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Masque Sound Returns to the Berkshire Mountains to Celebrate 60th Season of the Williamstown Theatre Festival

Efficient Custom Audio Package Features Dante-Enabled Equipment

WILLIAMSTOWN, MA, AUGUST 4, 2014 — When the Berkshire Mountains of western Massachusetts recently came alive for the 60th season of the Williamstown Theatre Festival, Masque Sound, a leading theatrical sound reinforcement, installation and design company, returned to celebrate its 11th season of providing audio equipment and services for the highly acclaimed summer theatre.

Since 1955, the Williamstown Theatre Festival has been bringing together America’s finest actors, directors, designers and playwrights as they present a unique opportunity for artists and audiences alike to revisit classic plays with innovative, new productions. This summer, two internationally renowned powerhouse performers—soprano Renée Fleming and multiple award-winning actress, dancer and singer Chita Rivera—will make their respective Williamstown Theatre Festival Main Stage debuts. The festival’s 2014 season kicked off with the opening of June Moon on the Main Stage and A Great Wilderness on the Nikos Stage. Now playing on the Main Stage are Living on Love and The Visit, while Fool for Love and The Old Man and the Old Moon will round out the Nikos Stage’s summer productions.

To ensure a successful season, Masque Sound provided a comprehensive custom audio equipment package for each of the two stages’ three summer shows. “Prior to the season opening, we start from scratch and work with Masque Sound’s talented crew to map out and create what we envision for the season’s equipment packages,” says Ben Truppin-Brown, sound supervisor, Williamstown Theatre Festival. “This year, we installed a fairly comprehensive, overarching audio system, designed to provide a front end PA that will work across the board, adequately addressing the audio requirements for each of the six shows between the two spaces, while also taking into account the particular needs of each individual show. The challenge is that when one production ends, we only have 24 hours to changeover for the next show. Masque Sound did a great job in helping us lay out the general infrastructure, so that we could very easily drop in the additional components that we needed for the next production.”

New to the Williamstown Theatre Festival this year is the addition of Dante-enabled equipment to Masque Sound’s custom package. “Masque Sound has always been incredibly accommodating to our needs, and when we asked about using the Dante™-enabled equipment for this season, they were happy to oblige,” adds Truppin-Brown. “Using the Dante network makes the distribution of the signal unbelievably simple and efficient. It’s an amazing addition and one that we are thankful Masque Sound made possible for us.”

In addition to the Dante-enabled custom audio equipment package, Masque Sound is also once again managing frequency coordination for the Williamstown Theatre Festival. The company’s expert wireless service team has been on-hand providing approximately 15 channels of wireless for the start of the summer and will be expanding to about 56 channels of wireless for the final two musicals.

The two main stages at the Williamstown Theatre Festival are equipped with an array of Meyer Sound and d&b audiotechnik speakers. The 511-seat Main Stage theatre features a Yamaha CL-5 Digital Mixing Console and the 173-seat Nikos Stage is equipped with a Yamaha CL1 console. All of the signal processing takes place digitally from the consoles to the Yamaha DME64 Digital Mixing Engine before breaking out to analog outputs. For wireless needs, Truppin-Brown utilized the Sennheiser 3000 series transmitters and receivers, supplementing it with Sennheiser SK 5012 and SK 5212 transmitters and EM 1046 receivers.

“One of the reasons why Masque Sound is such a reliable, well-respected company in the industry is because the crew offers a high-level of support to its customers, one that is unparalleled,” adds Truppin-Brown. “We produce shows of a high caliber, and we do it with a young, but talented, crew whose experience levels greatly vary. Equally as important as the production quality of the festival is the educational experience that we provide interns and staff. For most of the people on the Williamstown crew, this shop build was their very first. Masque Sound supports that educational mission through its staff’s willingness to teach and by allowing us to expose our crew to some of the best equipment available. It is an experience that I don’t think any other summer stock theatre can offer and that I don’t think any other shop can give. We could not be as successful as we are without Masque Sound, and we value our relationship with them.”

In addition to the two main stages, Masque Sound also provided custom audio equipment packages to the Goodrich Hall, for the festival’s cabaret performances; the Directing Studio’s workshop productions; and numerous rehearsal and performance spaces in and around the greater Williamstown area. To learn more about the Williamstown Theatre Festival, visit http://wtfestival.org/.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

DVEO Launches Real Time, End to End Pro-MPEG FEC SMPTE 2022 Stand Alone Error Correcting Router for UDP or RTP Traffic

FEC Box IP IP

FEC Box IP IP

San Diego, California — DVEO, the broadcast division of Computer Modules, Inc. (CMI), will soon start shipping their new FEC (Forward Error Correction) device that catches and corrects bit errors in Internet transmissions. DVEO will debut the new FEC Box IP IP at Stand 2.A34 at the International Broadcasting Convention (IBC) in Amsterdam, September 12-16.

The FEC Box IP IP increases the reliability of UDP or RTP IP streams over lossy network transports, and alleviates jitter and packet loss introduced on WiFi, satellite, microwave, cellular, Internet, and other networks sensitive to noise. It is designed for video over IP, streaming live IP camera views, or any application where UDP/RTP audio-visual traffic is used and data loss is possible.

Forward Error Correction (FEC) is a method for finding and correcting errors in data transmissions. Extra data, called checksum packets, are added to the outgoing video stream so that errors can be corrected at the receiving end. The Pro-MPEG Forum, an association of broadcasters and content developers, adopted open standards for implementing FEC when transporting video over IP networks. The FEC Box IP IP is compatible with SMPTE 2022-1, -2, and -3 standards. This ensures high video quality and interoperability with other devices.

“The FEC Box IP IP alleviates dropped or scrambled bits, and it fixes dropped pixels and lines when transmitting video over noisy IP connections,” stated Laszlo Zoltan, Vice President of DVEO. “It enables our customers to stream video or data with reliable delivery. It can also provide SMPTE 2022 based FEC compatibility to devices that don’t support it.”

The compact (4.5 inches/114 millimeters square) device is generally purchased in pairs — one at the transmitting end, and one at the receiving end. However, it also works with other Pro-MPEG compatible devices. To ensure compatibility with receivers that don’t support FEC, the internal structure of the transport stream itself is not modified.

The FEC Box IP IP supports IP UDP unicast and multicast, in or out, and supports both HD and SD H.264/MPEG-4 AVC or MPEG-2 encoded streams.

Supplemental Information for Press Release

Features — GNAT 1080p 60

  • Alleviates packet loss introduced on WiFi, satellite, microwave, cellular, Internet, and other networks sensitive to noise
  • Compatible with SMPTE 2022-1, -2, and -3 standards
  • Inputs/Outputs: UDP/RTP IP streams
  • Supports IP UDP unicast and multicast, in or out
  • Supports both HD and SD H.264/MPEG-4 AVC or MPEG-2 encoded streams
  • 10/100 Ethernet ports – switched for flexible use
  • Software updates can be performed via the Web GUI, or via the USB command stick
  • Will not alter the internal structure of the transport stream (PAT, PMT, etc.)
  • Tested for compatibility between other FEC equipped devices
  • Dimensions: 114 x 86 x 28 mm (4.48 x 3.38 x 1.12 inches)

Suggested Retail Price:
FEC Box IP IP (Usually sold in pairs): $1,195 U.S., each

DVEO and FEC Box IP IP are trademarks of Computer Modules, Inc.
All other trademarks and registered trademarks are the properties of their respective owners.

About CMI and DVEO
CMI, founded in 1982, is a privately held company headquartered in San Diego, California. DVEO, the Broadcast Division of Computer Modules, Inc., sells digital video and high definition television (HDTV) products to the top television broadcast companies throughout the world.

For more information on CMI and DVEO, please contact Rebecca Gray at +1 (858) 613-1818 or rebecca@dveo.com. To download DVEO’s press releases and product images, visit the news section at www.dveo.com.

DVEO, 11409 West Bernardo Court, San Diego, California, 92127
Web: www.dveo.com phone: +1 (858) 613-1818, fax: +1 (858) 613-1815

Biamp Systems Welcomes New Area Manager

Joshua Peterson joins growing global sales team as area manager for Northern Central North America

BEAVERTON, Oregon — Aug. 4, 2014 — Biamp Systems, a leading provider of innovative, networked media systems, today announced the appointment of Joshua Peterson as an Area Manager in North America. Based in Minneapolis, Peterson will be responsible for leading and accelerating the growth of the expanding Biamp(R) business for Northern Central North America. more

New Farm Cinemas Chooses Christie’s Complete Cinema Solutions for Brisbane Cineplex

Christie®, the global leader in visual displays and audio technologies, today announced that its complete cinema solutions comprising the Christie Solaria™ Series projectors and Christie Vive Audio™ cinema systems have been installed in a newly opened cineplex located in New Farm, a trendy inner-city suburb of Brisbane.

Known as New Farm Cinemas, the complex houses six state-of-the-art auditoriums that are color-themed with each theater catered for different purposes and clientele. Meticulously rebuilt over a period of 18 months on the site of a former two-screen cinema known as the Village Twin, the 205-seat Purple Room and the premium Bronze Room with 70 seats are to open to the public on August 1. In particular, the Purple Room is the first theater in Australia to be furnished with Christie Vive Audio solution, which provides an impressive cinematic experience for movie-goers. The installation of this extensive range of cinema solutions was undertaken by Christie and its Australian partner EDGE Digital Technology.

“We applaud New Farm Cinemas for their decision to install Christie’s projection technologies and Christie Vive Audio solution in their refurbished auditoriums situated at this historically and culturally iconic location in Brisbane,” said Lin Yu, vice president, Christie Asia Pacific. “We believe that the performance of our projection and line array speaker technologies provides a great visual and audio experience to every movie-goer and makes New Farm Cinemas one of the hottest destinations in the city.”

The innovative Christie Vive Audio, which offers truly rich, dynamic and detailed sound, unlocks the full potential of the DCI digital cinema audio format and supports leading formats such as Dolby® Atmos™, 7.1 and 5.1 surround sound. Combining the superior audio qualities of ribbon driver technology with the proven high quality performance of a line array speaker design – matched with powerful Class D amplification – Christie Vive Audio is the complete solution that envelopes audiences with dynamic, detailed and captivating sound.

The installation in the Purple Room comprises Christie Vive Audio speakers of varying combinations, including LA1 screen channel speakers, S215 subwoofers (for full range frequency response), S218 for Low Frequency Effects (subwoofers) channels, as well as LA1 and S115 for corner surrounds. Unlike most global Vive Audio installs to date, where surround speakers are mounted on the wall of the auditorium, a corner surround system is specially-designed for the Purple Room as its ceiling has been accorded local and state heritage protection due to its significance as an ongoing cinema since the 1920s.

New Farm Cinemas Chooses Christie’s Complete Cinema Solutions for Brisbane Cineplex

“We are committed in providing our patrons with the best movie-viewing experience by investing in the finest technologies such as Christie’s cinema technologies and equipping our theatres with the most modern facilities at this landmark cinema complex on Brunswick Street,” said Peter Sourris, owner of New Farm Cinemas. “On top of that, we want to extend the experience beyond just watching a film. It’s actually going to be a pretty trendy place to visit, even if you’re not watching a movie. People will come here just for a cocktail. It’ll be like a slice of Hollywood, in Brisbane.”

Besides the immersive aural experience brought about by Christie Vive Audio, audiences can expect nothing but the best visuals from the Christie Solaria CP2215 (equipped with Christie Integrated Media Block solution for seamless conversion and delivery of feature-film and alternative content) and the Christie Solaria One+ installed in the Purple Room and Bronze Room respectively, which utilize the latest generation DLP® Cinema electronics platform. The Solaria Series offers precise vivid color with superior contrast ratios and the light output necessary to light up even the largest auditoriums. The clear choice for any cinema exhibition environment, it is fully capable of providing the world’s most brilliant images, the highest level of content security, the easiest adaptability, operation and maintenance.

Boasting retro carpets, bean bags at the front of each auditorium for couples, arcade games and vintage film memorabilia, New Farm Cinemas is a unique, boutique-style theatre complex that pays homage to the golden age of cinema. Originally constructed in 1921 as the open-air Merthyr Picture Palace, the cinema was remodeled in the 1930s to become the Astor, before transforming into the Village Twin in 1970. The site, bought over by the Sourris brothers in 2013 and rebuilt into a modern 535-seat cineplex, is poised to revitalize this landmark site and turn it into an epicenter of social activity and pop culture. The cinema’s second phase, comprising four extra screens including two Gold Rooms offering top-of-the-range amenities, is currently under construction and is expected to be opened later this year.

LIPA Graduate James Mellor Receives The 2014 MPG Prize

This year’s Music Producers Guild Prize has been awarded to James Mellor, confirming him as the most promising student to graduate from The Liverpool Institute for Performing Arts (LIPA) Sound Technology degree programme.

Launched in 2010, the MPG Prize gives winning students from LIPA an opportunity to work alongside some of the UK’s top recording professionals. Prominent MPG Awards winners continue to be very supportive of the initiative, which also brings sponsorship opportunities from companies such as Avid and a bursary to help with expenses from PPL.

MPG Chairman Steve Levine and MPG Education Representative Tony Platt presented James Mellor with his prize during LIPA’s annual graduation ceremony, which took place on July 31st, 2014. Also present was LIPA lead patron Sir Paul McCartney.

The aim of the Music Producers Guild Prize is to recognise the student who, in the opinion of his or her tutors, has shown the most exceptional talent, initiative, commitment and consideration to the art of music recording and production.

Jon Thornton, who heads LIPA’s three year BA (Hons) Sound Technology programme, says: “Throughout his time studying with us, but most especially during his final year, James has proven to have that ‘special sauce’ of attributes – technical skill, creative thinking, attention to detail, and an interest in pushing the boundaries of what is achievable. I’m sure that he will make the very most of the opportunities that this award will open up for him.”

James Mellor’s early interest in music led to him experimenting with many different instruments before he finally settled for the guitar and started playing in bands with friends. Studio experiences with these bands gave him a taste for technology and a desire to know how to operate the equipment he found there. He applied to study at LIPA and has since worked with many local bands including Go Fiasco, with whom he has engineered and produced an entire album, Meet My Mystery. This project took eight months to complete and involved recording, producing and mixing 10 tracks in both stereo and 5.1 surround sound.

Mellor has also been helping out at Liverpool-based studio The Motor Museum and was recently appointed house assistant/engineer.

“Over the next few months I hope to develop my skill set further and am honoured to have the opportunity do so by learning directly from industry professionals whom I greatly admire,” he says. “I am extremely grateful to both MPG and LIPA for everything they’ve done to help me grow as a professional and look forward to the next year with great anticipation.”

Commenting on the Prize, Tony Platt says: “Supporting, nurturing and encouraging young engineers and producers is a vital part of what MPG does and very important alongside the work we do under the auspices of JAMES. Gaining qualifications is only a small step on their journey and our aim is to enable standout students to be able to put their accomplishments to work as soon as possible so they can fully engage with the significant contribution that the UK makes to the global music industry.”

Winning the MPG Prize will give James Mellor the chance to develop and explore the recording techniques he has learned at LIPA and make valuable contacts within the professional sound industry. In addition to a one year associate membership to the MPG, Mellor will also have the opportunity to shadow this year’s MPG Producer of the Year winners Alan Moulder & Flood at Assault & Battery Studios. Mellor will also attend an orchestral recording session with Award-winning engineer Haydn Bendall and a mastering session with John Dent, winner of the MPG Mastering Engineer Award 2014. Added to this will be opportunities to shadow Guy Massey, MPG Engineer of the Year 2014, and Dan Cox, MPG Breakthrough Engineer of the Year 2014. Studio experience will be provided by RAK Studios, winner of the MPG Best Studio Award 2014, while Mellor’s technical expertise will be enhanced by a day at Avid’s UK headquarters where he will receive in-depth tuition on Avid’s flagship controller, the ProTools S6.

PPL has offered to contribute towards the cost of Mellor’s travel and accommodation expenses while he is taking up these opportunities, and throughout the year he will be mentored by various MPG members including Steve Levine, Nicky Graham, Tony Platt and Mick Glossop.

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About Music Producers Guild (UK)

The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk

About LIPA

LIPA is located in Sir Paul McCartney’s old school, the Liverpool Institute for Boys, which underwent a multi-million-pound renovation to turn it into a state-of-the-art performing arts higher education institution. It was founded by Sir Paul and Mark Featherstone-Witty and opened in 1995 with the aim of providing the best teaching and learning for people who want to pursue a lasting career in the arts and entertainment industry, whether as performers or those who make performance possible. www.lipa.ac.uk

Media Group International Opens A New Training Academy

From September 2014, leading systems integrator Media Group International (MGI) will help broadcast professionals bridge the gap between traditional broadcast infrastructure and IT by delivering high quality training courses from its new Training Academy in Dubai.

Headed by Training Manager Joe MacQuarrie, an official ACSR Trainer who has recently joined MGI from Avid Technology Europe, the MGI Training Academy will provide the burgeoning Middle East broadcast industry with a unique educational opportunity. This unique facility will give broadcast professionals and engineers in the region access to a range of courses that focus on technical and operational systems and highlight how to use new technology in the most efficient way.


“As an Award-winning company with a deep understanding of broadcast and IT infrastructures and long-standing relationships with many of the industry’s key manufacturers, MGI is ideally placed to deliver the highly specialised training courses that our industry needs.” says MGI’s Managing Director, John Aslett. “Technology is advancing at a rapid pace and broadcasters who stay on top of these changes stand to benefit enormously, both in terms of time saved and creativity unleashed.”

Based in Studio City, the MGI Training Academy incorporates classroom facilities; a student lounge; a central apparatus room; a visualisation, pre-build, testing and acceptance area for projects, and two multi-use conference/training rooms that can be used for breakout workflow discussions or additional classroom exercises.

The Academy’s schedule of day and evening courses will encompass Project Related Technical Training for existing customers and public courses. Bespoke workflow design, training and consultancy are also included in MGI’s holistic approach, with courses provided either at the Academy or on location at a customer’s facility.

“In addition to courses on all Avid solutions, an example of the type of bespoke course we are developing is the Cisco Networking Boot Camp for Broadcast Engineers, which runs from October 5 to 9, 2014,” says Training Manager Joe MacQuarrie. “The course will be delivered by MGI’s Jim White, (CCIE) and a Cisco Certified Instructor with many years’ experience building networks specifically for TV. Although it covers the essential parts of the Cisco Certified Network Associate (CCNA) curriculum, the course also comes with a unique twist because we have enhanced the content so that it better meets the needs of today’s broadcaster. Pertinent topics like how to network broadcast systems are introduced, while less relevant subjects like Frame Relay have been removed.”

The Academy is also working with the International Association of Broadcast Manufacturers (IABM) to deliver its foundational courses, as well as offering authorised training for many different manufacturers in the broadcast industry.

For more information about the MGI Training Academy and for a full list of courses, please visit www.mgi.tv

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Notes to the editor:
About Ghanim bin Saad Al Saad & Sons Group Holdings
Ghanim bin Saad Al Saad & Sons Group Holdings (GSSG) was founded by Ghanim bin Saad Al Saad in 1993 and incorporated in 2007. Today it is one of Qatar’s most successful private sector business groups, making a major contribution to the country’s economic growth.
GSSG has enjoyed steady growth and success in many fields and industries locally and internationally. GSSG’s diverse portfolio gives it strength and enables its companies within the group to maximise global business opportunities wherever and whenever they arise.
The founder, Mr. Ghanim bin Saad al Saad, has enabled the group to grow to over 40 companies around the world. As an inspirational business leader, he has steered the group to achieve its success in industries that include aviation, maritime, automobiles, oil & gas, real estate, manufacturing, contracting and trading, finance & asset management, engineering, education, fitness, hotels, hospitality and fashion, information technology and telecommunications.
In addition to its corporate headquarters in Doha, GSSG also has five international offices located in London, Zurich, Cairo, Singapore and Dubai.
www.gssg.com

Media Group International
Media Group International (MGI) is an award-winning media broadcast and communications systems integrator, serving the media, telecommunications, security, education, hospitality and advertising industries in the Gulf region for more than 35 years. Formerly known as Salam Media Cast (SMC), the company joined GSSG Holdings in 2010, with offices in Qatar, UAE, Oman, Bahrain, Saudi Arabia and the UK.
Media Group International is diversifying its business into new technologies. As well as equipping professional television stations and studios, master control rooms, newsrooms, concert stages and theatres providing light and sound technology, the company also equips whole multivendor and multisensory environments. MGI provides solutions from safeguarding national security, such as in government operations, to creating the best educational venues in museums and classrooms, enhancing sports environments and revolutionising health facilities and satellite telecommunications.
Media Group International won the Digital Studio award for ‘System Integrator of the Year’ in March 2014. The company also holds ISO 9001:2008 certification, the world’s most recognised quality management standard. It is the first company of its kind to receive the prestigious accolade within the Middle East region, guaranteeing customers world-class quality assured products.
www.mgi.tv

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DVIGear Launches Powerful New HDBaseT™ Extenders

Delivers a Major Breakthrough in Value for System Integrators

Marietta, Georgia    August 1, 2014  –  DVIGear, a leading manufacturer of digital connectivity products, has launched its models DVI-7520 and DVI-7525, the first in a powerful new range of HDBaseT™ Extenders targeted for professional AV system installations and rental & staging applications.

DVI-7520 and DVI-7525:  HDMI HDBaseT Extenders

Extends Multiple Signals over a Single Category Cable

DVIGear’s DVI-7520 and DVI-7525 provide simple and cost-effective solutions to extend uncompressed HDMI or DVI, embedded audio, bidirectional RS-232 and IR, and Ethernet (DVI-7525 only) using a single twisted-pair CAT-X cable.   Unlike other products, these extenders support the full range of HDBaseT features, including: 5‑play, support for 4K / 30p (UHD) resolution, bidirectional IR, POH and long range operation:

DVI-7520:         4K / 30p up to 130 ft. (~ 40 m),  1080p up to 230 ft. (~ 70 m)
DVI-7525:         4K / 30p up to 230 ft. (~ 70 m),  1080p up to 330 ft. (~ 100 m)

Fully Compliant Power over HDBaseT (POH)

The DVI-7520 and DVI-7525 are among the first extenders on the market to offer a fully compliant implementation of “Power over HDBaseT” (POH), a key component of the HDBaseT standard.  To maintain system stability and compatibility, POH uses standardized 48 VDC power as well as a sophisticated handshake feature that prevents power exchange with incompatible devices.  Today there are many HDBaseT products on the market that utilize non-standard implementations of power over the HDBaseT link.  This problem has created numerous interoperability challenges for system integrators who are faced with HDBaseT products that do not work with each other or in some cases actually cause equipment failures.  “We felt that a fully compliant implementation of POH was the only solution to the growing problems caused by non-standard power in many HDBaseT products today,” stated Steven Barlow, President of DVIGear.  “The architects of the HDBaseT standard wisely included this feature from the beginning and yet very few companies have included this crucial functionality in their product designs.  We think this will change in the future.”

The DVI-7520 and DVI-7525 deliver a powerful combination of advanced features and sterling performance at very attractive price points, which make them a true break-through in value for professional AV system integrators.  This makes them ideally suited for a wide range of digital display applications including rental & staging events, conference and training rooms, boardrooms, auditoriums, hotels, churches and other demanding environments.  Both units are available now for immediate delivery.

About DVIGear

Founded in 1999, DVIGear (www.dvigear.com) is a leading supplier of Digital Connectivity Solutions for a wide range of professional display applications.  Located in Marietta, Georgia, DVIGear offers an extensive portfolio of high performance digital video distribution products including:  Digital Matrix Routing Switchers, Splitters, Extenders, Converters, Scalers, as well as long-length copper and optical cables.

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Contact: Joseph Barbier  /  770.421.6699  /  joseph@dvigear.com
High Resolution Product Photo:  DVI-7520 and DVI-7525

HDBaseT™ and the HDBaseT Alliance logo are trademarks of the HDBaseT Alliance.

A United ‘Console’ Kingdom

DiGiCo, Allen & Heath and Calrec announce the formation of a new ProAudio Group

The DiGiCo team has spent the last 18 months consulting with Electra Partners about the possible combination of both Allen & Heath and Calrec with the DiGiCo family. The culmination of this brings together three British console companies to create a new professional audio group, while retaining their unique skills, customer relationships and the identities of each brand.

James Gordon will become Group CEO supported by a strong and talented management from across the new group. When asked about what this means for the future, James said:

“We have bold plans for the group but it is imperative that each company maintains its own independence and style. None of these brands needs to trade off each other’s technology or reputation.”

“These are three great companies and all the brands currently in the group have enviable reputations for technology, audio quality, reliability and perhaps, most importantly, customer focus and care. The strategy is to share technology and resource across the group and allow some interconnectivity across the product lines.”

“The combined R&D teams are about to enter a new world of possibilities and we intend to take full advantage of their resource, passion and experience. It’s an amazing opportunity for us, and just maybe the whole British Pro Audio industry.” more

The Music Producers Guild Backs Fair Digital Deals

The Music Producers Guild has expressed its support for the Fair Digital Deals Declaration – a new initiative supported by over 700 indie record labels that want to see fair and transparent accounting of digital revenues for artists.

This massive show of support for artists to be treated and compensated fairly in the digital age has equal significance recording professionals, many of whom rely on royalties for a large proportion of their incomes.

“The music industry has a long history of unfairly exploiting the work of artists without whose creativity the industry would simply not exist,” says producer and MPG executive board member Mick Glossop. “The Fair Digital Deals Declaration is a welcome initiative, which seeks to address those injustices by promoting transparency and accountability.”

The initiative, coordinated by Worldwide Independent Network, states five primary guidelines that signees must adhere to. These include:

1. Ensure that artists’ share of download and streaming revenues is clearly explained in recording agreements and royalty statements in reasonable summary form.
2. Account to artists a good-faith pro-rata share of any revenues and other compensation from digital services that stem from the monetization of recording but are not attributed to specific recordings or performances.
3. Encourage better standards of information from digital services on the usage and monetization of music.
4. Support artists who choose to oppose, including publicly, unauthorized uses of their music.
5. Support the collective position of the global independent record company sector.

For more information about the Declaration and the MPG’s support for this important initiative, please visit www.mpg.org.uk

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About Music Producers Guild (UK):

The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers.

Movie Tavern 8 Theater in Covington, LA, Powered by Christie Vive Audio and Solaria Series Projectors

Christie®, the global leader in visual displays and audio technologies, is proud to announce that Southern Theatres has completed its second “all Christie” entertainment complex, at the new Southern Theatres Movie Tavern 8 in Covington, Louisiana. The eight-screen cinema eatery is powered exclusively by Christie Solaria® Series projectors and Christie Vive Audio™ cinema systems, comprised of Christie’s innovative line array wall and ceiling surround speakers, purposely crafted and built for the cinema environment. Christie’s Professional Services team provided complete design, integration and installation services and will continue to provide 24/7 remote monitoring and ongoing technical support through Christie’s Network Operations Center (NOC).

Southern Theatres - Movie Tavern 8

The new complex includes a Movie Tavern Xtreme (MT-X), an enhanced entertainment auditorium featuring a large 3-story silver screen, 2D and RealD 3D capability, and the Dolby Atmos audio format. This includes Christie 4K DLP Cinema® projection, the Dolby® Atmos™ audio format, and Christie Vive Audio immersive cinema system, which unlocks the full potential of leading DCI digital-cinema audio formats. The set-ups feature the LA5S, LA3C and LA3S for wall and ceiling surrounds, the LA3 for screen channels, and the S215 subwoofer.

“We’re excited to continue to bring the latest developments in cinema projection and audio technology to our patrons at the Movie Tavern 8 in Covington, LA. The exclusive use of Christie digital projection was never in doubt, but we’ve also chosen to equip every auditorium with Christie Vive Audio because we believe its revolutionary speaker design provides the benefit of improved sound coverage to every seat in the house,” said Danny DiGiacomo, Director of Marketing, Southern Theatres.

“In our Movie Tavern Xtreme auditorium (MT-X) , the Christie Vive speakers unlock the full potential of Dolby Atmos sound technology playback and, combined with Christie’s 4K digital projection, allows us to deliver the ultimate movie viewing, listening, and dining experience for our guests,” noted DiGiacomo.

The remaining seven auditoriums are configured for the Dolby 7.1 audio format and will feature the LA1 and LA3 configuration for screen channels and the LS3S for wall surrounds. Complementing the impeccable immersive surround sound provided by Christie Vive Audio, the auditoriums will also be equipped with Christie CP2215, CP2220, and CP2230 DLP Cinema® projectors, members of Christie’s Solaria Series, which offer crisp, bright pictures on every screen.

“Within a year of launch, Christie Vive Audio has established a reputation for superior performance to meet the demands of today’s motion picture content, setting a new standard in immersive cinema sound,” said Patrick Artiaga, director, business development, Audio Solutions, Christie. “We’re pleased that Southern Theatres has again selected the complete Christie family of digital projection and cinema sound solutions to fill every auditorium with the most lifelike, realistic movie-viewing experience available today.”

Christie’s Global Professional Services team was involved exclusively from the beginning of the project to the end, providing unparalleled professional consultation, integration, installation, and design services for all eight of the auditoriums.

“Christie is truly a ‘one-stop-shop’ for all cinema needs. We created the layout, designed the technology floor plan, and installed and integrated all of the products in the auditoriums for Movie Tavern 8,” said Sean James, vice president, Global Professional Services, Christie. “We will also continue to maintain the systems to ensure everything is running smoothly through ongoing technical support and 24/7 remote monitoring from our Network Operations Center.”

Added DiGiacomo, “An ‘all Christie’ cinema complex is best serviced by an ‘all Christie’ service and installation team. We knew we could trust Christie in every aspect of this project to deliver the ‘complete Christie experience,’ from superior projection to superior sound to superior installation and ongoing technical support.”

For more information on Christie’s new audio initiatives, visit www.viveaudio.com.

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