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Archive of the Events Category

Extron Now Shipping VN-Matrix Codec for 3G-SDI Over IP

Extron Electronics is pleased to announce the immediate availability of the VNC 325 3G-SDI, a VN-Matrix series codec that streams SDI, HD-SDI, or 3G-SDI video and embedded audio over standard IP networks. The VNC 325 transports low latency, production-quality SD or HD video with embedded audio. Two channels of audio can be streamed with video in low bandwidth applications or up to 16 audio channels can be streamed in ancillary – ANC data blocks of four channels. Form factor improvements from the VN-Matrix 300 Series make it compatible with Extron rack mount accessories. more

The Film Society of Lincoln Center Selects Christie Solaria Series Projectors to Light Up Starr Theater at Alice Tully Hall in New York City

The world’s leading digital projection system, the Christie® Solaria® Series, has been selected as digital projector of choice for the Starr Theater at Alice Tully Hall at Lincoln Center, one of the most prestigious movie premiere venues in the United States. Preferred Christie dealer Digital Media Systems performed the installation in preparation for the 51st Annual New York Film Festival (NYFF), which will run from September 27 to October 13. The 4K resolution Christie projection system debut on Friday, with the festival’s Opening Night world premiere of “Captain Phillips,” a film starring Tom Hanks and based on the true story of the 2009 seizure by four Somali pirates of the Maersk Alabama cargo ship.

Alice Tully Hall (Photo by Mark Bussell)


“The Film Society of Lincoln Center takes a lot of pride in the work it does, supporting and showcasing innovative films by well-known and aspiring filmmakers alike. Our festivals are truly a time to celebrate the moving image and the powerful narratives that can be told through this medium,” said Lesli Klainberg, managing director, the Film Society of Lincoln Center. “At Alice Tully Hall, we show the highest-profile events of the festival, including NYFF official selections and gala tributes. In recent years, many of these have used Christie projectors. We are confident that Christie will always deliver, and are excited that the firm’s projectors will form part of the technology cornerstone for Alice Tully Hall.”

Craig Sholder, vice president, Entertainment Solutions, Christie, noted, “Alice Tully Hall is more than just a place to watch a movie on the big screen. Directors, filmmakers, and actors are all excited when their works premiere before thousands of distinguished guests at this historic and esteemed New York City venue. It’s a vote of confidence in Christie by the Film Society of Lincoln Center that they would choose our technology to debut landmark cinematic works for years to come.”

Gregg Paliotta, president and owner of Digital Media Systems, said that two Christie CP4230 4K DLP® digital cinema projectors will be converged and synchronized to display 3D movies with double the brightness levels of typical 3D presentations, while a single Christie CP4230 will be used to show 2D content in rich 4K resolution, attesting to the high brightness levels of Christie projectors.

“The Film Society wanted the most reliable, powerful, and accurate projection system to anchor the world-renowned Alice Tully Hall, not just for the festival, but for all of its high-profile events year-round,” said Paliotta. “Having used Christie projectors at other iconic Lincoln Center venues, as well as at countless venues throughout New York City, I am confident that Christie projectors are the best choice for the job.”

The New York Film Festival, organized by the Film Society of Lincoln Center, is North America’s second oldest film festival, drawing thousands of people to New York City every year to see exciting world premieres, award winning films, and participate in workshops and panel discussions across seven venues on Lincoln Center’s campus. Alice Tully Hall is the premiere venue for the festival, screening many of its most anticipated events.

FSR’s Jon Melchin to Present at Smart Building Conference in London

Woodland Park, NJ – Jon Melchin, FSR Inc.’s Director of Architectural Development, will share his in-depth expertise on Building Information Modeling (BIM) with delegates at the second Smart Building Conference. The event, which debuted in January in Amsterdam, will be held at Dexter House in London on 15 October. The Conference calls upon experts from different industries to unite behind the common cause of thinking, working and building smarter to drive the future of Smart Buildings forward.

The Smart Building Conference comprises an audience of building systems professionals including architects, facilities managers, consultants, developers and other groups who gather to enhance their knowledge and skill in integration, room and building control systems, fire and security, CCTV, networking, energy management, lighting and more.

Melchin’s presentation – Building Information Modeling: Designing better, faster and smarter with BIM – will explore BIM – a 3D design, modeling and simulation technology that has changed the way architecture is practiced. Melchin will discuss how BIM is becoming increasingly instrumental in smart building initiatives and highlight its ability to draw various parties together to share information about a building, its components and the energy efficiency performance assessment of the intelligent environment. The session is scheduled for Tuesday, 15 October at 2:30 PM.

“Being asked to present at this prestigious event is a significant honour,” said Melchin. “The Smart Building Conference brings together professionals from various but complimentary fields to provide an incomparable resource pool for those responsible for the future of Smart Buildings. I’m more than delighted to be able to make a contribution.”

Melchin, an accomplished speaker and a Passport Provider with the American Institute of Architects Continuing Education System (AIA-CES), works nationally with the architectural and design community to facilitate the specification of FSR products. Melchin has authored numerous articles that have been published in international trade publications targeting the construction and audiovisual industries, and has over 12 years of experience in the AV business.

Further information regarding all FSR products can be found at: www.fsrinc.com.

About FSR
FSR, established in 1981, manufactures a wide variety of products for the audio / video, education, hospitality, government, and religious markets, including AV floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and CAT-5 solutions.

The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information: www.fsrinc.com.

FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Communications
Harriet Diener • 845-512-8283 • harriet@desertmoon.tv

New Robust Series Mounts by Crimson AV Provide a Safe, Secure and Smooth-Moving Installation of Large-Format 70 to 90-inch TVs

New Robust Series Mounts by Crimson AV Provide a Safe, Secure and Smooth-Moving Installation of Large-Format 70 to 90-inch TVs 

GLENVIEW, IL and DENVER, CO (CEDIA EXPO Booth #4025) – September 24, 2013 – Crimson AV, LLC, a leading manufacturer of professional-grade Audio Video mounting solutions, today announced that the Company will unveil a new line of mounts designed for large format TVs at CEDIA EXPO, taking place in Denver, Colorado September 26-28, 2013. Arriving ahead of schedule, Robust Series mounts by Crimson AV are already in stock and available for shipment to authorized dealers and retailers throughout the US, Canada and Mexico.

A necessary element for every TV installation, AV mounts come in a variety of styles and configurations. The Robust Series was developed to fill a void that currently exists in the marketplace and consists of three multi-joint models that accommodate 70 to 90-inch TVs weighing less than 200 pounds. RST90 is a tilt model, RSA90 is an articulating model, and RSF90 is a flat mount model. Lateral shift and post-installation leveling facilitates perfectly positioned TVs, while an integrated cable management system preserves design and décor aesthetics. Each model comes with a 400x400mm interface and is expandable to 400x600mm when the optional AD600 VESA Adapter is used. Priced competitively, the Robust Series mounts feature Crimson’s standard 30-day money back guarantee and industry-leading 10-year warranty, while carrying MSRPs starting at $215.00.

The Robust Series includes three models:

RST90

Tilt mount with triple stud mounting that facilitates the most secure installation possible for heavier large-format 70 to 90″ TVs. Includes a horizontal slide mechanism that helps center the TV on the wall as well as post-installation leveling that compensates for uneven ceilings and enables a perfectly positioned TV. A unique all steel click-in-place feature simplifies the installation by eliminating the need to reach up behind the TV with a wrench or screwdriver to secure or remove it.

URL: www.crimsonav.com/products/rst90

RSF90

Flat mount with triple stud mounting that facilitates the most secure installation for heavier large-format 70 to 90″ TVs. Includes a horizontal slide mechanism that helps center the TV on the wall as well as post-installation leveling that compensates for uneven ceilings and enables a perfectly positioned TV. A unique all steel click-in-place feature simplifies the installation by eliminating the need to reach up behind the TV with a wrench or screwdriver to secure or remove it.

URL: http://www.crimsonav.com/products/rsf90

RSA90

Articulating mount with a heavy-duty dual arm scissor action that provides better balance and smooth movement for large-format 70 to 90-inch TVs. Post-installation leveling compensates for uneven ceilings as well as the natural sag experienced with 100lb+ TVs. Lateral and vertical adjustments facilitate precision positioning and provide needed installation flexibility for recessed applications, and integrated cable management provides a clean look.

URL: http://www.crimsonav.com/products/rsa90

Manufacturing a broad assortment of professional grade AV mounting solutions and accessories for nearly any structure or application imaginable, Crimson products are ready to ship same day to integrators, distributors, systems designers and specifiers worldwide. Every product in the comprehensive assortment is manufactured to rigorous standards and sells for a fraction of the price of other competitive solutions, making it a highly compelling line that provides tangible benefits.

Interested parties are invited to connect with Crimson at booth #4025 at CEDIA EXPO 2013, or by visiting www.crimsonav.com, calling 866-MOUNT-TV, writing to info@crimsonav.com and by following @CrimsonAV on twitter.

About Crimson

Crimson manufactures a comprehensive lineup of TV mount solutions designed for a wide variety of Residential and Commercial applications, including Digital signage, Education, Hospitality, Corporate, Worship, Venues, Stadiums and Arenas, Restaurants, Bars and Healthcare facilities.

With extensive experience in the design, manufacture and sale of professional-grade TV mounting equipment, and by utilizing lean business practices, Crimson has developed a proprietary business model, which provides maximum value with minimal cost. Not only do Crimson customers receive the best value, they also benefit from unparalleled customer service, an easy to use website and uncompromising design and build quality, ensuring each Crimson AV mount will be trouble-free for years to come. Interested parties can learn more about Crimson mounting solutions by visiting www.crimsonav.com, by calling 866-MOUNT-TV, or by writing to info@crimsonav.com. Follow Crimson on Twitter @CrimsonAV and Facebook at www.facebook.com/pages/Crimson-AV-Mounting-Solutions/129843060418405.

Crimson Media Contact:

Katye (McGregor) Bennett

KMB Communications

Office: 406-446-1283

Cell: 425-328-8640

Email: katye@kmbcomm.com

Twitter: @katyemcgregor

Press Kits: www.kmbcomm.com/press

 

###ENDS

Red TX Mixes the Audio for Morrissey’s New Film


Broadcast audio specialists Red TX played a pivotal role in the production of MORRISSEY 25: LIVE FROM HOLLYWOOD HIGH, recorded at Hollywood High, a legacy concert film that celebrates 25 years of this enigmatic performer’s solo career.

Filmed live at the Hollywood High School in Los Angeles in March 2013, this intimate gig provided the material for the first authorised Morrissey film to be released in nine years. Red TX worked closely with Nineteen Fifteen and Eagle Rock Productions, the producers for Eagle Rock Entertainment, to ensure a great soundtrack. As well as liaising closely with the US recording crew, the company was also responsible for mixing the concert – a task that took place back in the UK on board Red TX’s main Outside Broadcast vehicle, Red One, with director Tim Summerhayes at the controls.

Nineteen Fifteen producer Vicki Betihavas says: “I have worked with Tim and the Red TX team for many years and they are my first choice for all my music projects, in particular live shows. On this occasion we had entirely local support for the filming, with only the producer, director and DOP coming in from the UK. However, Red TX knew the audio crew in Los Angeles so I knew we were in safe hands as Tim and the US team coordinated what we needed. Tim also mixed the Theatrical, TV and DVD versions for us and the sound was great – as always.”

Tim Summerhayes adds: “I was really happy to be involved in this project. We arranged to have the concert recorded by Guy Charbonneau and his son Ian who run Le Mobile in Los Angeles. I’ve known Guy for years and was entirely confident that he would do a great job. The multitrack arrived back in the UK as a disc drive of .WAV files. I mixed it over a period of five days and it was a very straightforward task since the recording had been so well done. The band was excellent and, because it was a small venue, the sound was really honest.”

The film opens with tributes from fans who talk about their unwavering devotion to Morrissey. They also discuss the unique appeal of the unusual venue, which offered a striking contrast to the sold out arena concert at the Staples Center where Morrissey had played the previous night. Tickets for the concert in the 1,800-seater school auditorium were sold out in 12 seconds and this now legendary concert became Morrissey’s penultimate performance on his US Tour.

The project was completed in July in time for the film’s Global Theatrical release. Distributed by More 2 Screen (UK) and SpectiCast (North America) on behalf of Eagle Rock Entertainment, the film is still being shown in various territories and regions, particularly in the US where it is playing encore performances in many cities. The DVD/Blu-ray version will be released on October 21st 2013.

-ends-

About Red TX:
Red TX provides a comprehensive concert recording and broadcast service to the music and television industries. The company has state-of-the-art mobile recording facilities and can handle projects of any size or complexity. As well as recording audio for broadcast, the company also records live music events for subsequent release on CD or DVD. It is headed by Ian Dyckhoff and Tim Summerhayes, both of whom have extensive experience in delivering high-quality audio for broadcast. www.red-tx.com

Paul Salvini, Christie CTO, Featured Speaker at Toronto International Stereoscopic 3D Conference


Christie®, a world leader in advanced cinema technologies and visual displays, is pleased to announce that Dr. Paul Salvini, its Chief Technology Officer, will be a featured speaker at the 2nd annual Toronto International Stereoscopic 3D Conference taking place at the Bell TIFF Lightbox Theatre from September 20 to 23.

Dr. Salvini is one of two speakers on the topic of Laser Projection scheduled for
2:30 p.m. on Sunday, September 22 in Cinema 2. His presentation will focus on recent technological advances in laser projection and how these will influence the future of cinema and visual display projection techniques. The second speaker is Peter Ludé, a prominent engineering leader in broadcast and digital media, who will highlight the regulatory and safety issues raised by this leading edge technology. Both speakers will be available for a Q&A session following their presentations.

Dr. Salvini has led award-winning teams of engineers and software developers in bringing to market advanced visualization, simulation and display technologies. He has worked with 3D animation for major Hollywood film studios and has expertise in turning complex data sets into visualization solutions for defense and academic entities, as well as for the entertainment world.

Dr. Salvini has an equally accomplished academic career. Currently president of the University of Waterloo Alumni Council and holding appointments as Adjunct Professor of Engineering and KMDI Senior Research Fellow at the University of Toronto, he also serves on a number of boards relating to digital media research in the areas of graphics information visualization and 3D film innovation.

Mr. Ludé most recently was Senior Vice President of Sony’s Silicon Valley research and development labs where his work included workflow software for movie production, stereoscopic imaging and the next generation of 4K laser projectors for digital cinema. He is a past President of the Society of Motion Picture and Television Engineers and also co-founder and past Chairman of the Laser Illuminated Projector Association (http://lipainfo.org/).

The conference is an unique international gathering of creative, scientific and business minds discussing, discovering and inspiring innovation in “Stereoscopic 3D” cinema. Brought together by the 3D Film Innovation Consortium, it offers the highest quality discussions on the creative, scientific and business challenges and possibilities of stereoscopic 3D.

Christie’s Visualization Systems for Oil, Energy and Mineral Industry on Display at SEG

Christie®, a world leader in 3D visualization display technologies, will be visible in more ways than one at the Society of Exploration Geophysicists’ (SEG) International Exposition and 83rd Annual Meeting at the George R. Brown Convention Center, in Houston, Texas, Sept 22-27. A Gold Sponsor of the Society of High Performance Computing (SHPCP) Theater, Christie will also showcase innovative visualization displays well-suited for the oil, energy and mineral industry, such as the pristine, quad high definition Christie QuadHD84, with 3840 by 2160 resolution as well as the 70-inch Christie® Entero™ HB video wall cube, the first high-brightness LED video wall cube with over 1100 lumens brightness capability.

“Oil and energy companies are recognizing the important roles that both collaboration and advanced visualization play in exploring and synthesizing seismic images and data. Christie’s solutions have been used by authorities around the world to better evaluate spatial relationships,” said Larry Paul, senior director of Technology and Visualization Solutions, at Christie.

During exhibition hours, a series of presentations will be accessible for attendees in the newly-built, 50-seat SHPCP Theater sponsored in part by Christie. Equipped with a brilliant high-resolution Christie Mirage 4K25 —the world’s only 4K resolution DLP projector capable of running at true 4K 120Hz input and output—the Theater’s screen will light up the room with HPC members’ technical presentation papers and products and services. Christie’s Larry Paul will present on the “Future Direction of Visualization Technologies” Tuesday, Sept. 24 at 11 a.m. and Wednesday, Sept. 25 at 10:30 a.m. in the SHPCP Theater.

Christie, in collaboration with Technical Innovation’s CriticalSpace Solutions (booth #3358), a leading provider of AV integration, collaborative communications and digital media technology, will exhibit state-of-the-art visualization solutions for the oil, energy and mineral industry, with their demonstration of sophisticated collaborative visualization and seismic data interpretation capabilities. Christie’s high-performance, high-brightness 70-inch Christie® Entero™ HB video wall cubes, the first and only LED display to offer Wi-Fi enabled wireless control, will be used as part of a 2 by 2 visualization display, while the rugged and powerful Christie Spyder X20 video processing system drives the content.

As part of its showcase, HP (booth #2512) will display a Christie QuadHD84. With installation provided by Data Display, both Paradigm (booth #2842) and Baker Hughes (booth #2556) are showing the awarding-winning Christie® MicroTiles® : the modular display technology that can be configured into nearly any shape and size to create a beautiful digital canvas.

SEG’s Exposition and Annual Meeting is the world’s largest oil, energy and mineral exposition showcasing cutting-edge technology for use in exploration and associated industries, where thousands attend to learn and discover geophysical innovations and new earth science technologies.

PixelFLEX LED Video Curtains Deliver Impressive Visuals for Boots and Hearts Festival

Canada’s three-day country music festival, Boots and Hearts, is the largest of its kind to ever be hosted on Canadian soil and, with 25,000 spectators in attendance daily, it has become one of the largest in North America as well. The experience boasts top artists, such as Carrie Underwood, Tim McGraw, Jason Aldean, Miranda Lambert, Rascal Flatts, Kid Rock, and The Band Perry, along with a plethora of entertainment options throughout the weekend, including motocross shows, late night dance parties and impressive stage visuals. During this year’s festival, PixelFLEX facilitated the delivery of those impressive visuals on the Sirius XM-sponsored side stage through its high-quality, lightweight and flexible LED video curtain screens.

PixelFLEX provided 12 20mm panels for Boots and Hearts to deliver clear video content and effects to enrich the musical performances while also highlighting the festival’s sponsors. The panels are extremely lightweight and flexible, allowing them to bend or shape around structures without losing clarity. The panels also offer a solution for more delicate venues that cannot sustain a heavy screen, like the 30m by 55m tent covering the second stage at the festival.

“That particular staging had weight restrictions and I needed to find an LED video wall that was lightweight but could also achieve the visual goals that the client was after,” said Mitch Mazerolle of Metalworks, who served as production manager of ancillary stages for Boots and Hearts. “It turned out to be a great solution for this challenging situation.”

The panels were configured as a back wall behind the Sirius XM-sponsored stage and rotated different images across the screens throughout the day. During special events or performances, Adam Grosze, director of partnerships for the festival, mentioned that it was simple to change the video content from static images to a functioning video wall for the late night dance parties.

“The simplicity and ease of transition from one advertisement or sponsored segment to another was important to us,” said Grosze. “The PixelFlex screens were a great option and the ease of use and ability to integrate the panels across several different platforms was the biggest benefit of using PixelFLEX.”

Pleased with the ease of set-up and take-down, price and overall experience with PixelFLEX’s LED video
curtains, the Boots and Hearts team is looking at additional ways to use the panels at next summer’s festival.

Videos and images can be sent to the screen using any computer with a DVI-D connection – PixelFLEX LED Curtains are available from low resolution to high resolution, allowing users to demonstrate simple effects or elaborate videos. The high caliber visual components of the curtains come with equally impressive customer service assistance and without the need for an extensive budget.

For more information on PixelFLEX and its growing line of lightweight LED video screens, visit www.LEDCurtain.com. Follow PixelFLEX at www.facebook.com/pixelflexusa or @ledcurtain.

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Digital Vision Brings Thor Advanced Image Processing to IBC 2013

Thor to deliver high quality, real time processing at 4K, faster than real time for HD and SD

(London, UK) Following well received technology demonstrations at NAB 2013 and Broadcast Asia 2013, Digital Vision will bring Thor to Stand 7.E30 at IBC 2013. The dedicated hardware platform for advanced image processing, which is scheduled for delivery in December 2013, enables real-time processing for 4K and faster than real-time for HD and SD sources. 8K processing will be enabled during 2014.

Kelvin Bolah, Managing Director, Digital Vision, said, “The enthusiastic feedback we have received about Thor shows that there is a great demand for better, faster image processing. Thor is already achieving speed and quality that up to now has been unthinkable; by incorporating our DVO image enhancement and restoration tools into Thor we will have created a formidable toolset.”

Thor will initially feature the award-winning DVO Clarity noise and grain management tool, followed by other tools including DVO Dust 2.0, DVO Steady, DVO Upscale and others.

Thor will be available as a part of the Nucoda and Phoenix ecosystem, but will also function independently across multiple platforms, making the tools available to broadcasters and archives in a file-based or video environment, including live broadcast applications.

At IBC 2013 Digital Vision will also present the latest versions of the Nucoda colour grading product line and its Phoenix restoration software.

About Digital Vision
Digital Vision is the supplier of the world’s best colour grading, restoration and film scanning solutions for the broadcast, film, commercial and archive industries. Founded in 1988 in Stockholm, Sweden, Digital Vision has offices in London, Los Angeles, New Zealand, and Linköping in Sweden. Digital Vision’s Emmy award winning technology and products include Nucoda and Phoenix colour grading, finishing, mastering and restoration solutions that are used to create much of the worlds’ high profile television, film and commercials media broadcast and distributed today. In addition to the Nucoda and Phoenix ranges, Golden Eye film scanners and the Vintage Cloud solution provide innovative tools to create the industry recognized highest quality in scanning, film digitization, preservation and archiving.

In April 2011, Digital Vision acquired Image Systems and is now a division of the Image Systems group of companies.

For more information, visit www.digitalvision.se

All trademarks used herein, whether recognized or not, are the properties of their respective companies.

# # #

Digital Vision PR Contacts:
USA
Chris Purse, Ignite | chris@ignite.bz | Tel: +1 818 980 3473

EMEA/APAC
Dawn Egerton, Bubble & Squeak | dawn@bubblesqueak.co.uk | Tel: +44 (0)7887 627764

Digital Vision Marketing Contact:
Patrick Morgan | patrick.morgan@digitalvision.se | Tel: +44 (0) 20 7734 8282 | Mobile +44 (0) 7917674711

Matrox Monarch HD to be Featured at IBC2013

Award-winning streaming and recording appliance makes European debut

At IBC2013 (Amsterdam, Sept. 13-17, stand 7.B29), Matrox® Video will feature the new Matrox Monarch HD™ video streaming and recording appliance that received four important industry awards at the 2013 NAB Show. Monarch HD is designed for professional video producers who need to simultaneously stream a live event and record a mastering-quality version for post-event editing. It provides these two independent modes in an integrated unit. From any HDMI input source such as a camera or switcher, Matrox Monarch HD generates an H.264-encoded stream compliant with RTSP or RTMP protocol. While encoding the video at bitrates suitable for live streaming, Matrox Monarch HD simultaneously records a high-quality MP4 or MOV file to an SD card, a USB drive, or a network-mapped drive. Powerful and robust, Matrox Monarch HD is remotely controlled using any computer or mobile device with a web browser. It also offers simple, one-touch stream and record pushbuttons, low power consumption, a locking power connector, and a fanless design.

“Matrox Monarch is already being used for internet broadcasts from beta sites around the world and the feedback on the feature set has been uniformly positive,” said Daniel Maloney, technical marketing manager at Matrox. “This is the latest product that exemplifies what Matrox Video does best — provides high-quality, technologically-advanced tools for video professionals that combine multiple functions in a single cost-effective product.”

Price and availability
Priced at $995 US (€799, £699) not including local taxes and delivery, Matrox Monarch HD will be available worldwide by the end of September.

About Matrox Video
Matrox Video is a technology and market leader in the field of HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, streaming, A/V signal conversion, capture/playout servers, channel-in-a box systems and CGs. Matrox’s Emmy award-winning technology powers a full range of multi-screen content creation and delivery platforms used by broadcasters, telcos, cable operators, post-production facilities, videographers and A/V professionals worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/video.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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