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Archive of the Displays and Mounts Category

Adaptive Video Walls and Displays Showcases HoverPro at Digital Signage Expo 2013

LAS VEGAS, FEBRUARY 19, 2013 — Adaptive Video Walls and Displays, a division of Adaptive Technologies Group and the premier provider of innovative wall-mountable, floor-standing, interlocking and flyable video wall frames for multiple LCD, LED and plasma monitors, will showcase its HoverPro® single LCD monitor suspension device at Digital Signage Expo 2013 (DSE 2013, Booth 1715).

“Adaptive Technologies Group is known for its large fixed and flyable video walls so HoverPro is the ideal product to showcase at DSE, as it is a secure, reliable solution for single LCD monitor suspensions,” says Paul Allen, president, Adaptive Technologies Group. “In the world of digital signage, putting your message in front of the audience is key. HoverPro suspends any size video monitors anywhere inside a facility right in front of the target audience in hallways, doorways and checkout lines. Whether the HoverPro suspension is used in a permanent store location or for a trade show exhibit, Adaptive strives to offer the latest solutions with reliability and safety as its cornerstone.”

HoverPro is a single LCD monitor suspension device that allows you to deliver visual messages and content anywhere and without the limitations of wall mounting and/or expensive kiosks. Messages are permanently displayed above and in front of indoor target audiences by suspending and aiming large LCD and plasma screens (over 40 inches) from any overhead structure. As a pre-engineered rigging system, HoverPro adapts to the standard rear VESA-mounting hole patterns built into flat screen monitors to be safely rigged in portrait and landscape orientations.

These rigging kits provide installers with the ability to safely suspend and tilt screens into a wide range of viewing angles, from any location and distance from the roof. Down-tilt aiming is accomplished by way of suspending the monitors from the HoverPro’ multiple suspension points. An optional aiming device, the One-Way-Array®, may be installed in line, above the HoverPro, to provide up to 360 degrees of horizontal rotation. Additionally, a wide variety of standard off-the-shelf rigging hardware is available to allow the installer to safely assemble and “hover” the LCD or plasma monitor at any desired height and angle above an audience, store traffic and window fronts. Power is usually delivered along one of the suspension cables while the signal wire runs down the other suspension cable. Close fitting spiral loom then encloses both suspension cable and wire to deliver a very cosmetically appealing display.

About Adaptive Technologies Group
Adaptive Technologies Group combines the talents and disciplines of Allen Products, ATM Fly-ware and Adaptive Video Walls and Displays, and offers state-of-the art rigging and mounting solutions for a range of audio and video applications. With its combined divisions, Adaptive is a full-service solution provider, by way of the design, development and manufacturing of professionally installed AV mounting and rigging equipment worldwide. Each brand offers its own standard and unique time-saving solutions, best safety practices and unlimited custom designs for any venue, size and application.

In addition to providing a wide selection of popular mounting and rigging solutions, Adaptive is a major resource for hundreds of commonly used and often hard to find rigging hardware and fastener items. Based in Signal Hill, California, all overhead products and parts are made and assembled in the USA. For more information, visit http://adapttechgroup.com.

Modern museum techniques: projectiondesign® helps visitors better comprehend the stories of First World War

The newly opened In Flanders Fields Museum in Ypres, Belgium interprets the stories of the First World War as seen in the Flanders region using modern museum techniques and multimedia for visitors of today and tomorrow. projectiondesign® F22, F32 and F35 wqxga projectors and WB processors were provided by specialist museums system integrator, Ocular BVBA for use in the Belle Epoque, First Battle, Ypres Salient and Third Battle exhibit areas with the aim of stimulating a more in-depth look at how museum visitors deal with war and peace.

A video of the project can be found at: https://www.youtube.com/watch?v=HOax1CpVt-o

On entering the museum, a Poppy Bracelet is given to all visitors. As visitors move around the beautifully restored medieval cloth-hall building in the city’s main square, a micro-chip inside their ‘Poppy’, a globally recognised symbol of the First World War, provides them with video projections, interactive touchscreens and soundscapes used to re-create the pain and tragedy of the War.

The museum has always focused on the stories of individuals within the larger picture of the Great War. These personal stories are told through many and varied objects on display, interactive installations and life-like characters.

Piet Chielens, Coordinator In Flanders Fields Museum, explains: “To really embrace the whole public with the impact of landscape then I think the best way of doing it is with projection. That is what we’ve done here. People are really thrilled with the experience and that is largely due to the techniques we’ve chosen to present it.”

Nicolas Vanden Avenne, Managing Director at Ocular BVBA explains: “Every projection surface in this museum is either curved or has a rather unusual shape for projection, which made this a technical challenge. Along with projection, we use the blend and warp functionality of the WB processors throughout the museum.”

As visitors enter the museum, they walk through the Belle Epoque exhibit, which highlights the period of time leading up until the war. In this area two F32 projectors are used to project footage on to a curved structure that looks like a forest of wood panels.

In the First Battle exhibit, an F35 wqxga projector is used to project from the ceiling onto a 3D scale model map of the battlefields from the North Sea to the front line. Viewers can watch the deployment of allied troops in the city of Ypres and the first battle from an eagle’s point of view.

Ypres Saliant uses three projectiondesign F22 projectors and WB1920 processors onto a 170-degree curved screen to observe the progress of the war as if travelling in a balloon high in the sky. Footage includes a view over buildings and deployment of troops around Ypres. The content is a combination of historical footage and custom made film.
Perhaps the most harrowing exhibit the Third battle, uses four F22 projectors onto a curved screen and ceiling to provide symbolic visuals with narration by nurses, doctors, soldiers, priests about one of the bloodiest battles in the First World War.

“To achieve the exhibit areas, Vanden Avenne says, we had to look for a partner that could do the engineering of our projections and cooperate with us during the building of the museum. We turned to projectiondesign because of their high-performance projectors for each exhibit area and choice of lenses.”

“As the museum is open ten hours a day, we wanted to have reliability, longevity with no image degradation. projectiondesign guaranteed that their projectors would remain consistent during heavy use,” adds Vanden Avenne.

Anders Løkke, Marketing Director says: “We are consistently impressed with the integrated approach that Ocular has taken. The exhibit areas are pushing the boundaries of how projection can be used to engage, inform and tell the story of the First World War. The added touch is that visitors to In Flanders Fields Museum can take their poppy home to remember the video projections and the stories of the First World War.”

And the last word goes to Vanden Avenne who says: “Working for clients such as the In Flanders Fields Museum is a richly rewarding learning experience. Ocular loves creating experiences and will continue to bring people’s stories to life for academic and cultural institutions for a long time to come.”

About projectiondesign
projectiondesign is a Norwegian company that designs, manufactures and markets a range of high- performance projectors and supporting systems for professional, business and consumer applications. Among its core markets are high-resolution scientific visualization, visual training and simulation, medical imaging, broadcast and post production, public media and entertainment. Numerous industry milestones that distinguish projectiondesign’s award winning, innovative technology include the introduction of the world’s first single-chip SXGA DLP projector in 2002, the first commercially available 1080p DLP projector in 2006, the first WUXGA resolution DLP projector, and the first portable and high-resolution active 3D stereoscopic projector in 2008. In 2009, projectiondesign introduced its first 3-chip projector and debuted LED illumination. 2010 signified the company’s first image warp and blend product with the Multi Image Processors, as well as the world premiere of the WQXGA resolution (2,560 x 1,600) projector, and revolutionary patented Remote Light Source technology. The entire professional product range is warranted for 24/7 usage. projectiondesign is located in Fredrikstad, Norway, with representatives in more than 17 offices throughout the world and is majority owned by Barco, a global leader in digital visualization.

www.projectiondesign.com

New FlexGlass™ Rear-Projection Screen Material by Screen Innovations Features Zero Hotspot, Wide Viewing Angles, and the Ability to be Rolled on a 2-foot Core to Reduce Freight Costs and Job Site Handling

SI now shipping  FlexGlass™ to integrators worldwide for use in Command, Control, Simulation, Digital Signage, Retail, Hospitality and other Commercial or Residential application 

Austin, TX – February 18, 2013 Screen Innovations (SI), a leading US-based manufacturer of the acclaimed multi-directional ambient light rejecting Black Diamond projection screen technology, recently began shipping the much-anticipated FlexGlass™ flexible rear-projection screen material. Designed to resolve size, space, and shipping concerns, as well as to deliver an impressive and unrivaled image quality for Commercial applications, FlexGlass is poised to become a top-rated solution for rear-projection applications.

With an increased focus on – and presence in – the Commercial AV market, SI has launched itself yet again into an aggressive product development cycle to produce technologies and associated solutions for an ever-changing technical marketplace. FlexGlass is an innovative new rear projection screen material that offers all of the benefits of the best rigid optical panels with the added benefit of custom and curve capabilities that can only be achieved with a flexible screen material. Delivering unmatched edge-blend capability, zero hotspot, almost infinite viewing angles, and the ability to be rolled on a 2-foot core to significantly reduce freight and job site handling issues, FlexGlass is an ideal choice for multiple-projector, edge blending, and short throw projector applications; all of which serves to fulfill a very real need in the marketplace.

“FlexGlass™ is an absolutely amazing product,” said Richard Cope, CEO of NanoLumens. “Not only does it give us the uniformity, contrast, and viewing angles that we need, but its ability to be rolled on a 2-foot core allows us to get it into places where other screens simply cannot go.

“FlexGlass™ offers a very wide viewing angle and good contrast that’s excellent for rear-projected edge-blending because of its very high half-gain angle, low absolute gain and darker tint. It’s semi-rigid, which allows FlexGlass to be rolled in long seamless sheets onto 2-foot cores, doing away with the logistical problems often associated with getting rigid glass or Plexiglas sheets into buildings, upper stories, elevators and small doorways,” said Rajeev Surati, Chairman, President and Founder of Scalable Display Technologies. “Being semi-rigid also means FlexGlass can be used in curved configurations, as one of our customers has done for a large cylindrical cave configuration. Being lightweight, it’s truly portable, which is another plus. In fact, we use FlexGlass for a 20-foot by 6-foot display provided to our partners who use it to show off their large visualizations at tradeshows and other events.”

See video – how FlexGlass works: http://www.screeninnovations.com/screen-materials/flexglass-rear-pro/

 

“The introduction of our new FlexGlass™ rear-projection screens and other Commercial product solutions serves to further establish SI as a force to be reckoned with in the Commercial market,” said Ryan Gustafson, President of Screen Innovations. “It’s my belief that our new Commercial lineup will surpass that of traditional standard-bearers. What you see now is only the beginning. By Infocomm 2013, SI will have many new and innovative products ideally suited for Commercial applications. Come see us at Infocomm and you’ll see what we’re all about. The possibilities are endless.”

An assortment of proprietary screen materials and a highly innovative design and engineering team ensures SI has – and continues to develop – unique solutions that deliver tangible results at a competitive price. Those interested in learning more about SI’s Commercial product offering, joining the Screen Innovations community, or for a preview of FlexGlass and other Commercial solutions, are encouraged to visit www.screeninnovations.com, write to josh@screeninnovations.com, or call (512) 832-6939.

To download SI product images, videos, logos and associated marketing materials click on the following link: http://www.screeninnovations.com/downloads/.

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About SI

Screen Innovations (SI) is a leading manufacturer of projection screens and associated technologies for Residential and Commercial applications. Best known for Black Diamond™, the world’s first and only multi-directional ambient light rejection projection screen technology, SI has effectively revolutionized the two-piece projection category by producing screens which deliver an unparalleled video image in either light or dark environments.

Designed to solve complex installation challenges, sold at affordable price points, and designed to blend flawlessly with surrounding design and décor, SI projection screens deliver stunning images and a fully immersive entertainment experience that rival or surpass traditional displays. Operating under the principle that “No matter the budget, Screen Innovations has the best available screen solution to suit your needs,” SI produces a comprehensive assortment of projection screens and accessories for nearly any budget or application.

Interested parties are encouraged to visit www.screeninnovations.com or call (512) 832-6939 to learn more about the SI family of products and services available. Follow SI on Twitter @SIScreens and on Facebook at www.facebook.com/screeninnovations.

Screen Innovations Media Contact:

Katye (McGregor) Bennett

E.  Katye@kmbcomm.com

O. (406) 446-1283

C. (425) 328-8640

W. www.screeninnovations.com

T. @SIScreens and @katyemcgregor

F. www.facebook.com/screeninnovations

 

 

Belkin Tablet Stage Named One of 20 Hottest EdTech Products at TCEA 2013 by K-12 TechDecisions

PLAYA VISTA, CA – February 14, 2013 – Belkin today announced that its recently announced Tablet Stage was named by K-12 TechDecisions as one of the 20 Hottest EdTech Products at TCEA (Texas Computer Education Association) 2013 which took place last week. The Belkin Tablet Stage is an ergonomic stand for tablets that makes classroom presentations easy to deliver and, coupled with the Belkin Stage app for iPad, reduces the expense of outfitting a digital classroom. 

More than 400 companies at TCEA 2013 featured products that included tablets, interactive projectors, a 3D document camera, iPad accessories and interactive displays. Many of the products were designed to leverage the use of mobile devices in the classroom.

Tablet Stage allows teachers to use their tablet as a document camera and securely holds tablets with or without cases for effortless document projection and convenient use. It has an adjustable platform and LED lights and is compatible with devices from seven to 11 inches. 

Teachers can also download the Belkin Stage app which allows them to annotate directly over live video and images just as they would with an interactive whiteboard. By displacing expensive and cumbersome technology such as document cameras and interactive whiteboards, Belkin Stage engages audiences with real-time video without the high cost.

“We are extremely pleased to have received this recognition from K-12 TechDecisions,” said Jon Roepke, senior product manager, Business Division, Belkin International. “As  schools embrace the interactive power of the iPad, they look for ways to make it more of a collaborative tool. We designed the Belkin Tablet Stage and Stage app so that teachers and administrators can integrate iPads into their curriculums in a way that is engaging and makes both teaching and learning easier and more fulfilling. Being honored as one of the 20 Hottest EdTech Products at TCEA 2013 is a testament to the care and dedication we put into understanding technology challenges in the classroom and developing innovative products that enhance the learning environment.”

The Belkin Stage app and the Tablet Stage are Belkin’s latest solutions designed to serve the growing needs of school districts and educators, both in and beyond the classroom. For more information, please visit: http://www.belkincampaigns.com/edumobility/.

Tweet this: @belkinbusiness for education – Tablet Stage named one of 20 hottest edtech products at TCEA 2013 – http://bit.ly/12AFQuW

About Belkin Business

Belkin Business, a division of Belkin International, offers technology solutions for office, classroom, IT infrastructure, and mobile environments. A proven technology leader for more than 30 years, organizations worldwide trust Belkin for its unwavering commitment to product quality, and expertise in creating solutions designed to address customer requirements in business, government and education. With a global supply chain and broad provider network, Belkin commands a purchasing power that delivers greater value and unparalleled execution advantages to customers. The company’s line of commercial products are available through Belkin’s global network of distributors and resellers. Headquartered in Playa Vista, California, the company is represented in more than 25 countries and can be found on the Web at http://www.belkin.com/us/business/enterprise.

Tags: interactive whiteboard, SMARTboard, document camera, education technology, classroom technology, education apps, iPad app, K-12 technology 


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Christie Interactivity Kit Provides Digital Paint Palette at Midland Center For The Arts, Michigan

Christie® and Cineviz are tying technology and art together at the Midland Center for the Arts in Midland, Michigan, with a tailor-made experience highlighting the abilities of Christie Interactivity Kit. With its ‘Escape the Ordinary’ theme, the center is unique in that it encourages both participation and appreciation for art, music, science and history.

“This project started when I showed the people at the center a trade show video where Christie displayed a digital paint canvas and they loved what they saw,” said Mike Driedric, vice president of business development, Cineviz. “Then the conversation steered itself to this exhibit space – and having an actual paint wall here. The director of exhibits – who is an artist by trade – really wanted to create an experience for the facility.”

In the main gallery, Cineviz installed four high definition Christie FHD551-X LCD flat panels in portrait mode – two on each side of a four-inch gap. The two canvasses allow participants to engage and interact with a digital paint palette using Christie Interactivity Kit and an application developed by Nytric in conjunction with Baanto™ Touchscreen technology. To reduce wear and tear, Cineviz placed tempered glass over the flat panels with the Interactivity Kit’s modular frame placed around the display.

Christie Interactivity Kit Differentiates Itself
Christie Interactivity Kit lets multiple users interact simultaneously with a rectangular video wall, with the resolution and speed needed to support finger-based gestures such as flicking, pinching, rotating and scrolling with reliable, accurate performance.

Designed in pieces that fit perfectly around Christie MicroTiles, the Christie Interactivity Kit can be configured into 84 different sizes. The kit can accommodate practically any large format display up to 21.33 feet wide and 6 feet high, or up to a 16-units wide by 6-units tall Christie MicroTiles array. The easy-to-use, field-installable kits attach around the display wall perimeter and plug into a computer USB port without any need for drivers.

“In a lot of paint programs, you use a plus/minus sign to control the intensity of the color. However, with the Interactivity Kit, you actually replicate the painting experience because you can use a paintbrush and blend, for example, pink and blue to make purple. You can also push harder to have a larger spot or a deeper shade of purple. Or you could run a thin line off the brush.”

Driedric also said the project shows how ideas can come to life thanks to Christie Interactivity Kit. “This display really showcases interactive visual displays.We tailored the solution specifically to the museum – tying a physical solution with an interactive solution to deliver an experience that people can’t get anywhere else.”

Higher Expectations Met with Cineviz and Christie Interactivity Kit
In today’s rapidly changing world, the technology of yesterday is no longer the draw it used to be for museums – especially for the younger generation who quickly embrace the newest technology.

“The youth of today quickly lose interest in static displays so Cineviz gears its design and engineers its solutions for the museum market to the tweener (ages 8-12) population,” added Driedric.

The reaction has been overwhelmingly positive and, as Driedric pointed out, the staff is just as fascinated as the exhibitors are. “When you hear that, you know the installation is a winner,” he added. “This is the right solution. We are proud of what we have done at Midland and we are proud to work with Christie.

“There is a lot of brand equity with Christie and utilizing that brand for this project was a valuable asset. We love working with Christie and enjoy the experience they bring to the table. We are committed to the Christie solutions because we believe it represents the leading technology in display solutions,” Driedric concluded. “We believe the Christie product surpasses anything else on the market.”

Adaptive Technologies Unveils StarGrid Mounting System for Overhead Cinema Surround Speakers

Unique Speaker Grid Paves the Way for New Cinema Surround Sound Experience

SIGNAL HILL, CA, FEBRUARY 12, 2013 — Adaptive Technologies Group, comprised of Allen Products, ATM Fly-ware and Adaptive Video Walls and Displays, and a premier provider of state-of-the-art rigging and mounting solutions for a wide range of audio and video applications, is proud to introduce its StarGrid™ overhead mounting system, specifically developed for clustering ceiling-mounted cinema speakers. This new system, which supports the latest ceiling speaker formats found in movie theaters, is designed to reduce the cost of multi-channel surround sound installations.

With digital cinema and 3D exhibition becoming state-of-the-art, directors and studios have begun implementing new object-based surround sound technologies, such as the Atmos™ surround format from Dolby Laboratories™ and the Auro format from Barco, to compliment the enhanced visual experience. Recent examples of this include the films Brave, Life of Pi and The Hobbit: An Unexpected Journey, to name a few, as well as upcoming titles such as Star Trek: Into Darkness. Adaptive’s StarGrid system supports the adoption of such technologies with a safe, easy-to-install ceiling grid that reduces total installation costs and optimizes the installation of surround speakers.

Cinema exhibitors are taking advantage of the StarGrid system and quickly recognizing its impact on safety, ease-of-installation, as well as the confidence and predictability that Adaptive designs bring to each of its theaters.

“The engineering and design behind Adaptive’s StarGrid system has enabled us to complete our overhead installations quickly and confidently in order to meet our client’s ever-shrinking installation timelines,” says Adam Peterson, director of technical services, Universal Cinema Services. “While an auditorium is under renovation, it isn’t generating any revenue. The StarGrid allows us to get in and out of an overhead installation fast, in order to help the client get back to selling tickets.”

Proper placement and aiming of speakers in a cinema setting is vital to achieving the desired audio experience. Not every facility, however, is designed the same way. To address this, Adaptive has developed a complete beam-to-speaker design that allows the StarGrid system to be easily retrofitted into almost any theater’s space. This system comes with a variety of components that accommodate most building materials and structures, including trusses, beams, pipes and channels. Further design considerations take wire management, sound isolation and seismic conditions into account. Lastly, Adaptive offers a variety of adjustable speaker mounts that accommodate standard cinema speaker models, including those produced by Eastern Acoustic Works (EAW), Electro-Voice, JBL Professional, Klipsch, Meyer Audio and QSC Audio.

“With Adaptive’s StarGrid there is finally a structurally engineered ceiling speaker attachment method that’s perfect for cinema,” says Jim Kappus, director of sales and logistics, ACS Enterprises, Inc. “It is a safe and risk-free method for properly installing overhead speakers.”

For this customized solution, Adaptive can provide the installer with a complete ceiling grid design based on facility drawings that includes dimensioned drawings for installation, a bill of materials, working load and safety factors, as well as auditorium-specific recommendations. Theater owners need only provide Adaptive with the drawings (preferably CAD files) of the facility and the placement of any acoustic wall treatment. Adaptive then creates the installation design for installers to follow, detailing the exact location of the ceiling speakers and the grid components that support them. This can also provide support for the submittal of plans for approval.

“It is really exciting to once again be a part of another major cinema technology build-out,” says Paul Allen, CEO, Adaptive Technologies Group. “For decades we have worked with leading theater chains and speaker manufacturers to develop cinema specific surround mounts for walls. With StarGrid, we have created an easy way to safely and efficiently install ceiling surrounds in auditoriums, making the whole process more predictable and less costly for theater owners. Adaptive has had a long history of supporting sound innovations and we are happy to continue this tradition with this latest offering.”

    About Adaptive Technologies Group


Adaptive Technologies Group combines the talents and disciplines of Allen Products, ATM Fly-ware and Adaptive Video Walls and Displays, and offers state-of-the art rigging and mounting solutions for a range of audio and video applications. With its combined divisions, Adaptive is a full-service solution provider, by way of the design, development and manufacturing of professionally installed AV mounting and rigging equipment worldwide. Each brand offers its own standard and unique time-saving solutions, best safety practices and unlimited custom designs for any venue, size and application.

In addition to providing a wide selection of popular mounting and rigging solutions, Adaptive is a major resource for hundreds of commonly used and often hard to find rigging hardware and fastener items. Based in Signal Hill, California, all overhead products and parts are made and assembled in the USA. For more information, visit http://adapttechgroup.com.

Christie’s New Book of Shapes Showcases Innovative Digital Display Projects Around Globe

Christie® has published and released The Book of Shapes – a “coffee table” style book showcasing projects around the globe that are redefining the use of display technology in everything from retail stores to museums and corporate spaces.

A free download as an interactive iPad app, PDF, or hard copy, the book explores how Christie® MicroTiles® — groundbreaking, modular video building blocks — have allowed architects and designers to introduce inventive, irregular shapes into projects where video, motion graphics and interactive content are applied.

The release of “The Book of Shapes: International Design Inspirations Featuring Christie MicroTiles” coincides with Christie’s large presence at the Integrated Systems Europe trade show in Amsterdam Jan. 29-31, and comes on the third anniversary of the market release of Christie MicroTiles.

The Book of Shapes app features MicroTiles installations from around the world since the product’s launch – with visuals, embedded video and detailed narratives on how the display technology is being used, and the results achieved. The app also includes location maps, reference materials and an integrated version of MicroTiles Designer™ 2.0, a Web-based tool that allows designers and architects to visually plan and specify MicroTiles-driven projects.

iPad users can locate and download The Book of Shapes app free from Apple’s App Store. A non-interactive PDF is also available free of charge, allowing all the showcases and supporting material to be readily viewed on other tablet devices and conventional PCs and laptops.

Designed To Inform and Inspire
“The Book of Shapes is designed to inform and inspire people charged with integrating display technology into projects, and help them think about how having a digital canvas can energize and transform a space, or solve a business challenge, in interesting new ways,” explained Kathryn Cress, vice president, global & corporate marketing, Christie.
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London Stock Exchange Atrium, a Project Featured in Christie's Book of Shapes


“We’ve been amazed how architects, retail designers, pro AV and interactive experts have all taken advantage of the opportunity to introduce shapes into design concepts,” added Cress. “They’ve gone so far beyond a display world that was defined forever by rectangles, and the remarkable thing is we’ve likely had just a taste of what’s possible.”

The Book of Shapes celebrates projects across several continents, and is sorted by vertical categories: Retail Environments, Museums & Entertainment, Broadcast Television, Events & Shows, Higher Education and Corporate Spaces.

Among the featured projects is a virtual mountain range at the History Colorado Center in Denver, massive sweeps of MicroTiles in corporate spaces like Deutsche Bank’s Asia-Pacific headquarters in Hong Kong and the Telstra experience centre in Melbourne, Australia. Portable and easily configured, MicroTiles have also been used extensively at temporary exhibits such as global expos, trade shows and fashion events.

Exploring Possibilities
The Book of Shapes explores possibilities – projects where MicroTiles have been “disappeared” into walls, built into furniture, and radically transformed retail and lobby environments. The technology has prompted a re-think on the approach to visual messaging and marketing in public or shared spaces.

One of the most ambitious projects featured in The Book of Shapes involves the London Stock Exchange’s main office in Paternoster Square, where several multimedia canvases totaling 508 MicroTiles envelop the space. The project powerfully reflects the kinetic energy of the financial markets, and is used as a compelling visual backdrop for ceremonies welcoming newly listed companies.

That project is also explored in detail in a different, dedicated digital publication, “The Blue Book: How MicroTiles Helped Make an Impact at the London Stock Exchange.” A free copy can be downloaded inside the Book of Shapes app or from Christie by visiting this web page: http://www.microtiles.co.uk/moreinformation.php?tab=bluebook

The launch of Christie MicroTiles three years ago represented a revolution in display technology. Some 30,000 units are now in use globally, and new projects are steadily switching on. During the recent holiday season, for example, 425 MicroTiles were set into the street front windows of the Barneys New York flagship store for an “Electric Holiday” done in partnership with The Walt Disney Company.

Flexible, Modular Display Technology
With their modular design, Christie MicroTiles can be arranged into virtually any shape or scale of display wall. The lightweight and compact rear projection modules measure 16 inches across by 12 inches tall, by 10 inches deep and fit perfectly in retail settings, corporate offices, museums, airports, broadcast sets, indoor sports stadiums, control rooms and numerous other applications.

Christie MicroTiles automatically self-calibrate for color and brightness and have built-in sensors that monitor each LED’s performance. Each tile detects its neighbor and adjusts its image to optimize the overall display. With tiny seams between tiles, Christie MicroTiles produce a virtually seamless canvas with an unlimited number of super-fine pixels. With robust screens that are cool to the touch and high resolution images that are crisp and clear even close up, Christie MicroTiles are perfect for interactive displays.

Christie Interactivity Kit Now Shipping

Christie® is pleased to announce that the Christie Interactivity Kit is now shipping. Powered by Baanto™ ShadowSense™, the Christie Interactivity Kit is a distinctive solution for adding multi-touch interactivity to any digital display.

MicroTiles equipped with the Christie Interactivity Kit


Designed in pieces that fit perfectly around Christie® MicroTiles®, the Christie Interactivity Kit can be configured into 84 different sizes. The kit can accommodate practically any large format display up to 21.4 feet wide and 6 feet high, or a Christie MicroTiles array measuring up to 16-units wide by 6-units tall.

The easy-to-use, field-installable kits simply attach around the display wall perimeter and plug into a computer USB port without need for drivers. Windows® 7 automatically recognizes the Christie Interactivity Kit as a multi-touch device and no manual calibration of sensors or cameras is required. Using breakthrough Baanto™ ShadowSense™ technology, Christie Interactivity Kit offers excellent performance with high touch accuracy and fast response times that support up to 18 touches on a large-format display.

Christie Interactivity Kit – The Simple Answer
“Many large-format touch technologies struggle with touch accuracy and response time, especially with multi-touch,” explained Richard Heslett, senior product manager, Business Products, Christie. “Typically you have to manually position and calibrate cameras, and install special drivers or software that must be running on the computer in order for the system to work.”

Christie’s Interactivity Kit solves this problem by detecting the video wall’s size and configuration, and simply connecting to the computer’s USB port. When used with Windows® 7, which offers native support for multi-touch, the Interactivity Kit is automatically recognized as a multi-touch device.

“In addition to saving the time and effort of calibrating sensors and installing drivers,” continued Heslett, “the Interactivity Kit is both lightweight and small for easy shipping and maneuvering into buildings while special brackets for MicroTiles handle the alignment.”

Applications for Christie Interactivity Kit
“With their stunning image quality, colors and resolution, Christie MicroTiles are the perfect medium for large format interactivity,” added Heslett. “For example, on broadcast sets, where MicroTiles are very popular, an on-air commentator can analyze a sports event or election results using the Interactivity Kit on a large presentation wall. Because of their modularity, MicroTiles and the Interactivity Kit are both easy to move around and flexible in size, so they are ideal for temporary events and trade shows. Rental stagers can purchase one set of gear and create a multitude of different shapes and sizes with it.

“Other great applications include museums and public institutions where visitors want to explore and learn, higher education where students want to learn and connect with each other, and corporate spaces where information needs to be shared and analyzed by colleagues in a collaborative setting.”

Benefits of Christie Interactivity Kit:

-True multi-touch performance with excellent accuracy, resolution and response rates for large-format applications.

-Up to 18 touches on a 16 by 6 array (21.4 feet wide by 6 feet high).

-Ease of setup with USB connection and no drivers required.

-No manual calibration of sensors or cameras.

-Recognized by Windows® 7 natively as a multi-touch device.

-Seamless integration with Christie MicroTiles and Christie JumpStart.

“Now shipping, the Christie Interactivity Kit is an exciting breakthrough technology for creating large-format, multi-touch displays that was not possible until now – there is nothing like it. This technology opens up all kinds of new possibilities for connecting people with each other and with information, and for delivering impactful, branded experiences,” Heslett concluded.

Christie Conquers the Elements with Introduction of New WeatherAll Series of Weatherproof LCD Flat Panels

The new Christie® WeatherAll Series of LCD outdoor flat panels makes its global debut at the Integrated Systems Europe (ISE) show in Amsterdam, Netherlands on January 29, setting the standard for outdoor LED-backlit LCD technology. Rugged and versatile, the first of the WeatherAll Series is the 55-inch Christie FHD551-W, a professional grade full HD (1920 x 1080 resolution) solution designed to perform in a wide range of applications including outdoor sporting venues, outdoor live events, architectural applications, entertainment parks, public displays, the hospitality and resort industry, transportation services, and numerous other outdoor environments not typically applicable with standard LCD panels.

Christie FHD551-W WeatherAll Flat Panel

“Christie is at the forefront in offering what customers need and the WeatherAll Series is designed to be the clear choice in an outdoor weatherproof display solution,” said Frank Anzures, senior product manager, Christie. “First in our WeatherAll Series, the Christie FHD551-W is easy to maintain while providing robustness and the vivid picture quality needed when presenting your message outdoors.”

The Christie FHD551-W features optically bonded glass for increased protection against harsh impacts and scratches in public display environments while enhancing viewability in outdoor venues by reducing reflection. It is designed to provide high contrast ratio, rich vibrant colors, and superior brightness to overcome high ambient light — making it perfect for outdoor use.

The ability to use the Christie FHD551-W in landscape or portrait mode is ideal for rental staging applications, resorts, hotels and restaurants, to provide impactful content in public areas, while being rugged and durable to withstand rain, sleet, snow, and human interaction. The Christie FHD551-W’s integrated speakers and sleek design makes this a visually appealing solution compared to traditional LCD products that would require enclosures when used in outdoor environments.

“The typical flat panel displays are not designed for outdoor use and the risk of damage when exposed to the elements is very high. However, the high definition Christie FHD551-W is designed to be IP56 rated / NEMA4 and has a DACS filtration system to protect it and allow for it to be used in harsh weather conditions and withstand the abuse of public display areas,” said Anzures. “With the addition of optically bonded glass it increases sunlight readability by up to 400 percent when compared with standard flat panels and increases scratch and impact resistance by up to 300 percent.”

For superior dependability in the most challenging outdoor environments, the DACS cooling & filtration system provides a thermostatically-controlled active system that protects sensitive electronics from temperature extremes, moisture, and dust. The advanced easy-clean solution eliminates the need for core filter replacement. The FHD551-W features a weather rating of IP56/NEMA4, providing protection against solid foreign objects such as falling dirt or windblown dust in addition to rain, sleet, snow, ice and splashing or hosed water.

“The Christie FHD551-W can easily manage temperatures ranging from a scorching 45 degrees Celsius (114 degrees Fahrenheit) all the way down to a bone chilling minus 20 degrees Celsius (minus 4 degrees Fahrenheit), as well as rain, snow, dust and high humidity, without those factors affecting performance. This new outdoor flat panel also boasts integrated weatherproof speakers to provide a full solution for outdoor use,” added Anzures.

Benefits of Christie FHD551-W with Optical Bonding
- Improves sunlight readability up to 400 percent.
- Increases impact and scratch resistance up to 300 percent.
- Eliminates parallax: the apparent displacement or the difference in apparent direction of an object as seen from two different points not on a straight line with the object.
- Prevents condensation on LCD Panel.
- Significantly improves durability against vibration, extreme temperatures, altitudes, water and dust.
- Vastly improves contrast and color saturation readability.

The Christie FHD551-W is now shipping with a two-year parts and labor warranty, backed by Christie’s renowned customer service and support.

Christie Technology Brought Audiences Inside the Brain at California Institute of Technology’s TEDxCaltech 2013

Christie® technology took audiences inside the human brain at TEDxCaltech 2013 with its award-winning projection display solutions under the show’s theme, “The Brain.” Digital artist Jon 9, owner of Holonyne Corporation, produced immersive and stimulating backdrops and content related to the brain experts’ presentations that made the audience feel they were “inside” the brain of the conference itself. He also provided improvisational video mixing as accompaniment to musical performers David Torn and Moira Smiley.

Christie solutions included the Christie HD10K-M and Christie Roadster HD20K-J 3-chip DLP® projectors, as well as the multiple award-winning Christie® MicroTiles®, all controlled by the Christie Spyder video processor. Christie MicroTiles were featured on-stage as a free-standing “brick” configuration, its content synchronized with the projected images on three screens behind the performers, utilizing the curved walls of the auditorium to provide a fully immersive experience.

“Throughout my long career in the display industry, I have always looked up to Christie as a market leader that combines technical innovation with robust engineering and an expansive line of products,” said Jon 9. “I was extremely happy to be working with them on this project.”

Jon 9 said he is very grateful for the support from Christie. “Christie enabled us to bring professional display technology into the academic arena at a level that demonstrated the effectiveness of immersive, interactive digital environments within a scientific conference setting. By combining Christie’s high-powered 10K and 20K projectors with an on-stage MicroTiles video wall, and with the flexibility and power of the Christie Spyder, we created an environment that was both highly functional and visually stunning.”

Dr. Michael Roukes, Robert M. Abbey Professor of Physics, Applied Physics, and Bioengineering, and co-director of the Kavli Nanoscience Institute at Caltech, who was co-organizer of the event, added, “We were very pleased to have Christie as a sponsor of TEDxCaltech. Their visual display products produced absolutely gorgeous visualizations and were vital to helping us provide a fully immersive experience for our audiences.”

Recognized worldwide for its exceptional programs, the Caltech faculty, members of which spoke at the event, have won hundreds of awards over the years, including multiple Nobel Prizes as well as medals of science and technologies.

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