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Archive of the Houses of Worship Category

HARMAN’s dbx Keeps Youth Organizations on Top at Tabernacle of Praise

James Lacey III is a volunteer audio engineer for Tabernacle of Praise, a nondenominational Fort Worth, Texas ministry. Known as “Fort Worth’s Church”, Tabernacle of Praise (TOP) supports two youth ministries, KIDZ on TOP for first to sixth graders and TOP AGENTS (Army of God Equipping New Teens with Salvation) for seventh through twelfth graders. In support of these youth programs HARMAN’s dbx recently donated three 1066 Compressor/Limiter/Gates for use in their youth facility’s “The Bridge” audio system.

Lacey has been an audio enthusiast since he was young, and now takes great pride and enjoyment in passing along his skills and enthusiasm to a new generation of budding sound engineers. “A big reason I got into audio is from being a performing artist and asking the front of house engineers about what they were doing at the console and how it affected the way things sounded.” Eventually Lacey learned enough to become a sound engineer and has been volunteering at TOP for the past five years. “With KIDZ on TOP and TOP AGENTS, the ministries’ youth are now doing the same thing I did when I first became curious about live sound – they’re intrigued by what a mixing console and all the lights flashing on the outboard gear rack! It’s a great feeling to know that positive impacts on the youth can happen even through the use of audio equipment!”

With the addition of the dbx 1066 to the ministry’s audio system, which already had a dbx 266XL Compressor/Gate in place, they now have more of an opportunity than ever to learn about the essential elements of dynamics processing and hear how they relate to worship sound. The 266XL and 1066 units are applied as inserts to eight vocal and instrument subgroups on the mixing console, and used for gating on vocals, drums and percussion. The 266XL is primarily used on the lead vocal channels while the 1066s handle the other vocal and instrument subgroups.

Lacey has extensive experience with dbx, noting that most of the venues where he performed earlier in his career used analog mixing consoles with dbx dual compressor/limiters of some type, especially on vocals – and in the ones that didn’t, “it was really a challenge to run sound. I wanted to make sure that I got our new 1066s in place as soon as possible so our youth could hear what it’s like to achieve the best mix possible, a really balanced mix with clarity and dynamics where all the vocals and instruments sit perfectly in place.”

Every FOH engineer has their favorite features about any particular piece of gear and the dbx 1066 is no exception. For Lacey the Over Easy control “is a dream” for transparently smoothing out fluctuating vocal and instrumental levels. Sometimes he’ll use it on vocals like an instant “custom” overall setting so he can just concentrate on the rest of the mix. “Over Easy is a great feature that, to me, you can apply on just about everything. In fact it makes getting a good sound so easy it’s almost like cheating! That’s because good sound doesn’t ‘fight fair,’ especially in a live setting and sometimes you just have to bare-knuckle it and have tools that can get the job done quickly and effectively.”

For other applications Lacey notes that the 1066’s flexibility is in order, and that there are always cases where some hard knee compression or manual adjustments have to be made to tame and balance the mix. “In some cases, the live mix seems to have a mind of its own and changes its personality at a moment’s notice. With the 266XL and 1066s in place, you can deal with these sonic surprises much more easily, and achieve a great mix under any circumstances.”

The dbx 1066 Compressor/Limiter/Gate combines classic dbx dynamic response with a host of versatile features like selectable Over Easy or hard-knee compression, frequency-dependent gain control, PeakStopPlus speaker protection and many additional functions, making it the ideal dynamics processor for live, studio and broadcast use.

“James is a role model to audio professionals everywhere for the wonderful work he is doing with these youth organizations. We are proud to be able to support him and his work in teaching a new generation about how exciting professional audio can be,” stated Noel Larson, Market Manager, Portable PA, Tour and Recording, HARMAN Signal Processing.

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

First Baptist Church at the Mall Standardizes with Nine HARMAN Soundcraft Si Expression Digital Consoles

LAKELAND, Florida – Building on its successful relationship with HARMAN’s Studer over the past year, the First Baptist Church at the Mall in Lakeland, Florida recently upgraded with nine Soundcraft Si Expression digital consoles in time for the Church’s fall season. The consoles are being used in several areas throughout the Church’s property, including the classrooms, chapel, the children’s ministry and youth ministries.

Of the nine Si Expression consoles Church at the Mall now owns, five are Si Expression 3, three are Si Expression 1 and one is a Si Expression 2. “We wanted to standardize on the same console throughout these different spaces,” said Daniel Livingston, Program Technology Supervisor at the Church at the Mall. “Since we rely on a number of volunteers to operate the technology, we wanted them to have the same level of familiarity with every console. We also can save settings from one console to a USB drive and copy that to another console, which is a huge advantage.”

As with any house of worship that relies on volunteer technical operators, ease of use was a top priority when choosing a digital console. “The Si Expression consoles are very easy to operate and the volunteers already love working with them,” Livingston noted. “Once a volunteer learns on one of them, he/she can use the Si Expression console in any other room.”

Livingston added that the existing relationship with Studer—the Church purchased a Vista 5 M2 for front-of-house and monitor mixing in its main worship space in 2012—was a factor in the decision to purchase the Soundcraft Si Expression consoles. “We have had success with the Vista 5 M2 and the fact that the Compact Stagebox can be interchanged between Studer and Soundcraft consoles was a benefit as well,” he said. “Of course, the affordability of the Si Expression was also attractive and frankly, they sound a lot better than I would have expected at that price point.”

For more information on Church at the Mall, please visit www.churchatthemall.com

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

Experience Church.tv Improves Multi-Camera Production with JVC GY-HM600 ProHD Camera

WAYNE, NJ – JVC Professional Products Company, a division of JVC Americas Corp., today announced Experience Church.tv, based in Puyallup, Wash., is using a GY-HM600 ProHD handheld camcorder as part of a multi-camera HD production that provides image magnification (I-MAG) for its live congregation during services and streaming video for online viewers.

Known for its high-energy live services, Experience Church.tv embraces AV technology as a tool to help share its message with its local congregation and its ministry around the world. The church purchased the GY-HM600 in May and has mounted the lightweight camera on a jib for dynamic moving images. The camera’s built-in BNC connector for SDI output provides a reliable connection for jib use.

“For us, it was about the lens quality and the size of the camera to use on our jib,” explained Dennis Cummins, pastor. “It’s a huge lens in a compact frame. That keeps the weight down for use on the jib.”

The church’s multi-camera setup also includes two Grass Valley LDK 4000s on sticks, one handheld JVC GY-HD250, and two GoPro cameras, which are positioned on stage to highlight musicians in cutaway shots. “I was amazed how good the JVC looks in comparison to the LDK4000s,” Cummins noted. “The colors are rich and vibrant, and it reacts well to our lit stage. We purchased one, but will be adding to it soon. With the quality of the lens, we are looking to use it in more places.”

ABOUT JVC PROFESSIONAL PRODUCTS COMPANY

Headquartered in Wayne, New Jersey, with West Coast operations in Long Beach, California, JVC Professional Products Company is a division of JVC Americas Corp., a wholly-owned subsidiary of JVC Kenwood Corporation. JVC is a leading manufacturer and distributor of broadcast and professional video and audio equipment, D-ILA front projection systems, and Super LoLux HD video security products. For further product information, visit JVC’s Web site at http://pro.jvc.com or call (800) 582-5825.

Hearing is Believing at Grace Evangelical Church

Whether it’s listening to the pastor give the sermon or the choir performing, sound distribution at church services is crucial to maximizing the entire congregation’s worship experience. For Grace Evangelical Church, a 2,000-member church located in the Germantown area near Memphis, Tenn., the unique design of its Worship Center, in tandem with its aging and increasingly inadequate technology, was impeding the audio quality of the church’s weekly service. To address the situation, Grace tapped Elite Multimedia, a professional sound, lighting, and video company based in Memphis.

“While aesthetically pleasing, our fan-shaped sanctuary has presented a number of challenges over the years when it comes to delivering a superior audio experience during church services,” said Carl Caspersen, Minister of Music and Media at Grace Evangelical Church. “We called in Elite Multimedia to help alleviate the issues we were having and were blown away by the solution and service they provided.”

Using a variety of lines from L-Acoustics, including the new Kiva system, Elite Multimedia designed a new sound system to provide full coverage while achieving optimal clarity to support Grace Evangelical Church’s worship and spoken word. To support the Kiva system, Elite also installed the new SB15m subwoofer extension, two SB18 units behind the arrays, ARCS enclosures for side fill, 8xt for delay fills and four 5xt coaxial speakers to fill in the front area. The entire system is powered by a total of four L-Acoustics amplifiers, with Elite utilizing the DSP within the amps to achieve time alignment and filters.

“The biggest challenge for us was the structure above the drywall ceiling,” stated Wade Russell, Relationship Manager at Elite Multimedia. “There was limited space from the deck of the roof to the drywall, so that presented limitations in means of access to be able to properly fit the rig points for the new system. We only had about 2′ to 2.5′ clearance from drywall to ceiling deck. So our rigging team came up with a game plan to install an access panel door in the drywall and was able to get it done.”

According to Caspersen, the difference in performance and distribution was immediately noticeable to Grace churchgoers.

“You’ve got a few people who are actually hearing a kick drum for the first time,” Caspersen commented. “We’re not trying to win any volume awards; we’re just trying to provide our members with a solid representation of what is happening on stage and the solution that Elite came up with is delivering exceptional results.”
To supplement the sound reinforcement they installed, Elite integrators chose the Midas Pro2 console operating on Digital AES and at a sample rate of 96k.

“The clarity and imaging is impressive to hear,” Caspersen remarked. “In keeping with the vision of the leadership team, the goal wasn’t to be louder, it was to professionally proclaim what is so important to us, both musically and in the spoken word. The Elite team put together an unbelievable solution that we are extremely pleased with. We look forward to working with them on additional projects. ”

For more information on Elite Multimedia and its notable integration projects, visit www.EliteMultimedia.com. Follow Elite Multimedia at www.facebook.com/elitemultimedia or @elitemultimedia.

NOW YOU CAN MIX IN THE BOX

JESSUP, MARYLAND – OCTOBER 2013: Automated Processes Inc. (API) takes great pleasure in announcing the latest addition to its line of highly acclaimed analog consoles: THE BOX® project console. THE BOX is specifically designed for audio professionals with project or home studios who require a smaller format console with that “big console sound.” True to its heritage, THE BOX features the same circuitry, performance and legendary API sound as the company’s highly successful Vision, Legacy Plus and 1608 consoles. The new console debuted to a highly enthusiastic AES show in New York, and is now shipping from the company’s factory in Jessup, Maryland.

“THE BOX offers an easy, turnkey solution for recording and mixing,” said API President Larry Droppa. “It’s a great option for people who record a few channels at a time, but demand the warmth and punch that a large API console delivers. In addition to four inputs, full center section control, and 16 channels of API’s famous summing, the icing on the cake is a classic API stereo compressor on the program bus. Now you can truly record and mix… in THE BOX.”

ABOUT API (AUTOMATED PROCESSES, INC.) Established more than 40 years ago, Automated Processes, Inc. is the leader in analog recording gear with the Vision, Legacy Series and 1608 recording consoles, as well as its classic line of modular signal processing equipment.

www.apiaudio.com

HARMAN Professional Audio System Overcomes Acoustical Challenges at India’s Dharmaram College Chapel

BANGLAORE, India – Dharmaram College, part of the CMI Congregation in Bangalore and home to the Dharmaram College Chapel, recently underwent a complete redesign of the audio system to overcome the chapel’s architectural design challenges. With an insufficient existing sound system and a reverberation time of nearly three seconds, local systems integration firm Acoustic Control was presented with a major sonic challenge. To help overcome it, Acoustic Control turned to products from HARMAN’s JBL, Crown, BSS Audio, Soundcraft and AKG brands for a complete audio system solution.

The chapel has had more than three different sound systems installed over 35 years in attempts to provide clear speech and tame the tough acoustical environment created by the domed roof . The team at Acoustic Control conducted a study on the current PA system and the acoustics in an effort to identify possible areas for improvement.

Although the chapel was plagued by excessive reverberation, acoustical treatments were not an option, as it would detract from the domed chapel’s beautiful appearance. Acoustic Control had to provide a system that would compensate for the chapel’s highly reverberant acoustics and would also easy to use for unskilled operators.

“We had to install a brand new audio system from the ground up, as the existing PA could not be re-purposed,” said Sanjay Mudartha, Director, Acoustic Control. “The speakers were placed at the sides of the chapel, which was not a proper location and made it impossible for the system to deliver adequate coverage and directivity.” Mudartha and his team conducted an acoustical analysis of the chapel using EASE (Enhanced Acoustic Simulator for Engineers) software, which provides the ability to model specific loudspeakers and determine the speakers’ interaction with the room being modeled.

“We have vast experience with the JBL VerTec range of loudspeakers and we were confident we could achieve a great-sounding solution in the Dharmaram College chapel,” noted Mudartha, “but we had to validate their performance within EASE modeling software and also fit within a budget before we could present our recommendations to the client.” JBL VERTEC VT4886 subcompact line array elements, powered by Crown I-Tech HD Series amplifiers, met the performance parameters specified by Acoustic Control.

“We achieved an STI Speech Transmission Index of around 0.7 with the system able to deliver a target SPL of no less than 100dB across the chapel in a smooth, consistent manner,” said Mudartha. “Considering the acoustical, architectural and budgetary challenges we had to deal with, the measured and audible results are especially impressive.”

In order to ensure that the system would be easy to use, a BSS Audio BLU-100 device was configured to provide processing and necessary signal management features such as automatic mixing. The main AKG D5 microphone inputs were automated so that the chapel would have consistent sound for public speaking. A dedicated Soundcraft MFXi 20 console was provided with which to mix music inputs.

Commenting on the successful project, Prashant Govindan, Director, India Operations, HARMAN Professional said, “The venue’s limitations and project challenges were systematically and expertly handled by Acoustic Control, without disturbing the chapel’s aesthetics. The new system had to deliver better results despite the existing acoustics. The selection of Harman equipment has perfectly complemented the design specifications with higher levels of satisfaction for the system users in the chapel, and the visitors who are now able to more clearly hear both speech and music.”

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

New ICE Cable Systems HDMI Features Compact Head Design with GRIP Technology; Handles 15-lbs. of Pull-Force and Transmits 1080P/60 HZ Signals up to 100 feet without use of Baluns

Los Angeles, CA – ICE Cable Systems is shipping its new and improved Clear Series 2 HDMI Cables. Key features of the series include a compact head design, GRIP connector with locking technology and the ability to handle 1080P/60 HZ up to 100 feet (30 meters) without baluns. The line is comprised of pre-terminated cables in lengths from .5 meter to 30 meters and replaces the company’s original Clear Series.

ICE Cable’s unique GRIP connector attaches to female HDMI connectors with up to 15 lbs of pull-force, thus helping reduce disconnected cables and frivolous service calls. The compact size of the head (measures 10 MM by 19 MM by 21MM) contributes to easier side-by-side and stacking connections and takes up less space behind equipment.

In addition to an active chip set, proprietary cable technology allows the Clear Series 2 to achieve 1080P/60 HZ in runs up to 100 feet without the use of a balun, ideal for direct connections from Blu-ray DVD players and DVRs to the TV.

”Clear Series 2 is a game changer because it’s comprised of all the improvements that an integrator could want,” says ICE Cable Systems President Brian Rizzo. “With innovations in three key areas, this is a wish-list of HDMI cable technology at extremely-competitive prices.”

ICE Cable Systems has 41 active distributors in the US selling its products. Integrators can locate distributors in their area by visiting http://www.icecable.com/where-to-buy/ or by calling ICE Cable Systems at 310.444.1950.

About ICE Cable Systems: Founded in 2004 by president Brian Rizzo, ICE Cable Systems is a leading manufacturer of premium low-voltage wire and cable products serving the Audio Video, Alarm and Security, Commercial, Electrical Contracting and Data Center channels. The company’s products are available to integrators both directly and through more than 50 distributors in North America and internationally. ICE Cable’s success is driven by ingenuity and its desire to make superior products that offer more value to installers. www.icecable.com

Mega Church Makes HD Upgrade With FUJINON Lenses for I-MAG, Broadcast, and Streaming of Services

Wayne, N.J. – With over 30,000 attendees in its main and regional locations and 12,000 viewing on the Web, Calvary Chapel needed to significantly upgrade its aging broadcast video equipment. The church recently invested millions of dollars in broadcast video equipment – including FUJINON HDTV lenses from FUJIFILM North America Corporation’s Optical Devices Division and Ikegami HDTV studio cameras—at its 82-acre main campus in Fort Lauderdale, Fla. Later this month, Calvary Chapel will switch to its new (1080) HDTV control room with dual 2-M/E Ross Vision switchers and an Evertz/PESA routing solution.

“Since the picture quality we produce must hold up when displayed as image magnification (I-MAG) on large-screens or when streaming over the Internet, we’ve invested heavily in acquisition gear,” said Jack Chew, Video Operations manager for Calvary Chapel. “After careful evaluation, we’ve chosen what we feel is the best of the best in HD cameras and lenses—a combination of Ikegami HDK-55 studio/field cameras and FUJINON HDTV lenses.” The lens package includes two XA77x9.5 box lenses, two HA14x4.5 wide lenses, and one HA22x7.3 for shoulder-mounted ENG style shooting.

Chew said they decided to buy the new cameras and lenses after their SD cameras reached 15 years in service. Because they knew video production would soon transition to a tapeless HD infrastructure, they bought the HD cameras and lenses ahead of schedule.

There are five Ikegami HD cameras (three mounted on tripods, one handheld, and one on a Jib), situated around the sanctuary on the church’s main campus, which seats close to 4,000 people. Video is projected onto a large screen center stage, along with two large screens on either side of the sanctuary.

Regional campuses request video on demand of the service from the church’s central Omneon video server at the main, Fort Lauderdale campus. Video files move over dark fiber via the DiVA Hybrid multi track editor to the regional locations for display by Christie digital projectors onto large screens. Three Digital Rapids encoders and Panasas Active Store hard drives deliver a live media stream accessible via the church’s website or for display at its regional campuses. Services are also carried on local NBC affiliate WSVN-TV, Fort Lauderdale. Such a multi-faceted video distribution strategy enables people to participate in services without having to drive to Fort Lauderdale.

“Before we make a huge capital investment in equipment like this, we consider every aspect including price-performance, reliability, and technical support,” added Chew. “We want to invest in manufacturers we know will stand behind their products, so we can keep our cameras, lenses, and other equipment in service as long as possible. When we’re spending our congregation’s money, we take our purchasing decisions very seriously. I’m proud of the video decisions we’ve made, and FUJINON is one of those decisions.”

About Fujifilm
FUJIFILM North America Corporation, a marketing subsidiary of FUJIFILM Holdings America Corporation consists of four operating divisions and one subsidiary company. The Imaging Division provides consumer and commercial photographic products and services, including: photographic paper; digital printing equipment, along with service and support; personalized photo products; film; and one-time-use cameras; and also markets motion picture archival film and on-set color management solutions to the motion picture, broadcast and production industries. The Electronic Imaging Division markets consumer digital cameras, and the Graphic Systems Division supplies products and services to the graphic printing industry. The Optical Devices Division provides optical lenses for the broadcast, cinematography, closed circuit television, videography and industrial markets, and also markets binoculars. FUJIFILM Canada Inc. sells and markets a range of Fujifilm products and services in Canada. For more information, please visit www.fujifilmusa.com/northamerica, go to www.twitter.com/fujifilmus to follow Fujifilm on Twitter, or go to www.facebook.com/FujifilmNorthAmerica to Like Fujifilm on Facebook. To receive news and information direct from Fujifilm via RSS, subscribe at www.fujifilmusa.com/rss.

FUJIFILM Holdings Corporation, Tokyo, Japan, brings continuous innovation and leading-edge products to a broad spectrum of industries, including electronic imaging, digital printing equipment, medical systems, life sciences, graphic arts, flat panel display materials, and office products, based on a vast portfolio of digital, optical, fine chemical and thin film coating technologies. The company was among the top 10 companies around the world granted U.S. patents in 2012, and in the year ended March 31, 2013, had global revenues of $26.7 billion*. Fujifilm is committed to environmental stewardship and good corporate citizenship. For more information, please visit www.fujifilmholdings.com.

* At an exchange rate of 83 yen to the dollar.

All product and company names herein may be trademarks of their registered owners.

Turkish Radio Television Goes On The Air With Shotoku Camera Support Systems

Big Win for Shotoku Includes Range of High Performance Tripod Systems, Paired With Pan & Tilt Heads

Staines, UK – Shotoku Broadcast Systems, a leading international manufacturer of advanced camera support products, has been awarded a tender from Turkish Radio Television (TRT) for a significant complement of manual camera support gear. Working through Istanbul-based Basari, TRT placed an order comprised of the Company’s professional tripods systems paired with heavy duty pan & tilt heads – all technically qualified and approved by TRT. Shotoku Sales Manager David Shepherd announced this important company sale from its European headquarters in Staines, UK.

“Naturally we are very pleased to see Shotoku’s continued growth in key regions such as Turkey,” says Shepherd. “We are confident that our professional systems will offer Turkish Radio Television the superior level of quality, support and reliability for which Shotoku is known. We view such a substantial sale of Shotoku support gear systems to TRT as another positive step in our continued efforts to make serious inroads in this important territory and better serve our customers in these particular areas of the world.”

TRT opted for various Shotoku tripod systems including the SP compact model, and numerous units from the Company’s heavy-duty TT/TD camera support range. The tripods offer excellent price/performance features and accommodate applications ranging from production to broadcast, studio, OB and EFP camera support. The tender also includes SH100 pan & tilt heads, Shotoku’s premier ENG/EFP unit, and the recently launched state-of-the-art SX300 fluid head, ideally suited for a variety of applications and the latest portable camera systems.

About Shotoku Broadcast Systems
Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK. For further information: www.Shotoku.co.uk

Shotoku contact: James Eddershaw
+44 (0) 1784 224650 / mailto:info@shotoku.co.uk

Press contact: Desert Moon Communications / Harriet Diener
+1-845-512-8283 / mailto:Harriet@DesertMoon.tv

Matrox Announces Support for StudioCoast vMix Video Mixing Software

Matrox® Video today announced support for StudioCoast’s vMix video mixing software across the entire line of Matrox MXO2™ capture devices and the Mojito MAX™ I/O card. One of Streaming Media Magazine’s, “Best of NAB 2013” award winners, vMix is a complete live video production software solution that provides live mixing, switching and streaming of SD and HD (up to 1080p) video sources including cameras, video files, DVDs, still images and more.

Matrox MXO2 Family and Mojito MAX

Matrox MXO2 devices are the ideal portable capture solutions for streaming live events from wherever they are happening. Users simply connect an HD or SD camera or any other video source and can use the live pass-through feature for external video monitoring. Matrox Mojito MAX provides the same great functionality in a ¾-length PCIe card that can be easily integrated into a PC desktop or server.

“Matrox has a reputation for quality professional video solutions,” said Martin Sinclair, sole director and founder of StudioCoast. “We’re pleased to provide support for MXO2 devices and Mojito MAX to bring video sources into vMix at up to full HD.”

“vMix users are sure to find the exact digital and analog video and audio connectivity they need in the versatile Matrox product line,” said Wayne Andrews, product manager, Matrox Video. “And current Matrox users will be happy to be able to add another powerful and cost-effective live production steaming application to their toolkits.”

Price and availability
Matrox MXO2 devices are priced starting at $449 US (£338, €382) not including local taxes and delivery. Matrox Mojito MAX is priced at $995 US (£749, €799). Matrox products are available through a worldwide network of authorized dealers. Support for vMix is part of Matrox driver release 7.5.1 for Windows which is available to registered users as a free download from the Matrox website.

About StudioCoast Pty Ltd
vMix is a product of StudioCoast Pty Ltd. For more information and to download a fully functional 60-day free trial version of the software, visit www.vmixhd.com.

About Matrox Video
Matrox Video is a technology and market leader in the field of HD and SD digital video hardware and software for accelerated H.264 encoding, realtime editing, audio/video input/output, streaming, A/V signal conversion, capture/playout servers, channel-in-a box systems and CGs. Matrox’s Emmy award-winning technology powers a full range of multi-screen content creation and delivery platforms used by broadcasters, telcos, cable operators, post-production facilities, videographers and A/V professionals worldwide. Founded in 1976, Matrox is a privately held company headquartered in Montreal, Canada. For more information, visit www.matrox.com/video.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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