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Archive of the Houses of Worship Category

Martin Audio MLA Compact Unites Redemption Church

Gilbert, AZ––When Redemption Church recently committed to an expansion and retrofit of their multipurpose worship and conference center, they wanted an audio, video and lighting system that would provide a truly meaningful experience for each one of their members.

The first challenge was the center itself, formed from an irregularly shaped room caused by a large extension designed to redefine the space without negatively impacting the original. Measuring about 180 feet wide by 60 feet deep, it was hardly ideal for reproducing sound, representing a very real challenge for any audio system.

Fortunately, church member Jim Jorgensen was an experienced audio engineer who had a close relationship with Redemption Lead Pastor Tim Maughan. Because Jorgensen had worked for leading audio providers and Martin Audio as a product support specialist, he was a logical choice as a consultant for this project.

When Maughan set out to find the ideal system for the new center, “Jim was the first person I called because he’d done the previous install in our chapel using Martin Audio W8LM line arrays. I didn’t want to do anything without knowing what he was thinking, because churches invariably have rooms with certain acoustic problems and typically there’s not a lot of work done to make them sound better.

“I wanted the new worship center to sound as good as it could be,” Tim continues. “Jim’s first recommendation was the new Martin Audio MLA Compact system which he thought would be ideal for us because of its coverage and control. So we began to talk about it to confirm what I needed from the system. It had to do both music reproduction really well and the spoken word with absolute clarity. Most of the church systems do one or the other, but rarely do both.

“Once I realized what it could do—and I trust Jim––I went to the team I work with and told them the investment in MLA Compact was worth it because we had to replace the sound equipment in every church building we’ve ever been a part of at least two or three times, so it’s more than worth bumping up the budget to get the system that we needed and would last for a long time.”

After a yearlong fundraising effort, Redemption purchased the MLA Compact system from On Stage Audio, a certified MLA installation partner. The actual audio setup consists of 12 MLA Compact enclosures hung in left, center, right hangs of four boxes each with two MLX subwoofers mounted under the platform stage at the outer corners. The system is completed by Martin Audio Merlin Controllers for loudspeaker and network management and also includes a Yamaha M7CL 48 channel mixer and a custom Whirlwind 64 channel splitter. Technical Director Tim Smith and rigger Mike “Milk” Arnold did the in-house installation.

The multi-purpose center holds up to 1000 members at each of the three services held on Sunday. Designed by debartolo architects ltd. for optimum sound, the space has walls with 4” of acoustic material covered by 1” slats of Cedar for the first eight feet. According to Jorgensen, “the room sounds drastically different above 10 feet in the air. The control and phase coherence of the MLA Compact system and predictability of the software enables them to make it sound great where the people are and decrease the energy where people aren’t.”

Much of the wall space is devoted to video with two 16-foot sections on the sides and a 28 ft. wide and 16 ft. tall screen behind the stage. The rest of the white walls are used for colored LED projections, all of which determined that the speakers had to be hung out of sight high up in the ceiling from flying frames attached to an angle iron hanging from trussing. Martin Audio Display™ prediction software was used to determine the optimum curvature of the arrays.

“The system location actually grew out of a ‘wrestling match’ with video because everyone wanted the same space,” says Maughan, “so the challenge was finding the right location for the speakers. We’ve been fans of Martin Audio with the W8LMs and the F2s we use for a mobile outdoor system because they deliver exactly what we expect. This was a test of asking the MLA Compact system to do something for us, so putting it up in the ceiling and changing the points where it hits the audience and dialing that in worked perfectly. The sound is exactly where we need it to be, which wouldn’t happen with another cabinet.

“I have huge expectations for audio,” Tim emphasizes. “Not just to reinforce sound, but to really make it musical. In most churches that I’ve been, none of the audio they’re running does that. It’s just sound reinforcement and often sounds really harsh without much quality. The MLA system has outperformed my expectations, which is rare.

“We have bands with electric instruments, amplifiers, and live drums that run the gamut from bluegrass to rock music. I was concerned that the subs would overpower everything with that ‘wall of speaker’ type of bass sound, but we put just two MLX under the stage platform and they’re the best sounding subs I’ve ever heard in my life.”

Maughan feels audio, video and lighting is a very subjective area in any church, especially Redemption, which is moving towards a more contemporary style of worship. Pleasing every member of the congregation, from the youngest to the oldest can be a delicate balance.

As it happens, the congregation has not only accepted the upgrade, it’s united them as well: “Sound is always very challenging,” Tim concludes. “If it’s too loud or too harsh, we get a lot of comments. We have hundreds of older people in the congregation, and this is the first time we’ve done a technical upgrade where we haven’t heard one complaint about the audio. It has worked for everyone across the board and helped them experience the service in a much more meaningful and profound way.”

For more about Redemption Church, please click to www.gilbert.redemptionaz.com

For more about debartolo architects, please click to www.debartoloarchitects.com

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Tightrope Media Systems Keeps Digital Signage Content Fresh with Tight Social Media Integration

New Carousel software release adds Twitter, Facebook authentication alongside new visual enhancements tools to address evolving customer needs

ST. PAUL, MINNESOTA, December 17, 2013Tightrope Media Systems announces a new software release for its tried-and-true Carousel digital signage platform, giving its customers new tools and enhancements that keep content fresh and enrich visual appeal.

Available today, the Carousel 6.4 software release supports direct Twitter and Facebook integration, simplifying how operators access and subsequently incorporate social media feeds into signage layouts. This native connection, achieved via a simple login process, also better organizes social media integration so that content remains timely.

“Social media is so natural to people today that it’s easy for most to focus in and consume that information on signage platforms,” said Eric Henry, Signage Solutions Lead for Tightrope Media Systems. “Our customers are increasingly seeking ways to ensure that their social media content is current, dynamic and well-aligned with their screen content. It creates a natural connection between consumers and the businesses or organizations that rely on digital signage as a communications platform.”

The new Carousel software release also includes visual and operational enhancements to keep screens lively and appealing. A new text character limit on Carousel bulletins eliminate screen crowding and wordy passages to retain viewers and strengthen messages. Similarly, a new web preview feature offers a quick glance at clock bulletins to ensure content is synchronized and easy to digest. Operationally, a new copy option allows for quick transfer of new bulletins to fresh templates, allowing users to create and customize layouts rich with up-to-date information.

“The new software release benefits our customers across all digital signage verticals we serve, including hospitality, transportation, sports and houses of worship,” said Henry. “These enhancements also reflect what our customers are requesting today.”

About Tightrope Media Systems
Founded in 1997, Tightrope Media Systems is the pioneer of web-centric digital signage and broadcast automation systems. It provides station automation, video servers, internet video on demand, live streaming, the Carousel Digital Signage system, and ZEPLAY, a multi-channel instant replay machine for stadiums, arenas and Outside Broadcast vehicles. Tightrope’s award winning systems are used throughout the world. You can reach Tightrope Media Systems at (866) 866-4118 or visit them on the web at http://www.trms.com.

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Iconyx Makes it Clear at St. Rose of Lima

Simi Valley, CA — December 2013… When St. Rose of Lima was founded in 1921, the Arroyo Simi was a rural valley, sparsely populated with hardy farming families. Like much of Southern California, the area grew quickly, as did the church’s small congregation. Today, St. Rose of Lima’s bustling campus in Simi Valley is home to a 600-seat sanctuary, as well as elementary and middle schools, a meeting hall, offices and other community facilities.

The sanctuary recently underwent a major renovation, and the result is a spacious, ornate but tasteful and unassuming space, with high peaked ceilings, stained glass windows, and hardwood pews. But the new sanctuary’s angular architecture and an abundance of smooth, reflective surfaces has created new challenges.

“The new space looks great, but it’s a far more reflective and reverberant environment now,” says Ken Buckowski of Burbank, CA-based Studio Spectrum. “The old sound system would have been problematic, both functionally and aesthetically.”

Studio Spectrum recommended a pair of Iconyx digitally steered line array systems to replace the existing system. A single IC32-R-II column is mounted on either side of the proscenium, with multiple sound beams steering sound away from walls and windows, and toward the congregants in the pews.

“They were very concerned with the aesthetics of the space, and didn’t want to see a room full of speakers anymore,” says Buckowski. “The Iconyx has such a slim, low profile design, they pretty much blend in with the architecture. Most of the people didn’t even notice them.”

The renovation also included opening additional seating to the left and right of the existing pews. “The side wings have much lower ceilings, and our original thought was to put additional speakers in there to fill that zone,” says Buckowski. “But the Iconyx enabled us to steer sound directly into that space, so we didn’t need anything else.”

Buckowski concludes, “Iconyx was the perfect solution for this space. Coverage and intelligibility are consistent to every seat in the house, and it blends perfectly with the sanctuary’s architecture. We went from having a room full of speakers to just two. They love the way it looks and the way it sounds.”

###

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

Viewbits Launches Miniature Full Feature HD/SDI 1080p Camera for Situational Awareness and Image Processing Applications (Video Conferencing, Surveillance, Medical, and POV)

San Diego, California — Viewbits, the industrial cameras division of Computer Modules, Inc., announced today that they are now shipping their new mini 1080p HD camera that supports 60 frames per second — the GNAT 1080p 60™. The ultra-compact camera measures just over 1.65 inches (42 millimeters).

Available in cased or board versions, the GNAT 1080p 60 is targeted for a wide variety of applications, including surveillance, airborne video cameras, avionics, inspection, public transportation, situational awareness, and video.

The 2.1 megapixel camera features a 1/3 inch progressive scan CMOS sensor, AGC (Automatic Gain Control), WDR (Wide Dynamic Range), digital zoom, and defog. It also supports brilliant DNR (Digital Noise Reduction) technologies like DNR, 3D-NR and 2D+3D.

“Our initial customers are amazed at the GNAT’s price point based on performance,” noted Mike Till, Marketing Manager for Viewbits. “This tiny full feature HD-SDI camera is likely to capture market share from the established Japanese players.”

The GNAT 1080p 60 HD camera is compatible with all HD-SDI capture cards, monitors, and video servers.

Supplemental Information for Press Release

Features

  • 2.1 Megapixels
  • Powerful ISP chip based
  • 1/3” Progressive Scan CMOS Sensor
  • Output: 3G-SDI/HD-SDI (NTSC, PAL) with 292M
  • 42.1 x 29 x 29 millimeters – just over 1.65 inches long
  • Maximum 1,920 x 1,080 resolution
  • Maximum 60 fps @ 1,920 x 1,080
  • C/CS mount
  • AGC, AWB, AE, D-WDR, Sens-Up
  • 2D/3D Noise Reduction, Digital Zoom
  • Defog
  • 1080/720@30p/60p/60i selectable
  • WDR (Wide Dynamic Range)
  • DNR (Digital Noise Reduction, 2D/3D-NR) – Provides outstanding clear images by reducing noise
  • AGC (Automatic Gain Control) – Improves performance in low light conditions
  • Dynamic Motion Detection (8 zones, up to 1980 blocks)
  • Privacy Zone Masking (8 zones)
  • Built-in OSD (On Screen Displays) Joystick
  • DC12V ~ 24V
  • Board mount version available with Board Mount Lens (DC Iris, TDN Support)
  • Suggested Retail Prices:
    GNAT 1080p 60 with power supply: $445 U.S.
    GNAT 1080p 60 Board version, with power supply: $435 U.S.

    Viewbits and GNAT 1080p 60 are trademarks of Computer Modules, Inc.
    All other trademarks and registered trademarks are the properties of their respective owners.

    About CMI and Viewbits
    CMI, founded in 1982, is a privately held company headquartered in San Diego, California. Viewbits, the Industrial Cameras division of Computer Modules, Inc., sells HD, USB-2, CMOS, and X-Ray cameras to companies throughout the world.

    For more information on CMI and Viewbits, please contact Rebecca Gray at +1 (858) 613-1818 or rebecca@computermodules.com. To download Viewbits press releases and product images, visit the news section at http://www.viewbits.com.

    Viewbits, 11409 West Bernardo Ct. San Diego, CA, 92127
    Web: www.viewbits.com phone: +1 (858) 613-1818, fax: +1 (858) 613-1815

    DPA Microphones and Steinway Pianos in Perfect Harmony for ‘Keyboards at Christmas’ Event

    Southwestern Baptist Theological Seminary teams up with DPA and Steinway for large-scale holiday performance featuring 17 grand pianos

    FORT WORTH, DECEMBER 12, 2013 – The School of Church Music at Southwestern Baptist Theological Seminary recently enlisted the help of DPA Microphones and Steinway Hall of Dallas, Plano and Fort Worth to put on Keyboards at Christmas — a performance of “grand” proportions. With 17 Steinway Grand Pianos on stage, student and professional musicians performed holiday songs for the packed house at the 3,500-seat venue.

    Already DPA Microphones enthusiasts for the ability of its mics to reproduce the natural beauty of a Steinway, the music staff at Southwestern Baptist knew it wanted to equip all 17 pianos with three d:vote™ 4099 Instrument Mics each, for a total of 51 mics. A clear, pristine sound was the school’s primary requirement when searching for a mic, and it was obvious that the DPA d:vote was the only choice.

    “The Steinway instruments have a very beautiful, very unique sound that other instruments can’t touch, so we didn’t want to recreate the sound, but rather amplify it for the audience to hear in this very large hall,” says Luke Byford, Assistant Director of Musical Productions for the school. “We had experimented for a while with how to mic the piano in this hall and we knew it had to be the DPA d:votes. We previously tried a pickup system, but it just didn’t provide the live sound of the piano. It actually sounded pretty dead. Then we tried a variety of other mics and positions. Nothing seemed right, until our sound techs presented the idea to try the d:votes we had for string instruments in the piano. We were very pleased with the natural reproduction of the DPA mics as they gave us a much more accurate picture of how the pianos sound and the beauty that they put out.”

    While this is the second year of the event, the school’s 2012 performance was held in a smaller, more acoustically tuned venue, so the staff did not require microphones. For this year’s Keyboards at Christmas, the school increased the number of pianos. To ensure that audience members had a clear view of every musician, the stage had three elevated platforms, which allowed them to place five pianos at the top, six in the center and six in the front.

    “For a great deal of the program, all of the pianos were played at the same time,” says Jerry Aultman, Professor of Music Theory, who worked with Byford on the event. “Sometimes there were two pianists per piano, so a total of 34 pianists playing simultaneously. Bottom line, it was imperative in this hall, as you can imagine with this many instruments and musicians, for the artists to hear each other separately and without delay. From an audience perspective, I noticed that the DPA d:votes just made the Steinways sound the way they are supposed to sound. It was a true representation of the pianos. They don’t need improvement, they’re wonderful the way they are, we just wanted to amplify them and reproduce an accurate sound. With a program of this magnitude, using this many pianos in a hall this large, it is impossible to overemphasize the importance of this requirement.”

    It wasn’t just the microphones that drew Byford and Aultman to the DPA d:vote. As the microphone is designed to be heard and not seen, the tiny capsule size enabled the mics to be positioned where the staff wanted them, without any visible signs of a mic being in place.

    “We like that you can’t see them,” adds Byford. “They were in the pianos and we ran the lines out of the back, so the audience did not even know they were there. The magnetic piano mounts were great because once they were attached to the brass, they didn’t bounce or rattle. They stayed exactly where we put them, and the fact that they are on goosenecks allowed us to get the mounts in the proper spot on the piano, but then move the microphone to get them in the best position to pick up the exact area of sound we wanted to highlight. They were so hidden and so natural that many of our audience members later told us they didn’t even realize the pianos were being amplified until we mentioned it to them.”

    The school had only one day of prep time to mic up the pianos and do an audio run through with students to ensure the EQ was perfect, so the size and maneuverability of the d:votes also afforded the quick setup that was needed. With only a limited in-house supply of d:votes, the school sought to rent an additional 35 microphones to fulfill their need for 51 d:votes. A tall order for any rental house, Byford found himself in direct contact with Eric Mayer, President of DPA Microphones, Inc.

    “I think it’s great that a company that makes this kind of product would want to get behind a production like ours and help out the way they did,” adds Byford. “Everyone we worked with at DPA, seemed really excited to help us and support this project.”

    In addition to the large supply of d:votes, the company loaned the school two d:facto™ Vocal Microphones for the soloists who accompanied the pianists. DPA’s Sales and Marketing rep, James Capparelle, also attended the event to help with setup and make certain everything ran smoothly.

    The Keyboards at Christmas event hosted Southwestern Baptist students and faculty, as well as school-aged children who played three songs, including excerpts from the classic “A Charlie Brown Christmas.” Guest artists Becky Lombard, professor of music at Truett-McConnell College, and T. Bob Davis, a former Southwestern Seminary trustee also performed. In addition to Byford, Aultman and Capparelle, the event was also run by Matthew Bennett, Will Schaefer, Caleb Wallace and Cody Meuer, who are student employees of the school’s A/V Communications department and were key players in making sure the program operated effortlessly.

    Video from the event can be found at: http://youtu.be/-D0JsLg2IDw.

    ABOUT DPA MICROPHONES:
    DPA Microphones is the leading Danish Professional Audio manufacturer of high-quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to always provide its customers with the absolute finest possible microphone solutions for all its markets, which include live sound, installation, recording, theatre and broadcast. When it comes to the design process, DPA takes no shortcuts. Nor does the company compromise on its manufacturing process, which is done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability and, above all, pure, uncolored and undistorted sound.

    For more information on DPA Microphones, please visit www.dpamicrophones.com.

    Middle Atlantic Names Brubaker Regional Sales Manager

    Fairfield, NJ––Middle Atlantic Products has appointed Blake Brubaker as Regional Sales Manager for Illinois, Wisconsin, Minnesota, South Dakota and North Dakota.

    In his new position, Brubaker will manage sales for the A/V, security, data and residential market segments while ensuring that Middle Atlantic factory sales reps are properly trained and equipped with the right tools to effectively represent the company. He will also provide support with sales calls, trade shows and direct customer contact.

    Prior to joining Middle Atlantic, Brubaker spent 19 years at the Da-Lite Screen Company, working his way up to VP of Sales with overall responsibility for the customer service, residential sales and A/V consultant liaison departments.

    Over the years, Blake has also been closely involved with InfoComm, serving as Exhibitor Committee Chairman and as part of the Professional Education Training Committee. He was also technical consultant for the InfoComm Standards Committee specializing in projection screens.

    Asked about his new position, Blake responded, “I am very excited about being part of the Middle Atlantic family. Having spent much of my career with a U.S.-based manufacturer in the audiovisual industry, this is a perfect fit and really feels like home to me. They are a great group of people who work hard and have fun doing it. You couldn’t ask for more.”

    Middle Atlantic Midwest Sales Director Robert Newhuis added, “We are truly fortunate to have someone with Blake’s experience and success in sales management, knowledge of the industry, and extensive technical background. He represents a major asset and valuable addition to our team in terms of building our customer base and sales for the future.”

    For technical specifications and in-depth information about Middle Atlantic Products, please click to www.middleatlantic.com or call 1.800.266.7225.

    Middle Atlantic Products has been part of the Legrand group since its acquisition in 2011.

    Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial and residential markets makes it a benchmark for customers worldwide. Innovation for a steady flow of new products with high added value and acquisitions are prime vectors for growth. Legrand reported sales of close to $5.8 billion in 2012. Legrand has a strong presence in the North American market, with a portfolio of well-known product lines that include Cablofil, Electrorack, Middle Atlantic, NuVo, On-Q, Ortronics, Pass & Seymour, Vantage, Watt Stopper and Wiremold. The company is listed on NYSE Euronext and is a component stock of indexes including the CAC40, FTSE4Good, MSCI World, ASPI and DJSI (ISIN code FR0010307819). www.legrand.us

    Extron Introduces Two Input DTP Wallplate Transmitters for HDMI and VGA

    Extron Electronics is pleased to introduce the DTP T HWP 232 D and the DTP T UWP 232 D two input Decora®-style transmitters. The DTP T HWP 232 D transmits HDMI, audio, and control, while the DTP T UWP 232 D transmits HDMI or analog video, audio, and control. These signals are sent up to 230 feet (70 meters) over a single CATx cable to an Extron DTP 230 receiver. The DTP T UWP 232 D digitizes incoming analog video for reliable display on a variety of output devices. Both transmitters are HDCP compliant and include independent stereo audio connections. They also offer many integrator-friendly features such as EDID Minder, auto-switching between inputs, remote power capability, and bidirectional RS-232 and IR pass-through for remote AV device control. The wall-mountable design of the DTP T HWP 232 D and DTP T UWP 232 D provides the convenience of placing input connections precisely where they are needed. more

    ASHLY EXPANDS nX AMPLIFIER LINE

    WEBSTER, NEW YORK – DECEMBER 2013: Ashly’s nX family of two- and four-channel power amplifiers has been expanded with the addition of twelve new 800 Watt and 400 Watt models. These medium output amplifiers are the perfect complement to the high-output 3,000W and 1,500W nX models.

    All nX Series amplifiers feature Ashly’s programmable outputs on each individual channel using rear panel DIP switches to select Low-Z (down to 2 Ohms), or High-Z, (70V or 100V) constant-voltage outputs.

    The nX8004 has four channels rated at 800 watts per channel across all programmable outputs. The nX8002 is the two-channel version. The nX4004 offers four channels at 400 watts per channel, while the nX4002 is the two-channel model.

    Ashly offers three nX amplifier feature sets. The nX Series is the base level amplifier with Ashly’s Energy Management System (Ashly EMS™), a defeatable sleep mode that draws <1 Watt of current when engaged. The nX Series also has an optional security lockout feature for the front panel controls. The nXe Series Net-Work-Able amplifiers feature an Ethernet connection providing the integrator with remote control and diagnostics, a programmable sleep or stand-by mode, AUX outputs and an internal Real-Time Clock with Event Scheduler. The nXp Series adds the Protea™ DSP Processor with 32-bit SHARC processors and full Protea DSP that includes Precision Impedance Monitoring on each channel output.

    “Expanding the nX Amplifier line with two and four-channel options at medium power outputs allows audio system designers to deliver an Ashly-centric sound system to their clients that features high-quality American-made amps,” offers John Sexton, Ashly’s vice president of sales.

    Network audio options include factory installed Dante® and CobraNet® cards. Ashly also offers optional AES3 inputs with pass-through.

    NX Power Amplifiers are built in the company’s Webster, New York factory and covered by Ashly’s industry-leading Five-Year Warranty. The new nX 800 Watt and 400 Watt models will begin shipping to U.S. Dealers this month.

    Download data sheets on the nX, nXe and nXp models at www.ashly.com/nX

    ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

    www.ashly.com

    Extron Introduces Compact, Economical Audio Amplifier with Exceptional Performance

    Extron Electronics is pleased to announce the immediate availability of the MPA 152 Plus, a new quarter rack width, stereo integrated mini power amplifier that delivers 15 watts rms per channel, and provides several performance enhancements over the previous MPA 152. The MPA 152 Plus features a 90 dB signal-to-noise ratio with 0.1% THD+N, offering exceptional performance for speaker systems requiring compact, economical audio amplification. The MPA 152 Plus is an ENERGY STAR® qualified amplifier with an Extron exclusive, highly efficient, advanced Class D amplifier design. It also features patented CDRS™ – Class D Ripple Suppression technology that provides a smooth, clean audio waveform and an improvement in signal fidelity over conventional Class D amplifiers. The Extron exclusive high efficiency design generates very little heat and allows the amplifier to be fanless and operate in environments with little or no ventilation. more

    FSR’s GV Expo / GovComm13 Exhibition Plans Offer Something for Everyone

    Government Attendees Get First-Hand Look at Company’s Rugged Lines of HDMI Cables, Fire Resistant Boxes, Installation Tools and a Multi-User Collaboration System

    Washington, DC – FSR, leading manufacturer of a wide variety of products for the audio/video, education, hospitality, government, and religious markets, will command an audience at this year’s co-located Government Video Expo / GovComm13 shows in Washington, DC (Booth 522). This year, attendees in the government and military fields will get a first-hand look at the company’s new Digital Ribbon mega-bandwidth HDMI cables, FRK Fire-Resistant Floor Box System, DR-Sock Cable Pulling Tool and HuddleVU multi-user collaboration system.

    “We are excited to bring our newly expanded and varied lines of products to the government and military market at this year’s GV Expo / GovComm13 co-located shows,” said FSR president Jan Sandri. “Our industry award-winning products, such as our Digital Ribbon Cables that were singled-out earlier this year at InfoComm 2013, and our other product families are must-haves for these professionals working in the broadcast, Pro AV and installation markets. We look forward to showcasing our reliable and diverse lines and new technology solutions to this important and ever growing market.”

    Based upon a proprietary composite technology, FSR’s Digital Ribbon Cables offer users the capacity to carry 1080p and 4k x 2k HDMI signals up to 325 feet, nearly twice that of other “extended” solutions, with crystal clear accuracy. The product’s ultra-simple, fast installation (just pull and plug), and money-saving ability to operate without transmitters or receivers add to its appeal.

    The company’s new FRK Fire-Resistant Floor Box System expands the versatility of its floor box line by providing enhanced, fire-resistant versions of its existing products. FRK kits are UL listed and comply with UL 263 Fire Resistance Ratings. Systems are available in a number of configurations, available online at the company’s website.

    FSR’s new DR-SOCK is a handy and affordable cable-pulling tool designed to simplify and accelerate every installation requiring cables and connectors. Intended for every installer’s toolbox, DR-SOCK is pre-assembled, easily accessible in frustration-proof packaging, and re-useable. It protects cables and connectors from being damaged by taking the stress off the connection points while pulling through a conduit. The design opens up to 1.25 inches, and features brightly colored sleeve tips to enable easy identification, and a steel ring to allow quick and positive attachment of a pull snake. DR-SOCK can be used to safely pull FSR’s new Digital Ribbon Cables as well as others with connector shells.

    The HuddleVU collaboration system allows for multiple users to share and view their laptops, tablets, and smart phone screens on a main display. Unlike conventional presentation systems, anyone participating can be a presenter or an audience member at any given time at the push of a button. LED’s indicate which user is currently live and when the system is busy.

    As always, all FSR products are made of durable materials in the USA.

    About FSR
    FSR, established in 1981, manufactures a wide variety of products for the audio / video, education, hospitality, government, and religious markets, including AV floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and CAT-5 solutions.

    The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information: www.fsrinc.com.

    FSR Contact: Jan Sandri
    973-785-4347 • sales@fsrinc.com

    Press Contact: Desert Moon Communications
    Harriet Diener
    845-512-8283 • mailto:harriet@desertmoon.tv

    About

    Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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