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Due to high demand, InfoComm International®, the leading trade association representing the audiovisual and information communications industries worldwide, announces a further Networking for the AV Industry Programme event in London, UK between 9-11 December 2014. AMX® by HARMAN®, is the key sponsor of the three–day intensive course.

“Since the demand for these type of events have been hugely popular, to meet the current demand from audiovisual professionals, we’ve added an additional London class in December,” said Chris Lavelle, Regional Director, UK & Ireland at InfoComm International.

Key topics tackled in this course are remote monitoring and management, security as well as maximising quality and bandwidth.

“As more audiovisual applications operate within enterprise based networks, the course aims to address all networking challenges and to keep skills sets of audiovisual professionals up to date,” added Lavelle.

AMX will continue to support the InfoComm Networking for the AV Industry Programme in 2015. Course locations along with dates for the UK and Continental Europe will be announced later in the year.

Don’t’ miss out. Sign up now by visiting: http://www.infocomm.org/cps/rde/xchg/infocomm/hs.xsl/21946.htm?type=&track=Networked+AV+Professional&topic=&language=&audience=&location=Europe.

About InfoComm International
Now in our 75th year, InfoComm International® is the international trade association representing the professional audiovisual and information communications industries. InfoComm has more than 5,000 members, including manufacturers, systems integrators, dealers and distributors, independent consultants, programmers, rental and staging companies, end-users and multimedia professionals from more than 80 countries. InfoComm International is the leading resource for AV standards, market research and news. Its training, certification and education programs set a standard of excellence for AV professionals. InfoComm International is the founder of InfoComm, the largest annual conference and exhibition for AV buyers and sellers worldwide. InfoComm also produces trade shows in Asia, Europe, Latin America and the Middle East. Additional information is available at infocomm.org.
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Biamp Systems to Speak at Rocky Mountain Audio Video Expo 2014

Keynote address and educational session to discuss open standards and AV networking protocols more

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PESA XSTREAM C22 Compact Streaming System Now Shipping, Delivers Customized Content Sharing Between Facilities

Huntsville, Alabama – PESA, a leading designer and manufacturer of professional audio and video distribution solutions, is now shipping the PESA XSTREAM C22 compact streaming system. As part of a larger hybrid broadcast system or standalone streaming appliance, the C22 allows AV professionals to compress, stream and share high-quality content. Two units can also be paired to allow bi-directional live interaction between sites.

According to John T. Wright, senior vice president of sales and business PESA XSTREAM C22 Front JPEGdevelopment, the first C22 units have been delivered to a current PESA customer and will be used to facilitate mission critical live streaming between two geographically separated sites within the United States.

“The PESA XSTREAM C22 is a great solution for sharing content between facilities, because its two video streams can be PESA XSTREAM C22 Front JPEGtailored for a variety of applications,” he added. “That level of flexibility, combined with its dollar-to-stream value, makes the C22 a very appealing solution for a number of markets.”

The latest addition to the PESA XSTREAM family of multi-channel HD IP streaming devices, the C22 can be configured as a two port video encoder or two port decoder, or can include one of each. It includes HDMI, coax and Ethernet (IP-based camera) video inputs, and optional SFP modules allow multiple configurations (fiber, HD-BNC, A-to-D and more) for expanded connectivity. During an event, two external audio sources can be synchronized to either or both video streams.

Video signals can be locked to an external source using built-in frame sync for glitch-free video switching in broadcast and pro AV applications. An HDMI out allows for local preview, while an integrated Web server provides full remote control, so no personnel are required on site for streaming content to another facility.

About PESA
As a leading provider of audio/video (A/V) Baseband and IP connectivity products, PESA offers a wide selection of multi-path streaming products, routing switchers, matrix switchers, extenders, converters, media extenders, and signal processing gear to support government, military, industrial, commercial, medical, broadcast, and mobile truck applications. From large to small-scale A/V routing and extender products to multiple IP streaming appliances, PESA offers a diverse suite of AV products, all of which are supported by 24/7 technical support. PESA is located in Huntsville, Ala., with regional sales offices throughout North America and China. Our cost effective solutions are available around the world through our industry leading team of Channel Partners offering local support and installation. All products mentioned herein are trademarked property. Learn more about us at www.pesa.com. Follow us on Twitter: @PESA_ONLINE.

D-Tools Donates SIX Integrator Software to the Gary Sinise Foundation, Helping Injured Vets Live More Independently via Custom Smart Homes

With the help of donated gear and the support of the custom electronics community, the Gary Sinise Foundation’s R.I.S.E. program strives to give wounded soldiers back their independence

CONCORD, CA, USA – OCTOBER 15, 2014 — D-Tools Inc., the worldwide leader in system integration software, is honored to announce its participation in the Gary Sinise Foundation’s R.I.S.E. (Restoring Independence & Supporting Empowerment) program. The program, now in its third year, builds Smart Homes for physically wounded warriors that include automated amenities to ease the life challenges they face and to help restore their independence. Since its 2011 inception, the foundation has built (or is in the process of building) more than 30 smart homes for wounded American heroes. D-Tools donated its SIX DTLOGO_basic logo for online use_245x109Integrator Software to the cause, which is used by more than 4,500 commercial and residential integrators to streamline business processes while reducing the time and cost associated with the installation and integration of low-voltage electronic systems.

“We are so honored to be able to help the Gary Sinise Foundation via the continued use of our D-Tools SIX Software,” says Adam Stone, President and CEO of D-Tools. “R.I.S.E. integrators are donating their time to this incredible cause, and by facilitating their workflow with our SIX software, we endeavor to make these projects run more smoothly—saving everyone time and with the ultimate goal of getting these veterans into their homes faster. It’s the least we can do for those who have done so much for us.”

The SIX software platform allows the integrators to call up product catalogs, view the project overview, manage revisions, create custom reports, manage drawings, and more. All processes associated with the installation and integration of the R.I.S.E. home’s low-voltage systems are handled by D-Tools SIX. The Gary Sinise Foundation can also use the software on future R.I.S.E. projects.

The first project the D-Tools SIX software was used on is located in Texas. Key players include Joel Berrettini of IT & Custom Media Solutions and Lead Systems Integrator for the Gary Sinise Foundation, who procured the donated gear/labor and coordinated the entire project. Local businesses, including the Builder Security Group (BSG) and Bjorn’s Audio Video, generously donated both time and labor. The R.I.S.E. project for this particular wounded warrior makes his life significantly more independent through the use of automated shades, multi-zone thermostats for the veteran’s health conditions, convenient iPad integration, wireless locks with separate codes for caregivers, a comprehensive security system, a state-of-the-art media room, and more.

“We are very proud to be part of an industry that is so willing and ready to donate time and equipment for a good cause,” says Stone. “The amount of labor, equipment, and time that went into the project is not only generous, it’s above and beyond. We are happy to associated with this group and the Gary Sinise Foundation.”

About D-Tools, Inc.
D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software platform. The company’s flagship product, System Integrator™ (SI), is a robust solution that utilizes Autodesk® AutoCAD and Microsoft® Visio to facilitate comprehensive system design, documentation and project management. D-Tools enables residential and commercial integrators to streamline business processes and increase revenues while reducing the time and cost associated with the installation and integration of low-voltage electronic systems. More than 4,500 leading companies currently use the award-winning D-Tools platform to reduce time, costs and to streamline the system integration process. Product updates and related information can be obtained by following D-Tools on Twitter and on Facebook.

About The Gary Sinise Foundation
Gary Sinise inspired millions with his Academy-Award-nominated role as Ltd. Dan in the blockbuster Forrest Gump. While his moving portrayal of a wounded veteran certainly deepened his commitment, his crusade to help America’s servicemen and women actually goes back more than three decades. On June 30, 2011, he formed the Gary Sinise Foundation and launched the R.I.S.E (Restoring Independence & Supporting Empowerment) program, which builds Smart Homes for wounded warriors with automated amenities to ease the life challenges they face and to help restore their independence. In just three years, the foundation will have built more than 30 smart homes. For more information, visit www.garysinisefoundation.org

Press Contacts:  
Tim Bigoness, D-Tools, Inc., +1 (925) 270-4102timb@d-tools.comwww.d-tools.com

Katye (McGregor) Bennett, KMB Communications, Inc., +1 (425) 328-8640katye@kmbcomm.com

Accompanying Images:
Images for use in publication can be downloaded from this link.

Accompanying Case Study:
The associated case study for use in publication can be downloaded from this link.

 

XXX ENDS

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Media Group International Delivers The Middle East’s First Dedicated Children’s Radio Station

Children's Media Network - PearFM 3

Leading systems integrator Media Group International has built an entire radio station for the Children’s Media Network (CMN) so that the company can broadcast dedicated children’s content to families in the U.A.E.

The project, which took Media Group International (MGI) just three weeks to complete, involved designing and installing two radio studios and a back-up studio that doubles up as a production facility when it isn’t needed for live broadcasts. MGI also installed server rooms where live broadcast material can be stored for up to 60 days.

MGI’s Managing Director, John Aslett, says: “This was an incredibly exciting project to be involved with because we were helping CMN make history. There has never been a dedicated children’s radio station in the Middle East and we are very proud to have played a key role in making this happen.”

Based in Dubai, CMN is committed to establishing a multimedia platform related to children, and to creatively working with them. The company also aims to provide a support network for parents as well as a number of local and international family events.

The initial idea for CMN came about 20 years ago when founding partner Jeff Price was working with Great Ormond Street Hospital Radio in the UK. This life-changing experience inspired Price to join forces with Nick Watson, who champions children’s health awareness campaigns in the U.A.E.

Earlier this year CMN was appointed to launch and manage PearlFM, an English and Arabic language radio station specifically for children and their families. The station will play a significant role in reflecting the vision of His Highness Sheikh Mohammed Bin Rashid Al Maktoum to provide a cultural space in Dubai dedicated to enriching the lives of children through a wide range of cultural learning and artistic programmes.

“Charged with launching a radio station, we recognized that we needed specialist help to install the technical infrastructure,” says CMN’s Jeff Price. “We chose MGI for this project because the company has a reputation for delivering world-class broadcast solutions. As part of our remit is to allow children to present some of our programmes, we needed tough, durable equipment that is also easy to operate. MGI gave us excellent advice and helped us choose equipment that was ideally suited to our needs. They also worked exceptionally fast to complete the radio station and gave us great service and support throughout.”

The equipment chosen for the new station includes Clyde Broadcast Synergy Master Control systems that have been installed in all of the studios. These are complimented by RCS play out systems; microphones from Clyde Broadcast, Shure and Beyerdynamic; Sonifex delay units and a range of production and control software from various manufacturers.

PearlFM launched in October 2014 with a live broadcast from the Al Jalila Cultural Centre for Children in Dubai. Catering for children up to the age of 12, the station will present a wide variety of interactive radio programmes that combine music with discussion topics. It will also give school children the opportunity to get creative by taking over the airwaves and presenting their own shows. PearlFM will also provide a support network for parents who can phone in during talk shows or simply listen to experts discussing a range of topics covering health, wellbeing, education and current affairs.

Once PearlFM is established, CMN plans to launch a sister station, LuluFM – the first all Arabic radio station for children. Ultimately, CMN plans to expand within the Middle East, Europe and Asia by developing its Radio, Television and online brands.

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Notes to the editor:
About Ghanim bin Saad Al Saad & Sons Group Holdings
Ghanim bin Saad Al Saad & Sons Group Holdings (GSSG) was founded by Ghanim bin Saad Al Saad in 1993 and incorporated in 2007. Today it is one of Qatar’s most successful private sector business groups, making a major contribution to the country’s economic growth.
GSSG has enjoyed steady growth and success in many fields and industries locally and internationally. GSSG’s diverse portfolio gives it strength and enables its companies within the group to maximise global business opportunities wherever and whenever they arise.
The founder, Mr. Ghanim bin Saad al Saad, has enabled the group to grow to over 40 companies around the world. As an inspirational business leader, he has steered the group to achieve its success in industries that include aviation, maritime, automobiles, oil & gas, real estate, manufacturing, contracting and trading, finance & asset management, engineering, education, fitness, hotels, hospitality and fashion, information technology and telecommunications.
In addition to its corporate headquarters in Doha, GSSG also has five international offices located in London, Zurich, Cairo, Singapore and Dubai.
www.gssg.com

Media Group International
Media Group International (MGI) is an award-winning media broadcast and communications systems integrator, serving the media, telecommunications, security, education, hospitality and advertising industries in the Gulf region for more than 35 years. Formerly known as Salam Media Cast (SMC), the company joined GSSG Holdings in 2010, with offices in Qatar, UAE, Oman, Bahrain, Saudi Arabia and the UK.
Media Group International is diversifying its business into new technologies. As well as equipping professional television stations and studios, master control rooms, newsrooms, concert stages and theatres providing light and sound technology, the company also equips whole multivendor and multisensory environments. MGI provides solutions from safeguarding national security, such as in government operations, to creating the best educational venues in museums and classrooms, enhancing sports environments and revolutionising health facilities and satellite telecommunications.
Media Group International won the Digital Studio award for ‘System Integrator of the Year’ in March 2014. The company also holds ISO 9001:2008 certification, the world’s most recognised quality management standard. It is the first company of its kind to receive the prestigious accolade within the Middle East region, guaranteeing customers world-class quality assured products.
www.mgi.tv

HPA Announces Power-Packed Line Up for SMPTE 2014 Symposium, “Making Do With More”

SMPTE 2014 Pre-Conference Event Explores the Impact of Image and Sound Advancements for Content Creators
HPA_Logo2
(Los Angeles, CA/White Plains, NY) – The Hollywood Post Alliance(r) will for the first time, host the SMPTE(r) Symposium, “Making Do With More,” in advance of the SMPTE 2014 Annual Technical Conference and Exhibition. The day-long event is set for Monday, October 20, 2014, at Hollywood’s historic El Capitan Theatre. The event brings together top technology experts and leading filmmakers to explore the impact of enriched image and sound technologies for today’s content creators.

As the changing techniques and workflows in production and post meet an equally evolving environment in distribution and audience options, the HPA plays an invaluable role in helping to make sense of an increasingly complex and evolving content ecosystem. The SMPTE 2014 Symposium will include creative sessions with renowned filmmakers, cinematographers, visual effects artists, sound specialists, and colorists providing an in-depth discussion on the challenges they face and the expansive opportunities now open to them with new tools to support their vision.

Leon Silverman, President of the HPA, noted, “The Symposium is HPA’s ‘coming out party’ for our partnership with SMPTE and in typical HPA fashion, we hope to provide a forum for these important industry discussions. Technology, filmmaker options and consumer choices are driving us to learn how the Hollywood professional community can better understand how to evolve our current workflows to meet the demands and characteristics of next generation content and delivery platforms. These sessions demonstrate the value of HPA working together with SMPTE to create a powerful forum to drive greater awareness, industry knowledge and understanding.

The SMPTE 2014 Symposium lineup includes:

“How Come You Always Want More” – Leon Silverman, HPA President
An inquisitive look at the burning questions facing the entertainment community: What is happening? What is driving it? What role does consumer electronics play? What part do content creators play, and where do filmmakers fit in?
“So Tell Me More About More” – Mark Schubin, The Schubin Café

An insightful overview of the technical considerations required to get a clear understanding of topics including resolution, contrast, color, frame rate, screen brightness and immersive sound.

“What We Want to Do With More” – Creative Session
Participants to include: Carolyn Giardina, The Hollywood Reporter; Chris deFaria, Executive Vice President, Warner Bros.; Laura Jans-Fazio, Senior Colorist; Joe Kosinski, Director (Oblivion and Tron: Legacy); Steven Poster, ASC, President ICG; Steven J. Scott, Senior Colorist.

A real world discussion about what is missing from today’s workflow and what content creators need from the HPA/SMPTE community. Filmmakers, along with leading industry executives and artists, share their views on new tools, techniques, and what still might be missing.

“Filmmakers Preview: Emma” – Creative Session
Participants to include: Howard Lukk, Director; Daryn Okada, ASC
An exclusive preview of one of the first films made with enhanced dynamic range, color, and resolution in mind. The film’s director, Howard Lukk, and cinematographer, Daryn Okada, bring a unique perspective to discussion of this groundbreaking project.

“Listen Up – Immersive Sound” – Creative Session
Participants to include: Moderator, Sara Duran-Singer, Post Executive/ Supervisor Dennis Baxter, Sound Designer; David E. Fluhr, Re-Recording Mixer, Disney Digital Studio Services; Hanne Stenzel, Sound Engineer and Tonmeister, Fraunhofer IIS; Ben Wilkins, Supervising Sound Editor, Technicolor.

Active sound professionals discuss the creative options available to them today and the challenges associated with the proliferation of audio deliverables. With the need for elements in 2.0, 5.1, 7.1, Atmos, Auro and IMAX for both the theater and the home, sound design and mixing need to take a creative approach to accommodate modern realities.

“Bringing It HOME – the Future of MORE Delivery” – Creative Session
Participants to include: Jerry Pierce Technologist, Mitch Singer President, DECE Ultraviolet and Pete Putman, President, ROAM Consulting

What does the future of home entertainment look like? The panel will discuss Blu-ray, Cable, OTT, OTA, and more in an insightful look at how the next generation consumer experience will be delivered.

The SMPTE 2014 Symposium is among the first joint efforts by SMPTE and HPA as they move forward with plans for full organizational consolidation by May 2015. In addition to an illuminating day of panels and presentations, the SMPTE 2014 Symposium will provide an opportunity for networking with representatives from leading companies while exploring the latest technologies. Technology demos and experts will be hand during the Symposium. Session breaks will also facilitate networking and further engagement with speakers and other industry experts.

For tickets or further information on the SMPTE 2014 Symposium, please visit www.smpte.org/smpte2014/symposium.

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About The SMPTE 2014 Annual Technical Conference and Exhibition
Taking place October 20-23, 2014, at the Lowe’s Hollywood at Hollywood & Highland, SMPTE 2014 is the premier annual event for motion-imaging and media technology, production, operations, and the allied arts and sciences. Beyond the SMPTE 2014 Symposium, other highlight events of the week include the SMPTE 2014 Honors and Awards Ceremony on the evening of Oct. 23. A detailed event schedule for SMPTE 2014 is available online at www.smpte2014.org.

About the Hollywood Post Alliance(r)
Hollywood Post Alliance (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media and other dynamic media content. Through their partnership with the Society of Motion Picture and Television Engineers(r) (SMPTE(r)), the leader in the advancement of the art, science and craft of the image, sound, and metadata ecosystem, the HPA continues to extend its support of the community it represents. Information about the HPA is available at ww.hpaonline.com.

About the Society of Motion Picture and Television Engineers(r) (SMPTE(r)
The Oscar(r) and Emmy(r) Award-winning Society of Motion Picture and Television Engineers(r) (SMPTE(r)), a professional membership association, is the preeminent leader in the advancement of the art, science, and craft of the image, sound, and metadata ecosystem, worldwide. An internationally recognized and accredited organization, SMPTE advances moving-imagery education and engineering across the communications, technology, media, and entertainment industries. Since its founding in 1916, SMPTE has published the SMPTE Motion Imaging Journal and developed more than 800 standards, recommended practices, and engineering guidelines.

The Society is sustained by more than 6,000 members – motion-imaging executives, engineers, creative and technology professionals, researchers, scientists, educators, and students – who meet in Sections throughout the world. Through the Society’s partnership with the Hollywood Post Alliance (HPA), this membership is complemented by the professional community of businesses and individuals who provide expertise, support, tools, and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media, and other dynamic media content. Information on joining SMPTE is available at www.smpte.org/join.

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Archimedia CMO Josef Marc to Discuss 4K and UHD Viewing at SMPTE 2014 Conference

DELRAY BEACH, Fla. — Oct. 14, 2014 — Archimedia Technology, a company whose technology and applications bring precise multiformat viewing to the professional’s desktop, TV, UHDTV, and infrastructure, today announced that Chief Marketing Officer Josef Marc will present a paper at the SMPTE 2014 Annual Technical Conference & Exhibition this month in Los Angeles. more

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Broadcast Pix Welcomes Piper Digital as Manufacturer’s Rep

Billerica, Massachusetts – Broadcast Pix™ today announced it is working with Piper Digital, a manufacturer’s representative firm in Torrance, Calif. Based near the Hollywood and Burbank video production community, Piper Digital’s territory includes California, Arizona and Southern Nevada.

Piper Digital sells broadcast, production, 3D, post production, satellite and IPTV equipment. It represents a number of manufacturers and specializes in live production, engineering, station automation, archiving and management systems. The company was founded in 1997 by Glen Thompson, who has been working in the industry since 1979.

“We are very pleased to be working with Piper Digital, because they understand our business and can help differentiate the Broadcast Pix product line to prospective customers,” said Steve Ellis, CEO of Broadcast Pix. “With their broad network of systems integrators and dealers, as well as their extensive connections in the production markets, we know Piper Digital will help us expand our presence in Southern California and beyond.”

Broadcast Pix offers three integrated video production switcher product lines with built-in production tools, a variety of control panel options, and optional solutions for visual radio, data-intensive CG graphics and more. The company has also introduced two standalone products, the ReVue slow motion system and fX3D real-time 3D graphics platform, which can be tightly integrated with Broadcast Pix systems or used independently in other production environments.

About Broadcast Pix Founded in 2002, Broadcast Pix is the leader in integrated production switchers, with customers in more than 110 countries. Available in several configurations, from compact systems with end-to-end integration to large-scale systems for high-end live productions, Broadcast Pix switchers include CG, dual clip stores, file-based macros, external control software, and customizable multi-view and virtual sets with patented control options. Broadcast Pix also offers ReVue next generation slow motion systems, fX3D real-time 3D graphics, Rapid CG dynamic graphic playout software, and VOX voice-automated live video production, each designed to enhance our highly integrated live production switchers. Customers include leading broadcast, corporate, education, government, religious, sports, streaming, and visual radio studios. Learn more at www.broadcastpix.com.

Broadcast Pix is a trademark of Broadcast Pix, Inc. Patented. Made in USA.

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Masque Sound Custom Audio Equipment Package Shines Light on the Steve Martin and Edie Brickell New Musical, Bright Star

SAN DIEGO, CA, OCTOBER 14, 2014 – When Sound Designer Nevin Steinberg was in search of a stellar sound system for Steve Martin and Edie Brickell’s world premiere American musical, Bright Star, he turned to Masque Sound, a leading theatrical sound reinforcement, installation and design company, to provide a dynamic custom audio equipment package.The cast of the world premiere of Bright Star. Photo by Joan Marcus.

Playing at the San Diego Old Globe Theatre and inspired by Martin and Brickell’s Grammy® Award-winning collaboration Love Has Come For You, Bright Star features 20 new songs and tells a beguiling tale that unfolds in the Blue Ridge Mountains of North Carolina between 1923 and 1945. Billy Cane, a young soldier who just returned from World War II, meets Alice Murphy, the brilliant editor of a southern literary journal. Together, they discover a powerful secret that alters their lives. Tony Award®-winning director Walter Bobbie makes his Old Globe Theatre debut with this entertaining musical of enduring love, family ties and the light of forgiveness that shines from a bright star.

“Working with such legendary and talented artists, there was a lot of pressure to deliver something special in the sound design that would capture the excitement of Steve and Edie’s latest creative venture,” says Steinberg. “The show’s music is rooted in bluegrass, which isn’t typical for a theatre setting, so I knew that the sound system designed to communicate this music couldn’t be typical either. The show called for something with incredible warmth and high resolution in order to properly convey this music to the audience, which proved to be one of the project’s biggest challenges.”
Wayne Alan Wilcox as Jimmy Ray Dobbs and Carmen Cusack as Alice Murphy in the world premiere of Bright Star. Photo by Joan Marcus.
For Steinberg, part of overcoming this challenge was deciphering which loudspeaker system would best deliver the show’s bluegrass tunes. “When choosing a loudspeaker system, it was important to take into account the different brands of speaker systems currently on the market and the pros and cons of each when fitted into the Old Globe Theatre’s specific layout,” adds Steinberg.

After careful deliberation, and drawing from personal listening experience, Steinberg chose Alcons Audio’s speaker technology. “Alcons Audio is one of the only companies to have successfully incorporated ribbon drivers into its line array systems, which is an incredible feat,” Steinberg says. “The resolution is very high, and, overall, the speakers help to raise the quality we can expect of the audio re-production. Though Alcons Audio is a relative newcomer to the theatre market, once I connected the company with Masque Sound, the team there made sure that the Alcons Audio system was properly prepped in the shop to fit seamlessly with the rest of my custom audio equipment package.”

Aside from the intricacies of the show’s music compositions, the split orchestra also posed a challenge. Bright Star’s orchestra is composed of nine musicians—five play acoustic instruments onstage, while an additional four play from a remote location off-stage. To make matters even more complicated, the musicians onstage perform on a moving platform. The staging and movement prevented the use of any trailing cable, so the sound system, including all instrumentation, amplification and monitoring components, had to be wireless. Furthermore, IEMs and an Aviom system were required to synthesize the remote musicians and onstage orchestra into one, coherent group.
Wayne Alan Wilcox as Jimmy Ray Dobbs and Carmen Cusack as Alice Murphy with the cast of the world premiere of Bright Star. Photo by Joan Marcus.
To bring Steinberg’s vision for the orchestra to life, Masque Sound provided eight channels of Sennheiser Digital 9000 Wireless Microphone Systems. “The Sennheiser 9000 has been a game changer,” says Steinberg. “It sounds so good, we forget that it’s wireless. While working on the designing the show, I was keen to try some other new equipment, which is why I was thrilled when Masque Sound connected me to K-array, which supplied me with a low-profile speaker system for stage monitoring. I had been enthusiastic about their products for just such an application. Masque Sound has always bent over backwards to help me forge relationships with new manufacturers and, subsequently, keep me abreast of the latest audio equipment developments. This is a perfect example of a situation in which I had a wish list and Masque Sound helped turn those wishes into reality.”

Additionally, Masque Sound supplied Steinberg with a DiGiCo SD10T Live Digital Console, DPA 4011 microphones for the remote orchestra, additional Sennheiser wireless systems and DPA lavalier microphones for the cast and Shure UHF-R® Wireless Microphone Systems for a few of the instruments on the bandstand, as well as Sennheiser in-ear monitor systems.

“Masque Sound is part of a great audio team assembled for this production, which includes our mixing engineer, Scott Sanders, and my longtime associate, Jason Crystal, who each played an integral part in ensuring the show’s success,” adds Steinberg. “And the staff and crew at the Old Globe Theatre have been great to work with throughout this journey. I can’t wait to see what happens next with this beautiful show.”

Bright Star runs through November 2 at the Old Globe Theatre.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

New Clear Series 2 HDMI Packaging from ICE Cable Systems Blends Retail Beauty with Custom AV Functionality

Los Angeles, CA – October 14, 2014 – ICE Cable logo_webICE Cable Systems, a leading manufacturer of premium low-voltage wire and cable products, has begun shipping its Clear Series 2 HDMI cables in smart new packaging that makes a great first impression and benefits the installation process (storing, jobsite and client presentation phases).

”Most wire and cable companies in the custom channel ship their HDMI cables in clear bags which are either heat-sealed or zip-locked,” says ICE Cable Systems President Brian Rizzo.

”Integrators prefer bags because they can easily be stored in a work truck where space is a premium. The problem is that they look like sandwich baggies; this doesn’t make for a great presentation to your client.”

”We set out to design a bag that has an upscale feel while offering enhanced functionality,” furthers Rizzo. “We landed on a re-sealable package that with its lush artwork and glossy-coating captures the premium look-and-feel that ICE Cable Systems is recognized for, while also incorporating hang-holes for an impressive presentation at retail.”

”From a functionality perspective, we incorporated a really tough plastic exterior that can take a beating and protect against water damage too. All these features combined make for a bag that exceeds the daily demands of the integrator,” concludes Rizzo.

The company’s Clear Series 2 HDMI cables in lengths from .5 to 30 meters are available in the new packaging at no additional up-charge.

ICE Cable Systems' new Clear Series 2 HDMI Packaging

ICE Cable Systems’ new Clear Series 2 HDMI Packaging

For more information please contact ICE Cable Systems at 310.444.1950.

About ICE Cable Systems
Founded in 2004 by president Brian Rizzo, ICE Cable Systems is a leading manufacturer of premium low-voltage wire and cable products serving the Audio Video, Alarm and Security, Commercial, Electrical Contracting and Data Center channels. The company’s products are available to integrators both directly and through more than 50 distributors in North America and internationally. ICE Cable’s success is driven by ingenuity and its desire to make superior products that offer more value to installers. www.icecable.com

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