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Archive of the Education Category

Extron Announces New Compact Six Input Media Presentation Switcher

Extron Electronics is pleased to introduce the MPS 601, a compact six input, one output media presentation switcher for digital and analog sources. It offers four, HDCP-compliant HDMI inputs and two RGB video inputs with analog stereo audio. RGB video and analog audio are digitized and switched through the HDMI output. The MPS 601 features two Extron-exclusive technologies: EDID Minder, which maintains continuous EDID communication between connected devices; and Key Minder, which continuously authenticates and maintains HDCP encryption between input and output devices to ensure quick and reliable switching. more

Unique Yamaha AFC System Installed at Buffalo State

NEW YORK—SUNY College at Buffalo recently installed a Yamaha AFC (Active Field Control) system in its 200-seat Ciminelli Recital Hall. The recital hall, located within Rockwell Hall, has been designed to accommodate small ensemble and solo performances by students of the Music Department and research in multi-channel sound diffusion. Rockwell Hall is one of four of the original buildings encompassing Buffalo State and houses the departments of music and art conservation as well as an 850-seat performing arts center.

AVL Design of Penfield, N.Y. designed the initial system with installation assistance from subcontractor AV Solutions (Rochester, N.Y.). Boynton Pro Audio of Norwich, N.Y. provided the system components. Joe Rimstidt of Yamaha Commercial Audio Systems, Inc. and engineers from Yamaha Japan completed the final AFC design, and with assistance from colleague Steve Seable, completed system tuning in late August. Brian Wittmer, head of the College’s facilities department, functioned as project manager.

“The recital hall is located in a section of an existing building that had limited height, states AVL’s Seth Waltz. The room also expanded during design and became quite long. Room design was targeted to provide a diffuse sound field, but even with our best efforts, it was apparent from the models that the design would not allow extended low frequency warmth or good lateral energy in the back of the room due to the limited cubic volume and length of the space. The length of the room was also challenging, as we wanted the experience in the rear seats to mimic the front sections. The Yamaha AFC System was introduced to allow tuning for RT60 as well as added ER (early reflection) and lateral ER to the rear of the room, which would be missing due to the length.”

The AFC3 system designed specifically for the Ciminelli Recital Hall includes four permanent microphones, 38 speakers plus 2 subwoofers. Some of the speakers serve multiple purposes, being AFC speakers when in AFC mode, and being part of the hall’s 7.1 Surround system when in that mode. The original design included four AFC2 processors, but after the release of AFC3, the school opted to upgrade two of the AFC units to AFC3. In total, there are five AFC units, five IPA8200 amplifiers, three Dante cards, and one AD8HR mic preamp. The school was very interested in being able to route signals to individual speakers for their electronic music program so the Dante cards were added to the AFC units to allow them to route signals that would be mixed with the AFC signals and output to any of the individual AFC speakers they may select.

The complete system includes both an early reflection system and reverberation enhancement system. The two systems are intertwined so the 20 audience speakers can receive a mix of the ER and REV signals. On the stage/ performance area, there are six speakers on the sidewalls that receive ER signals only and 12 speakers overhead for the reverberation enhancement.
Several Yamaha DME (Digital Mixing Engine) units equipped with various MY cards facilitate an extensively flexible routing system enabling signal routing from various consoles or computers to the recording studio, the AFC speakers, or any of the speakers in the house surround system.

“This is no ordinary AFC3 system, states Tom Kostusiak, Production Manager for the Performing Arts Center who also teaches classes in sound recording and reinforcement for the Music Department. The recital hall is in a renovated art gallery space on the third floor of Rockwell Hall. The ceiling height was limited to 16 feet, so there was no way to achieve the “space” required to allow natural acoustics to occur.”

When not being used for its intended purpose (AFC), Kostusiak said they would have the ability to address each speaker independently over the Dante network designed by Yamaha. “This is going to allow our electronic music faculty to utilize the speakers as a 52.1 Surround mix system directly from Tomas Henriques’ (head of the Digital Music Program) computer as well as our Yamaha DM1000 or Avid SC48 consoles. In fact, we will be able to utilize multiple computers as well as both consoles as input devices feeding directly to any speaker in the room. In addition to the AFC3 system, we can also use the room as a 5.1, 6.1 or 7.1 mix room and, of course, the 52.1 configuration. The associated recording studio at Rockwell Hall allows the school to use the recital hall as a live room for sound recording classes as well.”

“We have given the Music Department access to each and every one of the speakers in the space, so they are composing for a multi-channel audio system.” said Mickey Ames, one of the project managers for AV Solutions. “You can isolate the clarinet in speaker 42 and the drums in speaker 10, for example, and that is what makes this particular installation so incredibly unique.”

The initial idea of converting the space to 52.1 developed out of a suggestion from Henriques. “The modification of Yamaha’s AFC system to allow the integration of all the speakers in the Ciminelli Recital Hall as a 52.1 surround system, effectively turns the hall into a unique space for research in sound diffusion as well as a performance venue for works that feature multi-channel sound, Henriques states. The 52.1 surround system will enable student composers to write film scores that use a high number of discrete output channels, a trend increasingly found in today’s movies. It will also provide the means for the Music Department to foster international conferences and colloquia in the area of sound diffusion, virtual acoustics and psychoacoustics.”

Buffalo State Music Department offers a minor in Digital Music Production with a track in Electronic Music Composition and a track in Sound Recording. This program also features a very sought after Digital Music Ensemble that uses state-of-the-art electronic instruments. The growing popularity of the minor is steering the department into offering a major and a Master’s degree in Music Technology. “The Ciminelli Hall with its 52.1 surround system is a great addition to the department’s facilities, one which will attract students nationwide,” adds Henriques. (For info on Henriques research in new electronic instruments visit http://www.youtube.com/watch?v=NEDAJY92gt4.)

“This is the first time we have incorporated the mixing of audio signals with the AFC signals for routing to the AFC speakers, enabling the music program to experiment with the very creative ideas they have for performances in the space,” notes Joe Rimstidt, Systems Design Engineer, Yamaha Commercial Audio Systems, Inc.

For more information on the Buffalo State Music Department, visit www.music.buffalostate.edu.

For more information on Yamaha AFC, visit web www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Screen Innovations Black Diamond Motorized is a Unique, Rollable Flat-Panel TV Alternative That Vanishes From Sight When Not in Use; Now Available in 2.35:1 Aspect Ratio up to 138” in Size

Design and décor-friendly flush and external mount options provide integrators the ability to add a large-format television that virtually disappears when not in use to any room, environment or space

AUSTIN, TX and DENVER, CO (CEDIA EXPO booth #3331) September 19, 2013 Screen Innovations (SI), a leading US-based manufacturer of projection screens and associated technologies, announced today that the company’s highly popular and newly-updated Black Diamond™ Motorized screen will be actively displayed for CEDIA EXPO 2013 attendees to witness firsthand. The recent recipient of several new enhancements, Black Diamond Motorized is now available in diagonal screen sizes up to 138” and can also now be configured with either a 16:9 or 2.35:1 aspect ratio with either flush or external mount, allowing integrators to specify the most appropriate screen for the job based on the type of content that will most often be viewed.

Featuring a truly unique motorized design utilizing SI’s proprietary Black Diamond award winning multi-directional ambient light rejection screen technology, Black Diamond Motorized is a sleek and sexy flat panel alternative that delivers stunning images yet disappears when not in use, making it ideal for virtually any environment, aesthetic or application. It has been installed in locations worldwide thus far, serving as a rollable TV that can enter and exit a space with ease. As such, there is no other product like Black Diamond Motorized on the market.

Utilizing one motor, four custom helixes, and a spool of slender aircraft cable, Black Diamond Motorized silently lowers a thin wing containing the rolled Black Diamond screen downward from a recessed ceiling-mounted cassette. The cable-hung wing then stops, and from it, a small tube quickly emerges and lowers itself down to an adjustable, pre-determined image height, leaving only the image space in sight. Because Black Diamond screens do not require masking or any black drop material whatsoever, there is no visible material above, below, or on either side of the screen surface, allowing the images projected on Black Diamond Motorized to appear as though they are suspended in air.

Now available in either 16:9 or 2.35:1 configurations, Black Diamond Motorized screens can be effectively used with ceilings that are up to 11 feet in height. 16:9 versions are available in 80”, 92”, 100”, 106” and 110” diagonal screen sizes, whereas the 2.35:1 versions are available in 110”, 120”, 132” and 138” diagonal sizes. Custom sizes will be made available in the future.

Unlike flat panel TVs, Black Diamond Motorized delivers zero glare and reflection when used in a bright environment, and by virtue of its industry-leading Black Diamond ambient light rejecting screen technology, light scatter is measurably reduced by over 75%. Delivering a next-level entertainment experience while literally disappearing into the room’s existing décor when not in use, Black Diamond Motorized appeals to the senses – and satisfies the needs of - a diverse audience in a variety of Commercial environments. Black Diamond Motorized is the ultimate blend of art + science.

Video: http://www.screeninnovations.com/projector-screens/motorized/black-diamond-motorized/

Those interested in learning how Black Diamond Motorized solves complex installation challenges and delivers next-level entertainment experiences for a wide range of residential and commercial applications are encouraged to contact Katye (McGregor) Bennett of KMB Communications to schedule time to meet with SI executives during CEDIA EXPO 2013 by emailing Katye@kmbcomm.com or calling (425) 328-8640.

For more information on the SI line, to find local area dealers, or to access screen calculators and other useful specification and ordering tools, visit www.screeninnovations.com or call (512) 832-6939.

About SI

Screen Innovations (SI) is a leading US-based manufacturer of projection screens and associated technologies for residential and commercial applications. Best known for Black Diamond™, the world’s first and only multi-directional ambient light rejection projection screen technology, SI has effectively revolutionized the two-piece projection category by pioneering and producing screens which deliver an unparalleled video image in either light or dark environments.

Sold at affordable price points and designed to blend flawlessly with surrounding décor, SI projection screens deliver stunning images and a fully immersive entertainment experience, rivaling or surpassing traditional displays. Operating under the principle that “No matter the budget, Screen Innovations has the best available screen solution to suit your needs,” SI produces a comprehensive assortment of screens and accessories for nearly any application.

More information about Screen Innovations can be obtained by visiting www.screeninnovations.com, e-mailing sales@screeninnovations.com, or by calling (512) 832-6939. Follow SI on Twitter @SIScreens, on Facebook at www.facebook.com/screeninnovations, and on Vimeo at www.vimeo.com/screeninnovations.

Screen Innovations Media Contact:

Katye (McGregor) Bennett

KMB Communications

E. Katye@kmbcomm.com

O. (406) 446-1283

C. (425) 328-8640

T. @katyemcgregor

W. www.kmbcomm.com

 

###ENDS

 

ALTINEX AV SOLUTIONS PROVIDE BACKBONE FOR NEW TRAINING FACILITY AT HORRY GEORGETOWN TECHNICAL COLLEGE

**** Photo: William Jacocks ****

Conway, SC – September 2013… With three campuses, Horry Georgetown Technical College is a leading South Carolina educational institution offering more than 80 associate degree, diploma, and certificate programs, as well as a diverse and rapidly-expanding list of corporate and business training options through its Workforce Development Division. To maintain its cutting-edge reputation, the college recently completed a state-of-the-art training facility at its Conway campus and, as part of the sophisticated setup that facilitates a wide range of signal access, conversion, and switching capabilities, the new space employs a variety of connectivity solutions from Brea, CA-based Altinex. more

API 1608 GRADUATES TO NUREMBERG UNIVERSITY OF MUSIC

NUREMBERG, GERMANY – SEPTEMBER 2013: The API 1608 serves as the perfect teaching tool in many interesting places in the world, and now, one can be found in Studio 214 at the Hochschule für Musik Nürnberg (Nuremberg University of Music). Here, creativity is the focus and hands-on experience is the goal. The equipment available to the students offers unequaled opportunities with both vintage and modern effects, all in a school that dates back to 1821.

The decision to purchase the 1608 came to fruition with the help of API’s German distributor Erwin Strich. Toni Hinterholzinger, head of the recording department, believed that the punchy and clear sound of the API preamps would make this the ideal learning tool for teaching classic recording techniques. Most of the recording projects are student-based, but on occasion, there are some commercial projects where students assist and often take part as musicians. Some who have recorded on the 1608 include Wolfgang Buck, Nevio, Johannes Ludwig, Tilmann Herpichböhm, Steffen Schorn, and Olivia Solner.

“This is, for sure, one of the best equipped rooms in Europe – a place where audio magic actually happens and sonic dreams come true!” said Hinterholzinger.

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

Matrox Monarch HD to be Featured at IBC2013

Award-winning streaming and recording appliance makes European debut

At IBC2013 (Amsterdam, Sept. 13-17, stand 7.B29), Matrox® Video will feature the new Matrox Monarch HD™ video streaming and recording appliance that received four important industry awards at the 2013 NAB Show. Monarch HD is designed for professional video producers who need to simultaneously stream a live event and record a mastering-quality version for post-event editing. It provides these two independent modes in an integrated unit. From any HDMI input source such as a camera or switcher, Matrox Monarch HD generates an H.264-encoded stream compliant with RTSP or RTMP protocol. While encoding the video at bitrates suitable for live streaming, Matrox Monarch HD simultaneously records a high-quality MP4 or MOV file to an SD card, a USB drive, or a network-mapped drive. Powerful and robust, Matrox Monarch HD is remotely controlled using any computer or mobile device with a web browser. It also offers simple, one-touch stream and record pushbuttons, low power consumption, a locking power connector, and a fanless design.

“Matrox Monarch is already being used for internet broadcasts from beta sites around the world and the feedback on the feature set has been uniformly positive,” said Daniel Maloney, technical marketing manager at Matrox. “This is the latest product that exemplifies what Matrox Video does best — provides high-quality, technologically-advanced tools for video professionals that combine multiple functions in a single cost-effective product.”

Price and availability
Priced at $995 US (€799, £699) not including local taxes and delivery, Matrox Monarch HD will be available worldwide by the end of September.

About Matrox Video
Matrox Video is a technology and market leader in the field of HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, streaming, A/V signal conversion, capture/playout servers, channel-in-a box systems and CGs. Matrox’s Emmy award-winning technology powers a full range of multi-screen content creation and delivery platforms used by broadcasters, telcos, cable operators, post-production facilities, videographers and A/V professionals worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/video.

PreSonus Supports LSU’s College of Engineering

Pledges $200,000 to Support Innovation in Audio Signal Processing and Digital Media

Jim Odom at LSU Engineering 01 copyBaton Rouge, LA – September 2013…  To support education and research in the Division of Electrical and Computer Engineering, PreSonus Audio Electronics has pledged $200,000 to establish a digital signal processing (DSP) laboratory.

DSP is a specialized branch of mathematics that performs analysis and processing of binary representations of analog signals. Advances in digital technology have enabled DSP systems to accomplish tasks inexpensively and efficiently that are difficult or impossible using analog technology. The DSP laboratory will provide LSU College of Engineering students a state-of-the-art environment for learning those skills required in industry settings.

“As a graduate of LSU Engineering and a Louisiana entrepreneur, I believe that investment in our home-grown technical workforce is essential in our efforts toward economic growth,” comments Jim Odom, co-founder, PreSonus. “Our intention for this grant is to assist LSU Engineering in becoming a top ten destination for technical education. The burgeoning industry of digital everything will require highly skilled and trained individuals, and LSU is perfectly positioned to meet this challenge.”

PreSonus, cofounded in 1995 by LSU electrical engineering alumni Jim Odom and Brian Smith, is one of the world’s leading manufacturers of audio electronics and software used in TV and radio broadcast, live-event sound reinforcement, and professional recording studios.

“Jim and Brian provide an exemplary case of entrepreneurial spirit present in LSU’s electrical and computer engineering graduates,” said Pratul Ajmera, interim chair, LSU Division of Electrical and Computer Engineering. “We thank PreSonus for this significant investment that enhances our educational program and helps us produce world-class graduates competitive in the digital media and digital audio industries.”

A global company, PreSonus is an active recruiter of LSU students for both internships and post-graduation employment. Currently, an estimated 16 LSU alumni are employed there, including 7 engineers.

Jim Odom at LSU Engineering 02 copy PreSonus CEO Jim Mack, “We are committed to supporting LSU in their efforts and believe that keeping the curricula current and in sync with industry will support the near- and long-term strategic needs of not only the university, but the community as a whole.”

Headquartered in Baton Rouge, Louisiana, PreSonus currently has a staff of 122, with additional offices in Ireland, Hamburg, and Hong Kong. The company is currently building a new 43,000-square-foot headquarters and R&D facility in Baton Rouge.

LSU’s ECE Division currently enrolls 350 undergraduate students and 102 graduate students. During the past five years, the division has, on average, granted more than 80 bachelor’s degrees, 25 master’s degrees, and more than five PhD degrees annually.

###

 About PreSonus

Founded in 1995, PreSonus Audio Electronics, Inc., is a leading designer and manufacturer of audio-recording and live-sound software, hardware, and related accessories. PreSonus’s software, microphone preamps, signal processors, digital audio interfaces, digital mixers, control surfaces, loudspeakers, and other products are used worldwide for recording, sound reinforcement, broadcast, sound design, and Internet audio.

BLASTED AROUND THE CLOCK BY SALT AIR DANLEY OS-80 HIGH-FIDELITY WEATHERPROOF SPEAKERS DELIVER SONIC CLARITY AT NEW TEXAS A&M UNIVERSITY-CORPUS CHRISTI OUTDOOR STADIUM

CORPUS CHRISTI, TEXAS – SEPTEMBER 2013: Texas A&M University-Corpus Christi is situated on Ward Island, braced on one side by Oso Bay and on the other side by Corpus Christi Bay. With some of the highest average wind speeds in the nation, the entire campus possesses a maritime atmosphere (read: “salty sea spray air, 24/7”) that inspired the nickname for its students: Islanders. Thus, when it came time to specify loudspeakers that would remain outside around the clock at the new $9 million Dugan Family Soccer and Track Stadium, A/V design firm Anthony James Partners specified Danley Sound Labs’ new OS-80 loudspeaker. The OS-80 delivers the exceptional fidelity and pattern control that are the hallmarks of Tom Danley’s innovative loudspeaker designs in a fully-weatherproof housing.

Anthony James Partners was asked to join the project only a few months before it was slated for completion – a very tight time frame – and to make matters tighter, no one bid on the design. For many years prior, the Corpus Christi branch of Network Cabling Services had worked successfully with the university on its networking infrastructure, and when the university learned that Network Cabling Services had an A/V team at another branch office, it saw the solution to its installation dilemma. “We walked the stadium in late June and the project had an August 1st deadline for completion,” explained James Daniels, systems integrator with Network Cabling Services. “It was a super tight timeline, and Danley Sound Labs came through – as they always do – on time.”

The Danley OS-80 shares the same patented Synergy Horn technology of Danley’s SH-Series loudspeakers, which gives it an even frequency and phase response, tight pattern control, seamless array-ability, and vastly improved clarity and intelligibility over conventional designs. In addition, the OS-80 is engineered to function without compromise in driving rain, freezing cold, and, most germane here, maritime air. “The Danley OS-80 is sealed up tight,” said Daniels, who took one apart. “There’s an O-ring at the split, and there’s no other place where moisture can get in. That’s critical on Ward Island, where these loudspeakers will be berated by salty wind 18 out of every 24 hours, year in and year out.”

The design features ten Danley OS-80s. Four OS-80s hang side-by-side on the press box to cover the main grandstand, which seats approximately 750. Two more OS-80s hang off the side of the press box in a near-field/far-field configuration to cover a gathering area. Two OS-80s hang off the field house in a near-field/far-field configuration to cover the long jump and pole-vault area. And the final pair was made to be a portable rig that could be set up and integrated for different occasions and specific areas that were not covered by the installed sound system. “The system is spread out, with each loudspeaker covering specific areas,” said Daniels. “To do it any other way would have risked noise pollution at adjacent buildings and facilities.”

Inputs to the system include three field boxes, each with four microphone inputs and two communications inputs, along with press box microphones and audio playback devices. The inputs feed a patch panel and a 16-channel Allen & Heath MixWizard analog console. The console outputs to a QSC Q-Sys Core 250i DSP system. QSC PL-Series and CX-Series amplifiers power the system. “Strictly speaking, the Danley OS-80s are not being powered up to their program rating,” said Daniels. “We just didn’t need to project as far as they’re capable of. Nevertheless, the system sounds incredible – the intelligibility and clarity are phenomenal. We performed a test with a wireless microphone. We were about 650 feet away and the time delay meant that we were halfway through a sentence when it came back to us. We could hear and understand everything perfectly. It was crystal clear.” And this, from a fully-weatherized loudspeaker!

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

New Christie MicroTiles S310 Screen Featuring 0.7 Millimeter Seams Now Shipping

Four years after initial product launch, Christie® MicroTiles® continue to captivate audiences with high resolution, high brightness displays that bring digital content to life in rich, vivid colors. Now, Christie has taken another step forward in near seamless video walls by offering a new screen option for its multiple award-winning technology: the Christie MicroTiles S310 screen.

Christie MicroTiles S310 screen features 0.7-millimeter seams


Featuring the same optical performance and construction as the S300, the Christie MicroTiles S310 screen is slightly larger and features 0.7-millimeter seams (compared to 1.3-millimeter seams for the S300). The S310 operating temperature range is 5 degrees Celsius (41 degrees Fahrenheit) to 35 degrees Celsius (95 degrees Fahrenheit). Just like the S300 screen option, the Christie MicroTiles S310 screen delivers excellent contrast with deeper blacks and image uniformity in even the most demanding indoor high ambient light environments.

“With its near seamless appearance, the new Christie MicroTiles S310 screen provides an even more lifelike visual experience – and creates an even more natural touch interface when Christie MicroTiles are coupled with the Christie Interactivity Kit,” said Richard Heslett, senior product manager, Christie. “For applications such as broadcast sets, control rooms, and high-profile lobby, corporate or retail signage where the tightest possible seams are necessary, the Christie MicroTiles S310 screen is the clear choice.”

Christie Interactivity Kit provides the creative flexibility to incorporate multipoint touch interactivity into large-format digital displays and allows multiple users to interact simultaneously with content on Christie MicroTiles or any large-format video wall.

With a much wider color palette than conventional LCD and plasma displays, Christie MicroTiles display pure, saturated, accurate colors, making them ideal for public spaces. The modular display technology can be configured into nearly any shape and size to create an eye-catching digital canvas.

The Christie MicroTiles S310 screen is now shipping.

Extron Scaling Receiver for XTP Systems Now Shipping

Extron Electronics is pleased to announce the immediate availability of the XTP SR HDMI, an HDCP-compliant scaling receiver that accepts HDMI, DVI, RGB, HD component video, and standard definition video signals from XTP devices. The receiver provides selectable output rates up to 1920×1200, including HDTV 1080p/60 and 2K, to scale the video to the optimal output resolution for the display. In addition to high performance video, it accepts audio, bidirectional RS-232 and IR, and Ethernet for transmission up to 330 feet (100 m) over a single CATx cable. Its many integrator-friendly features, including Key Minder, EDID Minder, picture controls, on-screen menus, audio controls, and internal test patterns, help streamline installation. The features and capabilities of the XTP SR HDMI make it ideal for XTP Systems that require precise and reliable scaling of video to digital displays. more

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