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FUJINON Lenses Capture U.S. Open Tennis Action During F&F Productions’ GTX-17 Mobile Unit Debut

Mobile production company orders 17 new FUJINON HDTV lenses to meet growing business demands; Total of 29 FUJINON lenses ordered this year

Wayne, N.J. – To deal with recent record-breaking business—including several major sporting events this past month —Clearwater, FL-based F&F Productions pushed its HD mobile fleet to the limit with help from its arsenal of FUJINON lenses from the Optical Devices Division of FUJIFILM North America Corporation. Following up on the company’s order of 12 lenses earlier this year, F&F Productions placed an order for 17 new FUJINON US Open FUJINON Lenseslenses, including nine XA99x8.4 ultra-wide field lenses, four HA18x5.5 ENG wide-angle lenses, and four HA23x7.6 telephoto ENG lenses, bringing the total number of FUJINON lenses it has ordered over the last four months to 29 units.

While the lens order made earlier this year was part of an overall camera/lens purchase for the GTX-15 mobile unit as well as F&F’s pool US Open FUJINON Lensesinventory, the new order was specifically for the company’s new GTX-17 mobile unit. The GTX-17 made its debut at the U.S. Open Tennis Tournament held in Flushing, New York earlier this month.

“The FUJINON 99x’s allow the operator to pull wider than other lenses, while still preserving the desired focal length,” said George Orgera, President/CEO of F&F Productions. “This is of great value to our sports and entertainment clientele. In general, during live TV productions, where failure is not an option, we’ve always counted on FUJINON as our go-to lenses because of their exceptional imaging quality and reliability.”
In addition to the U.S. Open, F&F’s GTX Signature Series Fleet has served as the production US Open FUJINON Lenses-2facilities for CBS’ SEC package and ESPN College Football.

“In our experience, FUJINON lenses have proven to be up to the challenges US Open FUJINON Lenses-2posed by arduous, long-distance road trips between events and the rigors of live broadcast television production in all types of places and weather conditions,” Orgera said. “We couldn’t have met the demands of such a busy month without the flawless performance of our trucks and FUJINON lenses.”

Earlier this year, from April 5-8, 2014, three F&F HD trucks were busy covering the 2014 NCAA Men’s Final Four championship basketball game. At the successful conclusion of that job, the mobile units then drove directly to the Bank United Center, in Miami to work at the 2014 Billboard Latin Music Awards, which aired live on Telemundo on April 24, 2014. Things really heated up when F&F Productions was hired to provide mobile production services for the 2014 IIFA (International Indian Film Academy) Awards festival. Held concurrently with the Billboard Latin Music Awards, the IIFA Awards festival was a star-studded event, from April 24-26, 2014 in Tampa, watched by close to 800 million viewers worldwide.

About Fujifilm
FUJIFILM North America Corporation, a marketing subsidiary of FUJIFILM Holdings America Corporation consists of four operating divisions and one subsidiary company. The Imaging Division provides consumer and commercial photographic products and services, including: photographic paper; digital printing equipment, along with service and support; personalized photo products; film; and one-time-use cameras; and also markets motion picture archival film and on-set color management solutions to the motion picture, broadcast and production industries. The Electronic Imaging Division markets consumer digital cameras, and the Graphic Systems Division supplies products and services to the graphic printing industry. The Optical Devices Division provides optical lenses for the broadcast, cinematography, closed circuit television, videography and industrial markets, and also markets binoculars. FUJIFILM Canada Inc. sells and markets a range of Fujifilm products and services in Canada. For more information, please visit www.fujifilmusa.com/northamerica, go to www.twitter.com/fujifilmus to follow Fujifilm on Twitter, or go to www.facebook.com/FujifilmNorthAmerica to Like Fujifilm on Facebook. To receive news and information direct from Fujifilm via RSS, subscribe at www.fujifilmusa.com/rss.

FUJIFILM Holdings Corporation, Tokyo, Japan brings continuous innovation and leading-edge products to a broad spectrum of industries, including: healthcare, with medical systems, pharmaceuticals and cosmetics; graphic systems; highly functional materials, such as flat panel display materials; optical devices, such as broadcast and cinema lenses; digital imaging; and document products. These are based on a vast portfolio of chemical, mechanical, optical, electronic, software and production technologies. In the year ended March 31, 2014, the company had global revenues of $23.9 billion, at an exchange rate of 102 yen to the dollar. Fujifilm is committed to environmental stewardship and good corporate citizenship. For more information, please visit: www.fujifilmholdings.com.

Yamaha Audioversity – Applications Edition Headed to ChiTown

audioversity_logo

Buena Park, Calif.—Yamaha Commercial Audio Systems, Inc. is heading to Chicago with an Applications Edition for Sound Reinforcement/Live Sound of the ever-popular Audioversity, November 3-5, 2014. The company has reformatted the learning experience for a limited time held over three days and consisting of three tracks, with each day focusing on a specific subject. Day 1 will focus on Digital Mixing Consoles for Sound, Day 2 – Digital Audio Networking, and Day 3 – Speaker Systems. Attendees will be eligible to receive CTS credits for each of the three-day sessions.

The Mixing Consoles track on Day 1 will focus on the latest in the Yamaha digital console family – CL and QL Series. Subjects will feature the essentials of the two series, mixing techniques, tips and tricks, and a mixing lab offering attendees hands-on time with assistance from our specialists. You may choose the CL or QL Series track depending on preference Learning material will be consistent in both tracks. A unique course for system techs covering Dante™ networking, Soundcheck Best Practices, Guest/User Management, and much more. For more information and to register, visit https://www.yamaha.com/ycas/training/registration.html?classdate_id=794&course_id=151.

Day 2 focuses on building networking skills applicable for audio engineers. The day will start with fundamentals in the context of a common home network, and expand into features required for full scale Dante™ network provisioning and configurations. Participants will learn by doing with live demonstrations and interactive labs. Popular and thought provoking topics include: Integrating Audio Networks with Existing IT Networks (Including WiFi points and Internet Access), Adding Dante™ to Existing Audio Networks (CobraNet®/EtherSound™), employing Dante™ as a clear, low-latency conferencing solution, using Dante™ for distributed audio or connecting overflow rooms, choosing network switches, WAPs, and other hardware for audio networks. For more information and to register, visit https://www.yamaha.com/ycas/training/registration.html?classdate_id=795&course_id=152.

Day 3 will feature speakers and systems including product listening demos, applications, and the latest in design software. New NEXO products – the GEO M6 Compact Sound Reinforcement System and the versatile STM M28 loudspeaker will be highlighted along with various STM ground-stack configurations. For more information and to register, visit https://www.yamaha.com/ycas/training/registration.html?classdate_id=796&course_id=153.

“Since its inception in 2010, the Audioversity Expo has provided complimentary education to thousands of audio professionals,” states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. “This one-of-a-kind event is truly a unique offering unlike any other.”

Audioversity – Applications Edition is free-of-charge and open to members of the audio community. Attendance is limited and seats will be filled quickly so register for the tracks at the links above.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Rally Racing Film Lights Challenging Forest Track with Zylight F8 LED Fresnel

LOS ANGELES– For his graduation film, cinematographer student Sverre Sørdal, who is training at the National Film and Television School (NFTS) in Beaconsfield, U.K., did not take the easy road. Instead, he shot a film about rally racing on a track in the middle of the forest with a very tight shooting schedule and very unpredictable lighting.

Directed by Nick Rowland, Group B is named for the rallying era of the 1980s. The narrative follows Shane, who is returning to the track after aRally Racing-1 major accident, and explores his fears of getting back into racing while trying to find trust in his newly assigned navigator. Rowland and Sørdal previously collaborated on Slap, which received the Virgin Atlantic Little RedRally Racing-1 Award for Best Short Film at the Edinburgh International Film Festival in June.

Principal photography on Group B was five days on a rally track in the Welsh forest, with an additional day of shooting at Beaconsfield Studios. The production crew rented two daylight (5600K) balanced Zylight F8 LED Fresnels from Greenkit, a London-based film lighting rental company. “They are a great lamp to have in my rental stock, as they look great, perform really well and are very portable,” said Pat McEnallay, founder.

The forest location provided plenty of shooting challenges. “Trying to keep consistency was my main worry,” Sørdal recalled. “Our crew and budget were very limited. We split up scenes across multiple days, so we had to move quickly and try to be ready when the sun was. We had a little 6K generator for emergencies, but we did not use it much because we had the Zylights powered with batteries.”

Originally, the plan was to shoot on 35mm film, but the creative team eventually settled on the ARRI ALEXA for most of the shoot. “Luckily, we were helped by Tiffen getting some Black Satin filters that helped us achieve something a bit different,” Sørdal said. Most moving in-car footage was shot with an Iconix HD-RH1 mini-HD camera and RED EPIC, with some aerial footage captured with the Blackmagic Cinema Camera.

“At times when the light was changing at the end of the shooting days, I always brought out the Zylights to keep the consistency and to give some definition,” said Sørdal. “I also found the quality of light to be very good. Mixing it with daylight worked very well.”

Sørdal appreciated the convenience of the battery-powered F8s when compared to lights Rally Racing-2that needed to be connected to the generator, which would then have to be positioned far away so it would not Rally Racing-2interfere with audio for the scene. “We used the F8s handheld on some moving shots – and not having to worry about cabling was very convenient,” he added. “They were light enough to hand-hold over a long period of time, but still had enough weight so you felt you had control, which actually is quite important.”

For one complicated shot, Sørdal wanted to have Shane reflected in the wing mirror as the dust engulfed the image. “We had very little space and time to get the shot, as the light was going quickly,” he said. “While I was trying to figure out how to get the right exposure, our lead gaffer had placed two Zylights just out of shot. There was no real space on the right side of the car where the light had to be placed, but with the very slim profile of the F8s, he managed to get away with it. We had no generator ready on this location, so without them, I’m not sure how we would have managed to get the shot.”

The F8s were also a “blessing” during a night shot while sitting in the back of a van with a Steadicam. “At one point, we had to get out of the car and follow our lead actor further. My spark was sitting in the van with one of the Zylights rigged with handles to give some ambient light, so we could see him running through the forest road,” Sørdal said. “There was no way we could have achieved the same result without a light rigged on batteries.”

Group B is scheduled to premiere at the British Film Institute in February 2015, and Rowland and Sørdal plan to submit the film to film festivals later in the year. “For this project, the F8s were absolutely perfect,” Sørdal noted. ”I will always try to keep a few Zylights up my sleeve because they proved to be excellent.”

ABOUT ZYLIGHT LLC
Founded in 2003, Zylight LLC is the leading manufacturer of intelligent LED lighting instruments for the film and video production industry. Every model in its easy-to-use lighting system produces fully calibrated bright white light, while some also provide a spectrum of adjustable colors without gels. Full wireless control and DMX integration are included, and AC or DC power options are available. The Zylight state-of-the-art LED system is truly the most unique and flexible lighting system on the market today. With more than 50 dealers worldwide, Zylight continues to develop innovative LED lighting solutions to help make your job easier. More Than Bright – Zylight. Find out more at www.zylight.com.

SMPTE 2014 to Feature In-Depth Sessions on Networked Media, File-Based Workflow, the Cloud, and Asset Management

Multiple-Part Sessions Will Provide Multidimensional Perspectives on How Key Technical Advances Are Shaping the Motion-Imaging Industries more

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New Extron Under-Table Mount System for Full Rack Width Products Now Shipping

Extron UTM 100Extron Electronics is pleased to announce the immediate availability of the new UTM 100 Series, a unique, self-supporting under-table mount system for 1U and 2U full rack width products. The UTM 100 Series brackets feature EIA standard rack-mount spacing and are ideal for use in environments where a traditional equipment rack or cabinet cannot be located beneath a table top or other furniture surface. The UTM 100 Primary Bracket mounts directly to the undersurface of the table top, providing a small gap for optimum airflow and cooling of top-vented enclosures. For additional capacity, one or more UTM 150 Secondary Brackets can be attached to the UTM 100, up to the total supported weight of 30 lbs. (13.6 kg). more

Christie is the New Face of Security and Surveillance for the Control Room at ASIS 2014

Christie®, a world leader in creating and sharing the world’s best visual and audio experiences, brings a generation of leadership experience to designing and implementing high-performance mission critical control room solutions to ASIS 2014 in Atlanta, Georgia, September 29 – October 2. From high resolution flat panel displays, to video processors and the Christie Phoenix™ open content management platform, Christie will showcase versatile and cost-effective solutions for the ultimate in mission-critical communications, performance, and reliability.

Christie Entero™ HB Front Access Cube, Front Screen Extended

Christie Entero™ HB Front Access Cube, Front Screen Extended

Among the products on display will be a 2×2 ultra-narrow bezel Christie FHD552X HD LCD-based flat panel video wall featuring ultra-sharp HD resolution, high pixel density, and superior image sharpness and brightness. Significantly thinner than conventional panels, Christie flat panels automatically map in any array configuration, either in portrait or landscape mode. They are quick and easy to set up and use less than one watt of power in standby mode for low-cost operation. Also on display will be a 2×2 set-up of the 70-inch Christie Entero™ HB front access display cube the first and only LED display cube to offer wireless control through Wi-Fi® capability. Christie’s video wall displays will be fed by the Christie Phoenix™ open content management platform.

“Christie brings more than 80 years of leadership in visual displays and generations of experience in designing and implementing 24/7 mission-critical operations for some of the world’s largest organizations,” noted Dave Muscat, senior director, Americas Region, Visualization, Simulation and Control Room Solutions, at Christie. “Whether for government, law enforcement, power, utility or telecommunications, Christie offers customized, end-to-end control room solutions specifically tailored to the customer’s needs and budget.”

Collaborative visual solutions for mission-critical monitoring
Today’s control rooms go beyond traditional displaying and monitoring and Christie’s collaborative visual solutions are removing boundaries and enabling expansive collaboration for many of the world’s most mission-critical operations. By integrating stunning zero-maintenance displays with the power of the network, Christie is completely redefining the control room space, and setting the stage for an increasingly distributed control room environment. Across every sector in business, commerce and government, Christie is raising the bar beyond today’s stringent control room requirements.

James Blunt Chooses HARMAN’s Martin Professional to bring his “Moon Landing” World Tour to Life

MartinPro_JamesBluntAARHUS, Denmark — James Blunt, alongside his Production Designer Paul Normandale and Lighting Director Glen Johnson, are on the road for another tour with HARMAN’s Martin Professional lighting fixtures, including 41 MAC Auras, 32 MAC Viper Profiles, six MAC Viper AirFXs and two AF1 Fans.

Blunt released his newest album in October of 2013 entitled ‘Moon Landing’, which features an emotional and powerful side to the singer-songwriter we have not yet seen. The album is personal and intimate, reflecting back to where Blunt got his start and where he is now.

“We have worked with James Blunt since 2005, this is our fourth world tour with him, and all James’ shows have been dominated by Martin moving lights,” Said Johnson. “This is the largest production we have taken out on the road thus far.”

The theme of the tour is the romanticism and loneliness of the moon landings. For Normandale, this was a fun challenge. “My thoughts and vision with the lighting design were inspired by the lunar landing theme. That is where the idea of landing craft risers and panorama of the lunar planet LED screen came from,” explained Normandale.

“The Viper Profile has great color speed for snap chase,” said Normandale. “The optics and reliability of the fixture over this past year has been staggering. I don’t think we have swapped even one Martin fixture yet. The Viper Profiles have become the standard profile workhorse, with great gobo options and a fantastic color speed on the color wheel.”

“The MAC Viper AirFX has great zoom optics,” said Johnson. “It’s a great all-around fixture. I could do the whole show just with these.”

“I love the Viper Air FXBeams,” said Johnson. “They have become a great addition to the Martin range and filled a gap that Martin had. They work really well and have produced some fantastic aerial looks over the audience. The Aura I think I can say is Normandale’s favorite LED wash fixture as they seem to feature on nearly everything he does.”

The Moon Landing World Tour started in December 2013 in China and will run until spring 2015, making its way through North America, Europe, Africa and South America.

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries. For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

ABS Strengthens Operations Team with New Hires

SEATAC, WA — Professional video and audio systems integration firm Advanced Broadcast Solutions (ABS) today announced Mindy Siegel Baggett has been hired as director of operations, effective May 27. She is the latest hire in an ongoing effort this year to improve company operations. Natalie Hoffman joined accounts receivable and payable in January, while David McKillip was added in May to manage warehouse and logistics.

A former assistant public school principal, Baggett has built her new career around sales and marketing management. Most recently, she spent three years as the director of patient Mindy Siegel Baggettacquisition for Contemporary Dentistry, where she increased revenue by creating and implementing new policies and procedures. She has also served as director of sales for Supercoups, account executive for Troxell Communications, and educational specialist for Odysseyware.

With a focus on small business, Hoffman has worked for more than 15 years as an accountant and bookkeeper for various companies in the Seattle area. Most recently, she spent eight years as the business office manager for a private mental health agency in Seattle. Previously, she worked as a comptroller for an addiction rehab hospital in Seattle, and handled administrative duties as co-owner of a specialized construction company in Honolulu.

McKillip oversees all shipping and receiving activities, maintains inventory, and has established workplace safety standards. He previously held warehouse and logistics leadership positions for ECCO Manufacturing, Valuable Technologies, Indiana University, and the American Red Cross.
“Our company continues to be successful because we design and deliver customized audio and video production solutions. Part of that process happens behind the scenes, and these new employees have strengthened our in-house operations, which has improved our customer service,” said Mark Siegel, president of ABS.

Baggett, Hoffman and McKillip are based out of the company’s main office in SeaTac. Contact them at 206-870-0244 or via e-mail at mindy@advancedbroadcastsolutions.com, natalie@advancedbroadcastsolutions.com and david@advancedbroadcastsolutions.com.

About ABS:
Based in SeaTac, WA, ABS (Advanced Broadcast Solutions) delivers customized, technologically superior solutions for broadcast, corporate, house of worship, entertainment, government, and educational facilities – from design and integration to installation and support services. Since 1982, its experienced technical staff has installed more than 700 systems for clients including GOCOM Media, Cowles California Media, Cisco Systems, Meredith, and Time Warner Communications. For more information, call 206-870-0244 or visit www.advancedbroadcastsolutions.com.

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MIRA Mobile M-12HD and SportsNet LA Capture High-Quality Close-Ups, Panoramic Shots and Night-time Slo-Mo With FUJINON Optics

Wayne, N.J. – When MIRA Mobile’s new M-12HD rolls into Dodger Stadium on behalf of MIRA customer, SportsNet LA, it does so with shot-capturing skills that rival the speed and focus of any Cy Young Award winner. Four of the truck’s six FUJINON XA99x8.4 ultra-wide field lenses outfitted on Sony HDC2570 studio cameras are positioned at various points on the field – high left field, mid first base, tight center field, and right field. One XA99x mans the high third base position placed on an I-MOVIX ultra-slow-motion system, provided by Fletcher Chicago. M-12 is also equipped with four XA77x9.5 telephoto field lenses.

(On August 29th, NEP announced that they have closed on their acquisition of the assets of MIRA Mobile Television. Per the deal, MIRA’s ten HD mobile units have joined NEP’s fleet, and MIRA’s engineering and support staff have become part of NEP’s team. The completion of this deal greatly expands NEP’s fleet of mobile units, which now includes over 80 HD trucks around the world.)

MIRA Mobile’s M-12 is used by SportsNet LA for production of the Dodger’s home games and the team’s away games on the West coast. During the baseball off season, M-12 stays busy covering west coast NCAA football, basketball, and other events for MIRA customers such as ESPN and the Pac 12 Networks.

“The 99x allows us to get the most intimate shot from across the entire stadium,” said Dustin Denti, Director, SportsNet LA. “They allow our camera operators to get that extra zoom when they need to shoot between two players on the field without looking awful. And they work in conjunction with the Sony camera beautifully. The colors are amazing.”

The versatility of the XA99x is most apparent at the high left field position, where the camera shoots down the third base line. From that remote position, the operator can follow the ball from its initial contact with the bat to a home run ascent over the fence. With a focal length range of 8.4-832mm, the ultra-wide angle lens provides camera operators at Dodger Stadium the ability to capture a fully panoramic image.

Speaking of the XA99x, Stuart Wesolik, Senior Video Engineer, SportsNet LA said, “We have not had a lens like this in this market in quite some time. Primarily, I like the pairing of the Sony 2570 with the 99x for the combined speed. Using a different cameras and lenses last season we were shooting at about an f4.0. This season we shot at about f8.0. There is very little drop off on the end of the lens.”

Speed is most a factor when capturing instant replays with the I-MOVIX variable frame rate camera and XA99x lens at the high third base position. “Even at night, because the 99x is so fast with its light transmission, they’re able to run the camera at a higher speed and get amazing, high-quality slow motion,” reported Frank Coll, Director of Operations and Business Development, MIRA Mobile. “In the past with a lens that wasn’t so fast, you’d have to bump the shutter back, and you couldn’t get the great frame rate on the slow motion system. A video operator using the same camera a Dodger Stadium last year with a different lens said this year’s combination is like night and day.”

Coll also points to the new technology of the lens and its lightweight design as tools enabling operators to be more creative than they have in the past. “This lens is a lot more refined than earlier generation HD lenses. It has super fast light transmission and it’s lightweight. It has a far-reaching telephoto capability yet can also capture wide, panoramic shots. It gives our customers a lot of versatility in one lens. Camera operators really seem to enjoy working with the XA99x. It opens up their ability to be more creative in their shot selections.”

“We’re thrilled with all of the feedback we’ve received from our long-time customer MIRA Mobile and their client SportsNet LA on the performance of our XA99x lens on MIRA’s newest M12 truck for the LA Dodger games,” said Thom Calabro, director, marketing and product development, FUJIFILM North America Corporation, Optical Devices Division. “The team at SportsNet LA are truly pushing the limits of what’s possible in live sports coverage. We’re proud to be a part of their very dynamic productions.”

About FUJIFILM North America Corporation
FUJIFILM Holdings Corporation, Tokyo, Japan brings continuous innovation and leading-edge products to a broad spectrum of industries, including: healthcare, with medical systems, pharmaceuticals and cosmetics; graphic systems; highly functional materials, such as flat panel display materials; optical devices, such as broadcast and cinema lenses; digital imaging; and document products. These are based on a vast portfolio of chemical, mechanical, optical, electronic, software and production technologies. In the year ended March 31, 2014, the company had global revenues of $23.9 billion, at an exchange rate of 102 yen to the dollar. Fujifilm is committed to environmental stewardship and good corporate citizenship. For more information, please visit: www.fujifilmholdings.com.

TC Furlong Hosts Digital Console Expo

LAKE FOREST, Ill.—TC Furlong, Inc. will host a Digital Console Expo on Tuesday, October 21 between 4:00 pm – 8:30 pm. Manufacturers include Yamaha Commercial Audio Systems, Avid, Midas, DigiCo, SSL Live, Soundcraft, Allen & Heath, Mackie, PreSonus, QSC, and several more. The companies will exhibit their latest digital consoles, and manufacturer staff will be on hand to answer questions.

The event is free of charge and will be held at the Moody Church, 1635 N LaSalle Street, Room 107, in Chicago. Food and beverages will be provided along with a raffle for prizes as well as giveaways.

Registration is required as space is limited. To register, visit www.tcfurlong.com/dce.

The Moody Church is easily accessible by public transportation, and there are several pay lots as well as limited street parking in the area.

This is the third Digital Console Expo presented by TC Furlong Inc. TC Furlong is a Chicago-area live sound rental and sales company that has been in business for 41 years.

For more information, visit www.tcfurlong.com/dce or call 888-823-8756.

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