A virtual press conference from Sound & Video Contractor

Archive of the Company Announcements Category

Atlona(R) Hires Roger Takacs as National Sales Manager for Commercial Accounts

SAN JOSE, Calif. — April 1, 2014 — Atlona(R), a leading AV distribution solutions provider, today announced it has chosen Roger Takacs as its national sales manager, commercial. Takacs is responsible for working closely with distributors, dealers, consultants, and end users in the North American AV market to grow and manage the commercial segment of Atlona’s business. more

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Company Announcements, News |

FLOVEL to Introduce High-Sensitivity HD Camera at NAB 2014

Camera’s 3 HbCMOS Color Sensor Offers Supreme Color Fidelity, Reduced Noise, and Enhanced Sensitivity

Tokyo, Japan – At next month’s NAB Show in Las Vegas, FLOVEL Company Japan, a FOR-A Corporation group company, will unveil its new FZ-B3 ultra high-sensitivity HD camera. The company will showcase the FZ-B3 within FOR-A’s NAB booth (C5117).

FLOVEL FZ-B3 camera has an unprecedented low-light sensitivity of 0.003 lux for color motion shooting. Employing 3 HbCMOS technology, its three CMOScolor image sensor enables operators to capture high-fidelity color images with low noise at high sensitivity. The new compact camera records in 1080i (59.94Hz or 50Hz) and 720p (59.94Hz or 50Hz) HD-SDI formats.

Superior color fidelity combined with enhanced low-light sensitivity makes the FZ-B3 ideal for demanding high-resolution applications, such as: surveillance, microscopy, ecology observation, day/night policing and traffic control.

“Our new HD camera employs state-of-the-art imaging technology to produce high-quality HD color video reproduction at light levels as low as mere moonlight,” said Mr. Susumu Hotta, Senior Managing Director, FLOVEL. “We’re looking forward to showcasing this new camera at NAB, and are proud to offer it for use in a variety of demanding HD imaging applications throughout the world.”

The FZ-B3 marks FLOVEL’s latest addition to its high-end HD specialty camera line, which includes the FZ-B1 ultra high-sensitivity camera for day and night observation. The FZ-B1 has been used for Aurora observation in Alaska, night time observation from a space station, and deep sea shooting.

The FZ-B3 will be available in June of this year. FOR-A is the exclusive distributor of FLOVEL brand cameras in the U.S., Europe, Middle East, Africa, and Asia.

About FLOVEL

FLOVEL Company, based in Tokyo, is a manufacturer of specialized cameras such as ultra-high sensitivity cameras, super high resolution cameras, sports analysis systems, and golf simulation systems. FLOVEL is known to the industry for its 3D cameras, as well as its development of specialty medical microscopy cameras and machine vision cameras. http://www.flovel.co.jp/english/

About FOR-A

FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 714-894-3311 or visit our web site at www.for-a.com.

Calrec Audio Commits AoIP Interface Support to Global Customers

HEBDEN BRIDGE, U.K. — April 1, 2014 — Calrec Audio has committed support to AoIP networking by announcing its membership in the RAVENNA community by entering into a partnership agreement with ALC NetworX, the company behind RAVENNA. The announcement demonstrates Calrec’s commitment to developing RAVENNA- and AES67-compatible AoIP interfaces for its range of audio consoles through the Hydra2 network. more

SMPTE(R) Extends Access to Society Resources With Launch of Mobile App

Free App Provides Direct Access to SMPTE’s Membership, Education, and Standards Resources on Smart Devices

WHITE PLAINS, N.Y. — April 1, 2014 — The Society of Motion Picture and Television Engineers(R) (SMPTE(R)), the worldwide leader in motion-imaging standards and education for the communications, media, entertainment, and technology industries, today announced the release of its new mobile application for use with iOS, Android, and Web-based operating systems. more

NAB 2014: Digital Nirvana’s Open Media Appliance Offers Industry-Leading Price for Performance

Fremont, CA – Digital Nirvana will showcase the latest version of its Open Media Appliance, a feature rich platform for its Monitor IQ broadcast monitoring and MediaPro content repurposing systems during the NAB 2014 convention, to be held from April 5-10th at the Las Vegas Convention Center. Digital Nirvana will exhibit in Booth #SU11017.

The Open Media Appliance is a true hybrid appliance with the ability to accept multiple input formats in one unit. “Our Open Media Appliance is a single, versatile server that helps broadcasters dramatically reduce their hardware expense associated with monitoring and content repurposing,” said Arco Groenenberg, Director of Sales and Marketing for Digital Nirvana. “With our solution, customers can do more with less hardware.”

Open Media Appliance

Digital Nirvana’s cost-effective open platform accepts a wide range of inputs, including SD/HD SDI, ASI, ASI-IP, ATSC, and QAM. Supported formats include 50 Hz, 60 Hz and DVB-T/C/S2. Digital Nirvana’s cable card technology records from encrypted cable feeds in full HD – allowing for direct cable and off-air antenna recording and expansion up to hundreds of channels. It also delivers 30/60/90 days of low-res or 1/7/14 days of high-res storage.

This appliance includes NAS Connect which allows users to push recorded files to storage and then easily manage and search recorded media in the NAS. The appliance also includes: a Linux operating system, industrial grade server with Raid 6HDD, built-in redundant power supplies, and system alerts – all incorporated into a 2- or 3-RU device.

About Digital Nirvana

Since 1996, Digital Nirvana has been empowering customers with innovative knowledge management technologies. By combining media and digital technology expertise, Digital Nirvana makes it possible for organizations to streamline operations and gain competitive advantage with advanced product and service offerings. The company’s product portfolio includes the industry-leading Monitor IQ broadcast monitoring system, AnyStream IQ OTT monitoring solution, and the MediaPro content repurposing system. A comprehensive service portfolio includes media monitoring and analysis, market intelligence and analytics, and learning management services. Digital Nirvana is headquartered in Fremont, California with offices in Hyderabad and Coimbatore, India. For more information visit http://www.digital-nirvana.com.

HARMAN’s AKG Enters the Aviation Market with Introduction of AV100 Headset

VIENNA, Austria – HARMAN’s AKG today announced it is expanding into a new market with the introduction of its AV100 aviation headset, the company’s first headset designed for general aviation pilots. The AV100 utilizes proprietary hybrid noise-reduction technology to block cockpit noise and offers features specifically designed for aviation use. The AV100 was developed in collaboration with pilot Hannes Arch, a member of the Red Bull Air Race Team and Red Bull Air Race World Series champion.

“When AKG approached me to collaborate on their first aviation headset, I was totally confident that we could create the best product of its kind,” said Arch. “By combining my piloting experience with AKG’s more than 65 years of experience in acoustical design, I am confident we have set a new standard for aviation headsets.”

The AKG AV100 employs exclusive AKG-developed hybrid active noise-cancelling technology and signal processing that is calibrated to most effectively attenuate the specific frequencies heard within an airplane. The addition of a superior audio reproduction system creates the most enjoyable and relaxing listening environment within today’s market. The AV100 incorporates top-quality drivers and electronics to deliver clear, intelligible speech and music reproduction. It has a built-in microphone and boom that can be mounted on either the left or right side of the headset. The windscreen is washable, replaceable and a spare is included in the premium carrying bag.

The AV100 offers a number of additional aviation-centric features. It has built-in LED map lights on each ear cup that provide illumination during night flights or added visibility in cockpits with dim lighting. Its cable-mounted control unit offers Bluetooth connectivity and an AUX input enabling wireless or wired interfacing with navigation devices, tablet PCs, phones or other devices. An adjustable automatic input switch lets the wearer set his or her audio preferences so that intercom messages take precedence over other channels if so desired. The headset has a 6-pin LEMO connector and a standard dual-plug adapter is included. The AV100’s large padded ear cups and headband ensure lasting comfort even during long flights.

The AKG AV100 comes with a premium carry bag with enough spare space for sunglasses, navigation devices, a tablet device and more.

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

DK-Technologies Launches Entry Level DK T7 Audio Meter at NAB 2014

Just months after launching its versatile DK T7 audio meter, DK-Technologies is using the NAB 2014 platform to launch a brand new, entry level version of this ground-breaking product (Booth N1202 in conjunction with Ward-Beck).

The DK T7 Stereo is aimed squarely at engineers who are only working with stereo audio, whether that be in radio, post production or recording music for subsequent CD release. Designed to be intuitive, the DK T7 Stereo has an easy to use, fast responding touch interface that makes it a breeze to set up and operate. Like its DK T7 big brother, the DK T7 Stereo offers high precision features and functionality at a highly cost effective price – just €2895 or USD 4890 MSRP. Its extensive feature-set includes industry compliant Loudness readings, Vectorscope, FFT spectrum analysis and Loudness Logging and Reporting.

“We recognized that our DK T7 audio meter was perfect for engineers working in stereo, but that we could reduce the cost to them by removing multichannel capabilities and SDI interface,” says Uffe Kjems Hansen, Product Marketing Director of DK-Technologies. “Therefore we have targeted the same tools for stereo metering, and made it a much more cost-effective bargain.”

The DK T7 Stereo includes balanced and unbalanced AES I/O, Analogue stereo inputs, headphone outputs as well as HDMI for external screen view. It is available as a stand-alone desktop or a 19” rack mounted unit. DK-Technologies can also offer in-console mounting options for console manufacturers and customers who prefer their meter to be integral to their desk.

-ends-

About DK-Technologies
DK-Technologies develops and produces audio meters, video waveform monitors and video sync and test signal generators. Alongside its worldwide distributor network, DK-Technologies also operates branch offices in Denmark, Germany, UK and USA. www.dk-technologies.com

3G Productions Supports Marc Anthony In The Round At Barclays Center

Marc Anthony recently capped off a series of successful engagements at Atlantic City’s Boardwalk Hall, the Mohegan Sun Arena and Prudential Center with a triumphant Valentine’s Day weekend performance in the round at Barclays Center in Brooklyn.

After successfully providing audio for the first three venues, 3G Productions was faced with the task of ensuring even coverage for Anthony and his 15-piece orchestra performing in the round from a revolving stage in the cavernous arena.

Asked about the challenges, 3G Crew Chief Will Taylor explained, “the biggest was taking the tour from a typical end stage configuration with 70 boxes to over 128 enclosures in the round. We used d&b J-Series during the tour and for Barclays, we flew four hangs of 14 for the longer throws at the ends of the arena and four hangs of 18 for the sides to get the vertical coverage we needed because the building is so tall, over 110 feet to the top seats. We also had 16 d&b J-sub and 8 J-Infra subwoofers that we combined with the barricades because the concert was sold out and we didn’t have the real estate to put them where we normally would.”

“The show sounded great,” Taylor continues, “but we had so many amps for the 360 degree coverage, we needed about 150 ft. of cable bridge to get from one end of the arena to the other with upwards of 400 ft. cable runs per cluster. But even with all of the musicians, background singers, boxes, cable, inputs and additional techs, the client was very happy with the coverage and how the show turned out.”

In this case, the client was Production Supervisor Roly Garbalosa who oversaw the tour for Marc Anthony and CMN (Cardenas Marketing Network). Roly was also fully aware of the challenge: “This was Marc’s first U.S. performance in the round with an orchestra that included 3 trombones, 2 trumpets, 3 percussionists, 3 background vocalists, keyboard, bass, guitar and piano rotating 360 degrees back and forth all night. Besides the eight J-Series hangs, we had 8 sidefill points hung with 3 d&b Q10s each because Marc relies heavily on those, especially for this situation.”

“I’ve known 3G Productions for a long time and typically they do a great show and are very professional. The key to this concert was the advance planning which we needed because we were hanging over 100 points on the same day. We came in at 5am, marked the floors, started working a six and were still polishing details at doors.

“As it turned out, the show sounded amazing and everyone really enjoyed it, including Marc. He brought us in after the show––which is rare––and gave us all high fives. He loved the sound and had a lot of fun.”

The overall system for this massive undertaking also included “racks and racks” of d&b D12 and D80 amps for house and monitors; d&b M2, M4 and Q1 speakers and B2 subwoofers for monitors; a DiGiCo SD7 for Front of House and SD10 for Monitors; Shure PSM 900 and Sennheiser G2 in-ear monitors; Shure, Sennheiser and Audix wired mics, and Shure Axient and Sennheiser 5200 wireless mics.

In addition to Marc Anthony’s Front of House/Band Engineer Jose Rivera and Monitor Engineer Eric “Pyle” Ramey; the 3G Productions crew included System Engineer/Crew Chief Will Taylor, Assistant Engineer Jon Daly, Monitor systems tech Joe “Big Joe” Ramos, and stage technicians Kevin Fuller, Robert “Boy” Valdez, and Jimmy Ibanez.

Summing up the show, Jose Rivera added: “It sounded a lot better than I expected. I’ve worked the room different times––never in the round––and it’s challenging from a coverage standpoint because it’s very high and steep. We wanted to make sure everyone who pays for a ticket enjoys the show. We went in with a very large rig and 3G made sure their pre-design work was done and we had the right amount of boxes to cover the room correctly.

“I had the opportunity to walk the room and the coverage sounded really good. Before we selected a vendor, we narrowed it down to two speaker systems and we’re happy we chose d&b.

Marc was ecstatic,” Rivera concludes. “There aren’t too many shows where he has the opportunity to listen to the band during soundcheck from the audience. For this show, he came in early to familiarize himself with the stage because he hadn’t done one in 360. And when I turned on the PA he was blown away and really impressed with the sound. He was comfortable and happy knowing the people were going to enjoy the show because the reinforcement represented what he and the band were going to do on stage.”

For more about 3G Productions, please call 702.948.0459 or click to www.3glp.com

Photo Credit: Carlos Escobar

About 3G Productions, Inc.
Founded in 2004, 3G Productions, Inc. is a multifaceted audio company focused on providing the highest quality of service in live production, sound equipment rental, sales, and installed sound. Located in Las Vegas and Los Angeles, the company operates through two divisions: Live and Pro Audio.

HARMAN’s Lexicon PCM Native Reverb Plug-In Bundle Is Part of the Curriculum at Audio School Online

SALT LAKE CITY, Utah – GRAMMY® award-winning engineer, producer, songwriter and musician Ken Lewis founded Audio School Online (www.audioschoolonline.com) to answer a need. “It used to be that you got out of engineering school, got a studio internship and worked your way up – but now, big studios are closing and there’s limited opportunity to learn your craft in a professional environment.” In response, Lewis started Audio School Online to teach aspiring producers and engineers how to mix music and produce records. Students learn from Lewis through a series of free and affordable online lessons that teach how to use the tools of the trade – including Lewis’ go-to Lexicon PCM Native Reverb Plug-In Bundle.

Ken Lewis knows his craft. His credits include 71 platinum and gold albums and singles, 12 GRAMMY winners and 56 number one records – so far! He notes that “teaching is in my blood – my mom was one and I used to teach bass and guitar.” Before founding Audio School Online, Lewis discovered there was a lack of information online for what he thought budding producers and engineers needed to know. “My inspiration for putting this all together was to give the next wave of audio pros and artists the real-world skills and techniques to make professional recordings.”

The hardware and software Lewis uses in his lessons are the products he uses in his own studio work on a daily basis. “There isn’t a single mix where I don’t use Lexicon for the reverb,” he says. The PCM Native Reverb Plug-In Bundle is the best reverb plug-in he’s heard. “It’s the first time a plug-in has sounded 100 percent as good as the outboard stuff.”

In a course on choosing lead vocal effects, the Lexicon PCM Native Reverb Plug-In Bundle is a key element. “I use every one of the seven reverb plug-ins, all the time – Vintage Plate, Plate, Hall, Room, Random Hall, Concert Hall and Chamber.” Lewis shows students exactly why he uses the particular reverbs he does, for male and female and lead and background vocals. “I go step by step into how I manipulate all the parameters and why, and most importantly, the thought process as a mixer or a producer that goes behind what I’m teaching. Ultimately, the mood of the song dictates why I do something. With Lexicon, I can choose and fine-tune the perfect reverb to fit the mood.”

Another online lesson is called “Plugin Transformers” which emphasizes that ultimately there are no traditional ways to create new sounds. ”I used the Lexicon PCM Native Reverb Plug-In Bundle to show people there are really cool sounds they can achieve they might never have thought of, that they can incorporate into their own palette. Lewis finds the plug-ins to be highly flexible in their editing capabilities, easy to shape sonically and have “tons of presets and choices for starting points.” Most importantly: “They also just sound really good.”

“My style of teaching is very hands-on,” Lewis notes. “The lessons feel like we’re sitting together one on one, not like you’re sitting at a lecture with someone talking at you. When I do a lesson if mistakes happen, fine. I teach the same techniques I use everyday on records you hear, and in a way that’s very easy to understand and duplicate on your own.”

“In audio there is no right and wrong, just what you think sounds good. You need to envision what you want and how to go about getting it. Lexicon helps me teach people to open their mind to the possibilities.”

The feedback we’ve received for Audio School Online has been tremendous so far,” Lewis concluded. “We’ve gotten deep support from pros and amateurs alike. It makes me want to do more.”

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

Martin Audio Opens New MLA Production Facilities

Martin Audio recently opened new MLA facilities including production and assembly areas, quality control and testing, along with additional warehousing.

Designed for MLA, MLA Compact and the new MLA Mini, the facilities will provide a space worthy of this premier system series and further improve Martin Audio’s overall service to its customers.

Since the introduction of MLA in 2010, the system has won multiple awards for innovation and has taken the market by storm. With the international success stretching around the globe from the US to UK and Japan, and now with the introduction of MLA Mini set to further popularize the technology, it was a necessity to develop these new facilities.

Importantly, the principles of 5S were introduced as an integral part of the new development. 5S originated in Japan and stands for the Japanese words seiri (tidiness), seiton (orderliness), seiso (cleanliness), seiketsu (standardization), and shitsuke (discipline), principles that lead to improved efficiency, service and safety.

Jason Robson, Quality Manager for Martin Audio, stated, “The runaway success that MLA has become meant we needed additional production and warehousing space in order to meet the growing demand. But we also took the opportunity to instill new principles in both the creation of the layout and the day to day running of the facilities. 5S will help guarantee that we not only keep up with demand, but that this is achieved in an efficient manner with the quality our customers expect and this leading system demands.”

Alongside the production elements, the new facilities will also house Martin Audio’s popular training sessions for both MLA and OmniLine. Andy Davies, Lead Applications Engineer, said, “This new space will provide the perfect vehicle for premier training, while enabling us to show people how the product they are being trained on is made.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

April 2014
M T W T F S S
« Mar    
 123456
78910111213
14151617181920
21222324252627
282930  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication