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Archive of the Houses of Worship Category

DANLEY SOUND LABS LOUDSPEAKERS AND SUBS CONTRIBUTE TO TRUE STEREO IMAGING AT FIRST FREE CHURCH

ROCKFORD, ILLINOIS: First Free Church has been a cornerstone of spiritual life in Rockford, Illinois since 1884. Over the decades, First Free has occupied several buildings of ever-growing size and, since the advent of A/V technology, ever-growing technical sophistication. Its current sanctuary seats close to 1,800 congregants in an arc spanning nearly 180 degrees, with a balcony and under-balcony area that stretches from wall to wall. Tired of poor coverage from a faux-LCR system of mid-1990s vintage, First Free hired SVL Productions of nearby Cherry Valley, Illinois to build a new system that would provide nearly every seat with crisp stereo imaging. Of course, this would be no small feat to achieve. SVL Productions turned to Chicago-based Johnson AV Engineering to help design and commission the new system, which relies on the tight pattern control of Danley Sound Labs loudspeakers to meet – and then greatly exceed – the church’s expectations.

“Music is a vital component of First Free’s services,” said Aaron Johnson, president and principle engineer at Johnson AV Engineering. “The old system had three clusters to cover different wedges of the room’s wide arc, but despite the fact that they were set up as a Left-Center-Right system, none of the seats had any true imaging to speak of. The church wanted true imaging, where each instrument seems to emanate from the empty space between the loudspeakers, but that’s very hard to achieve in such a wide arc. You can’t simply place a couple of clusters on either side of the stage and expect even coverage and convincing imaging. The relative volume and time delay of each loudspeaker at the listener’s location have to be nearly equal to make the stereo effect work.”

The solution was to divide the room into three 60-degree wedges, each of which would receive its own stereo image. Although that’s easy to conceptualize, it’s very difficult to actually implement because almost all loudspeakers spill energy “off-axis.” That spillover would cross the dividing line between one wedge and the next and destroy the stereo imaging effect. “Danley’s tight pattern control made it the obvious choice for this application,” said Johnson. “No other loudspeaker manufacturer comes close to Danley’s razor-sharp pattern control, which extends even to lower frequencies.”

Because of their specific coverage patterns and the geometry of the room, Johnson specified a Danley SH-60 on top of a Danley SM-96 at each loudspeaker location for coverage of the main seating area. A total of six such clusters comprise the main system: three sets of left and right. Four monophonic Danley SH-Micros provide front fill for seats very near the stage. Partitions separate six under-balcony areas, four of which seat thirty to forty each and two of which seat only eight. For the larger partitions, a stereo pair of Danley SH-Micros deliver convincing stereo imaging, whereas a single Danley SH-Micro in each of the smaller partitions deliver a monophonic summed signal.

“I don’t know of another loudspeaker that can achieve the kind of pattern control that Danley has managed,” said Brent Hayes, president of SVL Productions. “Aaron and I walked the room during commissioning, and it was truly astounding to step just past the edge of one loudspeaker’s pattern. It fell off immediately. One more step and we were clearly into the pattern of the next loudspeaker. I remember seeing it on paper, but it’s a whole other thing to experience it.” Johnson agreed: “I love that Danley products always model exactly like they work, and they work exactly as you expect them to.”

But the miracles of great pattern control don’t stop with the loudspeakers at First Free Church. Johnson designed a directional subwoofer cluster comprised of three Danley TH-118s flown near the ceiling, just in front of the stage. By paying careful attention to each unit’s phase and signal delay, the bass volume on stage is a full 18 dB lower than it is in the seats, which is an obvious and significant difference. The dividing line is, in Johnson’s words, “like a curtain,” and even the first row of seats is fully immersed in bass. By keeping so much low-frequency energy off the stage, the sound quality captured on stage by open microphones is much better and far less likely to growl or feed back.

Processing support for the new system is extensive, as proper alignment required a separate processing channel for almost every individual loudspeaker and subwoofer. BiAmp Audia provides that fine-scale level of control. Because the Danley loudspeakers and subwoofers require only a single amplifier channel, the total number of amplifiers was kept to a minimum, but the sheer number of loudspeakers and subwoofers involved still amounted to an impressive 26 channels. Powersoft K-Series and Ottocanali-Series amplifiers provide that power. “The new system requires more power to the loudspeakers and subs than the old system did, but the efficiency of the Powersoft units allow us to draw less AC power!” said Hayes. “As a result, we didn’t have to call in an electrician. Moreover, their physical compactness left an entire rack from the previous installation wide open. In summary, we had more processing channels, more amplifier channels, and more loudspeaker power, but less current draw and less space consumed.”

New video projectors and screens, together with a new high-end Chauvet lekos and LED lights completed the installation.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

First Reformed Church Receives Sound Upgrade with HARMAN’s Soundcraft Si Expression Consoles

LANDIS, North Carolina – The First Reformed Church in the town of Landis, North Carolina has a strong connection to its membership and recently added two HARMAN Soundcraft Si Expression 3 digital consoles to deliver an even more dynamic audio experience for its congregation. One Si Expression 3 is used for the main 400-seat auditorium, while the other is in the smaller 200-seat auditorium.

“Our past sound equipment does not even come close to the Si Expression,” said the church’s Technical Manager, Adam Combs. “Our old console kept breaking down and I just can’t allow that to happen anymore during Sunday service.”

When asked why Combs the Soundcraft consoles for the church, he replied, “Soundcraft in general has a much stronger and reputable brand name compared to what we were using before. When investing in new consoles, I looked for reliability and sound quality. In both departments, Soundcraft delivered beyond our expectations.”

As the largest of the Soundcraft Si Expression consoles the Si Expression 3 comes with 30+2 faders and 32 mic/line inputs. Also, the 14 aux/group mixes and four matrix mixes can be reconfigured as mono or stereo mixes. To top it off, only Soundcraft consoles possess BSS GEQs and Lexicon FX processors.

“For this price point, I get a ton of versatility coupled with beautiful sound quality,” Combs said. “I feel ecstatic, because no other console in this price range that I’ve tried producing and mixing with even comes close to the Si Expression. Coming from an analog console background, I am impressed by how simple yet effective this digital interface is.”

“On every Sunday, we have 9-piece bands and singers, and to support all that music with unreliable sound equipment would do neither the performers nor our worship service justice. I am happy to say that Soundcraft is living up to its reputation.”

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

HARMAN’s dbx Keeps Youth Organizations on Top at Tabernacle of Praise

SALT LAKE CITY, Utah – James Lacey III is a volunteer audio engineer for Tabernacle of Praise, a nondenominational Fort Worth, Texas ministry. Known as “Fort Worth’s Church”, Tabernacle of Praise (TOP) supports two youth ministries, KIDZ on TOP for first to sixth graders and TOP AGENTS (Army of God Equipping New Teens with Salvation) for seventh through twelfth graders. In support of these youth programs HARMAN’s dbx recently donated three 1066 Compressor/Limiter/Gates for use in their youth facility’s “The Bridge” audio system.

Lacey has been an audio enthusiast since he was young, and now takes great pride and enjoyment in passing along his skills and enthusiasm to a new generation of budding sound engineers. “A big reason I got into audio is from being a performing artist and asking the front of house engineers about what they were doing at the console and how it affected the way things sounded.” Eventually Lacey learned enough to become a sound engineer and has been volunteering at TOP for the past five years. “With KIDZ on TOP and TOP AGENTS, the ministries’ youth are now doing the same thing I did when I first became curious about live sound – they’re intrigued by what a mixing console and all the lights flashing on the outboard gear rack! It’s a great feeling to know that positive impacts on the youth can happen even through the use of audio equipment!”

With the addition of the dbx 1066 to the ministry’s audio system, which already had a dbx 266XL Compressor/Gate in place, they now have more of an opportunity than ever to learn about the essential elements of dynamics processing and hear how they relate to worship sound. The 266XL and 1066 units are applied as inserts to eight vocal and instrument subgroups on the mixing console, and used for gating on vocals, drums and percussion. The 266XL is primarily used on the lead vocal channels while the 1066s handle the other vocal and instrument subgroups.

Lacey has extensive experience with dbx, noting that most of the venues where he performed earlier in his career used analog mixing consoles with dbx dual compressor/limiters of some type, especially on vocals – and in the ones that didn’t, “it was really a challenge to run sound. I wanted to make sure that I got our new 1066s in place as soon as possible so our youth could hear what it’s like to achieve the best mix possible, a really balanced mix with clarity and dynamics where all the vocals and instruments sit perfectly in place.”

Every FOH engineer has their favorite features about any particular piece of gear and the dbx 1066 is no exception. For Lacey the Over Easy control “is a dream” for transparently smoothing out fluctuating vocal and instrumental levels. Sometimes he’ll use it on vocals like an instant “custom” overall setting so he can just concentrate on the rest of the mix. “Over Easy is a great feature that, to me, you can apply on just about everything. In fact it makes getting a good sound so easy it’s almost like cheating! That’s because good sound doesn’t ‘fight fair,’ especially in a live setting and sometimes you just have to bare-knuckle it and have tools that can get the job done quickly and effectively.”

For other applications Lacey notes that the 1066’s flexibility is in order, and that there are always cases where some hard knee compression or manual adjustments have to be made to tame and balance the mix. “In some cases, the live mix seems to have a mind of its own and changes its personality at a moment’s notice. With the 266XL and 1066s in place, you can deal with these sonic surprises much more easily, and achieve a great mix under any circumstances.”

The dbx 1066 Compressor/Limiter/Gate combines classic dbx dynamic response with a host of versatile features like selectable Over Easy or hard-knee compression, frequency-dependent gain control, PeakStopPlus speaker protection and many additional functions, making it the ideal dynamics processor for live, studio and broadcast use.

“James is a role model to audio professionals everywhere for the wonderful work he is doing with these youth organizations. We are proud to be able to support him and his work in teaching a new generation about how exciting professional audio can be,” stated Noel Larson, Market Manager, Portable PA, Tour and Recording, HARMAN Signal Processing.

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

HARMAN’s JBL Professional, Crown, and Soundcraft Provide Versatile Audio Solution for Rhema Bible Church

JOHANNESBURG, South Africa – The popular Rhema Bible Church in Randburg, Northwest Johannesburg, is a house of worship dedicated to learning and growing. With a seating capacity of 7,500, the Rhema Bible Church was in need of an upgrade to its sound reinforcement system for its large 180-degree bowl-shaped auditorium. Senior Pastor Ray McCauley turned to audio consultants SoundGP and HARMAN Professional South African distributor, Wild & Marr (Pty) Ltd., who provided an integrated audio infrastructure and broadcast/production facility consisting of HARMAN’s JBL Professional, Crown, and Soundcraft components.

The audio system had to support the multi-functional needs of Sunday morning services, with spoken word being the top priority. In addition, it needed to deliver high-end concert performance over the substantial audience noise levels generated in the large auditorium, while providing the necessary capability for international touring artists, without the need for additional equipment.

“The previous system was unable to cope with the new high-energy content being generated in many forms — from live music to AV,” stated Pastor Alan Plant, who heads logistics for Sunday services. “Due to its age, the speech coverage was uneven and not up to the level of consistency required to ensure a pleasant listening environment.”

Wild and Marr chose JBL’s VTX line array system powered by Crown’s flagship I-Tech 12000 HD power amplifiers. The system is controlled by the latest version of JBL HiQnet Performance ManagerTM software. The system needed to be transformed into one that communicated to a fast-growing, youth-focused audience. “This market consumes media in a different way with expectations of seamless integration of varying media streams from acoustic rock to low-end electronica bass tracks to multimedia streaming,” explained Gustav Teitge, Wild & Marr Systems Engineer.

To fulfill the church’s requirements, Wild and Marr outfitted the auditorium with four arrays of six JBL VTX V25 loudspeakers and two JBL VERTEC® VT4886 subcompact enclosures per array acting as down fills. The system also includes three JBL VTX S28 subwoofers per side in a cardioid array. Eight JBL STX815M loudspeakers were also used to provide delays to the rear seating area.

By using a specially designed MADI routing solution, the church now has expanded routing flexibility and is capable of future expansion. This is a first-of-its-kind solution in such an environment, enabling the sound operators to mix 96 channels from the Soundcraft Vi6 stage box mic pre-amplifiers. Sixty-four of these channels are made available to the monitor Soundcraft Vi1 or the Soundcraft Vi1 in the broadcast/production facility as well as the permanent recording PC, which also doubles as a virtual sound check playback device.

The Soundcraft Aviom expansion card provides flexibility of routing to any console bus feed. This digital signal backbone also provides adequate tie lines for signal interconnection between the various consoles while passing AES/EBU signal to the main PA via the MADI router. An analogue signal routing system provides redundancy from the main PA ensuring reliable signal transport to the Crown I-Tech HD amplifiers.

Gustav Teitge adds that the system performance objectives had been clearly met by installing JBL VTX. “The new technology incorporated into the D2 driver, as well as other innovations, like decreased component gaps and structural changes, make seamless audio interconnectivity when moving around the auditorium a priority — thus lending itself to extremely smooth and accurate audio distribution.”

SoundGP owner, Cristo Hattingh, was responsible for the voicing of the system. In addition, challenges faced and overcome along the way included restricted height due to the funnel shape of the space’s profile (incline floor,

decline roof towards the rear) creating unique standing waves in the low-mids and making it very challenging to achieve an even low-end distribution.

The implementation of a collaborative HARMAN product line was the first of its kind in Africa using this type of technology. “Utilizing the new VTX loudspeaker system all the way down to a MADI integrated Soundcraft fiber signal distribution and control backbone provided an innovative and successful solution to the many challenges the Rhema Bible Church presented,” concluded the design team.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,600 people across the Americas, Europe, and Asia and reported sales of $4.5 billion for the last twelve months ended September 30, 2013.

First Reformed Church Receives Sound Upgrade with HARMAN’s Soundcraft Si Expression Consoles

LANDIS, North Carolina – The First Reformed Church in the town of Landis, North Carolina has a strong connection to its membership and recently added two HARMAN Soundcraft Si Expression 3 digital consoles to deliver an even more dynamic audio experience for its congregation. One Si Expression 3 is used for the main 400-seat auditorium, while the other is in the smaller 200-seat auditorium.

“Our past sound equipment does not even come close to the Si Expression,” said the church’s Technical Manager, Adam Combs. “Our old console kept breaking down and I just can’t allow that to happen anymore during Sunday service.”

When asked why Combs the Soundcraft consoles for the church, he replied, “Soundcraft in general has a much stronger and reputable brand name compared to what we were using before. When investing in new consoles, I looked for reliability and sound quality. In both departments, Soundcraft delivered beyond our expectations.”

As the largest of the Soundcraft Si Expression consoles the Si Expression 3 comes with 30+2 faders and 32 mic/line inputs. Also, the 14 aux/group mixes and four matrix mixes can be reconfigured as mono or stereo mixes. To top it off, only Soundcraft consoles possess BSS GEQs and Lexicon FX processors.

“For this price point, I get a ton of versatility coupled with beautiful sound quality,” Combs said. “I feel ecstatic, because no other console in this price range that I’ve tried producing and mixing with even comes close to the Si Expression. Coming from an analog console background, I am impressed by how simple yet effective this digital interface is.”

“On every Sunday, we have 9-piece bands and singers, and to support all that music with unreliable sound equipment would do neither the performers nor our worship service justice. I am happy to say that Soundcraft is living up to its reputation.”

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

Yamaha Training Sessions Set for Pittsburgh and Beltsville, MD

BUENA PARK, Calif.—Yamaha Commercial Audio Training Seminars (YCATS) will hold training sessions in Pittsburgh, PA November 5, 6, and 7 and in Beltsville, MD on November 12, 13, and 14.

Pittsburgh and Beltsville sessions will include M7CL for Beginners, M7CL for Experience Engineers, CL Series Operational Training, and Digital Audio Networks for Engineers.

For more information, course description, seminar location, and registration visit: http://yamahacommercialaudiosystems.com/training.php?catID=11001.

-END-

The Church at Liberty Square Gets a Custom Fit with VARIA

Cartersville, GA – October 2013… In 1936, a small group of 15 faithful joined together to found the first Cartersville Church of God. The congregation grew slowly but steadily, and in 1980 the church moved to a new sanctuary with educational facilities. Since then the church has experienced phenomenal growth, and in January 2003 they moved into their new campus at Liberty Square, rechristening the church to reflect the new facility.

The 1700-seat sanctuary is an impressive, fan shaped auditorium with high ceilings and an open, inviting seating arrangement. But despite its exquisite aesthetics, the room’s acoustics have been an ongoing challenge, and the original audio system had long struggled with inconsistent coverage and poor intelligibility.

“There was a tremendous change in tonality from the main floor to the balcony area,” explains Kent Morris, Principal of Canton, Georgia-based Cornerstone Media Group. “The main floor was very bright — almost excessively so in some areas — while the balcony seats were getting almost no high frequency content. The mix position is located in the balcony area, which made it very difficult for the tech team to mix.” Morris adds that the old system also created a visual impediment for some of the balcony seats.

The new sound system centers on left and right arrays of the new VARIA modular point source line array system from Renkus-Heinz. Each array is comprised of eight VARIA VA101-series boxes, with coverage patterns ranging from 7 to 22 degrees. “We looked at a number of different options, and they were won over by the VARIA system,” says Morris. “Their technical director Nathan Roach and audio head Ben Tomlinson are very astute, and the fact that VARIA enables you to taper the coverage pattern was a key factor for us. It really provided the most consistent tonality, with no harsh spots and no dead zones.”

Lead Programmer Jeremy Alison was able to map out consistent coverage to the room’s most challenging areas. “With the VARIA, we were able to get articulation to the back rows of the balcony, and great coverage under the balcony as well, without having to add near fields or under balcony speakers,” says Morris. VA15S and PN212 subwoofers add low frequency power and punch, and three CF61 compact two-way boxes provide front fill.

“Being able to select among several boxes with different coverage patterns, and particularly being able to choose transitional boxes in between the fixed ones, makes a tremendous difference in designing a system,” Morris observes. “It’s almost as if every box is custom, but you don’t have to wait six weeks or pay top dollar.”

The entire system is networked via Dante over Ethernet, with several manufacturers’ technologies playing nicely together. “We installed a Yamaha CL5 console at FOH, connected via Dante to two Rio stage boxes,” says Morris. “That enabled us to add a monitor console down on the floor and tie it all together with RHAON so they can monitor from FOH. We also added some devices to their existing Media Matrix NION system. Once we worked through the usual clocking issues, the system functioned flawlessly. You expect a lot of hair pulling, but it was so easy. It all worked out beautifully.”

“The VARIA system has really been an ideal solution for the church,” Morris concludes. “It’s a great looking system, and the cost factor and configurability made it a great fit. I just love working with Renkus-Heinz.”

###

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

HARMAN’s dbx Keeps Youth Organizations on Top at Tabernacle of Praise

James Lacey III is a volunteer audio engineer for Tabernacle of Praise, a nondenominational Fort Worth, Texas ministry. Known as “Fort Worth’s Church”, Tabernacle of Praise (TOP) supports two youth ministries, KIDZ on TOP for first to sixth graders and TOP AGENTS (Army of God Equipping New Teens with Salvation) for seventh through twelfth graders. In support of these youth programs HARMAN’s dbx recently donated three 1066 Compressor/Limiter/Gates for use in their youth facility’s “The Bridge” audio system.

Lacey has been an audio enthusiast since he was young, and now takes great pride and enjoyment in passing along his skills and enthusiasm to a new generation of budding sound engineers. “A big reason I got into audio is from being a performing artist and asking the front of house engineers about what they were doing at the console and how it affected the way things sounded.” Eventually Lacey learned enough to become a sound engineer and has been volunteering at TOP for the past five years. “With KIDZ on TOP and TOP AGENTS, the ministries’ youth are now doing the same thing I did when I first became curious about live sound – they’re intrigued by what a mixing console and all the lights flashing on the outboard gear rack! It’s a great feeling to know that positive impacts on the youth can happen even through the use of audio equipment!”

With the addition of the dbx 1066 to the ministry’s audio system, which already had a dbx 266XL Compressor/Gate in place, they now have more of an opportunity than ever to learn about the essential elements of dynamics processing and hear how they relate to worship sound. The 266XL and 1066 units are applied as inserts to eight vocal and instrument subgroups on the mixing console, and used for gating on vocals, drums and percussion. The 266XL is primarily used on the lead vocal channels while the 1066s handle the other vocal and instrument subgroups.

Lacey has extensive experience with dbx, noting that most of the venues where he performed earlier in his career used analog mixing consoles with dbx dual compressor/limiters of some type, especially on vocals – and in the ones that didn’t, “it was really a challenge to run sound. I wanted to make sure that I got our new 1066s in place as soon as possible so our youth could hear what it’s like to achieve the best mix possible, a really balanced mix with clarity and dynamics where all the vocals and instruments sit perfectly in place.”

Every FOH engineer has their favorite features about any particular piece of gear and the dbx 1066 is no exception. For Lacey the Over Easy control “is a dream” for transparently smoothing out fluctuating vocal and instrumental levels. Sometimes he’ll use it on vocals like an instant “custom” overall setting so he can just concentrate on the rest of the mix. “Over Easy is a great feature that, to me, you can apply on just about everything. In fact it makes getting a good sound so easy it’s almost like cheating! That’s because good sound doesn’t ‘fight fair,’ especially in a live setting and sometimes you just have to bare-knuckle it and have tools that can get the job done quickly and effectively.”

For other applications Lacey notes that the 1066’s flexibility is in order, and that there are always cases where some hard knee compression or manual adjustments have to be made to tame and balance the mix. “In some cases, the live mix seems to have a mind of its own and changes its personality at a moment’s notice. With the 266XL and 1066s in place, you can deal with these sonic surprises much more easily, and achieve a great mix under any circumstances.”

The dbx 1066 Compressor/Limiter/Gate combines classic dbx dynamic response with a host of versatile features like selectable Over Easy or hard-knee compression, frequency-dependent gain control, PeakStopPlus speaker protection and many additional functions, making it the ideal dynamics processor for live, studio and broadcast use.

“James is a role model to audio professionals everywhere for the wonderful work he is doing with these youth organizations. We are proud to be able to support him and his work in teaching a new generation about how exciting professional audio can be,” stated Noel Larson, Market Manager, Portable PA, Tour and Recording, HARMAN Signal Processing.

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

First Baptist Church at the Mall Standardizes with Nine HARMAN Soundcraft Si Expression Digital Consoles

LAKELAND, Florida – Building on its successful relationship with HARMAN’s Studer over the past year, the First Baptist Church at the Mall in Lakeland, Florida recently upgraded with nine Soundcraft Si Expression digital consoles in time for the Church’s fall season. The consoles are being used in several areas throughout the Church’s property, including the classrooms, chapel, the children’s ministry and youth ministries.

Of the nine Si Expression consoles Church at the Mall now owns, five are Si Expression 3, three are Si Expression 1 and one is a Si Expression 2. “We wanted to standardize on the same console throughout these different spaces,” said Daniel Livingston, Program Technology Supervisor at the Church at the Mall. “Since we rely on a number of volunteers to operate the technology, we wanted them to have the same level of familiarity with every console. We also can save settings from one console to a USB drive and copy that to another console, which is a huge advantage.”

As with any house of worship that relies on volunteer technical operators, ease of use was a top priority when choosing a digital console. “The Si Expression consoles are very easy to operate and the volunteers already love working with them,” Livingston noted. “Once a volunteer learns on one of them, he/she can use the Si Expression console in any other room.”

Livingston added that the existing relationship with Studer—the Church purchased a Vista 5 M2 for front-of-house and monitor mixing in its main worship space in 2012—was a factor in the decision to purchase the Soundcraft Si Expression consoles. “We have had success with the Vista 5 M2 and the fact that the Compact Stagebox can be interchanged between Studer and Soundcraft consoles was a benefit as well,” he said. “Of course, the affordability of the Si Expression was also attractive and frankly, they sound a lot better than I would have expected at that price point.”

For more information on Church at the Mall, please visit www.churchatthemall.com

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

Experience Church.tv Improves Multi-Camera Production with JVC GY-HM600 ProHD Camera

WAYNE, NJ – JVC Professional Products Company, a division of JVC Americas Corp., today announced Experience Church.tv, based in Puyallup, Wash., is using a GY-HM600 ProHD handheld camcorder as part of a multi-camera HD production that provides image magnification (I-MAG) for its live congregation during services and streaming video for online viewers.

Known for its high-energy live services, Experience Church.tv embraces AV technology as a tool to help share its message with its local congregation and its ministry around the world. The church purchased the GY-HM600 in May and has mounted the lightweight camera on a jib for dynamic moving images. The camera’s built-in BNC connector for SDI output provides a reliable connection for jib use.

“For us, it was about the lens quality and the size of the camera to use on our jib,” explained Dennis Cummins, pastor. “It’s a huge lens in a compact frame. That keeps the weight down for use on the jib.”

The church’s multi-camera setup also includes two Grass Valley LDK 4000s on sticks, one handheld JVC GY-HD250, and two GoPro cameras, which are positioned on stage to highlight musicians in cutaway shots. “I was amazed how good the JVC looks in comparison to the LDK4000s,” Cummins noted. “The colors are rich and vibrant, and it reacts well to our lit stage. We purchased one, but will be adding to it soon. With the quality of the lens, we are looking to use it in more places.”

ABOUT JVC PROFESSIONAL PRODUCTS COMPANY

Headquartered in Wayne, New Jersey, with West Coast operations in Long Beach, California, JVC Professional Products Company is a division of JVC Americas Corp., a wholly-owned subsidiary of JVC Kenwood Corporation. JVC is a leading manufacturer and distributor of broadcast and professional video and audio equipment, D-ILA front projection systems, and Super LoLux HD video security products. For further product information, visit JVC’s Web site at http://pro.jvc.com or call (800) 582-5825.

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