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Opticomm-EMCORE to demonstrate Video Wall driven by Eclipse HD at InfoComm

Alhambra, CA – Opticomm-EMCORE, a leading provider of high-definition video, audio and data transport solutions for Fiber, IP, CATx and Coax networks, will be using the InfoComm 2014 show in Las Vegas on June 18-20 as a platform to demonstrate the quality of the new Eclipse HD as it extends and switches 1080p or 1920×1200 multimedia feeds across a dedicated IP network, sent to a four-panel video wall as example of its capabilities. In addition, other high-quality products for pre- and post-production, live-feed, and Professional A/V will be on display at the booth stand, C7716.

Opticomm-EMCORE will construct a cost-efficient video/audio/data distribution system over an IP network to show design consultants, system integrators and home theater aficionados the painless switching and routing of the new Eclipse HD. This encoder/decoder system provides visually lossless transmission and processing of HDMI 1.3, 5.1 channel audio, RS-232 data and USB HID keyboard/mouse (KVM), over a dedicated Gigabit Ethernet network. A media player, Blu-ray or DVD player, laptop, camera or other HDMI source can send HD signals to the Eclipse HD encoder, which can then be sent to a Layer 2/3 Unmanaged Gigabit Ethernet Switch with IGMP 2.0 (if desired), which lastly can be received by one or more decoders to be connected to single or multiple displays. There are virtually limitless ways to configure a HD matrix by stacking IP switches.

In addition to the Eclipse HD, we will be showing the NV series as a part of the IP network exhibit, which utilizes JPEG 2000 encoding and decoding for lossless DVI, HDMI, and 3G HD-SDI distribution. Also we will also be highlighting, in our booth, the c-Linx series, Optiva and openGear fiber products. The c-Linx series are small, stand-alone box units utilizing HDBaseT technology to extend signals for extension up to 100 meters, over CATx. The Optiva and openGear fiber transmission platforms support multiple channels of signal conversion, extension, KVM- remote management, analog/digital audio, over a single fiber strand. The company will display the Optiva OTP-1DVI2A1UKM, which has been upgraded with a larger bit-rate of 6.25GB and now supports up to 4K resolution and KVM over a secure, lossless, multimode fiber up to 10 km and singlemode fiber up to 25 km.

Opticomm-EMCORE’s booth will display the newest and key products that we believe, will cater to consultants and integrators who build and design complex signal network systems and have need of high-quality signal management.

“We are excited to showcase our newest addition to the video-over-IP distribution category, Eclipse HD,” concludes Henok Tafese, Senior Director of Business Development.

Opticomm-EMCORE’s complete breadth of video-over-IP, fiber and CATx/HDBaseT products will be on display at InfoComm 2014, June 18-20, booth C7716 of the Las Vegas Convention. For more information, please visit www.opticomm.com, download the EVE/EVD-HD datasheet here, or call 626-293-3400.

 

Extron Updates Popular Hideaway Series Enclosures with Digital Connectivity and USB Power

Extron Electronics is pleased to introduce the HSA 300, the latest addition to the company’s popular HSA – Hideaway Surface Access Enclosure series of furniture-mountable enclosures. The compact HSA 300 provides inconspicuous access to AV connectivity, AC power, and USB power. The enclosure’s tilt-up faceplate features connectors for HDMI, VGA, PC audio, and network pass-through, an AC power outlet, and two 5 VDC USB power outlets for charging mobile devices such as smartphones or tablets. AC power outlets are available for the US and Central Europe, as well as a Multi-Region outlet that supports a variety of plug types. The HSA 300 is available in a durable, yet stylish black anodized finish that blends seamlessly with most furniture styles and room decor. more

New FOR-A HVS-390HS Switcher User TNDV Relied on Unit for Production of Events Surrounding ACM Awards

Cypress, CA – Video production company Tennessee Digital Video (TNDV) first used FOR-A’s HVS-390HS video switcher while producing conferences for Atlanta-based Passion City Church. Impressed with the cost efficient switcher, TNDV purchased a 2 M/E HVS-390HS of its own in December 2013. The company relied on its new switcher for events leading up to the Academy of Country Music (ACM) Awards on April 6, including production of a 2-day music festival fundraiser and a red carpet show special.

On April 4-5, ACM hosted a two-day outdoor music fundraiser festival at Caesars LINQ in Las Vegas. Deemed “Party for a Cause,” the festival’s proceeds helped to fight hunger by benefitting Outnumber Hunger, and featured headliners Rascal Flatts and Keith Urban. TNDV handled video production of the festival, using the HVS-390HS to produce IMAG on three video boards, enabling the crowd to see performers up close. TNDV fed video to two different stages during the festival’s events. The production company was also on location in Las Vegas to produce a live red carpet special at the ACM Awards.

“We have a number of HD trucks and flypacks, so we own a variety of switchers,” said Nic Dugger, owner of TNDV. “The HVS-390HS stands out compared to others for the variety of useful features that it offers for such an affordable price. A lot of our productions require a second M/E for broadcast and IMAG switches, so that was a major consideration in us choosing the 2 M/E HVS-390HS. The switcher was a perfect fit for our work surrounding the ACM Awards.”

A longtime user of FOR-A color correction and video conversion products, the HVS-390HS is the first FOR-A switcher that TNDV has purchased. The company has found the unit to be well built, robust, and road worthy – all important considerations that the mobile production company looks for when selecting equipment.

“FOR-A’s HVS-390HS offers features that allow us to highly customize the unit to meet our production needs,” said Dugger. “Its expansion slots, twelve DVE channels, and option to use the larger 28-button panel greatly benefit our operations.”

About FOR-A

FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 714-894-3311 or visit our web site at www.for-a.com.

ABOUT TNDV: Television

Formed in 2004, TNDV: Television represents the culmination of many years of broadcast and live production for Nic Dugger, owner and president; and his staff of full time engineers. TNDV produces events from small single-camera productions all the way up to multi-million dollar international TV events, and takes pride in building custom solutions for challenging productions of any size, in any situation. Recent productions include the live concert productions at the NCAA Final Four, the 2013 Re/Max Long Drive Challenge on ESPN, and the inaugural season of Sing for Your Supper on PBS. Please call 615-585-6528 or visit http://www.tndv.com for more information.

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DAS Unveils Initial Lineup of Experts and Case Studies from Real World Digital Asset Projects

Multi-Industry experts look at the lifecycle of assets from Production Through Rights Management

(Los Angeles, CA) – AMIA has announced the preliminary lineup for its popular Digital Asset Symposium (DAS). DAS will be held on May 15 & 16, 2014 at the Linwood Dunn Theater in Hollywood, CA.

“Since the beginning, DAS has been the place where projects, problems, and solutions are discussed within a real world framework. This year’s event continues that and will engage an even greater diversity of experts and industries. We want the entire community of technical and creative users to share what they are working on, the lessons learned, what challenges they’re facing now and what might be around the corner,” noted Tom Regal, the DAS program chair.

An early peek at the lineup includes compelling experts and speakers. Additional presenters and case studies are being announced weekly.

Flexibility, Inventiveness and Creativity: A Case Study in Data Centric Storytelling
Jacob Rosenberg (Bandito Bros) and Tom Vice (nextLAB)
This keynote case study will focus on new production strategies in the modern era of gigabytes and terabytes and file based cameras that are empowering to the creative teams and daunting to those that have to track and manage these assets.

Digital Rights: Navigating Copyright in a Digital World
Eric J. Schwartz (partner, Mitchell Silberberg & Knupp)
Schwartz will discuss current U.S. copyright law including a review of recent cases and issues such as asset copying, mass digitization, fair use, and preservation and access of audiovisual materials. Schwartz is one the most highly regarded experts in this field, bringing invaluable insight from more than 25 years of experience as a copyright attorney providing counseling on U.S. and foreign copyright laws – including rights, ownership and enforcement issues – relating to new technology rights, social media, and management matters.

Where Has All the Content Gone?
In partnership with Creative Storage, Entertainment Storage Alliance
The preservation of digital content requires the right digital storage technologies, the right practices and a commitment to a long-term storage objective. Tom Coughlin – noted expert and founder of Creative Storage Conference – will explore trends in content creation and storage, conversion of content, a survey of available and future archiving technologies and their trade-offs and provide guidance on the best way to bring valuable digital and analog content into the future.

Laura Rooney, AMIA managing director, notes, “We believe bringing together a diversity of knowledge leads to new solutions to shared challenges. New media assets are being created at a speed that grows exponentially, in almost every industry, every day. Everyone is dealing with similar challenges and we can learn a lot from each other, but only if we’re in the same place. DAS is where those discussions happen – where experts in each stage of the digital life cycle put aside theory and share real world experience.”

Registration is now open for DAS. Tickets are available at www.DAS2014.org. The two day event includes all panels, case studies, and two cocktail receptions.

Industry partners include; American Cinema Editors, Creative Storage Alliance, Law Enforcement Video Association, Media & Entertainment Services Alliance, Iron Mountain Entertainment Services, Deluxe, LAC Group, and Reflex Technologies.

For further information, visit www.DAS2014.org.

About DAS
DAS addresses the full life cycle of the media asset – from content creation to rights management to assuring asset preservation – with speakers and case studies that address what works in the real world. Each part of the life cycle impacts the next and DAS is the only place where everyone is part of the conversation – content creators, post-production, systems designers, archives, asset managers – where commercial meets nonprofit and corporate meets public.

About AMIA
As the world’s largest international association of professional media archivists, AMIA is uniquely poised to bring together a broad range of experts. Members represent film studios, corporate and national archives, historical societies, labs, post production, universities, footage libraries and more. Because of this diverse membership, AMIA provides an opportunity to interact with every facet of the field and a single forum to address the best ways to preserve our media assets.

# # #

Media Contact:
Chris Purse or Stacey Humphrey
ignite strategic communications
818.980.3473
chris@ignite.bz; stacey@ignite.bz

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FUJIFILM’S new zoom goes wide, then long to stay with the action

HA18x5.5 offers 18x zoom from 5.5mm at the wide angle to 100mm on the telephoto end

Wayne, N.J. – The Optical Devices Division of FUJIFILM North America Corporation introduced its HA18x5.5 HD zoom at the annual NAB 2014 convention, held in Las Vegas this week.

The Premier Series HA18x5.5 offers 18x zoom from 5.5mm at the wide angle to 100mm on the telephoto end to capture images for a versatile range of scenes. It features high-precision large-diameter aspheric elements, designed with Fujifilm’s proprietary cutting-edge optical simulation technology, achieving sharpness at the center as well as all corners to deliver edge-to-edge premium image quality.

“Our customers have been looking for a lens that’s capable of shooting very wide but also at long range,” explained Thom Calabro, director of Marketing and Product Development for the Optical Division of FUJIFILM. “Sports producers looking for a lens that can go wide and still follow the action. It’s also a solid all-around lens that can shoot interviews and other applications typical for a standard telephoto lens.”

With the HA18×5.5, the operator can get as close to the subject as a minimum distance of 40cm. With the use of the built-in 2X extender, the focal length on the telephoto end can be extended to 200mm. These features accommodate a broad range of scenes to dramatically improve usability in a variety of shooting environments including live news, sports and dramatic program production.

The lens also has built-in digital servodrive units for zooming and focusing. Its ergonomic design reduces the weight for camera operators working handheld. Equipped with a 16-bit encoders,which outputs focus and other lens data at high resolution, enables compatibility with various systems such as a virtual studio programs and combining CG with live footage.

The HA18x5.5 will be available in late June of this year.

This year also marks FUJIFILM’s 80th anniversary, and 40 years for the Optical Devices Division, formerly known as FUJINON, in the U.S.

About Fujifilm
FUJIFILM North America Corporation, a marketing subsidiary of FUJIFILM Holdings America Corporation consists of four operating divisions and one subsidiary company. The Imaging Division provides consumer and commercial photographic products and services, including: photographic paper; digital printing equipment, along with service and support; personalized photo products; film; and one-time-use cameras; and also markets motion picture archival film and on-set color management solutions to the motion picture, broadcast and production industries. The Electronic Imaging Division markets consumer digital cameras, and the Graphic Systems Division supplies products and services to the graphic printing industry. The Optical Devices Division provides optical lenses for the broadcast, cinematography, closed circuit television, videography and industrial markets, and also markets binoculars. FUJIFILM Canada Inc. sells and markets a range of Fujifilm products and services in Canada. For more information, please visit www.fujifilmusa.com/northamerica, go to www.twitter.com/fujifilmus to follow Fujifilm on Twitter, or go to www.facebook.com/FujifilmNorthAmerica to Like Fujifilm on Facebook. To receive news and information direct from Fujifilm via RSS, subscribe at www.fujifilmusa.com/rss.

FUJIFILM Holdings Corporation, Tokyo, Japan, brings continuous innovation and leading-edge products to a broad spectrum of industries, including electronic imaging, digital printing equipment, medical systems, life sciences, graphic arts, flat panel display materials, and office products, based on a vast portfolio of digital, optical, fine chemical and thin film coating technologies. The company was among the top 10 companies around the world granted U.S. patents in 2012, and in the year ended March 31, 2013, had global revenues of $26.7 billion*. Fujifilm is committed to environmental stewardship and good corporate citizenship. For more information, please visit www.fujifilmholdings.com.

* At an exchange rate of 83 yen to the dollar.

All product and company names herein may be trademarks of their registered owners.

Rocky Mountain Region Catalyst AV Distribution Network Company HCA Distributing Grows Staff and Provides Details of Upcoming Vendor Expo

Denver, CO – April 10, 2014 – HCA Distributing (www.hcadist.com) – the Rocky Mountain region member of the Catalyst AV distribution network – has appointed several consumer electronics industry veterans to its sales force. The company is also gearing-up to host its annual Vendor Expo, held May 13 – 14, at its Denver headquarters.

Michael Thompson will serve as HCA Distributing sales manager for Utah, western Wyoming, western Montana and eastern Idaho markets. Thompson was formerly Rocky Mountain Sr. Account Manager for AVAD where he was responsible for New Business Development. Thompson is based in Murray, Utah. He can be reached at 385.414.2791 and via email at michael@hcadist.com.

Brett Olkowski will assume duties for HCA Distributing will call sales, product support, and outside sales for south Colorado. Previously Olkowski was a Premier Account Manager for Mountain West Distributing and also held positions at Denver Audio Designs, Soundings and Circuit City. Olkowski is located in the Denver-metro area and can be reached at HCA’s main phone number of 303.339.8969 and via email at brett@hcadist.com.

Van Coble was promoted to sales manager at HCA Distributing effective January 1, 2014. Previous to his hiring in February 2013, Coble was employed as a Residential Integrator at Arapahoe Distributing, and has extensive experience in Commercial Integration and Live Sound and Lighting with C & S Communications, Stormfront Productions, Atlantic Audio and the Blockbuster Pavilion – all in Charlotte, NC. Coble is located in the Denver-metro area and can be reached at HCA’s main number of 303.339.8969 and via email at van@hcadist.com.

Annual HCA Distributing Vendor Expo: HCA Distributing Principal Ron Perron invites all Rocky Mountain-area dealers to attend the company’s annual Vendor Expo taking place May 13th & 14th at their Denver location of 2650 W 2nd Avenue, #15. Event hours are 8 AM – 3 PM each day.

Approximately 30 vendors will be represented including TiVo, EnGenius, Atlona, Sanus, Chief, Middle Atlantic and Sonance, with additional vendors expected to be announced shortly. The Expo will consist of product presentations, mini-trainings and one-on-one time with HCA staff and vendors. Refreshments and door prizes will be provided. For more information on the Expo, contact HCA Distributing at 303.339.8969 (or toll-free at 877.532.3027) or via email at info@hcadist.com.

About Catalyst AV: Founded in 2012, Catalyst AV is a network of 12-independent consumer electronics distributors serving the residential and professional AV channels in the U.S. Catalyst AV grants manufacturers a consistent and cohesive nationwide distribution model to more than 15,000 professional integration specialists. Catalyst AV benefits integrators by delivering all the products and support necessary to execute the demands of job specifications with confidence. The Catalyst AV Board of Directors consists of Mike Hench (Electronics Source Distributors); Steve Presti (Easy Access Distribution) and Wally Whinna (Allnet Distributing). www.catalystav.com

TC Takes QL On Demonstration Road Show

BUENA PARK, Caiif.—Yamaha Commercial Audio Systems, Inc. announces the first mid-west demonstrations of the new Yamaha QL Series Digital Consoles hosted by TC Furlong Inc. Events are free. The dates and locations are as follows:

Wednesday, 4/16, 4:30 pm – 7:00 pm
TC Furlong Inc. in Lake Forest, IL
http://www.eventbrite.com/e/yamaha-ql-series-launch-tour-after-hours-tc-furlong-inc-tickets-11201286349?aff=yamaha

Tuesday, 4/22, 9:00 am -1:00 pm (with Yamaha district manager, Mike Eiseman)
Regus Offices in Rosemont, IL
http://www.eventbrite.com/e/yamaha-ql-series-launch-tour-rosemont-il-tickets-11203922233?aff=yamaha

Tuesday, 4/22, 4:00 pm -7:30 pm (with Yamaha district manager, Mike Eiseman)
The Moody Church in Chicago, IL
http://www.eventbrite.com/e/yamaha-ql-series-launch-tour-chicago-il-tickets-11204000467?aff=yamaha

The new Yamaha QL Series inherits CL console features such as all-in-one mixing, processing, and routing capability for small to medium scale live tour sound, house of worship installations, corporate A/V, and speech applications.

-END-

NAB 2014: Digital Nirvana Introduces FIFOPro Ingest Back-Up System for Broadcast Production

Creates edit-ready backups of all live ingested media, eliminating the need for manual recording, cataloging, storing and transcoding of back-up tapes

Fremont, CA – Digital Nirvana will give the broadcast industry its first look at the company’s new FIFOPro ingest back-up system at the NAB 2014 convention, to be held from April 5-10th at the Las Vegas Convention Center. Digital Nirvana will showcase this powerful new production tool in Booth #SU11017.

The FIFOPro system was engineered to streamline workflows for news departments and live production applications. Traditionally for SAN back up, broadcasters have relied on recording onto multiple tape decks, one for each feed, with station personnel completing the cumbersome tasks of loading, labeling, cataloging and storing each tape for back-up insurance. In this mode of operation, if the need arises to restore from tape, it must be manually de-archived, taken to the editing bay, loaded and then transcoded into the proper format prior to editing.

With the FIFOPro ingest back-up system, the workflow is automated. FIFOPro continually records and archives multiple HD-SDI feeds on a rolling First-in/First-out (FIFO) basis, retaining all content for 72 hours before deleting it from the system. This data is automatically recorded in an edit-ready AVCi 50 format along with its metadata, including channel, date and time. If original content is lost or damaged, it’s a simple process to find and access the stored media via web browser and export the selected clips to the watch folder for immediate editing.

By eliminating the need for multiple tape decks, transcoding and time-consuming metadata management, the FIFOPro ingest back-up system is the perfect solution to streamline workflows, save time, space and money.

About Digital Nirvana

Since 1996, Digital Nirvana has been empowering customers with innovative knowledge management technologies. By combining media and digital technology expertise, Digital Nirvana makes it possible for organizations to streamline operations and gain competitive advantage with advanced product and service offerings. The company’s product portfolio includes the industry-leading Monitor IQ broadcast monitoring system, AnyStream IQ OTT monitoring solution, and the MediaPro content repurposing system. A comprehensive service portfolio includes media monitoring and analysis, market intelligence and analytics, and learning management services. Digital Nirvana is headquartered in Fremont, California with offices in Hyderabad and Coimbatore, India. For more information visit http://www.digital-nirvana.com.

Christie is Front and Center at NAB 2014 with the Authoritative Visual Display Technology Line-Up

Christie® continues its leadership in the visual display technology market at the National Association of Broadcasters (NAB) Show in Las Vegas April 5-10. The exhibits open April 7, showcasing two connecting Christie booths featuring the latest 4K solutions including laser projection. The benefits of Christie Q Series, Christie Brio, large format LCD displays, 1-chip DLP® and 3-chip DLP® projectors, and more will be featured.

Laser Projection Summit Kicks off NAB
Don Shaw, Ph.D. and senior director of product management, Entertainment Solutions, Christie, will participate in the “Technology Summit” on Cinema at 5:00 p.m. April 5 as part of the ‘Laser Illuminated Projectors’ panel discussion. The presentation will show how 3D light levels, color fidelity, image uniformity, viewing comfort, and a sense of immersion can be vastly improved using a 6P laser projection system, especially when combined with advanced color separation technology like Dolby 3D®, versus the conventional 3D systems found in cinemas today.

6P Laser Presentation at Christie Innovation Theater
The Christie Innovation Theater will demonstrate a 4K Christie Solaria 6P laser system using the world’s most efficient 3D technology and the industry-preferred image quality that doesn’t require a silver screen. Sure to be a show highlight, the 6P laser presentation provides a glimpse into the future of projection technology. Utilizing six specific primary colors, Christie laser projection technology brings dramatically improved 3D efficiency to projection systems and is ideal for any 3D display system.

The demonstration will use Dolby® 3D glasses specifically engineered to match the six primary laser light wavelengths and viewers will experience 3D Cinema as it was meant to be seen.

4K Solutions, Large Format LCD Display, New HD Christie Q Series and more
The Christie D4K2560 3-chip DLP® projector with the Christie TrueLife™ 4K platform will be showcased. When uncompromising image fidelity, brightness and resolution are needed in cinematic settings, amusement parks, casinos, or 3D visualization systems, the Christie D4K2560 is the clear choice; providing four times the resolution of 2K along with 60Hz.

A Christie broadcast set complete with Christie® MicroTiles® and content driven by the Christie Spyder X20 video processor will also be featured along with the North American debut of the Christie FHD651-T intuitive touch flat panels. With up to four simultaneous touches, the Christie FHD651-T provides superior touchscreen performance in a fully integrated package for meeting and classrooms, corporate spaces, museums, education, hospitality and retail, and more.

The Christie FHD551-W outdoor flat panel and the Christie FHD551-XG complete the large format LCD display solutions.

Christie Q Series Makes North American Debut at NAB

NAB also marks the North American debut of Christie Q Series, including the new Christie DHD951-Q HD that complements the existing, highly successful line. Similar to the rest of Christie Q Series, the HD version introduces 3G-SDI and includes eClarity™ – advanced image processing that significantly enhances images by providing greater control over image sharpness, gloss and shading. With its sleek overall style and high-performance features, the Christie DHD951-Q provides superior image processing, versatility and affordability.

Also debuting in North America is the Christie DHD600-G. Part of the upgraded Christie G Series, it is suitable for demanding environments such as signage and museums – delivering multi-projector blends onto curved surfaces seamlessly for a perfect image every time.

Christie Brio – Share More, Accomplish More
The Christie FHD651-T flat panel seamlessly combines with the Christie Brio multi-site presentation and collaboration solution. Christie Brio – featured in separate meeting rooms at the booth – allows users to virtually meet, share information and collaborate effortlessly, overcome geographical distances, and eliminate the challenge of single and multi-site workplace meetings.

On the second floor of the Christie booth, the advantages of the 3-chip DLP® Christie Roadster HD20K-J and Christie HD14K-M projectors will be presented. Rugged and ideal for rental staging, both provide significantly higher return on investment and provide superior image quality compared to others in their class.

The benefits of Christie Entero HB 70-inch HD cubes will also featured along with a Christie® Phoenix™. With HD resolution and built on proven LED technology for long life, reliability and low cost of ownership, the front access design of the Entero cubes allows them to be positioned against a wall without compromising space limitations, performance or image quality in 24/7 control room environments.

Christie Solutions throughout NAB 2014
Christie is pleased to collaborate with several vendors. Quantel is using a Christie D4K2560 while AutoDesk will be using a Christie Mirage 4K25. At the Red Digital Cinema Camera booth, a Christie Mirage 4K35 will be featured. In addition, Vizrt is pleased to use the Christie 84-inch Quad HD at its booth and Ross Video is featuring 50 Christie MicroTiles. Finally, Da-Lite will display its solutions with a Christie D4K2560.

Broadcast Pix Expands Flint Integrated Production Switcher Family

Billerica, Massachusetts – Broadcast Pix™ will unveil its expanded family of Flint™ end-to-end integrated production switchers at the 2014 NAB Show (Booth SL6325), which runs April 7-10 in Las Vegas, Nev. All three HD models include the same Fluent™ workflow software tools, but provide different input configurations to address different production requirements and budgets.

There are three new Flint models available. The entry-level system, Flint LE, supports three HDMI or analog (composite, component or S-Video) inputs and is now priced at $7,495. Flint LX features four SDI or HDMI inputs for $9,995. Flint LS supports six inputs and offers a choice of six SDI (two of which can be HDMI) or four SDI and two HDMI or analog inputs for $12,995. In addition, all three models include two additional network inputs, which are ideal for presentations and Web pages from remote computers. All three models are available now.

Broadcast Pix will also have two raffles during the NAB Show, providing attendees the opportunity to win a Flint system as well as a new fX3D real-time 3D graphics software package. Raffle rules and instructions will be available at the Broadcast Pix booth.

“Flint has quickly become a popular choice among streaming video professionals, because it provides a complete set of production tools for true end-to-end integration,” said Steve Ellis, general manager, Broadcast Pix. “By expanding the Flint family, we’re making it more affordable than ever to produce live multi-camera productions for broadcast or webcast.”

Introduced last year, Flint handles the entire production workflow, from ingest to distribution. In addition to cameras and file-based graphics and video, its multi-format production switcher allows operators to include cloud-based content from Skype, Twitter, RSS feeds, Google Drive, Dropbox and other resources during live productions. Flint ingests and scales all sources while maintaining constant lip sync.

Flint’s switcher also includes three keyers for layering, each with PiP and customizable DVE. An internal Inscriber CG provides six graphic channels, while a built-in, two-channel clip server stores up to 30 hours of clips and animations in a variety of file formats, including ProRes, H.264, DNxHD and QuickTime animations. Flint’s audio mixer is controlled through an intuitive audio interface with on-screen stereo faders and VU meters, and two outputs allow separate mixes with independent control for master recording and Web presentations.

With up to seven simultaneous output formats, Flint offers built-in HD streaming in a variety of formats and allows live recording on its internal hard drive. Other features include a customizable multi-view, customizable virtual sets, and control of robotic cameras, video servers, external audio mixers, and other devices.

Version 3.0 software, which was announced earlier this month, allows all Flint systems to be tightly integrated with Broadcast Pix’s new fX3D and ReVue multi-channel slow motion replay system. It also includes ClearKey, Broadcast Pix’s next generation chromakey, and new device control of Blackmagic HyperDecks. The software will be available in May as a free upgrade for all Flint systems under warranty.

About Broadcast Pix Founded in 2002, Broadcast Pix is the leader in integrated production switchers, with customers in more than 110 countries. Available in several configurations, from compact systems with end-to-end integration to large-scale systems for high-end live productions, Broadcast Pix switchers include CG, dual clip stores, file-based macros, external control software, and customizable multi-view and virtual sets with patented control options. Broadcast Pix also offers ReVue next generation slow motion systems, fX3D real-time 3D graphics, Rapid CG dynamic graphic playout software, and VOX voice-automated live video production, each designed to enhance our highly integrated live production switchers. Customers include leading broadcast, corporate, education, government, religious, sports, streaming, and visual radio studios. Learn more at www.broadcastpix.com.

Broadcast Pix, Flint and Fluent are trademarks of Broadcast Pix, Inc. Patented. Made in USA.

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