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Archive of the Education Category

Gwynedd-Mercy Academy Upgrades Multi-Purpose Gym Sound System

An award-winning* Roman Catholic elementary (K-8) school located in Springhouse, Pennsylvania, Gwynedd-Mercy Academy has a large, well-designed gymnasium to supports its physical education classes and sports events, drama and musical performances, worship services and other school activities.

The gymnasium has a theatrical stage and versatile activity and seating space. However, the gym’s sound system was always a challenge. The school’s activities had outgrown the capabilities of the system and its coverage and sound quality were poor. To compensate, users would turn up the volume causing feedback and intensifying reverberation. Because of these issues, the school often rented a sound system. The scheduling and cost of these rentals complicated event planning.

Sal Scinto, a music teacher at Gwynedd-Mercy Academy also runs the theater program. In mid-2013, the school’s principal, Sister Anne Crampsie, asked Scinto to research and propose a new sound system. Through a referral from another school, Scinto contacted Tony Albano of Naaman’s AV in Avondale, PA. Scinto and Albano designed a versatile new sound system for the gym using Community VERIS2 and R-Series loudspeakers. The system uses two rows of R.5 loudspeakers distributed over the bleachers and the gym floor and a pair of V2-35 3-way loudspeakers above the stage opening for front fill. A V2-215S subwoofer can be quickly connected to the system for musical events.

For theatrical and musical performances, Albano provided a Soundcraft digital mixer and Shure wireless microphones. He added a Community dSPEC DSP processor for system equalization and configuration. For less complex events, users can bypass the digital mixer and operate the system from simple controls in the equipment rack. In addition, the system can be subdivided. For sports and other events that do not utilize the stage, the front loudspeakers and subwoofer are turned off. For on-screen presentations and similar events, the distributed loudspeakers are turned off and the system uses only the front loudspeakers and sub.

Because of this versatility, Scinto says Gwynedd-Mercy Academy no longer needs to rent a system for theatrical or musical performances and everyone’s expectations were satisfied. Scinto added, “the sound quality is excellent, and the response from the speakers is very full and clear.”

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BitWise Controls Announces New Yamaha Module, Giving Integrators the Ability to Instantaneously Setup and Integrate More than a Dozen Popular Home Entertainment AV Receivers into BitWise Controls Systems

 

ENGLEWOOD, COLORADO, USA   MARCH 28, 2014 – BitWise Controls, a leading innovator of powerful and flexible control and automation systems, announced today the addition of its Yamaha Module to its ever-expanding lineup of third-party templates and modules available to BitWise Controls dealers. These modules—single files containing pre-configured GUI content and device programming—make it easier for integrators to set up, design, and install various products and subsystems. Each module is available for download at the Bitwise Online Store, where BitWise dealers can see his or her entire module purchase history, making it simple to provide updates, additions, and enhancements in the future.

“Yamaha’s YNCA receivers are very popular, are feature rich, and provide multi-zone capability, making them ideal products for home integrators and custom installers alike,” says Mark Buster, CTO of BitWise Controls. “By adding Yamaha AV receivers to our GUI Module lineup, we will be dramatically expanding the base of supported receivers on the BitWise Controls platform, making it easy and both time- and cost-efficient to integrate these components into any supported BitWise Controls system. It’s a win-win for both integrator and end user.”

The BitWise Controls Yamaha AVR Module lets dealers take full advantage of newer Yamaha AV receiver’s music streaming and multi-zone capabilities. Compatible with all receivers that support the YNCA protocol, the BitWise Yamaha GUI Module allows the end user to navigate and control supported music services like Pandora®, Rhapsody®, and SiriusXM®, as well as any attached USB storage, connected iPod®/iPhone®, or network attached storage (NAS). The module provides easy drag-and-drop GUI content for phone- and tablet-sized interfaces, as well. Other features include support for a main zone and a second zone, with simultaneous control of volume/mute across both. Additionally, a receiver’s scene functionality is integrated seamlessly, allowing the user to turn on the receiver, select the input, and choose the Surround option with a single touch from any BitWise-enabled device. Convenient popups make it easy to add tone, option, and surround mode selection to any GUI page in the BitWise environment.

The Yamaha Module works on both iOS® and Android® platforms, and is compatible with automation projects that use BC1, BC2, and BC4 controllers and with Yamaha RX-V671, RX-A700, RX-A710, RX-V867, RX-V871, RX-A800, RX-A810, RX-A1000, RX-A1010, RX-A2000, RX-A2010, RX-A3000, and RX-A3010 receivers, or any other Yamaha AV Receiver that utilizes the YNCA protocol.

 For more information, contact Katye (McGregor) Bennett of KMB Communications by phone, +1(425) 328-8640 or email, Katye@kmbcomm.com.

About BitWise Controls

Designed and backed by more than 20 years of mission-critical control, monitoring and AV systems integration experience, BitWise Controls provides powerful and flexible control and automation solutions for commercial, industrial, education and residential control applications. BitWise Controls was founded in 2008 with the goal of offering innovative and reliable new products, designed and tested and manufactured in the United States. For more information, go to www.bitwisecontrols.com. Dealership opportunities are available. To learn more, send an email to sales@bitwisecontrols.com or call +1 (866) 932-2292.

About Yamaha

Yamaha Corporation of America (YCA) is one of the largest subsidiaries of Yamaha Corporation, Japan and offers a full line of award-winning musical instruments, sound reinforcement and home entertainment products to the U.S. market. Products include: Yamaha acoustic, digital and hybrid pianos, portable keyboards, guitars, acoustic and electronic drums, band and orchestral instruments, marching percussion products, synthesizers, professional digital and analog audio equipment, Steinberg recording products and Nexo commercial audio products, as well as AV receivers, amplifiers, Blu-ray/CD players, iPod docking systems, earphones, headphones, home-theater-in-a-box systems, sound bars and its exclusive line of Digital Sound Projectors. YCA markets innovative, finely crafted technology and entertainment products and musical instruments targeted to the hobbyist, education, worship, professional music, installation and consumer markets. For more information, go to www.usa.yamaha.com.

Accompanying image: BitWise Controls Yamaha AVR GUI Module Screenshot

 

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The Music Producers Guild Introduces Mastering Engineers To Broadcast WAV

As the music industry prepares to adopt the Broadcast WAV file format as the best means of embedding ISRC data into future recordings, the Music Producers Guild is hosting an event to highlight the importance of this initiative and give recording professionals the information they need to make it a success.

The event, which is primarily aimed at Mastering engineers, will take place at the Hospital Club in London on the evening of April 9th, 2014. It is sponsored by digital audio workstation manufacturers Magix/Sequioa, Merging/Pyramix and Prism Sound/SADiE, all of whom have recently announced their support for the initiative by backing file exchange between their systems.

Headed by Alchemy Mastering’s Barry Grint, the MPG has led a strident campaign to get Broadcast WAV accepted by the music industry in place of ordinary WAV files, which don’t contain a method for embedding ISRC information. Their efforts have been successful as the boards of both the BPI and AIM have now recommended to their members that this new format be adopted.

“Our event on April 9th is the only opportunity Mastering engineers will have to understand and prepare for this format change,” Barry Grint explains. “Each of our DAW sponsors will demonstrate how the ISRC embedding process fits within their workflow, and how they are working together to ensure seamless exchange of the data between all of the workstations. This is a massive step forward for the industry and we really hope that Mastering engineers and other recording professionals who are interested in ISRC will take the opportunity to come along and learn more.”

Grint adds that the importance of ISRC cannot be understated. ISRC, which stands for International Standard Recording Code, is uniquely allocated to every song recorded. These codes are then registered with royalty payment agencies, thus ensuring that recording artists and copyright holders are properly remunerated for their work when it is played on radio or TV.

Broadcast WAV, the professional WAV format created by the European Broadcasting Union, can carry ISRC information and this is why MPG is so keen to see is adopted by as the de-facto standard for music interchange in the production process.

“The inclusion of ISRC information will remove the need for it to be re-entered and reduce the opportunity for error,” Grint says. “The new system is simple to implement and, once adopted, it will allow ISRC to flow through the whole production chain.”

The MPG’s aim is to establish ISRC as the cornerstone of every aspect of digital asset management, from tracking and reporting through to royalty reporting and song identification. This will give the entire music industry a robust and secure system for identifying tracks, and who had input into their creation, so that it can safeguard the incomes of all artists and copyright owners.

Ultimately, the adoption of BWF as standard will provide a cornerstone for the MPG’s Credit Where Credit is Due campaign, which aims to highlight the woeful lack of credit information within the digital domain.

“Our overall goal is to ensure that all music creators receive proper credit and proper payment for their work, and having an industry-standard technical solution that allows credit information to be included in the metadata is a major step forward in achieving this ambition,” Barry Grint says.

To register for this event, please visit: http://www.mpg.org.uk/events/279

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About Music Producers Guild (UK):

The Music Producers Guild (UK) is an independent and democratic organisation that encourages the highest standards of music production, and actively engages with other music industry organisations to campaign and lobby on matters of important mutual interest.

The MPG represents and promotes the interests of all those involved in the production of recorded music, including producers, engineers, mixers, re-mixers, programmers and mastering engineers. www.mpg.org.uk

Junger Audio Helps Polish Broadcasters Get To Grips With Audio Loudness

The issues surrounding audio loudness control were highlighted recently as a training seminar and workshop organised by Polish broadcaster TVP.

Dynamics processing specialist, Jünger Audio, in conjunction with its local distributor, Profi Audio, helped TVP organise and deliver the content for the seminar, which took place at TVP’s headquarters in Warsaw. 60 delegates attended the day-long session, including many from TVP, Polish Radio and private Polish television stations. As well as seminars, there was also lively debate between the delegates and panellists.

“Loudness is obviously a topic that Polish broadcasters are very interested in and we were thrilled by the response to the seminar,” said Jünger Audio’s International Sales Manager Christoph Harm who chaired the event.

Speakers at the seminar included Barbara Turowska, Director of the Department of Monitoring KRRiTV (Poland’s National Broadcasting Countil), who explained the impact on Polish broadcasters of EBU R128-based Loudness regulations that were introduced in 2011. Turowska also stated that KRRiTV is keeping a close eye on the loudness situation in order to satisfy local viewers who complain if commercials are louder than programme material. She added that more restrictive loudness regulations are due to be implemented later in 2014 to combat this issue.

Also on the podium was Peter Pörs, CEO of Jünger Audio, who defined audio loudness and discussed applicable standards including EBU R128, and all versions of ITU 1770. Pörs also highlighted the practical solutions broadcasters can take to control, measure and record audio loudness so that they are prepared for any future legislation that might be introduced.

The seminar ended with a presentation by Christoph Harm who introduced specific Jünger Audio products that are relevant to this topic, including the Voice Processor D*AP4 VAP edition, a unique unit that includes Spectral Signature™ dynamic EQ. He also highlighted the D*AP 8 MAP Monitoring Processor – the only loudness processor that can act as a successor to the Dolby® DP570 tool, which was discontinued in 2013.

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About Jünger Audio
Established in Berlin in 1990, Jünger Audio specialises in the design and manufacture of high-quality digital audio dynamics processors. It has developed a unique range of digital processors that are designed to meet the demands of the professional audio market. All of its products are easy to operate and are developed and manufactured in-house, ensuring that the highest standards are maintained throughout. Its customers include many of the world’s top radio and TV broadcasters, IPTV providers, music recording studios and audio post production facilities. www.jungeraudio.com

Matrox Maevex H.264 Encoders and Decoders Named 2014 SCN InfoComm Installation Product Awards Finalist

Vote “Maevex” for Most Innovative Video Processing (Transport) Product

Matrox® Graphics Inc. today announced the selection of Matrox Maevex™ 5100 Series H.264 encoders and decoders to the list of finalists for the 2014 SCN InfoComm Installation Product Awards in the Most Innovative Video Processing (Transport) category.

Matrox Maevex H.264 encoders and decoders extend Full HD-quality 1080p60 video and audio over standard IP networks at user definable bitrates between 100Kbps and 25Mbps. They are ideal for driving dynamic digital signage, delivering multimedia materials to different classrooms, and letting operators share desktop, video, and other content on collaborative video walls. Maevex encoders also support software-based decoding on non-Maevex devices and will soon include video recording to capture and store video/audio to a network shared drive or NAS. The flexible and innovative PowerStream™ software lets administrators remotely discover, manage and adjust encode/decode settings on a network of Maevex devices.

Vote for Maevex today! Voting closes May 1 and the winners will be revealed at InfoComm 2014.

See Maevex in action at upcoming tradeshows — NAB Show (Las Vegas, April 7-10, booth SL5019), ITEC (Cologne Messe, Germany, May 20-22, stand E170) and InfoComm (Las Vegas, June 18-20, booth 2247).

About Matrox Graphics Inc.
Matrox Graphics is a leading manufacturer of graphics solutions for professional markets. In-house design expertise, top-to-bottom manufacturing, and dedicated customer support make our solutions the premier choice in industries that require stable, high-reliability products. Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/graphics.

D-TOOLS TO DEMONSTRATE WORKFLOW-ENHANCING MOBILE QUOTE APP at ISC WEST 2014

Companion app to SIX 2013 enables security systems integrators to remotely generate bids and later import them into D-Tools SIX 2013 for full project design and management.

D-Tools Mobile Quote is a Companion App to D-Tools System Integrator that extended the user's workflow to a mobile environment for onsite consultations.

CONCORD, CA (ISC West 2014 booth #26135) MARCH 26, 2014 D-Tools, Inc., the worldwide leader in system integration software, today announced that the Company will demonstrate its new iOS-based iPad® companion app for its flagship product, SIX 2013 at ISC West April 2-4, 2014 at the Sands Expo in Las Vegas (D-Tools booth #26135). Available now for D-Tools partners worldwide, the new release adds mobile quoting capabilities that enable Commercial and Residential AV integrators to generate quotes natively on an iPad, then import them into the full D-Tools SIX 2013 software platform for further project design and management. Delivering on D-Tools’ commitment to streamline product updates and enhancements by consolidating them into an annual release, this new companion app will immediately extend the highly functional D-Tools workflow to mobile sales and specification teams.

A native iOS application, the D-Tools Mobile Quote app leverages D-Tools’ extensive manufacturer product library by enabling integrators to access and integrate product category and package data from their SIX 2013 catalog while working with customers in the field. Integrators can enter client and contact information into the iPad app, then walk prospective customers through available installation scenarios in order to create a quote for approval. Once complete, the resulting quote can then be imported into SIX 2013 for additional design work and synchronization.

The Mobile Quote app uses many of D-Tools’ workflow concepts, including the specification of locations and systems, which allows integrators to provide packages or pre-configured systems for inclusion in the quote. Labor and general pricing will be calculated to give the customer an accurate proposal, which can then be signed off for approval on the spot.

“Delivering features that enable our users to create quotes in the field is a natural evolution for us. The D-Tools Mobile Quote app is an important component that ensures our platform continues to meet the growing needs of our expanding security customer base,” said Adam Stone, President and Founder of D-Tools. “The Mobile Quote app release is just the beginning. In fact, we are already working on additional mobile capabilities that significantly enhance our product roadmap. As we have demonstrated since the release of SIX last year, our new platform enables us to deploy new features as part of rapid and regular release cycles, which will ultimately provide our customers a clear path for sustained growth. We think ISC West attendees will be excited by the capabilities of this powerful new app. ”

More than 4,500 companies worldwide use D-Tools Systems Integrator Software to streamline the estimation, design, and project management processes associated with the installation and integration of low voltage systems.

The D-Tools Mobile Quote iPad® app will be demonstrated during ISC West April 2-4, 2014 at the Sands Expo in Las Vegas, D-Tools booth # 26135. Interested parties are encouraged to visit www.d-tools.com or Email info@d-tools.com for more information. Additionally, the all-new D-Tools SIX Wiki can be accessed here: www.d-tools.mindtouch.us and “Getting Started with SIX” videos can be accessed here: http://d-tools.mindtouch.us/SIX_Guide/004_Getting_Started.

iPad® is a trademark of Apple Inc., registered in the U.S. and other countries.

About D-Tools, Inc.
D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software. The company’s flagship product, System Integrator™ (SI), is a total design solution that utilizes Autodesk® AutoCAD and Microsoft® Visio for comprehensive system design, documentation and project management. D-Tools SI allows residential and commercial integrators to streamline their business processes to increase overall revenues while reducing the time and costs associated with the installation and integration of low-voltage systems. In fact, over 4,500 leading companies use D-Tools software to reduce time, costs and to streamline the system integration process. D-Tools is a three-time recipient of the Consumer Electronics Association Mark of Excellence Award, multiple recipient of Custom Retailer/Technology Integrator Excite Award, Commercial Integrator BEST Award, as well as National Systems Contractors Association Multi-Room Audio Video Awards for Best Installation Aid, Sound and Video Contractor Innovations in Technology for Business Productivity Award, CE Pro High Impact Award for Design Software, and CE Pro BEST Award for Software Applications. Follow D-Tools on Twitter at www.twitter.com/DTools and on Facebook at www.facebook.com/beatool.

Press Contacts: 
Tim Bigoness, D-Tools, Inc., +1 (925) 270-4102, timb@d-tools.com, www.d-tools.com
Katye (McGregor) Bennett, KMB Communications, +1 (425) 328-8640, katye@kmbcomm.com, www.kmbcomm.com/press

Link to accompanying images: D-Tools Six 2013 R2 Mobile Quote app

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Extron Now Shipping TeamWork Collaboration System for Digital and Analog Sources

Extron Electronics is pleased to announce the immediate availability of TeamWork 601, the company’s newest collaboration system. The TeamWork 601 system supports up to four digital laptops or tablets, and two legacy analog computer-video and audio sources. Analog signals are digitized so that they can be switched to the display, along with native HDMI signals, on a single HDMI cable. TeamWork 601 works with most flat panel displays, laptops, and tablets. It also works with virtually any new or existing furniture system. Optional mounting hardware facilitates different collaboration table or work surface designs. Extron TeamWork is a fully customizable collaboration system that is ideal for corporate and education applications. Pre-configured packages, including the TeamWork 601, TeamWork 600, and TeamWork 400 are available for fast implementation with minimal setup. more

Tightrope Media Systems Launches New Instant Replay System, Strengthens Cablecast Feature Set

New ZEPLAY offers lower entry costs for professional-grade sports replay, while Cablecast 5.3 enhances overall workflow for broadcasters

ST. PAUL, MINNESOTA, March 25, 2013Tightrope Media Systems is coming to the 2014 NAB Show with exciting product launches and enhancements that bring more operational benefits to existing customers, while creating a foundation to expand into new business areas.

At NAB (Las Vegas Convention Center, April 7-10, Booth C6508), Tightrope will introduce a new 2×2 version of its tried-and-true ZEPLAY slo-mo instant replay solution for sports production. The new version brings the same rock-solid stability, ease of use and expansive feature set of its 4×4 sibling at a much lower cost of entry – as in roughly half the price.

“We have found that many customers don’t require the four-in, four-out, eight-angle support that our original ZEPLAY solution offers,” said Steve Israelsky, broadcast solutions lead, Tightrope Media Systems. “A large cross section of our customer base in the local cable market was being underserved in this sector. The 2×2 ZEPLAY gives these and other customers, including small-to-mid sized venues and colleges, an affordable, feature-rich and reliable solution to enhance the sports fan experience. It also gives our 4×4 customers another option if they want to add more angles at a lower price.”

Both ZEPLAY units will incorporate new features for NAB that are available in the ZEPLAY 3.0 release, scheduled for right after the show. This includes a new export feature that allows production staff to export entire multi-angle sequences as opposed to individual clips, making it easier to share engaging content – and game-changing moments – immediately in an edited sequence as opposed to a series of individual clips.

ZEPLAY 3.0 also adds a number of operator-oriented refinements to the sequence editor. Individual clip speeds across sequences have always been variable, allowing operators to show play highlights from one angle at full speed; and then show the culmination of the play in slow motion from a different angle. ZEPLAY users can now specify a default rate for the entire sequence, and then modify that speed from the T-Bar as the sequence plays out. ZEPLAY 3.0 also includes an enhanced audio capability to assist in editing the highlight sequences, as well as improvements in the storyboard and editing window layouts.

Cablecast Streaming

Speaking of local cable channels, Tightrope has enhanced its Cablecast server and automation platform with new streaming, processing and monitoring features that introduce new efficiencies and operational improvements. These developments are particularly ideal for Tightrope’s large PEG channel and university customer base.

Foremost, the incorporation of H.264 streaming vastly improves compatibility for multiplatform delivery. The main benefits are twofold: consumers can easily watch PEG channel content on tablets, smartphones and other mobile devices; and station engineers can cleanly monitor playout on these same devices, as opposed to being tied to a desktop station.

“The evolution to H.264 streaming means that broadcasters, including PEG channels, can deliver more streams at higher quality to more viewers, thanks to exceptional bandwidth improvements and compatibility across more playout devices,” said Israelsky. “The ability to deliver important local content to more viewers is a benefit both to the station and the community. It is a feature that many PEG channels are ready to incorporate as they more aggressively work to expand audiences in the digital TV age.”

Additionally, Cablecast 5.3 adds AFD support to automatically and seamlessly present on-air content across 16:9 and 4:3 screens in the most attractive manner, without awkward cropping and reformatting. This ensures that content looks great on screen without the need for expensive up, down, cross and aspect ratio conversion gear.

Tightrope has also enhanced its built-in RAID monitoring solution for Cablecast, reporting potential issues directly within the user interface – alerting customers well in advance of potentially devastating events. The service also automatically backs up database content and information to the cloud for quick restoration in the event of a critical error.

Finally, the new Cablecast 5.3 release also expands compatibility with routing switchers, adding support for Snell/Pro-Bel and Aja routers. This raises the number of routers supported within Cablecast to near 100, ensuring that customers can control routing traffic, stream playout and more for a tighter overall workflow.

About Tightrope Media Systems

Founded in 1997, Tightrope Media Systems is the pioneer of web-centric digital signage and broadcast automation systems. It provides station automation, video servers, internet video on demand, live streaming, the Carousel Digital Signage system, and ZEPLAY, a multi-channel instant replay machine for stadiums, arenas and Outside Broadcast vehicles. Tightrope’s award winning systems are used throughout the world. You can reach Tightrope Media Systems at (866) 866-4118 or visit them on the web at http://www.trms.com.

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Iconyx Tames a Timeless Chamber

Dobbs Ferry, NY – March 2014…  Overlooking the Hudson River just minutes away from Manhattan, Mercy College was founded in 1950 by the Sisters of Mercy. In 1961 it became a four-year college offering baccalaureate degrees. The school’s stellar reputation draws students from all over the country, and Mercy College was featured in the book “Cool Colleges” as one of the most exciting schools in the United States.

The Rotunda is an important focus for all Mercy students and is a popular multi-purpose activity center. The historic structure was a former house of worship, and carries with it both the decor and the sonic character of a majestic old cathedral. Its soaring brick walls, stained glass windows and high, rounded shape and domed ceiling create a natural reverberance that makes even normal conversation nearly impossible.

Leo Garrison of Metro Sound Pros elaborates, “Picture a circle, with 50 ft stone walls, eight pillars and a massive video wall. The space is a natural reverb chamber.” Depending on the event, a podium can be set up in any part of the room, creating an even greater challenge — designing a system that could achieve audio clarity amid this ever changing footprint.

Metro Sound Pros designed a solution utilizing a creative application of Renkus-Heinz Iconyx Series IC7-II manually steered column arrays. Four pairs of columns are mounted at 90 degrees from each other, providing selectable coverage from any direction. The Iconyx steered beam technology enables the sound to be focused on the audience, and away from the walls, windows, and other problematic surfaces.

As Garrison explains, while the assignment was to deliver coverage and intelligibility, the building’s landmark status meant that aesthetics trumped all else. “Protecting the room’s historic architecture was of utmost importance,” he states. “The profile of the IC7s are so small and slim, they just blend right in.”

Garrison concludes, “With a project like this one, we always face a balance between the need to preserve the natural beauty of the architecture, and the need to create a space that is functional. The integration of the Iconyx series into the Mercy College Rotunda gave us the performance and intelligibility we needed, while maintaining the building’s classic aesthetics. They were a great choice.”

 

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

 

 

Extron DTP CrossPoint 84 Now Includes a Built-In Control Processor

Extron Electronics is pleased to announce the Extron DTP CrossPoint 84 IPCP, a new model of the DTP CrossPoint 84 featuring a built-in IP Link Pro control processor for complete and powerful AV system control. The industry-leading DTP CrossPoint 84 is the new go-to product for presentation systems. This highly versatile, compact presentation matrix switcher delivers all of the technologically advanced capabilities necessary to design and integrate a complete AV system in one box, including a 4K matrix switcher, two built-in independent scalers, integrated DTP and XTP transmitters and receivers, a high performance mono or stereo amplifier, comprehensive audio DSP capabilities unmatched in the industry, and an advanced control processor that is uniquely expandable. The DTP CrossPoint 84 is the new industry standard for fully integrated AV systems, greatly simplifying system design and installation, and dramatically reducing total cost of ownership. more

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