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D-TOOLS SIX 2013 ADDS SIGNIFICANT NEW FEATURES and FUNCTIONALITY THAT MAXIMIZE SYSTEMS INTEGRATOR OPERATIONAL EFFICIENCIES

 

 

FOR IMMEDIATE RELEASE

 

D-TOOLS SIX 2013 ADDS SIGNIFICANT NEW FEATURES and FUNCTIONALITY THAT MAXIMIZE SYSTEMS INTEGRATOR OPERATIONAL EFFICIENCIES

Productivity and performance enhancements to the award-winning software platform now available to current SI users as part of D-Tools’ shift to annual product release cycle

CONCORD, CA – AUGUST 8, 2013 — D-Tools, Inc., the worldwide leader in system integration software, today announced a major new release of its flagship software platform, SIX 2013. Available now to integrators worldwide, this new release adds valuable productivity features and enhancements that enable Commercial and Residential AV integrators to both streamline business processes and increase profitability while simultaneously reducing overhead. Delivering on D-Tools’ commitment to streamlining product updates and enhancements by consolidating them into an annual release, SIX 2013 delivers timely software updates for customers participating in the D-Tools Software Assurance program.

Building on the new architecture of the System Integrator platform, SIX 2013 makes it faster and easier than ever to perform key functions of an integrator’s business – estimation, system design, and project management. Moreover, SIX 2013 offers improvements in virtually every functional area including data and project management, QuickBooks and third-party integrations, mobile connectivity, as well as a major upgrade in the software’s drawing capabilities. The application delivers a powerful yet easy to use solution that positively effects – and thereby improves – all areas of an integrator’s business.

“The SIX platform was conceived and designed with the ever-changing needs of the market and our customers in mind,” said Corey Krehel, CTO of D-Tools. “The result is a robust yet simple to use solution that enables us to deploy new features as part of rapid and regular release cycles. Our Software Assurance customers will realize the added benefit of receiving new features as they are completed throughout the year, and we will make annual updates available to the rest of our user base through a more traditional upgrade process.”

D-Tools SIX 2013 includes the following new features and enhancements:

  • Product Catalog:
    • User-configurable pricing levels have been expanded
    • Create Price Rules across pricing levels
    • Find products and accessories used and replace
  • Projects:
    • Compare with Catalog
    • Split Bulk Wire for specific runs
  • Drawing enhancements:
    • Add Product Tree to Visio and AutoCAD
    • Shape Tree improvements
    • Shape and Block settings: Assign shapes to category types, categories, and products
    • Store and apply shape properties to individual products or categories
    • Support for AutoCAD 2014
    • AutoCAD – insert drawing pages
    • Visio – Elevation and Plan Shape improvements
    • Visio – Finish Wire with Graphic Line Ends
    • Visio – Custom mouse-over text on Visio Shapes
  • Calendar improvements:
    • My Calendar and Team Calendar
    • Project Calendar & Service Order Calendar
  • Foreign Currency in reports at specified exchange rates
  • QuickBooks Integration improvements:
    • Export to QuickBooks Purchase Order from Project Editor
    • Add to an existing QuickBooks Estimate from Project Editor

More than 4,400 companies worldwide use D-Tools Systems Integrator Software to streamline the estimation, design, and project management processes associated with the installation and integration of low voltage systems. To learn more, please visit www.d-tools.com. Click here to visit the all-new SIX Wiki and here to visit the “Getting Started with SIX” videos.

About D-Tools, Inc.

D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software. The company’s flagship product, System Integrator™ (SI), is a total design solution that utilizes Autodesk® AutoCAD and Microsoft® Visio for comprehensive system design, documentation and project management. D-Tools SI allows residential and commercial integrators to streamline their business processes to increase overall revenues while reducing the time and costs associated with the installation and integration of low-voltage systems. Over 4,400 leading companies use D-Tools software to reduce time and costs and streamline the system integration process. D-Tools is a three time recipient of the Consumer Electronics Association’s Mark of Excellence Award, Commercial Integrator BEST Award (2011, 2013), multiple recipient of Custom Retailer’s Excite Award (2007,2008,2009,2010,2011,2012), Multi-Room Audio Video Awards – Best Installation Aid, National Systems Contractors Association, Sound and Video Contractor’s Innovations in Technology for Business Productivity Award and CE Pro’s High Impact Award for Design Software.

More information can be obtained by calling (866) 386-6571, e-mailing info@d-tools.com, or visiting D-Tools online at www.d-tools.com. Follow D-Tools on Twitter at www.twitter.com/DTools and on Facebook at www.facebook.com/beatool.

 

D-Tools Press Contacts: 

Tim Bigoness

D-Tools, Inc.

(925) 270-4102

timb@d-tools.com

www.d-tools.com

 

Katye (McGregor) Bennett

KMB Communications

(425) 328-8640

katye@kmbcomm.com

www.kmbcomm.com

  

 

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SIX DANLEY GENESIS HORNS AND FOUR DANLEY SUBS DELIVER FLEXIBILITY  AND UNPARALLELED PATTERN CONTROL TO OLIVET NAZARENE UNIVERSITY’S NEW STUDENT LIFE AND RECREATION CENTER

BOURBONNAIS, ILLINOIS: Located an hour south of Chicago in Bourbonnais, Illinois, Olivet Nazarene University serves over 4,500 undergraduate and postgraduate students. In order to support the campus community and to promote student health and wellness, the university recently completed construction on the new Student Life and Recreation Center. Among many other amenities (including a four-story climbing wall!) the new facility features a 72,000 square-foot field house with four full basketball courts ringed by a running track. Olivet Nazarene University plans to eventually use the space for concerts, ceremonies, and other large events in addition to its day-to-day activities. With that goal in mind, the field house sound reinforcement system is a high-powered combination of Danley Sound Labs GH-60 Genesis Horns (with SH-100 loudspeakers for fill) paired with Danley TH-118 subwoofers which are configured in a steered cardioid array.

AVI Systems, of Bensenville, Illinois, designed and installed the system with significant design and commissioning assistance from Johnson AV Engineering of Chicago. The Assistant Director of Audio and Lighting Production, Matt Steinacker already had their heart set on the sound of the Danley GH-60 Genesis Horn,” explained Aaron Johnson, president and principal engineer at Johnson AV Engineering. “AVI brought us on board based on our prior experience with Danley systems. I agreed with their choice. The GH-60 sounds great and, like all Danley boxes, exhibits excellent pattern control. Good pattern control was essential to keep direct energy off of the walls as much as possible.”

The system they arrived at uses six Danley GH-60 Genesis Horns in two groups of three arrayed in a ring at the center of the field house. A Danley SH-100 provides down-fill below each cluster of GH-60s. Depending on the configuration of the room, the university’s A/V staff can use the entire ring of loudspeakers for full 360-degree coverage or they can split the ring in half and use only one side or the other. A line of ten additional Danley SH-100s cover the bleachers along one side of the room.

Initial acoustic models of the space suggested the room would have a very long reverb time. Johnson knew that it would be essential to control the low-frequency energy. To that end, he worked with Danley Sound Labs’ DDT 2D modeling software to design a steered cardioid subwoofer array whose pattern would approximately match the coverage pattern of the GH-60 Genesis Horns. He used two hangs of two Danley TH-118 subwoofers each. Each TH-118 is separately processed and powered, and the net effect delivers low-frequency energy centered at 60Hz in a ring which is steered down towards the floor with very little LF energy radiating up towards the ceiling. When only half the space is used and the GH-60 Genesis Horn ring is cut in half, the subwoofer array can also be cut in half to focus low-frequency energy in the appropriate direction.

Biamp Audio DSP provides all of the system processing, with Lab.gruppen C-series amplifiers providing the power to the Danley loudspeakers and subwoofers. AVI designed the system so that the main GH-60s, the downfill SH-100s, the bleacher SH-100s, and the subwoofers are all capable of independent control. For daily use, a Crestron control system provides intuitive input selection and volume control.

“The reverb time turned out to be close to 5.5 seconds,” said Johnson. “That’s very long, but with the high directivity of the Danley loudspeakers and the subwoofer array, the direct-to-reflected ratio is really good. The original plan called for acoustic treatment, but when the school officials heard the installed system and considered their budgetary priorities, they opted to forestall the acoustic treatment. It’s really to Danley’s credit – a less controlled system would have required significant acoustic treatment just to sound passable.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

SYMETRIX SYMNET SOLUS 8 OPEN ARCHITECTURE, FIXED I/O DSP GIVES BACKSTAGE PERFORMANCE AT THE UNIVERSITY OF DUBUQUE

DUBUQUE, IOWA: Located in the city of the same name, the University of Dubuque is a private Presbyterian university in Iowa that educates 1,600 undergraduate and graduate students. The school recently finished construction on its new Performing Arts and Campus Center, which features a 1000-seat performance hall and a flexible black box theater that can be arranged to seat anywhere between a twenty- and two hundred-member audience. A flexible backstage paging system centered on a single Symetrix SymNet Solus 8 open architecture, fixed I/O DSP paired with four Symetrix ARC-2e wall panel remotes provides exceptional functionality on a very tight budget.

Threshold Acoustics (Chicago, Illinois) designed the FOH and backstage sound reinforcement systems, and Professional Audio Designs (Milwaukee, Wisconsin) installed them. “This was a challenging project because the building itself ran over budget and the university was forced to make deep cuts elsewhere,” explained Kim Leonard, president of Professional Audio Designs and a Dubuque native. “We worked with Threshold Acoustics to value engineer the system to about half the cost, with as little reduction in functionality, performance, and reliability as possible.”

The auditorium, which will host lectures, ceremonies, dramatic productions, musical productions, and concerts, as well as religious services, features an Allen & Heath iLive console at FOH, with QSC amplification and EAW loudspeakers and subwoofers. The black box theater, which has abundant infrastructure to allow stage positioning in any cardinal direction, as well as theater in the round, features a smaller version of the auditorium’s FOH system. Although there were savings to be found in the FOH systems by a careful reconsideration of the design, savings elsewhere would spare as much of the original FOH design as possible.

The backstage paging system can be shared between the two spaces, or it can be separated. Each venue has its own portable stage manager console, which includes a Symetrix ARC-2e wall panel remote that allows simple push-button user control over page destination. Two additional ARC-2e, located at the tech table position and at the FOH mix position, provide paging system communication. The Symetrix SymNet Solus 8 DSP collects the microphone inputs from those locations, performs the necessary output matrixing as determined by the ARC-2e wall panel remotes, and provides input- and loudspeaker-conditioning to maximize intelligibility. QSC amplifiers power 70-volt Atlas loudspeakers.

“With configurable open architecture programming, the Symetrix SymNet Solus 8 DSP is very flexible and yet also cost-effective,” said Leonard. “It provides a uniform paging environment throughout the facility with all of the intuitive functionality we needed. It allowed us to work within the revised budget without sacrificing performance or reliability.”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

UNIVERSITY OF MICHIGAN’S DUDERSTADT MULTIMEDIA CENTER NOW FLUSH WITH API ANALOG CONSOLES

ANN ARBOR, MICHIGAN: The Duderstadt Center on the University of Michigan campus is a unique facility, not only because it is outfitted with three API consoles. In addition to housing libraries for the Art, Architecture, and Engineering programs and various computing facilities, the Duderstadt Center also houses the Digital Media Commons, which now includes three audio creation, recording, and production rooms designed by Walters-Storyk Design Group. Two of the rooms are recent additions and, in conjunction with the original Audio Studio’s 48-channel API Vision console, feature a 32-channel API Vision console and a 16-channel API 1608. As one might expect, the sophisticated, yet easy to navigate, rooms are used for art, music, and recording classes and provide students with first-hand experience in professional facilities. Importantly, any University of Michigan faculty member, staff member, or student can receive training on the use of the Duderstadt Center facilities and then use those facilities for any purpose whatsoever, school-related or not.

“The Duderstadt Center functions more like a lab than it does a classroom or a commercial studio,” explained David Greenspan, managing producer, University of Michigan. “We complement the audio facilities with video production resources, including computer animation workstations, a video capture studio, and editing suites. Users can take their video projects directly into the audio rooms. We were careful to design the whole facility in a way that would effectively flatten the learning curve. We would much rather have our users creating inspired art than worrying about which buttons to push. Because all three audio rooms use API consoles, users can [easily] move between them.”

The smallest of the three rooms is lovingly referred to as EMS A, short for Electronic Music Studio A. It is organized around the API 1608 console, which features slots for any 500-series modular processor. EMS A employs that flexibility to offer users three flavors of compression in dual-channel pairs: two API 525s, two API 527s, and two Pendulum Audio OCL-500s. Monitoring uses a 5.1 combination of Adam full-frequency loudspeakers and Genelec subwoofers. The larger EMS B is organized around the 32-channel API Vision console, which was custom built by API to deliver either 7.1 or 8.0 surround sound via Genelec 1037 loudspeakers and subs. Comprehensive networking between EMS A, EMS B, and the original Audio Studio’s 48-channel Vision allow sharing of resources – and even synchrony for large and involved productions.

When deciding what consoles to install in the new rooms, many factors came into play. “First, I wanted to protect the University of Michigan’s investment,” said Greenspan. “Signal flow is signal flow, whether you’re working with an analog console or a digital console. But digital protocols change, and I couldn’t promise the provost that a digital console we installed today would still be relevant twenty years from now. With an analog heart, we can be flexible and stay current with the evolving digital technologies that surround it.”

Given the Duderstadt Center’s positive experience with the original API Vision console, Greenspan was inclined to fill the new rooms with API consoles as well. “When they go out of warranty, it will be less expensive to maintain a single manufacturer than it would be to maintain multiple manufacturers,” he said. “But it also makes the training less onerous and the transition from room to room much easier. That sounded like the most inspiring approach to take.”

ABOUT API (AUTOMATED PROCESSES, INC.)
Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

ST. JOHN’S UNIVERSITY WELCOMES STUDENTS WITH SYMETRIX

NEW YORK, NEW YORK: St. John’s University in New York City is one of the world’s leading Catholic institutions of higher education and serves over 20,000 undergraduate and graduate students. Welcoming prospective students and introducing them to all that St. John’s has to offer is a tremendous undertaking. To put its best foot forward, the university recently updated its welcome center. Included in that update is new A/V presentation technology underpinned by a standalone Symetrix SymNet Solus 16 open-architecture DSP. Shadowbox Design Management of Hicksville, New York designed and installed the new system.

“The school wanted to invest in newer presentation technology to create a good impression for prospective students and for new students,” said Joseph Ondrek, vice president of Shadowbox Design Management. “Moreover, they wanted to make the presenters’ jobs easier.” Inputs to the system include a Denon Blu-ray/DVD player with RS-232 control, a satellite TV feed, a permanent lectern computer, an auxiliary laptop computer jack, two Sennheiser wireless microphones, and a permanent podium microphone. Two Sharp 80-inch LED monitors with independent output via a Kramer 4×4 HDMI matrix switcher complete the video portion of the system.

The audio inputs feed a Symetrix SymNet Solus 16 standalone open-architecture DSP, which features sixteen inputs, eight outputs, and flexible third-party control options. Shadowbox programmed the Solus 16 to use a gain-sharing auto-mixer for the three microphones, which provides a well-balanced output volume regardless of differences in voice volume or mic technique, as well as robust feedback protection. “The Solus 16 has plenty of inputs for this system, which includes a number of stereo input sources,” said Ondrek. “There’s still room for future expansion if the school chooses to add additional devices. Its open architecture software allowed us to tailor the functionality, and its comprehensive RS-232 controls allowed for easy integration with a third-party controller from RTI. Of course, Symetrix always delivers dependable processors, and that was an important consideration too.”

An RTI RK3V 3.5-inch color touchscreen controller permanently mounted to the presenter’s lectern allows independent source selection for video and audio, as well as individual volume and overall volume control. Users can also use an Apple iPad to wirelessly control the system from anywhere in the room. An RTI XP-6 central control processor is the cornerstone of the user control system. “The ability for the Solus 16 to respond to RS-232 commands was perfect for this installation,” said Ondrek. “Our experienced RTI programmer set up the system to create a user interface that allowed the university staff to get the most functionality in the quickest and simplest way. Any questions we had were addressed quickly by Ryan Curtright and the other Symetrix techs that we spoke with.”

A four-channel QSC CX-204V 70-volt amplifier powers twelve QSC AD-C152ST-WH shallow-mount, full-range ceiling speakers and four QSC AD-C81Tw flush-mount ceiling subwoofers. Both the full-range loudspeakers and the subwoofers are divided into true stereo to retain the full life and vitality of media-supplied audio. “This is a fairly large number of speakers in a relatively small space, and it allows the volume to be kept at a lower level by distributing the sound throughout the listening area,” said Ondrek. “As a result, adjacent office and meeting spaces remain quieter than they would if we had used fewer speakers with greater individual volume.” The Solus 16 DSP routes all microphones through the full-range loudspeakers only, whereas program audio is also routed through the subwoofers.

In addition to the main output, the SymNet Solus 16 also generates a separate audio mix as an auxiliary feed. That feed can be used to record a presentation or for overflow into an adjoining room. Although the microphone mute toggles and program audio source selection made via the in-room controllers are duplicated in the auxiliary audio mix, their levels may be independently controlled if so desired.

ABOUT SYMETRIX
Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.

For more information on Symetrix products visit www.symetrix.co

FULL SAIL UNIVERSITY INSTALLS 64-CHANNEL API VISION CONSOLE FOR RECORDING ARTS ACADEMIC PROGRAM

WINTER PARK, FLORIDA: Full Sail University’s Studio B is now the official home of a 64-channel API Vision console. The console will be the centerpiece of the university’s Recording Arts Academic Program. After a rigorous process, Full Sail’s new Vision eventually became the console of choice, primarily due to its distinct analog sound and highly teachable signal path. Installed on January 2nd, Full Sail has completely integrated the console into its Academic Program and is more than pleased with this next level of professional gear offered to students.

“We are excited to have the API Vision Console installed into one of our on-campus studios,” said Darren Schneider, advanced session recording course director at Full Sail University. “This addition to campus provides another opportunity to work on a professional platform and prepares them with knowledge of the technology they will encounter when pursuing careers in the music industry.”

Founded more than thirty years ago, Full Sail University, according to Rolling Stone Magazine, offers one of the top five best music programs in the country and is home to over 18,000 students from all over the world. “We’re honored to have an API console at such a prestigious educational facility,” API President Larry Droppa commented. “Students enrolled in the Recording Arts program learn all aspects of console technique and we’re convinced API products are an excellent way to both teach and understand signal path and signal flow.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

SYMETRIX SYMNET RADIUS DANTE NETWORK AUDIO DSP BRINGS ATLANTA HISTORY CENTER INTO THE 21ST CENTURY

ATLANTA, GEORGIA: The Atlanta History Center (AHC), which was founded in 1926, is in a period of tremendous growth. Its mission to link people, history, and culture through innovative programming connects with 228,000 visitors, including 60,000 school children, every year. In order to accommodate an expanding membership, increasing visitor base and a broadening range of programs, AHC increasingly relied on the 400-seat Woodruff Auditorium that was constructed in 1975. Although minor upgrades to the audio/visual system had taken place over the years, the facility was still using some of the original 1970s vintage equipment – components that were themselves becoming historical artifacts.

“In today’s constantly evolving world of technology, we must be able to connect our visitors with history through a variety of methods, not just traditional exhibitions and displays,” said Hillary Hardwick, vice president of marketing communications with AHC. “We must adapt our methods to meet the current and future needs of our diverse and growing audience, and having the right technology plays a significant role in how we deliver innovative programming.”

AHC consulted with Rogers Dixson, president and owner of Atlanta’s Cape Dixson Associates Incorporated (CDAI). In addition to having worked on a number of exhibits and new facilities over the years, CDAI had consulted on a significant renovation to the Woodruff Auditorium’s acoustics a number of years before.

CDAI first reviewed AHC’s system requirements with Jackson McQuigg, AHC’s vice president of properties. These requirements include AHC’s historical theatre program as well as a wide range of lectures, presentations, and other types of events being held in the Auditorium. CDAI and AHC concluded that to accommodate AHCs new and expanding requirements, a comprehensive replacement of the existing audio/visual and stage lighting systems was needed. The Atlanta History Center was able to undertake this project thanks to a grant from The Goizueta Foundation, but the use of grant funds meant that the project team had to make every dollar count.

CDAI realized that, while modern technologies existed that would meet AHC’s needs, the budget posed several challenges to the project team. CDAI proposed that AHC consider a different approach for the project. CDAI brought in Sound Design & Innovation (SDI), a new audio/visual system integration company started by Aaron Catlin, a former CDAI employee. “It was interesting the way the project evolved into a collaboration between CDAI, SDI and AHC,” explained Dixson. “I think the critical component that made this approach work was the high degree of mutual trust and respect between all three parties.”

A number of outstanding products were considered for the project but all of the original options posed challenges for the tight budget. Ultimately, the team decided on Symetrix’ Radius 12×8 Dante network audio DSP as the best “fit” for the project. The key element of the Symetrix system is Dante audio networking protocol, for which SDI wired the facility with CAT6 cabling.

“The Symetrix SymNet Radius 12×8 DSP is the cornerstone of the system; without it, a system with these capabilities would not have been possible within the budget constraints. When Symetrix announced the release of the Radius 12×8 DSP it was like the heavens opened up and smiled on us,” said Catlin.

The Symetrix Radius 12×8 has a powerful open-architecture DSP. It is fully and reliably controllable from a third-party application and its I/O is flexible and expandable for the future via the Dante network. In this installation it’s handling all of the processing for the main auditorium and the two overflow rooms, including room combining, but we’re only using about twenty percent of its DSP horsepower. Because the whole place is now wired with CAT6, AHC can easily expand or bring in additional Dante-compatible equipment for larger events.”

Bose digital amplifiers power a pair of discrete three element Bose column arrays and subwoofers that, in combination with the CDAI-designed acoustical environment, provide an amazing sound quality improvement in the space. “We set up a demonstration of the Bose system for AHC and the decision to use it was made on the spot,” says Dixson.

Six new Shure ULX-D series wireless microphones provide the workhorse, day-in-day-out inputs to the system. “Because AHC is in the Buckhead area of Atlanta – an area that can be an RF interference nightmare – I was glad to have Shure’s new Dante-based system to provide a reliable front end,” said Catlin. Outputs from video players, microphones from two overflow event rooms, and a stage box comprise the remaining inputs to the system. Since they interface seamlessly into a Dante network, the Shure system is fully available for processing and matrixing within the Symetrix Radius 12×8 DSP and doesn’t use any of its twelve physical inputs.

A Key Digital® Compass Control® system provides iPad and iPod-based touch control of every aspect of the room’s functionality. It controls a new Digital Projection E-Vision 8000 lumen Video Projector, new DMX controlled stage lighting, the existing stage curtains, the projection screen, and a variety of music and video playback devices. It also integrates with the Symetrix SymNet Radius 12×8 DSP to control room combining, input selection, volume, and other relevant system controls.

“With this new technology, we can deliver high-quality programs that will engage a broader audience. It allows us to explore the ways in which we convey history – whether through lectures, music series, film series, our newly-launched museum theater performances, and a variety of other types of event,” said Hardwick. “This system was not only conceived and designed to meet AHC’s needs for a long time to come, it brings AHC into the 21st Century, where a cutting-edge history center belongs,” Catlin concluded.

ABOUT SYMETRIX Symetrix engineers high-end professional audio solutions, specializing in DSP hardware and software. Symetrix products are distributed worldwide, and designed and manufactured in the U.S. at the Seattle area headquarters. Since 1976, customers have enjoyed the benefits of Symetrix’ independent ownership and management.  For more information on Symetrix professional audio products, please visit www.symetrix.co or call +1 (425) 778-7728.

Extron Now Shipping New Three Input HDMI & VGA Switcher with Integrated Fiber Optic Transmitter

Extron Electronics is pleased to announce the immediate availability of the new FOX T USW 103, a three input switcher with an integrated fiber optic transmitter for long haul transmission of HDCP-compliant HDMI, RGBHV, or HD component video, stereo audio, and RS-232 control signals over fiber optic cabling. Engineered for reliability and exceptional high resolution image performance, this three input switcher uses Extron all-digital technology to provide pixel-for-pixel performance with signals up to 1920×1200, including HDTV 1080p/60. Analog AV input signals are digitized to ensure that a high quality signal is transmitted to the final destination. To streamline installation and system operation, the FOX T USW 103 includes integration-friendly features such as EDID Minder, Key Minder, audio embedding, auto-input switching, RS-232 control, and real-time system monitoring. The compact, low profile FOX T USW 103 allows for discreet installation such as beneath a table or in a lectern. more

Iconyx Makes a Difference in Holy Cross’ Hogan Ballroom

Worcester, MA – August 2013….. The Boston metropolitan area is home to a number of colleges and universities rich in history and tradition. Among them, College of the Holy Cross stands out as one of the first Roman Catholic colleges in the region, if not the entire country. Its alumni include US Supreme Court Justice Clarence Thomas, NBC’s Chris Matthews, and LSD pioneer Timothy Leary.

The College’s Hogan Ballroom hosts a wide range of events, from regional theater and dance performances to high-profile public speaking engagements. As Jesse Anderson, Director of Audio Visual Services explains, the room has always been a problematic acoustical space.

“It’s a large space with some very reflective surfaces, and spoken word intelligibility has always been a challenge,” says Anderson. “Last year we had (Supreme Court Justice) Clarence Thomas in to give an address, and we had to rent a PA system. That was when we decided it was time to address the issue.” 

Working with Tom Oriola from the Boston offices of AV contractors AVI-SPL and Rich Trombitas of Cardone, Solomon and Associates, the College installed a system based around a pair of Iconyx IC8R-II digitally steerable column array loudspeakers. The system was commissioned by Trombitas just in time to make its debut with Massachusetts Senator John Kerry, making his farewell tour upon being appointed to the office of Secretary of State. 

“We selected the Iconyx primarily for its intelligibility, but it has already proven itself on several musical performances as well,” Anderson reports. “It has enabled us to steer the sound away from the floor and walls and other reflective surfaces, and direct it into the audience where it needs to be. Iconyx has made a tremendous difference for the Hogan Ballroom.” 

 

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Extron Now Shipping New Market-Leading Speaker Innovation for Suspended Ceilings

Extron Electronics is pleased to announce the immediate availability of the SpeedMount Ceiling Speaker System, a patented low profile, plenum rated two-piece ceiling tile speaker system for division-of-labor installations. The CS 1226T SpeedMount speaker system features the newest speaker innovation from Extron, a unique design that greatly simplifies ceiling speaker installation and delivers significant time and cost savings. The two-piece system consists of the CS 120P plenum rated enclosure and a CS 26T two-way speaker cartridge. A low-voltage contractor places the CS 120P enclosure directly on the ceiling grid without the need for a tile bridge, C-ring, or tile rails. Signal wiring is then routed to the enclosure. This dramatically cuts installation time and costs during the rough-in phase. Later, an AV technician can quickly complete installation by connecting the CS 26T speaker cartridge to the wiring and securing it into the enclosure. The CS 1226T is the latest in Extron’s expanding lineup of speaker system solutions that divide the installation labor between contractors, reduce parts counts, and streamline sound system integration. more

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