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Archive of the Large Venue Category

Starlight Theatre’s Sound Shines with L-ACOUSTICS

Kansas City's Starlight Theatre, home to a new L-ACOUSTICS KARA system

KARA system installed at Kansas City’s famed outdoor theatrical venue

KANSAS CITY, Missouri — Seating nearly 8,000 patrons, Starlight Theatre has been a staple of Kansas City’s performing arts community since it first opened in 1950. Hosting a full calendar of Broadway plays and musicals each summer season – not to mention numerous concerts, corporate events, weddings and fundraisers – many classic productions have trod the boards of the large open-air venue over the years, including Jesus Christ Superstar, Oliver!, Hair, Camelot, Sweet Charity and West Side Story.

As to be expected, Starlight, which is operated by the not-for-profit Starlight Theatre Association, has been through a few sound systems in its time, with the last one holding out for the past 14 seasons. But none of them have ever been able to deliver the critical combination of the intelligibility needed for theatrical dialog with the full-range frequency response necessary for music. Until this year, that is. A new L-ACOUSTICS KARA Modular WST line source sound system was installed over the winter and is already taking Starlight’s 2014 season to new heights.

48 KARA and 24 SB18 are flown above the stage

The new L-ACOUSTICS house system, designed by Dallas-based Idibri (formerly Acoustic Dimensions) and installed by Clair Brothers Audio Systems’ Nashville office, consists of a total of 48 KARA line array modules divided into three hangs of 16 each, positioned left, center and right along a steel framework above the proscenium stage. Flanking either side of the center hang and the outside of the left and right arrays are flown arrays of six SB18 subwoofers accompanied by eight ground-stacked SB28 subwoofers split between the left and right sides of the stage floor. Proscenium fills are handled by two ARCS WIDE and two ARCS FOCUS, one each per side, while six tiny 5XT coaxial loudspeakers and three larger 8XT enclosures comprise the front-fill complement. A total of 16 LA8 amplified controllers power the entire system.

“We put a lot of effort into choosing the new sound system,” states Justin White, Starlight Theatre Director of Operations and Theater Plant, noting the winnowing process began with five systems that Idibri Project Manager Ryan Knox suggested Starlight investigate. This field was eventually narrowed down to three finalists, for whom Idibri arranged a demo that let dozens of Starlight staffers, board members, donors and city officials listen to audio systems in the venue itself and do an A-B-C comparison using the same program material.

Three 8XT enclosures deliver the center front-fill

They emphasized the key criteria of intelligibility and music reproduction, as well as other areas of importance, such as the ability of the system components to endure outdoor use throughout what Barb Schulte, Starlight’s Director of Communications and Outreach, euphemized as Kansas City’s “challenging weather environment, especially in summertime.” And, says White, it became clear very shortly who the winner would be. “After as little as ten minutes for some individuals in attendance, it was unanimous: everyone loved the way the L-ACOUSTICS system sounded.”

Kent Andel, Production Manager for the theatre, says he was a fan of the previous system because of the warmth of its sound, but says that the new system exceeds its performance in a number of ways. “The intelligibility we need for diction and dialog are all there,” he says. “At the same time, it works for music. So the L-ACOUSTICS system won hands down.” This is especially impressive when considering that the compact modular KARA system went head-to-head with systems looking much bigger on paper.

The new L-ACOUSTICS line source array system was first used in late May for Starlight’s Blue Star Awards, a Tony Awards-style program to recognize metro area high school musical theatre talent. All of the system’s critical parameters were on the line, and it performed flawlessly. It will get an even more vigorous workout for the season’s first Broadway musical when The Wizard of Oz comes to Starlight in mid-June.

But even between those shows, the L-ACOUSTICS system is showing its versatility; it’s already been divided into three mini arrays – each with two SB18s, six KARA modules and all four ARCS enclosures – and used indoors in the Jeannette and Jerome Cohen Community Stage that’s part of the Starlight Theatre complex for off-season private events, receptions and parties. “In addition to sounding great, it’s also a very flexible system,” White says. “It’s as loud as we needed it to be, super clear, flexible and just a great choice for us.”

About Starlight Theatre
Starlight Theatre, winner of the 2013 Venue Excellence Award from the International Association of Venue Managers (IAVM), is the largest and oldest performing arts organization in Kansas City and the second-largest outdoor producing theatre in the country. Opened as a theater in 1950 and as a not-for-profit organization in 1951, Starlight presents and produces Broadway musicals and concerts. It also offers extensive community outreach and educational programming, including classes, scholarships and Starlight’s Blue Star Awards, one of the largest high school musical theatre award programs in the nation. Located on 16 acres in Swope Park, Starlight’s venue includes rehearsal halls, gift store, club area for dining, concessions, gardens, fountains and a 10-story, climate-controlled stage. For more information, visit www.kcstarlight.com

About L-ACOUSTICS
L-ACOUSTICS is a leading innovator and manufacturer of high-performance loudspeakers, amplifiers and signal processing devices for touring and installed sound markets. Known around the globe for pioneering and championing the modern line array loudspeaker concept with V-DOSC, the company has received numerous accolades for its K1, K2, KUDO, KARA, KIVA, ARCS, XT coaxial loudspeaker systems and SB line of subwoofer enclosures, all powered and processed with the LA4 and LA8 amplified controllers in fulfillment of a “total system approach.” Product distribution and customer service for the USA is handled by L-ACOUSTICS’ subsidiary in Oxnard, CA.

Credit for all images: Bob Compton

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Contact:
L-ACOUSTICS US
2201 Celsius Avenue, Unit E, Oxnard, CA 93030
Tel: 805.604.0577 / Fax: 805.604.0858
Email: info@l-acoustics-us.com / Web: www.l-acoustics.com

Extron Now Shipping New Scaling Presentation Switcher with Built-In Control Processor

Extron Electronics is pleased to announce the immediate availability of the IN1608 IPCP, new models within the IN1608 product family that feature built-in Extron IP Link Pro control processors for complete and powerful AV system control. The IN1608 IPCP is a highly versatile scaling presentation switcher that delivers the technologically advanced capabilities necessary to design and integrate a complete AV system in one box, including an HDCP-compliant, multi-format video switcher, an advanced scaling engine, integrated DTP transmitter and receivers for signal extension up to 330 feet (100 meters), a high performance mono or stereo amplifier, comprehensive audio processing, and an advanced control processor that is uniquely expandable. The IN1608 IPCP is the new industry standard for fully integrated AV systems, greatly simplifying system design and installation, and dramatically reducing total cost of ownership.

“The IN1608 has been extremely popular with our customers and we are very excited to be shipping the IN1608 IPCP for delivering total system integration,” says Casey Hall, Vice President of Sales and Marketing for Extron. “This scaling presentation switcher is now available with a built-in IP Link Pro control processor that delivers powerful capabilities for complete, customizable control of an entire AV system.”

The IN1608 IPCP features a built-in IP Link Pro control processor, with the same advanced features, processing power, and breakthrough technologies found in the standalone Extron IPCP Pro control processors. The IN1608 IPCP delivers high-speed processing and abundant control port capacity for complete, customizable control of an entire AV system, including all source devices and displays, plus room functions. Simply connect an Extron TouchLink Pro touchpanel to the built-in Gigabit Ethernet switch to create a complete AV control system.

As with all Extron control systems, the IN1608 IPCP is very intuitive and easy to configure with Global Configurator software. The latest version of Global Configurator includes powerful, advanced features such as conditional logic, local variables, and macros. Global Configurator Professional adds unprecedented scalability with Controller Groups, a unique feature that allows an IN1608 IPCP to be combined with additional IP Link Pro processors to create a large-scale control system. This is ideal for controlling multiple systems, rooms, or even remote locations around the world. IN1608 IPCP systems throughout a facility, building, campus, or offices worldwide can be monitored and managed using Extron GlobalViewer Enterprise server-based software.

With the purchase of an Extron LinkLicense with the IN1608 IPCP, a tablet or laptop can serve as the primary control interface for the AV system. A unique benefit of LinkLicense is the ability to use Extron GUI Designer software to design interfaces for specific user roles in an organization. LinkLicense works seamlessly with Extron’s TouchLink for iPad app, and allows an interface to be duplicated to many additional devices. It simplifies deployment of AV system control for BYOD with a single license purchase per system and no per-user fees, and allows a standardized BYOD strategy for AV control across an organization.

To watch a product introduction video, please visit: www.extron.com/in1608ipcpnsvideo

For more information on the IN1608 IPCP, please visit: www.extron.com/in1608ipcpnspr

Robben Ford Sounds Spectacular In Asia Thanks To DPA

American blues, jazz and rock guitarist Robben Ford delivered an outstanding live performance when he and his band played Shatin Town Hall Auditorium in Hong Kong recently.

The sound quality was enhanced by the use of DPA microphones, a selection of which played a key role in ensuring the success of the event.

“As a concert promoter for over ten years, I have to say that Robben’s concert was our BEST in terms of sound and audio quality,” says Mr. Clarence Chang, from Jazz World Live Series that organized the concert. “This is all thanks to the great engineer Richard Wheeler and DPA Microphones.”

Named as one of the 100 Greatest Guitarists of the 20th Century by Musician Magazine, Robben Ford was a member of the LA Express and has collaborated with some of the greatest musicians of all time including Joni Mitchell, Miles Davis and George Harrison.

For his Hong Kong performance, Ford used a DPA d:facto™ Vocal Microphone, while his guitar amps and the bass amp were picked up by DPA d:dicate™ 2011C Twin Diaphragm Compact Cardioid Recording Microphones.

Sound engineer Richard Wheeler used a d:dicate 2011C microphone for the kick drum, positioning it half way into the hole where it delivered a clean, punchy and powerful sound. The top of the snare was also miked using a d:dicate 2011C, which was twinned with a DPA d:vote™ 4099 Instrument Microphone positioned on the bottom of the snare. All of the other drums were picked up individually using d:vote™ 4099 Instrument Microphones in close proximity, while a perfect stereo image for the live mix was captured using a pair of DPA d:dicate 4011A stereo matched overhead recording microphones.

Robben Ford’s set also featured a Hammond B3 organ with a Leslie speaker. Two d:vote 4099 Instrument Microphones were used to pick up the top spinning horn rotor in stereo, while the bass rotor was captured using another d:dicate 2011C microphone.

Commenting on the sound quality after the show, Wheeler says: “I was amazed by it, especially the sound from the d:facto Vocal Microphone. It sounded just like Robben himself.”

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About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.
For more information, please visit www.dpamicrophones.com

Point Source Audio to Launch World’s First Modular Intercom Headset Built for Pro Audio Applications

Petaluma, Calif. — Point Source Audio (PSA), an innovator of the original and one-of-a-kind “Unbreakable Boom” miniature microphones, will introduce its CM-i3 intercom headset—offering a revolutionary combination of in-ear performance, lightweight comfort and earphone modularity—at InfoComm 2014 (booth #C10913). This robust feature set make these headsets ideal for concert venues, front of house operations, multimedia production, personal entertainment and other professional trades relying on convenient two-way communications.

The CM-i3 intercom headset uniquely offers lightweight comfort and the binaural sound isolation required in a wide variety of specialized fields as well as personal communications. Whereas traditional head clamp style headsets can provide excellent sound isolation, their bulkiness and weight is not optimal for sustained wearing. At just 1.8 ounces, Point Source Audio’s latest product is the first to solve this challenge with a patent-pending solution that reduces the weight by as much as 90% compared to traditional headsets, and possesses incredible ease in switching from left, right, or left and right listening modes to create the desired audio mix.

Providing the ultimate in modularity for audio professionals and enthusiasts alike, the CM-i3 headset is designed using Point Source Audio’s superlative EM-3 in-earphones, but users will have the capability of switching out the supplied earphones with in-earphones of their own choice, if desired. The swappable in-earphones feature offers the ability to create a custom product that satisfies users’ personal preferences for audio quality and greatly improves the product’s serviceability and life.

The CM-i3 headset’s binaural capability provides a more dynamic range of use than traditional monaural headsets which are unable to filter environmental audio or interchange between left and right channels. Rather than requiring the user to remove the entire headset to check environmental sounds or interact with others, the user can simply remove one or both earphones to exit the listening mode or monitor a combination of feed audio and surrounding acoustics. This benefit makes it an ideal solution for control rooms, camera operators, stage and screen technicians and a variety of high-noise environments that require selective noise reduction or cancellation and increased audio intelligibility.

“Our new CM-i3 is a declaration to the audio industry that you don’t have to choose between size and comfort versus performance when selecting an intercom headset,” said James Lamb, President for Point Source Audio. “We aim to solve the nagging challenge currently in the intercom headset category. To that end, the CM-i3 leverages our company’s expertise in miniaturization to provide long-wearing comfort, dynamic operability and earphone customization—a first-to-market twist.”

Point Source Audio’s CM-i3 intercom headset will be demonstrated to attendees of InfoComm 2014 (booth #C10913) in Las Vegas and is expected to be available for purchase at a number of resellers and distributors worldwide beginning in Q4 2014. More information about Point Source Audio’s various audio solutions can be found by visiting www.point-sourceaudio.com.

About Point Source Audio
Point Source Audio (PSA) manufactures and distributes worldwide their SERIES8 miniature microphones—a unique line of headset and earworn microphones known for their robust bendable boom and waterproof features. As a result of PSA’s pro-audio expertise and its admired reputation for sales and service support, the company was also named Digigram’s Master Distributor for the Americas. The world renowned brand of Digigram sound cards, IP audio and video codecs, and Ethersound audio networking technology are now available from Point Source Audio. Founded in 2004, Point Source Audio is headquartered in Petaluma, Calif. For more information call (415) 226-1122 or visit www.point-sourceaudio.com.

Extron Now Shipping HDCP-Compliant Annotator with DTP Extension

Extron Electronics is pleased to announce the immediate availability of the Annotator 300, a high performance, hardware-based annotation processor that allows a presenter to draw, point, or type over live presentations using a touch display, graphics tablet, or a keyboard and mouse. The HDCP-compliant Annotator 300 includes HDMI and DisplayPort inputs, a universal analog video input, and three simultaneous outputs including two HDMI and a DTP twisted pair output. It also features advanced Extron video signal processing with a high performance scaling engine and fast, reliable switching. The DTP twisted pair output extends HDMI and bidirectional control signals to a DTP receiver over a single shielded CATx cable up to 330 feet (100 meters). The Annotator 300 offers a wide range of annotation tools and controls, all easily accessible by the presenter using an intuitive on-screen GUI. more

Extron Introduces New Compact Four Input Scaler

Extron Electronics is pleased to announce the Extron IN1604 HD, an HDCP-compliant four input scaler that features three HDMI inputs, a universal analog video input, and an HDMI output. It is ideal for installation beneath conference tables and in lecterns to provide localized switching support for sources such as presenter devices. The IN1604 HD provides the convenience of fast and reliable switching, along with a high performance scaling engine for HDMI and analog video sources. Also included are a host of audio processing features and many versatile options for control. The IN1604 HD joins the recently announced IN1604 DTP, which features an Extron DTP twisted pair output. more

Nomad Sound Adds New NEXO STM, Yamaha CLs to Arsenal

BUENA PARK, Calif.—Nomad Sound of Austin, Texas recently purchased a new NEXO STM line array and Yamaha CL1, 3, 5 digital audio consoles to complement their rental arsenal. Since 2005, Nomad Sound has been supplying regional music festivals and several touring clients with world-class equipment along with very experienced technicians. The sound company recently had the opportunity to support a Willie Nelson show followed by Psychfest, both in Austin, multiple festivals, and South by Southwest, putting the STM to successful, but rigorous tests.

Regarding the purchase of the STM, Damon Lange, principal owner of Nomad said “we had realized a 4-way system was the right move to make, having grown our NEXO GEO S12 rig up to 48 boxes, we were looking at our options. When I heard there was an STM demo scheduled at the Alamo Dome in San Antonio, I went down with Joel Hume, one of our lead engineers, and we spent two days listening and examining the rig. Once I heard the system and the clarity at 350+ feet as well as examined the rigging and listened to a small ground stacked rig, it was simply a matter of figuring out what configuration to start with.” Lange decided on a 48-box rig with 18 M46′s, 18 B112′s, and 12 S118′s, powered by four NUAR amp racks.

Nomad also added three Yamaha CL digital consoles to its inventory as well. “We started with a CL3 and a single Rio 32 input/output box and then added a CL5 and CL1. We have four Rio’s at this point, and the consoles are cased using Rock Hard captive leveling rigs. They’ve made a really slick console case that a single person can “table” the desk with one hand! We’ve had no issues with rider acceptability of the CL consoles, and anyone familiar with M7CL or PM5D can pretty much jump right in on the CL. The Premium Rack plug-ins are really amazing, and while we all have our favorites, mine is the Dynamic EQ, which feels pretty familiar if you’ve ever used the BSS901 to solve problems.”

For Willie Nelson’s show and Psychfest, the rig consisted of a 9 pair-per-side STM boxes over 12 STM subs on the main stage of both shows and 6 per-side S1210 rigs on the additional B and C Stages for the festival. These shows were followed up with two back-to-back gigs where the STM was ground-stacked three high over four subs for a festival at the historic Pearl Brewery in San Antonio as part of the Echale Concert Series, where Nomad also supplied a Yamaha CL5 at FOH and CL1 for monitors. The next day, Nomad used the STM as part of a three-stage festival in Austin for Fiesta Gardens with three NEXO rigs: STM ground stack on main stage and GEO S12 rigs on B and C stages. Again, the sound company brought in Yamaha CL consoles for FOH and monitors on B and C stages. For South By Southwest, Nomad added a NEXO S118 sub package.

“Nothing but positive feedback all around, Lange says. Everyone was really pleased as to how easy it was to get their mix right where they wanted it. One engineer mentioned how refreshing it was not to have to worry about the system at all. This was our game plan from the get-go; to provide a system where guest engineers can show up, mix, and leave happy without ever having to worry about system tuning/ tweaks. The festival scenarios with flown and ground-stacked systems, plus GEO S12 rigs complimenting as fills and side-stage rigs, really showcase how versatile and flexible the new NEXO STM rig is.”

For more information on Nomad Sound, visit www.nomadsound.net.

For more information on the new NEXO STM and NEXO and Yamaha digital audio consoles, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

ACE Provides Chang Jiang International Music Festival With Top-Tier Sound Featuring HARMAN’s JBL Professional VTX Line Arrays and Crown I-Tech HD Amplifiers

ZHENJIANG, China – Located on the Yangtze River, the city of Zhenjiang recently hosted the 2014 Chang Jiang International Music Festival, where 90,000 music enthusiasts enjoyed performances over the course of three days by well-known musicians such as Nile Rodgers, Wu Bai, Melody Chiang, and many more. Gracing the outdoor stages with world-class equipment from HARMAN’s JBL, Crown and Soundcraft, HARMAN distributor ACE placed an emphasis on audio clarity and power.

The Chang Jiang International Music Festival featured three separate stages: the Yangtze River stage, which catered to artists from China, Taiwan and Hong Kong; the Jinshan stage, which welcomed global American and European artists; and the Rock Stage, which was specifically set up for domestic rock bands.

The PA system at the Yangtze Stage featured 24 JBL VTX V25 line array elements, a combination of 12 VTX S28 and G28 subwoofers, 16 STX812M loudspeakers as stage monitors, eight VERTEC® VT4888 midsize line array loudspeakers as front and side fills. The system was powered by 32 Crown I-Tech 12000 HD, eight I-Tech 6000 and two sets of I-Tech 4×3500 HD amplifiers. The Jinshan Stage featured 24 JBL VERTEC VT4889 fullsize line array elements as the main PA, 16 VT4880 subwoofers and eight VT4888 loudspeakers as front fills and side fills. This system was powered by 24 Crown I-Tech 12000 HD, eight I-Tech 6000 and two sets of I-Tech 4×3500 HD amplifiers. Two Soundcraft Vi6 consoles were used to manage the sound at these stages.

“Installers tend to like VTX and VERTEC systems for these types of events, because they have the capacity to put out high volumes of power and high levels of clarity in an outdoor environment,” said Ben Lui, VP of ACE. “Also, the PA system is able to power through a huge amount of performances day and night in very hot weather conditions. The combination of JBL and Crown makes this possible, without additional guesswork.”

The on-site technical staff was impressed by not only the PA system, but also by the Soundcraft consoles, which were able to manage the sounds from the various styles of bands originating from different parts of the world.

“The audio engineers from the bands as well as some of the audio instructors were blown away by the fidelity of our VTX system,” said Lui. “The high frequencies were incredibly accurate, while the low ones packed a hard punch. The entire integrated system performed perfectly without any failure and zero distortion.”

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 15,200 people across the Americas, Europe, and Asia and reported sales of $5.1 billion for the last twelve months ended March 31, 2014.

Opticomm-EMCORE Announces the New Genesis XD, a Multimedia Matrix for 4K UHD and Beyond

 

Alhambra, CA –June 1, 2014 – Opticomm-EMCORE, a leading provider of end-to-end multimedia distribution equipment for 4K UHD and beyond, is launching their new Genesis XD (“GXD”) at InfoComm 2014, an all-in-one multimedia matrix solution that converts, scales, switches and distributes video, audio and data for small-to-large connectivity applications.  A four-panel video wall will be created using Genesis XD and Genesis-compatible multipoint products, including their new GBOX Series of compact, throw-down boxes, Optiva system cards, and the new Eclipse HD system.

Genesis XD accepts and converts both analog and digital signals, including HDMI 1.4b with HDCP (now known as HEAC – HDMI, Ethernet, Audio, Control), Display Port, DVI, VGA, Component and 3G HD-SDI.  GXD’s massive 40 Gbps backplane accommodates uncompressed 4K UHD resolutions now and 8K resolutions later, allowing it to serve as a staple for Installers that want a flexible and reliable connectivity platform.  Remote locations can be connected via singlemode and multimode Fiber up to 10 kilometers (6 miles), as well as CATx/HDBaseT or IP/Ethernet up to 100 meters (300 feet).

A notable feature of Genesis XD is the ability to break-away and switch audio separately for professional audio editing and processing requirements.  GXD also embeds digital S/PDIF or stereo analog audio inputs into HDMI and 3G HD-SDI signals, as well as, de-embeds audio from those same digital signals.  Supported data formats include 10/100 Mbps Ethernet, RS-232, CEC, USB 2.0 (for keyboard, mouse, storage devices etc.), and IR, which provides IR control of the source equipment from the display end of the link.

Genesis XD is a non-blocking, full cross-point matrix switch that allows any source to seamlessly connect to one or all displays for continuous, trouble-free operation in critical applications.  GXD is a modular system, expandable and scalable from 8×8 to 256×256.  Initially, GXD will be launched in a 32×32, 9RU frame, allowing for 16 cards input and 16 cards output, with two channels per card.  It incorporates “intelli-scale” technology to instantly scale a video source to the native resolution of connected displays in less than one second.

The multi-format Genesis XD platform can be utilized in numerous connectivity applications, including but not limited to:

  •  Corporate: One building can distribute multimedia between floors via copper cabling then send the same signals to a second building via fiber cabling, all output from the same switch. For AV/IT integration applications, GXD can bridge both audio/video and data networks over the same IP/Ethernet infrastructure.
  • Education: GXD can utilize existing copper and IP infrastructure for video conferencing in classrooms, then convert these and other signals for long-distance transport over fiber, for distribution of seminars, surveillance video and broadcast journalism programs throughout a campus or regional district.
  • Government and Military: GXD can support all video, audio and data for multi-display, high-security, Command and Control rooms, as well as distribute ultra-high resolution interactive video for simulation/mission control applications.
  • Hospital Operating Room: GXD can be deployed as the central switch for all connectivity applications, including archiving operating procedures, live video feed of procedures for long-distance teaching applications over fiber and IP/Ethernet, as well as distribution of multimedia to digital signage/video walls throughout the building.
  • Security and Surveillance: High-definition HDMI and 3G HD-SDI video may be routed through GXD from multiple sources to a single output using a quad-multiviewer card.
  • Worship: GXD offers seamless switching between video cameras and computer graphics, providing reliable, high-quality signal distribution to multiple projectors and screens.

 

Genesis XD includes interfaces such as USB 2.0 for remote KVM applications, RS-232 Serial Data and Ethernet for controlling remote devices.  The system can be remotely controlled and monitored through any laptop or tablet to access the web-based GUI.  Other forms of control supported are RS-232 and Ethernet/SNMP commands, allowing third-party control systems to be used. Additionally, it features a front-LCD touch screen for control and to act as a preview screen for any connected video source, eliminating need for a local, dedicated monitor.

For more information visit us at InfoComm 2014, June 18-20, Booth C7716, go to www.emcore.com/opticomm, or call 626-293-3400.

Point Source Audio’s SERIES8 Miniature Mics Now Available World-Wide

Petaluma, Calif. — Point Source Audio (PSA), an innovator of the original and one-of-a-kind “Unbreakable Boom” microphone, has expanded the availability of its SERIES8 miniature microphones globally. As attendees to InfoComm 2014 (booth #C10913) will learn, the SERIES8 is available in three different styles: headset, earworn and lavalier. Created for use in broadcast, theater and live production, the SERIES8 miniature microphones have recently been adopted by distinguished venues such as the New York Philharmonic, Universal Studios, Metropolitan Museum of Art, Kravis Center, and Shiki Theater Company Tokyo, to name a few.

SERIES8 mics have set a new standard for performance and durability in a micro size capsule. While the mic elements measure a mere 2-4 mm in diameter, the mics’ robust features are unlike any others on the market today. The omnidirectional microphones feature 148dB max SPL with an “Unbreakable Boom” bendable to 360°. In addition, they are IP57 waterproof rated against water, sweat and makeup, and feature interchangeable X-connectors for wireless compatibility on the spot.

“SERIES8 excels by offering integrators a microphone solution that combines an unmatched decibel rating in a tiny form factor,” said James Lamb, President for Point Source Audio. “Our design and engineering address concerns over durability and wireless compatibility to meet the needs of the most discriminating audio professionals from the board room to Broadway.”

The SERIES8 cardioid microphones are an ideal solution for performers who require isolation from surrounding performers. The cardioid mics perform best when placed just at the corner of the mouth, which also allows them to maintain an unobtrusive appearance when worn.

With a MSRP starting at $389, PSA’s SERIES8 miniature microphones are now available for purchase at a number of resellers and distributors worldwide. More information about PSA’s various audio solutions can be found by visiting www.point-sourceaudio.com.

About Point Source Audio
Point Source Audio (PSA) manufactures and distributes worldwide their SERIES8 miniature microphones—a unique line of headset and earworn microphones known for their robust bendable boom and waterproof features. As a result of PSA’s pro-audio expertise and its admired reputation for sales and service support, the company was also named Digigram’s Master Distributor for the Americas. The world renowned brand of Digigram sound cards, IP audio and video codecs, and Ethersound audio networking technology are now available from Point Source Audio. Founded in 2004, Point Source Audio is headquartered in Petaluma, Calif. For more information call (415) 226-1122 or visit www.point-sourceaudio.com.

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