080 HD 3-chip DLP® projectors create a special interactive experience within the space, projecting moving images onto the containers of everyday life in New York, including subway scenes and scenes of childhood memories. Displayed in brilliant HD and using the projectors’ embedded warping, blending and color matching capabilities, the images help to simulate a virtual subway train – with visitors traveling from end to end, passing through the containers as one would walk through the different cars of the train. There is an ambient audio track built around the rhythmic rumble of a subway train and layered with city sounds. Walking further into the installation, visitors become participants, and are encouraged to yell and make different vocal sounds into microphones that trigger motion of the visuals.

“We are thrilled that the versatility, brightness, and interactive qualities of the Christie M- Series projectors have provided Garson Yu with an ideal medium for expressing and realizing his artistic vision,� said Kathryn Cress, vice president of global and corporate marketing for Christie. “His exhibit has brought to life a unique and creative idea that can now be enjoyed by many, with each visitor engaging with the experience in their own personal way.�

Garson Yu said, “As a student, I always wanted to design children’s playgrounds, and this is an opportunity to create something almost like an interactive carnival for families and people of all ages to come play and have fun. My hope is for this to evoke the richness of a full range of memories and emotions. I’m bringing the kind of thinking behind the film projects that I work on in Hollywood, and the Christie projectors are essential to helping me create an immersive, interactive experience that affects everyone based on their personal memories. New York is an important part of my artistic life, and it is great to come back here with this show.”

The Christie HD10K-M is a flexible, high performance 3-chip 1080 HD DLP® digital projector featuring high efficiency and brightness, drawing a maximum power of 1320W. Embedded warping, blending and color matching, along with built-in portrait capabilities provide ideal installation flexibility.

London, UK, June, 2013 — SIM2 is proud to announce the 2013 SIM2 World Road Show. This international event will showcase the company’s latest technological achievements and will give retailers the unique opportunity to enjoy a hands-on experience of our new products, and to further develop the knowledge needed to be successful in the CI industry.

<em>

The road show will kick off on 12th June at the Essential Install Live! Southern Show in the UK. SIM2 will be taking over the Sports Bar at Sandown Park, transforming it into a real cinema. There will be demonstrations of the latest cinema solutions from the company, such as the ultra high-end CINEMAQUATTRO projector and latest iterations of the multi-award winning LUMIS 3D and SIRIO lines.

This is the first in a series of events which will be held in various locations around the world – touching all five continents – during the course of the next three months, with the objective of outlining SIM2’s strategy for the CI market and unveiling some of the main technological developments planned for the next few years. Senior SIM2 personnel will be present at each event to deliver a series of keynote addresses.

Question and answer sessions will also take place to further explore the topics raised, including the many benefits of being a SIM2 business partner.

UK EVENT DETAILS
When: 12 June 2013
Time: 9.30 am to 5 pm
Where: Essential Install Live!
Southern Show
Sandown Park,
Esher, KT10 8AN, UK

Check our ‘events’ web page at www.sim2.com for further information about the forthcoming SIM2 Road Show 2013 dates and venues.

About CINEMAQUATTRO
Developed using 1.38� 3-chip DLP® platform (4K), the Cinemaquattro produces darker blacks and brighter whites along with the widest color gamut range. Flexibility is also key in terms of performance. Cinemaquattro allows for the use of different lamp powers depending on your application needs. The motorized lens mount, user replaceable lamps and field alignable DMD’s ensure that set up is fast, and maintenance time and costs are reduced.

About LUMIS 3D
The Grand Cinema™ LUMIS 3D line achieves extraordinary picture quality through the partnership of the latest 0,95� 1080p DC4 DLP® chipset from Texas Instruments, the precision optics of SIM2’s ALPHAPATH™ light engine, and 3D Triple Flash technology (144 Hz) for a smoother, natural, and fatigue-free 3D viewing experience. No other projector technology can match the superb color depth, excellent contrast ratio (up to 30.000:1 with Dynamic Black™ in 2D mode) and exceptional brightness (up to 5,000 ANSI Lumens in 2D mode) that the LUMIS 3D line is able to deliver.

About SIRIO
This new 1-chip 3D DLP® projector is designed for use in home entertainment systems where the demand for high light output is mandatory. SIM2’s SIRIO delivers images with both very high brightness (up to 6,000 ANSI lumens) and high contrast (up to 6000:1). An extensive array of connection possibilities is available with the SIRIO, including: HDMI 1.4 and LAN inputs. Systems integration is another of the SIRIO strengths; it will integrate seamlessly into any room thanks to a choice of 5 lenses available.

For more information on SIM2 USA please visit www.sim2usa.com.