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Archive of the Corporate AV Category

St. Louis Institution Installs Yamaha IF, MTX System

BUENA PARK, Calif.—In 1903, a St. Louis institution was born. The Missouri Athletic Club (MAC) has endured and thrived by remaining committed to being a premier athletic, social, and dining club for business, professional and civic leaders, and families in the St. Louis area.” Today, the MAC is recognized as one of the top private clubs in the United States.

The landmark building recently upgraded its audio-visual system in the Missouri Room, its main ballroom, used for banquets and receptions. The room can accommodate up to 550 people. TSI-Global (St. Charles, MO) was responsible for the design and installation. “The ceiling and walls are decorated with ornate plaster relief carvings, states Steve Keller, Senior Account Manager at TSI-Global, who personally designed the system. This, along with the age of the building, offered unique challenges of finding ways to mount large projection screens and loudspeakers while maintaining the look and feel of this classically elegant room.”

As part of the new system, TSI-Global installed ten Yamaha IF2208W loudspeakers that were custom painted to match the room. The speakers are processed using the new Yamaha CIS (Commercial Installation Solution) MTX3. TSI installed four DCP1v4S units to control six audio sources (three wall plate inputs, two Sennheiser wireless microphones, and a DVD player). “Two controllers are on the first floor and two controllers are in the balcony with duplicate controls so that the volume of any source can be controlled either upstairs or downstairs,” says Keller.

Keller said the Yamaha IF speakers were chosen for their wide dispersion and rotatable horns (the speakers were mounted horizontally and the horns rotated) and that the Yamaha CIS MTX3 processor is a cost-effective DSP; combined with the controllers, this set up became a simple way to control the individual source volume. “Being able to daisy chain the controllers simplified the installation as well.”

“We needed to replace an aging sound system that was overly complex and was unable to achieve adequate sound levels without feedback, states Rick Garrett, Director of Technology, Missouri Athletic Club. It was also very important to our staff and membership that any fixed installations not disturb the aesthetics of our 100 year-old grand ballroom. The new system was designed to be simple enough for use without the aid of tech support and still provide us the flexibility to accommodate very complex and elaborate audio/visual events when required.”

Garrett said all of the club’s managers, employees, and members were excited to see how well the new Yamaha speakers blended into their existing décor. “More importantly, he adds, with our new Yamaha system, we are finally able to achieve excellent volume levels and sound quality without the noise and feedback we had with our old system.”

For more information on the Missouri Athletic Club, visit www.mac-stl.org.

For more information on TSI-Global, visit www.tsi-global.com.

For more information on the Yamaha IF Speakers and CIS Series products, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

wysiwyg makes light of Macao’s ‘Rhythm of Life’ celebration

The ability of CAST Software’s wysiwyg pre-visualization solution to enable unique creative event ideas – while saving time and money – has been perfectly showcased by The Rhythm Of Life, a majestically colourful multimedia show held in Macao’s ancient city centre.

Commissioned by the Macao Cultural Institute and under the artistic direction of Lebigre & Roger, ‘The Rhythm of Life’ celebrated the Latin heritage of Macao – today a separately administered part of China, but until 1999 a colony of Portugal. Featuring dozens of performers wearing traditional painted faces, the parade was inspired by the great carnival of Viareggio in Tuscany.

“In total this was a three-hour show with around 2,500 cues, all of them controlled by SMPTE, and 1,300 lighting fixtures,” says Alessio de Simone, Lighting and Show Designer at Italy’s Trussdesign.it, which was contracted by Lebigre & Roger to produce the lighting and staging concept for ‘The Rhythm of Life’.

“We used wysiwyg in all phases of the project,” continues de Simone. “We began with the CAD function for our own internal brain-storming, then used the Design function to develop renderings that could be presented to our customers.

“Once the main structure had been approved, we created a Lighting Plot, and finally, once we had received the soundtrack of the show and the choreography, we literally locked ourselves in the blue room in our office where, for about six weeks, we pre-programmed the whole event scene-by-scene.”

De Simone says that wysiwyg’s ability to create moving ‘points of view’ from virtual cameras was invaluable in assessing the detail of light-fixture positioning and programming, as well as the effectiveness of the design as a whole. The final setup, complete with four spectacular automated ‘marionettes’ dancing and soaring up to 9m into the air, was realised in remarkably short order once the Trussdesign.it team had arrived in Macao.

“We placed all the projectors as called-for in our wysiwyg documentation, turned on all the moving heads – and every scene position was exactly as it had been in our pre-visualization. With small adjustments for pan and tilt, gobos and beams were perfect – just like they had appeared in our designs, 10,000km away.”

‘The Rhythm of Life’ was performed in front of 20,000 people and shown on three different Chinese TV channels, to ecstatic ratings and reviews. Yet without wysiwyg, the show might not have gone ahead at all, as monsoon rain swept through Macao in the days prior to the production, effectively halting all on-site programming.

“The rain stopped the job completely,” recalls de Simone. “As every lighting designer knows, when you have outside fixtures you can’t program during the day – only at night. And the rain just didn’t stop. Fortunately, thanks to our pre-visualization with wysiwyg, we had already fixed everything in our control panel.

“On the night of the performance, the sound manager pressed ‘Play’ on his Mac, we watched the SMPTE on our Hogs, sat back, relaxed…and enjoyed the show!”

Bruce Freeman, Chairman, CAST Group, concludes: “wysiwyg users are independent professionals. Whether you design for live theatre, special events, TV/film or Macao, you compete and you must deliver globally. Previz that does not cheat is vital – you must have confidence. This story is a great example of how pros used wysiwyg and the significance of previz as well as the rich graphics that make renderings really virtually real. Another reason wysiwyg’s previz often plays such a big role in special events is that it is “green” – it can save up to 60% of electricity costs because you don’t need to take over the space and run the lighting for the design phase.”

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All images should be credited to: Images courtesy of Trussdesign Italy.

Follow Trussdesign.it on Facebook: https://www.facebook.com/LIGHTING.DESIGN.STUDIO

Some useful links:

Twitter & Facebook: CASTsoftware

Video: Entire previsualization using wyswiyg: https://www.youtube.com/watch?v=HTwg0dYmhA8&list=UUuJgUv67JRWDLN06MBEwAGA

Previsualization video in 3-parts:
Part 1: https://www.youtube.com/watch?v=d8SuDg9_s-E
Part II: https://www.youtube.com/watch?v=ROF1M3BqCPc
Part III: https://www.youtube.com/watch?v=4AfW4KcGZFo

About CAST Software
Established in 1994, Toronto Canadian-based software and hardware developer, CAST Software celebrates its 20th year in business in 2014. CAST Software serves its core markets in entertainment production, special events and meetings. Its award winning flagship software products are wysiwyg design and previsualization suite, and Vivien — Virtual Event Designer. All products are designed and created in-house and supported by an established global distribution and reseller network.
www.cast-soft.com

Extron Introduces Compact Two Channel Amplifiers for High Impedance Systems

Extron Electronics is pleased to introduce the Extron XTRA Series XPA 1002-70V and XPA 1002-100V, half rack 1U, convection cooled power amplifiers delivering two channels of 100 watts rms for 70 volt and 100 volt distributed speakers. These professional grade amplifiers feature a 100 dB signal-to-noise ratio with 0.1% THD+N specifications. The XPA 1002-70V and XPA 1002-100V are ENERGY STAR® qualified amplifiers with an Extron exclusive, highly efficient, advanced Class D amplifier design. They also feature patented CDRS – Class D Ripple Suppression technology that provides a smooth, clean audio waveform and an improvement in signal fidelity over conventional Class D amplifiers. The XPA 1002-70V and XPA 1002-100V are housed in half rack width metal enclosures, conserving rack space and weighing only 2.5 lbs (1.1 kg). The Extron exclusive, high efficiency design generates very little heat and allows the amplifiers to be convection cooled. more

Crimson AV Develops AV Mounts for Digital Signage and Point of Sale Use; Lineup Ideally Suited for Retail, Hospitality and Other Commercial AV Applications

PR30 and CLAMP3 by Crimson AV Provide Versatile Display Mounting Options; Will be Demonstrated at InfoComm 2014 in Las Vegas, Nevada June 16-18

GLENVIEW, IL and LAS VEGAS, NV – MAY 28, 2014 (InfoComm Booth #C5430) – Crimson AV, LLC today announced that the Company will utilize the InfoComm Conference in Las Vegas, Nevada to showcase new commercial AV mounting solutions engineered to affix to round and rectangular pipes, on walls, on counter tops, and other challenging attachment points often found in retail, point of sale, digital signage and other commercial installations. Expanding on the Company’s mission to deliver professional-grade AV mounting solutions that are simple to specify, order and install, Crimson will demonstrate at InfoComm 2014 a host of new mounting solutions specifically designed for hospitality, retail, entertainment, education, government, healthcare facilities, houses of worship, venues of any size, and a wide variety of commercial applications.

Crimson AV has a unique value proposition and fills a much-needed niche. In addition to a comprehensive TV and projector mount lineup of more than 400 off-the-shelf solutions, the Company also specializes in custom-configured solutions that are designed to specification and suitable for virtually every type of audio-visual installation. Two new models in the line are a product of this solution-oriented approach and are being shown to InfoComm attendees for the first time:

New CLAMP3 Display Mounting Accessory

  • Benefit: Quick and easy to install, attaches to unistrut, truss, pipe or any round or rectangular structure up to 3.5″ in diameter. Extremely adjustable; monitor display height adjustment is limited only by the range of the drop length. Creates a unique and versatile display mounting solution that’s compatible with a variety of flat, tilt, pivoting and articulating mounts.
  • Application: Digital signage, retail, point of sale, trade shows, exhibits, studios, warehouses, venues, and other challenging environments.

New PR30 Display Mounting Accessory

  • Benefit: Versatile mounting solution for monitors up to 30“ in size. Interfaces with the CLAMP3 to create a pivoting display mounting solution. Attached monitors can be set in either landscape or portrait orientation, and then rotated, tilted, and locked into place after installation, providing end-users significant flexibility in both location and use.
  • Application: 100x100mm hole pattern. Ideal for retail point of sale, hospitality, venues, and other challenging environments.

“Our new PR30 and CLAMP3 were developed for customers that needed to mount displays for point of sale and digital signage use in retail, warehouses, venues, and other challenging commercial environments,” says Crimson President, Vlad Gleyzer. “They’re genuine problem-solvers and serve as prime examples of Crimson’s ability to react to the unique needs of commercial systems integrators.”

Every product in Crimson’s comprehensive assortment is manufactured to rigorous standards, designed for maximum install efficiency, and sold for a fraction of the price of competitive solutions, making the line making the lineup a “must see” at trade shows and regional events. Interested parties are invited to connect with Crimson at booth #C5430 at InfoComm 2014, or by visitingwww.crimsonav.com, calling 866-MOUNT-TV, or writing to info@crimsonav.com.

About Crimson
Based in Glenview, IL, Crimson AV manufactures a comprehensive yet uniquely differentiated lineup of display mounting solutions designed for Commercial, Pro, and Residential audio-visual applications. Combining enhanced product design techniques, extensive manufacturing expertise, and lean business practices, Crimson has developed a proprietary business model that delivers superior products for maximum value. Customers benefit from professional-grade products that are backed by unparalleled service and technical support. Uncompromising design and build quality requirements and an industry-leading 10-year warranty ensure each Crimson AV mount will be trouble-free for years to come. Interested parties can learn more about Crimson mounting solutions by visiting www.crimsonav.com, by calling 866-MOUNT-TV, by writing to info@crimsonav.com and by following @CrimsonAV on Twitter.Media inquiries should be directed to: Katye (McGregor) Bennett, KMB Communications, (425) 328-8640Katye@KMBComm.com,www.kmbcomm.com/press and @katyemcgregor.

Accompanying images:
Link to PR30 product image

Link to CLAMP3 product image

 

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Ocean Matrix Introduces New HDMI Over IP Extender / HDMI to CAT5/CAT6 Converter

SAUGERTIES, N.Y. – May 27, 2014Ocean Matrix, a worldwide leader in the design and manufacture of professional broadcast video gear, today announced the availability of a new HDMI Over IP Extender. The OMX-HDMI-2-IP transmitter accepts HDMI and converts it to standard TCP/IP to send the signal over your local area network via CAT5/CAT6. The receiver then converts the signal back to HDMI at the destination point. The transmitter has a static IP address and can pair with multiple receivers (up to 8). Multiple transmitters and multiple receivers can be paired on the same network. Ocean Matrix HDMI Over IP Extender

“With the distance limitations of HDMI and since CAT5/CAT6 infrastructures exist in virtually every facility we wanted to leverage these systems to provide a low cost, long distance HDMI transmission option,” said Dan Coscarella, Product Manager at Ocean Matrix. “Sending HDMI over your entire network frees you of the typical limitations found in send/receive point-to-point systems. The OMX-HDMI-2-IP delivers unparalleled performance in Pro-AV projection networks, digital signage systems and educational streaming applications taking advantage of your existing network and making it your HDMI network.”

The Ocean Matrix HDMI Over IP Extender is available and shipping now. To learn more about the OMX-HDMI-2-IP and other Ocean Matrix products visit www.oceanmatrix.com.

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About Ocean Matrix
Ocean Matrix is both a manufacturer and importer of cost effective interface solutions for video & Pro-AV users. Our in-house engineers evaluate every product with state-of-the-art test equipment to ensure quality results at the lowest possible cost. Every Ocean Matrix product features a 1-Year Product Warranty.

Ocean Matrix is exclusively distributed by TecNec Distributing and is available through the entire TecNec dealer network and online at Markertek.com.

D-Tools Workflow-Enhancing Native iOS Mobile Quote App Now Available

Companion app to SIX 2013 enables electronic systems integrators to remotely generate bids and later import them into the D-Tools SIX 2013 software platform for full project design and management

CONCORD, CA, USA  MAY 27, 2014 — D-Tools, Inc., the worldwide leader in electronic system integration software, announced today that the new D-Tools Mobile Quote app—an iOS-based companion app for its flagship software, SIX 2013—is now available for D-Tools users worldwide. This mobile extension of SIX 2013 provides mobile project quoting capabilities that enable Commercial and Residential Audio, Video, and Security systems integrators to generate quotes natively on an iPad®, then import them into the full D-Tools SIX 2013 software platform for further project design and management. Delivering on D-Tools’ commitment to timely product updates and enhancements, this new D-Tools Mobile Quote app will immediately extend the highly functional D-Tools SIX 2013 workflow to mobile sales and specification teams.

A native iOS application, the D-Tools Mobile Quote app leverages D-Tools’ extensive manufacturer product library by enabling system integrators to access and integrate product category, sub-category and package information and price range from their SIX 2013 catalog while working with customers in the field. Integrators can enter client and contact information into the Mobile Quote app, then walk prospective customers through available installation scenarios in order to create a quote for approval. Once complete, the resulting quote can then be imported into the full SIX 2013 software application for additional design work and synchronization.

A highly efficient productivity solution, the Mobile Quote app uses many of D-Tools’ workflow concepts, extending them to the mobile environment where customer interaction often takes place. Enabling the specification of locations and systems provides integrators the ability to provide packages or pre-configured systems for inclusion in the quote. Labor and general pricing is automatically calculated, and customers are provided an accurate proposal that in many cases can be signed off for approval on the spot.

By using D-Tools mobile quoting software, integrators give their customers a professional and impressive solution that illustrates both their commitment to the latest in cutting-edge technology and respect for their clients’ time by offering fast bids on-site. An integrator’s customer no longer has to wait anxiously until the integrator gets back to the office and spends hours pounding out a quote. Solutions are quick, easy, and professional, allowing the integrator to get started on their project right away. Available to D-Tools customers via the Apple App Store, the Mobile Quote app will carry a monthly subscription fee of $25.00 per user/device.

“We’re pleased to make the D-Tools Mobile Quote app available to our global user community,” said Adam Stone, President and Founder of D-Tools. “Providing our users the ability to create quotes in the field is a natural evolution for our platform, and the Mobile Quote app is an important component that ensures D-Tools continues to meet the growing needs of our expanding electronic systems integration customer base. The Mobile Quote app release is the first release of our mobile capabilities roadmap to significantly enhance and complete our project workflow. As we have demonstrated since the release of SIX last year, this new platform enables us to deploy new features as part of rapid and regular release cycles, which ultimately provides our customers a clear path for sustained growth.” 

More than 4,500 companies worldwide use D-Tools Systems Integrator Software to streamline the estimation, design, and project management processes associated with the installation and integration of low voltage systems.

iPad® is a trademark of Apple Inc., registered in the U.S. and other countries.

About D-Tools, Inc.
D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software platforms. The company’s flagship product, System Integrator™ (SI), is a robust solution that utilizes Autodesk® AutoCAD and Microsoft® Visio to facilitate comprehensive system design, documentation and project management. D-Tools enables residential and commercial integrators to streamline business processes and increase revenues while reducing the time and cost associated with the installation and integration of low-voltage electronic systems. More than 4,500 leading companies currently use the award-winning D-Tools platform to reduce time, costs and to streamline the system integration process. Product updates and related information can be obtained by following D-Tools on Twitter and on Facebook.

Learn more about the D-Tools MVP Program, D-Tools System Integrator, or the undeniable benefits of using a streamlined system design, proposal, and estimation software platform at www.d-tools.com(866) 386-6571, ext. 1, or e-mail info@d-tools.com ormvp@d-tools.com.

Press Contacts
Tim Bigoness, D-Tools, Inc., +1 (925) 270-4102, timb@d-tools.comwww.d-tools.com

Katye (McGregor) Bennett, KMB Communications, +1 (425) 328-8640katye@kmbcomm.com

MVP Contact
Josh Carlson, D-Tools, Inc., +1 (925) 270-4105joshc@d-tools.com

Link to accompanying images for use in publication:
https://www.dropbox.com/sh/e99zhtd1lhkb2h6/AAAtJc2LeZpbWLXKv42LGp3Fa

 

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More realistic than ever before: CAST releases beta version of wysiwyg R33

Ahead of its general product release, expected before the end of June, CAST Software announces the distribution of the beta version of wysiwyg R33 design and previsualization software suite – the second instalment in the graphics upgrade — with three of its new and significant features, many of which were evaluated and requested by CAST Software’s partner base.

LED Video Walls / Screen Virtual Point Light
As content changes on screens such as LED video wall displays, they emit a light ‘glow’ into the surrounding environment. wysiwyg perfectly replicates this effect so lighting designers will be able to produce the most accurate previsualization and deliver stunning designs for their clients.

Shaded View Profiles
Promising greater workflow efficiency, Enhanced Shaded View Profiles allows users to save a combination of lighting settings under a profile for future use.

200 Lighting Universes
Saving perhaps the best new feature of R33 to last, CAST Software has doubled the number of universes giving wysiwyg users access to 200 universes. This translates to 102,400 DMX lighting channels, ensuring that no project is too big for wysiwyg.

But what does an industry professional see when looking at wysiwyg for the first time? Really virtually real super rich graphics driven by the ultimate software application that is so comprehensive that it deals with all aspects of lighting, including those things, which affect lighting like moving props, LED video walls, and reflective surfaces. wysiwyg lets them design and pre-cue, and then previsualize, run a sequence or take screen shots to test or share, ultimately delivering a design that can be faithfully replicated for real.

One lighting designer working with the beta version is Emiliano Morgia who said: “On seeing the beta version of wysiwyg R33, my first impression was ‘Wow’. In our lighting design projects we are often working to very tight deadlines so the Shaded View feature will ensure that we’re even more efficient. Additionally R33 packs some punch in creating realistic previsualizations for clients, especially those who are increasingly requiring LED video wall displays.”

“R33 represents a huge leap forward in functionality and the next instalment of the on-going graphics upgrade. The speed enhancement, file handling and navigation improvements are a result of the direct feedback from our professional customer base. R33 continues to unleash creative lighting for today’s needs and exemplifies what we are prone to say around CAST: it just keeps getting better!” explained Bruce Freeman, Chairman at CAST Group.

Meanwhile, over 100 beta testers, representing a cross-section of lighting professionals, are busy putting R33 through its paces and will be communicating their findings to CAST over the next weeks.

A full set of R33 features will be announced when the general release version of wysiwyg R33 becomes available, likely before the end of June.

R33 Beta LED Video Wall Glow Video: http://youtu.be/rQaoazMZ7dI

Twitter & Facebook: @CASTsoftware

CAST Forum: http://forum.cast-soft.com

www.cast-soft.com/blog

TDC provides core video expertise for largest-ever light festival Vivid Sydney

Aquatique Show International, Vivid Aquatique, Darling Harbour, Photography by Rodney Campbell.

TDC – The Technical Direction Company is proud to be deploying the full range of its professional and technical expertise in providing core technology and services to Destination NSW for the sixth annual Vivid Sydney festival running from 23 May to 9 June.

Anthony Bastic, Vivid Light Festival Director said: “Vivid Sydney is a unique celebration of light, music and ideas that will see the centre of New South Wales’ vibrant capital transformed by a series of state-of-the-art visual and creative art installations. There are two components to Vivid Light. The first is the Light Walk, which is the public interface of Vivid Sydney. This includes numerous light installations by artists. Secondly, also forming part of the Light Walk, are projections onto some of Sydney’s most iconic buildings including the Museum of Contemporary Art and Customs House. We are thrilled to work with TDC in bringing the artists’ vision to light.”

“This is our third year of working with Destination NSW on Vivid Sydney, providing a huge range of technologies including 3D media servers, 3D mapping, video projection equipment, projection tower infrastructure and sound installations, not to mention our highly skilled crews to manage the technology,” comments Kain Jones, Special Projects Manager at TDC. “We have used our experience of working on Vivid Sydney for the last three years to apply the insights with have learned to how to adapt and continue to make sure that the elements TDC is involved in are amazing.

“As Vivid Sydney grows, new buildings and locations are added, so initially we spend considerable time analysing which technology is best-aligned to meet the artists’ vision. We get involved from the outset in installation design, mapping the buildings to enable the designers to create content specific to the outline of those buildings. We then work on optimal locations for projector placement, media server selection, lens selection and the number of projectors required to meet specific brightness (lux) output for each installation.”

“Vivid Sydney is a great challenge for our company, the scale of this event is enormous in regard to projection technology required to bring it all together,” comments Michael Hassett, TDC’s Managing Director. “This year over 50 Barco projectors will be deployed in total, ranging from the brightest projector in the world, the HDQ-2K40 (40,000 lumens brightness) along with Barco HDF-W26 (22,000 lumens brightness) and FLM-R22+ (22,000 lumens brightness) projectors. This is a projection technology feat and not something that any company globally could pull together easily. We’re proud to be working with the great team at that Destination NSW again this year, and we look forward to the continued success of Vivid Sydney.”

• Over 50 Barco projectors will be deployed in total, ranging from the brightest projector in the world, the HDQ-2K40 (40,000 lumens brightness) along with Barco HDF-W26 (22,000 lumens brightness) and FLM-R22+ (22,000 lumens brightness) projectors. Photography Rodney Campbell.

The TDC team preparing for Vivid Sydney. Photography by Rodney Campbell.

TDC getting ready for Vivid Sydney. Photography by Rodney Campbell.

And the last word goes to Olin Winton, Technical Manager at TDC who says: “It’s always a joy to work on large format projection projects and Vivid Sydney is no exception. The opportunity to display images on iconic buildings takes months of planning and long nights of alignment. This year we have added several new projects to our list, which we are extremely pleased with. Seeing it all come together, working with world class technicians and seeing the end result of people interacting with the buildings is extremely rewarding.”

World firsts from TDC

This year’s Vivid Sydney programme includes a number of significant technological and creative firsts.

Dichroic Dimensions

Digital Shamans, Dichroic Dimensions, Museum of Contemporary Art Australia (Mordant Wing). Photography by Rodney Campbell.

Kain Jones points to one aspect of a unique interactive installation at the new building of the Museum of Contemporary Art Australia (MCA), where artist-in-residence Ross Manning has collaborated with multidisciplinary artistic collective, The Digital Shamans to give visitors the chance to projection-map the façade of the building using only their voice.

“There’ll be two microphones on a slightly raised platform. As the audience uses their voice to interact with the installation, various hidden layers of visuals and soundscapes will be revealed based on pitch,” explains Michael K Chin at The Digital Shamans. “TDC are an amazing company with the technical know how and equipment to cope with the subtleties in our work. Especially with the HD video taken of dichroic filters producing subtle gradients in tones and colour shifts, strong contrast and vivid colour. It’s been a pleasure working with TDC for the first time. They are very professional and their experience with past Vivid Sydney festivals has been invaluable.”

Gamma World

Jess Johnson & Spinifex, Gamma World, Original Façade, Museum of Contemporary Art Australia. Photography by Rodney Campbell.

Bringing together the worlds of live performance, interaction and visual art onto the original façade of the Museum of Contemporary Art, ‘Gamma World’ combines isometric designs, old school gaming, pop up 3D books and forced perspective using 3D and animation tricks that powerfully takes the viewers on a journey through changing worlds.

Stella Carmody, Producer at Spinifex Group Sydney says: “What makes this projection so special this year is that we were able to combine our love of story-telling with the wonderfully inspiring artwork of Jess Johnson to create an abstract, engaging and playful piece of moving art on this iconic building. Hardware and projection mapping was undertaken by our good friends, large-scale projection experts, TDC.”

Urban Tree Project

Urban Tree Project, Ample Projects – MLC Centre, Martin Place. Photography by Rodney Campbell.

If you ever find yourself wondering what grew in the CBD before monuments of glass and steel, Urban Tree Project in Vivid Sydney 2014 will show you. The CTA building in Martin Place will grow out of the ground to become a magnificent living tree within the surrounding urban environment to celebrate and reflect on Sydney’s original green landscape. Design and animation company, Ample Projects turned to TDC to provide the projection solution.

“This project had unique technical challenges, so the natural choice for us was TDC. Ample designed a complex 3D mapping solution in collaboration with the TDC team. They were highly professional, providing projection design solutions for a cylindrical architecture screen with extreme focal planes. We look forward to working with them again soon,” says Ample Creative Director, Nicholas Tory.

“The shape of the structure was great to work on. We decided that the best solution was to map the projection to the curves of the building using Coolux Pandoras Box Media Servers,” comments Pete Lynn, TDC’s Media Server Specialist. “We’re very happy with the results.”

The projections for the Urban Tree Project are synchronised with a stunning laser lighting show as is the case with TDC’s projections for the Vivid Aquatique Water Theatre installation.

Spirit of Patyegarang

•	Patyegarang, Bangarra Dance Theatre Company – Vivid Light Walk Tour, Harbour Bridge Southern Pylon. Photography Greg Barrett.

Bangarra Dance Theatre is Australia’s leading Indigenous performing arts organisation celebrating its 25th anniversary this year. To mark this milestone the company presents its new production at the Sydney Opera House Patyegarang until 5 July and participates for the first time in Vivid Sydney with The spirit of Patyegarang. Projected onto the southern pylon of the Sydney Harbour Bridge, The spirit of Patyegarang is a video installation marking the first Indigenous contribution to the Vivid Light Walk.

Bangarra’s Executive Director, Philipe Magid, said: “TDC is providing equipment and video expertise enabling our company to project a stunning work of art on to a section of the iconic Sydney Harbour Bridge. Through a fusion of dance movements and music soundscape and thanks to video projections supported by TDC, the important story of Patyegarang will awake and inspire with the sensations and emotions of ‘first contact’”.

Play Me

Play Me, Customs House, Photography by Rodney Campbell.

In a poetic explosion of colour, light and sound, ‘Play Me’ will transform the façade of Customs House into a series of massive ‘musical sculptures’ that are individually selected and manipulated by the audience.

“Each of these ‘sculptures’ depicts a family of musical instruments which the audience can ‘play’ in real-time using a touch screen located on a platform in front of Customs House bringing it to life in glorious torrents of ever-changing colour, light form and sound,” says Sergio Carrubba, director and projection designer at Danny Rose, the design team for this project. “We’ve worked with TDC before on the ‘Move Your Building’ exhibit at Vivid Sydney 2013. In all cases, TDC offers exceptional support during planning phases, onsite technical support and the very best in projection equipment to assist with our designs which will all be brought to life at Vivid Sydney.”

Ignatius Jones, Creative Director, Vivid Sydney, comments: “Vivid Sydney is a strange beast: on the one hand it is a major government initiative designed to drive visitation and tourist expenditure during the year’s lowest season, and on the other a celebration of the fusion of Art and Technology that is changing our world forever and for the better. As Creative Director I must split my focus between the exacting contractual and economic demands of government, and the necessity to provide cutting-edge technical solutions to all the issues of larges-scale – or should I say vast-scale – public entertainment.

“TDC has an instinctive and comprehensive understanding of these issues. They are the perfect collaborators: calm, creative and totally competent. I would have no qualms in recommending them to anyone in the tough world of live mass entertainment, and hope to be working with them for a long time to come.”


TDC staff working on this project:

Kain Jones – Special Project Manager
Olin Winton – Technical Manager
Steve Cain – Head Technician/Media Server Specialist
Pete Lynn – 3D Media Server Specialist
Drew Ferors – Projectionist
Gareth Marsh – Projectionist
Katrina Harding – Projectionist
Isaac McKenzie – Projectionist
Adam Fiddler – Technician

TDC are working with following designers for Vivid Sydney:
• Urban Tree Project, Ample Projects – MLC Centre, Martin Place http://www.vividsydney.com/events/urban-tree-project
• Aquatique Show International – Vivid Aquatique, Darling Harbour, http://www.vividsydney.com/events/vivid-aquatique
• Patyegarang, Bangarra Dance Theatre Company – Vivid Light Walk Tour, Harbour Bridge Southern Pylon, http://www.vividsydney.com/events/the-spirit-of-patyegarang
• Starry Night, Brad Miller – Pier 8, Walsh Bay Wharf, http://www.vividsydney.com/events/starrynight
• Digital Shamans – Dichroic Dimensions, Museum of Contemporary Art Australia (Mordant Wing), http://www.vividsydney.com/events/dichroic-dimensions
• Danny Rose – Play Me, Customs House, http://www.vividsydney.com/events/play-me
• Heinz Kasper – Mystery of Creation (Fragments of The Seasons), Cadman’s College, http://www.vividsydney.com/events/mystery-of-creation-fragments-of-the-seasons
• Jess Johnson & Spinifex – Gamma World, Original Façade, Museum of Contemporary Art Australia, http://www.vividsydney.com/events/gamma-world-mca-original-facade

TDC equipment supplied:

• Over 50 Barco projectors will be deployed in total, ranging from the brightest projector in the world, the HDQ-2K40 (40,000 lumens brightness) along with Barco HDF-W26 (22,000 lumens brightness) and FLM-R22+ (22,000 lumens brightness) projectors.
• Coolux Pandoras Box Media Servers
• Dataton WATCHOUT™ multi-image display and presentation software

Revolabs Connects With Business Breakthrough Paris 2014

SUDBURY, Mass. — May 22, 2014 — Revolabs today announced that it will exhibit its next-generation Executive Elite wireless microphone system and audio-enhancing FLX UC 500 USB conference phone at the Business Breakthrough Event Paris 2014 on June 3 at The Espaces CAP 15. This is the second Business Breakthrough Event to be held in Europe this year and offers attendees up-to-date information on evolving unified communications (UC) and collaboration solutions and workflow integration. more

Biamp Systems Showcases TesiraFORTÉ at the Business Breakthrough Event 2014 in London

Biamp’s DSP-based audio processors provide incredible flexibility for everyday and enterprise-grade applications

BEAVERTON, Oregon — May 22, 2014 — Biamp Systems, a leading provider of innovative, networked media systems, today announced its participation in the Business Breakthrough Event 2014 in London on May 29. The premier event will provide attendees with information, discussion platforms, and solution updates within the rapidly evolving unified communications space. As a gold-level sponsor of the event, Biamp(R) will showcase its newly launched TesiraFORTÉ digital signal processors and host an educational presentation titled “It’s Amazing What Happens When People Hear What You Say — Delivering Audio That Works.” more

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