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Archive of the Large Venue Category

New H.264 Streaming Media Processor with FlexOS Now Shipping

Extron SMP 351Extron Electronics is pleased to announce the immediate availability of the SMP 351 Streaming Media Processor with FlexOS, an H.264 streaming media processor that captures and distributes live AV sources and presentations. With five available inputs, the SMP 351 creates high-impact content by combining two high resolution signals, a background image, and metadata, into dynamic layouts that enhance a presentation’s message. It supports both live streaming and recording capabilities, delivering presentations to anywhere a network can reach. With Extron’s FlexOS embedded operating system, the SMP 351 adapts easily to new requirements. Extron FlexOS applications on the SMP 351 can be configured to interface with control ports and automate system operation. It is easy to use, and with no licensing fees, has a low cost of ownership. The SMP 351 is a flexible, cost-effective way to deliver presentations to a larger audience. more

Evolutionary Yamaha PM10 Launched Today

Yamaha RIVAGE PM10

Buena Park, Calif.—In a worldwide announcement made at Inter BEE today, Yamaha Corporation Japan has launched the RIVAGE PM10 Digital Mixing Console, an enormous, evolutionary step for Yamaha PM Series Digital Live Sound Consoles. More than ten years have passed since the Yamaha PM1D and PM5D defined the direction for the digital console market. The new flagship RIVAGE PM10 significantly increases the quality and versatility necessary in a live sound environment, and inherits features from the renowned PM Series Consoles. Evolved features and performance define yet another milestone for Yamaha sound reinforcement consoles. The PM10 system is comprised of the CS-R10 control surface, DSP-R10 DSP engine, RPio622 I/O rack, three types of RY cards, and two types of HY cards provide the flexibility to configure and ideally match the scale and functional requirements of any application.

“Our new flagship RIVAGE PM10 system is the result of more than 40 years of PM Series history and reinforces our passion to provide industry-leading commercial audio products,” states Laurence Italia, Vice President/General Manager, Yamaha Commercial Audio Systems, Inc. “RIVAGE PM10 will ignite the market for a new era of extraordinary sound, operation, and reliability. Needless to say, RIVAGE PM10 would not be possible without the dedication of the Yamaha Japan R&D team as well as feedback from our customers.”

Under the fundamental philosophy of Yamaha live sound consoles, Hybrid Microphone Preamplifiers have been newly-developed, as has the analog section both in terms of components and overall design, achieving an extraordinarily pure, natural sound. Impeccable models of the Rupert Neve Designs (RND) transformer circuitry and acclaimed SILK processing have been created utilizing Yamaha’s VCM (Virtual Circuitry Modeling) technology. The SILK processing feature even includes selectable “RED” and “BLUE” characteristics, and a continuously variable “TEXTURE” knob that facilitate sonic shaping right at the input stage, adding musical sparkle or power as required. Josh Thomas, general manager of Rupert Neve Designs, had this to say about the collaboration: “We have done a number of listening sessions to compare our hardware to the transformer and Silk Texture emulations that Dr. K of Yamaha Japan and the development team achieved. Rupert and I are both very impressed by how closely the emulations get to the original analog designs. We hope that you all enjoy the rich Rupert Neve sound.”

The channel EQ and dynamics have been significantly upgraded with three newly developed algorithms plus the classic Yamaha “Legacy” algorithm. The new “Precise” algorithm includes Q parameters on the low and high shelving filters that allow filter overshoot to be flexibly controlled for added musical impact. An “Aggressive” algorithm has been designed for the most musical response, and the “Smooth” algorithm offers smooth, natural control while retaining the fundamental character of the source. Two Dynamics stages are provided, each functioning as a gate, compressor, ducker, or de-esser as required. Two compressor types are included: “Legacy Comp” features standard Yamaha digital console compressor characteristics, and “Comp260,” a VCM model of a popular analog comp/limiter from the mid-70s.

A total of 45 plug-ins are available for creative processing, with substantially increased processing power. New and noteworthy are plug-ins created in collaboration with Rupert Neve Designs, TC Electronic, and Eventide.Collaboration with Rupert Neve Designs has resulted in the “Rupert EQ 773,” “Rupert Comp 754,” “Rupert EQ 810,” and “Rupert Comp 830,” all VCM models of Neve designed outboard devices from the 70s and 80s. All four models deliver the gloriously musical vintage outboard sound still favored by many discerning engineers. The alliance with TC Electronic has resulted in the inclusion of two new reverb plug-ins: the “VSS4HD” room simulation reverb that offers a multitude of reflection settings with musical-sounding reverb processing capabilities, and the “NON LIN2” plug-in that can function as an envelope-filtered gate reverb without requiring a trigger.

“I wish to congratulate Yamaha with raising the bar for live console design significantly,” states Thomas Lund, CTO of TC Electronic. By directly integrating the world’s finest EQ, dynamics and reverbs, this mixing system is truly outstanding. Therefore, a big congratulations to the users also.”

Cooperation with Eventide has produced the “H3000-LIVE” harmonizer, an accurate reproduction of the H3000 Ultra Harmonizer algorithm with an interface streamlined for live sound use. “The marriage of classic Eventide effects with the state-of-the-art Yamaha RIVAGE PM10 mixing system is a match made in heaven,” adds Ray Maxwell, Eventide vice president of sales and marketing.

Console operation has been given the utmost attention with the Yamaha-familiar Selected Channel section implemented in full, allowing all parameters of the selected channel to be directly and intuitively controlled. There are also two large LCD touch screens that provide logical continuity with the faders, offering the same operability as the highly regarded Centralogic™ interface in 12-channel groups. In addition to this dual interface hybrid operation style, horseshoe-ring encoder position indicators, refined panel layout, and several other details contribute to significantly improved overall operability.

New features extend the usefulness of the scene memory: “Isolate” enables the engineer to specify entire channel modules including EQ and dynamics libraries, etc., that will be protected from recall operations without altering the Recall Safe settings; significant for situations where scene memory is heavily used. The Overlay Filter can be “overlaid” on a current mix to apply temporary offsets to fader and mix/matrix send levels independently from Scene Recall – valuable in situations that require sudden changes and the ability to easily revert to the original settings.

The CS-R10 control surface and DSP-R10 DSP engine are connected via a dedicated CAT5e ring “Console Network.” The DSP engine connects to the RPio622 I/O racks via the newly developed TWINLANe ring network using multi-mode optical fiber. The fact that both networks use simple ring connections facilitates redundancy and the highest possible reliability. TWINLANe is an original Yamaha protocol that can handle up to 400 96kHz audio channels over distances of up to 300 meters with low latency and redundancy for high reliability. Up to two DSP-R10 DSP engines and eight RPio622 I/O racks can be connected in a single ring.

Connection to a computer for multi-track recording, connectivity to the NUAGE Advanced Production System, Yamaha CL and QL Series Consoles, as well as other external equipment is possible via a Dante network. Dante, designed for simple setup with an extremely wide range of professional audio devices, works ideally with TWINLANe to create an exceptionally flexible, reliable system overall.

RIVAGE PM10 has an expected delivery during 2015.

For more, expanded information on RIVAGE PM10, please visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of professional audio products offering complete systems solutions for the sound reinforcement, touring, broadcast, commercial recording, and post-production markets with a complete line of digital mixers, amplifiers, speakers, processors, networking capabilities, and NUAGE Advanced Production DAW System. YCAS is also the official North American distributor for NEXO speaker products. With the new CIS Series that includes ceiling and surface mount speakers, mixer and power amplifiers, and matrix processors, the Company furthers is commitment to their commercial installation solutions customers. All market sectors receive comprehensive in-house/field product training, a dedicated dealer network, and 24/7 technical support.

Extron Now Shipping 3G-SDI to 3G-SDI Scaler with Audio Embedding and De-Embedding

Extron DSC 3G-3G AExtron Electronics is pleased to announce the immediate availability of the DSC 3G-3G A, a high performance 3G-SDI scaler that converts between 3G‑SDI, HD‑SDI, and SDI resolutions and frame rates. It accepts, scales, and outputs SMPTE video resolutions from 480i and 576i up to 1080p/60 and 2K. The DSC 3G-3G A features advanced Extron video signal processing with 1080i deinterlacing and Deep Color processing for optimal image quality. The DSC 3G-3G A also provides flexible audio capability with analog audio embedding, de-embedding, and level adjustments. Dual SDI outputs, genlock, and an input loop-through facilitate integration in demanding professional environments, while the compact enclosure simplifies installation. The DSC 3G-3G A is ideal for professional video applications, including video editing and production, rental and staging, medical imaging, and large‑scale presentations. more

ROLL TIDE! ALABAMA’S 100,000+ BRYANT-DENNY STADIUM CONVERTS FROM LINE ARRAYS TO DANLEY

DCIM100GOPROTUSCALOOSA, ALABAMA – NOVEMBER 2014: The University of Alabama’s Crimson Tide – among the most storied and winningest college football teams in the nation – plays all of its home games at 100,000-plus seat Bryant-Denny Stadium in Tuscaloosa. Pleased with the authoritative performance of its on-field sound reinforcement system – a single Danley GH-60 Genesis Horn paired with a single Danley TH-212 subwoofer – the university agreed with design and installation firm Baker Audio Visual (Norcross, Georgia) that Danley Sound Labs loudspeakers and subwoofers should replace the existing sound system to cover the entire stadium. Constrained by an aggressive timeline that necessitated reusing existing hang points, Baker AV installed Danley’s new weatherproof OS-80 loudspeakers and OS-115 subwoofers in the upper bowl and Danley’s seasoned SH-96HO loudspeakers (with additional OS-80 loudspeakers for down fill) in the lower bowl.

“We only had a short window to complete the design and installation once the athletics department gave us the go-ahead,” said Joe Schuch, vice president of Baker AV. “We had a similarly short window at Turner Field, home of the Atlanta Braves, where Danley Sound Labs delivered over four hundred custom loudspeakers within six weeks to make that job a success. At Bryant-Denny, we worked with Mike Hedden, Danley president, on a solution that would work within the constraints of the existing infrastructure. There was not enough time to engineer new solutions or to modify loudspeaker locations. We worked through Danley’s catalog of form factors to build an appropriate solution.” In part because Danley builds all of its loudspeakers and subwoofers in the USA, it was able to meet the deadlines at Bryant-Denny while simultaneously meeting deadlines at the Kentucky Derby’s Churchill Downs. Hedden reported that, between the two, the company produced between four and five hundred loudspeakers in just four weeks.

Alabama_Stands_SpeakersThe upper bowl now gets coverage from forty distributed Danley OS-80 weatherproof loudspeakers (two at each of twenty locations), which will remain impervious to the elements for decades to come. Every other OS-80 cluster is paired with a Danley OS-115LF weatherproof subwoofer for low-end support. The lower bowl uses twenty-four clusters, each comprised of a Danley SH-96HO for main coverage and a Danley OS-80 for downfill directly below the main loudspeakers. The OS-80 is rolled off at 250Hz and thus primarily aids in spoken word intelligibility. Similar to the end zones, all of the Danley products in the upper and lower bowls deliver better coverage with substantially fewer and/or lighter boxes, making it possible for Baker AV to install the system without taking valuable time to recertify the hangs.

After a few days tuning the system, Baker AV and Danley specialists fired up the system for the university. “The Athletics Department thinks it is a night and day improvement,” said Schuch. “The Danley system is more musical and has better intelligibility. The low-end output throughout the stadium blew them away.” Hedden added, “With the Danley system, Bryant-Denny gets better coverage, higher output, greater fidelity, and deeper bass all with a fraction of the cabinets, (38 Danley Synergy Horns replaced 128 line array cabinets) weight was reduced by several tons, and our system required 52 less amplifiers and signal processing than the old system. Our company offers the highest efficiencies, which translate into fewer devices required, making us the greenest manufacturer on the market. To me, it’s a huge affirmation that we’re doing the right thing and building a better mousetrap. With Danley systems in many of the biggest stadiums in the country – Green Bay Packers’ Lambeau Field, Buffalo Bills’ Ralph Wilson Stadium, LSU’s Tiger Stadium, Penn State’s Beaver Field, MSU’s Spartan Stadium, and now Alabama’s Bryant-Denny Stadium – we hope the tide is turning on the industry’s line array funk. Roll Tide!”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

District Six Fine Arts Center – Versatile Sound for a Versatile Auditorium

 Roebuck, SC – November 2014…  The newly-built District Six Fine Arts Center in Roebuck, South Carolina is a multi-use auditorium that serves all the schools in the area, as well as the community overall. Located on the Dorman High School Campus, the Center’s 1,500 seat auditorium hosts a diverse roster of events year round, from theatrical productions and concerts, to movies, recitals, lectures, and convocations.

In designing the sound system for the new facility, Raleigh, NC-based Theater Consultants Collaborative specified Renkus-Heinz VARIA modular point source line array loudspeakers. The main front of house system comprises left and right flown arrays of eight VARIA VA101-7 7.5 degree cabinets and one VA101-15 15 degree cabinet.

“VARIA was an ideal choice for this venue because its variable coverage pattern enabled us to use fewer boxes to achieve the same coverage,” explains David Clyburn of Roebuck, SC-based Musicraft, the company handling the installation. “The result was a reduction in both cost and weight, as well as improved sightlines. And the directional capabilities of the VARIA arrays eliminated the need for separate under balcony coverage.”

 VARIA’s modular design enables cabinets to be easily configured as flown vertical arrays, horizontal arrays, or ground stacked. Self-powered and networkable, VARIA’s range of vertical and horizontal dispersion angles and Renkus-Heinz’s unique Transitional Waveguides make it easy to configure systems to cover even the most challenging spaces.

For low frequency reinforcement, six DR18-2 Direct Radiating Subwoofers are ground stacked in concrete reinforced chambers to the left and right of the stage. “The subwoofers are installed three to each side in cardioid configuration, 16 feet above the stage floor,” adds Clyburn.

To address coverage in the balcony, four PN121 two-way Complex Conic systems were installed. Finally, 20 PNX81 two-way systems were installed around the auditorium for surround sound reinforcement, creating a true 7.1 surround sound environment in the auditorium.

Despite a tight timeline and other logistical challenges that accompanied the construction project, Clyburn reports the system has been well received. “The VARIA system is easy to configure, which helped us meet some very short deadlines. Ultimately, the system sounds great, and school and community officials are very pleased with the results.”

 

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About Renkus-Heinz - Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

 

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Empire PRO To Host QSC, Shure, and Yamaha Commercial Audio Training Day

empire_logo-transparent

LOS ANGELES—On Thursday, December 4th, QSC, Shure, and Yamaha Commercial Audio Systems, Inc., will present a powerful day of live-sound training at Empire PRO, 5675 Mansfield Way, Bell, CA. A professional production of the training will also be streamed live at http://www.mldistrict.com/empirepro, courtesy of DataVideo. Empire PRO is a leading national Pro Audio, Video & Lighting distribution partner.

The training, appropriately titled “Modern Technology For Today’s Production” will cover line arrays, digital consoles, monitors, amps, wireless and digital microphones, and in-ear monitors along with how they optimally work together for applications from small to mid-size production. Presenters will focus on system design, networking, Dante and RF landscape, coordination, and antenna setup as well as best practices, special tools, and tips.

“Our goal is to provide the Pro AV community with support and resources that empower them to grow their business, states Edmond Khanian, VP Sales at Empire PRO. We are more than a great place to get the products you need, when you need them, and at the prices you expect; we are a partner whose top priority is the success of our dealers’ business. We are proud and grateful to have strong relationships with industry leaders like QSC, Shure, and Yamaha Commercial Audio, who share and support our vision.”

Empire PRO continues to prove its commitment to be the most supportive Pro Audio, Video and Lighting wholesale distribution partner for AV Professionals through training and educational opportunities like this.

Presentation Schedule

• 9:40-10am: Introduction
• 10-11:15am: Shure – RF (spectrum update/incentive auction)
• 11:15-12:30pm Shure – RF coordination using Shure gear (highlighting BLX, QLXD, ULXD, AXT600 and WWB6) and how to choose the right antenna
• 12:30-1:30pm QSC – Line Array (specification and deployment) / Amp Technology
• 1:30-2:30pm LUNCH
• 2:30-3:30pm QSC – Touchmix (for production)
• 3:30-4:45pm Yamaha – CL Consoles (who, what, where, when, why and how)
• 4:45-6pm Yamaha – QL Consoles (who, what, where, when, why and how)

Don’t miss this opportunity to develop your Pro Audio knowledge. Space is limited, so RSVP now at http://www.empirepro.com/qsc-yamaha-shuretraining.php, or tune into the live streaming at http://www.mldistrict.com/empirepro. For information on how to become an Empire PRO dealer, call Omer Saar at 213.748.5200 x 112 or via email at omer@empirepro.com.

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About Empire PRO:
Empire PRO is among the largest distributors of Professional Audio, Video and Lighting equipment nationwide and highly regarded worldwide. We take pride in providing our clients with a reliable, supportive and efficient source of optimal full-system solutions by distributing leading audio, video and lighting brands, stocking deep inventory in-house, and being centrally located in the heart of Los Angeles for prompt delivery.

Our goal is to provide you with the most valuable support services and full-system-solutions to help you close deals and provide your clients with an experience that exceeds their expectations. Our Sales Executives are experts in helping you define and design optimal system-solutions for your clients. Our service is personal & professional and we offer full technical and sales support to insure satisfaction.

CLEAR-COM BRINGS NEW COMMUNICATIONS, CONNECTIVITY AND TRANSPORT SOLUTIONS TO LDI 2014

At the upcoming LDI 2014 exhibition in Las Vegas, Clear-Com® will demonstrate its continued commitment in linking communication groups together with its latest intercom, signal transport and intercom connectivity (ICON) solutions. These new solutions can save users time and money, while making their workflows much more efficient.

Clear-Com will present the new LQ™ Series, a new family of ICON devices for linking intercom and audio systems over IP networks. Visitors will also see the new FreeSpeak II™ wireless intercom system, a DECT-based offering that operates in the license-free band 1.92 to 1.93 GHz. In addition, we will be showing ProGrid™, the synchronous, optical fiber transport solution for audio, intercom, video, and data.

As a low audio latency communication link, LQ Series can be used for natural intercom conversation, networked music performances and for audio signals that are transported between different facilities. Based on Clear-Com’s patented I.V.Core® technology, the compact LQ throw-down devices enable connections of 2-wire partyline with call signaling and 4-wire audio over LAN, WAN or Internet IP infrastructures. LQ Series has a 2-wire (LQ-2W2) or 4-wire (LQ-4W2) option. The LQ-2W2 is both Clear-Com and RTS TW compatible. A maximum of six LQ IP interfaces can be linked together in any 2- or 4-wire combination.

The recent release of FreeSpeak II™ places it as the preferred DECT-based, all-roaming wireless communication solution in the United States and Canada for live event, broadcast, sport production, industrial, military and government applications. Operating in the license-free 1.92 to 1.93 GHz band, FreeSpeak II has been demonstrating its advanced roaming capabilities across large-scale, multi-zone production areas.

The system supports up to 20 full-duplex wireless beltpacks and 10 antennas connected to one base station or fully integrated into the Clear-Com Eclipse HX digital matrix system. The base station has connections for two partylines and four 4-wires, including a dedicated SA output and program audio input. With the full-duplex 7kHz bandwidth, the digital ‘Clear-Com Sound’ reduces ear fatigue after extended usage and delivers clear intelligibility of every word said into the system.

Clear-Com will also highlight ProGrid™, the highly resilient and scalable platform for carrying, distributing, and routing high capacity of audio, intercom and video signals, as well as control data, across long distances without compromising its performance, speed, or quality. ProGrid is based on the open AES3 and AES10 (MADI) standards, providing fiber-based transport, routing and format conversion with full management and diagnostic capabilities using the Optocore® and SANE technologies.

“We are excited to confirm our commitment to the live event and live entertainment markets by showing off our latest innovations at LDI 2014,” said Michael Rucker, Director of Sales–North and South America at Clear-Com. “Clear-Com has been a part of this vibrant market since the beginning. We are pleased to show our latest wired and wireless intercom systems as well as our innovative connectivity and infrastructure solutions. Setting up, managing and using our communication and transport products is quicker and easier than ever before, which allows users to concentrate on providing the best performance possible.”

The complete line of Clear-Com’s new and enhanced products will be available for demonstration at LDI 2014 on booth 1752.

Martin Audio MLA At First FREQ’ender Dance Festival In Singapore

01112014_Freq_Colossal132_Setup

EXPO AV-INSYNC (EAI) were chosen to provide full technical production for the first ever FREQ’ender dance festival in Singapore, and the company wasted no time in specifying its Martin Audio MLA system for the two day event.

The event was held at Infinite Studios and promoted by Limited Edition Concepts (Singapore), with 4,500 people attending over the weekend.

The festival was split into two distinct days: the first (in conjunction with Halloween) was named Freq’show, which made way on Day 2 for Mekanika, produced by international Trance Festival brand, Godskitchen

EAI managing director, Gerard Rodrigues, confirms that his company had recommended the MLA system. “The end result was that everyone, including the promoters, really felt the music and were amazed at the audio quality. They were really blown away.

“The MLX subs also became a talking point for many of the AV industry professionals who attended the gig as well.”

EAI kept the same rig in place for both days, with hangs of eight elements per side (plus a single MLD Downfill). The 12 MLX subs were ground-stacked in configurations of 2 + 4 + 4 + 2.

01112014_Freq_Colossal274_Setup

In addition the company supplied eight W8LM Mini line arrays and four WS218X subs as a potent DJ monitor system.

Limited Edition Concepts’ director and co-founder, Godwin Pereira was certainly impressed. “With EXPO AV’s experience, it was easy to get the best out of the MLA system, and the sound behaved superbly in the 18,000 square foot sound stage. It was warm and non-intrusive, producing little in the way of ‘noise’; instead, it delivered purity, clarity and a whole lot of thump!”

In addition to what Rodrigues describes as “the awesome sound”, he says the audience was also treated to lighting and projection mapping during the festival.

31102014_Freq_Colossal100_Setup

The event featured global acts covering electro, trance, house, techno and many other genres, including Hot Chip, 2ManyDJs, GlowInthedark and Marco V, along with over 20 live performers and dancers from Taiwan, Singapore and Malaysia.

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

4K UHD HDMI Switcher with Audio Extraction is Newest Addition to Digital A/V Line of Products

MONTREAL, QUEBEC — MuxLab Inc. is pleased to introduce the newest member if its Digital AV line of products. The HDMI 4×1 Switcher with Audio Extraction allows four HDMI sources to be distributed to one HDMI display. The switcher supports up to 4K (3840 x 2160), 8-bit color and HD audio.

The Switcher was designed to meet the high demand of installs for various commercial and residential AV systems. The extracted audio is available on an S/PDIF Toslink, Coaxial and 3.5mm Stereo Jack. The push button selects between the HDMI inputs, and the unit also features IR Remote Control.

“The new HDMI 4×1 Switcher with Audio Extraction is ideal for various residential and boardroom applications” said Marc Bohbot, MuxLab’s Director of R&D. “With its multiple Audio output formats, it can be used with a variety of audio equipment.”

MuxLab offers its customers a wide-ranging product line-up and strives to maintain its reputation in both high quality and affordability in the Digital and Pro A/V markets.

The Switcher joins the MuxLab Pro Digital family of products which also includes HDBase-T extenders, 4K HDMI splitters, multi-media & HDMI matrix switches, HDMI over IP distribution solutions, and more.

About MuxLab

MuxLab is a leading Canadian manufacturer of A/V, CCTV, and Broadcast equipment including matrices, splitters, switchers, & extenders with a full range of HDBaseT solutions for both residential and commercial environments. At the forefront of innovation, MuxLab continuously releases new products to keep up with the changing and evolving markets.

Join MuxLab on Facebook: https://www.facebook.com/MuxLab
Follow MuxLab on Twitter: @muxlabinc

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For more information;
www.muxlab.com
press@muxlab.com

Visit product page

MuxLab HDMI 4X1 Switcher with Audio Extraction, UHD-4K

MuxLab HDMI 4X1 Switcher with Audio Extraction, UHD-4K

Extron Introduces Next Generation Fiber Optic Control Inserter

Extron FOX II RS 104Extron Electronics is pleased to introduce the new FOX II RS 104, a four port RS-232 inserter for long-haul transmission of control signals to remote source and destination equipment over fiber optic cabling. Each port provides a bidirectional fiber optic connection to an Extron FOX II or FOX Series transmitter or receiver for the Ethernet insertion and extraction of control data, while maintaining a continuous pass-through link for video and audio. The FOX II RS 104 is ideal for use in applications with a centralized control system that require the long-haul transmission of AV and control signals over fiber optic cabling. more

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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