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House Research Institute Outlines Five Ways Musicians Can Protect Their Hearing in 2012

Los Angeles – January 11, 2012 — As the 2012 NAMM Winter Show approaches, musicians from all over the world are eagerly anticipating the most recent music gear developments and exciting equipment innovations. House Research Institute (HRI) [NAMM booth 1292, Hall E] will be on hand providing hearing screenings throughout the duration of the show, while offering advice on how to protect what is unequivocally musicians’ most valuable asset: their hearing.

House Research Institute – a leading non-profit dedicated to improving the quality of life for people with hearing loss and related disorders – has outlined five simple ways musicians and music fans can preserve their hearing during 2012 and beyond:

1) Know thyself: have your hearing tested

Often, hearing loss issues are initially detected by family and friends rather than the person experiencing it. “When a person frequently has trouble understanding conversations in places where there is significant background noise, such as at parties, crowded restaurants and clubs, it might be a good time for a hearing test and an ear examination,” observes John W. House, MD, president of House Research Institute and physician at the House Clinic. Find out where you stand so you can understand and address the personal risks you may face — hearing exams take just minutes. Noise induced hearing loss begins in the higher frequencies and does not affect speech frequencies until it is advanced. Therefore, a screening audiogram is advised for those who are exposed to loud noise.

2) Know thy surroundings: avoid potentially dangerous environments

By ensuring you are in a safe listening environment, you mitigate the risk of noise induced hearing loss (NIHL). “If you have to raise your voice to be heard, you are likely in an environment with sound levels exceeding 85 dBA,” says Marilee Potthoff, director of community outreach and education at House Research Institute. Musicians and engineers depend on good hearing for their careers, but also are at high risk for hearing damage from prolonged sound exposure on the job. If you’re in the sound industry, it’s important for your hearing health to carefully monitor your sound environments that reach above 85 dBA both on and off the job, and know how much to limit your exposure. When relaxing with your personal stereo or player, we recommend keeping the volume setting at no louder than 60 percent of max. potential.

3) Use it or lose it: make the right choices in hearing protection

Educate yourself on what kind of hearing protection is truly effective. “Select hearing protection devices that provide the appropriate amount of sound reduction. Hearing protection with an NRR (noise reduction rating) of around 25 to 35 dB offers better protection for loud music environments than devices with lower NRRs. Using devices with a much lower NRR may result in significant damage to the inner ear when exposed to high level [loud] sounds,” says Andrew Vermiglio, AuD, HRI research audiologist and California State University Northridge audiology professor. Some custom ear plugs — which are available through licensed audiology clinics, including the House Clinic — offer a flatter attenuation across the frequency range and may make listening to loud music more enjoyable than standard, over-the-counter earplugs, such as foam or pre-molded plugs. Standard earplugs tend to “colorize” what you hear by filtering the high frequencies more than the low frequencies.

4) Keep it clean: Ears need good hygiene, too
Earwax may not be the most popular discussion topic in the world, but it is certainly worth knowing about. Knowing how to safely remove wax and dirt build up will help you keep your hearing on the right track in 2012 and beyond. “Never insert foreign objects into your ear canal, including cotton swabs — instead, use a warm washcloth to gently clean the outer area of your ears or an over the counter ear wax removal solution,” says Dr. House. Other ear cleaning methods known as ear candling or coning are dangerous, not effective, and can easily damage your ear canal.

5) Make a date: Have your ears checked on a regular basis
Have your hearing checked annually. If you notice a change in the state of your hearing, seek immediate medical attention. “Annual hearing exams may help to identify potential hearing loss issues while there is still time to rectify them,” says Dr. Vermiglio. Also, symptoms such as hearing loss, ringing in the ears, dizziness or loss of balance, may be related to a serious medical condition.

So whether you are a musician, or just enjoy listening to music with friends, follow these basic steps and put your hearing first in 2012 — because once you lose it, you may never be able to get it back. For more information, visit the House Research Institute website at http://www.houseresearch.org.

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AVAD Announces2012 Vend-O-Palooza Schedule

Custom electronics distributor kicks off exclusive traveling “trade show”
January 26 in Irvine, Calif.

VAN NUYS, Calif. – January 10, 2012 – AVAD LLC, one of North America’s leading distributors of custom electronics, has announced the first dates and locations for the 2012 schedule of its highly popular Vend-O-Palooza tour. AVAD’s 2012 Vend-O-Palooza tour will kick off January 26th at the AVAD branch in Irvine, Calif. followed by stops at Scottsdale, Ariz. on February 22 and San Jose, Calif. on March 13.

Now in its third year, Vend-O-Palooza is a one-day “trade show” offering local dealers and integrators an exclusive opportunity to meet directly and interact with the industry’s leading manufacturers and service providers. Attendees to Vend-O-Palooza have the unique benefit of demoing the latest products, participating in prize giveaways and raffles and purchasing products at special pricing. Throughout the event, AVAD also conducts special training session and workshops designed to help attendees manage and grow their businesses.

“Vend-O-Palooza has quickly grown into an event that AVAD dealers and vendors look forward to,” said Jim Annes, vice president and general manager of AVAD. “The event is truly a win-win situation for everyone in attendance. AVAD dealers have the unique opportunity to speak face-to-face with manufacturers in a forum that allows them to ask questions and provide feedback on the products they use. AVAD vendors also use Vend-O-Palooza as an opportunity to learn more about the unique needs of the dealer which helps them make the products and services they provide even better.”

AVAD will release more Vend-O-Palooza dates and locations throughout 2012. For an up-to-date tour schedule, visit http://www.vendopalooza.com or http://www.avad.com.

About AVAD LLC
AVAD is an industry-leading provider of solutions to the residential and commercial custom installation markets. As part of the Specialty Solutions Division, AVAD, a wholly-owned subsidiary of Ingram Micro, provides integrators access to the industry’s top products and integrated solutions for residential and commercial video, audio, lighting control, content management, whole-home and business automation and control, as well as digital signage and commercial solutions and design services. AVAD offers the broadest consumer electronics and home and business automation portfolio in North America. Further differentiating its services, AVAD invests in the business tools and technical support and services integrators need to grow their businesses. With 24 locations throughout North America, AVAD offers local, hands-on access to the latest products and trainings, as well as free support services including system design and technical support.

Media Contact: Scott Moody, Director of Public Relations Marketing Matters Tel: 954-925-1511 Email: scott@marketingmatters.net Web: http://www.marketingmatters.net

KLOS Radio Personality Uncle Joe Benson Helps House Research Institute Get the Word out on Healthy Hearing to NAMM Attendees

Los Angeles – January 9, 2012 — As part of its 2012 NAMM Winter Show activities, the House Research Institute (HRI) [NAMM booth 1292, Hall E] will host special guest Uncle Joe Benson of Los Angeles’ KLOS radio on Saturday, January 21st from 11:00 a.m. to 1:00 p.m. at the Anaheim Convention Center. The popular radio announcer and entertainer will be on hand to greet booth attendees while discussing the importance of maintaining healthy hearing and hearing loss protection.

Since 1980, Uncle Joe’s voice has been heard by millions of listeners across Southern California, and his “Off The Record” music/interview program is syndicated on over 90 stations nationwide. As a radio personality on KLOS, his broadcasts reach nearly three million people across southern California.

KLOS has been serving the greater Los Angeles area for over 40 years, and has also made a positive impact through its continued community outreach efforts. The station still owns the Guinness Book of World Records for the largest blood drive in the country and was presented the Crystal Award for its exemplary community service.

“Healthy hearing is a topic that deserves much broader attention — especially within the music community,” commented Uncle Joe. “This year at NAMM, we are happy to help put the spotlight on the topic of noise induced hearing loss (NIHL) to educate folks not only on how fragile our hearing is, but also on the measures we can take to protect it and preserve it.”

Noise-induced hearing loss (NIHL) is usually painless, progressive, permanent, and completely preventable. It happens when a person is exposed for too long of a time to sound pressure levels of 85 decibels or more, resulting in damage to the sensorineural (“hair”) cells of the inner ear. It can be the result of exposing your ears to a sudden, intense impulse noise like an explosion or gunfire or extended or repeated exposure to loud machinery and recreational activities, such as loud music and video.

According to the National Institute on Deafness and Other Communication Disorders (NIDCD), 36 million American adults report some degree of hearing loss; an estimated 26 million of them between the ages of 20 and 69 have a high-frequency hearing loss caused by too much exposure to loud sound.

Dual DiGiCo SD8 Systems At ZZ Top’s 1st Annual La Grange Fest Blow Away Band’s Live Sound & Satellite Radio Broadcast

ZZ Top pulled off their very first La Grange Fest in late October, pairing the timeless Tejas boogie kings with Southern rockers Lynyrd Skynyrd and country singer Jamey Johnson. Set just outside Austin in Bee Cave, the fest—and subsequent live broadcast on Sirius XM radio—was accomplished using DiGiCo‘s SD8 at the hands of the band’s engineer, Jamie “Jamo” Rephann. Both Jamo and monitor engineer Jake Mann have been rockin’ SD8s (Mann on an SD8-24) for several years on the band’s tours with production partner Clair Brothers.



The SD8 was in place when Jamo inherited the gig from engineer buddy Toby Francis. “He’d been raving about the DiGiCo’s and I just decided to go with it,” Jamo recalled. “I had been previously using a Venue Profile for AFI and The Mars Volta, but after hearing the difference between the Avid and DiGiCo, I was sold on the SD8, and don’t want to use anything else from now on.”



But it is the sonic quality of the SD8 that induces raves from the veteran engineer. “The DiGiCo sound is the best I’ve heard on a digital desk of any make or model, and I’ve used all of them from the Yamaha MC7 to the Midas XL8. Side-by-side, the SD8 smokes them both. I didn’t touch anything but a Midas XL 4 for like 10 years, and am a huge Midas fan… but they don’t hold a candle to the DiGiCo’s. The real difference came after mixing on a Venue Profile for 2 years (with a Big Ben as an external word clock). I ran some CD’s and was amazed at the sonic quality I was hearing. Everything was in the 160-500Hz area and the ‘air’ from 8-12k was back, almost like a great analog desk! I couldn’t believe my ears and was already kicking myself for not trying this desk earlier. It has the quality of a smooth analog sounding desk and I couldn’t be happier.”



The console’s I/O section and onboard features have proved versatile for handling the various house systems the 3-piece encounters from gig to gig. “I’m using a total of 38 inputs for ZZ Top, not including the 4 audience mics. I also have as many as 8 outputs a night to drive a variety of house systems—L, R, Sub, Center, Outfill, Delays, Smart, and SMPT for video that we run through my desk to lighting. I really love the delays on the output section, available on every output, and EQ and compression if you want it. But I have to tell you, I cannot live without using the multiband compressors on a few things because of the DiGiCo sound. They’re super-transparent and really do a wonderful job with everything I use them on. I use the multibands on both channels of vocals, kick and snare channel inserts, bass group, synth bass and guitar group. Also, the regular comps and gates sound great as well. They’re very smooth and warm-sounding with no “pumping” as it were. Additionally, I do some channel splitting and panning things on the guitars. I have 3 guitar channels that I make stereo and pan all the way. I’m also using my control groups to do most of my mixing as well as the normal subbing out of kick, snare, bass, vocals, guitars, and etcetera. Then I’ll use the compressors on the subgroups if needed… it kind of melds things together, if you will, a bit better in my opinion.”
 


With space often an issue in venues and on festival dates, the SD8′s compact footprint has paid off. “It’s really comes in handy so many times when space was an issue. I just use the desk and an easy tilt so I roll up with nothing other than a Smart tablet and my desk. It has really helped me get in and out at many festivals with a minimum of space and hassle.”



The band is recorded on every gig, which serves several functions, including virtual soundchecking. “Monitor engineer and resident SD8 guru Jake Mann multitracks each show using an RME MADIface card into a MacBook Pro using Logic,” explained Jamo. “And since the band does not soundcheck at all, virtual soundcheck is KEY to my show every day.”



At the LaGrange Festival, working in tandem with the Sirius and Skynyrd’s audio crews only reinforced Jamo’s love of the DiGiCo desk. “As usual, the console preformed amazing with no issues at all. I do love the uses of delay times on the outputs as I delayed the FOH mix to radio and added Sirius’ 2 audience mics. There was an additional Profile at FOH for Skynyrd and even with the external word clock the SD8 just smoked it. I hear their engineer is now going to try the DiGiCo after hearing our show, which just destroyed his profile sonic-wise and left it sounding limp and weak! There was none of the low-mids or shimmering highs with the Profile. He ran a mic through my desk and was stunned just at the vast improvement to his voice compared to the Avid… ‘Nuff said. Not to mention, the Sirius radio guys said that it was the best sounding live performance to air over Sirius.”

Community Takes the Humbug Out Of Delaware Children’s Theatre’s “Scrooge”

Wilmington, DE – December 2011…Founded in 1973 by Marie Swajeski, the Delaware Children’s Theatre has made a long-standing tradition of providing live family entertainment for people throughout the tri-state area, including seasonal holiday shows like the current production of “Scrooge.”

Supported solely through ticket sales and a grant from the Delaware Division of the Arts, the all-volunteer group makes its home in the historic 100-year-old New Century Club building in Wilmington.

The building’s rich history includes stints as a hospital during World War I, an ice cream parlor and pharmacy, a college, and a dinner theater, as well as many years as a nexus of the women’s rights movement. Recognized on the list of U.S. National Historic Places, its stage has played host to speakers as varied as Margaret Sanger and Woodrow Wilson.

In support of the DCT’s efforts, Community Professional Loudspeakers recently provided the Theatre with four of their ENTASYS high-performance column line array loudspeaker systems. Two ENTASYS columns mounted on either side of the proscenium and two more on the side walls have made a marked difference for the Theatre’s audiences, says Production Manager Barry Polish.

“The ENTASYS loudspeakers have dramatically improved spoken word intelligibility in the auditorium,” says Polish. “The sound is very natural, not like most large loudspeakers, and the ENTASYS columns blend in visually so well that most people don’t even notice them. It’s the perfect solution for our theatre.”

For more information on DCT, visit their website at www.dechildrenstheatre.org.

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FUJINON HD ENG ZOOM CAPTURES BEAUTY OF UTAH HOME AND SCENERY FOR HGTV DREAM HOME 2012

Wayne, N.J. – HGTV Dream Home 2012 will feature a spectacular home just outside of Park City, Utah that one lucky viewer can win in next year’s sweepstakes. The show premieres immediately following the 123rd Tournament of Roses Parade on HGTV January 2, 2012, at 1 p.m., with an encore presentation January 3.

HGTV Dream Home, which has kicked off the New Year on HGTV for over a decade, introduces a new fully furnished custom home built just for this special event. The beauty and detail of the HGTV Dream Home 2012 was captured in 1080/60i resolution using a FUJINON HA25x11.5BERD HD ENG telephoto lens on a Sony HDWF900 CineAlta HDCAM Camcorder.

“Since the house is situated in a valley surrounded by mountains and overlooking the Provo River, we wanted to give viewers a true sense of its magnificent location and views,” said Rick Porterfield, director of studio and field operations for Scripps Networks Interactive, based in Knoxville, Tenn. “We were blown away by the high-quality images captured by this lens as well as its smooth, easy operation—a real asset whenever we needed to shoot handheld.”

Shot documentary-style, this one-hour show gives viewers a tour of the interior and exterior of the home including its great room, master sitting room, outdoor living room, and hot tub deck. It also features on-camera interviews with the architects, interior designers, landscapers, and builders who contributed to the effort.

Scripps’ Director/Cameraman Jason Grant positioned the camcorder on a tripod in the mountains to capture a variety of beauty shots of the entire vista and the river below, and then zoomed in close to the house. Porterfield noted, “We shot in beautiful, sunny natural light, as well as the home’s interior supplemented with LED and tungsten lighting.”

The FUJINON HA25X11.5BERD is a Premier Series lightweight, compact telephoto HD lens with an F-stop range of 2.0 to 2.8, and a focal length ranging from 11.5 to 288mm. Ideal for documentaries and other electronic field production, this lens offers FUJINON’s exclusive DigiPower zoom and focus servo system for fast, accurate zooming.

Scripps Networks Interactive also recently purchased two HA14x4.5BERM HD ENG Super Wide Angle lenses for other, upcoming network productions.

About Fujifilm
FUJIFILM North America Corporation, a marketing subsidiary of FUJIFILM Holdings America Corporation consists of five operating divisions and one subsidiary company. The Imaging Division sells consumer and commercial photographic products and services including film, one-time-use cameras, online photo services and fulfillment, digital printing equipment and service. The Electronic Imaging Division markets consumer digital cameras. The Motion Picture Division provides motion picture film, and the Graphic Systems Division supplies products and services to the printing industry. The Optical Devices Division provides binoculars, and optical lenses for closed circuit television, videography, cinematography, broadcast and industrial markets. FUJIFILM Canada Inc. markets a range of Fujifilm products and services. For more information, please visit www.fujifilm.com/northamerica, or go to www.twitter.com/fujifilmus to follow Fujifilm on Twitter. To receive news and information direct from Fujifilm via RSS, subscribe at www.fujifilmusa.com/rss.
FUJIFILM Holdings Corporation, Tokyo, Japan, brings continuous innovation and leading-edge products to a broad spectrum of industries, including electronic imaging, digital printing equipment, medical systems, life sciences, graphic arts, flat panel display materials, and office products, based on a vast portfolio of digital, optical, fine chemical and thin film coating technologies. The company was among the top 16 companies around the world granted U.S. patents in 2010, and in the year ended March 31, 2011, had global revenues of $25.8 billion*. Fujifilm is committed to environmental stewardship and good corporate citizenship. For more information, please visit www.fujifilmholdings.com.

* At an exchange rate of 86 yen to the dollar.

About HGTV
HGTV, America’s leading home and lifestyle brand, is one of cable’s top-rated networks and is distributed to more than 99 million U.S. households. HGTV’s website, HGTV.com, is the nation’s leading online home-and-garden destination that attracts an average of 4 million unique visitors per month. The HGTV HOME consumer products line currently includes exclusive offerings of paint, flooring, soft goods and other home-oriented products. In partnership with Hearst Magazines, the HGTV Magazine, a home and lifestyle publication, will be available on newsstands beginning October 2011.

Headquartered in Knoxville, Tenn., HGTV is wholly owned by Scripps Networks Interactive Inc. (NYSE:SNI), which also operates Food Network (http://www.foodnetwork.com), DIY Network (http://www.diynetwork.com), Cooking Channel (http://www.cookingchanneltv.com), Travel Channel (http://www.travelchannel.com) and Great American Country (http://www.gactv.com).

All product and company names herein may be trademarks of their registered owners.

FUJIFILM Optical Devices Division, 10 High Point Drive, Wayne, New Jersey 07470. Phone: 973-633-5600. Fax: 973-633-5216. Web site: http://www.fujifilmusa.com/products/optical_devices/index.html.

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Media Vision USA Expands its Network of Rental Companies Using TAIDEN Conferencing and Interpretation Equipment

San Francisco, CA, December 16, 2011 – Media Vision USA announces that the US-based company ProLingo and the Canadian company Global Audio Visual are now part of Media Vision USA’s rental network following recent acquisitions of the latest generation conferencing and language interpretation equipment inventory. Media Vision USA’s rental network consist of companies offering the TAIDEN wired or wireless delegate conference microphone systems and the TAIDEN digital infrared equipment for language distribution.

For both companies, the decision to undergo this technology upgrade and expansion was motivated by the need to handle larger size international conferences and congresses. “With the TAIDEN digital infrared language distribution system, we can handle simultaneous interpretation sessions in multiple rooms of a same building with a guaranteed crisp clear interference-free signal on all channels” says Mark Stammel, President of ProLingo. The TAIDEN conferencing and interpretation systems uniquely combine the advanced features, reliability and flexibility required for large-size events.

For Mike Moussa, President of Global Audio Visual, the improved quality of sound for interpreters and listeners has been a key element in its decision to choose the TAIDEN technology. “We have been using TAIDEN on very high profile government jobs, including for the Canadian Senate, and this system offers us the best performance.” says Mike, adding that “we are receiving very positive feedback from interpreters”.

For any scale up needs, companies that are part of Media Vision USA’s rental network can count on the wholesale rental provider Conference Rental USA offering unlimited access to additional units of digital push-to-talk conference microphones and infrared language receivers.

The demand for TAIDEN conferencing equipment provided by Media Vision USA has surged in the past two years with major international organizations and conferences across North America requesting to use this system. Most recently, the TAIDEN equipment was used for the 2011 Annual Meetings of the International Monetary Fund and World Bank Group in Washington D.C., with microphone and interpretation systems setup for over 50 meetings.

Companies interested in becoming a member of this rental network can contact Media Vision USA by email at sales@mediavisionusa.com

About Media Vision USA
Headquartered in San Francisco, California, with secondary offices in Washington D.C., Media Vision USA is the lead provider of conference microphone discussion systems, electronic voting, and language interpretation to the audio-visual industry across North America. Media Vision USA has provided state of the art Diplomacy Technology™ and conferencing solutions for applications such as council chambers, international conference centers, university auditoriums, corporate boardrooms and many more. Additional information can be found at www.mediavisionusa.com

Sennheiser Sound Academy to Host Two-Day Live Production Workshop in Anaheim, Featuring Robert Scovill, Kevin Madigan, Marty Garcia and Raphael Alkins

ANAHEIM, Calif. – December 12, 2011- Audio specialist Sennheiser announced that the Sennheiser Live Production Sound Academy (LPSA) will once again be held this year in Anaheim and will take place prior to the NAMM show. Due to the overwhelming success of last year’s event, the live sound workshop has been extended to two days and will take place at the Anaheim Marriott.

The workshop will cover the skills needed to successfully engineer both large and small live productions — including required elements for planning, configuring and operating a large-scale P.A. system. The course content is designed for a wide range of attendees including venue engineers, musicians, promoters, production managers, employees of audio manufacturers,, service providers, students interested in sound and acoustics, or anyone else interested in live production.

Learn from a “Who’s Who” in Live Sound
Once again, Sennheiser will feature special guest instructor Robert Scovill — an industry veteran who has mixed over 3,000 events during his 30-year live sound and recording career. Sennheiser is also pleased to add Kevin Madigan (Crosby, Stills & Nash, The Smashing Pumpkins, Lucinda Williams), Marty Garcia (U2, Kelly Clarkson, Shakira, Zac Brown) and Raphael Alkins aka Raffie (Ricky Martin, Lionel Richie, Kenny G) to its esteemed list of guest presenters. Sennheiser’s own cast of audio veterans, including Chris Spahr, Kent Margraves, Eric Reese and Joe Ciaudelli, will also be on hand.

Event details:

When: Tuesday, January 17 and Wednesday, January 18, 9:00 a.m. to 5:00 p.m.

Where: Anaheim Marriott, 700 W. Convention Way, Anaheim, Calif.

Cost: $299 per day or $498 for both days. Registration rate includes a continental breakfast, lunch and workshop materials and a special group dinner on Tuesday, January 17. Register by December 30 for $50 discount; call 860-434-9190, ext. 141 for student and group discounts or for more information on the workshop.

TELEFUNKEN Introduces New ELA M 260 Tube Mic Stereo Set at Winter NAMM

Shipping With Cardioid, Omni, and Hyper-Cardioid Capsules, Plus Dual Power Supply

Pictured is the new TELEFUNKEN Elektroakustik ELA M 260 Tube Microphone Stereo Set.

TELEFUNKEN Elektroakustik of South Windsor, CT, is exhibiting for the first time at Winter NAMM the new ELA M 260 Tube Microphone Stereo Set, which comes complete with 3 capsules for each microphone, plus one dual power supply and flight case.

The Stereo Set was first introduced in1958 by Gotham Audio as a package for the Neumann U-47 and U-48 microphones that were distributed in the United States.  The designers at TELEFUNKEN Elektroakustik have emulated the concept in this new version 53 years later.

Each microphone in the Stereo Set features 3 capsules (260 cardioid, 261 omni-directional, and 262 hyper-cardioid).  The new M 960S provides power to both microphones from a single power supply.  Also included are two 25′ Accusound tube microphone cables with right angle XLR connectors, two wooden microphone jewel boxes, two shock-mounts, and a flight case for safe transit. The microphones also feature NOS TELFUNKEN EF732 vacuum tubes, custom audio transformers, and come in the same “flint gray” finish made popular by the R-F-T AR-51 microphone.

Also now available is the ELA M 260 Stereo Field Recording Set with interchangeable capsules, Novuscell 20-hour rechargeable battery pack, charger, and accessories.

TELEFUNKEN will be exhibiting the new Stereo Set at Winter NAMM, Booth # 1868.
To learn more about TELEFUNKEN Elektroakustik, visit: http://www.t-funk.com

WINTERSONG BAND CELEBRATES HOLIDAY SEASON WITH HELP OF AVIOM PERSONAL MIXERS FOR THIRD YEAR IN A ROW

With Limited Setup Time, Aviom Personal Mixers Help Group Focus on Making Festive Music for Community

BOUND BROOK, NJ, DECEMBER 8, 2011 — For the third annual Wintersong Band concert, Aviom Personal Mixers will take the stage at the historic Brook Theatre, helping to keep stage volume at bay for the eight-piece band and its singers as they kick off the holiday season. more

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