A virtual press conference from Sound & Video Contractor

Archive of the Digital Signage Category

Extron Now Shipping HDCP-Compliant Annotator with DTP Extension

Extron Electronics is pleased to announce the immediate availability of the Annotator 300, a high performance, hardware-based annotation processor that allows a presenter to draw, point, or type over live presentations using a touch display, graphics tablet, or a keyboard and mouse. The HDCP-compliant Annotator 300 includes HDMI and DisplayPort inputs, a universal analog video input, and three simultaneous outputs including two HDMI and a DTP twisted pair output. It also features advanced Extron video signal processing with a high performance scaling engine and fast, reliable switching. The DTP twisted pair output extends HDMI and bidirectional control signals to a DTP receiver over a single shielded CATx cable up to 330 feet (100 meters). The Annotator 300 offers a wide range of annotation tools and controls, all easily accessible by the presenter using an intuitive on-screen GUI. more

Extron Introduces New Compact Four Input Scaler

Extron Electronics is pleased to announce the Extron IN1604 HD, an HDCP-compliant four input scaler that features three HDMI inputs, a universal analog video input, and an HDMI output. It is ideal for installation beneath conference tables and in lecterns to provide localized switching support for sources such as presenter devices. The IN1604 HD provides the convenience of fast and reliable switching, along with a high performance scaling engine for HDMI and analog video sources. Also included are a host of audio processing features and many versatile options for control. The IN1604 HD joins the recently announced IN1604 DTP, which features an Extron DTP twisted pair output. more

Opticomm-EMCORE Announces the New Genesis XD, a Multimedia Matrix for 4K UHD and Beyond

 

Alhambra, CA –June 1, 2014 – Opticomm-EMCORE, a leading provider of end-to-end multimedia distribution equipment for 4K UHD and beyond, is launching their new Genesis XD (“GXD”) at InfoComm 2014, an all-in-one multimedia matrix solution that converts, scales, switches and distributes video, audio and data for small-to-large connectivity applications.  A four-panel video wall will be created using Genesis XD and Genesis-compatible multipoint products, including their new GBOX Series of compact, throw-down boxes, Optiva system cards, and the new Eclipse HD system.

Genesis XD accepts and converts both analog and digital signals, including HDMI 1.4b with HDCP (now known as HEAC – HDMI, Ethernet, Audio, Control), Display Port, DVI, VGA, Component and 3G HD-SDI.  GXD’s massive 40 Gbps backplane accommodates uncompressed 4K UHD resolutions now and 8K resolutions later, allowing it to serve as a staple for Installers that want a flexible and reliable connectivity platform.  Remote locations can be connected via singlemode and multimode Fiber up to 10 kilometers (6 miles), as well as CATx/HDBaseT or IP/Ethernet up to 100 meters (300 feet).

A notable feature of Genesis XD is the ability to break-away and switch audio separately for professional audio editing and processing requirements.  GXD also embeds digital S/PDIF or stereo analog audio inputs into HDMI and 3G HD-SDI signals, as well as, de-embeds audio from those same digital signals.  Supported data formats include 10/100 Mbps Ethernet, RS-232, CEC, USB 2.0 (for keyboard, mouse, storage devices etc.), and IR, which provides IR control of the source equipment from the display end of the link.

Genesis XD is a non-blocking, full cross-point matrix switch that allows any source to seamlessly connect to one or all displays for continuous, trouble-free operation in critical applications.  GXD is a modular system, expandable and scalable from 8×8 to 256×256.  Initially, GXD will be launched in a 32×32, 9RU frame, allowing for 16 cards input and 16 cards output, with two channels per card.  It incorporates “intelli-scale” technology to instantly scale a video source to the native resolution of connected displays in less than one second.

The multi-format Genesis XD platform can be utilized in numerous connectivity applications, including but not limited to:

  •  Corporate: One building can distribute multimedia between floors via copper cabling then send the same signals to a second building via fiber cabling, all output from the same switch. For AV/IT integration applications, GXD can bridge both audio/video and data networks over the same IP/Ethernet infrastructure.
  • Education: GXD can utilize existing copper and IP infrastructure for video conferencing in classrooms, then convert these and other signals for long-distance transport over fiber, for distribution of seminars, surveillance video and broadcast journalism programs throughout a campus or regional district.
  • Government and Military: GXD can support all video, audio and data for multi-display, high-security, Command and Control rooms, as well as distribute ultra-high resolution interactive video for simulation/mission control applications.
  • Hospital Operating Room: GXD can be deployed as the central switch for all connectivity applications, including archiving operating procedures, live video feed of procedures for long-distance teaching applications over fiber and IP/Ethernet, as well as distribution of multimedia to digital signage/video walls throughout the building.
  • Security and Surveillance: High-definition HDMI and 3G HD-SDI video may be routed through GXD from multiple sources to a single output using a quad-multiviewer card.
  • Worship: GXD offers seamless switching between video cameras and computer graphics, providing reliable, high-quality signal distribution to multiple projectors and screens.

 

Genesis XD includes interfaces such as USB 2.0 for remote KVM applications, RS-232 Serial Data and Ethernet for controlling remote devices.  The system can be remotely controlled and monitored through any laptop or tablet to access the web-based GUI.  Other forms of control supported are RS-232 and Ethernet/SNMP commands, allowing third-party control systems to be used. Additionally, it features a front-LCD touch screen for control and to act as a preview screen for any connected video source, eliminating need for a local, dedicated monitor.

For more information visit us at InfoComm 2014, June 18-20, Booth C7716, go to www.emcore.com/opticomm, or call 626-293-3400.

Extron Introduces Compact Two Channel Amplifiers for High Impedance Systems

Extron Electronics is pleased to introduce the Extron XTRA Series XPA 1002-70V and XPA 1002-100V, half rack 1U, convection cooled power amplifiers delivering two channels of 100 watts rms for 70 volt and 100 volt distributed speakers. These professional grade amplifiers feature a 100 dB signal-to-noise ratio with 0.1% THD+N specifications. The XPA 1002-70V and XPA 1002-100V are ENERGY STAR® qualified amplifiers with an Extron exclusive, highly efficient, advanced Class D amplifier design. They also feature patented CDRS – Class D Ripple Suppression technology that provides a smooth, clean audio waveform and an improvement in signal fidelity over conventional Class D amplifiers. The XPA 1002-70V and XPA 1002-100V are housed in half rack width metal enclosures, conserving rack space and weighing only 2.5 lbs (1.1 kg). The Extron exclusive, high efficiency design generates very little heat and allows the amplifiers to be convection cooled. more

Crimson AV Develops AV Mounts for Digital Signage and Point of Sale Use; Lineup Ideally Suited for Retail, Hospitality and Other Commercial AV Applications

PR30 and CLAMP3 by Crimson AV Provide Versatile Display Mounting Options; Will be Demonstrated at InfoComm 2014 in Las Vegas, Nevada June 16-18

GLENVIEW, IL and LAS VEGAS, NV – MAY 28, 2014 (InfoComm Booth #C5430) – Crimson AV, LLC today announced that the Company will utilize the InfoComm Conference in Las Vegas, Nevada to showcase new commercial AV mounting solutions engineered to affix to round and rectangular pipes, on walls, on counter tops, and other challenging attachment points often found in retail, point of sale, digital signage and other commercial installations. Expanding on the Company’s mission to deliver professional-grade AV mounting solutions that are simple to specify, order and install, Crimson will demonstrate at InfoComm 2014 a host of new mounting solutions specifically designed for hospitality, retail, entertainment, education, government, healthcare facilities, houses of worship, venues of any size, and a wide variety of commercial applications.

Crimson AV has a unique value proposition and fills a much-needed niche. In addition to a comprehensive TV and projector mount lineup of more than 400 off-the-shelf solutions, the Company also specializes in custom-configured solutions that are designed to specification and suitable for virtually every type of audio-visual installation. Two new models in the line are a product of this solution-oriented approach and are being shown to InfoComm attendees for the first time:

New CLAMP3 Display Mounting Accessory

  • Benefit: Quick and easy to install, attaches to unistrut, truss, pipe or any round or rectangular structure up to 3.5″ in diameter. Extremely adjustable; monitor display height adjustment is limited only by the range of the drop length. Creates a unique and versatile display mounting solution that’s compatible with a variety of flat, tilt, pivoting and articulating mounts.
  • Application: Digital signage, retail, point of sale, trade shows, exhibits, studios, warehouses, venues, and other challenging environments.

New PR30 Display Mounting Accessory

  • Benefit: Versatile mounting solution for monitors up to 30“ in size. Interfaces with the CLAMP3 to create a pivoting display mounting solution. Attached monitors can be set in either landscape or portrait orientation, and then rotated, tilted, and locked into place after installation, providing end-users significant flexibility in both location and use.
  • Application: 100x100mm hole pattern. Ideal for retail point of sale, hospitality, venues, and other challenging environments.

“Our new PR30 and CLAMP3 were developed for customers that needed to mount displays for point of sale and digital signage use in retail, warehouses, venues, and other challenging commercial environments,” says Crimson President, Vlad Gleyzer. “They’re genuine problem-solvers and serve as prime examples of Crimson’s ability to react to the unique needs of commercial systems integrators.”

Every product in Crimson’s comprehensive assortment is manufactured to rigorous standards, designed for maximum install efficiency, and sold for a fraction of the price of competitive solutions, making the line making the lineup a “must see” at trade shows and regional events. Interested parties are invited to connect with Crimson at booth #C5430 at InfoComm 2014, or by visitingwww.crimsonav.com, calling 866-MOUNT-TV, or writing to info@crimsonav.com.

About Crimson
Based in Glenview, IL, Crimson AV manufactures a comprehensive yet uniquely differentiated lineup of display mounting solutions designed for Commercial, Pro, and Residential audio-visual applications. Combining enhanced product design techniques, extensive manufacturing expertise, and lean business practices, Crimson has developed a proprietary business model that delivers superior products for maximum value. Customers benefit from professional-grade products that are backed by unparalleled service and technical support. Uncompromising design and build quality requirements and an industry-leading 10-year warranty ensure each Crimson AV mount will be trouble-free for years to come. Interested parties can learn more about Crimson mounting solutions by visiting www.crimsonav.com, by calling 866-MOUNT-TV, by writing to info@crimsonav.com and by following @CrimsonAV on Twitter.Media inquiries should be directed to: Katye (McGregor) Bennett, KMB Communications, (425) 328-8640Katye@KMBComm.com,www.kmbcomm.com/press and @katyemcgregor.

Accompanying images:
Link to PR30 product image

Link to CLAMP3 product image

 

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Ocean Matrix Introduces New HDMI Over IP Extender / HDMI to CAT5/CAT6 Converter

SAUGERTIES, N.Y. – May 27, 2014Ocean Matrix, a worldwide leader in the design and manufacture of professional broadcast video gear, today announced the availability of a new HDMI Over IP Extender. The OMX-HDMI-2-IP transmitter accepts HDMI and converts it to standard TCP/IP to send the signal over your local area network via CAT5/CAT6. The receiver then converts the signal back to HDMI at the destination point. The transmitter has a static IP address and can pair with multiple receivers (up to 8). Multiple transmitters and multiple receivers can be paired on the same network. Ocean Matrix HDMI Over IP Extender

“With the distance limitations of HDMI and since CAT5/CAT6 infrastructures exist in virtually every facility we wanted to leverage these systems to provide a low cost, long distance HDMI transmission option,” said Dan Coscarella, Product Manager at Ocean Matrix. “Sending HDMI over your entire network frees you of the typical limitations found in send/receive point-to-point systems. The OMX-HDMI-2-IP delivers unparalleled performance in Pro-AV projection networks, digital signage systems and educational streaming applications taking advantage of your existing network and making it your HDMI network.”

The Ocean Matrix HDMI Over IP Extender is available and shipping now. To learn more about the OMX-HDMI-2-IP and other Ocean Matrix products visit www.oceanmatrix.com.

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About Ocean Matrix
Ocean Matrix is both a manufacturer and importer of cost effective interface solutions for video & Pro-AV users. Our in-house engineers evaluate every product with state-of-the-art test equipment to ensure quality results at the lowest possible cost. Every Ocean Matrix product features a 1-Year Product Warranty.

Ocean Matrix is exclusively distributed by TecNec Distributing and is available through the entire TecNec dealer network and online at Markertek.com.

More realistic than ever before: CAST releases beta version of wysiwyg R33

Ahead of its general product release, expected before the end of June, CAST Software announces the distribution of the beta version of wysiwyg R33 design and previsualization software suite – the second instalment in the graphics upgrade — with three of its new and significant features, many of which were evaluated and requested by CAST Software’s partner base.

LED Video Walls / Screen Virtual Point Light
As content changes on screens such as LED video wall displays, they emit a light ‘glow’ into the surrounding environment. wysiwyg perfectly replicates this effect so lighting designers will be able to produce the most accurate previsualization and deliver stunning designs for their clients.

Shaded View Profiles
Promising greater workflow efficiency, Enhanced Shaded View Profiles allows users to save a combination of lighting settings under a profile for future use.

200 Lighting Universes
Saving perhaps the best new feature of R33 to last, CAST Software has doubled the number of universes giving wysiwyg users access to 200 universes. This translates to 102,400 DMX lighting channels, ensuring that no project is too big for wysiwyg.

But what does an industry professional see when looking at wysiwyg for the first time? Really virtually real super rich graphics driven by the ultimate software application that is so comprehensive that it deals with all aspects of lighting, including those things, which affect lighting like moving props, LED video walls, and reflective surfaces. wysiwyg lets them design and pre-cue, and then previsualize, run a sequence or take screen shots to test or share, ultimately delivering a design that can be faithfully replicated for real.

One lighting designer working with the beta version is Emiliano Morgia who said: “On seeing the beta version of wysiwyg R33, my first impression was ‘Wow’. In our lighting design projects we are often working to very tight deadlines so the Shaded View feature will ensure that we’re even more efficient. Additionally R33 packs some punch in creating realistic previsualizations for clients, especially those who are increasingly requiring LED video wall displays.”

“R33 represents a huge leap forward in functionality and the next instalment of the on-going graphics upgrade. The speed enhancement, file handling and navigation improvements are a result of the direct feedback from our professional customer base. R33 continues to unleash creative lighting for today’s needs and exemplifies what we are prone to say around CAST: it just keeps getting better!” explained Bruce Freeman, Chairman at CAST Group.

Meanwhile, over 100 beta testers, representing a cross-section of lighting professionals, are busy putting R33 through its paces and will be communicating their findings to CAST over the next weeks.

A full set of R33 features will be announced when the general release version of wysiwyg R33 becomes available, likely before the end of June.

R33 Beta LED Video Wall Glow Video: http://youtu.be/rQaoazMZ7dI

Twitter & Facebook: @CASTsoftware

CAST Forum: http://forum.cast-soft.com

www.cast-soft.com/blog

TDC provides core video expertise for largest-ever light festival Vivid Sydney

Aquatique Show International, Vivid Aquatique, Darling Harbour, Photography by Rodney Campbell.

TDC – The Technical Direction Company is proud to be deploying the full range of its professional and technical expertise in providing core technology and services to Destination NSW for the sixth annual Vivid Sydney festival running from 23 May to 9 June.

Anthony Bastic, Vivid Light Festival Director said: “Vivid Sydney is a unique celebration of light, music and ideas that will see the centre of New South Wales’ vibrant capital transformed by a series of state-of-the-art visual and creative art installations. There are two components to Vivid Light. The first is the Light Walk, which is the public interface of Vivid Sydney. This includes numerous light installations by artists. Secondly, also forming part of the Light Walk, are projections onto some of Sydney’s most iconic buildings including the Museum of Contemporary Art and Customs House. We are thrilled to work with TDC in bringing the artists’ vision to light.”

“This is our third year of working with Destination NSW on Vivid Sydney, providing a huge range of technologies including 3D media servers, 3D mapping, video projection equipment, projection tower infrastructure and sound installations, not to mention our highly skilled crews to manage the technology,” comments Kain Jones, Special Projects Manager at TDC. “We have used our experience of working on Vivid Sydney for the last three years to apply the insights with have learned to how to adapt and continue to make sure that the elements TDC is involved in are amazing.

“As Vivid Sydney grows, new buildings and locations are added, so initially we spend considerable time analysing which technology is best-aligned to meet the artists’ vision. We get involved from the outset in installation design, mapping the buildings to enable the designers to create content specific to the outline of those buildings. We then work on optimal locations for projector placement, media server selection, lens selection and the number of projectors required to meet specific brightness (lux) output for each installation.”

“Vivid Sydney is a great challenge for our company, the scale of this event is enormous in regard to projection technology required to bring it all together,” comments Michael Hassett, TDC’s Managing Director. “This year over 50 Barco projectors will be deployed in total, ranging from the brightest projector in the world, the HDQ-2K40 (40,000 lumens brightness) along with Barco HDF-W26 (22,000 lumens brightness) and FLM-R22+ (22,000 lumens brightness) projectors. This is a projection technology feat and not something that any company globally could pull together easily. We’re proud to be working with the great team at that Destination NSW again this year, and we look forward to the continued success of Vivid Sydney.”

• Over 50 Barco projectors will be deployed in total, ranging from the brightest projector in the world, the HDQ-2K40 (40,000 lumens brightness) along with Barco HDF-W26 (22,000 lumens brightness) and FLM-R22+ (22,000 lumens brightness) projectors. Photography Rodney Campbell.

The TDC team preparing for Vivid Sydney. Photography by Rodney Campbell.

TDC getting ready for Vivid Sydney. Photography by Rodney Campbell.

And the last word goes to Olin Winton, Technical Manager at TDC who says: “It’s always a joy to work on large format projection projects and Vivid Sydney is no exception. The opportunity to display images on iconic buildings takes months of planning and long nights of alignment. This year we have added several new projects to our list, which we are extremely pleased with. Seeing it all come together, working with world class technicians and seeing the end result of people interacting with the buildings is extremely rewarding.”

World firsts from TDC

This year’s Vivid Sydney programme includes a number of significant technological and creative firsts.

Dichroic Dimensions

Digital Shamans, Dichroic Dimensions, Museum of Contemporary Art Australia (Mordant Wing). Photography by Rodney Campbell.

Kain Jones points to one aspect of a unique interactive installation at the new building of the Museum of Contemporary Art Australia (MCA), where artist-in-residence Ross Manning has collaborated with multidisciplinary artistic collective, The Digital Shamans to give visitors the chance to projection-map the façade of the building using only their voice.

“There’ll be two microphones on a slightly raised platform. As the audience uses their voice to interact with the installation, various hidden layers of visuals and soundscapes will be revealed based on pitch,” explains Michael K Chin at The Digital Shamans. “TDC are an amazing company with the technical know how and equipment to cope with the subtleties in our work. Especially with the HD video taken of dichroic filters producing subtle gradients in tones and colour shifts, strong contrast and vivid colour. It’s been a pleasure working with TDC for the first time. They are very professional and their experience with past Vivid Sydney festivals has been invaluable.”

Gamma World

Jess Johnson & Spinifex, Gamma World, Original Façade, Museum of Contemporary Art Australia. Photography by Rodney Campbell.

Bringing together the worlds of live performance, interaction and visual art onto the original façade of the Museum of Contemporary Art, ‘Gamma World’ combines isometric designs, old school gaming, pop up 3D books and forced perspective using 3D and animation tricks that powerfully takes the viewers on a journey through changing worlds.

Stella Carmody, Producer at Spinifex Group Sydney says: “What makes this projection so special this year is that we were able to combine our love of story-telling with the wonderfully inspiring artwork of Jess Johnson to create an abstract, engaging and playful piece of moving art on this iconic building. Hardware and projection mapping was undertaken by our good friends, large-scale projection experts, TDC.”

Urban Tree Project

Urban Tree Project, Ample Projects – MLC Centre, Martin Place. Photography by Rodney Campbell.

If you ever find yourself wondering what grew in the CBD before monuments of glass and steel, Urban Tree Project in Vivid Sydney 2014 will show you. The CTA building in Martin Place will grow out of the ground to become a magnificent living tree within the surrounding urban environment to celebrate and reflect on Sydney’s original green landscape. Design and animation company, Ample Projects turned to TDC to provide the projection solution.

“This project had unique technical challenges, so the natural choice for us was TDC. Ample designed a complex 3D mapping solution in collaboration with the TDC team. They were highly professional, providing projection design solutions for a cylindrical architecture screen with extreme focal planes. We look forward to working with them again soon,” says Ample Creative Director, Nicholas Tory.

“The shape of the structure was great to work on. We decided that the best solution was to map the projection to the curves of the building using Coolux Pandoras Box Media Servers,” comments Pete Lynn, TDC’s Media Server Specialist. “We’re very happy with the results.”

The projections for the Urban Tree Project are synchronised with a stunning laser lighting show as is the case with TDC’s projections for the Vivid Aquatique Water Theatre installation.

Spirit of Patyegarang

•	Patyegarang, Bangarra Dance Theatre Company – Vivid Light Walk Tour, Harbour Bridge Southern Pylon. Photography Greg Barrett.

Bangarra Dance Theatre is Australia’s leading Indigenous performing arts organisation celebrating its 25th anniversary this year. To mark this milestone the company presents its new production at the Sydney Opera House Patyegarang until 5 July and participates for the first time in Vivid Sydney with The spirit of Patyegarang. Projected onto the southern pylon of the Sydney Harbour Bridge, The spirit of Patyegarang is a video installation marking the first Indigenous contribution to the Vivid Light Walk.

Bangarra’s Executive Director, Philipe Magid, said: “TDC is providing equipment and video expertise enabling our company to project a stunning work of art on to a section of the iconic Sydney Harbour Bridge. Through a fusion of dance movements and music soundscape and thanks to video projections supported by TDC, the important story of Patyegarang will awake and inspire with the sensations and emotions of ‘first contact’”.

Play Me

Play Me, Customs House, Photography by Rodney Campbell.

In a poetic explosion of colour, light and sound, ‘Play Me’ will transform the façade of Customs House into a series of massive ‘musical sculptures’ that are individually selected and manipulated by the audience.

“Each of these ‘sculptures’ depicts a family of musical instruments which the audience can ‘play’ in real-time using a touch screen located on a platform in front of Customs House bringing it to life in glorious torrents of ever-changing colour, light form and sound,” says Sergio Carrubba, director and projection designer at Danny Rose, the design team for this project. “We’ve worked with TDC before on the ‘Move Your Building’ exhibit at Vivid Sydney 2013. In all cases, TDC offers exceptional support during planning phases, onsite technical support and the very best in projection equipment to assist with our designs which will all be brought to life at Vivid Sydney.”

Ignatius Jones, Creative Director, Vivid Sydney, comments: “Vivid Sydney is a strange beast: on the one hand it is a major government initiative designed to drive visitation and tourist expenditure during the year’s lowest season, and on the other a celebration of the fusion of Art and Technology that is changing our world forever and for the better. As Creative Director I must split my focus between the exacting contractual and economic demands of government, and the necessity to provide cutting-edge technical solutions to all the issues of larges-scale – or should I say vast-scale – public entertainment.

“TDC has an instinctive and comprehensive understanding of these issues. They are the perfect collaborators: calm, creative and totally competent. I would have no qualms in recommending them to anyone in the tough world of live mass entertainment, and hope to be working with them for a long time to come.”


TDC staff working on this project:

Kain Jones – Special Project Manager
Olin Winton – Technical Manager
Steve Cain – Head Technician/Media Server Specialist
Pete Lynn – 3D Media Server Specialist
Drew Ferors – Projectionist
Gareth Marsh – Projectionist
Katrina Harding – Projectionist
Isaac McKenzie – Projectionist
Adam Fiddler – Technician

TDC are working with following designers for Vivid Sydney:
• Urban Tree Project, Ample Projects – MLC Centre, Martin Place http://www.vividsydney.com/events/urban-tree-project
• Aquatique Show International – Vivid Aquatique, Darling Harbour, http://www.vividsydney.com/events/vivid-aquatique
• Patyegarang, Bangarra Dance Theatre Company – Vivid Light Walk Tour, Harbour Bridge Southern Pylon, http://www.vividsydney.com/events/the-spirit-of-patyegarang
• Starry Night, Brad Miller – Pier 8, Walsh Bay Wharf, http://www.vividsydney.com/events/starrynight
• Digital Shamans – Dichroic Dimensions, Museum of Contemporary Art Australia (Mordant Wing), http://www.vividsydney.com/events/dichroic-dimensions
• Danny Rose – Play Me, Customs House, http://www.vividsydney.com/events/play-me
• Heinz Kasper – Mystery of Creation (Fragments of The Seasons), Cadman’s College, http://www.vividsydney.com/events/mystery-of-creation-fragments-of-the-seasons
• Jess Johnson & Spinifex – Gamma World, Original Façade, Museum of Contemporary Art Australia, http://www.vividsydney.com/events/gamma-world-mca-original-facade

TDC equipment supplied:

• Over 50 Barco projectors will be deployed in total, ranging from the brightest projector in the world, the HDQ-2K40 (40,000 lumens brightness) along with Barco HDF-W26 (22,000 lumens brightness) and FLM-R22+ (22,000 lumens brightness) projectors.
• Coolux Pandoras Box Media Servers
• Dataton WATCHOUT™ multi-image display and presentation software

Moody Gardens Chooses D3D Cinema and Christie for 4K 3D Giant Screen 6P Laser Projection System

Christie® and D3D Cinema are pleased to announce that the world’s first museum-based 4K 3D giant screen 6P laser projection system will be installed and premiering at Moody Gardens MG3D Cinema in Q4 2014. The system design and configuration will further distinguish the Moody Gardens MG3D Theater as one of the world’s most premier cinema venues.

“This is the game-changing milestone that the museum giant screen industry has longed to achieve for many years,” said Don Kempf, president and founder of D3D Cinema. “Moody Gardens’ audiences will be the first in the world to have a 6P giant screen laser experience, unarguably the future of cinema presentation. The DCI and DIGSS-compliant Christie laser solution, coupled with 6P glasses technology, will be unparalleled in terms of image quality. D3D has always been committed to designing first-rate giant screen solutions that are built on a more economically viable business model. It’s a great thrill to be able to achieve this goal AND be first to market with such a premium solution.”

John Zendt, CEO of Moody Gardens agrees. “D3D Cinema has proven time and again that they can deliver the goods first, better and more efficiently. We thoroughly researched all known laser options and the D3D/Christie solution beats the competition across the board – including, significantly, the price. We’ll own this laser system outright, which is important to us, saving significant operating dollars over the life of the laser modules. We’re really proud to have our theater represented as a pioneer in digital cinema and invite all museum executives to visit for a demonstration.”

Christie 4K 6PLaser Digital Projection System

The upgrade will replace Moody Gardens’ existing 4K xenon system with a state-of-the-art pair of Christie 4K laser projection heads, a 6P modular laser light farm with fiber optic delivery, Christie 4K 3D high-bitrate server, new giant screen 6P laser glasses, and a new premium white screen. “Our 6P laser design is a huge step forward for the industry,” said Don Shaw, senior director, Entertainment Solutions, Christie. “This particular system is designed to achieve up to 14-foot lamberts onscreen in 3D, far exceeding any ‘ultra-bright’ industry standards. Our non-flashing 6P architecture is by far the most light-efficient 3D technology on the market, providing incredible brightness, enhanced color gamut and a remarkable contrast ratio. On a speckle-free premium white screen, Moody Gardens will deliver a peerless cinematic presentation to their audience. It’s a real feather in our cap to have Moody Gardens as a flagship theater.”

This latest collaboration between D3D and Moody Gardens builds on a longstanding partnership. In January 2011, D3D and Moody co-hosted the first annual Digital Cinema Symposium, showcasing 4K projection technology on a giant screen for the first time, including the first 4K vs. 70mm split screen shootout. The following year, at the 2012 Digital Cinema Symposium, D3D showcased the first 4K 3D demonstration, 11.1 3D audio, high frame rate 3D as well as a prototype laser on a giant screen, all industry firsts. The 2012 event was a milestone, marking the first time that industry professionals overwhelmingly acknowledged a digital presentation exceeded the quality of a 70mm film in a side-by-side comparison. A case study was recently published by D3D & Moody Gardens illustrating the financial benefits and qualitative success of digital presentation and rebranding.

Moody Gardens’ marks the first giant screen laser deal of many for D3D and Christie. “Lasers raise the bar,” adds Kempf. “After Moody Gardens, our first laser dome system is around the corner, which will save our dome clients hundreds of thousands in operating costs per year. The giant screen industry is about to look quite a bit brighter!”

Matrox MuraControl 3.0 for Windows Video Wall Management Software Now Available

Exciting new digital signage functionality for Mura-based video walls to be demonstrated at InfoComm 2014

Matrox MuraControl 3.0 for Windows Video Wall Software

Matrox® Graphics Inc. today announced the immediate availability of Matrox MuraControl™3.0 for Windows® video wall management software for Mura™ MPX-based video walls. Top new features include the ability to render HTML5 feeds such as social media, weather and stock market data and the ability to add multi-lingual Unicode text overlays across individual source windows or the entire video wall.

“This update to MuraControl gives video wall integrators and system builders even greater control over Mura MPX-based video wall content and layouts,” said Helgi Sigurdsson, product manager, Matrox Graphics. “The intuitive, feature-rich application lets user create, save and edit layouts offline or in real time so their content appears exactly where and how they want it.”

Matrox Mura MPX Series capture and display boards let integrators easily and cost-effectively build high-density video wall controller systems supporting custom video walls of almost any size. The boards feature highly flexible, universal input channel support for both digital and analog (DVI, RGB/VGA, Component, S-Video & Composite) video signals plus exceptional-quality scaling, switching, and compositing of source content. Compatible Mura MPX analog video capture cards provide additional NTSC/PAL/SECAM input channel support and the Mura MPX-SDI board features two 3G SDI video inputs and two DVI outputs.

Additional new features in MuraControl 3.0 for Windows include support for analog input capture adjustments, options for “signal lost” events that let the user define what appears on an overlay window when the source signal is lost or not connected and options for input auto detect filtering that let the user specify a source type.

MuraControl 3.0 will be demonstrated on Matrox Mura-powered video walls for the first time at InfoComm 2014 (Las Vegas, June 18-20, booth N2247). Mura capabilities will also be showcased through rich transitions and eye-catching effects applied to both recorded and live content using the latest Mura Network API — a platform that software developers and equipment manufacturers can use to build their own powerful video wall control solutions for Mura-based video walls.

Availability
The Matrox MuraControl 3.0 for Windows software license is now available for purchase. The free 21-day trial version of MuraControl 3.0 for Windows is now available for download from the Matrox website. The Mura Network API and the lower level C/C++ style DWC API are now available to developers. For more information, contact Matrox Graphics.

About Matrox Graphics Inc.
Matrox Graphics is a leading manufacturer of graphics solutions for professional markets. In-house design expertise, top-to-bottom manufacturing, and dedicated customer support make our solutions the premier choice in industries that require stable, high-reliability products. Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/graphics.

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