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InfoComm Announces Education Line Up at ISE 2015

Photography courtesy of ISE 4

InfoComm International®, the leading trade association representing the audiovisual and information communications industries worldwide and co-owner of the Integrated Systems Europe (ISE 2015) tradeshow, announces its most comprehensive InfoComm University™ training to date at ISE 2015. ISE 2015 takes place from 10-12 Feb. 2015, at the Amsterdam RAI.

As in previous years, InfoComm is contributing to the drive for increase knowledge by providing Members and Guest Members with unlimited free access to its on-site InfoComm University education programme. Members and Guests who pre-register for ISE 2015 using an invitation code will receive complimentary access to seminars of their choice on a first come, first serve basis. Two courses not eligible under the free voucher programme are CTS® Study Session and the brand new Master Class.

Non-InfoComm Members must purchase vouchers during ISE registration and then register for specific classes.

“Our comprehensive training and development programme encourages ISE attendees to take advantage of the show’s excellent education opportunities,” said Terry Friesenborg, Chief Global Officer at InfoComm International.

A wide range of presenters will provide education content that is relevant to ISE’s growing audience, while remaining true to the association’s values by being non-biased and objective.

Professional Development Seminars

Among the courses that attendees can take for free at ISE 2015 are:

· Needs Analysis for End-User Requirements – What Are They Really Saying?
· Digital Audio Protocols – What Are Your Options?
· Design Documentation and Tendering
· Understanding Multi-Channel Projection
· 4K and Streaming
· Collaboration in the BYOD Era
· Network Administrators – Cracking the Code
· Instore Analytics – Improve the ROI of your Digital Signage Solution and Enhance Your Customer Experience At The Same Time

Education Technology Managers

Also free to register, InfoComm is repeating the successful Special Sessions for Education Technology Managers. Aimed specifically at higher education professionals, the first session titled Destination 2020: Future Trends in AV and Electronic Systems will explore the influence and future of IT, consumer electronics, smartphones and the Internet. The second is Building Large Scale, Low Cost Lecture Capital – The Norwegians’ Story and will focus on digitizing higher education.


EDID Lab

New for ISE 2015, a special EDID lab course has been introduced aimed primarily at providing systems integrators with a practical understanding of EDID management and implementation for HDMI. The EDID Lab is valid under the free voucher scheme.

Master Class

A new Master Class category for ISE 2015 focuses on ‘Displays for Today and Tomorrow’. The session presented by industry veteran, Robert Simpson of Electrosonic, will be divided into four sessions and aimed at experienced AV professionals with around 8-10 years’ experience. Attendees can sign up for the Master Class during registration at a cost of €150 (for InfoComm members) or €200 (non-members).

CTS Study Session

As in previous years, a Certified Technology Specialist™ (CTS) class will be held. CTS is recognized worldwide as the industry’s leading AV professional qualification. Interested parties are encouraged to register early. Attendees can sign up for the CTS Study Session during registration at a cost of €99 (for InfoComm members) or €150 (non-members). Attendees can also register to take the CTS exam onsite at the RAI 10-12 February. Please visit infocomm.org/ise for more information.

All InfoComm University education will be held in the Elicium building, conveniently located amongst all show halls during ISE 2015.

Don’t miss out. View the speaker line up and sign up now at www.iseurope.org.

Images courtesy of Integrated Systems Europe.

About InfoComm International
Now in our 75th year, InfoComm International® is the international trade association representing the professional audiovisual and information communications industries. InfoComm has more than 5,000 members, including manufacturers, systems integrators, dealers and distributors, independent consultants, programmers, rental and staging companies, end-users and multimedia professionals from more than 80 countries. InfoComm International is the leading resource for AV standards, market research and news. Its training, certification and education programs set a standard of excellence for AV professionals. InfoComm International is the founder of InfoComm, the largest annual conference and exhibition for AV buyers and sellers worldwide. InfoComm also produces trade shows in Asia, Europe, Latin America and the Middle East. Additional information is available at infocomm.org.

First UK InfoComm CTS-I Prep Course

InfoComm CTS-I 3

Current InfoComm Certified Technology Specialist (CTS®) certified holders looking to increase their installation expertise will benefit from the new Certified Technical Specialist-Installation (CTS®-I) Prep course from InfoComm International®, the leading trade association representing the audiovisual and information communications industries worldwide.

The first ever Certified Technical Specialist-Installation CTS-I Prep three-day course to be held in the UK runs from 2-4 December 2014 at Holiday Inn Hemel, Hemel Hempsted, Hertfordshire, UK. The course will be presented by Paul Streffon, CTS-D, CTS-I, Senior Staff Instructor at InfoComm International.

Installation excellence

Chris Lavelle, Regional Director, UK & Ireland at InfoComm International said: “We’re holding this class in the UK at the request of our members and from the UK industry. The intensive three-day course will help prepare students to take the CTS-I exam. The CTS-I Prep course, which is rarely offered outside of North America, is a class designed for those wishing to gain the highly regarded CTS-I credential of technology systems excellence. It is used to augment existing online tools and provide the classroom interaction that benefits most students.”

A Certified Technology Specialist Installation (CTS-I) installs and maintains audiovisual systems by: following specifications, schematics, codes and safety protocols; administering installation process logistics; troubleshooting and problem-solving systems; maintaining tools and equipment; and, communicating with clients, designers, other trades, other installers and staff to provide the best audiovisual solutions for client needs, on time and within budget.

Don’t miss out

Interested parties are encouraged to sign up early. Please visit: http://www.infocomm.org/cps/rde/xchg/infocomm/hs.xsl/40561.htm?utm_medium=Email&utm_source=ExactTarget&utm_campaign=INT_CTS-I_Prep_HemelHempstead_20141202_2nd

About InfoComm International
Now in our 75th year, InfoComm International® is the international trade association representing the professional audiovisual and information communications industries. InfoComm has more than 5,000 members, including manufacturers, systems integrators, dealers and distributors, independent consultants, programmers, rental and staging companies, end-users and multimedia professionals from more than 80 countries. InfoComm International is the leading resource for AV standards, market research and news. Its training, certification and education programs set a standard of excellence for AV professionals. InfoComm International is the founder of InfoComm, the largest annual conference and exhibition for AV buyers and sellers worldwide. InfoComm also produces trade shows in Asia, Europe, Latin America and the Middle East. Additional information is available at infocomm.org.

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Noted Surgeon Finds Live 3D Streaming and Recording from Matrox Monarch HD “Irreplaceable” for Live Teaching and Archiving

To expand his teachings to aspiring surgeons and gynecologists all over the world, Dr. Rajesh Modi, Director of the Akola Endoscopy Centre in Maharashtra, India, relies on the Matrox Monarch HD video streaming and recording appliance combined with the Matrox MC-100 SDI-to-HDMI mini converter to distribute 3D video and audio of his daily surgical procedures and to record them for the facility’s record keeping and as future teaching material. Students can view live streams of his gynecologic and endoscopic procedures on www.drmodi.in and by using the mobile app “Dr. Modi.”

www.drmodi.in_475pix

Dr. Modi is a frequent speaker at medical conferences throughout India and often leads training sessions from the Akola Centre for surgeons looking to increase their knowledge of gynecological endoscopy.

Previously, Dr. Modi used three separate products – two to handle the streaming and one as the recorder – to stream and record his daily operations. “Irreplaceable” is the word he uses now to describe Monarch HD’s role for his daily teaching and administrative needs. Dr. Modi reports that data collection for the large amount of surgical work he conducts is of paramount importance in terms of record keeping, as well as providing high-quality video for future lectures.

“There’s no other option out there that comes close to this in terms of its dual use for recording and streaming, while at different settings, that does not compromise the quality of the recording,” he explained. “The Monarch HD/MC-100 combination is the only system that can convert two SDI inputs into a single HDMI output, and the HD recording it provides is simply brilliant.”

The compact design and intuitive interface that lets users easily set up, control and output streams using any computer or mobile device with a browser has simplified this process and made portability much easier for Dr. Modi, which he said he particularly appreciates as someone who’s not a full-time video professional.

Two outputs for the 3D endo camera from the operating room provide left-eye and right-eye video signals which are sent to the Matrox MC-100 and multiplexed into one side-by-side HDMI signal. The HDMI signal is used as the source for the Monarch HD which streams the side-by-side video to a Flash Media Server. Viewers tune into Dr. Modi’s website to access the 3D content which they watch on any 3D display.

Monarch_DrModi_casestudy_diagram_475pix

The above-and-beyond technical support he’s received from Matrox has solidified Dr. Modi’s confidence in this equipment selection. “The company provided a free demo of the equipment on-site in our operating theatre at Akola. Plus, their online and phone technical support has been consistently excellent. I know, without hesitation, if anything should go wrong, someone at Matrox is there for me.”

Matrox Monarch HD is a cost-effective, small, and easy-to-use H.264 encoder designed for professional video producers who need to simultaneously stream a live event and record a mastering-quality version for post-event editing. It provides these two independent modes in an integrated unit. From any HDMI input source, such as a camera or switcher, Monarch HD generates an H.264-encoded stream compliant with RTSP or RTMP protocol. While encoding the video at bitrates suitable for live streaming, Monarch HD simultaneously records a high-quality MP4 or MOV file to an SD card, USB drive, or network-mapped drive.

Primestream Government Video Expo 2014 Product Preview

Visit Primestream at Government Video Expo 2014, Booth 406, Dec. 2-4 more

Matrox PowerDesk Desktop Management Software Turns 20

Robust, field-proven application gives professional users of Matrox multi-display hardware practical, stable, easy-to-use configuration tools

Matrox® Graphics Inc. today announced the 20th anniversary of its core desktop management software Matrox PowerDesk™ that lets users of Matrox graphics cards, external multi-display adapters and display wall products easily configure and manage multi-monitor setups. The latest products to include PowerDesk are the new Matrox C-Series cards — C420, the world’s fastest fanless quad-output card, and C680, a high-performance six-head card with board-to-board framelock.

PowerDesk_2_front_screenshot_475pix

PowerDesk is designed to provide superior stability and ease of use. It includes a comprehensive set of tools to control a wide array of configurations including stretched or independent desktops, clone mode, pivot, bezel management, and edge overlap. Advanced features such as drag & drop functionality and unattended install simplify multi-display configuration management and shorten set-up times for single- and multi-system deployments. A PowerDesk API is available to third-party software developers and OEMs who wish to incorporate PowerDesk features into their own applications.

“In the early 90s Matrox led the industry by inventing the first graphics processor capable of supporting multiple monitors, addressing a major productivity hurdle by expanding the amount of information that could be viewed at one time. With that innovation came another major breakthrough, Matrox PowerDesk desktop management software, which let users easily customize their multi-display setups,” said David Chiappini, VP R&D, Matrox Graphics Inc. “That software has evolved into a formidable asset over time and is an important component sought by IT administrators, AV integrators and industrial system builders when upgrading corporate PCs, installing display walls and specifying multi-display cards.”

“Matrox has long supported professional users with superior hardware, premium technical assistance, long product life cycles and the easy-to-use PowerDesk software,” said Caroline Injoyan, business development manager, Matrox Graphics Inc. “When we had the new C-Series line of multi-display graphics card on the drawing board, it was clear that the hardware had to strike the perfect balance between video output density, performance and power consumption; and that the Matrox PowerDesk software had to be implemented so that customers will continue to benefit from the exceptional stability, usability and versatility they rely on.”

Watch the PowerDesk Video or visit individual Matrox Graphics product pages to learn more:
C-Series graphics cards
M-Series graphics cards
DualHead2Go & TripleHead2Go multi-display adapters
Mura MPX Series capture & display boards
See PowerDesk in action at upcoming tradeshows including ISE (Amsterdam, Feb. 10–12, stand 11-F68) and DSE (Las Vegas, Mar.11–12, booth 1645).

About Matrox Graphics Inc.
Matrox Graphics is a global manufacturer of reliable, high-quality ASICs, boards, appliances, and software. Backed by in-house design expertise and dedicated customer support, Matrox products deliver stellar capture, extension, distribution, and display. Engineering high-quality products since 1976, Matrox technology is trusted by professionals and partners worldwide. Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/graphics.

SMPTE 2014 Annual Technical Conference & Exhibition Marks Greatest Attendance in Past Decade

HPA Pre-Conference SMPTE Symposium Addressed Creative Challenges; Main Conference Offered More Than 80 Technical Presentations and a Sold-Out Exhibition Hall

WHITE PLAINS, N.Y. — Nov. 19, 2014 — The Society of Motion Picture and Television Engineers(R) (SMPTE(R)), the worldwide leader in motion-imaging standards and education for the communications, media, entertainment, and technology industries, today announced that the SMPTE 2014 Annual Technical Conference & Exhibition (SMPTE 2014) concluded successfully with record-setting paid attendance. Through presentations, debates, panel discussions, and technology exhibitions, the three-day event brought attendees an array of expert perspectives on the technologies, formats, and standards on which the industry’s future is being built.

“SMPTE 2014 demonstrated why the Society’s technical conference and exhibition has become the premier annual event for motion-imaging and media technology, production, operations, and the allied arts and sciences,” said Pat Griffis, SMPTE education vice president. “New display and acquisition standards, distribution formats, business models, virtualization models, and ways of moving content over IP are coming to the forefront and having a real impact on the industry. By offering insight into these and related advances, SMPTE 2014 empowers businesses and individuals to take entertainment media to the next level.”

From Oct. 21-23, SMPTE 2014 hosted world-renowned technology thought leaders from motion picture studios, broadcast and distribution networks, production and postproduction communities, software companies, systems integrators, manufacturers, distribution providers, over-the-top providers, and others leading the evolving motion-imaging industry. SMPTE 2014 attracted approximately 2,000 attendees representing 31 countries: the U.K., Japan, Germany, Belgium, China, South Korea, Hungary, and France, as well as the U.S. and Canada. Paid registrations were up 11 percent over 2013.

For the first time, the pre-conference SMPTE Symposium was hosted by the Hollywood Post Alliance (HPA). Held at the historic El Capitan Theatre, “Making Do With More” was a day-long event that included creative sessions with renowned filmmakers, cinematographers, visual effects artists, sound specialists, and colorists providing an in-depth discussion on the challenges they face and the expansive opportunities now open to them with new tools to support their vision. The Symposium also included a demonstration area supported by Canon, where Sony Electronics, FilmLight, Dolby Laboratories, Technology Made Simple, and Sundog Media Toolkit conducted demonstrations.

“The Symposium is an example of how HPA and SMPTE can add value to each other,” said Leon Silverman, HPA president. “The Symposium’s focus on creativity as it relates to technology complements SMPTE’s focus on technology and standards.”

The Women in the Technology Workspace Luncheon, produced by SMPTE and HPA Women in Post , featured Michelle Munson, CEO and co-founder of tech firm Aspera; Ron Bailey, vice president, human resources at Warner Bros. Entertainment; and Rob Kaufman, founder and CEO of Divorce Dialogue who specializes in the behavioral differences between men and women. The discussion centered on differences between women and men in the technology workplace and on how women can better position themselves for advancement.

In the SMTPE 2014 opening keynote, Chris Fetner, director of global content partners operations at Netflix, explained that the complicated task of empowering subscribers requires an increasingly higher quality of audio and video assets, more metadata, and localized artwork. In addition to reporting that Netflix was the first to market with the ultra-high-definition TV (UHDTV) streaming series “House of Cards,” Fetner also noted the importance of SMPTE’s Interoperable Master Format (IMF) standard, deeming it the cornerstone of Netflix expansion. The release of original miniseries “Marco Polo” in December 2014 will represent the first Netflix content delivered in the IMF 2+ extended format. Fetner’s keynote presentation is available, on-demand, to SMPTE members at www.smpte.org/smpte2014-netflix-keynote.

Mark A. Aitkin, vice president of advanced technology at Sinclair Broadcasting Group, delivered the Industry Luncheon keynote. Aitkin suggested that broadcasters missed an opportunity by not putting better support behind ATSC mobile television and called for a reinvention of broadcasting as a conveyor of uniquely wireless, unconnected bits to billions of devices. He also noted that the mobile-connected tablet is the consumption device of the future, stating that mobile video consumption will increase to account for two-thirds of all mobile data traffic by 2017.

SMPTE Hollywood Regional Governor, Paul Chapman and SMPTE Fellow, Jim DeFilippis served as program chairs for SMPTE 2014. Over the course of the event, more than 80 presentations were made through technical conference sessions that covered hot-button topics ranging from networked media, file-based workflows, cloud security, asset management, UHDTV, higher frame rate (HFR), and audio technology. This year’s technical papers were drawn from the U.K., Japan, Germany, India, Norway, China, and Canada, as well as the U.S. The sold-out exhibition hall featured displays and demonstrations from more than 80 leading technology and solution providers.

The inaugural SMPTE Student Film Showcase, hosted by Howard Lukk, a SMPTE standards director, was sponsored by Netflix and demonstrated how the technical and artistic talents of young filmmakers can result in meaningful content. The short films presented during the Showcase featured wide-ranging themes, from “Calibration Conundrum,” which discussed display matching and the human visual system, to “Light,” a beautifully photographed ballet sequence. All the movies were screened in the SMPTE-DCP (Digital Cinema Package) format, courtesy of Sundog Media Toolkit. SMPTE Program Committee member Corey Carbonara, professor of film and digital media in the Communication Studies Department at Baylor University, said that using the cloud platform to convert their films to SMPTE-DCP was a great learning experience for students.

At the Annual Membership Meeting, SMPTE 2014 celebrated the establishment of The Next Century Fund. SMPTE Executive Director Barbara Lange recognized the fund’s three cornerstone sponsors, The Walt Disney Company, Panasonic, and Dolby Laboratories, which brought the fund to the $1 million benchmark.

On the final night of SMPTE 2014, award-winning broadcast journalist Frank Mottek served as master of ceremonies for the Honors & Awards Ceremony, bestowing Honorary Memberships on Leonardo Chiariglione and George Lucas, with John Logie Baird receiving the SMPTE Honor Roll Award (posthumously). Ioan Allen received the Progress Medal. The complete list of honorees is available at: https://www.smpte.org/smpte2014/award-winners. The evening concluded with the third-annual SMPTE Jam.

The SMPTE 2015 Annual Technical Conference & Exhibition is scheduled for Oct. 26-29, 2015 at the Loews Hollywood Hotel in Los Angeles.

Further information about SMPTE is available at www.smpte.org.

# # #

About the Society of Motion Picture and Television Engineers(R) (SMPTE(R))
The Oscar(R) and Emmy(R) Award-winning Society of Motion Picture and Television Engineers(R) (SMPTE(R)), a professional membership association, is the preeminent leader in the advancement of the art, science, and craft of the image, sound, and metadata ecosystem, worldwide. An internationally recognized and accredited organization, SMPTE advances moving-imagery education and engineering across the communications, technology, media, and entertainment industries. Since its founding in 1916, SMPTE has published the SMPTE Motion Imaging Journal and developed more than 800 standards, recommended practices, and engineering guidelines.

The Society is sustained by more than 6,000 members — motion-imaging executives, engineers, creative and technology professionals, researchers, scientists, educators, and students — who meet in Sections throughout the world. Through the Society’s partnership with the Hollywood Post Alliance(R) (HPA(R)), this membership is complemented by the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media, and other dynamic media content. Information on joining SMPTE is available at www.smpte.org/join.

All trademarks appearing herein are the property of their respective owners.

Photo Link: www.wallstcom.com/SMPTE/SMPTE-Chapman_Lange_Fetner_Aylsworth_Griffis.jpg
Photo Caption: Paul Chapman, Barbara Lange, Chris Fetner, Wendy Aylsworth and Pat Griffis

Additional photos are available on SMPTE’s Flickr: https://www.flickr.com/photos/smpte/sets/

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New H.264 Streaming Media Processor with FlexOS Now Shipping

Extron SMP 351Extron Electronics is pleased to announce the immediate availability of the SMP 351 Streaming Media Processor with FlexOS, an H.264 streaming media processor that captures and distributes live AV sources and presentations. With five available inputs, the SMP 351 creates high-impact content by combining two high resolution signals, a background image, and metadata, into dynamic layouts that enhance a presentation’s message. It supports both live streaming and recording capabilities, delivering presentations to anywhere a network can reach. With Extron’s FlexOS embedded operating system, the SMP 351 adapts easily to new requirements. Extron FlexOS applications on the SMP 351 can be configured to interface with control ports and automate system operation. It is easy to use, and with no licensing fees, has a low cost of ownership. The SMP 351 is a flexible, cost-effective way to deliver presentations to a larger audience. more

BenQ’s All-New Pro AV Projector Series Now Available

Latest Line of Professional Colorific Projectors Brings High Brightness and Installation Flexibility to Large Venue Requirements more

University of Sydney Launches “X-Lab” with Dante Media Networking

PORTLAND, OR – November 20, 2014 – The University of Sydney in Australia recently unveiled the X-Lab, a 40×20 meter space that houses up to eight classes using advanced live lecture streaming. Using a multipoint distribution strategy based on a Dante network from Audinate, the IP-based architecture efficiently streams lecture audio to ensure as many as 240 students receive a targeted, immersive, engaging and uninterrupted educational experience.

Similar instructional laboratories previously relied on streaming live lectures to radio headsets, which created usability and safety concerns. The University of Sydney instead chose to use Dante to stream audio to hyper-directional loudspeakers positioned above each student. The Dante network delivers ultra-low latency streams over a standard network infrastructure, maintaining signal integrity and quality across the architecture to guarantee exceptional speech intelligibility at all loudspeakers.

“It was essential to digitize audio as quickly as possible from the source – and keep it digitized all the way to the output, which is the amplifier rack driving the loudspeakers,” said Paul Menon, technical manager, audio visual services, information and communication technology at the University of Sydney. “Dante is providing the scalability and modularity we require to achieve these goals, while playing a major role in the noise immunity across the various student benches.”

The university partnered with Sydney-based systems integration firm Fredon Technology to build out the entire AV system, which also includes key video encoding and streaming systems at each workstation. Both parties agreed that the X-Lab’s success was critically dependent on choosing the right audio technologies, given the complex challenges of managing audio for eight classes in the same lab. For the networking solution, they wanted to move beyond CobraNet, used elsewhere on campus, to a Layer 3 technology like Dante that can seamlessly integrate a variety of products and support future scalability.

“A Layer 2 protocol with networking limitations was not going to work in the X-Lab for a number of reasons, including channel count, latency and future-proofing,” said Nick Orsatti, general manager, Fredon Technology. “We very quickly decided that a Dante network was the right option, especially with the wide variety of Dante-enabled products available.”

A Symetrix Radius AEC was specified for digital signal processing, given its higher channel count capacity and built-in support for local echo cancellation of incoming Dante channels. The Symetrix architecture includes a Radius at eight instructional locations, each feeding to a Radius EDGE that routes Dante audio to a central amplifier rack. The audio is then distributed to 45 loudspeaker zones, reproducing high-quality lecture audio at each student workstation.

The Dante network extends to instructional communications, where Shure Microflex Wireless microphones establish flexible two-way audio paths between an instructor and an assistant, or between instructors and students.

Orsatti notes that the Dante network implementation simplified the overall integration process, reducing costs and eliminating the complexity of running wire and cable throughout the lab. Having worked with the university on many previous projects, the process of integrating Dante for the X-Lab was simple and straightforward.

“Dante enabled the University of Sydney to deliver a unified system that took advantage of the existing network, with an uncomplicated integration based on standard IT principles,” said Orsatti.

“Dante is a Layer 3 system leveraging the existing network infrastructure, which saves on audio-specific cabling,” added Menon. “The installation of the Dante X-Lab network was fast, cost-effective, and more importantly, delivered a very flexible solution. It is a dynamically switchable architecture with highly directional sound immersion, and the user experience blows people away.”

Videos of the X-Lab installation can be seen at the following links:

http://sydney.edu.au /ict/videos/x-lab-student.mp4
http://sydney.edu.au/ict/videos/x-lab-demonstrator.mp4

Case study for this unique Dante application can be viewed at the link below:
http://bit.ly/sydney-xlab

About Audinate

Lab Tables at Sydney University X-Lab

Lab Tables at Sydney University X-Lab


Audinate revolutionizes AV systems to enable customers to thrive in a networked world. Audinate’s Dante™ media networking technology has been adopted by the leading OEM manufacturers and has become the standard and dominant networking technology in the professional AV industry. Dante is used extensively for live performance events, commercial installation, broadcast, recording and production, and communications systems. Audinate offices are located in the U.S., U.K., and Australia. Visit www.audinate.com for the latest news and information on the company. Dante is Digital Media Networking Perfected.

Dante is a trademark of Audinate Pty Ltd. Audinate is a registered trademark of Audinate Pty Ltd. All other trademarks and trade names are the property of their respective owners.

Matrox VS4 Quad HD Capture Card Now with Support for Telestream Wirecast 6.0

Multi-channel live streaming production and ISO recording systems ideal for live web shows, news, sporting events, concerts, church services, corporate meetings, lectures and more

Matrox® Video today announced the immediate availability of support for Telestream® Wirecast 6.0 for Windows® with the Matrox VS4 quad HD capture card.

Matrox_VS4_with_Telestream_Wirecast6_180pix

In a single PCIe slot, Matrox VS4 provides up to four independent HD-SDI inputs with up to 8 embedded audio channels per SDI source and automatic input detection. Matrox VS4 not only sends the video feeds to Wirecast for streaming, it simultaneously provides high-quality ISO recording of all the original video and audio feeds to NLE-friendly codecs — ready for post-event editing.

Wirecast 6.0 adds powerful new production capabilities including the creation of playlists on the fly, easy replay of important moments and easy social media integration with Twitter messages overlaid directly onto the broadcast.

“Wirecast provides a cost-effective solution for the creation and streaming of professional-quality live video productions to online audiences,” said Tom Prehn, Wirecast product manager at Telestream. “Matrox is a valued industry partner that has been at the forefront of streaming technology. The integration between Wirecast 6 and Matrox VS4 provide users powerful live streaming production with 64-bit technology, virtually unlimited memory, improved stability and performance as well as powerful ISO recording of their live streams.”

“With full turnkey, multi-channel HD streaming and recording systems based on VS4 and Wirecast available from some certified systems builders starting under $5000, virtually anyone can create professional-looking live web shows,” said Wayne Andrews product manager at Matrox. “Users can stream multiple live cameras while dynamically mixing in other media such as movies, images and sounds, and adding production features such as transitions, built-in titles, chroma key, virtual sets and live scoreboards.”

Price and availability
Wirecast 6.0 is available from the Telestream store.The Matrox VS4 card is available through a worldwide network of authorized dealers priced at $1,495 US (€1295, £995) not including local taxes and delivery. Matrox VS4 is also available in a bundle that includes the card and the new VS4Recorder Pro multi-channel recording software priced at $2,495 US (€1,995, £1,595).

About Matrox Video
Matrox Video is a technology and market leader in the field of 4K, HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, streaming, A/V signal conversion, capture/playout servers, channel-in-a-box systems and CGs. Matrox’s Emmy award-winning technology powers a full range of multi-screen content creation and delivery platforms used by broadcasters, telcos, cable operators, post-production facilities, live event producers, videographers and A/V professionals worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/video.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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