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Archive of the Corporate AV Category

‘Reliable, Rugged and Feature-Rich’ Symetrix DSPs Revamp Grand Casino Audio

Grand Casino Mille Lacs in Minnesota, USA, has been equipped with multiple Symetrix processors as part of an extensive audio upgrade.

MINNESOTA, USA: Digital signal processing solutions from Symetrix helped design and integration firm Excel AV Group to achieve its largest DSP installation to date at Grand Casino Mille Lacs recently. The system at the Minnesota, USA, entertainment complex features no fewer than 36 inputs and 28 outputs.

As company president Kevin Crow recalls, the venue operators “began looking at upgrading the sound for the main ballroom and smaller adjoining meeting rooms in February 2014. The main challenges were that they did not have a very good main PA, their control system was difficult to use, and patching was difficult.”

Flexible and easy-to-use processing was a priority, and Excel AV’s research quickly led them to investigate the possibility of deploying two Symetrix SymNet Radius open architecture Dante-scalable DSPs. “The Radius units are so powerful and with Dante capability the networking is just amazing. Also, we had already deployed them successfully on a number of projects,” says Crow.

The final Symetrix installation – comprising two Radius 12×8 DSPs along with one Axiomtek GOT-5152T-830-J touch panel controller, one xIn 12 input expander and two xOut 12 output expanders – allows staff to effortlessly combine and un-combine ballroom sound. Eight wireless mic channels can be patched to any room or zone via a wireless tablet loaded with Symetrix SymVue control software. Crow notes: “It’s now super-easy for a user to control volume for individual mics or to change room configurations and/or patching.”

For Excel AV Group, the Grand Casino installation is only the latest in a long sequence of projects for which Symetrix DSPs have proven to be ideally suited. “We love the pro-audio EQ offerings that Symetrix has in its software, and we use Symetrix for our pro-audio rigs all the time without hesitation,” says Crow.

Shure wireless microphones, Danley Sound Labs mains loudspeakers and JBL distributed speakers were also selected during an installation that has met with a wholly positive reaction from casino personnel. “They have encountered no issues running the system, which sounds fantastic for all types of entertainment, from regional acts to comedians and much more besides,” says Crow. “Reliable, rugged and feature-rich, the Symetrix products are integral to the installation and we could not be more pleased with their performance.”

www.symetrix.co

GETRMR.COM IS THE NEW GO-TO RESOURCE FOR TECHNOLOGY PROFESSIONALS LOOKING FOR EDUCATION AND SUPPORT ON RECURRING REVENUE AND MANAGED SERVICES

GetRMR.com, sponsored by ihiji, provides technology professionals with resources and an online community to assist with managed services and recurring revenue

AUSTIN, TX – October 21, 2014 – ihiji, global leader in remote network management solutions, announced today that it is sponsoring and launching a new industry resource, GetRMR.com. The online resource center is devoted to the pursuit of knowledge and education on recurring monthly revenue (RMR) and managed services.

“ihiji wanted to bring dealers, manufacturers and industry experts together to provide centralized resources and a support community for technology ihiji_GetRMR.com Home page screen shot_Oct2014professionals who are adding new recurring revenue services to their business,” says Michael Maniscalco, ihiji VP of technology. “As the industry continues to evolve it is clear that recurring revenue and managed services are very important to long term success.”

The GetRMR.com website will feature sales and marketing collateral, templates, expert advice and technical content from managed service trade professionals and industry bloggers, as well as educational white papers, success stories, and much more. Those visiting GetRMR.com can also access community discussion forums to obtain and share insight and best practices on the ever-expanding world of recurring revenue and managed services.

In addition to the new GetRMR.com initiative, ihiji has significantly reduced prices for the company’s invision remote network management tool by offering annual licenses versus tiered service plans, a move that simplifies and better supports the sale of recurring revenue services that drive recurring monthly revenue. Additionally, ihiji invision has been further enhanced with new features such as cross-VLAN network scanning and extended reporting capabilities that improve both network visibility and overall performance. Remote network management solutions such as ihiji invision provide the digital backbone that RMR programs need to succeed by delivering the intelligence and insight necessary to manage and maintain systems remotely, in the most effective and efficient manner possible.

Technology professionals interested in learning more about recurring monthly revenue, commonly accepted best practices, and proven methodologies are encouraged to visit GetRMR.com. For additional information about GetRMR.com or ihiji invision, please contact ihiji at info@ihiji.com, call (512) 538-0520, or view this video.

About ihiji
ihiji is the only zero-maintenance, cloud-based, remote network management solution for IT professionals and technology integrators. The award-winning ihiji invision solution is easy to set up, uses a low-cost, palm-sized appliance as the only onsite hardware, and gives service providers a centralized, web-based dashboard with visibility into multiple client networks at once. Subsequently, ihiji’s customers become more proactive and efficient, eliminating up to 50% of service calls while simultaneously increasing recurring revenue and protecting profits. A global solutions provider, the privately held company is based in Austin, Texas. To learn more, visit www.ihiji.com or follow ihiji on twitter @ihiji.

ihiji Media contact
Katye (McGregor) Bennett, KMB Communications Inc., (406) 446-1283Katye@KMBComm.com

 

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Yamaha NUAGE Ignites Post Market in Spokane

BBB-Nuage 1

BUENA PARK, Calif.—Bing Bang Boom! In Spokane, WA specializes in integrated music and sound design for film, television, advertising, video games, and the Internet. Their award-winning work can be heard on projects for CBS, ABC, NBC, Spike TV, HBO, Warner Bros. Films, and many blockbuster theatrical trailers.

The company recently added a new Yamaha NUAGE Advanced Production DAW System to their production arsenal. CEO Bill Byrne said that up until the purchase of the NUAGE system, he had been recording and mixing using multiple Mackie consoles, until Mackie was no longer providing the unlock
codes for their software, making it impossible to work on them.

“I have been a long time Cubase user and wanted to upgrade for at least the past five years having so many legacy projects in Cubase for Bing Bang
Boom Music and Sound Design Libraries, states Byrne. Even though stereo is still the main delivery format for the libraries, I still get calls to customize tracks, and to switch to ProTools or any other system with thousand of tracks would not have been cost or time effective. There really wasn’t any other system available that was completely integrated like NUAGE, plus it sounds amazingly good!”

Byrne said he’s been doing more and more mixing “in the box” but with most projects having 100+ tracks, navigating with a mouse was becoming impractical. “I had been working with Ron Cheney from RSPE for at least three or four years trying to come up with a suitable system. Every year, we would meet up at NAB in Las Vegas and look at new systems along with trips I would take to the RSPE office every three or four months. While there are a lot of systems out there, I really needed total integration with Cubase, and no other system really offered that but NUAGE.” Last April, Byrne and Cheney met up again at NAB and were given at great run through on NUAGE, heading back to the Yamaha Commercial Audio booth over the course of the show with more questions for the NUAGE team who he said were quite helpful.
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“Ron Cheney was extremely patient and helpful; his goal was to make sure I had the right system for my needs and not to just sell me something, Byrne says. I am very impressed by how hard he worked to make this happen for me. At around the same time, I saw a NUAGE system on a magazine cover with Hans Zimmer and other film industry notables. They were discussing surround sound in headphone mixes, which was quite interesting. So RSPE arranged a private demo with the NUAGE team, and I was impressed to see their level of commitment, a good sign that they would be there to support the product.”

After a basic run through using the RSPE Mac and installing the tools for NUAGE on his Mac Book Pro and hook up the system, Byrne was able to run one of his projects off his laptop. “We spent several hours going through the system and the “what ifs” needed to integrate a large I/O system into the setup. We discussed the Yamaha NIO and RIO boxes and how they could be integrated. At the end of the demo, I knew the NUAGE system was perfect for me. I was also quite excited (for the first time in many years) about all the new creative and productive possibilities.”

One of Byrne’s biggest issues was the need to have at least 32 live inputs and multiple cue mixes for his tracking room as he still records with a lot of real instruments. “I needed something that wouldn’t tax the main CPU as I always have lots of virtual instruments playing in every project that hit the CPU hard. The NIO and RIO boxes totally solved that problem for me, and having remote control over the mic pre-amps through the RIO is fabulous! I’m able to work with a 128 buffer on the main CPU and that makes tracking live players while all my VSTi’s are running too a snap.”

Of course having total integration with Cubase made it a no brainer notes Byrne. “Having the knobs and buttons labeled and dedicated to Cubase/Nuendo functions meant I wouldn’t have to spend any time at all mapping functions like I would have had to do had I purchased a third party system. Getting around my projects is so fast now. When I was mixing “in the box” with a mouse and also my iPad remote, because of the time factor in navigating around or even just automating fader moves, I tended not to try and experiment with different mix options. Now, with the NUAGE and the touch sensitive faders, if I want to try something different, it’s so easy to do and I can instantly get back to where I was if I don’t like it. For Cubase, it’s brilliant!”

“For old school guys that have worked a lot on analog consoles like Tridents, APIs, and Neves,, the seamless integration of the live input NIO and RIO I/Os, channel control, master, and DAW functions really does make it feel like you are working on a console, adds Byrne. The way the knobs and buttons light up to give you hands-on access to the functions and being able to program lots of Quick Controls for the functions I use all the time is great too. The jog wheel
feels great and the transport functions make it a snap to navigate and edit very quickly.”

Byrne said he’s owned a lot of Yamaha products over the years that are still in use, “The fact that they are providing the hardware and also own Steinberg gave me great confidence that the product would continue to develop and be supported. I had been waiting a long time for the NUAGE system and Yamaha/Steinberg have delivered way beyond my expectations!

Bing Bang Boom! recent projects using NUAGE include a music track for the home video release of How To Train Your Dragon 2 and a new BBB trailer sound design library called Arsenal of Awesome.

For more information on Bing Bang Boom! visit www.bingbangboom.net.

For more information on the Yamaha NUAGE Advanced Production System, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Extron Announces New Fiber Optic USB Extender that Supports a Wide Range of Devices

Extron FOX USB Extender PlusExtron Electronics is pleased to introduce the FOX USB Extender Plus, which extends signals from USB peripheral devices extreme distances over fiber optic cabling. The extender supports USB 3.0, 2.0, 1.1, and 1.0 devices with data rates up to 480 Mbps. Used in conjunction with an Extron FOX Series DisplayPort, HDMI, DVI, or VGA extender, the FOX USB Extender Plus is capable of transmitting Keyboard-Video-Mouse – KVM signals very long distances over a fiber optic infrastructure. Direct connection of USB peripherals to a remote host eliminates the need for additional IP network drops, equipment, software, or drivers. For streamlined integration, the transmitter includes USB peripheral emulation that supports trouble-free booting of the host. Also, the receiver features an integrated four port hub with 5 Volts, 500 mA available on each port to power attached devices. The capabilities and low profile design of the FOX USB Extender Plus ensure simplified device integration in a wide variety of professional environments. more

Rogue Element Embraces an Open Source Philosophy

Dan Mulligan

Rogue Element has become one of the first digital cinematography companies in the UK to adopt an Open Source policy for its rental division by providing Open Source Digital Camera Solutions.

In a move designed to unleash and encourage creativity, the Soho-based company is ensuring that 4K cinema is fully open to everyone by making AXIOM Beta Open Digital Cinema Cameras available to its rental customers.

AXIOM Beta cameras are the first products to be developed by apertus°, an Open Source cinema organisation founded by film makers and financed through crowd funding. The people behind apertus° were galvanised into action when they became concerned with the expensive and limited tools they were forced to work with every day. Instead, they wanted access to affordable devices and technology that delivered the highest possible image quality and could be customised to exactly suit their needs.

Since its formation in 2007, the apertus° project has applied an Open Source philosophy to everything it has developed. As no patents have been filed, anyone can access the technology behind its cameras and people are actively encouraged to adapt, modify, repair and even replicate them. To date, reaction has been very positive. Not only has the company achieved – and exceeded – its initial crowd funding target but it also has the backing of some very important film makers and cinematographers.

ASC and AIC Cinematographer Roberto Schaefer, who was responsible for films such as Quantum of Solace, Finding Neverland and Stranger Than Fiction, says: “I believe than an Open Source camera will allow us to customize the digital camera to our personal liking. That should include ergonomics and hopefully give the ability to get rid of the shoebox, front heavy trend of current designs. I look forward to using custom elements to create the new Digital Aaton, even though they are no longer in business. The design possibilities that I’ve seen from the apertus° project are exciting, as are the image creation possibilities. Not being locked in to any one company’s idea of what the images should look like is a breath of fresh (film) air. Currently in order to switch film stocks we have to change camera systems. The AXIOM will hopefully change all of that and allow us to change stocks with a physical switch.”

His views are shared by Emmy and Academy Award-winning DOP and Visual Effects Supervisor David Stump, who says: “The spirit of Open Source frees up the creative spirit to do something that no one else thought of,” while IMAX cinematographer Lee Ford Parker adds: “Open Source cameras are a step back toward the dark room, in which making the tools is part of the joy of making the art.”

The AXIOM Beta camera has just been released and is currently only available at cost to the community that backed the initial crowd funding campaign. Rogue Element was one of those backers and Managing Director Dan Mulligan says: “Open Source is a fantastic concept and we are delighted to be supporting apertus° by making this format available to the UK rental market. In taking on the Open Source philosophy, we hope to facilitate unfettered access to the technology and free up the creative spirit so that the cinema industry can engage in practices that encourage freedom of expression and is no longer limited by who can contribute.”

Established by Mulligan in 2001 firstly with camera rentals, Rogue Element then pioneered tapeless and file-based digital workflows and onset correction with 3D LUTs, S.two & Codex data recorders and Filmlight colour timing suites until 2011.
Now starting an Open Source operation for 2014 onwards Rogue will offer new camera solutions and options for the Broadcast & Features markets.

Rogue Element can also provide dailies and workflows for Arriraw (Alexa 16:9/4:3 sensors) RED RAW (RED Epic & Dragon 6K),Sony S-Log3 (Sony F65), Canon RAW (Canon C100/300/500), Cinema DNG (Blackmagic), GoPro and many other of today’s professional and niche camera systems. With this new operation for 2014 we want to pursue new avenues for the market.

Dan Mulligan, who has recently returned to Rogue Element after a three year stint at Technicolor, says: “The Arriraw format is now well established and there are a raft of high-end products catering for this market. We are still providing our customers with access to these workflows as they continue to develop, but thanks to our investment in the apertus° project we can now bring a very high quality Open Source 4K camera to the market at a much lower entry cost.”

Mulligan adds that for many film makers, cost can be an ongoing issue and the price of using high end equipment does bar many talented people from entering the market.

“This is why it is good to see the appearance of an Open Source camera system that has a much lower entry point,” he says. “The ability to create your own 4K camera and your own workflow is hugely beneficial for the film and broadcast industry because it will encourage content creation and allow people to get involved at much less cost.”

Rogue Element is not initially consider charging for the rental of its AXIOM Beta cameras. Instead, it will make its income through consultancy and through supplying additional new sensors, lenses, tripods etc., and add on services such as storage and workflow.

“We want people to try them so we are making them as easily available as possible,” Mulligan says. “With the Axiom Open Source we now have a camera solution coming from an opposing end of the release spectrum with a differing approach to its target audience. There should be more than enough room for both this and the higher end systems.”

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About Rogue Element:
Rogue Element provides digital cinematography filming services plus data and dailies, to the Film and Broadcast industries. A pioneer in tapeless and file-based digital workflows and on-set colour correction, the company’s growing rental division also supplies and supports a wide range of professional Digital Cameras including RAW camera systems and workflows, apertus° AXIOM Beta Open Source cameras and new solutions for RAW workflows.
www.rogueelementdigital.com

Extron Now Shipping Single-Gang DTP Wallplate Transmitters for HDMI

Extron DTP T HWP 331 DExtron Electronics is pleased to announce the immediate availability of the DTP T HWP 231 D and DTP T HWP 331 D, single-gang Decora®-style transmitters for sending HDMI, audio, and bidirectional RS-232 and IR signals over a shielded CATx cable to Extron DTP-enabled products. The DTP T HWP 231 D extends signals up to 230 feet (70 meters), while the DTP T HWP 331 D extends signals up to 330 feet (100 meters). The one-gang form factor provides maximum space efficiency in wall mount, floor box, and furniture mount applications. The transmitters support computer video up to 2560×1600, HDTV 1080p/60 Deep Color, and 4K resolutions. Both models also accept analog stereo audio signals for simultaneous transmission over the same shielded twisted pair cable. They feature remote power capability, plus bidirectional RS-232 and IR pass-through for remote AV device control. The single-gang wall-mountable design of the DTP T HWP 231 D and DTP T HWP 331 D provides the convenience of placing input connections precisely where they are needed. more

Matrox at Content & Communications World, Streaming Media West and Government Video Expo — Product Preview

VS4Recorder Pro multi-camera recording app and Matrox Monarch HD video streaming and recording appliance to be featured

At three upcoming tradeshows, Matrox® Video will feature the new VS4Recorder Pro™ multi-camera recording and multiviewer app and the popular Matrox Monarch™ HD video streaming and recording appliance.

Designed for use with Matrox VS4™ quad HD capture cards, each VS4Recorder Pro system frame-accurately captures up to four video and audio inputs to create files for use with popular editing apps from Adobe, Apple and Avid and for archiving. H.264 is provided in either MOV or MP4 wrappers. AVI files can be created using the high-quality Matrox MPEG 2 I-Frame codec. MOV QuickTime files can be created using DV, DVCPRO, DVCPRO50 and DVCPRO HD. VS4Recorder Pro also functions as a multiviewer, offering pristine video quality even when monitoring interlaced sources on progressive computer monitors. VS4-based systems are also ideal for multi-camera live production streaming with Telestream® Wirecast® for Windows® or StudioCoast vMix software.

Matrox_VS4Recorder_Pro_180pix

Matrox Monarch HD is a small, easy-to-use H.264 encoder designed for professional video producers who need to simultaneously stream a live event and record a mastering-quality version for post-event editing. From any HDMI input source such as a camera or switcher, Matrox Monarch HD generates an H.264-encoded stream compliant with RTSP or RTMP protocol. While encoding the video at bitrates suitable for live streaming, Matrox Monarch HD simultaneously records a high-quality MP4 or MOV file to an SD card, a USB drive, or a network-mapped drive. The Monarch SDK, an HTTP-based API, includes documentation and sample code that let AV and broadcast equipment developers write applications to configure and control Monarch HD streaming capabilities, giving them a very straightforward way to include a high-quality webcasting service as part of their overall product offerings. Monarch HD can also be integrated with a Crestron® controller, which allows operators to easily start and stop streaming and recording from within the familiar Crestron interface.

Matrox_Monarch_HD_angled_180x92

See the products in action at Content & Communications World (New York City, Nov. 12–13, booth 1163), Streaming Media West (Huntington Beach, Nov. 18–19, booth 216) and Government Video Expo (Washington DC, Dec. 3–4, booth 434).

At Government Video Expo, Matrox will also present a deep-dive technology session with interactive Q&A on the topic “Anything Worth Streaming is Worth Recording”, Wednesday, Dec. 3 at 2 pm in the presentation theater at the back of the exhibit hall. All GVE attendees are welcome.

About Matrox Video
Matrox Video is a technology and market leader in the field of 4K, HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, streaming, A/V signal conversion, capture/playout servers, channel-in-a-box systems and CGs. Matrox’s Emmy award-winning technology powers a full range of multi-screen content creation and delivery platforms used by broadcasters, telcos, cable operators, post-production facilities, live event producers, videographers and A/V professionals worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/video.

Due to high demand, InfoComm International®, the leading trade association representing the audiovisual and information communications industries worldwide, announces a further Networking for the AV Industry Programme event in London, UK between 9-11 December 2014. AMX® by HARMAN®, is the key sponsor of the three–day intensive course.

“Since the demand for these type of events have been hugely popular, to meet the current demand from audiovisual professionals, we’ve added an additional London class in December,” said Chris Lavelle, Regional Director, UK & Ireland at InfoComm International.

Key topics tackled in this course are remote monitoring and management, security as well as maximising quality and bandwidth.

“As more audiovisual applications operate within enterprise based networks, the course aims to address all networking challenges and to keep skills sets of audiovisual professionals up to date,” added Lavelle.

AMX will continue to support the InfoComm Networking for the AV Industry Programme in 2015. Course locations along with dates for the UK and Continental Europe will be announced later in the year.

Don’t’ miss out. Sign up now by visiting: http://www.infocomm.org/cps/rde/xchg/infocomm/hs.xsl/21946.htm?type=&track=Networked+AV+Professional&topic=&language=&audience=&location=Europe.

About InfoComm International
Now in our 75th year, InfoComm International® is the international trade association representing the professional audiovisual and information communications industries. InfoComm has more than 5,000 members, including manufacturers, systems integrators, dealers and distributors, independent consultants, programmers, rental and staging companies, end-users and multimedia professionals from more than 80 countries. InfoComm International is the leading resource for AV standards, market research and news. Its training, certification and education programs set a standard of excellence for AV professionals. InfoComm International is the founder of InfoComm, the largest annual conference and exhibition for AV buyers and sellers worldwide. InfoComm also produces trade shows in Asia, Europe, Latin America and the Middle East. Additional information is available at infocomm.org.
dreamstime_m_40173951

Extron Now Shipping MediaLink Controllers with Sleek New Designs

Extron MLC 55 SeriesExtron Electronics is pleased to announce the immediate availability of the MLC 55 RS and MLC 55 RS VC. These economical, easy-to-use MediaLink controllers are used for common AV functions such as power, input selection, and volume in single display applications. They feature a sleek new look, with redesigned backlit buttons and magnetically-attached faceplates that hide the mounting screws and configuration ports, giving the controllers a refined, uncluttered appearance. Both models include unidirectional RS-232 and IR display control, as well as discrete ON and OFF display power controls. The MLC 55 RS VC model features a newly-designed, larger volume knob for smooth, precise volume control of Extron MPA Series and select XTRA Series amplifiers. Flexible mounting options allow the controllers to be installed virtually anywhere, including walls, lecterns, or tables. more

Comprehensive Cable and Connectivity Celebrates 40 Year Anniversary

 

Comprehensive-Default-Logo--RGB-300dpi-JPG

 

This September marks the 40th year anniversary for Comprehensive Cable and Connectivity Company.

In 1974, the professional audio visual market was just emerging and the new small businesses across the country known then as “audio visual dealers” had a problem:  Whom do they go to get the connectivity, accessories and supplies they need for the equipment they are selling to local media, schools and businesses? Lucky for the AV industry, Comprehensive had the solution.

Originally known as Comprehensive Video Supply, Comprehensive began as a single source of accessories and supplies for the then up-and-coming “professional audio-visual” market. Sold exclusively through resellers, Comprehensive products, which included their now world-famous cables and connectivity products, were a must-have for every audio-visual and computer reseller. The same was true for the Comprehensive 200-page product catalog. Dealers could use the Comprehensive catalog as an invaluable resource, and have it custom imprinted with their business name and contact information for distribution to customers. (Keep in mind – popular use of the internet was still more than 20 years away, and it would be another 33 years before the first iPhone was introduced. Even the VCR had yet to be released).

Scott Schaefer, Comprehensive’s current President, commented, “Comprehensive was there at the beginning of both AV and IT. It is Comprehensive’s experience, commitment to reliability, value and service that has kept B2B customers around the world coming back year after year. We are so grateful for the decades of support that our industries, resellers, customers and employees – past and present – have shown Comprehensive. Without them, we would not be here today, and we never forget that. We thank each and every one.”

Over the years, Comprehensive built the business with a strong reputation for “putting its money where its mouth is” service by stepping up and standing behind its resellers and products from the very beginning. One of many enduring legacies that Comprehensive has given the industry is the ‘Lifetime Warranty’ on cable assemblies, connectors and adapters. While a marketing commodity in today’s internet age, Comprehensive takes those words very seriously.

“Comprehensive customers need reliability and service above all else. Customers come to Comprehensive because they know they can count on us; every product, every order, every time. ” said General Sales Manager, Martin Fensterstock.

Today, Comprehensive has grown into one of the leading connectivity brands in the U.S. and around the world and their reliability and service have become legendary in the industry. Over the decades, Comprehensive has truly become the “go to” company for B2B audio-visual and I.T. professionals in every industry.

In fact, looking at a partial client list of Comprehensive customers reads like a “who’s who” of technology, business, media, entertainment and government. Clients include: Sony, Panasonic, Disney, Microsoft, Apple, Crestron, NASA, U.S. Army, Columbia University, NBC, ABC, CNN   just to name a few. A list of resellers and distributors reads much the same – Ingram Micro, Anixter, AVI-SPL, The Whitlock Group, HB Communications, B&H Photo, New Egg.com, and the list goes on.

Originally located in Northvale NJ, Comprehensive was purchased by VCOM International Media Corporation in 1995 and has continued to expand even during the recent recession. With continuous, growing demand for their cable and connectivity products and services, Comprehensive recently moved into new, larger headquarters in Fairfield NJ. They are also hiring with many positions available.

Listening to customer needs, something Comprehensive has done since the very beginning, has led to many new and innovative products. The most recent being the extremely successful Pro AV/IT Series HDMI Cable family, which are the onlyHDMI cables specifically designed for systems integrators, corporate, government, medical and other demanding B2B environments. Exclusive features such as ProGrip® Connector Technology, SureLength® Indicators with cable lengths easily visible on all connector heads, as well as color Identification and 4K X 2K support are just a few innovations that customers can expect from Comprehensive products.

 In its first 40 years, Comprehensive became synonymous for reliable and innovative connectivity products that the audio-visual and I.T. professional could count on and that at least, is not something Mr. Schaefer thinks will change much over the next 40 years. “We are so excited about where Comprehensive and the market are going – 4K, HDBaseT, collaboration and the cloud, mobile, the opportunities are endless. Technology continues to evolve and advance and so does Comprehensive. We are doubling down on everything our customers have demanded from us in the past and building on it for tomorrow and beyond. The best is yet to come and like all things Comprehensive, you can count on that.”

For more information about Comprehensive or any Comprehensive products, including the Pro AV/IT Series High Speed HDMI Cables, please visit us at www.comprehensivecable.com, call toll free at 800-526-0242 or e-mail sales@comprehensivecable.com

 

About Comprehensive Cable
For 40 years, Comprehensive Cable has been the Pro A/V industry standard for professional connectivity performance, reliability and value. That’s why millions of Comprehensive cables and connectivity products are in use at stadiums, in broadcast and recording studios, stages, boardrooms, classrooms, government installations and now living rooms around the world. Comprehensive Cable and Connectivity Company is a division of New Jersey based VCOM International Multimedia Corporation.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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