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FOR-A PROVIDES ‘CONTINUOUS INNOVATION’ AT NAB 2012

New Product Highlights Include Compact 2 M/E Video Switcher and File-Based LTO-5 Video Storage Appliance

Fort Lee, New Jersey – FOR-A Company Limited, a leading manufacturer of video and audio systems for the broadcast and professional video industries, will several new products at the 2012 NAB Show, which runs April 16-19 at the Las Vegas Convention Center. Designed around the company’s theme of “Continuous Innovation,” FOR-A’s NAB booth (C5219) will include a demonstration area as well as “islands” to showcase video switchers, processors, file-based products and specialty live demonstrations.

“NAB remains an excellent venue for us to showcase our latest products and technologies to broadcasters and other video professionals,” said Pedro Silvestre, sales director for FOR-A Corporation of America. “This year, we’ll unveil a new entry in our popular line of compact video switchers, as well as a new LTO-5 server that will set a new benchmark for LTO-5 file storage. Our innovative, new products, as well as some very dynamic technology demonstrations, will show our commitment to continuous innovation.”

Video Switchers

One of FOR-A’s most anticipated new products is the HVS-390HS video switcher. It maintains the functionality of FOR-A’s current switcher line, but is available in 1 M/E and 2 M/E versions. It includes 16 HD/SD-SDI inputs and eight outputs (expandable to 24 inputs and 13 outputs), with frame synchronizers for all inputs.

A new addition to the HVS-4000 Series, the HVS-4000HSA, offers support 3 M/E operation capability. The HVS-4000 Series offers a choice of M/Es and control panels, and is loaded with standard features to handle complex video productions. With 16 inputs and outputs standard (expandable to 48 inputs and 24 outputs), it includes a built-in multi-viewer, direct access to preset content, and integrated control of various devices. Additional switcher models will also be on display, including the HVS-350HS 1.5 M/E switcher, linked with a MFR-3232 routing switcher, and the HVS-300HS 1 M/E switcher, coupled with a LTG-50HS HD/SD logo/title generator.

File-Based Products

Building on its successful line of LTO-5 video archiving recorders, FOR-A will introduce the LTS-50 storage appliance at NAB. Using a network connection, it archives media files to LTO-5 high-capacity tape, regardless of file format. It’s ideal for data backup that does not require video I/O, as well as archives of nonlinear editing materials that will be reused. Options include LTR Browser software control and automatic creation of low-resolution proxy files and thumbnails when archiving MXF files. Both the LTR-120HS (AVC-Intra/DVCPRO) and LTR-100HS (MPEG-2) video archiving recorders will be on display as well, along with the MBP-100MP multi-format player and MBP-100SX MXF clip server and baseband converter. Plus, FOR-A will provide a technical demonstration of its new file-based frame rate converter.

Multi-Viewers

New for NAB, the MV-1620HS supports mixed inputs of HD-SDI, SD-SDI, and analog composite signals. The compact, cost-effective multi-viewer supports 16 inputs, includes embedded audio level display for up to 16 channels per input and title display of up to 16 characters per input, and features up to two clock displays, which can also be used for countdown and remaining time displays. Plus, the unit saves up to 16 layout patterns, selected from the front panel, and PC-based software makes it easy to create screen layouts.

The new MV-42HS is a four-channel HD/SD multi-viewer that supports mixed and asynchronous HD-SDI and SD-SDI inputs
(optional analog composite). It also features audio level metering and titling, and offers full screen, two split, and quad screen output. FOR-A will also showcase its MV-3200 Series, which provides customizable support for up to 32 inputs and four display outputs. The choice of input boards within its 2 RU frame provides support for various asynchronous HD/SD-SDI, analog composite, and DVI signals, as well as analog or AES audio, so control rooms don’t need to supplement their video walls with additional monitors.

Video Processors

Packaged in a compact form factor, the new FRC-30 HD/SD frame rate converter handles motion compensation and linear conversions. It also supports up/down/cross conversion of 1080i, 720p, NTSC, and PAL at a variety of frame rates for HD/SD-SDI and analog composite signals. The new modular UFM-30FRC frame rate converter, which can be installed in FOR-A’s UFM frame, also provides motion compensation, linear conversions, and up/down/cross conversion of HD/SD-SDI and analog composite sources at various resolutions and frame rates. FOR-A will also display its established FRC-8000 HD/SD frame rate converter and FA-9500 3G/HD/SD multi-purpose signal processor at NAB, as well as a prototype of its next-generation color
corrector.

Specialty Products

FOR-A will demonstrate ‘multi-angle, super slow motion’ shooting for the first time at NAB using nine of its award-winning VFC-7000 HD Variable Frame Rate (Super Slow Motion) Cameras shooting simultaneously and being controlled from one EVS controller. The VFC-7000 is well suited for sports broadcasting applications. Flovel, a company in partnership with FOR-A, will also display prototypes of its new 4K compact camera and HD ultra-high sensitivity camera.

FOR-A will also demonstrate its new SmartDirect all-in-one live production system. Powered by a Brainstorm graphics engine, it provides the ability to create programming, playlists, captions, and switch cameras. Optional features include: the VRCAM-S virtual studio, a video switcher link to connect with an external switcher for more elaborate wipes and effects, link to a clip server to control external servers, and a streaming interface to simultaneously encode and distribute video over the internet.

About FOR-A

FOR-A is a major manufacturer and distributor of video and audio systems to the broadcast, postproduction and professional video markets. For more information about FOR-A’s product line, call 201-944-1120 or visit our web site at www.for-a.com.

Antelope Audio Isochrone OCX Master Clock Helps Ensure System Clarity During Austin Music Festival

Austin, TX, March 27, 2012– Every spring, thousands of artists and tens of thousands of record industry professionals flock to Austin, TX for a jam-packed schedule of live music showcases featuring everyone from young, up-and-coming bands to seasoned veteran performers. For six days, live music can be heard at almost any time of day emerging from every conceivable venue in downtown Austin, from the city’s bars, clubs and concert halls to churches, parks and empty lots.

One such makeshift venue – an auto repair shop – this year served as the main stage at the BandPage HQ, where FOH engineer/system tech and production manager Patrick Mundy used an Antelope Audio Isochrone OCX master clock to ensure PA system clarity in the acoustically unfriendly environment. “This was my second year of working showcases at the festival and my second year bringing my Antelope clock,” says Mundy.

BandPage is a popular application developed by RootMusic of San Francisco that launched in 2010. It runs in Facebook and allows artists to create customized fan pages.

The OCX does a fantastic job of stabilizing a digital mixing console when running high channel counts, he continues. “When you build up that much information on a digital desk without having the stabilization of the clocking you can get unfavorable results. Clocking your digital console with an Antelope clock is like turbocharging your desk. The difference between clocked and non-clocked audio is extremely noticeable. I don’t like to work without it.”

Mundy was part of the crew from DBS Sound in Los Angeles who teamed up with Austin’s Miller Pro Audio to handle audio at the BandCamp HQ’s three venues, comprising Empire Automotive, Club 606 and an adjoining outdoor patio. “I mixed FOH for such artists as Porter Robinson, Thomas Wynn and the Believers, Daedelus, TNGHT (Hudson Mohawke & Lunice), Das Racist, Nico Vega, Imagine Dragons, Robert DeLong, Saint Motel, Toy, Escort, Henry Clay People and many more,” he reports. “We also had appearances from such artists as J. Cole and Chairlift, who carried their own FOH engineers.”

Jeffrey Ehrenberg at Vintage King Audio initially introduced Mundy to Antelope Audio’s master clocks in 2008. Mundy purchased an Isochrone 10M Rubidium atomic master clock and an OCX for his Pro Tools|HD3 recording rig, and in 2009 permanently racked the OCX into a two-space unit and began to use it on all of his live shows.

“The OCX is a staple on my gigs from small corporate events to large arena festivals and everything in between,” says Mundy. “I find the clock and its jitter reduction allows me to get to the core of the sound and bring a better mix to listeners. It makes my life easier and I’m able to have more fun just being a front of house engineer and bringing out the natural qualities of the music versus trying to fix artifacts.”

Antelope Audio Zodiac D-to-A converters also made an appearance in Austin this year in the 45-foot UniqueSquared Mobile Studio bus. The mobile recording studio, outfitted with Sennheiser products, featured a number of listening stations where Zodiac DACs were paired with Sennheiser’s flagship HD 800 plus HD 700 headphones.

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ABS SUPPORTS NFFTY 2012 AS EXHIBITOR, PARTNER SPONSOR

SEATAC, WA, March 21, 2012 — Professional video and audio systems integration firm ABS (Advanced Broadcast Solutions) is a Partner Sponsor for NFFTY 2012, one of the largest youth film festivals in the world, which will be held April 26-29 in Seattle. ABS will also be an exhibitor at the Future of Film Expo, a new addition to the festival that runs April 27-28 from 11 a.m. to 5 p.m.at the Seattle Center Exhibition Hall.

Presented by NFFTY and The Next Fifty, a six-month celebration of the 1962 World’s Fair, the free expo will host a number of panels, workshops, demonstrations, and networking opportunities. It is expected to attract local film production crew, film industry executives, youth filmmakers, and film fans. Beyond ABS, other exhibitors include film commissions, film schools, and equipment companies including AJA Video, Canon, ikan, and Panasonic.

Short for the National Film Festival for Talented Youth, NFFTY is now in its sixth year and received nearly 700 entries for this year’s festival. According to officials, films were submitted by filmmakers 22 years old and under from 40 states and 22 countries. More than 10,000 people are expected to attend.

“NFFTY has done an amazing job growing this film festival and celebrating young filmmakers, and we are proud to be a part of it,” said Mark Siegel, President of ABS. “The Future of Film Expo, in particular, promises to be an important destination for the Northwest filmmakers and video production professionals of all ages.”

For film screening schedules and more information, visit www.nffty.com.

About ABS:

Based in SeaTac, WA, ABS (Advanced Broadcast Solutions) delivers customized, technologically superior solutions for broadcast, corporate, house of worship, entertainment, government, and educational facilities – from design and integration to installation and support services. Since 1982, its experienced technical staff has installed more than 200 systems for clients including Fisher Communications, Cowles California Media, Real Networks, Cisco Systems, and Microsoft Studios. For more information, call 206-870-0244 or visit www.advancedbroadcastsolutions.com.

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Auralex Highlights New Studiofoam Wave Panels at Musikmesse 2012

Mid- and High- Frequency Sound Solution Offers Aesthetically Pleasing Visuals

FRANKFURT, GERMANY, MARCH 21, 2012 Auralex Acoustics, Inc., the industry leader in innovative sound control solutions, showcases its new Studiofoam Wave panels at Muskimesse 2012 (Hall 5.1, Stand D43).

Auralex’s new Studiofoam Wave is 2ft. x 2ft. and is between 1in. to 3in. thick due to the wave design of the panel. Providing varying levels of thickness, Studiofoam Wave can help control unwanted mid- or high-frequency reflections and standing waves in a variety of applications, such as vocal booths, control rooms, live rooms, rehearsal spaces and project studios. These panels will clean up the sound in any room and are a cost-effective alternative to fiberglass cloth-covered panels.

The panels are available in charcoal, burgundy and purple coloring, and are made from Auralex’s melamine-free formula, which won’t crumble with age. The new “wave” profile opens up many different design possibilities and can add a contemporary aesthetic to any space.

“The Studiofoam Wave is a reinvention of the best-selling Studiofoam line, giving our customers another alternative to our more traditional panels,” says Terry Hayes, international sales manager at Auralex Acoustics. “These are a great way to create a totally different vibe in your space, while maintaining the acoustic integrity that Auralex is known for.”

Studiofoam Wave panels can be used to help improve common acoustical issues such as excessive reverberation and flutter echo in small- to medium-sized areas and can be used with common mechanical fasteners such as t-pins, finish nails and tacks as well as Auralex Foamtak or Tubetak for easy, removable installation.

About Auralex Acoustics, Inc.Located in Indianapolis, Auralex Acoustics was founded in 1977 with a mission to provide top-performing acoustical treatment products at the best value. Since then, thousands of satisfied Auralex customers have experienced improved acoustics, expert advice and exceptional customer service. Auralex products enjoy widespread use among prominent artists, producers, engineers, corporations, celebrities and government agencies.

Auralex Acoustics has become the industry leader in innovative sound control solutions and continues to enjoy rapid growth through an international network of authorized dealers. Visit the Auralex Web site at www.auralex.com. Auralex can be reached via email at auralexinfo@auralex.com or by calling 1-800-959-3343.

Cobalt Digital’s Dual-Channel MPEG Encoder Delivers for IMS Productions

Urbana, IL – IMS Productions, the media and technology partner to the world-famous Indianapolis Motor Speedway, has taken delivery of Cobalt Digital’s new 9223 dual-channel 3G/HD/SD MPEG-4 encoder to transport multiple feeds to various devices for Verizon IndyCar race coverage. The announcement was made by Chris Shaw, senior vp sales and marketing, from Cobalt’s headquarters in Urbana, IL.

The 9223 will send live signals to Verizon’s IndyCar app for mobile devices such as cell phones and tablets, as well as to car cameras and to race officials’ “race control” panel on the day of the race via a live car position track map generated from timing and scoring data and audio scanner feeds.

“Cobalt’s 9223 met all three of our main criteria: ease of use, form factor, and an appealing cost point,” exclaimed Steve Stiles, IMS Productions director, post-production. “The project requires multiple feeds created on the road in a mobile setting which means rack space is at a premium. A scalable card-based solution is ideal for this situation, and the 9223 dual-channel encoder is giving us just what we need.”

The 9223’s openGear® open architecture platform enables IMS scalable incorporation into their infrastructure and easy to use Dashboard setup and control operator interface. Up to ten 9223 cards can be installed into a single 8321 openGear frame for delivery of up to 20 individual or simulcast channels. Offering the latest advances in video compression for excellent video quality at very low bit rates, the 9223 unique encoding designs allow delivery of multiple HD and SD video services simultaneously. The card has both two ASI outputs and two Ethernet outputs, supporting full-duplex 100Mb/s and IGb/s operation. Full user remote and card-edge monitor/control facilitates full card status and control access locally or across a standard Ethernet network.

IMS Productions supplies a full range of media services from two state-of-the-art HD trucks and a fleet of support vehicles for every major network. “Our customers demand the highest level of quality possible, and that is reflected in the cutting edge technology that we employ,” added Stiles.
# # #
ABOUT COBALT DIGITAL INC.
Cobalt Digital Inc. designs and manufactures award-winning 3G/HD/SD conversion gear for the broadcast television environment. Distributed through a worldwide network of dealers, system integrators, and other partnerships, Cobalt products are backed with a 5-year warranty. For more information, visit http://www.cobaltdigital.com.

Company Contact: Chris Shaw, Sr. VP of Sales and Marketing
+1-217-344-1243 / chris.shaw@cobaltdigital.com

Press Contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / harriet@desertmooncomm.com

Shotoku Broadcast’s New SG900 Manual Pan & Tilt Head Offers Vibration-Free Speed in Sturdy Design

Unit to Debt at NAB 2012

Torrance, CA • Shotoku Broadcast Systems, a well-established leader in manual and robotic camera support, and virtual reality tracking, will present its new pan and tilt head developed for applications requiring teleprompters at NAB 2012 in Booth C 8528. The Company will also highlight its well-received TP200 pneumatic pedestal and popular SP tripod series.

NEW
SG900 Pan and Tilt Head
Ideal for outside broadcast, studio and portable cameras with teleprompters, the SG900 supports 198 lbs and features smooth operation, single knob balance adjustment, and robust construction in an ergonomic design. The unit incorporates the VISCAM ultimate fluid drag system to control pan and tilt speed without vibration or shake, and REULAUX perfect balance system for maintaining the camera’s center of gravity. The SG900 is suitable for various pedestals including the new TP200 2-stage pneumatic pedestal.

HIGHLIGHTS
TP200 2-Stage Pneumatic Pedestal
Shotoku’s ergonomically designed TP200 2-stage pneumatic pedestal has a maximum payload of over 80kg (177 lbs.) and supports a wide-range of camera configurations. Its perfect balance column and base offer maximum stability and great operational flexibility. One-step foot brake and single-action cable guard enables precise movements and control at all times for fast and easy positioning.

SP Tripod Series
Shotoku’s professional SP tripod series provides easy-to-operate, robust systems that offer smooth and stress-free movement. The economical, streamlined and ergonomically designed models support payloads ranging from 4.4 lbs. (2kg) up to 33lbs. (15kg). The units support professional, ENG, and handheld cameras, and are all lightweight, compact and sturdy and features pan & tilt brake knobs, a bowl clamping knob, and leg locks for firm and quick locking.

About Shotoku Broadcast Systems
Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK. For further information: www.Shotoku.tv

# # #

Shotoku contact: James Eddershaw
+44 (0) 1784 224650 / info@shotoku.co.uk

Press contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / Harriet@DesertMoonComm.com

AuviTran Introduces Audinate’s Dante Protocol in Its Audio Toolbox

Meylan, France and Portland, OR March 20, 2012- AuviTran, the Audio networking specialist, and Audinate, the inventors of the award winning Dante™ media networking solution, announces today it is adding Dante technology to its Audio Toolbox product range. Audinate was chosen to accelerate AuviTran’s development towards new networking technologies.

“The integration of Dante technology into our product portfolio will allow AuviTran to address market’s demands for new network interoperability. Dante offers our customers a smart path to AVB. AuviTran is continuously and consistently expanding its product offer in terms of powerful and versatile networking solutions” says Yves Ansade, AuviTran’ s Managing Director.

Audinate is leading the way networks are connected by transporting high-quality media over standard IT networks. Its Dante products deliver a no-hassle, self-configuring, true plug-and-play digital audio network that uses standard Internet Protocols. Dante offers a market leading solution today, while de-risking the future by providing a migration path to upgrade to new standards such as the IEEE Audio Video Bridging (“AVB”).

“We are glad to contribute to the convergence of audio networking technologies and share our expertise with AuviTran” states Lee Ellison, Audinate’s CEO. “Auvitran is one of the more experienced implementers of audio networking technologies, so this agreement is a strong recognition of the market momentum of Dante”.

Thanks to the new AuviTran product range, audio professionals can now use a playful Audio ToolBox to connect various types of interfaces (Analog Line, Microphone, AES-EBU, MADI, ADAT™…) or bridge different audio network technologies. “This is an exciting opportunity for our customers to build their own tailor made products, regardless of the technologies they want to use or the product they want to plug in. We will supply the tools and they will use their talents” adds product development manager Jeremie Weber.

AuviTran’s AxC-DANTE interface card will be presented during PL+S 2012. Hall 8 Booth B19
###
About AuviTran
Since 2003 AuviTran has provided audio professionals with innovative networking solutions, using EtherSound technology. With almost 30000 audio network devices supplied worldwide and a unique audio network cross brand control software, AuviTran benefits of a wide knowledge and presence on the Audio Pro market.

About Audinate
Audinate revolutionizes the way that AV systems are connected by transporting high-quality media over standard IT networks. Using Audinate’s patented Dante networking solution, digital media networking just got easy. Audinate’s solution has been licensed by customers across the AV industry and can be found in installations and live sound applications globally. Audinate is a Promoter Member of the AVnu Alliance™. Audinate offices are located in US, United Kingdom and Australia. Dante is a trademark of Audinate Pty Ltd. Visit www.audinate.comfor the latest news and information on the company.
Audinate is a registered trademark of Audinate Pty Ltd.

Cobalt Digital Goes Retro At NAB 2012 With A Modular Signal Conversion Line

Urbana, IL – Cobalt Digital (www.CobaltDigital.com), manufacturer of award-winning 3G/HD/SD-SDI conversion gear for broadcast environments, is returning to its roots with the addition of a modular signal conversion line. The series – named Blue Box Group – will debut at NAB 2012 on Cobalt’s booth N 1929 in the North Hall.

Blue Box Group
Cobalt Digital returns to its origins of throw-down modular bricks with the introduction of the Blue Box Group to answer the demand for first class quality, price competitive, signal conversion equipment.

Initial product offerings include HDMI to SDI and SDI to HDMI converters, and Analog to Digital, Digital to Analog converter boxes with audio embedding and de-embedding.

# # #
ABOUT COBALT DIGITAL INC.
Cobalt Digital Inc. designs and manufactures award-winning 3G/HD/SD conversion gear for the broadcast television environment. Distributed through a worldwide network of dealers, system integrators, and other partnerships, Cobalt products are backed with a 5-year warranty. For more information, visit http://www.cobaltdigital.com.

Company Contact: Chris Shaw, VP of Sales and Marketing
+1-217-344-1243 / chris.shaw@cobaltdigital.com

Press Contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / harriet@desertmooncomm.com

Cobalt Digital Plans To Keep Customers CALM & In Control at NAB 2012

Urbana, IL – Cobalt Digital (www.CobaltDigital.com), manufacturer of award-winning 3G/HD/SD-SDI conversion gear for broadcast environments, has announced plans to show new technologies at NAB 2012 that add value-laden options to the Company’s loudness processing and metering offerings. Chris Shaw, Cobalt’s senior VP of sales and marketing, released details of LMNTS™ – a multi-channel loudness processing over IP solution, SPOTCHECK™ – a monitoring and logging tool, and logging and graphing upgrades to Cobalt’s loudness metering system. The innovations will be demonstrated on Cobalt’s booth N 1929 in the North Hall.

LMNTS (Multi-channel loudness processing over IP)
Ideal for MVPDs and MSOs where a large number of diverse programming sources must be simultaneously controlled, LMNTS performs automatic loudness processing across many transport streams.

LMNTS can operate with diverse audio codecs, extracting the packets from program streams, performing industry leading AEROMAX loudness management in the PCM domain, then re-encoding and re-packeting the audio with its stream. Physically, all data connection to LMNTS is via GigE IP interfaces over an industry-standard IT hardware platform, with no intermediary breakouts.

LMNTS works with single and multi program streams, and supports all video codecs. AV synchronization is perfectly maintained, as audio data is rewritten in place. Packet timing, PES alignment, PID structure, and stream metadata are all preserved.

SPOTCHECK
SPOTCHECK monitors an IP or ASI MPEG stream at the transit encode point to measure and log ALL material emanating from facilities in larger operations using multi-program MPEG streams.
Operating at emission MPEG level and leveraging automation as-run data, SPOTCHECK maintains a complete log of all program segments. Compliance records can be graphically queried or queried by using as-run search entries, ranging over several minutes to several months.

Logging and Graphing Upgrades to Loudness Metering System
The easy to use, yet comprehensive option ensures thorough audio level and LKFS assessment. Cobalt’s loudness meter software integrates with the Company’s Fusion3G range and most 9000-series COMPASS cards, and works with the award-winning OGCP-9000 Remote Control Panel and WINOGCP Desktop Virtual Control Panel to provide a flexible, complete solution for ingest or on-air loudness measurement, assessment and records. Cards forward audio measurement data to the control panel over the plant’s Ethernet network.

Nearly New
9257 1×9 MADI Audio Distribution Amplifier
Card-based solution for AES10 MADI signal distribution. Card supports sampling frequencies up to 96 kHz, with a 64-channel payload supported at industry standard 48 kHz sampling rate (other sampling rates specified as valid per AES10-2003 also supported at various payload capacities). openGear® open-architecture platform offers scalable incorporation and easy-to-use DashBoard™ setup.

# # #

ABOUT COBALT DIGITAL INC
Cobalt Digital Inc. designs and manufactures award-winning 3G/HD/SD conversion gear for the broadcast television environment. Distributed through a worldwide network of dealers, system integrators, and other partnerships, Cobalt products are backed with a 5-year warranty. For more information, visit www.cobaltdigital.com.

Company Contact: Chris Shaw, VP of Sales and Marketing
+1-217-344-1243 / chris.shaw@cobaltdigital.com

Press Contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / harriet@desertmooncomm.com

SmithsonMartin to Demonstrate Emulator Dual View System, Kontrol Surface 1974 and Emulator 1.0 Software at WMC

MIAMI BEACH, 15 March 2012— Multi-touch software developer SmithsonMartin Inc., announced that it will demonstrate its latest solutions for DJs, producers and lighting professionals at the WMC (Winter Music Conference) in Miami Beach on Wednesday, March 21st. The Emulator Dual View System, Kontrol Surface 1974 and the recently introduced Emulator Modular 1.0 software are among the products that will be featured in a private demonstration hosted by Alan Smithson, CEO of SmithsonMartin.

“The Emulator Kontrol Surface 1974 is a big step forward in multi-touch performance tools. Not only does it look cool, but provides just the right size interface with a small footprint that is travel friendly. I’m looking forward to integrating it into my sets” – Morgan Page, DJ, Producer & Two-Time Grammy Nominee

The new Emulator Modular 1.0 software extends the functionality and flexibility of the Emulator control platform, allowing users to leverage an unprecedented degree of control and flexibility over settings and parameters. Details on the event are below. For RSVP information, please contact Corey at 1-305-482-3005 or contact corey@korlighting.com.

– What: Private demonstration of the SmithsonMartin Emulator Dual View System, Kontrol Surface and Emulator Modular 1.0 software by CEO Alan Smithson
– Where: KOR Media and Lighting Studio, 2021 NW 1st Place, Miami, Fla. 33127
– When: Wednesday, March 21, 2012between 4:00 p.m. and 8:00 p.m.
– Who should attend: DJs, Producers and Lighting Professionals

Separately, to coincide with its latest software release, SmithsonMartin announced a price restructuring on its Emulator software. Effective immediately, all Emulator software costs just $99 for a lifetime license, including all upgrades and future updates of Emulator for MS Windows X86. Between now and March 31st, SmithsonMartin will offer a $500 discount on any of its hardware to customers who have purchased software at the previous price of $499.

“Even though we have just launched Emulator Modular 1.0, it has already become very well received in the press and wildly popular among users in the DJ universe and beyond,” commented Alan Smithson. “The next logical step for us its to make it more economical and widely accessible to an expanded user base. As a measure of goodwill to customers who have already purchased licenses at the higher price, we are offering very significant discounts on any of our hardware items.”

For more information on attaining a lifetime license on Emulator software or to learn about the discount program for prior purchases, please visit http://www.smithsonmartin.com/software

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