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Stewart Filmscreen’s ‘Stewart Large’ Category Boasts Seamless, Larger-than-Life Screens Up to 90 Feet Wide!

Stewart divides screen sizes into three categories, crystallizing its position as the only manufacturer that can build seamless screens at extra-large sizes

TORRANCE, CA and LAS VEGAS, NV – InfoComm Booth #C6821 – JUNE 17, 2014 – Stewart Filmscreen—world leader in built-to-order, high-performance, extra-large, projection screens for the commercial and residential markets—is proud to announce the formalization of three screen-size categoriesStandard, Large, and Stewart Large. By solidifying these three size categories, Stewart is further entrenched as the only company that can produce seamless projection screens at extra-large sizes for any commercial venue, including Hospitality, House of Worship, Education, Entertainment, Restaurants, Corporate, Government, Military, and more.

“We’ve been making extra-large screens for decades. In fact, no other manufacturer can make seamless fixed projection screens at the sizes we do. That’s why we are calling our largest screens ‘Stewart Large’. We are excited to finally formalize our size offerings so that everyone knows exactly what we are capable of, and can easily select size categories based on their needs,” says Douglas Brashear, president of Stewart Filmscreen.

Stewart’s three new size categories are Standard, which includes screens that offer images up to 12 feet wide; Large, which includes screens that have an image width of up to 24 feet; and Stewart Large, which boasts screens up to 90 feet wide and 40 feet high.

When the venue calls for a jumbo, behemoth of a screen, and image quality is a top priority, only Stewart can deliver,” says Brashear. “We’ve been manufacturing screens for more than 65 years for some of the most high-profile venues and events in the world, which, frankly, we don’t brag enough about, but probably should.”

Stewart Filmscreen, known for its material science; custom, built-to-order screens; design and engineering; sales support, and customer service, is committed to client satisfaction. For Typical screen solutions website users will be able to immediately produce a design-ready drawing. For custom solutions, those submitting design requests will be contacted within 24 hours to review and refine the design proposal.

Some of Stewart Filmscreen’s high-profile large-format screen projects include the Academy Awards®, the View®, CNN®, National political conventions, Flight and mine safety simulators, and much more.

Those interested in experiencing, delivering, and learning more about the best 4K displays at InfoComm14 are encouraged to connect with Stewart Filmscreen in booth #C6821. More information can also be obtained by visiting www.stewartfilmscreen.com, e-mailing request@stewartfilmscreen.com, calling (800) 762-4999, and by following @StewartFilm.

About Stewart Filmscreen
Headquartered in Torrance, Calif., with additional manufacturing and satellite sales facilities in Ohio, Singapore, and Denmark, Stewart Filmscreen has been the consistent choice of discerning clientele around the world for more than 65 years. An Academy Award-winning manufacturer of projection screens and specialty optical coatings, aesthetic-conscious architects, consultants, systems designers, and property owners rely on Stewart Filmscreen for the perfect combination of superior quality, flexible design, and dedicated support, and we consistently deliver. Providing the most immersive experience in the industry, Stewart can custom engineer a projection screen solution to meet nearly every need. Proprietary material science and innovative manufacturing methods allow Stewart to produce some of the most optically immaculate screens in the world, ultimately delivering an immersive experience that’s unrivaled in the marketplace. Simply put, if a screen can be imagined, Stewart Filmscreen can deliver it. www.stewartfilmscreen.com | @StewartFilm

Stewart Filmscreen Media Contact: Katye (McGregor) Bennett | KMB Communications | (425) 328-8640 | Katye@KMBComm.com | @katyemcgregor

 

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ASHLY AMPLIFIERS AND SIGNAL PROCESSORS NOW SHIPPING WITH DANTE™

WEBSTER, NEW YORK: Ashly Audio, maker of powerful, high-performance, cost-effective power amplifiers and signal processors, is now shipping Dante digital media networking solution with all their nXe, nXp, Pema and NE Series networkable amplifiers. NE Series rack-mount system processors (4400, 4800, 8800) are also available for purchase with Dante. With low latency, robust synchronization, I/O scalability, and simplicity of installation via standard IT technology, Dante will significantly enhance the power and value of Ashly’s networkable amplifiers line and select signal processors.

“We’re now ready to supply our market with this incredible audio networking technology in our nXe and nXp amplifiers” says Anthony Errigo, director of communications at Ashly. “Dante currently brings the best in flexible, yet robust, digital audio transport and we’re poised to build on its success by delivering this connectivity in our most premier amplifiers and processors. Our customers will benefit greatly by this advancement.”

Audinate revolutionizes the way that A/V systems are connected by transporting high-quality media over standard IT networks. Dante is a robust proven solution which is widely deployed in hotels, transportation centers, shopping centers, public address systems, live sound reinforcement, theaters, concert halls, stadiums, athletic venues, corporate boardrooms, universities, broadcast facilities, recording facilities, houses of worship, government facilities, and courtrooms.

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

ABOUT AUDINATE Audinate’s patented Dante media networking solution has been adopted by eighty OEM manufacturers in the professional audio/visual industry and is a Promoter Member of the AVnu Alliance™. Audinate offices are located in US, United Kingdom and Australia. Visit www.audinate.com for the latest news and information on the company. Dante is Digital Media Networking Perfected.

Dante is a trademark of Audinate Pty Ltd. Audinate is a registered trademark of Audinate Pty Ltd.

STOP BY AND SEE ASHLY AT INFOCOMM BOOTH #C11308

ASHLY AUDIO CELEBRATES 40 YEARS OF BUILDING GREAT-SOUNDING, COST-EFFECTIVE, AND RELIABLE PRO AUDIO SOLUTIONS

WEBSTER, NEW YORK: Founded by Billy Thompson in 1974 on the wings of a successful live sound company, Ashly Audio has been pioneering innovative products for the pro audio industry for forty years. Although much has changed, such as Ashly’s steady pivot from analog solutions for live sound to digital solutions for installed sound, much has also not changed, and it is this constancy that underlies Ashly success and longevity. Ashly has always delivered great-sounding gear that is highly reliable, easy-to-use, and fairly priced, which is a combination that never goes out of style. Moreover, Ashly has always resolutely stood behind its products and offered its full support to its customers. Ashly continues in this tradition as it builds the next generation of networkable amplifiers, DSPs, and user interfaces.

“Ashly has always had a relatively slow but steady growth trajectory,” explained Mark Wentling, president of Ashly Audio. “Many similar companies started out around the same time as Ashly Audio but have since closed their doors or been absorbed into other companies to become just another ‘brand.’ People have moved on and factories have been shuttered or moved overseas. Our approach has always been to remain steady, dependable, and maybe a little conservative, and that contributed to the forty strong years that we’re now celebrating. Indeed, the Ashly philosophy reflects back on our employees… many of the people still on the payroll in engineering, administration, and manufacturing were there when the company was just starting up!”

Those were the days when Billy Thompson was still playing the role of mad scientist at a lab bench overrun with oscilloscopes, custom-made real-time analyzers, and voltmeters. The smell of solder hung thick in the air. Among many other gems, Thompson used that charismatic setup to design Ashly’s 1970s-era SC-Series of rack-mounted processors, which included classic compressors, equalizers, crossovers, line mixers, mic preamps, and all of the other goodies that today reside inside Ashly’s Protea™ Digital Signal Processing platform. The live sound industry flocked to these and other Ashly products because, for a fair price, they effectively solved real problems and were well-known to reliably endure the stresses of life on the road.

In the 1980s, Thompson pioneered Ashly’s now-legendary MOS-FET amplifiers, which revolutionized the amplifier market by dramatically increasing amplifier power and reliability while minimizing size and cost. Ashly’s MOS-FET amplifiers were among the first to be certified for meeting Lucas-films’ stringent THX movie theater sound systems. Today, Ashly continues in that tradition by delivering high-power, high-fidelity amplifiers in small-footprint, multi-channel configurations that maintain Ashly’s hallmark reliability and value.

“Our relatively small size allows us to be quite nimble and responsive to our customers, whom we deeply value,” said Wentling. “Ashly Audio still operates a full factory in Webster, New York, just outside of Rochester, where we design and manufacture all of our networkable products, including high-power Class-D amplifiers, DSP Matrix processors, and some legacy handmade analog mixers, like the MX-508. In addition, we have responded to market forces by opening Asia-based manufacturing for our KLR-Series amplifiers and some legacy analog products. However, this is just a component of our U.S.-based operations. Indeed, we expanded our U.S. manufacturing plant last year and grew the R&D team. We continue to add to our product line-up in the area of high-performance Class-D amplification, as well as DSP matrix & system processors.”

A development Thompson couldn’t have anticipated without Steve Jobs-like prescience is how quickly the pro audio industry has adopted network technology from the IT industry. Ashly’s nimble in-house engineering team has ensured that the company stays at the leading edge of this development, giving A/V integrators cost-effective options for building Ashly systems and tying them elegantly into the larger lighting and video infrastructures. Ashly’s network-ready amplifiers and processors play nicely on a TCP/IP network right out of the box, and integrators can network digital audio via CobraNet or Dante® (“and AVB when the time is right,” promises Wentling). In addition to networkable hardware user controllers, Ashly offers a popular Ashly Remote iPad app for custom control of its products and will look towards the eventual release of iPhone and Android variants as well. Beyond simply offering these technologies, Ashly’s dedication to customer support ensures that Ashly users are a phone call away from answers and solutions to the myriad questions and challenges that can crop up in complicated networked systems.

“There is an incredible history here,” says Anthony Errigo, director of marketing communications. “People at Ashly are dedicated and have great stories to share. Our employees are proud of this company and brand that they have built together.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 40-year old company is headquartered in Webster, New York U.S.A. www.ashly.com

And to take an historical look at Ashly, visit: www.ashly.com/40

BE SURE TO STOP BY AND SEE US AT INFOCOMM BOOTH #C11308

PHOTO CAPTION: Billy’s bench, circa 1979, with his RTA (Real-Time Analyzer).

Extron Introduces One-gang XTP Wallplate Transmitter for HDMI

Extron Electronics is pleased to announce the immediate availability of the XTP T HWP 101, a single-gang Decora®-style transmitter that sends high resolution HDMI with embedded audio up to 330 feet (100 meters) over a single shielded CATx cable. It is HDCP-compliant, and supports computer video to 1920×1200, including 1080p/60 Deep Color and 2K resolutions. Designed for use within configurable rooms and other environments that require a compact wallplate transmitter, it provides extension from remote HDMI sources in XTP instalaltions. This one-gang wallplate transmitter is compatible with XTP CrossPoint matrix switchers for large installations as well as with XTP receivers, such as the XTP SR HDMI scaling receiver, for point-to-point content delivery over long distances. The XTP T HWP 101 offers many of the same integrator-friendly features that have made XTP Systems the go-to solution for AV system designers and integrators worldwide. more

STEWART FILMSCREEN ROCKIN’ TO RAISE FUNDS FOR NSCA EDUCATION FOUNDATION BY SPONSORING CHARITY PERFORMANCE BY THE DRUNK UNKLES ON OPENING DAY OF INFOCOMM14

Charity concert slated for Wednesday, June 18, at Hard Rock Hotel Club Vanity

TORRANCE, CA and LAS VEGAS, NV – INFOCOMM BOOTH #C6821 – June 16, 2014 – Stewart Filmscreen Corp., the leading international manufacturer of projection screens and specialty optical coatings for commercial and residential applications, is pleased to announce the Company is sponsoring a charity performance by the Drunk Unkles, Wednesday, June 18 at the Hard Rock Hotel in Las Vegas.

Dubbed Insanity at Vanity, the party and networking event is included in the lineup for InfoComm14 and is a fundraiser for the NSCA Education Foundation. This annual party draws thousands of A/V industry professionals, including dealers, distributors, manufacturers, integrators, members of the media, and InfoComm exhibitors.

In addition to Stewart Filmscreen, the show’s sponsors include AMX, AV Services, Barco, Biamp, Chief, Christie, FSR, IVCi, Liberty AV Solutions, NEC, Prysm, rp Visual Solutions, Sennheiser, Sharp, SurgeX, Synnex, West Penn Wire, and Whitlock.

The NSCA Education Foundation provides scholarships and training opportunities for both new professionals to the industry as well as veterans looking to expand their business. During the past nine years, the Drunk Unkles and show sponsors have helped to raise more than $500K for the foundation.

Attendees are invited to pick up a ticket to see the exclusive Drunk Unkles show at the Stewart Filmscreen booth #C6821 during InfoComm14. Tickets are also available at other sponsors’ booths as well – see complete listing below.

Those interested in experiencing, delivering, and learning more about the best 4K displays at InfoComm 2014 are encouraged to connect with Stewart Filmscreen in booth #C6821. More information can also be obtained by visiting www.stewartfilmscreen.com, e-mailing request@stewartfilmscreen.com, calling (800) 762-4999, or following @StewartFilm.

About Stewart Filmscreen
Headquartered in Torrance, Calif., with additional manufacturing and satellite sales facilities in Ohio, Singapore, and Denmark, Stewart Filmscreen has been the consistent choice of discerning clientele around the world for more than 65 years. An Academy Award-winning manufacturer of projection screens and specialty optical coatings, aesthetic-conscious architects, consultants, systems designers, and property owners rely on Stewart Filmscreen for the perfect combination of superior quality, flexible design, and dedicated support, and we consistently deliver. Providing the most immersive experience in the industry, Stewart can custom engineer a projection screen solution to meet every need. Proprietary material science and innovative manufacturing methods allow Stewart to produce some of the most optically immaculate screens in the world, ultimately delivering an immersive experience that’s unrivaled in the marketplace.Simply put, if a screen can be imagined, Stewart Filmscreen can deliver it. www.stewartfilmscreen.com | @StewartFilm

Stewart Filmscreen Media Contact: Katye (McGregor) Bennett | KMB Communications | (425) 328-8640 | Katye@KMBComm.com |@katyemcgregor

NSCA Education Foundation media contact: Jodi Jacobs, Marketing Coordinator | NSCA Education Foundation | (631) 609-7183direct | 800-446-6722 (office)

www.drunkunkles.com

www.nscafoundation.org

InfoComm Booth Numbers for Drunk Unkles Insanity at Vanity show sponsors:

AMX #C4908

Audio Incorporated No booth

A-V Services Inc. No booth

BARCO Projection Systems Inc. #C6308

Biamp Systems #C9736

Chief #C6830

Christie Digital Systems #N505 & N719

FSR Inc. #C8721

IVCi LLC No booth

Liberty AV Solutions #C8536

NEC Display Solutions #C7708

Prysm Inc. #N1115

rp Visual Solutions #N619

Sennheiser Electronic Corp #C10908

Sharp Electronics #C7418

Stewart Filmscreen #C6821

SurgeX #C8725

Synnex Corporation #C5425

West Penn Wire #C5434

Whitlock No booth

 

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Extron Introduces Two Certification Programs for Pro Series Control Systems

Extron Electronics is pleased to introduce ECS – Extron Control Specialist and ECP – Extron Control Professional. ECS is designed to prepare individuals to successfully deploy and maintain customized AV control systems that are built using Extron Pro Series control products and Extron Global Configurator Plus software. ECP is geared toward advanced users or those with a programming background who wish to take full advantage of the features within Global Configurator Professional software. Both certifications feature instructor-led, hands-on training and will prepare individuals to manage customized Pro Series configurable control systems. more

Symetrix Partners with Attero Tech & Stewart Audio to Speed Dante Design

SEATTLE, WASHINGTON – JUNE 2014: In a significant development for users of Audinate’s Dante audio networking technology, Symetrix has announced that the latest version of its popular SymNet Composer software will support native configuration of select Dante-enabled Attero Tech and Stewart Audio products.

Settings affecting I/O levels, routing, and more may be defined with SymNet Composer 2.0, which gives customers the ability to consolidate design on a single software platform where previously multiple platforms were required.

“As of this release, integrators will no longer need Audinate’s Dante Controller as well as separate software packages for each manufacturer’s products,” comments Trent Wagner, senior product manager at Symetrix. “Supported Attero Tech and Stewart Audio Dante-enabled products can now be configured and managed right along side to SymNet hardware. Integrators who have used Composer before will have no learning curve.”

Stewart Audio has long pursued a focus on making networked A/V affordable and practical, and its current range includes innovative Dante end-points. “Our customers desire solutions that are both compatible and complete in their implementations. The collaboration between Stewart Audio, Symetrix and Attero Tech represents a major step in that direction,” says Stewart Audio’s Chief Marketing Officer, Brian McCormick.

He continues, “By collaborating with Symetrix, we are creating outcomes that align with our customer’s expectations. By carefully analyzing and responding to the challenges consultants and integrators face daily, presenting them with the results they are looking for is what this partnership is really all about.”

Mike Sims, director of marketing and sales at Attero Tech – which produces a trio of Dante interfaces – welcomes the partnership as ‘the next logical step’ in the interoperability of Dante networked audio systems. “Our goal has been to make deployment of these systems as seamless as possible, while allowing consultants and integrators to choose best-of-class products from a variety of manufacturers. This is the future of interoperability,” he declares.

The initial response from the integrator community is also encouraging. Chuck Mitchell, owner of California-based Technology of the Arts, recently undertook a Dante-centric installation involving Symetrix and Attero Tech products. “Dante is rapidly becoming a default choice for all manner of projects in the installed environment,” he says. “The Dante-centric partnership between Symetrix, Attero Tech and Stewart Audio is to be warmly welcomed as it helps to bring every installer’s dream of blanket interoperability that much closer to realization.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

www.symetrix.cowww.atterotech.comwww.stewartaudio.com

BE SURE TO STOP BY OUR BOOTHS AT INFOCOMM FOR A DEMONSTRATION
ATTERO TECH BOOTH #C9945
STEWART AUDIO BOOTH #C9947
SYMETRIX BOOTH #C9416

Giant Pirates Entertainment Speeds Post-Production of Reality TV Series With Forscene

LONDON — June 11, 2014 – Forbidden Technologies plc (AIM:FBT), the AIM-quoted owner and developer of the market-leading cloud video platform Forscene, announced that Culver City, California-based production company Giant Pirates Entertainment has adopted Forscene into its post-production workflow in order to hasten editing of “The Feed,” a new reality-based television series that will air on the FYI network (formerly Bio). Forscene gives Giant Pirates the ability to start editing field packages immediately via the cloud rather than having to wait for hard drives to ship across the country, eliminating lag time that could throw the multi-site production off schedule.

The production required footage from New York field recordings to be sent to Los Angeles for very quick turnarounds as edited packages for use in studio shoots. Forscene enabled Giant Pirates’ post-production teams to view footage and start creating sequences in Los Angeles within hours of the shoot in New York, helping to keep the production running efficiently.

“Having the ability to work with footage via Forscene so soon after it has been shot is a new and welcome experience for our post team,” said Tracy Tong, supervising producer on “The Feed.” “When QSR Systems, our Avid vendor and rental company for this production, recommended Forscene, we were wary. We had never used any kind of cloud-based workflow before, so we had some concerns about compatibility with the Avid codec, upload times, and ease of use. It turns out we had no reason to worry.”

“Forscene’s cloud-based technology has shortened the cycle from acquisition to post dramatically,” said Rob Cloyd, president of QSR Systems. “In our fast-paced business where production cycles are shortened, Forscene’s technology has delivered.”

“Forscene has saved us the significant time and complexity involved in getting footage across the country to our team, which has made for an incredibly efficient and timely workflow,” added Ross Jacobson, Giant Pirates co-founder.

Forscene allows Giant Pirates’ Los Angeles editors to view footage within hours of the media cards being handed to the New York assistant editor. As soon as the media is saved to Giant Pirate’s media drives, a proxy copy is automatically created and uploaded to the Forscene cloud. At that point, the story team in Los Angeles can watch, log, and string out the footage — days before the shipped media can be ingested and grouped in the Los Angeles post-production offices. Once the story timelines are completed in Forscene, the sequences can be exported and are relinked to the original source for the editors to begin working in Avid.

In terms of ease of use, Giant Pirates users had no problems learning to tap into all of the Forscene functions. “Anyone with a general understanding of Avid or Final Cut can quickly learn how to work with Forscene. Even someone with no experience on Avid could easily pick it up with a quick half-hour training session, or by watching the Forscene YouTube videos,” Tong said. “Forbidden and QSR technical support were nothing short of amazing throughout the process. It was a nice touch to have a support chat built into the program for our AEs and producers if they couldn’t figure something out.”

“With short shooting schedules and the need for carefully packaged stories that convey a sense of things happening in real time, reality TV shows are perfect candidates for Forscene,” said Greg Hirst, business development director, Forbidden Technologies plc. “With Forscene, they now have a new weapon in their arsenal for undertaking these challenging productions.”

More information about Forscene can be found at www.forscene.co.uk. More information about Forbidden Technologies can be found at www.forbidden.co.uk.

# # #

About QSR Systems
QSR Systems is a leading provider of post-production equipment rentals to the entertainment and broadcast industry. Located in Southern California, they have been delivering state of the art solutions since 1991. Whether you need one tape deck or an enterprise-level high definition network solution, QSR Systems is a one-stop shop for all of your post-production needs.

About Forbidden Technologies plc
Forbidden develops advanced technologies that enable media makers and broadcasters to create and distribute compelling viewing experiences to demanding worldwide audiences. Forbidden’s flagship product, Forscene, is the world’s most advanced cloud-based video post-production platform. It allows post-production professionals to make and deliver stories with high quality and production value in demanding, fast-paced landscapes. Quoted on the London Stock Exchange Alternative Investment Market, Forbidden partners with high-profile media and technology organisations including Atos, BIM, deltatre, EVS, and Key Code Media. More information about Forbidden can be found at www.forbiddenco.uk. More information about Forscene can be found at www.forscene.co.uk.

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Bexel Takes Univision from Burbank to Brazil for 2014 FIFA World Cup

Company Delivers Complete Broadcast Backbone for Network’s Extensive Coverage from Rio de Janeiro

BURBANK, Calif.Bexel, a unit of the Vitec Group’s Services Division and a leading worldwide provider of broadcast services and solutions, is furnishing a complete production environment for Univision’s broadcast of the 2014 FIFA World Cup Brazil(tm). Faced with the largest remote production the network has ever undertaken, Univision turned to Bexel to design the system being used in Rio de Janeiro, Brazil. To ensure that everything will work seamlessly for the month-long summer event, a senior team of engineers, IT experts, and senior executives travelled from Univision’s Miami, Fla., headquarters to Burbank, Calif., to collaborate closely on the process with the team from Bexel.

Bexel began having weekly meetings in November of last year with Univision to review floor plans and technical requirements. Intensive workflow meetings were also held with Univision’s production, media management and editing teams, so that Bexel could glean from the different stakeholders what their specific needs were. “Univision had an initial concept of what would be needed for this project,” noted Johnny Pastor, director of Technical Services for Bexel. “We then provided our expertise and worked with their teams to help the system evolve and get even stronger. We were with them step by step, ready and willing to accommodate any last minute changes along the way.”

From the beginning of the project, it was determined that Bexel would build out the studio at their headquarters in Burbank, break it down, crate it using their proprietary inventory and shipping system, transport it to Brazil via boat, and finally rebuild it on-site in Rio de Janeiro. The window of timing for the project was incredibly tight. Once the cases were removed from the ship, they had to clear Brazilian customs. Then there was just two weeks to reassemble the system, followed by two weeks of rehearsal time before live programming begins.

Collaboratively, a plan was developed for Univision to deploy 18 people from Miami to Burbank in the weeks leading up to the ship date. “The plan of testing the system in Burbank together, before it was shipped, allowed for a lot of preconfiguring,” explained Pastor. “It let Univision actually simulate a live-production scenario, using one control room, the editing systems, and the EVS. This was not only cost effective, but it will save Univision a great deal of time in Rio. And time was a critical factor in this project.

“Univision’s Enterprise IT Group was also with us in Burbank, setting up connectivity back to Miami. They were able to send files back and forth, confirming the system was operational. All they had to do in Brazil was re-establish the communication and the workflows, and the collaborative environment began again.”

Bexel sent approximately 15 engineers to Brazil to reassemble the Univision system. Six members of the Bexel technical team are staying on for the entire run of the World Cup to provide 24/7 coverage and support. The Bexel-designed system consists of two large control rooms with Grass Valley 4 M/E Kayenne switchers and Calrec audio consoles. The file-based workflow consists of 11 Avid editing systems, four EVS XT3s for playback and instant replay, and a robust graphics system including augmented reality. Bexel is also providing Sony HDC-2500 cameras complete with a camera stabilization system and jib for their studio at the IBC.

Univision, which holds the Spanish-language broadcast rights for the event in the U.S. market, plans extensive coverage from Rio de Janeiro in addition to the actual World Cup matches. Univision Sports built a set from which they’ll broadcast pre- and post-game coverage, and Univision Entertainment will be broadcasting its morning show, Despierta América, from Copacabana Beach as well as a show for Televisa Deportes from the rooftop of the Atlantico Sul Hotel. In addition, Univision will use two of their flypack systems to shadow Team Mexico and Team USA. The Bexel setup will serve as the hub supporting all of these activities. From the remote setups, everything will come back through the Bexel backbone and then go out to Miami via a fiber uplink and satellite. From there it will be broadcast from Univision master control.

“We wanted to design a production environment for Univision that will have the flexibility to deliver everything they need, yet still have easily recognizable equipment, so their staff can walk in and know exactly what to do and how to use the systems,” concluded Pastor. “We relied on our many years of live broadcast experience for large events to deliver the systems necessary for this project. We have really enjoyed working with the team from Univision, and it was an honor to have them out here working with us on site.”

In addition to Bexel’s work with Univision, Vitec brands supporting various other 2014 FIFA World Cup Brazil broadcasts, include Anton/Bauer batteries and chargers, artemis camera stabilization systems and operators, Autoscript teleprompters, Litepanel’s LED lights, Sachtler V18 and V20 fluid heads, Vinten Osprey pedestals, Vinten Vector 75 and 750 pan-and-tilt heads, and a Vinten Radamec remote pan and tilt head.

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Extron Now Shipping New Scaling Presentation Switcher with Built-In Control Processor

Extron Electronics is pleased to announce the immediate availability of the IN1608 IPCP, new models within the IN1608 product family that feature built-in Extron IP Link Pro control processors for complete and powerful AV system control. The IN1608 IPCP is a highly versatile scaling presentation switcher that delivers the technologically advanced capabilities necessary to design and integrate a complete AV system in one box, including an HDCP-compliant, multi-format video switcher, an advanced scaling engine, integrated DTP transmitter and receivers for signal extension up to 330 feet (100 meters), a high performance mono or stereo amplifier, comprehensive audio processing, and an advanced control processor that is uniquely expandable. The IN1608 IPCP is the new industry standard for fully integrated AV systems, greatly simplifying system design and installation, and dramatically reducing total cost of ownership.

“The IN1608 has been extremely popular with our customers and we are very excited to be shipping the IN1608 IPCP for delivering total system integration,” says Casey Hall, Vice President of Sales and Marketing for Extron. “This scaling presentation switcher is now available with a built-in IP Link Pro control processor that delivers powerful capabilities for complete, customizable control of an entire AV system.”

The IN1608 IPCP features a built-in IP Link Pro control processor, with the same advanced features, processing power, and breakthrough technologies found in the standalone Extron IPCP Pro control processors. The IN1608 IPCP delivers high-speed processing and abundant control port capacity for complete, customizable control of an entire AV system, including all source devices and displays, plus room functions. Simply connect an Extron TouchLink Pro touchpanel to the built-in Gigabit Ethernet switch to create a complete AV control system.

As with all Extron control systems, the IN1608 IPCP is very intuitive and easy to configure with Global Configurator software. The latest version of Global Configurator includes powerful, advanced features such as conditional logic, local variables, and macros. Global Configurator Professional adds unprecedented scalability with Controller Groups, a unique feature that allows an IN1608 IPCP to be combined with additional IP Link Pro processors to create a large-scale control system. This is ideal for controlling multiple systems, rooms, or even remote locations around the world. IN1608 IPCP systems throughout a facility, building, campus, or offices worldwide can be monitored and managed using Extron GlobalViewer Enterprise server-based software.

With the purchase of an Extron LinkLicense with the IN1608 IPCP, a tablet or laptop can serve as the primary control interface for the AV system. A unique benefit of LinkLicense is the ability to use Extron GUI Designer software to design interfaces for specific user roles in an organization. LinkLicense works seamlessly with Extron’s TouchLink for iPad app, and allows an interface to be duplicated to many additional devices. It simplifies deployment of AV system control for BYOD with a single license purchase per system and no per-user fees, and allows a standardized BYOD strategy for AV control across an organization.

To watch a product introduction video, please visit: www.extron.com/in1608ipcpnsvideo

For more information on the IN1608 IPCP, please visit: www.extron.com/in1608ipcpnspr

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