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Archive of the Corporate AV Category

Event Pro, Inc. Ups The Ante With Second Yamaha CL5

Event Pro CL5 Nbr 2

BUENA PARK, Calif.—The response to their first Yamaha CL5 Digital Audio Console has been tremendous, so Event Pro, Inc. (Hastings, MN), recently made the decision to purchase a second through Metro Sound & Lighting (St. Paul, MN). Event Pro company owner, Neal Wallace, sights high demand, sound quality, and great support from Yamaha Commercial Audio Systems, as key reasons for the purchase. Event Pro, Inc. is no stranger to Yamaha having an array of the company’s consoles in its stable.

“The ‘two is better than one’ theory holds true when it comes to the CL5, states Wallace. Having the ability to offer this console to our corporate clients, regional festivals and touring acts, and national acts that come through Minnesota is a huge plus. The CL5s have helped take Event Pro, Inc. to another level.” Wallace said his techs love the CL5 consoles so much that they want to take them out on all of their Event Pro gigs. “They LOVE the SOUND and ease of operation.”

After Event Pro’s first CL purchase, the renowned Minneapolis Orchestra Hall immediately requested the CL5. “Joel Money (Technical Director) told me he wanted absolute top-quality audio for clients and technicians to operate on, and the CL provides that platform.” The Hall has, for some time, had a Yamaha PM5D at the FOH location.

The renowned Dakota Jazz Club in Minneapolis also uses Event Pro CL consoles upon requests from touring artist engineers, such as Paul Booth (engineer for singer Diane Reeves), and others. The club’s tech director, Craig Eichorn is also involved in Twin Cities Jazz Festival so Event Pro has been fortunate to supply the CL. “As we put our second CL console out on as many summer festivals as possible, and with guest engineers experiencing it, they know they can get a CL from us whenever they return to local venues. Many are carrying USB sticks now which makes supplying a CL a natural.”

An event or corporate budget may not support a CL5 but Wallace says if their clients are looking for great sound, they know they will be happy with the console. “100% of the guest engineers, who use it, love it. And for us, personally, it is the best sounding console in its price range.”

Providing their clients with better sound and a better desk is Event Pro’s ultimate goal. “Of course, Wallace notes, the small size, using less space, less road cases, the on-board Premium Effects, and the pre-amps doesn’t hurt either. The Yamaha Rio input/output box, cat5 cabling, networking system, means for us we can leave the three road cases housing our analog 300 ft. splitter snake off the truck (and, that’s a lot of truck space).

Many of the Event Pro rentals include a split mix/two console shows, and setting up dual CL5s with the Rio boxes is easy. “We use a Duracat cat6E cable, and running that co-ax from the CL consoles to the Rio is a breeze. Stagehands love us for this, especially when flying the cat5 instead of a 2-inch snake.”

Event Pro techs are always exploring networking interface possibilities with other gear like Shure wireless microphones, etc, so the Dante/Rio platform is coming in handy. The company currently has two Rio units totaling 48×24 and often split up the units bringing the 16×8 box to front of house in corporate situations that demand more inputs at that position. Eventually, they would like to have two 48-input systems. With the iPad StageMix App for the CL, the company also sends out a top- level Asus router with the console to support the application.

Wallace said he has even established a good networking relationship among Yamaha CL owners in his area so they can quickly supply any artist, venue, or tour with CL consoles anywhere. “Yes, Event Pro wants these desks to always be out, so they are going to work very hard! Sonically, the desk sounds great, and makes the PA sound better. It’s that simple.”

For more information on Event Pro, Inc. visit www.eventpro-inc.com.

For more information on Yamaha consoles, visit www.yamahaca.com.

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PHOTO ID: L to R: Audun Hatlehol, systems manager for Event Pro, Inc.; Larry Fisher, owner Metro Sound and Lighting; Neal Wallace, owner, Event Pro, Inc. Hastings, MN

About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Martin Audio Offers EASE Sound Design Support For MLA

EASE mlm_test_6300_d2_bal
Martin Audio has announced support for installers and sound designers with the provision of specific GLL files for designs using MLA, MLA Compact or MLA Mini in an EASE model.

Andy Davies, head of the Product Support Group for Martin Audio said, “The increasing demand for Multi-cellular technology in an installation environment has driven this development as an initial in-house solution; however, we are also working towards making this a simple addition to future iterations of our free-to-own Display software.”

For the time being, in order for Martin Audio to supply a GLL file all that is required is an EASE ‘packed’ project file of the venue showing the array location points, together with the appropriate Display2 file for the venue. Davies continues, “We can then extract the necessary data from the Display2 file and, via additional software, generate the specific GLL; this will include the inter-cabinet and array tilt angles, together with all the associated filter coefficients generated within Display2 to meet the set objective targets. It will also incorporate the appropriate Case Data for a visual representation of the proposed array within the EASE model.”

The GLL will then be inserted into the EASE model at the predefined location points and the coverage prediction checked to coincide with the Display2 output. The EASE model will then be ‘packed’ and returned to the installer or designer. Should any anomalies in coverage be discovered, or any circumstances arise where it is felt that improvements to the overall performance of the system could be achieved, then this will be advised when returning the EASE project.

EASE mlm_test_6300_ease_bal

All three MLA models have seen success in permanent installs, from nightclubs, such as the Marquee in Sydney Australia, to theaters like Bochum’s Stadionring in Germany, or auditoriums such as George Washington University’s Lisner Auditorium, to houses of worship like Redemption Church in Arizona and IDC Church in Chicago, USA. The success has been driven not just from the musicality of the systems, but their ability to better control SPL profile, smoothness of coverage, and provide ‘Hard Avoid’ on stage or problem surfaces.

Summing up, Davies said, “By providing additional support to installers and sound designers we hope it will be possible for them to win more contracts and to further showcase the benefits of our MLA technology.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Hairel Enterprises Picks Vista Systems’ Spyder for Video Projection System in Faith Bible’s New Sanctuary

Spyder X20 Front Transparent LgWhen Faith Bible Church, a Bible-centered church in The Woodlands, Texas, built a new 900-seat sanctuary, Houston-area AV contractor Hairel Enterprises selected a Vista Systems Spyder X20 0808 as a key component of the new video projection system.

Faith Bible marks the first use of a Vista Spyder by Hairel, which provided full AV and theatrical lighting for the sanctuary. “I knew about Spyder and got in touch with Vista because I thought it would be a perfect fit for this installation,” says systems designer Bruce Simmons. “My cold call to Vista turned into a four-hour conversation. They arranged for a demo, and the church was elated by what they saw.” The video projection system will be operational in late January 2015.

The new sanctuary has a raised platform area at its center. A motorized 25×9-foot screen drops down from the ceiling for use in worship services and special events and productions. Two additional 16×9-foot screens flank the center screen and are permanently affixed to the walls. A two-projector center edge blend and the two outer single-projector images are accomplished with four Barco RLMW8 projectors and a Spyder X20 with 8 inputs and 8 outputs.

“Spyder acts as the worship video switcher,” says Simmons. “It’s integrated with a PC-based still server, which is loaded with background images and rack mounted with Spyder. Spyder controls it pulling up images as needed.”

Two Macintosh computers loaded with Pro Presenter are also sources: one for song lyrics and Bible verses, which are keyed onto the backgrounds, and one for moving video playback. Live cameras for IMAG also feed the system. Faith Bible expects to add environmental projection capabilities, too, enabling the walls and sanctuary architecture to become canvases for still images and video.

“With Spyder the entire video output is treated as one pixel space to give the ability to create a much larger visual impact,” Simmons says. “Spyder can blend the two environmental projectors the church will likely add with the other projectors to create one big image, if desired.”

Spyder also allows Faith Bible to scale productions from the complex to the simple. “The church has a very skilled technical staff, so they are comfortable with a really sophisticated technical system, but they also have the ability to dial things down to a one-operator show for weddings or funerals,” Simmons explains. “That means Spyder can handle completely different services and events week to week.”

He notes that, “very sophisticated technology typically means a system that’s difficult to use. But that’s not true with Spyder. We were able to train Faith Bible’s volunteers on Spyder in just a few hours.”

Simmons reports that, “Vista Systems has been extremely helpful all along the way” of the design and install process. “Spyder is a great product. I recommend it to anyone who wants the best possible video presentation system.”

Russell Hartsfield handled client relations for Hairel Enterprises for the project.

About Vista Systems
Vista Systems’ switchers have become the industry standard for live multiple-destination video and data mixed signal switching with real-time windowing and composition. For more information on Vista Systems, visit their website at www.vistasystems.net.

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Extron Room Scheduling – Book a Room the Easy Way

Extron Room SchedulingExtron Electronics is pleased to introduce Room Scheduling, which combines easy-to-use Extron Room Agent setup software and TouchLink Pro touchpanels into a full-featured room scheduling system. While competitive devices rely on additional scheduling software or external processors, Room Agent ties TouchLink Pro touchpanels directly to Microsoft Exchange, delivering a convenient stand-alone room booking solution for any size application. Users can reserve rooms from any Exchange-connected device, including their mobile devices or from the touchpanel. Since Room Agent uses Extron’s popular 5” and 7” TouchLink Pro touchpanels, multiple mounting options are available, including on-wall, in-wall, as well as secure mounting to almost any flat surface, including glass or granite. more

Academy Award® Winning Projection Screen Manufacturer Stewart Filmscreen again chosen as an Official Provider for the Sundance Film Festival, will deliver immersive viewing experience for exclusive Sundance movie premieres

Stewart Filmscreen® SnoMatte 100 MicroPerf projection screen provides impressive image quality and immaculate acoustic transparency for the film making community

TORRANCE, CA – JANUARY 23, 2015– Stewart Filmscreen Corp., the leading international manufacturer of projection screens and specialty optical coatings for residential and commercial applications, is proud to be chosen as an Official Provider for the Sundance Film Festival, January 22-February 2, 2015, in Park City, Utah. Utilized in many of the top movie studios, theaters, venues, and post-houses around the world and with two Academy Awards® for technical screen innovation under its belt, Stewart Filmscreen has a rich history with the film community at large. StewartFilmscreen_Sundance Resort Screening Room Theatre_2015

The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Holden Payne, Technical Director, Exhibition and Production, Sundance Institute, specified the new screen. “Stewart Filmscreen dominates the projection screen industry in both technical capability and image fidelity and that’s what Sundance facilities require. We’re in the business of delivering the image and experience the filmmakers envision and Stewart Filmscreen consistently delivers. The image just looks so good, we couldn’t be happier with our decision to integrate Stewart Filmscreen into another screening room, just in time for the 2015 Sundance Film Festival.”

The Sundance Mountain Resort Screening Room now features a gigantic acoustically transparent 136.5” x 308.5” Stewart SnoMatte 100 Microperf projection screen with a specially engineered lacing system that allowed Sundance technicians to retrofit the Stewart screen material to an existing frame while providing impeccable image quality and screen surface for some of the Festival’s most anticipated films. In fact, dozens of notable films will make their premiere on this Stewart Filmscreen at the Sundance Resort, including James Franco in I Am Michael, Director Noah Baumbach’s Mistress America, Ethan Hawke in Ten Thousand Saints, and many others.

“From the early days of Stewart during the Golden Age of Cinema, Stewart Filmscreen has been there, producing screens that not only produce picture quality worthy of the Silver Screen, but that help filmmakers execute innovative visual effects behind the scenes and an immersive experience for the viewing audience,” says Grant Stewart, president and CEO of Stewart Filmscreen. “We continually push the envelope to deliver unrivaled image integrity for any application, and are honored Stewart Filmscreen has once again been chosen as the projection screen of choice for the Sundance Institute and Sundance Film Festival.”

Stewart Filmscreen is also a patron and a Marquee Sponsor of the Egyptian Theater, and a provider to the Eccles Theatre, Prospector TheatreNew Frontier and a specialty outdoor rear-projection venue in the area, all of which are utilized for the Sundance Film Festival.

To learn more about why the filmmaking community relies on Stewart Filmscreen for the ultimate in performance and design, visit www.stewartfilmscreen.com, e-mail request@stewartfilmscreen.com, call (800) 762-4999, and follow @StewartFilm.

About Sundance Mountain Resort
Nestled at the base of 12,000-foot Mt. Timpanogos, Sundance Mountain Resort is a destination resort located on 5,000 acres of preserved wilderness. Sundance is dedicated to maintaining the balance of art, nature and community, and offers diverse mountain recreation experiences and encourages the cultivation of art and self-expression. Created by Robert Redford, Sundance is a haven for discovery and inspiration. The Sundance family of companies includes the Sundance Mountain Resort, Sundance Institute, Sundance TV and Sundance Catalog. For more information on Sundance, call 801-225-4107 or visit our website, www.sundanceresort.com.

About Sundance Institute
Founded in 1981 by Robert Redford, Sundance Institute is a nonprofit organization that provides and preserves the space for artists in film, theatre, and new media to create and thrive. The Institute’s signature Labs, granting, and mentorship programs, dedicated to developing new work, take place throughout the year in the U.S. and internationally. The Sundance Film Festival and other public programs connect audiences to artists in igniting new ideas, discovering original voices, and building a community dedicated to independent storytelling. Sundance Institute has supported such projects as Beasts of the Southern WildFruitvale StationSin NombreThe Invisible WarThe SquareDirty WarsSpring AwakeningA Gentleman’s Guide to Love and Murder and Fun Home. Join Sundance Institute on FacebookInstagramTwitter and YouTube.

About Stewart Filmscreen
Headquartered in Torrance, Calif., with additional manufacturing and satellite sales facilities in Ohio, Singapore, and Denmark, Stewart Filmscreen has been the consistent choice of discerning clientele around the world for more than 65 years. An Academy Award-winning manufacturer of projection screens and specialty optical coatings, aesthetic-conscious architects, consultants, systems designers, and property owners rely on Stewart Filmscreen for the perfect combination of superior quality, flexible design, and dedicated support, and we consistently deliver. Providing the most immersive experience in the industry, Stewart can custom engineer a projection screen solution to meet nearly every need. Proprietary material science and innovative manufacturing methods allow Stewart to produce some of the most optically immaculate screens in the world, ultimately delivering an immersive entertainment experience that’s unrivaled in the marketplace. Simply put, if a screen can be imagined, Stewart Filmscreen can deliver it. www.stewartfilmscreen.com | @StewartFilm

Stewart Filmscreen Media Contact
Katye (McGregor) Bennett | KMB Communications | (425) 328-8640 | Katye@KMBComm.com | @katyemcgregor

 

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BenQ Ships RP840G Interactive 4K Ultra-High-Definition Flat-Panel Display

New 84-Inch Panel Brings 4K Resolution, 10-Point Multitouch Navigation, and QCast Device Sharing Software for Interactive and Digital Signage Applications

COSTA MESA, Calif. — Jan. 22, 2015 — BenQ America Corp., an internationally renowned provider of visual display solutions, today announced that it is now shipping its 4K ultra-high-definition (UHD) RP840G flat-panel display. Ideal for connected classrooms and collaborative boardroom settings, as well as digital signage applications, the 84-inch multitouch panel provides an exceptional 10 interactive touch points, multi-PC touch control via USB, and QCast software to share content easily from any PC or WiFi(R)-enabled smart device. The newest addition to the 4K-display family significantly enhances the way students, teachers, or meeting participants collaborate and share dynamic content. more

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Wireworld® Nano Series Improves In-Ear Monitors

Wireworld Cable Technology, a respected manufacturer of high-performance audio and video cables, is releasing a brand-new series of ultra-light and flexible audio cables for in-ear monitors (IEMs) as well as headphones and portable audio devices. The Nano series will include four level options, each of which utilizes patented Wireworld technology to provide dramatic sonic benefits.

“In-ear monitors have become an essential tool for live performances,” comments Wireworld president and founder David Salz. “The increased clarity and expressive dynamics of the Nano cables bring IEM systems to a new level of performance that artists can rely on.”

All four Nano cables employ Wireworld’s patented DNA Helix® design with eight signal conductors—four times as many as in standard cables—to channel the electromagnetic signal energy more efficiently, providing greater detail and dynamics. They also utilize Wireworld’s proprietary Composilex® 2 insulation which minimizes triboelectric noise for surprisingly lifelike tone quality.

With molded plugs and oxygen-free copper conductors, the Pulse™ brings the advantages of this leading edge cable design down to popular pricing at $40 USD (1.5m). The Nano-Eclipse™ has Ohno Continuous Cast® (OCC) copper conductors and sells for $160 (1.5m). The Nano-Silver Eclipse™ features OCC® silver-clad copper conductors at $220 USD (1.5m). And featuring carbon-fiber plugs and OCC® solid-silver conductors for uncompromised performance, the Nano-Platinum Eclipse™ has a suggested retail price of $500 USD (1.5m).

The Nano cables are available with mini jacks and the most popular headphone terminals in a variety of standard and custom lengths.

Wireworld Pro Audio will be exhibiting and demonstrating Nano and their entire line of Pro Audio Cables during NAMM 2015, in Hall A, Booth 6773. Please visit to learn why industry expert Bobby Owsinski said, “I was a major skeptic that high-end cables could offer any sonic improvement, but Wireworld changed my mind in a big way.”

About Wireworld
Wireworld Cable Technology, founded by industrial designer David Salz in 1992, is the premier provider of leading-edge digital and analog cable technology for home audio speakers and video components, from HDMI and USB audio to state-of-the-art high-end interconnects and speaker cables. Wireworld earned its world-class reputation by producing superior cables based on the use of objective perceptual testing, innovative patented designs, premium materials, and exceptional manufacturing quality. For more information, visit: www.wireworldproaudio.com and www.wireworldcable.com.

Clay Paky Mythos Fixtures Make US TV Debut on CMT’s Live “Ultimate Kickoff Party” Launching College Football Playoffs

IMG_3357CMT’s live “Ultimate Kickoff Party” launched the first College Football Playoffs with a glittering show, which also marked the US TV debut of Clay Paky’s new Mythos fixtures, a highly-advanced hybrid light which serves as an excellent 470-watt spotlight and an extraordinary beam light. grandMA2 consoles were deployed on the concert special for lighting control. A.C.T Lighting, Inc. is the exclusive distributor of both brands in North America.

Production designer/lighting designer Mike Swinford obtained 146 Mythos fixtures from Nashville-based Morris Light & Sound, which offers a large inventory of the new lights. As a spot, Mythos has an outstanding large beam and zoom optimized for focusing; as a beam light it remains parallel for its entire length even at great distances. Mythos is smooth, fast and very quiet with a completely redesigned indexed visual effects disc.

Swinford and Morris Light & Sound president and CEO David Haskell were introduced to Mythos when A.C.T Lighting Vice President of Sales and Marketing Brian Dowd invited them to Clay Paky’s factory in Italy. Dowd orchestrated the visit, accompanied them on the trip and arranged demos of the new fixture. They were among the first people to ever see the fixture and immediately thought it was amazing. Haskell ordered 240 Mythos lights, and Swinford was first in line to use them.

“I was shopping for something new and great for the upcoming Kenny Chesney tour,” Swinford recalls. “Then this job for CMT came up, and I asked David if we could use the Mythos for the ‘Ultimate Kickoff Party’ first. He said sure, but the lights were so new they didn’t have cases yet!”

Haskell notes that Morris Light & Sound “does a lot of work with CMT, so we were happy to be able to offer Mythos on short order. I always hesitate to use a brand new fixture on live TV, especially so many of them. But my confidence level was high enough that Mike decided to give Mythos a go.”

Swinford was impressed by Mythos low power consumption, lightweight, incredible brightness and versatility – qualities he needed for the “Ultimate Kickoff Party.” The 90-minute concert special was staged in the Kay Bailey Hutchinson Convention Center in Dallas and headlined by Toby Keith, Lady Antebellum, Brett Eldredge, Jake Owen, Maddie & Tae, Thomas Rhett, and Big & Rich.

“The show was primarily lighting-driven,” Swinford says, “although we had some low-resolution screens in the truss structure to display graphics. Mythos dominated the rig and was supported by some LED Flares. With Mythos I was able to get everything I wanted from a single fixture: huge graphic looks – like Sharpy on steroids – the ability to zoom out for nice texture with gobos and the ability to soften the edges for a pseudo wash-type look. I was confident that Mythos could be the one light that does it all.”

Swinford mounted 24 Mythos on each of three zigzag truss structures made of 10-foot sticks with four-way corner blocks. Each corner block included a five-foot piece of vertical truss featuring two more Mythos fixtures. A fourth zigzag truss, free-standing on eight-foot legs, had 24 more Mythos lights.

With this configuration, “we could do one thing, like zoom, with the horizontal Mythos, then add sharp parallel beams from the vertical Mythos,” Swinford explains. “Mythos allowed me to create distinctive looks for each artist by changing up color palettes and using their great gobos.”

Lighting director and programmer Mike Appel was also dazzled by the lights. “Mythos is so small, so bright and so versatile,” he says. “We could go from super Sharpy-type beam mode to a really wide zoom. The patterns, aerials and color mix were really great. It can do everything: strobing, flashing, color changes. We could pop from beam to zoom mode really quickly, and the lights held up well.”

Swinford says, “For Lady Antebellum the Mythos were pointed straight at the camera with a gobo look that was fantastic – very crisp and hard edged. The optics on the lamps are outstanding.”

“We put a star field pattern in the fixture and spun it fast so we got an unbelievably strong look,” adds Appel. “It was a look we couldn’t have gotten before with a smaller head.”

And on the finale with Big & Rich covering “Save a Horse, Ride a Cowboy,” Swinford and Appel “went all out,” says Appel. “We were in full-on party mode and structured the beams to cut through everything. With all the chasing we were still able to create a structural look with the beams cutting through. They looked just great!”

Swinford says the Mythos fixtures generated lots of buzz backstage. “Nobody had ever seen this look before, and the artists could see and feel the power of it. They all made comments: ‘What is this? We’ve never seen anything like it!’ They were very impressed with the new look of Mythos.”

Appel had two grandMA2 consoles for lighting control: a full-size desk with three NPUs for the A system and a grandMA2 light with three NPUs for the back up B system. A long-time grandMA fan, Appel began using the system in 2002 migrating to the grandMA2 in 2010.

He found that the consoles paired well with the new Mythos fixtures. “The profile for the Mythos that A.C.T Lighting supplied worked just fine; I just made a few small modifications based on my personal preferences,” Appel explains.

Swinford reports the fixtures “came off great” on their TV debut. “We ran them about five days and they performed amazingly. When I turned on the rig for the first time it was really exciting. I haven’t felt this strongly about a light for a long time. It’s nice to be the first kid on the block with a new toy!”

“I think Mythos is going to be very popular,” Swinford concludes. “Clay Paky will probably have to run double shifts to keep up with the demand!”

About A.C.T Lighting

A leading importer and distributor of lighting products, A.C.T Lighting, Inc. strives to identify future trends and cutting-edge products, and stock, sell and support their inventory. The company provides superior customer service and value for money to all of its clients.

For more information on A.C.T Lighting, visit www.actlighting.com
For more information on Morris Light & Sound, visit www.morrislightandsound.com.

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Calibre releases NEW LEDView325DS Digital Signage LED Videowall Scaler

LEDView325DS Angled

Calibre announces the release of its latest model in the highly successful LEDView range of LED videowall optimised image scalers.

LEDView325DS is designed specifically for cost conscious digital signage projects where quality is required but without breaking the bank.

Digital signage is a market often ignored when it comes to high quality scaling with many clients relying on software based solutions from a PC. This unfortunately causes difficulty creating and showing client content together with severe image quality issues, both of which lead to unhappy clients.

LEDView325DS is a cost effective yet high quality image scaler which provides Calibre’s market-leading pixel-accurate per-edge image re-sizing algorithm which allows each edge of the picture content to be independently dragged to the correct position on the LED videowall.

There is also per input colour calibration capability to ensure client content looks how the client wants with control of RGB gains and blacks as well as saturation and hue even on digital computer-originated content. These are the kinds of functions typically found on premium live events models, which are now available without the cost associated with a live events scaler.

LEDView325DS gives outstanding image quality with fast simple set-up of picture size, colour calibration and network-based back-up and restore of settings for fast disaster recovery. Control and configuration is by internet browser, using the inbuilt webserver so when connected to a suitable network remote control and status monitoring is also possible.

Calibre UK will exhibit on stand 4U64 at ISE 2015 taking place from 10-12 February 2015 at the Amsterdam RAI.

About Calibre
Multi-award winning British company, Calibre has over the past 27 years achieved world recognition providing image scaling and processing technologies for use in broadcast/television, digital cinema, large venue projection, LED videowalls and surgical medical applications. Calibre manufactures products under its own brand-names as well as providing products and technology to several market leaders in the Pro-AV market worldwide. Calibre is a market leader in innovation, utilizing its own, UK & Germany-based in-house hardware and software design teams for all its product developments and its own UK manufacturing. www.calibreuk.com

Real-world innovation at the heart of Kramer’s ISE 2015 presence

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Solutions focus, brand new products, exhibitor hospitality and extensive education line up

At this year’s Integrated Systems Europe 2015 event, Kramer Electronics will exhibit over thirteen real-world solutions and technologies. They will also provide training, education and networking opportunities and make several product introductions on stand 1.F20.

1 Aviv_Ron_Kramer

To demonstrate working solutions in real-life settings, each with a presenter, is the best way to communicate the value – both business and technical – of our extensive product range in numerous vertical markets,” said Aviv Ron, Vice President Business Development and Strategy at Kramer Electronics.

We expect that our stand will outperform everything we have done at previous shows and will position us ahead of the competition in our ability to bring solutions of unparalleled value, innovation, functionality, scale and performance. Visitors to the Kramer stand will be able to see the products in action, test them out, ask questions and plan for future project investments.

Kramer at ISE 2015 VIA 2

Set to draw crowds from many disciplines in the AV and IT worlds, highlights include solutions-based demonstration areas such as Corporate, Education, Banking and Trading, Live Events and Healthcare.

In addition, there will be dedicated areas for Collaboration, Control and Streaming as well as Kramer’s industry-leading portfolio of “Installer Solutions”, including cables, connectivity and surprising Audio innovations.

Showing for the first time in Europe will be the multi-award winning VIA Collage™ and VIA Connect Pro™ true collaboration solutions. On a dedicated booth area, visitors will be able to see first hand how multiple participants can manage and share video, documents or files securely in real time using PC, Mac or mobile devices.

Kramer at ISE 2015 VIA 1

Award winning innovation
Like at previous shows, Kramer will take up the opportunity of the biggest industry tradeshow in Europe to launch new products in many product categories. This will include new scalers, range extenders, various audio products and much more.

inavation

Adding to its tradeshow presence, Kramer is shortlisted for three categories in the InAVation Technology Awards 2015. The VIA Collage is shortlisted in the Collaboration category, K-Touch is shortlisted for Control category and VS-D matrix switcher family is shortlisted in the Video Processing and Distribution category.


Education and training

Reaffirming its commitment to spreading the knowledge about AV technology and solutions, Kramer is set to double its training efforts with ongoing presentations about the benefits of collaboration, which will run at the Kramer stand during all three days of ISE 2015.

Set to be an ISE show highlight, Kramer will host a panel on Future solutions for productive and effective collaboration in the Unified Communications Theatre, on Wednesday, 11 February, Hall 9.A140 between 16:00 – 17:00.

Meanwhile, the company will present at three InfoComm University™ training sessions:

InfoComm Lab: Succeeding with EDID, a hands-on-lab showing how to design HDMI installation correctly presented by Ohad Oman, Product Manager on Tuesday, 10 February at 14:30-16:30 in Room D403.

Streaming AV – A Wave of Opportunities will explore technologies, benefits, implementations and applications. The session will be presented by Erez Dafnai, Product Manager on Tuesday, 10 February between 14:30 to 15:30 in Room D204.

Collaboration in the BYOD Era will be presented by Neta Lempert, VP Digital Business Development on Thursday, 12 February between 14:30 and 15:30 in Room D203.

Commenting on the company’s training offering at ISE 2015, Aviv Ron said: “This year, we are putting an even greater focus on education and training to support our technological innovations in the rapidly changing AV and IT world. For the first time, we are introducing Kramer’s Training On Demand™ that will offer all classes in all popular languages, according to visitors’ demand. ISE is the perfect place for us to do that and it shows the global nature of our presence and support. Training, or rather industry education, is key to our customers’ ability to adopt new technologies and to leverage them when implementing excellent end-users’ solutions.”

For information about all of Kramer Electronics, Sierra Video, Minicom Digital Signage and Kramer Powered by Calibre products please visit www.KramerAV.com.

Some useful links:
Official ISE hashtag: ‪#kramersolutions‬‬‬‬
Twitter: https://twitter.com/kramerelec
Facebook: https://www.facebook.com/kramerelectronics
Pinterest: https://www.pinterest.com/kramerelec/
Instagram: http://instagram.com/kramerelectronicsus
LinkedIn: https://www.linkedin.com/company/895692

About Kramer Electronics:

Since 1981, Kramer Electronics has been a leading player and pioneer in the Pro AV industry. With 26 global offices, supporting and distributing its products in over 100 countries across 6 continents, Kramer offers an extensive and innovative Pro AV solutions portfolio for Corporate, Education, Houses of Worship, Government, Live Events, Health Care, and more.

For over three decades, Kramer has built its reputation on strong personal relationships with its customers and providing the highest level of service and support in the industry.

Kramer has won numerous awards, including the 2013 Pioneer of AV Award at InfoComm in honor of its Founder, President & Chairman, Dr. Joseph Kramer. Kramer’s award winning analog and IP-driven solutions for collaboration, streaming and control are at the forefront of an ever-evolving Pro AV industry. Kramer’s consistent sales growth and expansion into new markets is a testament to the company’s commitment to R&D and reliance on customer feedback.

For more information, visit us at: www.KramerAV.com

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