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Archive of the Large Venue Category

Bexel Heads Home for FOX Sports 1 Remote Studio Kits

Self-contained Broadcast Units Bring FOX Sports 1 Talent to Air

(BURBANK,CA) Bexel, a unit of the Vitec Group‘s Services Division and a leading worldwide provider of broadcast services and solutions, recently built, tested, shipped, and installed 16 self-contained, crewless home studios for some of FOX Sports 1′s top talent. The innovative systems are permanently installed in the analysts’ homes, allowing them to go on air immediately when something pertaining to their specialty occurs.

“We had less than 30 days to procure, build, test and distribute all 16 systems, but we were more than ready for the challenge,” said Senior Vice President of Bexel ESS Scott Nardelli. “We were able to manage logistics and get the gear needed, where they needed it. From staging the units in various holding locations around the country before deployment, to installing the bonded T1s from the point of presence to the interior of the homes, to running the cables in a way that hid them from view and worked within the existing décor and framework of the houses, our team delivered at every step in the process.”

Since the network’s August launch, the in-home location segments have become staples of FOX SPORTS LIVE, FOX FOOTBALL DAILY and other FOX Sports 1 programming. Brian Billick in Queenstown, Md., Ken Rosenthal in New York, N.Y., Mike Garafolo in Hoboken, N.J., Jon Paul Morosi in Ann Arbor, Mich., Reid Forgrave in Des Moines, Iowa, and Alex Marvez in Miami, Fla., are among the analysts who have been prominently featured from the new installations. FOX Sports 1 simply connects into any of the in-home studios via a bonded T1 pair, and goes live with HD quality video.

The systems include AW-HE60SN Panasonic cameras that can be manned remotely from the FOX Sports 1 control room in Los Angeles, allowing them to pan, tilt, zoom or adjust color and saturation. Litepanels 1×1 Bi-Color panels were chosen to provide key light, fill light, and back light on stands, and can also be controlled remotely. The backdrops, approximately 6-by-6 feet and featuring the FOX Sports 1 logo, are customized to the individual home locations. Beyond the standard backdrops are smaller pull-up devices, and in one case, a motorized unit that comes down from the ceiling.

Rack mounted cases, approximately 48-by-24-by-30 inches, are at the core of the systems. Their contents include a UPS that controls power, an IP Power Switch which allows the system to be turned on and off remotely from Los Angeles, a network switch that keeps the circuit open, a Haivision Mako encoder, and audio and video support that provides the IFB and camera feeds.

While most functions of the in-home studios are controlled remotely, the units were designed to make it easy for the on-location users to complete the tasks they do have to perform. “We used a very straight forward audio system, so the talent doesn’t really have to do anything beyond plugging in their microphone,” adds Nardelli. “They also have a volume control for their earpiece right on the desk, so they can control the volume of the IFB easily, without having to go to the rack and figure out which knob to turn. We worked closely with the FOX team to create clear and concise ‘cheat sheets’ for the talent, so they’d be comfortable with the technology around them.”

“Speed to market is crucial in the world of sports news, and these in-home studios have been very effective for us in delivering breaking news,” notes Doug Levy, VP of post production for Fox Networks Engineering and Operations. “In approach, it really represents a sea change. Everyone worked incredibly hard to make this work, and it was a unique learning process for all those involved. We felt from the beginning that Bexel was the most appropriate choice for this project. They have a long and extremely good track record as both a rental house and an integration company, and we knew their team could get the job done.”

About Bexel
Bexel is the pre-eminent worldwide provider of broadcast services including video and audio equipment rentals, fiber services, new audio sales, used equipment sales, and repairs/maintenance. Bexel provides brilliantly designed and flawlessly executed systems and solutions to all customers – including producers of the biggest and most important televised events in the world. For more information, visit http://www.bexel.com, and follow them on Facebook and Twitter.

About Litepanels
Litepanels was founded in 2001 by five professional gaffers and engineers who saw the future and pioneered LED (light emitting diode) lighting for motion pictures, television and the audio-visual industry. Their Emmy(r) award-winning technology has now been used on thousands of productions worldwide and is trusted by the world’s leading broadcast organizations. Backed by the Vitec Group’s legacy of 100+ years in the broadcast and production industry, Litepanels continues to expand its suite of flicker free, color accurate, fully-dimmable soft lights that talent and lighting directors admire. These environmentally friendly fixtures practically pay for themselves with power savings and long life, setting a new standard in professional lighting. Along with other leading brands in the broadcast and professional videographer industry, Litepanels is part of Vitec Videocom, a Vitec Group company. For more information on Litepanels, visit www.litepanels.com

About the Vitec Group
Capture the moment(tm)

For over 100 years, through every innovation in photography, film and digital image-making, Vitec businesses have developed a powerful portfolio of brand and products that have enabled some of the most amazing moments to be captured under some of the most challenging conditions. Vitec is an international Group principally serving customers in the broadcast photographic and military aerospace and government (MAG) markets. Vitec is based on strong, well-known premium brands on which its customers worldwide rely. Vitec is organized in three divisions: Videocom, Imaging and Services. Videocom designs and distributes systems and products used in broadcasting and live entertainment, film and video production and MAG. Imaging designs, manufactures and distributes equipment and accessories for photography, video and events. Services provides equipment rental, workflow design and technical support for camera, video, audio, fiber optic and wireless technology used by TV production and film crews. More information can be found at www.vitecgroup.com.

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How Sweet It Is! New Live Music Venue SRB Brooklyn Is Equipped With HARMAN Professional Audio System

BROOKLYN, New York — Brooklyn, the music-soaked borough that brought us Barbra Streisand, Foxy Brown, Barry Manilow, Jay-Z and many others now boasts SRB Brooklyn, a brand-new venue dedicated to live music, dancing and bringing back the energy of the clubs from the ‘60s and ‘70s. “SRB” stands for Soul, Rhythm and Blues, all of which can be heard with the help of SRB Brooklyn’s HARMAN Professional sound system featuring AKG, Crown, dbx, JBL and Soundcraft components.

“When we bid on the project, the owner of SRB Brooklyn told us he wanted to cater to all types of music and bring in national acts, and that he wanted a top-quality sound system,” said Jeff Kwan, Vice President of New York sound contractor Canal Sound and Light. “He specifically said, ‘I want the best speakers in tour sound for my club,’ so we immediately thought of JBL VERTEC® and recommended a HARMAN Professional system as the way to go for the 500-person room.”

“The building is a converted warehouse, so we had some architectural constraints,” Kwan continued. “It’s a long room but has a low ceiling so flying the main speakers was challenging. We went with two ground stacks of four VERTEC VT4888 midsize line array elements per side. However, the VT4888’s aren’t just plopped on the ground—they’re placed in a ‘notch’ in each wall on either side of the stage that’s about 10 feet high, so we get the sonic and coverage advantages of raising them off the ground. We also installed three JBL ASB7128 subwoofers under the stage—the ASB7128 is specifically designed to work well either ground-stacked or flown.”

A variety of additional JBL loudspeakers round out the system. Eight VRX915M and two PRX612M floor monitors are deployed onstage and two ASB7118 subwoofers are used for drum fill. Four STX835 loudspeakers and two ASB7128 subs are located at the rear of the club while four AC28/26 compact loudspeakers and one AM7212/00 provide additional fill throughout the venue.

“We installed Crown I-Tech HD Series amplifiers to drive the VT4888’s, ASB7128 subs and STX835 rear loudspeakers, and Crown XTi Series amps for the stage monitors and other fill loudspeakers. The I-Tech HD amps’ preset tunings and adjustable built-in DSP make them the perfect match for the bigger JBL loudspeakers, while the XTi amps offer a good combination of price and performance.” A dbx DriveRack 4800 Loudspeaker Management System provides speaker processing and control.

A variety of AKG mics fill out the HARMAN system, including D7 vocal mics, C3000, C451B and C535EB vocal and instrument condenser mics, C518M and D112 drum and bass drum mics, D40 instrument mics and a P2 low-pitched instrument/bass drum mic. In addition the stage is equipped with 20 BSS AR-133 active direct boxes.

There were challenges during the installation. “As it turned out the original design of the stage did not provide enough acoustical treatment for the subwoofers,” Kwan noted. “When we first put the system through its paces the subs really shook the stage. We had to add sand and concrete to the stage to eliminate the shaking and noise and direct the low-frequency energy forward towards the audience.”

The result was worth it: “The venue’s management wanted SRB Brooklyn to be a music venue that rivals any place in Manhattan. He definitely accomplished that. It’s an unpretentious place where people can really enjoy themselves and appreciate the best audio system in Brooklyn.”

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,600 people across the Americas, Europe, and Asia and reported sales of $4.5 billion for the last twelve months ended September 30, 2013.

John Fogerty Plays The Classics On US Tour Backed By Bright and Engaging HARMAN’s Martin Professional Rig

AARHUS, Denmark — Ranked on Rolling Stone Magazine’s lists of 100 Greatest Guitarists (#40) and 100 Greatest Singers (#72), and with the number 41 and 53 spots on the publication’s list of Greatest Pop Songs, John Fogerty has entertained crowds for decades as a member of the Creedence Clearwater Revival and as a solo artist. Recently the classic rock legend wrapped up an 8-week US tour which featured a stunning light show staring HARMAN’s Martin Professional fixtures, designed to entertain fans with a completely new visual experience along with Fogerty’s classic rock sound.

Production Designer Alex Skowron designed and built the lighting rig to include 21 Martin Atomic Colors, 17 MAC 2000 washes, 14 MAC Viper profiles, 14 Viper washes, 10 MAC 2000 profiles, eight MAC III’s and eight MAC 401 RGB fixtures. Two Martin M1 lighting consoles ran lighting and video content during the show, which projected onto 12×21 high-resolution screens and seven other surfaces surrounding the stage.

Upstaging supplied all of the Martin fixtures for the tour.

“I’m loyal to Martin because Martin is loyal to me,” Skowron states. “The MAC 2k’s are workhorses. You can beat them to death and they still run. The quality of light you get out of the smaller Vipers is still great, and the color filters we customized for the Atomic Strobes changed the boring white light into something amazing!”

Skowron developed a show that would redefine the classic rock soloist genre of touring musicians. This wasn’t just your average musician-on-a-chair-type show. With Martin, fans were welcomed with a full concert experience, with an up-to-date vibe on the songs they’ve known and loved for decades. Multiple color schemes and background video highlighted Fogerty’s music during each set.

“I’ve been using Martin for ages, and even own numerous Martin lighting consoles, myself,” continued Skowron, “The support Martin provides throughout the entire process from sale to integration and beyond is something no other manufacturers choose to provide. I am only 100 percent confident in the success of a rig if it includes Martin.”

Skowron plans to take his Martin rig on a European tour with Fogerty in mid 2014.

As a world leader in the creation of dynamic lighting solutions for the entertainment, architectural, and commercial sectors, Martin lighting and video systems are renowned the world over. Martin also offers a range of advanced lighting controllers and media servers, as well as a complete line of smoke machines as a complement to intelligent lighting. Martin operates the industry’s most complete and capable distributor network with local partners in nearly 100 countries. Founded in 1987 and based in Aarhus, Denmark, Martin is the lighting division of global infotainment and audio company HARMAN International Industries.

For more information please visit: http://www.martin.com.

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets – supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,600 people across the Americas, Europe, and Asia and reported sales of $4.5 billion for the last twelve months ended September 30, 2013.

Bannister Lake Offers Powerfully Affordable Score Bug Solution

BL Score Bug Go delivers portable and affordable score bug graphics when space and budgets are tight

CAMBRIDGE, ON, Canada, January 16, 2014 – Bannister Lake announces the immediate availability of BL Score Bug Go, a compact, cost-effective, lightweight professional score bug solution for live broadcast sports and in-house venue stadium, arena, and park production. This uncompromising carry-on package provides support for HD-SDI output of real-time scoring and game status, helping production teams generate high quality turnkey score bug graphics from a portable system at a fraction of the price.

This turnkey solution packs exceptional power given its compact laptop-sized form factor featuring Bannister Lake’s scoring and game status solution and a sophisticated graphics and animations engine. A Thunderbolt™-enabled laptop bundled with an AJA Io XT external video interface device offers:

• Full uncompressed HD and SD 4:2:2 and 4:4:4 capable video capture and playback
• Built-in support for HD clips and audio
• Switchable reference and LTC inputs and outputs
BL Auto Pilot™ support additionally provides direct data connectivity to arena scoreboard controllers and radar guns for instantaneous and automated game data.

Bannister Lake’s sport-centric interface turns operators into power users. Operator hot keys offer instant in-game access to score, sponsor, and clock updates, and game exceptions and infractions such as penalties, flags, and substitutions.

“The Score Bug Go solution is the right score bug solution at the right price,” stated Georg Hentsch, President of Bannister Lake. “Between its full HD SDI key and fill and the solution’s $15K price tag, every broadcaster and venue can be a major league player with stunning, cutting-edge score bug output.”

BL Score Bug Go is available and shipping now through Bannister Lake as well as authorized resellers.

About Bannister Lake Inc.
Bannister Lake is a leading provider of professional video graphic display solutions for Broadcast Television, Cable, Satellite and in-venue audio visual applications worldwide. Our display solutions are designed to integrate seamlessly with your existing infrastructure, automating the process of data entry for video graphics display and improving the productivity of your organization. Visit Bannister Lake online: www.bannisterlake.com

Extron Now Shipping H.264 Streaming Media Decoder

Extron Electronics is pleased to announce the immediate availability of the SMD 101, a compact, high performance H.264 streaming media decoder used with Extron SME 100 encoders to provide complete end-to-end AV streaming systems. The SMD 101 is designed specifically for use in professional AV applications to decode live streamed content from SME 100 encoders or play back AV media files accessible from network shares. It accepts streaming resolutions up to 1080p/60 and outputs a variety of resolutions, from 640×480 up to 1920×1200. Fill/Follow/Fit aspect ratio controls manage disparities between the streaming video and display format. This compact, energy-efficient decoder is an ideal counterpart to the SME 100 encoder to deploy in simple overflow and monitoring applications or multi-channel streaming systems and high resolution signage systems. more

LSU ROARS WITH DANLEY!

BATON ROUGE, LOUISIANA – JANUARY 2014: The Louisiana State University Tigers football team plays all of its home games at Tiger Stadium on the school’s Baton Rouge campus. Nicknamed “Death Valley,” the stadium’s deafening roar of 92,500 Tigers fans is notorious for scrambling the communications and sapping the confidence of the Tigers’ unlucky opponents. Indeed, the NCAA ranked Tiger Stadium as the loudest stadium in college football, noting as an example that fans’ euphoric response to a last-minute LSU touchdown in 1988 measured as a minor earthquake on the campus seismograph! Despite this, Tiger Stadium persisted until recently with an underpowered sound reinforcement system that one list-serve commenter likened unfavorably to a car radio. No more. With a beefy Danley Sound Labs sound reinforcement system that includes eighteen Jericho Horns and six “Rock Monster” subwoofers, Tiger Stadium’s music playback system is now positioned to whip LSU fans to even greater fervor.

“The old system was expressly designed for public address, not music playback,” explained Larry Lucas, director of audio engineering for Anthony James Partners (Richmond, Virginia) and the person responsible for designing LSU’s new sound reinforcement system. “Given the game-day experience demanded from fans these days, a serious upgrade was a necessity. The point-source system that we designed flanks the LED screen on the north end of the stadium and throws eight-hundred feet across to the south end zone seating. With the Danley Jericho Horns, we were able to throw 8kHz that full distance with program material that measured 105dBA. That’s an unprecedented technical leap!” Baker Audio of Norcross, Georgia installed the system.

Fourteen Danley J3-64 full-range Jericho Horns comprise the bulk of the new system, while four Danley J4-31 high-frequency Jericho Horns contribute to the system’s amazing high-end throw. Six Danley TH-812 “Rock Monster” subwoofers fill out the bottom of the system with thunderous low end. Four Danley SH-96s, four Danley SH-64s, four Danley SM-80s, and twenty Danley SH-MINIs provide fill for areas not directly covered by the Jericho Horns. A 32-channel Yamaha LS9 provides a familiar front end, while a QSC Q-Sys processing system feeds twenty-four Lab.gruppen PLM 10000Q and 20000Q amplifiers behind the scenes.

Mike Hedden, co-founder and president of Danley Sound Labs commented. “We measured the frequency response of the completed system at hundreds of positions around the stadium and the system is remarkably consistent with solid bass down into the mid 20Hz region and top end extending into the 10kHz range even at seats eight-hundred feet away. This is unprecedented performance in a venue this size and could only be achieved within the limitations of the scoreboard using Danley’s unique technologies.”

The north end scoreboard sits over eighty feet from ground level, and each loudspeaker and subwoofer had to be lifted individually by crane to that height. Then the Baker Audio rigging crew set up a beam trolley system with rigging motors to lift each set into position, to secure final rigging hardware, and to lock in the angles and aiming points. Because Tiger Stadium is in a hurricane zone, everything had to be slightly over-engineered to make sure that the rigging tolerances would hold up to hurricane force winds.

“There are always questions about how a system’s real life performance will compare to the acoustical models we work with in the design process,” commented Chris Moore, senior project manager with Baker Audio. “Given the throw distances at Tiger Stadium, a few degrees in coverage pattern or small variables in the overall acoustic performance could have been very time consuming to correct in the field. No one wants to do a redesign in the field, especially given the rigging elements that we had to use on this job. Thankfully, the Danley speakers performed exactly as the design models predicted they would, so we did not have to change any rigging angles or aiming points once we had the speakers hanging in the air. That made the installation process fast and efficient. It’s always a good day when everything performs as planned.”

“The Danley J3-64 Jericho Horns, together with the additional Danley fill speakers, combined to provide uniform coverage throughout the stadium, including the far upper end zone seating,” said Doug Stancil, senior engineer with Baker Audio. “The coverage was complicated by Tiger Stadium’s extended sideline seating, which reaches up to 175 feet at its highest point. The Danley system covers all of those seats very well. I was also impressed by the performance of the Danley TH-812 subs in the far field. Although I have been in stadiums where the low end starts to fall off at the fifty-yard line, this is definitely not the case at Louisiana State University. Fans will feel the full impact of the ‘Tiger Roar’ wherever they sit!”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

WyreStorm Joins the D-Tools Manufacturer Vantage Point (MVP) Program

WyreStorm’s HD audio and video distribution and control solutions’ product information to be made available to users of D-Tools’ System Integrator software to aid the estimation, design and implementation of low voltage electronic systems for residential and commercial applications

CONCORD, CA – January 14, 2014 — D-Tools Inc., the worldwide leader in system integration software, today announced that WyreStorm, a global manufacturer of innovative HD audio and video distribution products, has joined the D-Tools Manufacturer Vantage Point (MVP) program, making it easier for users of D-Tools’ award-winning System Integrator software to specify WyreStorm products for their client engagements.

“We look forward to working with D-Tools to make our product specifications available to an outstanding group of systems integrators,” said Derek Hulbert, WyreStorm CEO. “We believe that our participation in the MVP Program solidifies our commitment to helping our existing dealers become more successful by making it easier to spec our products and to do business with WyreStorm, as well helping us to further expand our reach within the greater integrator community.”

The D-Tools Manufacturer Vantage Point (MVP) program provides systems designers, specifiers, integrators and installers the most up-to-date and detailed product information available, in a format that can be utilized in a cross-functional capacity for maximum workflow efficiency. In fact, MVP members help companies streamline the design process by making it easier for them to provide accurate, professional proposals to their clients by using the D-Tools System Integrator platform.

“We are pleased to name WyreStorm as our newest MVP partner,” said Adam Stone, President and CEO of D-Tools. “The a/v distribution market is experiencing explosive growth and providing our users with access to WyreStorm’s library of HDMI and HDBaseT solutions gives them high quality, versatile options for both residential and commercial projects.”

Those interested in learning more about the D-Tools MVP Program, D-Tools Systems Integrator, or the many benefits that can be derived from utilizing a streamlined system design, proposal and estimation software platform are encouraged to visit www.d-tools.com, email mvp@d-tools.com, or call 1-866-386-6571 ext. 1 for more information.

About WyreStorm Technologies, LLC
WyreStorm is a worldwide manufacturer of digital high-definition distribution technology. WyreStorm specializes in the design and development of innovative technology solutions for residential and commercial applications, proudly offering customers around the globe the highest quality and reliability in its wide range of products. WyreStorm award-winning products include HDMI & HDBT extenders, the first HDBaseT audio amplifier, configurable matrix switchers, splitters, converters and basic control. WyreStorm products are manufactured to ISO9001 standards. For more information on WyreStorm visit www.wyrestorm.com.

About D-Tools, Inc.
D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software. The company’s flagship product, System Integrator™ (SI), is a total design solution that utilizes Autodesk® AutoCAD and Microsoft® Visio for comprehensive system design, documentation and project management. D-Tools SI allows residential and commercial integrators to streamline their business processes to increase overall revenues while reducing the time and costs associated with the installation and integration of low-voltage systems. In fact, over 4,400 leading companies use D-Tools software to reduce time, costs and to streamline the system integration process. D-Tools is a three-time recipient of the Consumer Electronics Association Mark of Excellence Award, Commercial Integrator BEST Award (2011, 2013), multiple recipient of Custom Retailer/Technology Integrator Excite Award (2007, 2008, 2009, 2010, 2011, 2012, 2013), National Systems Contractors Association Multi-Room Audio Video Awards for Best Installation Aid, Sound and Video Contractor Innovations in Technology for Business Productivity Award, CE Pro High Impact Award for Design Software, and CE Pro BEST Award for Software Applications (2013).

More information can be obtained by calling (866) 386-6571, e-mailing info@d-tools.com, or visiting D-Tools online at www.d-tools.com. Follow D-Tools on Twitter at www.twitter.com/DTools and on Facebook at www.facebook.com/beatool.

Press Contacts:
Tim Bigoness, D-Tools, Inc., (925) 270-4102, timb@d-tools.com
Katye (McGregor) Bennett, KMB Communications, (425) 328-8640, katye@kmbcomm.com
Katie Sylvia, WyreStorm Technologies, (857) 753-3329, katie@wyrestorm.com

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Game Seven Grill Opens to Championship Sound

Game Seven Grill is a barbecue restaurant located in the Gila River Casinos Plaza at Chase Field, home of the Arizona Diamondbacks baseball team. With a name that evokes the D-Backs Championship victory in Game Seven of the 2001 World Series, Game Seven Grill’s casual atmosphere and family-friendly style are reflected in its interior design which builds on the brick and open-beam architecture of the building.

Before opening in March of 2013, Game Seven Grill underwent a major renovation including new seating, championship décor and a new sound and video system featuring Community CP6 pendant loudspeakers for the interior and R.25-94T loudspeakers for the Grill’s outdoor plaza seating.
Game Seven Grill Patio
Game Seven’s sound and video systems were designed and installed by Parsons Technologies of Phoenix, Arizona. Mark Schultz, Systems Engineer, designed the systems at Game Seven Grill. He says Parsons provides audio and video systems for many of the venues at Chase Field. “The team owns the Game Seven building,” Schultz said, “and they contacted us to design and install the sound and video systems for this new restaurant.”

Schultz knew that Game Seven would feature an open interior design with its ceiling painted black. The owners had asked for a great music and video system but they made it clear they wanted “invisible loudspeakers”. “Community’s Commercial Design Series CP6 pendants were the perfect choice,” said Schultz. “They sounded great and we could get them in black to disappear against the ceiling. We used Community’s R.25 loudspeakers for the outdoor plaza seating,” he continued. “They were also available in black and they sound great as well.”

Game Seven’s sound system is used for background music and for sports event play-by-play audio. The system is divided into two zones, indoor and outdoor. During a baseball game or other sporting event, the restaurant can choose to play the audio from a local radio or TV station into either zone so that patrons can watch and listen to the game. The audio system is powered by CTS amplifiers and features a BSS DSP system with touch-panel controls for volume and source selection.

“We did a little EQ but didn’t need much,” Schultz said. “And the owners are extremely pleased with the sound and appearance. We’re expecting them to expand the system to the upper level of the restaurant, which will be undergoing renovation prior to the 2014 season.”

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Related Topics: Large Venue, Loudspeakers |

Trade IN, Trade UP Program Announced by Yamaha

BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. has announced a Trade IN, Trade UP program that will take place January 8 – March 31, 2014. This program is available to all customers who own a Yamaha M7CL-48 (this configuration only) Digital Mixing Console. The trade-in console must be in acceptable* condition. Upon proof of condition and return, the customer will receive a $15,000 credit toward the purchase of a new Yamaha CL5 Digital Mixing Console. This promotion is on a first-come, first serve basis, while supplies last.

“This limited time program will provide end users with the opportunity to own a new Yamaha CL5 console that they may not have had the budget to purchase,” states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. “The trade UP to a CL5 will fulfill many of the features and benefits engineers have been asking for in an affordable package.”

End users should contact their preferred Authorized Yamaha Commercial Audio Systems, Inc. (YCAS) Dealer for more details. A complete listing of YCAS Dealers, Terms and Conditions as well as all other pertinent information can be found by visiting www.yamahaca.com/cltradeup.

*Yamaha has the sole right to determine if your M7CL-48 console is in an acceptable condition to participate in the program. If it is determined to be unacceptable, they will contact you to arrange its return to you.

-END-

Extron XTP DTP 24 Twisted Pair Cable Receives HDBaseT Recommendation

Extron Electronics is pleased to announce that Extron XTP DTP 24 Shielded Twisted Pair Cable has been independently tested in an HDBaseT™ Alliance Recognized Testing Facility and verified to exceed performance requirements for recommendation by the Alliance. The HDBaseT Alliance’s Cable Recommendation Program helps AV installers to select cables that are engineered for optimum signal transmission within a twisted pair infrastructure. Extron XTP DTP 24 cable is specifically engineered to improve performance and signal path reliability with Extron XTP Systems, DTP Systems, and HDBaseT applications. The cable is available in both Plenum and Non-Plenum versions, and is certified to 475 MHz bandwidth at distances up to 330 feet (100 meters).

“When Extron got into the AV cable business many years ago, we quickly determined that off-the-shelf bulk cable didn’t meet our standards for performance, reliability, and durability, so we design all of our cables in-house,” says Casey Hall, Vice President of Sales and Marketing for Extron. “XTP DTP 24 cable is engineered specifically for digital video applications to provide integrators with absolute confidence in signal integrity throughout the largest distribution systems. While primarily intended for use with Extron XTP Systems and DTP Series products, the XTP DTP 24 cable can be used in any HDBaseT application for an additional measure of performance and reliability.”

Extron XTP DTP 24 cable is performance-optimized, 24 AWG shielded twisted pair cable specifically engineered to Extron’s exacting standards of performance. The cable utilizes an SF/UTP Shielded Foil/Unshielded Twisted Pair design for superior performance in digital video and audio distribution system applications and features 24 AWG solid copper conductors within overall braid and foil shields. Both Non-Plenum and Plenum-rated versions are available in spools of 1,000 feet (305 meters). To ensure end-to-end cable infrastructure performance, a line of matching shielded RJ-45 plugs, punch down jacks, and couplers is also available.

Visit our Web site at www.extron.com for more information.

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