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SSL ‘Live’ Console Comes to the 2014 NAMM Show

“Initial industry response to the SSL Live console has been phenomenal… we are expecting a very busy demo schedule at the show.”

ANAHEIM – Solid State Logic, the world’s leading manufacturer of creative tools for audio professionals, is featuring Live, the company’s first console for live sound production, at the 2014 NAMM Show (Booth 6900). This will be the first west coast presentation of the console in a trade show and thus the first opportunity for hands-on demos for the professional live audio engineer community in the region.

“The initial industry response to the SSL Live console has been phenomenal,” says Piers Plaskitt, CEO of Solid State Logic, Inc. “We have been continuously busy at each event where we have shown the console, and we expect NAMM to follow the trend. It is extremely satisfying to see the responses of engineers during product demonstrations as feature after feature exceeds their expectation, and the realization grows that this console is really rather special. It is going to be another exciting show for SSL.”

About the SSL Live console:
Live is all about power and control and is perfectly suited to touring or installation, FOH or monitor systems for venues, arenas, houses of worship and concert halls. Featuring complete flexibility and an intelligent user interface, it is especially ideal for any situation in which audio quality is important.

Based on SSL’s new Tempest processing platform, Live is deployed in a uniquely versatile way. The headline numbers are as impressive as the price, with 976 inputs and outputs and 192 full processing audio paths at 96kHz. How those paths are configured is extremely flexible with power allocated to Channels, Auxes, Stem Groups and Masters, configured to suit the needs of each show. All processing is built into the console surface as well as a collection of I/O connectivity built into the frame. A full range of Stagebox I/O connects to the console via MADI, with the potential for larger systems to make use of SSL’s own Blacklight technology that carries up to 256 channels of bi-directional audio and control via a single fibre connection.

Console power is really nothing if it can’t be controlled and Live offers a truly excellent control surface. It combines a tablet-style multi-gesture touch screen with elegant hardware ergonomics, excellent visual feedback and a collection of innovative new features. It enables engineers to work exactly how they work today, whether they prefer new touch screen or classic hardware technology, or a combination of both, and offers new and better ways of doing things that will make the operator’s life less stressful and more creative.

Being an SSL, Live has legendary audio performance as standard. Impeccable audio quality is a primary design feature from studio-grade SuperAnalogue™ mic preamps, 24bit/96kHz A/D D/A conversion, to 64bit internal processing and 96kHz operation throughout. An obsession with quality also shines through an array of Live’s channel processing tools that bear the classic SSL tone, but bring a completely new level of precision, flexibility and usability. Live features an impressive collection of 30 new effects and audio analysis tools that take SSL’s acclaimed studio-grade processing and re-crafts it for live, with the additional benefit of giving the effects and analysis tools its own dedicated processing power.

As has been the case so many times in the last few decades, SSL has taken a new approach to the way professional engineers work and created an inspired console that builds upon the way things are done today while offering the potential for a new, exciting and more creative way to work tomorrow.

Live is now shipping.

Solid State Logic is the world’s leading manufacturer of analogue and digital audio consoles and provider of creative tools for music, broadcast and post production professionals. For more information about our award-winning products, please visit: www.solidstatelogic.com.

DPA Microphones Makes Some Noise at the 2014 NAMM Show

Company to feature its latest “d:” branded mic offerings and host performances by SHEL

ANAHEIM, JANUARY 8, 2014 – Folk pop band SHEL will once again be the headlining act for DPA Microphones at the 2014 NAMM Show (Booth 7119). Longtime fans of the company, SHEL is made up of four sisters (Sarah, Hannah, Eva and Liza Holbrook) who will perform using DPA’s d:vote™ 4099 Instrument Mics and d:facto™ II Vocal Microphones equipped with a variety of adapters. Additionally, the company is announcing a full product “d:” branding, which includes the absorption of the current 4060, 4071, 4080 and 4090 Miniature Mics into the d:screet™ Miniature Microphones group and the addition of the ever-popular 4066 and 4088 Miniature Headsets to the d:fine™ Headset Microphone category.

In addition to watching full performances from the group, attendees will have the unique opportunity to hear the true quality of the mics employed in SHEL’s setup at personal listening stations located throughout the DPA Microphones booth. Hailing from the artistic community of Fort Collins, Colorado, these classically trained musicians blend classical music with pop elements for an eccentric sound that is youthful and upbeat, yet highly emotive.

Announced at DPA Microphones’ recent Partner Conference, the unveiling of the new d:screet Miniature Microphone name is another step in the company’s plans for full “d:” branding. With the company’s 4080 Miniature Cardioid Lavalier, 4060 Miniature Omni-series and 4090/91 Recording/Measuring Microphones and the new 4098 Podium Microphones now part of the d:screet line, customers have the ultimate set of solutions.

“A few years ago, we decided to change the names of our new products to make them more recognizable and easy to remember,” says Christian Poulsen, CEO of DPA Microphones. “In the past, our products were branded with numbers, which were difficult to understand and remember unless you were a DPA aficionado. We wanted names that were more meaningful and more interesting, so we found words starting with the letter ‘d’ that fit the significance to the ‘d:’ (colon) branding. Starting product lines with a ‘d’ makes it easier for fans to remember what they are using as it connects the mics to the DPA name. We also felt that leaving out the second letter gave it a graphic element that worked well with our new DPA design.”
Created for use with wireless systems in theater, television and close-miked instrument applications, the d:screet 4060 omni capsule is highly unobtrusive, which lends itself to an exceedingly accurate omnidirectional pattern, while the d:screet 4080 cardioid is acoustically pre-equalized and well suited for broadcast, conference and other live performances in the studio or in the field. The DPA d:screet 4090 is a high-quality omnidirectional condenser microphone with a uniquely natural and open sound, that is suitable for instrument miking applications in the studio, on stage or for system alignment.
Also on display is the company’s d:dicate Recording Microphone line, which combines the company’s best new and existing capsules and preamplifiers to deliver superior sound across many applications where the microphones have not been widely used before, such as live sound applications for touring and installation purposes. Included in the range are the new modular MMC4018 Supercardioid Capsule and the well-known MMC4007 High-SPL Omnidirectional Capsule, now re-launched for modular use.

Rounding out the d:dicate line are microphones from the familiar and well-loved DPA former Reference Standard series, including the modular 4000 and 2000 Series. All of the d:dicate capsules can be combined with the company’s state-of-the-art preamps, including the A, which is a Class A transformerless design; the B, a low cut and high boost filter version; the compact C option for visual unobtrusive miking; and the new modular active MMP-E cable for hanging or table applications. An MMP-F modular boom pole is available for podium or floor stand use of the d:dicate capsules.

In addition to the 4066 and 4088 Headset Microphones, which are available as both classic and d:fine options, users will have a chance to check out the d:facto II Vocal Microphone and d:vote 4099 Instrument Microphones.

ABOUT DPA:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com

HPA Tech Retreat Celebrates 20 Years of Inquiry and Illumination

Industry Thought Leaders and Technology Mavens Head Back to Palm Springs for Thoughtful Exploration of an Industry in Transition

(Los Angeles, CA) For the past twenty years, the Hollywood Post Alliance(r) (HPA) Tech Retreat(r) has gathered a veritable who’s who in engineering, technology, creativity, and strategic business together for a structured yet informal meeting of the minds; where top industry leaders engaged in all aspects of production, distribution, post production, film, television, web and related endeavors, gather in an environment conducive to the exchange of knowledge and information. This year’s 20th Anniversary confab promises all of that and more from February 17-21, 2014 at the Hyatt Regency in Indian Wells near Palm Springs, CA.

The Tech Retreat offers attendees the chance to explore the opportunities and the complexities facing an industry in transition, and to investigate new solutions and technologies that impact its many constituents.

The HPA Tech Retreat offers lively conference sessions, networking events and technology demonstrations to an engaged audience of participants and panelists that hail from a pool of the top technical, creative, business and hands-on experts. Topics will take the Tech Retreat audience from the nitty gritty to the very precipice.

For a full schedule, visit http://bit.ly/1cwt7B2. On Monday, February 17th, the event opens for early registration and a pre-Retreat course titled Physics, Psychophysics, and Vision for Advanced Motion Imaging from Charles Poynton and John Watkinson. Tuesday launches the HPA Tech Retreat, with the HPA Supersession: The New Normal is Anything But, focusing on the impact of new distribution platforms in production and post. Wednesday through Friday mornings feature breakfast roundtables where any industry relevant topic goes. The HPA Demo Room opens on Tuesday with demos and cocktails and is a hotbed of new products and technologies that feature curated and expert-demos which illustrate the latest developments. Wednesday focuses on the consumer experience and impact, and Thursday production and post. The Tech Retreat concludes Friday morning, with highlights and an emphasis on engineering. The entire event features many opportunities for one-on-one discussion with industry innovators, technology experts, business executives and other top professionals.

Mark Schubin, Multiple-Emmy-award-winning SMPTE Fellow has been working in television since 1967, writing about it since 1972, and chairing the HPA Tech Retreat program since 1997, commented on the engaging presentations set for next month. “We are dealing with fundamental changes in the very nature of our industry, from changing methodologies – broadcast, cable, DVD, DVR, for example- to the previously unthinkable, such as giving fans in a stadium access to their own instant replays, letting social media shape programming, and all of those things that lay beyond. This is a challenging but expansive time. For example, at the Tech Retreat, we’ll feature a presentation that may appear to be purely tech-focused and narrow (i.e., new display connections) but it will show how the consumer technology is powerfully driving the professional world. As always, we’ll be digging into important topics that are thought provoking, but are also important in terms of our businesses and careers, including two of the most critical issues in our industry: the change from video-specific technology to commodity information technology, and the question of what comes next on the screen, and what delivers the biggest bang for the buck?” Schubin notes, “Maybe it’s something a lot simpler than “4K.” He concludes, “And, we’re spending a day with a provocative dive into one of the most important topics there is – color.”

Leon Silverman President of the HPA noted, “This year is a significant milestone for the HPA Tech Retreat as we look back over the incredible effect that technology has had on our industry over the past 20 years. As the world of film and television became increasingly impacted by computer and digital technologies, the HPA Tech Retreat served as an important common ground for our industry to experience and drive transformative change together. Now more than ever, the Tech Retreat serves as an important bridge between so many of the rapidly changing aspects of our industry. As I do every year, I look forward to spending time with the most interesting people I know, and ones I hope to know, at the HPA Tech Retreat.”

Early bird registration pricing will end on January 10 and the Tech Retreat demo room still has a few remaining spaces left. For full information and registration visit www.hpaonline.com or call the HPA office at (213) 614-0860 or email Eileen Kramer – ekramer@hpaonline.com.

About the HPA Tech Retreat(r)
The HPA Tech Retreat(r) is an informal gathering, in the Palm Springs area, of the top industry engineering, technical, and creative talent, as well as strategic business leaders focused on technology, from all aspects of digital cinema, post-production, film, television, video, broadcast, and related technology areas, for the exchange of information.

The HPA Tech Retreat(r) will be presented with generous support from Foundation Members: Avid, Company 3, Deluxe, Dolby, EFILM, Encore; Gold Sponsor: Rohde & Schwarz and Brand Sponsor: Cloud Sigma.

About the Hollywood Post Alliance(r)
Hollywood Post Alliance (HPA) serves the professional community of businesses and individuals who provide expertise, support, tools and the infrastructure for the creation and finishing of motion pictures, television, commercials, digital media and other dynamic media content.

# # #

Media Contact:
Chris Purse, 818.303.8088
ignite strategic communications
chris@ignite.bz or mimi@ignite.bz

ESI Audio Deploys North America’s First L-ACOUSTICS K2 System for “The Gift”

Over 12,000 fans flocked to "The Gift" on December 26

Brand new system gains rave reviews at Tampa EDM festival featuring deadmau5

TAMPA, Florida — On December 26, ESI Audio gained the distinction of being the first sound reinforcement company in North America to deploy L-ACOUSTICS’ new K2 system. ESI gave the rig its first official workout at “The Gift”, a one-day EDM festival staged outside Tampa’s Raymond James Stadium and touting deadmau5 as the headlining act. more

New Christie Q Series 1-chip DLP Delivers Up to 10,000 Lumens

Christie® has achieved best-in-class 1-chip DLP® brightness with the new Christie Q Series that debuts at the Integrated Systems Europe (ISE) show in Amsterdam Feb. 4-6. The Christie Q Series 1-chip DLP® platform has brightness options ranging from 8500 to 10,000 lumens and XGA, WXGA and WUXGA resolutions.

For rental staging applications including concerts, conventions and other events where visuals are a vital component, end users will see the Q Series’ difference when blending and warping images from multiple projectors onto flat, curved, hexagonal, or spherical surfaces.

Christie eClarity and High Dynamic Contrast Bring Unsurpassed 1-chip Image Quality
Usable in either single or dual-lamp mode, Christie Q Series is equipped with eClarity™ –advanced image processing that significantly enhances images by providing greater control over image sharpness, gloss and shading. Christie eClarity delivers increased image clarity of standard definition content – making images stand out more than ever. With built-in High Dynamic Contrast Range (HDCR), image ‘washout’ in high ambient light conditions is eliminated.

Extron Universal XTP Transmitter for Multi-Format Analog Video Now Shipping

Extron Electronics is pleased to announce the immediate availability of the XTP T VGA, a universal XTP transmitter that sends multi-format analog video, audio, bidirectional RS-232 and IR control, and Ethernet up to 330 feet (100 m) over a single CATx cable. The transmitter digitizes incoming analog formats, providing signal extension of RGBHV, HD component video, S-video, and composite video signals from remote analog sources for high performance transmission. It supports computer-video to 1920×1200, including HDTV 1080p/60. To simplify integration, the XTP transmitter provides VGA loop-through for source monitoring and can be powered over the same CATx cable. more

Spectrum Productions Uses New Broadcast Pix Granite X Integrated Production System for SEC Football Events

Billerica, Massachusetts – Broadcast Pix™ today announced Spectrum Productions, an AV production and rental services company, used its new Granite™ X integrated production system to produce video presentations for the Regions Bank SEC Coaches Luncheon and SEC Legends Dinner on Dec. 6 in Atlanta. The event staging included two 11×20-foot side video screens for video playback and image magnification (I-MAG), as well as an ultra-wide 52×16-foot,two-projector blend center display positioned behind the stage, all populated exclusively through the Broadcast Pix system.

The luncheon included a preview of the next day’s SEC Championship Game between the Auburn Tigers and Missouri Tigers, including insights from the head coaches of both programs, while the dinner honored 14 former players that were named the SEC 2013 Football Legends Class in September. Both events were held in the same hotel ballroom and featured a three-camera setup. According to Preston MacIntyre, president, Spectrum Productions, all video clips and graphics were accessed from the Granite’s built-in clip server.

Fluent Macros, Granite’s built-in file-based macros system, was used extensively for both programs. Spectrum created a series of complex transitions, which involved layers of motion loops, picture-in-picture compositions, keys, and more. “It really would be impossible to execute so many simultaneous cues without the Broadcast Pix Fluent Macros. That’s a lot of different commands for people to be running manually,” MacIntyre explained. “We wanted the consistency and repeatability of the macros. No matter how many steps, we knew everything was going to be perfect.”

To create content for the main (and unusually sized) screen, graphic images were produced in Adobe After Effects as 3840×1080 images. A reverse anamorphic process compressed the images down to 1920×1080 resolution, which created “squished” images when played back through the Granite. The output from the Granite was fed into a Vista Systems Spyder x20 video processor, which re-created the original aspect ratio and flawlessly fed the blended image into two projectors.

Since Spectrum received its Granite X system in November, it has been used for both SEC events, the NASCAR 2013 Nationwide / Camping World Truck Series Awards Banquet in Miami Beach, Fla., and the Coalition to Salute American Heroes 2013 Road to Recovery Conference in Orlando, Fla. The company is headquartered in Atlanta, with offices in Miami, Orlando, Charlotte, N.C., and Las Vegas, Nev.

Spectrum upgraded from its Granite 5000 system to the Granite X for its advanced multi-view capabilities, which offers 16 full motion source windows and makes it easier to work with robotic cameras. MacIntyre also praised Broadcast Pix’s constant, one-frame latency, which is important for live event production. “Some competing products have quite a bit of a challenge with video delay,” he added.

About Broadcast Pix The leader in live video production systems with end-to-end integration, Broadcast Pix was founded in 2002 and has customers in more than 110 countries. Its Video Control Centers™ combine an integrated switcher, clip server, CG, and external control software with patented control panels, unique touch-screens, and exceptional displays. Systems range from compact systems controlled by touch-screen or voice automation to large sophisticated control panels. Customers include leading broadcast, streaming, sports, corporate, education, religious, and government studios. Learn more at www.broadcastpix.com.

Broadcast Pix and Granite are trademarks of Broadcast Pix, Inc. Patented. Made in USA.

DPA Microphones and Steinway Pianos in Perfect Harmony for ‘Keyboards at Christmas’ Event

Southwestern Baptist Theological Seminary teams up with DPA and Steinway for large-scale holiday performance featuring 17 grand pianos

FORT WORTH, DECEMBER 12, 2013 – The School of Church Music at Southwestern Baptist Theological Seminary recently enlisted the help of DPA Microphones and Steinway Hall of Dallas, Plano and Fort Worth to put on Keyboards at Christmas — a performance of “grand” proportions. With 17 Steinway Grand Pianos on stage, student and professional musicians performed holiday songs for the packed house at the 3,500-seat venue.

Already DPA Microphones enthusiasts for the ability of its mics to reproduce the natural beauty of a Steinway, the music staff at Southwestern Baptist knew it wanted to equip all 17 pianos with three d:vote™ 4099 Instrument Mics each, for a total of 51 mics. A clear, pristine sound was the school’s primary requirement when searching for a mic, and it was obvious that the DPA d:vote was the only choice.

“The Steinway instruments have a very beautiful, very unique sound that other instruments can’t touch, so we didn’t want to recreate the sound, but rather amplify it for the audience to hear in this very large hall,” says Luke Byford, Assistant Director of Musical Productions for the school. “We had experimented for a while with how to mic the piano in this hall and we knew it had to be the DPA d:votes. We previously tried a pickup system, but it just didn’t provide the live sound of the piano. It actually sounded pretty dead. Then we tried a variety of other mics and positions. Nothing seemed right, until our sound techs presented the idea to try the d:votes we had for string instruments in the piano. We were very pleased with the natural reproduction of the DPA mics as they gave us a much more accurate picture of how the pianos sound and the beauty that they put out.”

While this is the second year of the event, the school’s 2012 performance was held in a smaller, more acoustically tuned venue, so the staff did not require microphones. For this year’s Keyboards at Christmas, the school increased the number of pianos. To ensure that audience members had a clear view of every musician, the stage had three elevated platforms, which allowed them to place five pianos at the top, six in the center and six in the front.

“For a great deal of the program, all of the pianos were played at the same time,” says Jerry Aultman, Professor of Music Theory, who worked with Byford on the event. “Sometimes there were two pianists per piano, so a total of 34 pianists playing simultaneously. Bottom line, it was imperative in this hall, as you can imagine with this many instruments and musicians, for the artists to hear each other separately and without delay. From an audience perspective, I noticed that the DPA d:votes just made the Steinways sound the way they are supposed to sound. It was a true representation of the pianos. They don’t need improvement, they’re wonderful the way they are, we just wanted to amplify them and reproduce an accurate sound. With a program of this magnitude, using this many pianos in a hall this large, it is impossible to overemphasize the importance of this requirement.”

It wasn’t just the microphones that drew Byford and Aultman to the DPA d:vote. As the microphone is designed to be heard and not seen, the tiny capsule size enabled the mics to be positioned where the staff wanted them, without any visible signs of a mic being in place.

“We like that you can’t see them,” adds Byford. “They were in the pianos and we ran the lines out of the back, so the audience did not even know they were there. The magnetic piano mounts were great because once they were attached to the brass, they didn’t bounce or rattle. They stayed exactly where we put them, and the fact that they are on goosenecks allowed us to get the mounts in the proper spot on the piano, but then move the microphone to get them in the best position to pick up the exact area of sound we wanted to highlight. They were so hidden and so natural that many of our audience members later told us they didn’t even realize the pianos were being amplified until we mentioned it to them.”

The school had only one day of prep time to mic up the pianos and do an audio run through with students to ensure the EQ was perfect, so the size and maneuverability of the d:votes also afforded the quick setup that was needed. With only a limited in-house supply of d:votes, the school sought to rent an additional 35 microphones to fulfill their need for 51 d:votes. A tall order for any rental house, Byford found himself in direct contact with Eric Mayer, President of DPA Microphones, Inc.

“I think it’s great that a company that makes this kind of product would want to get behind a production like ours and help out the way they did,” adds Byford. “Everyone we worked with at DPA, seemed really excited to help us and support this project.”

In addition to the large supply of d:votes, the company loaned the school two d:facto™ Vocal Microphones for the soloists who accompanied the pianists. DPA’s Sales and Marketing rep, James Capparelle, also attended the event to help with setup and make certain everything ran smoothly.

The Keyboards at Christmas event hosted Southwestern Baptist students and faculty, as well as school-aged children who played three songs, including excerpts from the classic “A Charlie Brown Christmas.” Guest artists Becky Lombard, professor of music at Truett-McConnell College, and T. Bob Davis, a former Southwestern Seminary trustee also performed. In addition to Byford, Aultman and Capparelle, the event was also run by Matthew Bennett, Will Schaefer, Caleb Wallace and Cody Meuer, who are student employees of the school’s A/V Communications department and were key players in making sure the program operated effortlessly.

Video from the event can be found at: http://youtu.be/-D0JsLg2IDw.

ABOUT DPA MICROPHONES:
DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com.

Extron Introduces Two Input DTP Wallplate Transmitters for HDMI and VGA

Extron Electronics is pleased to introduce the DTP T HWP 232 D and the DTP T UWP 232 D two input Decora®-style transmitters. The DTP T HWP 232 D transmits HDMI, audio, and control, while the DTP T UWP 232 D transmits HDMI or analog video, audio, and control. These signals are sent up to 230 feet (70 meters) over a single CATx cable to an Extron DTP 230 receiver. The DTP T UWP 232 D digitizes incoming analog video for reliable display on a variety of output devices. Both transmitters are HDCP compliant and include independent stereo audio connections. They also offer many integrator-friendly features such as EDID Minder, auto-switching between inputs, remote power capability, and bidirectional RS-232 and IR pass-through for remote AV device control. The wall-mountable design of the DTP T HWP 232 D and DTP T UWP 232 D provides the convenience of placing input connections precisely where they are needed. more

ABS Builds, Supports International Broadcasting Center for 27th SEA Games in Myanmar

SEATAC, WA — Professional video and audio systems integration firm Advanced Broadcast Solutions (ABS) today announced it has been selected as the premier AV technology provider for the International Broadcasting Center (IBC) for the 27th Southeast Asian (SEA) Games, which start today and run through December 22nd in Myanmar. More than 1,000 media personnel are expected to cover the games, and ABS has been on location for more than three months preparing for the event.

Held every two years, the SEA Games include participants from 11 countries and serve as pre-qualifying contests for some track and field events for the Olympic Games. There are more than 4,000 athletes competing in more than 30 sports at this year’s event, which will be held in 29 venues across Nay Pyi Taw, Yangon, Mandalay, and Ngwe Saung. This year is the first time Myanmar has hosted the SEA Games since 1969.

In conjunction with Asia Mega Link, a telecommunications company based in Yangon, ABS was tasked with designing, building, and supporting video and audio for the media in all venues. ABS will also produce HD coverage of all athletic events, as well as the opening and closing ceremonies. Each venue includes an area for stand-ups, a “mixed zone” for interviews with athletes, and predetermined ENG camera positions with wide views of the field of play.

ABS and Asia Mega Link have installed bi-directional fiber links between each venue and the IBC, which is based in the Maniyadana Jade Hall in Nay Pyi Taw. The IBC features a three-camera TV studio with control room. Other services available include SD and HD satellite uplink/downlink, equipment rental, and daily highlight video packages available for each sport and each day. Grass Valley is the premier provider of technology for the SEA Games, providing LDX Series cameras and GV STRATUS nonlinear media production tools. Broadcasters can also rent private offices, which include a network connection, router connectivity, and GV STRATUS.

“Myanmar is an emerging country, and the SEA Games will help introduce its people and culture to much of the rest of the world with brilliant HD imagery,” said Mark Siegel, president of ABS and director of technology for the SEA Games. “ABS is very pleased to be working with Asia Mega Link to help make this event a success for members of the media who will be on site.”

About ABS:

Based in SeaTac, WA, ABS (Advanced Broadcast Solutions) delivers customized, technologically superior solutions for broadcast, corporate, house of worship, entertainment, government, and educational facilities – from design and integration to installation and support services. Since 1982, its experienced technical staff has installed more than 700 systems for clients including GOCOM Media, Cowles California Media, Cisco Systems, Meredith, and Time Warner Communications. For more information, call 206-870-0244 or visit www.advancedbroadcastsolutions.com.

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