A virtual press conference from Sound & Video Contractor

Archive of the Displays and Mounts Category

Christie Achieves Milestone with Industry’s First 4K Resolution 3-chip DLP Projector Running at 60 Hz

The quality, clarity and brightness of amusement park attractions, video and image-intensive shows, and exhibitions and virtual design applications take a significant leap forward today with the introduction of the new Christie® D4K2560 and Christie D4K3560 projectors. The new D4K models are the first projectors to combine 4K resolution, high frame rates at 60 frames per second (fps) and 3-chip DLP® technology. Both the Christie D4K2560 (25,000 center lumens) and Christie D4K3560 (35,000 center lumens) provide razor-sharp image detail – and video with smoother motion and transitions – for unsurpassed image quality and a more vibrant and appealing visual experience. The new projectors replace the Christie D4K25 and D4K35, respectively, and are perfect for any application requiring 4K, 60 fps, 3-chip DLP® projectors with high brightness.

The New Christie D4K3560 4K Resolution 3-Chip DLP Projector

“Christie is the only manufacturer providing full 4K (4096 x 2160) resolution at 60 Hz and the reliability and image clarity of 3-chip DLP® all in one package. Both projectors are a quantum leap forward in video image processing and a breakthrough in high frame rate and high resolution video projection,” said Mike Garrido, senior product manager, Business Products, Christie.

The Christie D4K2560 and Christie D4K3560 projectors are the first of Christie’s new TruLife™ Electronics platform that offers customers superior image and video quality for the most comfortable and realistic viewing experience. Additionally, the units come equipped with 3G SDI, Display Port, and DVI/Dual Link DVI inputs, so Christie customers can update their existing sites for future projects without the constraints of SDVI inputs.

“Customers such as automotive designers and amusement park operators will love the increased dynamic range and the highest fidelity content with immaculate, deep, and vivid color transitions,” Garrido continued. “Amusement parks, for example, are open all day and well into the evening seven days a week and the combination of 4K, 60 Hz and DLP® reliability can manage the heavy workload with smooth, crystal-clear video content much longer than what has been available.

“With the launch of the Christie D4K2560 and D4K3560, Christie stands above the crowd in its ongoing commitment to providing the ultimate visual experience to its customers. Our new projectors continue to demonstrate our dedication to being the industry leader with incomparable solutions and customer service.”

The Christie D4K2560 and Christie D4K3560 have a three-year parts and labor warranty and ship in June 2013.

Bexel’s Extensive Fiber Optic Infrastructure Supports the Oscars(r)

Celebrating 12-Year Partnership in Evolving Fiber Network, Bexel Transports High Volume of Communications Signals from the Heart of Hollywood

(HOLLYWOOD, CA) Bexel, a unit of the Vitec Group‘s Services Division and a leading worldwide provider of broadcast services and solutions, recently celebrated its 12th year supporting the global live broadcast of the Academy Awards(r) with its largest effort to-date – connecting every major component of the 2013 show’s broadcast together at the Dolby Theatre. Working with the Academy of Motion Picture Arts and Sciences, including Engineer in Charge Tad Scripter and Hollywood & Highland management company CIM, Bexel implemented a comprehensive fiber optic network connecting key production locations such as Hollywood & Highland, Dolby Theatre, Loews Hotel and the domestic and international television compounds behind the El Capitan Theater on Hollywood Blvd.

“With all the complexities involved in a live program, Bexel did a great job with no malfunctions!” said Michael B. Seligman, supervising producer of the 85th Academy Awards(r).

For the Oscars, Bexel deployed more than 17 miles of temporary fiber. This is in addition to the four miles of permanent multi-strand fiber optic cables utilized to successfully transport HD/SD video, audio, data and communications signals for live simultaneous broadcasts of the Red Carpet pre-shows, the Oscar ceremony, backstage press interview and photo rooms and the Governors Ball, the Academy’s official celebration following the Oscars.

“The technical complexity of this project in connecting so many different elements of the show has continued to grow since we first installed the permanent fiber network into the Hollywood & Highland and Dolby Theatre complex back in 2001,” said Bexel’s Craig Schiller, vice president of engineering and operations. “We continue to enhance the fiber optic network, as it is the backbone that allows us to make point-to-point connections and the reason we are able to service all of our customers so effectively.”

In order to pull off a live event of this magnitude, Bexel’s credentialed staff of more than 40 skilled fiber engineers and support technicians were onsite for 15 days. The team enabled the transport of 275 video signals, 180 audio signals and 150 intercom signals over fiber for the Academy’s domestic and international broadcast partners.

Still photographers were provided with 40 fiber connections from the Red Carpet, Orchid Court and the Dolby Theatre. They were also equipped with sufficient bandwidth to connect to their workrooms in the Loews Hotel, enabling immediate delivery of still images to media and photographic services worldwide.

In addition, Bexel once again deployed its RF-Over-Fiber antenna system to enable all of the exciting action during the official Red Carpet pre-show. Bexel’s RF-Over-Fiber system provided unprecedented wireless communications coverage not previously available with a conventional wireless system. Bexel’s RF base camp was located at the 90-degree turn of the Red Carpet, and was used as the head-end position. Four small RF fiber-site boxes were established along the Red Carpet and enabled connection for up to six antennas to ensure there was no loss of signal and that none of the evening’s star-studded arrivals were missed.

“Oscar(r) weekend is without a doubt the most fiber-intensive event we do and the fact that it continues to flourish and continues to be such a success is a testament to the hard work and dedication of the professionals at Bexel,” added Schiller.

The 86th Academy Awards will take place on March 2, 2014.

About Bexel
Bexel is the pre-eminent worldwide provider of broadcast services including video and audio equipment rentals, fiber services, new audio sales, used equipment sales, and repairs/maintenance. Bexel provides brilliantly designed and flawlessly executed systems and solutions to all customers – including producers of the biggest and most important televised events in the world. For more information, visit http://www.bexel.com.

About the Vitec Group:
Capture the moment(tm)

For over 100 years, through every innovation in photography, film and digital image-making, Vitec businesses have developed a powerful portfolio of brand and products that have enabled some of the most amazing moments to be captured under some of the most challenging conditions. Vitec is an international Group principally serving customers in the broadcast photographic and military aerospace and government (MAG) markets. Vitec is based on strong, well-known premium brands on which its customers worldwide rely. Vitec is organized in three divisions: Videocom, Imaging and Services Videocom designs and distributes systems and products used in broadcasting and live entertainment, film and video production and MAG. Imaging designs, manufactures and distributes equipment and accessories for photography, video and events. Service provides equipment rental, workflow design and technical support for camera, video, audio, fiber optic and wireless technology used by TV production and film crews. More information can be found at www.vitecgroup.com.

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Christie Continues Setting the Bar Higher at National Association of Broadcasters Show 2013

Christie® is showcasing its newest offerings at the National Association of Broadcasters (NAB) show April 8-11 including the world premiere of 3-chip DLP® technology displaying 4K resolution at 60 Hz with the introduction of the new Christie D4K2560 and Christie D4K3560 projectors.

These new 4K resolution products are the first to include the new Christie TruLife® Electronics platform – a quantum leap in video-image processing and a breakthrough in high frame rate/high resolution video projection for the ultimate in hyper-realistic images.

The Christie D4K2560 is displaying full 4K resolution at 60 Hz and, along with the Christie D4K3560, the Christie D4K2560 provides precision image detail and video with smoother motion and transitions for a more vibrant and appealing visual experience. Featuring flexible 4K inputs, both projectors are ideal for applications requiring high brightness and 4K resolution with immaculate video and image quality.

Innovation Theatre provides Sneak-Peek at the Future of 3D Cinema
The spacious and inviting Christie booth also features the Entertainment Solutions Innovation Theatre presenting a groundbreaking comparison between 3 F.L. and 14 F.L. while emphasizing the benefits of higher brightness 3D.

Christie Broadcast Set Highlights Latest Trends
The Christie booth also features the ultramodern Christie broadcast set with a concave backdrop of 138 Christie® MicroTiles®. The 48 center tiles feature Christie Interactivity Kit and Christie Jumpstart while two portrait-mounted 55-inch Christie FHD551-X flat panels with damage-resistant, optically bonded Corning® Gorilla® Glass frame the sides of the fully integrated exhibit. All display technology is mounted using rp Visuals custom-mounted display solutions with two Christie Spyder X20 video processors managing the content.

Utilizing thin and lightweight Gorilla Glass, Christie is the only brand to offer a bonded solution that retains the LCD flat panel’s sleek, narrow-bezel design without increasing the image-to-image gap between panels.

Christie Business Products Zone
Located in the Business Products zone is the new Christie LW720 3LCD projector. Building on the successful Christie LW650, the Christie LW720 is a compact and affordable LCD projector with 7200 ANSI lumens and 2500:1 contrast ratio for high brightness and deep, rich blacks. The single-lamp LW720 has one of the largest lens shift ranges*, giving customers the ability to place the projector in a variety of locations in museums, houses of worship, large conference rooms and rental/staging applications.

Also at NAB for the first time is the Christie FHD551-W outdoor flat panel. Introduced earlier this year, the rugged 55-inch Christie FHD551-W with optically-bonded glass is a professional grade full HD (1920 x 1080 resolution) solution for a wide range of applications including outdoor sporting events and venues, architectural applications, entertainment parks, the hospitality and resort industry, transportation, and other outdoor environments not usually applicable with standard LCD panels.

Following on the heels of a successful launch late last year, Christie is pleased to showcase the Christie DHD775-E and Christie DHD550-G 1-chip DLP® projectors. Fast becoming go-to solutions for displays in board rooms, classrooms and meeting spaces in government facilities, both the E Series and G Series comes with native HD resolution models and easily connect to today’s computers either wired or via wireless connectivity option. The Christie DWU775-E features an optional dual processor warp module for blending and warping images, color matching and an optional stacking system – making it ideal for applications requiring geometric adjustments and/or multi-projector setups and rental and staging applications. For fixed applications, the Christie DHD550-G provides exceptional image quality boasting 5000 lumens from a single mercury-lamp design. With high brightness and better price/performance than other projectors in its class, the Christie G Series is an excellent choice for myriad display applications where value and image quality are deciding factors.

The Business Products Zone also includes two Christie Roadster HD20K-J 3-chip DLP® projectors demonstrating their ability to flawlessly blend and warp images.

Christie Products at Five Additional Locations
A 3-unit tall by 2-unit wide array of 72-inch WU cubes will be displayed at the Vizrt booth while the Quantel booth features a Christie CP4230 DLP Cinema® projector using a Christie Spyder X20.

At the Autodesk booth, two Christie Roadster HD14K-J 3-chip DLP® projectors and a Christie Spyder X20 will be displayed while, at the Alcorn McBride booth, 24 Christie MicroTiles will be showcased. Creator of the Pandoras Box media player, coolux Media Systems is featuring the Christie YK50 dual-arm projector yoke supporting the Christie LX700 projector, 12 Christie MicroTiles and four Christie HD10K-M 3-chip DLP® projectors.

Finally, The Ryerson School of Media will have dozens of students traveling the show floor in their phosphorescent orange shirts, encouraging visitors to stop at the Christie booth.

*Varies on lens

Christie Introduces TruLife Electronics Platform, Designed to Deliver Hyper-Realistic Images

Quantum Leap In Video Processing Provides Powerful Combination Of High Frame Rates And High Resolution

Christie®, a world leader in visual technology displays, today unveiled its latest electronics platform – Christie TruLife™ – with a proprietary, 1.2 Gigapixel per second, floating point architecture. Christie TruLife electronics forms the basis for the latest generation of projectors capable of delivering industry-leading ultra high resolution, high frame rate video with unprecedented image fidelity (e.g. 4K resolution image processing at 60 fps and beyond). The current standard digital interfaces such as DVI have a bandwidth of 165 MHz.

Anchored by a high-performance electronics engine that leverages the latest in field-programmable gate array (FPGA) integrated circuits (ICs), the platform is capable of supporting a video-processing pipeline of up to 1.2 Gigapixels per second (GPix/s). Christie projectors based on the new electronics platform will use this very high capacity image-processing power to deliver immersive, hyper-realistic video experiences.

Exclusive Design Delivers True Lifelike Visual Experiences

“Traditional design cycles and the limitations of off-the-shelf video processing ICs were hindering our ability to solve video-processing problems. This was in turn holding back the expression of our customers’ collective imaginations for realizing lifelike, ultra-realistic, immersive environments through video displays,” said Jennifer Smith, vice president of Global Engineering at Christie. “By breaking from the pack with our own custom designs, we were able to build a high-performance video pipeline and computational blocks that deliver the high-fidelity images our customers are clamoring for. The first expression of the Christie TruLife electronics architecture will be debuted at the National Association of Broadcasters (NAB) show April 6-11 in Las Vegas.”

Many industries will immediately benefit from this original video-processing electronics architecture, with cases in point including those end users creating groundbreaking theme-park attractions, visualization “power walls” and flight simulation environments. Christie TruLife electronics will underpin these applications providing customers with realistic experiences, alleviating the image blurring and motion sickness that may accompany these environments.

Speed the Hallmark of the Christie TruLife Electronics Platform

Just how powerful is the Christie TruLife electronics platform? Taking a common measurement of video-processing power – the speed or rate with which video data is processed, typically measured in Gigapixels per second (GPix/s) – the Christie platform scales to reach 1.2 GPix/s, which is nearly 10x faster than standard high-def projection and 4x faster than typical 3D projection, as well as double what other 4K projectors are capable of.

Launching throughout 2013, Christie projectors featuring TruLife will enable 4K2K, Ultra-HD/Quad-HD resolutions today at 60 fps, and will have the capability to support higher resolutions and higher frame rates.

Floating Point Strides

“When increasing the resolution, one simultaneously needs a higher frame rate for the images and increased dynamic range, to make the experience more lifelike. We achieved this by designing a new floating-point processing engine within the platform, which affords an equivalent of 25 bits of fixed point processing as compared to the 8 to 10 bits of processing found in today’s standard projectors. We linked our floating point processing modules with the very latest in ultra high speed serial communication links, called “SerDes” and fast access memory blocks to deliver an unprecedented solution,” said Jeevan Vivegananthan, director of product development, Christie Business Products.

“The increased dynamic range offered by the floating point engine of Christie TruLife will be appreciated by those, such as automobile designers, who want to render the highest fidelity images with very smooth, deep and rich color transitions,” added Vivegananthan.

Christie’s new electronics platform will also facilitate the creation of new user experiences, automated setup, increased connectivity and “smart” control features enabling the next generation of collaborative, augmented reality and projection mapping applications.

“Rather than wait for the traditional video IC industry to catch up with the needs of the professional AV market, Christie took the lead and pioneered its own technology solution,” added Smith.

Christie is showcasing some of its newest technologies, including new projectors based on the Christie TruLife electronics platform, at the National Association of Broadcasters (NAB) show April 6-11; see Booth SL 2609.

Screen Innovations Black Diamond Motorized Projection Screen is now Shipping Worldwide

Innovative Black Diamond Motorized Screen Technology is Easy to Install and Delivers Impressive Image Quality While Preserving Room Aesthetics

Austin, TX  – March 28, 2013 – Screen Innovations(SI), a leading US-

Black Diamond Motorized is a unique and elegant alternative to flat panel TVs.

based manufacturer of projection screens and associated technologies, announced today that the much-anticipated Black Diamond Motorized projection screen is now shipping to integrators and end users worldwide.

Black Diamond™ Motorized

 

Featuring a brand new and truly unique motorized design utilizing SI’s award-winning Black Diamond ambient light rejection screen technology, Black Diamond Motorized is a sleek and sexy flat panel alternative that delivers stunning images yet disappears when not in use, making it ideal for virtually any environment or application.

Utilizing one motor, four custom helixes, and a spool of slender aircraft cable, Black Diamond Motorized silently lowers a thin wing containing the rolled Black Diamond screen downward from a recessed ceiling-mounted cassette. The cable-hung wing then stops, and from it, a small tube quickly emerges and lowers itself down to an adjustable, pre-determined image height, leaving only the image space in sight. Because Black Diamond screens do not require masking or any black drop material whatsoever, there is no visible material above, below, or on either side of the screen surface, allowing the images projected on Black Diamond Motorized to appear as though they are suspended in air.

Unlike flat panel TVs, Black Diamond Motorized delivers zero glare and reflection when used in a bright environment, and by virtue of its industry-leading Black Diamond ambient light rejection screen technology, light scatter is measurably reduced by over 75%. Delivering a next-level entertainment experience while literally disappearing into the room’s existing décor when not in use, Black Diamond Motorized appeals to the senses – and satisfies the needs of - a diverse audience in either residential or commercial environments. Black Diamond Motorized is the ultimate blend of art + science.

Videos: http://www.screeninnovations.com/projector-screens/motorized/black-diamond-motorized/

Those interested in learning how Black Diamond Motorized solves complex installation challenges and delivers next-level entertainment experiences for a wide range of applications are encouraged to visit www.screeninnovations.com or call (512) 832-6939.

To download SI product images, videos, logos and associated marketing materials click on the following link: http://www.screeninnovations.com/downloads/

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About SI

Screen Innovations (SI) is a leading US-based manufacturer of projection screens and associated technologies for residential and commercial applications. Best known for Black Diamond™, the world’s first and only multi-directional ambient light rejection projection screen technology, SI has effectively revolutionized the two-piece projection category by pioneering and producing screens which deliver an unparalleled video image in either light or dark environments.

Sold at affordable price points and designed to blend flawlessly with surrounding décor, SI projection screens deliver stunning images and a fully immersive entertainment experience, rivaling or surpassing traditional displays. Operating under the principle that “No matter the budget, Screen Innovations has the best available screen solution to suit your needs,” SI produces a comprehensive assortment of screens and accessories for nearly any budget or application.

Interested parties are encouraged to visit www.screeninnovations.com or call +1 (512) 832-6939 to learn more about the SI family of products and services available. Follow SI on Twitter @SIScreens and on Facebook at www.facebook.com/screeninnovations.

Screen Innovations Media Contact:

Katye (McGregor) Bennett

KMB Communications

E. Katye@kmbcomm.com

O. (406) 446-1283

C. (425) 328-8640

T. @katyemcgregor

W. www.kmbcomm.com

Christie Interactivity Kit and Christie MicroTiles Let Visitors Curate Their Own Tour at Cleveland Museum of Art

Visitors to the celebrated Cleveland Museum of Art and its Gallery One are engaging with displays and curating their own tours thanks to Christie® MicroTiles® and Christie Interactivity Kit. Blending art and technology as part of an elegant $100 million renovation, Gallery One’s Collection Wall is a 40-foot wide multi-touch screen comprising two 15-units wide by 5-units tall Christie MicroTiles video walls using Christie Interactivity Kit. The 4-unit wide by 3-unit tall “Line and Shape” MicroTiles video wall with another Interactivity Kit is located in Studio Play, Gallery One’s early (childhood) learning zone.

Inspiring visitors and motivating the younger, tech-savvy demographic to explore the museum’s thousands of works including Pablo Picasso masterpieces, the Collection Wall allows up to 16 people to interact simultaneously with the wall using RFID tags on iPad stations. The results they create also suggest further topics of interest. Visitors can personalize and build his or her collection, curating their own tour on the iPad using the museum’s ArtLens app.

Christie MicroTiles at Cleveland Museum of Art

The “Line and Shape” wall lets up to three children simultaneously draw lines or shapes. The content management software then finds and displays similar shaped artwork from the museum’s collection, encouraging participants to see shapes in everyday life.

Zenith Systems Finds the Answer with Christie MicroTiles
When Christie MicroTiles debuted, Doug Fortney of Zenith Systems, project integrator, learned how the museum could eliminate the need to replace projector lamps and not worry about color matching even for a display that runs all day. He was particularly interested in their maintenance since he wanted to install a video wall directly into the architecture.

“When I learned from Bob Christopher (Central Regional Manager, Business Products Fixed Install, Christie) you could repair each tile just by removing its screen – that got really interesting because, as an integrator, we’re always thinking about not only building something, but maintaining it. It was very important to come up with a sustainable design. Part of what is so attractive about MicroTiles and Interactivity Kit is the components are modular, not very big, and everything can be repaired quickly. We don’t really have access to the back – so we needed to be able to fix anything from the front,” said Fortney.

“The big things that appealed to us are no lamps to replace, the 65,000-hour half-life of the LEDs, the technology in the MicroTiles that helps them maintain a uniform color across all the tiles, and the great black levels. Trying to make this art look really spectacular requires fantastic black levels and the MicroTiles give us the blacks we want. The art really ‘pops’ on it and adds to that ‘wow’ effect because the black levels are so good.”

Visitor Interacts with Christie MicroTiles' 40 ft-wide Collection Wall


Christie Interactivity Kit Completes the Visual Solution
“The other piece that became very important was learning about Christie Interactivity Kit at another trade show – because this wall was going to be interactive. Until that point, we were looking at another product for the touch interface because we needed a very high accuracy performance where you touch a small piece of art and manipulate it,” noted Fortney.

Adding to the experience, Fortney and his team also wrote software that generates a dead zone around the initial touch, preventing accidental touches such as a piece of loose clothing from creating an unintentional result.

Powered by Baanto™ ShadowSense™, the Christie Interactivity Kit adds multi-touch interactivity to any large-format, rectangular digital display. It lets multiple users interact simultaneously with a video wall with the resolution and speed needed to support finger-based gestures such as flicking, pinching, rotating and scrolling. Scalable, and designed in pieces, Christie Interactivity Kit attaches to a video wall perimeter and is configurable into 84 different sizes with no drivers or manual calibration of sensors or cameras required.

Fortney said the displays are becoming the iconic symbol of the gallery, calling them a unique application of technology and a beautiful thing to see. He is not alone. The Cleveland Museum of Art and its Christie MicroTiles/Christie Interactivity Kit digital displays are earning enthusiastic reviews from staff, visitors and media.

“From everybody it has been an ‘Oh wow! This is beautiful.’ No one has seen anything like it,” Fortney concluded. “From a distance, the wall has a real ‘wow factor’ and then a completely different ‘oh wow’ experience when you go up and interact with it because now it is right in your face. Rather than simply a traditional static museum, you have interactivity that helps people see, appreciate, and understand the art that is at the museum. The technology draws this new crowd here and they want to experience it.”

Laser Projection Demonstration Lights Up G.I. Joe: Retaliation at AMC Theatres®’ Burbank 16, Using Christie Technology

Christie®, a global leader in cinema projection, is pleased to present Paramount Pictures’ highly anticipated G.I. JOE: RETALIATION on March 28 at AMC Theatres’ (AMC) Burbank 16’s ETX theatre. Christie is joining forces with AMC using laser projection technology to project the 3D movie at brightness levels of 14 foot lamberts (ft-L) – a “first” in the world of commercial cinema projection – on a 65-foot wide screen. This technology test will last for a two-week period and will be the first time that the average moviegoer will be able to enjoy compelling, immersive 3D images delivered at 2D light levels.

Paramount, Metro-Goldwyn-Mayer Pictures (MGM) and Skydance Productions, in association with Hasbro®, will release G.I. JOE: RETALIATION in digital 3D theaters across the U.S. and Canada beginning March 28.

“As a leader in innovation in the movie exhibition industry, AMC Theatres continues to push the envelope, looking for new ways to improve the movie-going experience for our guests,” said Dan Huerta, vice president, Digital Systems, AMC. “We are delighted to enlist a technology leader like Christie to provide a sneak peek at a major advance in movie-illumination levels that is on the horizon.”

Mark Christiansen, EVP of World Wide Operations for Paramount Pictures said, “We fully support the advancement of cutting edge technologies to further enhance the theatrical presentation for moviegoers. Laser projection provides incredible brightness, making each film look all the greater, but its impact on 3D is startling.”

Noted Dr. Don Shaw, senior director, Product Management, Christie Entertainment Solutions, “Audiences will be impressed with 3D shown at 14 foot-lamberts, which is much brighter than current technology produces on most screens. This test of our laser technology will demonstrate how spectacularly a moviemaker’s vision can be realized when shown at light levels normally only possible for 2D movies. Audiences who attend the AMC Burbank 16 during the laser demonstration will see a 50 percent increase in the typical contrast ratio for 3D on a crystal-clear 4K projector and we’re confident that the average moviegoer will relish this new level of immersive experience.”

Christie Laser-Projection Juggernaut Gaining Speed, Building on Previous Successes
Commenting on the laser projector test, Dr. Shaw said, “This is not the first time that Christie has employed laser technology to stretch the boundaries of digital cinema projection. Last year, Christie also showed select exhibitors in Asia how 72,000 Lumens could be achieved, in a demonstration of our prototype laser projector in Beijing.

“And at IBC 2012 Amsterdam this past September, I was pleased to preface the showing of Hugo 3D – the first CPG (Cameron Pace Group) certified movie – along with noted stereographers, Demetri Portelli and Corey Turner (‘Transformers: Dark of the Moon’), which was then projected using Christie’s laser-light projector prototype.”

Christie hosted its first laser projector demo for cinema industry luminaries including Douglas Trumbull, Gordon E. Sawyer Academy Award winner, at its High Frame Rate Summit held in its manufacturing and engineering headquarters in Kitchener, Ontario in April 2012.

Display Development Moving On Up

Batavia, NY—March 2013—Display Development, innovator of the Residential Architectural Video System category, is thrilled to announce the expansion of their facility in Batavia, New York. The additional 4,000 square feet will accommodate manufacturing, light assembly, engineering, and distribution.

“We were very fortunate that the space adjacent to our current location became available,” said Jim Burns, president of Display Development. “Our business is exploding, and we needed to accommodate the demands of this growth. While it’s tempting in this real estate market to purchase space, we didn’t want to invest in something we may outgrow—it’s an exciting time for our company.”

Display Development recently introduced their IW7 and IW8 in-wall display systems, which offer extreme flexibility for an unprecedented value. The IW systems create a display solution far superior to a flat panel in terms of image size and fidelity, and overall experience, with no impact on a room’s décor—when not in use, the system can be completely concealed.

Display Development is located at 56 Harvester Ave, Batavia, New York, 14020. You can also find Display Development at Twitter (@DisplayDev) and on Facebook.

Display Development in Batavia, New York

New Iconic Digital Signage Lobby Display at Christie Wins Silver DSE Apex Award

Christie® leaves Digital Signage Expo® (DSE) on a high note, with a Silver Apex award under Business, Industry and Government category for its digital signage display of Christie® MicroTiles® in the company’s new West Wing building expansion. The iconic display in its Kitchener, Ontario corporate office intersects technology, architecture and artistic design. Working with Arsenal Media, SRM Architects and rp Visual Solutions, it features sophisticated architectural integration and a unique technology solution to drive the 70Mpx creative canvas created for the company’s Artist-In-Residence Programme and other content development partners.

“Each year, DSE award winners reveal what’s current and evolving in digital signage and mobile media development, deployment and content creation,” stated Sean James, vice president of Managed Services, at Christie. He adds, “To create custom digital signage installations and content that engage consumers and visitors means working collaboratively with experts in various fields who use today’s advanced technology. Christie congratulates all partners in integration, installation, content and architectural design who received 2013 DSE Apex and Content awards.”

At the DSE awards ceremonies on February 27, several Christie products were featured in partners’ winning entries. The Apex awards honor innovation in the development and deployment of technology in the global digital out-of-home networks (DOOH) industry, while the Content awards honor innovative and compelling content created for digital signage in the DOOH networks.

Including Christie’s Silver Apex award for the company’s lobby digital signage, partners collectively took home 10 awards in four categories which included Christie visual display products. The categories were Arts, Entertainment & Recreation, Business, Industry & Government, Retail, and Education & Healthcare.

GOLD APEX AWARDS – Arts, Entertainment and Recreation
Westfield San Francisco Centre for its “Under the Dome” architectural projection mapping experience created by Obscura Digital, using Christie Roadster S+20K DLP® projectors.

San Francisco Public Utility Commission, for the “Digital Arts Panorama” designed by Obscura Digital, using a Christie® MicroTiles® video wall that stretches 58 feet long and sits atop a superstructure pedestal custom fabricated by rp Visual Solutions. Nathan Houchin, technical director at Obscura Digital commented, “We chose Christie MicroTiles because we didn’t want to sacrifice resolution or be concerned about off-axis viewing and serviceability.”

GOLD APEX AWARDS – Education and Healthcare
University of Waterloo Stratford Campus and its massive three-storey (6.5 feet wide by 30 feet high) Christie MicroTiles’ installation, the tallest in the world, was a collaboration amongst Christie’s Research and Innovation team, Westbury National Show Systems Ltd., and rp Visual Solutions. Christie’s visual technology displays are playing a role in the University’s mission to intersect technology, business and art.

Arsenal Media received a Bronze Apex award for its Fountain of Content, a custom-built structure featuring Christie MicroTiles, LCD, LED, Christie projectors (3D projection mapping) and accessories to control the show and an interactive sensor camera for creating visual effects. And, under the Retail category, Rose & Thistle Media received a Bronze Apex award for its unique holographic window display coined “Inverse Parallax.” As technical supplier, Christie worked with Rose & Thistle Media, Westbury National Show Systems and Dynamix Professional Video Systems to realize Holt Renfrew’s 175th anniversary celebration in Toronto, which featured 700 Christie MicroTiles, Christie HD10K-M projectors and Christie Roadster HD20K-J projectors.

Content Creation Award Winners
The Content Awards, which honor innovative and compelling content created for digital signage in the DOOH networks, were presented to winners in 10 different categories from a field of 70 entrants. Christie’s partner Arsenal Media received a Bronze content award for Christie’s West Wing MicroTiles display, a gold for the Fountain of Content, a silver for Wilfrid Laurier’s 100th anniversary MicroTiles display and a Bronze award for The Discovery Wall, developed with Christie for the American Association of Museums (AAM) showcasing Christie MicroTiles as a digital platform and featuring flash-based content that actively enables users to engage in a multi-zone experience. Obscura Digital won silver for the content on the San Francisco Public Utility Commission’s Digital Arts Panorama display and Rose & Thistle Media won a Gold Content award for the Holt Renfrew 175th anniversary event.

Download The Book of Shapes. Discover how Christie MicroTiles are being used as visual building blocks in engaging, eye-catching displays all over the world.

Laemmle Royal Theatre Goes Digital With Christie Projectors

Christie® is providing best-in-class digital projection to the newly-renovated Laemmle Royal Theatre in Santa Monica, bringing 21st century projection to guests and the first boothless cinema within Los Angeles. The conversion to digital was part of an upgrade made throughout the Laemmle chain.

“Being 100 percent digital made the renovation easier as we were able to carve out multiple auditoriums without having to allocate additional space for a projection booth,” said Greg Laemmle, president of the company. “We got back space in the old projection booth which has now been put to other uses. And we also avoided the cost of building new booth space. It’s great to have all the equipment, including our Library Management Server (LMS), as part of the box office. That way, staff can input movie files and set playlists while still being available to customers.”

In addition to digital projection, the newly-restored theater has stadium seating and three screens instead of one, which will allow it to expand its programming and offer more choices to its guests. Prior to the renovation, The Royal was one of the last ‘one screeners’ in the city.

With eight locations and 41 screens throughout Los Angeles, the independent Laemmle chain was started by Laemmle’s grandfather and great-uncle in 1938, and has highlighted the work of independent filmmakers. It also carries mainstream titles such as “Hitchcock” and “The Hobbit: An Unexpected Journey.” The Royal re-opened in late December, 2012 with LA’s exclusive engagement of “Amour.” With the conversion of The Royal, a traditional cinema built in the 1920s, the chain is now 100 percent digital.

“We have a long history of working with Christie. We had our share of hiccups during the conversion process, but the Christie team has been very responsive. We truly feel they’ve been our partners in getting the art house scene switched over to digital. They took the time to understand how our world is a little different from the world of major studio exhibitors, and were willing to adjust to come up with a better program,” said Laemmle.

Craig Sholder, vice president, Entertainment Solutions, Christie, said the firm is proud to be part of the renovation of The Royal, and the digital upgrade throughout the chain.

“It’s important to Christie to work with each customer to create the solution that works best with their unique needs. Independent cinemas are a vibrant part of the industry and it’s our pleasure to help them make the transition from film to digital.”

Christie integration partner Southern California Cinetech managed the conversion to digital throughout the chain. Cinetech installed Christie CP2210 and CP2220 projectors from the Christie Solaria® Series digital projectors, and orchestrated the Christie Virtual Print Fee (VPF) financing plan, with Christie’s Managed Services team providing monitoring and maintenance services.

The Christie Solaria Series meets both exhibition and post production studios’ demands for 2D and 3D presentations for feature film and alternative content. With more than 36,000 installations around the world, Christie’s knowledge and experience with digital projection is unmatched in the industry.

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