A virtual press conference from Sound & Video Contractor

Archive of the Government Category

D-Tools Workflow-Enhancing Native iOS Mobile Quote App Now Available

Companion app to SIX 2013 enables electronic systems integrators to remotely generate bids and later import them into the D-Tools SIX 2013 software platform for full project design and management

CONCORD, CA, USA  MAY 27, 2014 — D-Tools, Inc., the worldwide leader in electronic system integration software, announced today that the new D-Tools Mobile Quote app—an iOS-based companion app for its flagship software, SIX 2013—is now available for D-Tools users worldwide. This mobile extension of SIX 2013 provides mobile project quoting capabilities that enable Commercial and Residential Audio, Video, and Security systems integrators to generate quotes natively on an iPad®, then import them into the full D-Tools SIX 2013 software platform for further project design and management. Delivering on D-Tools’ commitment to timely product updates and enhancements, this new D-Tools Mobile Quote app will immediately extend the highly functional D-Tools SIX 2013 workflow to mobile sales and specification teams.

A native iOS application, the D-Tools Mobile Quote app leverages D-Tools’ extensive manufacturer product library by enabling system integrators to access and integrate product category, sub-category and package information and price range from their SIX 2013 catalog while working with customers in the field. Integrators can enter client and contact information into the Mobile Quote app, then walk prospective customers through available installation scenarios in order to create a quote for approval. Once complete, the resulting quote can then be imported into the full SIX 2013 software application for additional design work and synchronization.

A highly efficient productivity solution, the Mobile Quote app uses many of D-Tools’ workflow concepts, extending them to the mobile environment where customer interaction often takes place. Enabling the specification of locations and systems provides integrators the ability to provide packages or pre-configured systems for inclusion in the quote. Labor and general pricing is automatically calculated, and customers are provided an accurate proposal that in many cases can be signed off for approval on the spot.

By using D-Tools mobile quoting software, integrators give their customers a professional and impressive solution that illustrates both their commitment to the latest in cutting-edge technology and respect for their clients’ time by offering fast bids on-site. An integrator’s customer no longer has to wait anxiously until the integrator gets back to the office and spends hours pounding out a quote. Solutions are quick, easy, and professional, allowing the integrator to get started on their project right away. Available to D-Tools customers via the Apple App Store, the Mobile Quote app will carry a monthly subscription fee of $25.00 per user/device.

“We’re pleased to make the D-Tools Mobile Quote app available to our global user community,” said Adam Stone, President and Founder of D-Tools. “Providing our users the ability to create quotes in the field is a natural evolution for our platform, and the Mobile Quote app is an important component that ensures D-Tools continues to meet the growing needs of our expanding electronic systems integration customer base. The Mobile Quote app release is the first release of our mobile capabilities roadmap to significantly enhance and complete our project workflow. As we have demonstrated since the release of SIX last year, this new platform enables us to deploy new features as part of rapid and regular release cycles, which ultimately provides our customers a clear path for sustained growth.” 

More than 4,500 companies worldwide use D-Tools Systems Integrator Software to streamline the estimation, design, and project management processes associated with the installation and integration of low voltage systems.

iPad® is a trademark of Apple Inc., registered in the U.S. and other countries.

About D-Tools, Inc.
D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software platforms. The company’s flagship product, System Integrator™ (SI), is a robust solution that utilizes Autodesk® AutoCAD and Microsoft® Visio to facilitate comprehensive system design, documentation and project management. D-Tools enables residential and commercial integrators to streamline business processes and increase revenues while reducing the time and cost associated with the installation and integration of low-voltage electronic systems. More than 4,500 leading companies currently use the award-winning D-Tools platform to reduce time, costs and to streamline the system integration process. Product updates and related information can be obtained by following D-Tools on Twitter and on Facebook.

Learn more about the D-Tools MVP Program, D-Tools System Integrator, or the undeniable benefits of using a streamlined system design, proposal, and estimation software platform at www.d-tools.com(866) 386-6571, ext. 1, or e-mail info@d-tools.com ormvp@d-tools.com.

Press Contacts
Tim Bigoness, D-Tools, Inc., +1 (925) 270-4102, timb@d-tools.comwww.d-tools.com

Katye (McGregor) Bennett, KMB Communications, +1 (425) 328-8640katye@kmbcomm.com

MVP Contact
Josh Carlson, D-Tools, Inc., +1 (925) 270-4105joshc@d-tools.com

Link to accompanying images for use in publication:
https://www.dropbox.com/sh/e99zhtd1lhkb2h6/AAAtJc2LeZpbWLXKv42LGp3Fa

 

# # # ENDS

TDC provides core video expertise for largest-ever light festival Vivid Sydney

Aquatique Show International, Vivid Aquatique, Darling Harbour, Photography by Rodney Campbell.

TDC – The Technical Direction Company is proud to be deploying the full range of its professional and technical expertise in providing core technology and services to Destination NSW for the sixth annual Vivid Sydney festival running from 23 May to 9 June.

Anthony Bastic, Vivid Light Festival Director said: “Vivid Sydney is a unique celebration of light, music and ideas that will see the centre of New South Wales’ vibrant capital transformed by a series of state-of-the-art visual and creative art installations. There are two components to Vivid Light. The first is the Light Walk, which is the public interface of Vivid Sydney. This includes numerous light installations by artists. Secondly, also forming part of the Light Walk, are projections onto some of Sydney’s most iconic buildings including the Museum of Contemporary Art and Customs House. We are thrilled to work with TDC in bringing the artists’ vision to light.”

“This is our third year of working with Destination NSW on Vivid Sydney, providing a huge range of technologies including 3D media servers, 3D mapping, video projection equipment, projection tower infrastructure and sound installations, not to mention our highly skilled crews to manage the technology,” comments Kain Jones, Special Projects Manager at TDC. “We have used our experience of working on Vivid Sydney for the last three years to apply the insights with have learned to how to adapt and continue to make sure that the elements TDC is involved in are amazing.

“As Vivid Sydney grows, new buildings and locations are added, so initially we spend considerable time analysing which technology is best-aligned to meet the artists’ vision. We get involved from the outset in installation design, mapping the buildings to enable the designers to create content specific to the outline of those buildings. We then work on optimal locations for projector placement, media server selection, lens selection and the number of projectors required to meet specific brightness (lux) output for each installation.”

“Vivid Sydney is a great challenge for our company, the scale of this event is enormous in regard to projection technology required to bring it all together,” comments Michael Hassett, TDC’s Managing Director. “This year over 50 Barco projectors will be deployed in total, ranging from the brightest projector in the world, the HDQ-2K40 (40,000 lumens brightness) along with Barco HDF-W26 (22,000 lumens brightness) and FLM-R22+ (22,000 lumens brightness) projectors. This is a projection technology feat and not something that any company globally could pull together easily. We’re proud to be working with the great team at that Destination NSW again this year, and we look forward to the continued success of Vivid Sydney.”

• Over 50 Barco projectors will be deployed in total, ranging from the brightest projector in the world, the HDQ-2K40 (40,000 lumens brightness) along with Barco HDF-W26 (22,000 lumens brightness) and FLM-R22+ (22,000 lumens brightness) projectors. Photography Rodney Campbell.

The TDC team preparing for Vivid Sydney. Photography by Rodney Campbell.

TDC getting ready for Vivid Sydney. Photography by Rodney Campbell.

And the last word goes to Olin Winton, Technical Manager at TDC who says: “It’s always a joy to work on large format projection projects and Vivid Sydney is no exception. The opportunity to display images on iconic buildings takes months of planning and long nights of alignment. This year we have added several new projects to our list, which we are extremely pleased with. Seeing it all come together, working with world class technicians and seeing the end result of people interacting with the buildings is extremely rewarding.”

World firsts from TDC

This year’s Vivid Sydney programme includes a number of significant technological and creative firsts.

Dichroic Dimensions

Digital Shamans, Dichroic Dimensions, Museum of Contemporary Art Australia (Mordant Wing). Photography by Rodney Campbell.

Kain Jones points to one aspect of a unique interactive installation at the new building of the Museum of Contemporary Art Australia (MCA), where artist-in-residence Ross Manning has collaborated with multidisciplinary artistic collective, The Digital Shamans to give visitors the chance to projection-map the façade of the building using only their voice.

“There’ll be two microphones on a slightly raised platform. As the audience uses their voice to interact with the installation, various hidden layers of visuals and soundscapes will be revealed based on pitch,” explains Michael K Chin at The Digital Shamans. “TDC are an amazing company with the technical know how and equipment to cope with the subtleties in our work. Especially with the HD video taken of dichroic filters producing subtle gradients in tones and colour shifts, strong contrast and vivid colour. It’s been a pleasure working with TDC for the first time. They are very professional and their experience with past Vivid Sydney festivals has been invaluable.”

Gamma World

Jess Johnson & Spinifex, Gamma World, Original Façade, Museum of Contemporary Art Australia. Photography by Rodney Campbell.

Bringing together the worlds of live performance, interaction and visual art onto the original façade of the Museum of Contemporary Art, ‘Gamma World’ combines isometric designs, old school gaming, pop up 3D books and forced perspective using 3D and animation tricks that powerfully takes the viewers on a journey through changing worlds.

Stella Carmody, Producer at Spinifex Group Sydney says: “What makes this projection so special this year is that we were able to combine our love of story-telling with the wonderfully inspiring artwork of Jess Johnson to create an abstract, engaging and playful piece of moving art on this iconic building. Hardware and projection mapping was undertaken by our good friends, large-scale projection experts, TDC.”

Urban Tree Project

Urban Tree Project, Ample Projects – MLC Centre, Martin Place. Photography by Rodney Campbell.

If you ever find yourself wondering what grew in the CBD before monuments of glass and steel, Urban Tree Project in Vivid Sydney 2014 will show you. The CTA building in Martin Place will grow out of the ground to become a magnificent living tree within the surrounding urban environment to celebrate and reflect on Sydney’s original green landscape. Design and animation company, Ample Projects turned to TDC to provide the projection solution.

“This project had unique technical challenges, so the natural choice for us was TDC. Ample designed a complex 3D mapping solution in collaboration with the TDC team. They were highly professional, providing projection design solutions for a cylindrical architecture screen with extreme focal planes. We look forward to working with them again soon,” says Ample Creative Director, Nicholas Tory.

“The shape of the structure was great to work on. We decided that the best solution was to map the projection to the curves of the building using Coolux Pandoras Box Media Servers,” comments Pete Lynn, TDC’s Media Server Specialist. “We’re very happy with the results.”

The projections for the Urban Tree Project are synchronised with a stunning laser lighting show as is the case with TDC’s projections for the Vivid Aquatique Water Theatre installation.

Spirit of Patyegarang

•	Patyegarang, Bangarra Dance Theatre Company – Vivid Light Walk Tour, Harbour Bridge Southern Pylon. Photography Greg Barrett.

Bangarra Dance Theatre is Australia’s leading Indigenous performing arts organisation celebrating its 25th anniversary this year. To mark this milestone the company presents its new production at the Sydney Opera House Patyegarang until 5 July and participates for the first time in Vivid Sydney with The spirit of Patyegarang. Projected onto the southern pylon of the Sydney Harbour Bridge, The spirit of Patyegarang is a video installation marking the first Indigenous contribution to the Vivid Light Walk.

Bangarra’s Executive Director, Philipe Magid, said: “TDC is providing equipment and video expertise enabling our company to project a stunning work of art on to a section of the iconic Sydney Harbour Bridge. Through a fusion of dance movements and music soundscape and thanks to video projections supported by TDC, the important story of Patyegarang will awake and inspire with the sensations and emotions of ‘first contact’”.

Play Me

Play Me, Customs House, Photography by Rodney Campbell.

In a poetic explosion of colour, light and sound, ‘Play Me’ will transform the façade of Customs House into a series of massive ‘musical sculptures’ that are individually selected and manipulated by the audience.

“Each of these ‘sculptures’ depicts a family of musical instruments which the audience can ‘play’ in real-time using a touch screen located on a platform in front of Customs House bringing it to life in glorious torrents of ever-changing colour, light form and sound,” says Sergio Carrubba, director and projection designer at Danny Rose, the design team for this project. “We’ve worked with TDC before on the ‘Move Your Building’ exhibit at Vivid Sydney 2013. In all cases, TDC offers exceptional support during planning phases, onsite technical support and the very best in projection equipment to assist with our designs which will all be brought to life at Vivid Sydney.”

Ignatius Jones, Creative Director, Vivid Sydney, comments: “Vivid Sydney is a strange beast: on the one hand it is a major government initiative designed to drive visitation and tourist expenditure during the year’s lowest season, and on the other a celebration of the fusion of Art and Technology that is changing our world forever and for the better. As Creative Director I must split my focus between the exacting contractual and economic demands of government, and the necessity to provide cutting-edge technical solutions to all the issues of larges-scale – or should I say vast-scale – public entertainment.

“TDC has an instinctive and comprehensive understanding of these issues. They are the perfect collaborators: calm, creative and totally competent. I would have no qualms in recommending them to anyone in the tough world of live mass entertainment, and hope to be working with them for a long time to come.”


TDC staff working on this project:

Kain Jones – Special Project Manager
Olin Winton – Technical Manager
Steve Cain – Head Technician/Media Server Specialist
Pete Lynn – 3D Media Server Specialist
Drew Ferors – Projectionist
Gareth Marsh – Projectionist
Katrina Harding – Projectionist
Isaac McKenzie – Projectionist
Adam Fiddler – Technician

TDC are working with following designers for Vivid Sydney:
• Urban Tree Project, Ample Projects – MLC Centre, Martin Place http://www.vividsydney.com/events/urban-tree-project
• Aquatique Show International – Vivid Aquatique, Darling Harbour, http://www.vividsydney.com/events/vivid-aquatique
• Patyegarang, Bangarra Dance Theatre Company – Vivid Light Walk Tour, Harbour Bridge Southern Pylon, http://www.vividsydney.com/events/the-spirit-of-patyegarang
• Starry Night, Brad Miller – Pier 8, Walsh Bay Wharf, http://www.vividsydney.com/events/starrynight
• Digital Shamans – Dichroic Dimensions, Museum of Contemporary Art Australia (Mordant Wing), http://www.vividsydney.com/events/dichroic-dimensions
• Danny Rose – Play Me, Customs House, http://www.vividsydney.com/events/play-me
• Heinz Kasper – Mystery of Creation (Fragments of The Seasons), Cadman’s College, http://www.vividsydney.com/events/mystery-of-creation-fragments-of-the-seasons
• Jess Johnson & Spinifex – Gamma World, Original Façade, Museum of Contemporary Art Australia, http://www.vividsydney.com/events/gamma-world-mca-original-facade

TDC equipment supplied:

• Over 50 Barco projectors will be deployed in total, ranging from the brightest projector in the world, the HDQ-2K40 (40,000 lumens brightness) along with Barco HDF-W26 (22,000 lumens brightness) and FLM-R22+ (22,000 lumens brightness) projectors.
• Coolux Pandoras Box Media Servers
• Dataton WATCHOUT™ multi-image display and presentation software

Screen Innovations—The World Needs the Best Bigger

Austin, TX—May 22, 2014—Screen Innovations (SI) has enlarged Black Diamond™, the world’s most popular ambient-light-rejecting screen and the ideal choice for commercial integrators who need Black Diamond™ quality in a larger format. The largest Black Diamond™ screens to date feature 1.4 gain in new sizes: 16:9 120” and 2.35:1 150”, in Fixed and Zero Edge formats. The larger Black Diamond screens, as well as other recently designed additions to the SI family, continue to make SI the fastest growing screen company in the world.

Black Diamond, the world’s only vertical and horizontal ambient-light-rejecting screen, has a multi layer optic that reflects only the light generated by the projector resulting in a 900% boost in contrast. Additionally, Black Diamond is the only screen that greatly benefits dark environments by reducing light scatter by over 75%. The result is the richest, sharpest image, with the best blacks now available from a screen.

Ryan Gustafson, President of Screen Innovations, boldly announced, “At SI, we believe innovation means that a design is never complete, just more perfect with each iteration. He continued, “We are excited to announce that plans are underway to invest in and expand our production capability to better support today’s large display needs. Our customers asked, and we delivered.”

All Black Diamond screens feature active 3D capabilities and are future-proofed and 4K ready. Screen sizes start at 80” fixed, curved, motorized, and popular Zero Edge formats.

Screen Innovations will exhibit at InfoComm June 18-20, 2014, in Booth #419 in the North Hall. Stop by to see the next generation of video projection screens demonstrated with projectors from our partners, DPI, Epson, and Vivitek.

Manufacturers Suggested Retail Pricing: Starts at USD $2,199.00
Availability: May 2014

Screen Innovations makes it easy to choose the right screen for each application, based on lighting, room size, seating distance, and more. Visit www.screeninnovations.com to check out the Screen Calculator, Screen Wizard, and Projector Wizard online tools.

About Screen Innovations
Based in Austin, Texas, Screen Innovations is a leading manufacturer of projection screens and associated technologies for residential and commercial applications. Best known for Black Diamond™, the world’s first and only multi-directional ambient-light-rejection projection screen technology, SI has effectively revolutionized the two-piece projection category by pioneering and producing screens that deliver an unparalleled video image in light or dark environments. Sold at affordable price points and designed to blend flawlessly with surrounding décor, SI projection screens deliver stunning images and a fully immersive entertainment experience that rivals or surpasses traditional displays. Operating under the principle of “No matter the budget, Screen Innovations has the best available screen solution to suit your needs.” SI produces a comprehensive assortment of screens and accessories for nearly any budget or application.

Visit www.screeninnovations.com or call 512-832-6939. Follow us on Facebook @screeninnovations and on Twitter @SIScreens.

All Extron Cable Cubby Series/2 Enclosures and Power Modules Now Shipping

Extron Electronics is pleased to announce the immediate availability of all four new Extron Cable Cubby Series/2 enclosures, the next generation of Cable Cubby cable access enclosures for AV connectivity and AC power. Cable Cubby Series/2 includes the compact Cable Cubby 500, the mid-size Cable Cubby 700, the slim, low profile Cable Cubby 1200, and the unique double-sided, Cable Cubby 1400. These versatile, next-generation modular enclosures offer the AV industry’s broadest range of AV connectivity and AC power options, including Extron Retractor cable retraction modules, AAP – Architectural Adapter Plates, and AV cables. AC and AC+USB power modules are available for the US, Europe, and other major world markets. Cable Cubby Series/2 enclosures are available in a black anodized or brushed aluminum finish to blend in seamlessly with modern furniture and room decor. more

Salina’s Bicentennial Center Salutes L-ACOUSTICS

The Salina Bombers play a home game in the venue

Parkway Communications updates 7,500-seat arena’s sound with ARCS WIFO arrays

SALINA, Kansas — For the past 35 years, the 7,500-seat multipurpose Bicentennial Center Arena in Salina, Kansas has hosted everything from concerts, theatre, circuses and civic events to rodeos, basketball, roller derby and home games for the local Salina Bombers, champions of the Professional Indoor Football League. But while the venue has undergone a number of changes over the years, the original sound system remained in place until Parkway Communications recently installed a new L-ACOUSTICS ARCS WIDE and ARCS FOCUS loudspeaker rig – aka “WIFO” – for the city-owned venue, which is managed by Philadelphia-based Global Spectrum. more

Christie Projectors Used to Reach Out to Voters During India’s General Elections

Christie® visual technology has been selected to help maximize the reach to potential voters across India in the current massive “digital” electoral campaign rolled out during the country’s ongoing general elections, which takes place from April 7 to May 12, 2014.

Extensively “driven by visual technology,” the general elections will see more than 814 million Indian voters casting their ballots to elect a new parliament. Close to 200 Christie Roadster HD14K-M and Roadster HD20K-J 3-chip DLP® projectors have been used by the Bharatiya Janata Party (BJP) at more than 400 locations nationwide with the plan of having close to 2,000 events in total. The projectors are used to display holographic images of BJP candidate Shri Narendra Modi at election rallies, where he addresses multiple audiences at scheduled locations simultaneously across India. This is the largest deployment of Christie projectors for a single event in India to date.

Engineered specifically to produce unbelievably bright images with stunning detail and depth of color, the Christie Roadster Series delivers pure power with purpose-built features. Designed with built-in handles, an improved airflow system and multiple rigging points, these powerhouse projectors stack up against the rigors and stress of rental/staging, making them the ideal choice for deployment during this staggering electoral campaign.

These compact projectors feature HD resolution and a variable contrast ratio of 1600–2500:1 for brilliantly crisp, detailed images. Equipped with DLP® technology, high-quality optics and 10-bit image processing, the Christie Roadster Series delivers crisp, clean images with perfect color saturation and spectacular video. Coupled with other benefits such as low cost of operation and ease of use, the Christie Roadster Series is undoubtedly the de-facto standard for rental/staging. The reliability and durability of these projectors make them ideal for delivering consistent, repeatable performance with no down time for the most demanding users to create fully immersive visual experiences.

“We’re honored to be part of the excitement during the Indian general elections period where so many of our projectors are deployed at such a grand scale for the first time in India by one of the major political parties for its enormous electoral campaign,” said Ken Wheatley, director of sales, Christie Asia Pacific. “The Christie Roadster Series projectors are known for their unparalleled performance and reliability, and we’re pleased that they are actively and innovatively used in these massive events that effectively showcase how the power of advanced visual technologies can bring people together to create and share experiences.”

UK-based Musion Das Hologram is responsible for consulting, designing and managing these holographic election addresses made by the veteran politician. The 3D holographic projection has been made possible by Musion’s advanced hologram technology using its proprietary Eyeliner™ system. Speeches are filmed and broadcast live via a satellite uplink to the fixed or mobile stages (30-feet by 30-feet) at each day’s events. The 3D lifelike holographic-type displays of the politician are projected at each location using a Christie projector mounted high above the stage to stream visuals to the bounce screen, which reflects the image on the stage. The stage holds the Eyeliner screen which is made of a unique and patented film that delivers the 3D illusion.

The team from BJP’s headquarters is able to view exactly what is being broadcast at any given time, as images are beamed back to the HQ from the various venues and simultaneously displayed on a massive screen. In addition, the vehicles housing the mobile stages, as well as fixed stages are designed and built by Musion. It also trained over 200 installation crews in setting up and using all the equipment deployed at all locations.

“We chose to partner with Christie on Shri Narendra Modi’s 2014 election project due to their market-leading levels of performance, service and reliability. With 200 event teams clocking up tens of thousands of miles throughout the 45-day election, Christie’s Roadster HD14K and HD20K projectors are the perfect choice offering excellent performance with the robust reliability needed,” said Giovanni Palma, director, Musion Das Hologram Ltd. “The combination of Musion Das Hologram products for holographic systems and Christie’s projectors delivers a stunning level of clarity that is amazing millions of people each night of the campaign.”

The results are breathtaking, highly realistic visuals that have since become a hit with supporters in various parts of India throughout the voting period. Spectators at various rallies have described the visual experience as “ecstatic” because the 40-foot by 40-foot by 35-foot holographic projections of Shri Modi are so real that it makes them feel he is standing in front of them.

Shri Modi had successfully worked with both Musion and Christie’s visual solutions for the first time during his 2012 Gujarat assembly election campaigns. This innovative move through which Shri Modi’s speech was broadcast simultaneously at 53 locations across 26 cities in Gujarat has earned a place in the Guinness Book of World Records. Now, with a planned outreach of close to 2,000 events in total, Shri Modi is all set to break his own record.

“The Christie brand has been firmly established in India over the years following several successful projects such as the recent Lusofonia Games and Gujarat assembly election campaigns in 2012,” said Lin Yu, vice president, Christie Asia Pacific. “We’re happy and proud that Christie’s visual solutions have been once again selected for India’s general elections and I’m confident that our solutions will meet the needs of everyone who use them.”

Calibre brings real-world innovation to InfoComm 2014

Focus on media, events and entertainment applications

Calibre UK, the creator of multiple award-winning scalers and processors for the professional audio visual market will exhibit at InfoComm 2014, 18-20th June, Las Vegas Convention Centre (Booth C7541). The booth will be co-branded Calibre and Kramer Electronics in recognition of the two companies’ strategic partnership launched in 2013.

Immediately adjacent to the main Kramer booth (C7736), Calibre will include an impressive array of real-world applications using the new Kramer Media, Events & Entertainment product range of edge blending, scaling, warping and LED video wall processing equipment – all powered by Calibre’s proprietary scaling technologies. The products include the Kramer VP-791, VP-792, VP-793 and VP-794, which are derived from the Calibre HQView and LEDView scaling and processing model range.

Live at InfoComm 2014: VP-794 events demonstration

Making its Americas debut, the Kramer VP-794 universal live events scalers will be demonstrated in typical live events scenarios. Creating a exceptionally engaging and bright display that’s expected to be seen from all angles of the InfoComm show floor, the VP-794 will drive content for display on to Lighthouse Technologies’ LED video walls.

Complementing this will be a demonstration of the VP-794’s capabilities to edge blend and warp various content onto a curved screen display using ultra-bright large-venue projectors from Digital Projection International.

The demonstrations will highlight to InfoComm visitors how easy it is to manage video content across LED displays and projection video walls in the most rugged and high-demanding environments.

Focus on high-performance image processing

Where image quality, precision and fidelity are key, Calibre will demonstrate the benefits of edge-blending across multiple displays and curved projection screens for simulation and training environments, events, conference room applications.

Highlights include the warping and blending controls of the Kramer VP-793 and VP-792 processors at interactive demo stations located around the booth.

There will also be interactive demo stations showing video processing with geometric correction using the 3G-SDI to DVI-HDMI signal processing capabilities of the Kramer VP-791 processor and an interactive demo of Kramer VP-794 pixel-accurate image resizing for LED videowalls.

In each case visitors can come and try out the products and interact with the controls themselves to see how they work.

“The booth this year will enable visitors to gets hands on and try out the Kramer Media, Events and Entertainment range powered by Calibre so they can plan for their future projects and investments,” said Tim Brooksbank, Chairman at Calibre UK.

“Our proven technologies are in daily use across the world in some impressive and challenging event, media and entertainment production installations and are now available to a much wider market through Kramer’s outstanding Americas and worldwide sales and support network.”

You can see the Kramer Media, Events & Entertainment product range powered by Calibre including the VP-791, VP-792, VP-793 & VP-794 scalers on the Calibre booth at InfoComm 2014, 18-20 June, Las Vegas Convention Center, Booth # C7541.

ENDS

About Calibre
Multi-award winning British company, Calibre has over the past 26 years achieved world recognition providing image scaling and processing technologies for use in broadcast/television, digital cinema, large venue projection, LED videowalls and surgical medical applications. Calibre manufactures products under its own brand-names as well as providing products and technology to several market leaders in the Pro-AV market worldwide. Calibre is a market leader in innovation, utilizing its own, UK & Germany-based in-house hardware and software design teams for all its product developments and its own UK manufacturing.

Some useful links:

Twitter: @CalibreProAV

Website: www.calibreuk.com

Extron Now Shipping Two Channel Balanced and Unbalanced Audio Converter with Precision Input Signal Matching

Extron Electronics is pleased to announce the immediate availability of the BUC 202, a two channel balanced and unbalanced audio converter, and audio line driver. It features two balanced or unbalanced inputs and outputs, both on captive screw connectors. The BUC 202 provides two independent channels of signal matching between unbalanced and balanced audio equipment. Two rotary switches provide precise trim adjustment from -21 to +21 dB in clearly-labeled 3 dB steps. In addition to serving as an interface from consumer products to professional AV systems, the BUC 202 is a high-quality line driver for sending and receiving audio signals up to 1,000 feet (300 m). The unique 1U, quarter rack width enclosure, together with the included patented ZipClip 200 mounting bracket, offers the versatility to install the BUC 202 in a discreet location, such as on a rack rail, beneath a table, or within a lectern. more

DAS Announces Lineup of Experts and Case Studies from a Variety of Professions

Multi-Industry Experts Look at the Lifecycle of Assets from Production Through Rights Management

Los Angeles, CA – AMIA continues to add to an incomparable lineup of experts set to present at its acclaimed Digital Asset Symposium (DAS). DAS will be held on May 15 & 16, 2014 at the Linwood Dunn Theater in Hollywood, CA.

DAS is a unique approach that brings together experts from a broad range of institutions and disciplines at the corner where theory and real world experience meet. Understanding that each phase of the digital life cycle impacts the next, DAS explores the different systems used by a variety of practitioners dealing with similar digital challenges. The lineup includes leading experts and focused case studies from studios, entertainment, religious education, production, curation, law and law enforcement. DAS unfolds in an atmosphere of insightful discussions of current projects and the lessons learned along the way. Additional presenters and case studies are being announced weekly.

Law Enforcement Case Study: A Conversation About Authentication
In partnership with LEVA

Jim Hoerricks, Senior Forensic Video Analyst for the Los Angeles Police Department
Law enforcement agencies face incredible challenges as they manage an avalanche of data, video, images, records and nowhere is the need for authentication more important. Jim Hoerricks is a nationally recognized expert in audio, video and image analyst, instructor and best-selling author. Jim will explore the difficulties challenges faced by law enforcement agencies in authenticating and managing massive amounts of digital media within strict legal policies.

Do You Understand Your Digital Liability?
Adam Grant, Apert, Barr & Grant, APLC

Grant, an expert in mobile app law as well as online and digital privacy, will discuss current issues regarding information gathering and privacy case law. He will explore what people need to be aware of now, based on what is coming up in the future, and how to best prepare. The future being whatever case law is currently in litigation or pending.

Archive and Preservation Case Study: Building an Archive-Centric DAM
Rabbi Elkanah Shmotkin, Executive Director for Jewish Educational Media

For the past several years, J.E.M. has been working to build an access system for their archive of video and audio content that could handle all of their metadata needs, as well as be actively used in their research and production environments. The Rabbi will discuss the systems purpose, different file formats used, metadata searching, ability to playback, get user permissions and how the new system dramatically cut down their research and production time.

Law Enforcement: A Case Study in the Challenges Digital Evidence Management
Laura Futrell, Forensic Consultant and DNA Analyst for Santa Clara Police Department

Laura Futrell explores real world issues in dealing with digital forensic evidence, from downloading video interviews, storing mass amounts of crime scene photos, working with the internal IT department and the challenges of online sharing of evidence with the District Attorney.

Miramax: A Keynote Case Study on Digital Rights Management
Denise Evans, Vice President of IT at Miramax and Thomas Coleman, CTO of Film Track

This keynote case study will focus on how after Disney sold Miramax in 2010, an asset management system was developed for their sales team to easily access, gather and track rights to every film in the Disney catalog. Presented with Film Track.

A Conversation About Curation in Digital Archive Management
Tyler Leshney, Executive VP of Corporate Strategy and Development

Leshney will focus on ‘Information Curation’ solutions that are both strategic and indispensible in providing staffing resources, cost management tools, technology platforms and even storage facilities which allow people to solve problems that few vendors are able to address. He will address how to manage the information in digital format, digitize your print assets, tagging and metadata ready to make your digital information more accessible.

Sessions and case studies announced earlier include:

* Flexibility, Inventiveness and Creativity: A Case Study in Data Centric Storytelling
Jacob Rosenberg (Bandito Bros) and Tom Vice (nextLAB)

* Where Has All the Content Gone?
Tom Coughlin in partnership with Creative Storage, Entertainment Storage Alliance

* Digital Rights: Navigating Copyright in a Digital World
Eric J. Schwartz (partner, Mitchell Silberberg & Knupp)

Registration is now open for DAS. Tickets are available at www.DAS2014.org. The two day event includes all panels, case studies, and two cocktail receptions.

Industry partners include; American Cinema Editors, Creative Storage Alliance, Law Enforcement Video Association, Media & Entertainment Services Alliance, Iron Mountain Entertainment Services, Deluxe, LAC Group, Reflex Technologies and Digital Cinema Society.

For further information, visit www.DAS2014.org.

About DAS
DAS addresses the full life cycle of the media asset – from content creation to rights management to assuring asset preservation – with speakers and case studies that address what works in the real world. Each part of the life cycle impacts the next and DAS is the only place where everyone is part of the conversation – content creators, post-production, systems designers, archives, asset managers – where commercial meets nonprofit and corporate meets public.

About AMIA
As the world’s largest international association of professional media archivists, AMIA is uniquely poised to bring together a broad range of experts. Members represent film studios, corporate and national archives, historical societies, labs, post production, universities, footage libraries and more. Because of this diverse membership, AMIA provides an opportunity to interact with every facet of the field and a single forum to address the best ways to preserve our media assets.

# # #

Media Contact:
Chris Purse or Stacey Humphrey
ignite strategic communications
818.980.3473
chris@ignite.bz; stacey@ignite.bz

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