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Archive of the Education Category

DANLEY JERICHO HORNS COVER NORTH TO SOUTH AT PENN STATE UNIVERSITY’S BEAVER STADIUM

Penn_State_Beaver_StadiumUNIVERSITY PARK, PENNSYLVANIA – SEPTEMBER 2014: The Penn State Nittany Lions play all of their home games at Beaver Stadium in University Park, Pennsylvania. With an astounding capacity of over 106,000, Beaver Stadium is the second largest stadium in the Western hemisphere (after the University of Michigan’s stadium) and the fourth largest in the world. A recent off-season upgrade to high-definition LED scoreboards inspired a parallel upgrade to a new high-definition sound system that relies on Danley Sound Labs Jericho Horns to throw sound from the south end zone clear across to the north end zone – and all areas between – with point-source, horn-loaded fidelity. Coverage is a remarkable ±2dB across that huge expanse, and eight Danley TH-812 subwoofers support the full-range content with honest, musical low end that shakes the stands.

Clair Solutions Senior Systems Designer Jim Devenney (Manheim, Pennsylvania) designed the system with assistance from Chad Edwardson at Danley Sound Labs and Al Harris from Populous Architects (Kansas City, Missouri). Jason Hertz led the installation for Clair Solutions with assistance from Jonathan Hoffman and Forrest Brewer from Barton-Mallow/Alexander, the general contractor. “The new scoreboard would no longer be able to accommodate the old sound system,” said Devenney. “It simply wouldn’t fit. Mike Hedden, Danley president, came up from Georgia to demo a Danley Sound Labs solution, and the school officials liked its full-bandwidth sound, dynamic response, and even coverage.” Importantly, the Danley solution would allow Devenney to cover the entire stadium with a much smaller footprint. Hedden commented, “Our demo was an opportunity to do a side-by-side with a very popular line array. At 800 feet the Jericho Horn was clear and present, like it was fifty feet away. When we switched to the existing line array it was as if the sound stepped backwards three hundred feet. It was a stunning difference. One of the officials asked me how I could explain what everyone was hearing. I replied, to paraphrase the founders, we hold these truths to be self evident, that all loudspeakers are not created equal!”

The system hangs from three levels on the new scoreboard, and each side is a mirror image of the other side. At the top level, two Danley J4 Jericho Horns hit the stands beyond the opposite end zone. Below that level, four Danley J3 Jericho Horns cover the far half of the east and west stands. At the lowest level, two Danley J3 Jericho Horns cover the near half of the east and west stands, and two Danley SH95-HO loudspeakers provide near fill. All told, eight Danley TH-812 subwoofers, four on the top and four on the bottom, provide abundant bass. Devenney left a distributed system of fill speakers under overhangs in place. Lab.gruppen LM26 processors running Lake software provide equalization and protection for the system. Lab.gruppen FP-Series amplifiers with the NLB-60E controller provide system power as well as network control and monitoring.

“Everything worked out very well,” said Devenney. “Coverage is excellent: plus or minus 2dBA throughout the stadium, except in club areas where I intentionally made things quieter. The system has good articulation, nice fullness, great dynamics, and impressive vocal clarity. The J4’s do a great job getting high end to the far side of the stadium, and the efficiency of the Danley components reduced the footprint considerably from where it had been.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

RECORD API 1608 SALES ALLOW FOR SUPERIOR COLLEGE AND UNIVERSITY CURRICULUMS ACROSS THREE CONTINENTS

Hochschule_Musik_NurnbergJESSUP, MARYLAND – SEPTEMBER 2014: Since introduced at the 123rd AES Convention in New York City in October 2007, the API 1608 console continues to make its way into colleges and universities across the globe. In the past year alone, more 1608s have been placed in educational institutions compared to any other year since 2007. These full-featured consoles, each with various channels of recording and mixing capabilities, now grant students, ranging from high school to graduate school, the opportunity to learn on the analog technology used in professional studios all over the world.

“We’re very pleased to have placed so many of these highly-versatile consoles in the past year,” said Larry Droppa, president of API Audio. “Each of these 1608s will now join the ranks of top audio schools including the New England School of Communications, American University, and California State University.”

Since the summer of 2013, nearly a dozen consoles have been placed in schools including Nashville’s Pearl-Cohn Entertainment Magnet High School, and Blackbird Academy. Colleges and universities in the United States include Emerson College in Massachusetts, Mesa Community College in Arizona, Broward College in Florida, Glendale Community College in California, and the University of Michigan in Ann Arbor. Locations outside the United States include the University of Western Ontario, Canada, Technologico de Monterrey in Mexico, the University of Örebro in Sweden, and Hochschule für Musik Nürnberg in Germany.

SUNY_PurchaseThe 1608 offers sixteen input channels, each with a mic pre and equalizer. It also has the option of adding sixteen-channel expanders, allowing for a 16, 32, or 48 channel console in total. API also offers its optional motorized fader automation system called P-Mix. Derived from the technology used extensively in API’s large format consoles, P-Mix offers a host of features found only in the most sophisticated console automation systems, often costing many times more.

“Since the 1608 is built to the same standards as our Vision and Legacy large-format consoles, it’s a powerful tool for students to learn with,” said Droppa. “It’s the same equipment used in some of the best recording facilities around the world, where many of the students will want to work after graduation.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 45 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series, 1608 and the BOX recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

(PHOTO CAPTIONS) IMAGE 1: Hochschule für Musik Nürnberg in Germany; IMAGE 2: State University of New York (SUNY) Purchase.

STOP BY AND SEE US AT AES 2014 BOOTH #1219

Studio Prodigy Master Class Series Launches Session Six with Jim Scott

Studio_Prodigy_Session_6_Jim_Scott

The Studio Prodigy Master Class Series continues with Session Six:  Jim Scott | From the Ground Up, on November 8 and 9 at Jim’s notorious personal studio, PLYRZ Studios, in Valencia California.  This is a two-day advanced class encompassing recording, mixing and production techniques, along with special presentations from our sponsors throughout the event.

Renown for clean, vibey and impeccable sounding recordings, Jim Scott has brought his sense of style and his mid-western work ethic into the studio, making memorable records with remarkable artists for over three decades.  His techniques for capturing the essence of a band have been refined through the making of classic albums with the likes of Sting, Tom Petty, the Red Hot Chili Peppers, the Dixie Chicks, Wilco, and Whiskeytown.  Jim has won 7 Grammy awards, including Best Engineered Recording, Non-Classical, for Tom Petty’s Wildflowers.

Just up the freeway from Los Angeles, Jim’s studio is a veritable playground for musicians; an enormous warehouse space full of instruments, clad in tapestries and lights, always ready to rock.  PLYRZ studio is centered around a classic Neve 8048 and two BCM-10 sidecars, augmented by Jim’s collection of vintage outboard gear and sizeable mic collection.

Saturday begins with an overview of Jim’s recording setup at PLYRZ Studios, and a discussion of Jim’s philosophy of making records.  Through the course of the day, we will record a complete song with a fantastic band, and in the process, Jim will show you everything he does to capture a great performance, from micing techniques to production ideas to mentoring the artists and getting the best performances out of them.

Sunday’s session will start with wrapping up overdubs and continue with mixing the track.   Jim will walk you through his mix process, answering questions and demonstrating how he thinks about and feels a mix.  Combining the best of old school technique with a little bit of modern technology, this will prove to be a very hands-on experience for attendees, as Jim mixes everything by hand, with little help from automation!

At the end of day two, Studio Prodigy hosts a Gear and Beer fest in the stunning lounge area of PLYRZ Studios, with a view of the Santa Clarita Valley. Here you will be able to check out the great gear with representatives from our sponsors, and hang with Jim as he relates stories from his lengthy career of making records that we all know and love.

If you are interested in taking part in this intimate two-day record production seminar visit Studio Prodigy Master Class Series to learn more.

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R. L. Drake Simplifies Multipoint Distribution for Public Education and Government Channels With New Encoders

Featuring Advanced Video Processing and Network Capabilities, MPEG-2 and H.264 PEG-NE24-IP and PEG-NE24-IP-C Encoders Bring New Levels of Efficiency and Video Quality to Public Education, Government, and Sports Applications more

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Full Compass Hosts NUAGE Demo, Nuendo Master Class

BUENA PARK, Calif.—A Yamaha NUAGE Demo and Nuendo Master Class will be held by Yamaha Commercial Audio Systems and hosted by Full Compass on Tuesday, September 23rd at 9770 Silicon Prairie Parkway, Madison, WI. The event is free of charge. Product tours will begin promptly at 6:00pm, 7:00pm and 8:00pm.

A joint collaboration between Yamaha and Steinberg, the NUAGE Advanced Production System is the brainchild of workflow efficient hardware and Nuendo 6 software operating together in perfect harmony. Offering unprecedented productivity and flexibility as well as premium audio quality in an innovative design, NUAGE is making waves across the world.

David Lees and Marcel Mauceri from Yamaha Commercial Audio Systems, Inc. will be on hand to demonstrate the new Yamaha NUAGE production system along with Full Compass Systems staff and discuss the latest news, tips and tricks of Nuendo recording software.

For more information and to register, email rsvp@fullcompass.com.

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Extron Introduces 3G-SDI to 3G-SDI Scaler with Audio Embedding and De-Embedding

Extron Electronics is pleased to introduce the DSC 3G-3G A, a high performance 3G-SDI scaler that converts between 3G-SDI, HD-SDI, and SDI resolutions and frame rates. It accepts, scales, and outputs SMPTE video resolutions from 480i and 576i up to 1080p/60 and 2K. The DSC 3G-3G A features advanced Extron video signal processing with 1080i deinterlacing and Deep Color processing for optimal image quality. The DSC 3G-3G A also provides flexible audio capability with analog audio embedding, de-embedding, and level adjustments. Dual SDI outputs, genlock, and an input loop-through facilitate integration in demanding professional environments, while the compact enclosure simplifies installation. The DSC 3G-3G A is ideal for applications with professional video systems, including video editing and production, rental and staging, medical imaging, and large-scale presentations. more

Stewart Audio Launches Low-Power Networked Amplifier Series

Compact, affordable Dante™-enabled amplifiers bring audio networking benefits to installations requiring lower channel counts for local amplification

SONORA, California, September 4, 2014 — The benefits of digital audio networking continue to extend past the mixing board and signal processing racks, bringing simpler connectivity, lighter infrastructure and improved flexibility and control to the amplification stage and beyond. However, most networked amplifiers today specialize in high channel counts for large installations, with amplifiers centralized in densely populated racks to serve global PA systems.

Stewart Audio today introduces a family of four low-wattage, networked amplifiers that address the need for lower channel count support at the local amplification stage. The new series brings the benefits of power-efficient digital audio networking to an underserved customer base, where consultants, systems integrators, dealers and end users require simple, affordable networked amplifier solutions scaled for smaller zones. This provides an affordable and reliable option to the larger, high-wattage amplifiers for high channel counts that permeate the market.

Importantly, the compact footprint of all four products enables simple installation at endpoints, providing networked amplification to smaller zones – whether for standalone needs in small-to-mid-sized installations; or to provide low-power amplification to smaller, distant zones in larger scale projects. Dual inputs in two models (AV25-2 NET+, CVA50-1 NET+) allow customers to serve both local and global PA systems if desired, with the option to target and prioritize pages and other audio events across many zones. This flexibility ensures that Stewart Audio customers can address larger facility needs while filling the void of local amplification requirements.

“To date, the market has lacked an affordable way to position networked amplifiers at endpoints,” said Brian McCormick, chief marketing officer, Stewart Audio. “Our new family of compact amplifiers create a cost-efficient way to run CAT5 or CAT6 cable to local zones, allowing our customers to enjoy the benefits of digital audio networking beyond the central infrastructure. These products give our customers a simple and affordable way to address a broad range of low power, low channel count applications without the expense of larger networked amplifiers, or the complexity of architecting custom solutions with bridge devices and analog amplifiers.”

Stewart Audio incorporates the market-leading Dante™ media networking solution from Audinate into its product architecture to enable many operational benefits. The incorporation of Dante Ultimo technology in all four products specifically addresses the requirement of affordable networking solutions for lower channel counts and lower power consumption. Compatibility with other Dante-enabled products is also ensured for a seamless, high-performance networking architecture across installations of any size.

Installations are further simplified with the presence of Symetrix Composer 2.0 software. Composer 2.0 software natively integrates device discovery and signal routing all four new products through its unique Dante third-party programming environment. This further reduces complexity for the installer, accelerating deployment times and creating a cohesive end-to-end Dante networking solution with local amplification.

The complete range of new Stewart Audio networked amplification solutions include:
• AV25-2 NET+: A 2x25W, 4 or 8 ohm low impedance amplifier with two analog and two Dante inputs, and remote and local volume control. Automated port switching can override audio feeds depending on which Dante or analog feed is set to priority.
AV25-2 NET: A digital-only version of the AV25-2 NET+ with two Dante inputs.
• CVA50-1 NET+: A 50W, 70/100V mono amplifier with one analog and one Dante input, remote and local volume control, and automated priority port switching to insert local audio feeds over main programs.
CVA50-1 NET: A digital-only version of the CVA50-1 NET+ with a single Dante input.

All four compact solutions can be pole mounted or attached to a flat surface near loudspeakers, and are plenum-rated to reduce the installation costs associated with rack-mounted systems. However, the 1/3RU design enables simple integration into central equipment racks if desired.

ABOUT Stewart Audio
Since 1982, Stewart Audio’s singular focus has been making a difference in sound reinforcement. Our broad array of compact standard and network amplifiers span both analog and digital worlds. With a commitment to innovation and quality, we provide our customers with a unique combination of features from RS232 control to DSP in a compact package. Visit the company’s website at www.stewartaudio.com.
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Extron Now Shipping Compact Four Input Scaler

Extron Electronics is pleased to announce the immediate availability of the Extron IN1604 HD, an HDCP-compliant four input scaler that features three HDMI inputs, a universal analog video input, and an HDMI output. It is ideal for installation beneath conference tables and in lecterns to provide localized switching support for sources such as presenter devices. The IN1604 HD provides the convenience of fast and reliable switching, along with a high performance scaling engine for HDMI and analog video sources. Also included are a host of audio processing features and many versatile options for control. The IN1604 HD joins the recently available IN1604 DTP, which features an Extron DTP twisted pair output. more

Extron Introduces Single-Gang DTP Wallplate Transmitters for HDMI

Extron Electronics is pleased to introduce the DTP T HWP 231 D and DTP T HWP 331 D, single-gang Decora®-style transmitters for sending HDMI, audio, and bidirectional RS-232 and IR signals over a shielded CATx cable to Extron DTP-enabled products. The DTP T HWP 231 D extends signals up to 230 feet (70 meters), while the DTP T HWP 331 D extends signals up to 330 feet (100 meters). The one-gang form factor provides maximum space efficiency in wall mount, floor box, and furniture mount applications. The transmitters support computer video up to 2560×1600, HDTV 1080p/60 Deep Color, and 4K resolutions. Both models also accept analog stereo audio signals for simultaneous transmission over the same shielded twisted pair cable. They feature remote power capability, plus bidirectional RS-232 and IR pass-through for remote AV device control. The single-gang wall-mountable design of the DTP T HWP 231 D and DTP T HWP 331 D provides the convenience of placing input connections precisely where they are needed. more

Yamaha Commercial Audio Donates Live System To Nashville HS

Pearl-Cohn Entertainment Magnet High School in Nashville, Tennessee offers students the opportunity to learn through the lens of the entertainment industry with pathways in audio engineering, broadcasting, record industry, marketing, and image consulting. It is the only entertainment magnet high school in the country. The vision of Pearl-Cohn is to equip its students to realize and achieve their potential while committed to educate the whole person.

Bryan Lenox of Lenox Productions facilitated the arrangement with Yamaha, who in turn, enlisted the services of J Sound Services (Nashville) to add a new Yamaha CL1 Digital Audio Console and Rio 3208-D input/out box to its 413-seat auditorium. Yamaha IS and DXR speakers, and TXn amplifiers were also installed. J Sound Services specified the system for its easy operation by student volunteers. Auditorium productions at Pearl-Cohn can be anything from assemblies with announcements and presentations that include video to full-on theatrical events.

J Sound Services has had a lot of experience installing Yamaha Installation Series Speakers, so they were the obvious choice for the installation. “Once we understood the scope of the project, we determined a Yamaha MTX5D processor and DCPS wall-mount controller would also be required,” states Jason Spence, owner, J Sound Services. The design approach was based on the fact that there is limited acoustic treatment in the school auditorium. “It was important to minimize the amount of energy on the walls, says Spence.

Time was spent using Yamaha’s YS3 Sound System Simulator and EASE acoustic modeling software to focus the mid-high and subwoofer-arrays. Deployed end-fire arrays both in L-R and Center allow pattern control on how wide the throw would be in the room and also provides a Cardiod pattern measuring 12db down on stage behind the arrays. “By deploying the subs this way we have significantly reduced the low-end energy on the stage and what would have reflected off the walls in a typical Omni pattern, Spence adds. The room can easily handle and extends below 40Hz without the low-end building up, leaving the room also very articulate and musical. The house is nice and big with lots of sub. The design is very unique and it clearly looks different. The staff and Bryan Lenox were quite impressed with the results of the end-firing arrays.”

Lenox assisted in the set up and adjustments of the CL1. “The system sounds really good. The school had a unique need for a system that can handle intimate speaking all the way to low-end thumping Hip Hop music. And, this system definitely delivers. The CL1 is a great sounding console and one that the students can learn on in order to prepare for the real world so they can jump into any situation with confidence.”

The new auditorium’s multi-purpose system is all Dante connected with the Yamaha CL1 taking control of presets for theatrical productions using the consoles Nuendo Live software. Pearl-Cohn ran cat5 cable to their multi-track room to record the events taking place in auditorium. A.Cisco switch is used to network and import multi-tracking in studio. An old projection booth above the auditorium now has the capability of adding a Nuendo recording suite with infrastructure and cables already in place.

“Our students needed professional-class live production facilities in order to complete our vision to equip our students with real-world skills that will transfer to the marketplace or college when they graduate, states Sam Lorber, Instructional Designer at Pearl-Cohn. Thanks to Yamaha’s generous donation, these students will now be able to walk into any venue: club, church, college auditorium, or arena with a skill set advantage no other school can provide.” The principal commented on how she loves that she can touch one button and it just works.

J Sound Services also installed a Vivitek High-Definition 6K lumen projector with remote HDMI interface. To update the theatrical lighting system, JSS enlisted the consulting services of Chris Lisle Lighting Design and installed Elektralite LED PAR fixtures, Watson raceway and ElektraHazer, an Altman spotlight, and Chauvet Datastream; all of which integrated with the existing ETC dimmers. As part of the lighting system update the existing Fresnels and Lekos were reconditioned and focused.

J Sound Services also installed four Yamaha C115VA and two C112VA Club Series Speakers using a MTX3 processor and the same DCPS wall-mounted controller as in the auditorium. Spence said the system installed could be operated in the same manner, with a touch of a button, making it extremely simple and consistent for staff and students to operate the systems in either location.

For more information on Pearl-Cohn Entertainment Magnet High School, visit www.pearlcohnhs.mnps.org.

For more information on J Sound Services, visit www.jss.net.

For more information on Yamaha Commercial Audio products visit, www.yamahaca.com.

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