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Archive of the Large Venue Category

Trade IN, Trade UP Program Announced by Yamaha

BUENA PARK, Calif.—Yamaha Commercial Audio Systems, Inc. has announced a Trade IN, Trade UP program that will take place January 8 – March 31, 2014. This program is available to all customers who own a Yamaha M7CL-48 (this configuration only) Digital Mixing Console. The trade-in console must be in acceptable* condition. Upon proof of condition and return, the customer will receive a $15,000 credit toward the purchase of a new Yamaha CL5 Digital Mixing Console. This promotion is on a first-come, first serve basis, while supplies last.

“This limited time program will provide end users with the opportunity to own a new Yamaha CL5 console that they may not have had the budget to purchase,” states Marc Lopez, Marketing Manager, Yamaha Commercial Audio Systems, Inc. “The trade UP to a CL5 will fulfill many of the features and benefits engineers have been asking for in an affordable package.”

End users should contact their preferred Authorized Yamaha Commercial Audio Systems, Inc. (YCAS) Dealer for more details. A complete listing of YCAS Dealers, Terms and Conditions as well as all other pertinent information can be found by visiting www.yamahaca.com/cltradeup.

*Yamaha has the sole right to determine if your M7CL-48 console is in an acceptable condition to participate in the program. If it is determined to be unacceptable, they will contact you to arrange its return to you.

-END-

Extron XTP DTP 24 Twisted Pair Cable Receives HDBaseT Recommendation

Extron Electronics is pleased to announce that Extron XTP DTP 24 Shielded Twisted Pair Cable has been independently tested in an HDBaseT™ Alliance Recognized Testing Facility and verified to exceed performance requirements for recommendation by the Alliance. The HDBaseT Alliance’s Cable Recommendation Program helps AV installers to select cables that are engineered for optimum signal transmission within a twisted pair infrastructure. Extron XTP DTP 24 cable is specifically engineered to improve performance and signal path reliability with Extron XTP Systems, DTP Systems, and HDBaseT applications. The cable is available in both Plenum and Non-Plenum versions, and is certified to 475 MHz bandwidth at distances up to 330 feet (100 meters).

“When Extron got into the AV cable business many years ago, we quickly determined that off-the-shelf bulk cable didn’t meet our standards for performance, reliability, and durability, so we design all of our cables in-house,” says Casey Hall, Vice President of Sales and Marketing for Extron. “XTP DTP 24 cable is engineered specifically for digital video applications to provide integrators with absolute confidence in signal integrity throughout the largest distribution systems. While primarily intended for use with Extron XTP Systems and DTP Series products, the XTP DTP 24 cable can be used in any HDBaseT application for an additional measure of performance and reliability.”

Extron XTP DTP 24 cable is performance-optimized, 24 AWG shielded twisted pair cable specifically engineered to Extron’s exacting standards of performance. The cable utilizes an SF/UTP Shielded Foil/Unshielded Twisted Pair design for superior performance in digital video and audio distribution system applications and features 24 AWG solid copper conductors within overall braid and foil shields. Both Non-Plenum and Plenum-rated versions are available in spools of 1,000 feet (305 meters). To ensure end-to-end cable infrastructure performance, a line of matching shielded RJ-45 plugs, punch down jacks, and couplers is also available.

Visit our Web site at www.extron.com for more information.

PixelFLEX Introduces New FLEXCurve LED Video Screen

PixelFLEX, the leading provider of flexible and lightweight LED video screens, continues to heighten the industry standard by taking LED screens to another price and performance level with the introduction of FLEXCurve, available in 8mm, 9mm and 12mm.

FLEXCurve allows for simplified set up and a unique design while holding to the same standards as the company’s existing LED video curtain panels, which have exceeded expectations for notable musicians like Luke Bryan, Florida Georgia Line and Thompson Square.

Featuring a compact, strong and modular design, made with heavy-duty aluminum and with the added benefit of weighing under 40 pounds, FLEXCurve’s screen can be adjusted from -10 to 10 degree curve, allowing both convex and concave curves. Additionally, PixelFLEX’s newest LED video screen has a rig and click installation system, making for a seamless, fluid connection between panels. Strategic handle placements allow for an easy set up by a single person, eliminating the need for multiple hands to prep before and during a show.

As with PixelFLEX’s existing line of LED video screens, FLEXCurve is simple to operate and set up – videos and images can be sent to the screen using any computer with a DVI-D connection. In addition, the panels can be stored in a single road case to simplify shipping logistics while minimizing transportation costs. These panels ride four to a case and can be stored at any angle within the case.

“Video content is an essential part of live performances,” said Jeremy Byrd, PixelFLEX’s founder and president. “Today, delivering high quality video content is critical to maximizing the audience’s experience. With the introduction of FLEXCurve, we’re changing the conversation about video screens by providing another high-quality product but tweaking it to simplify and satisfy.”

Designed with the touring client in mind, but ideal for permanent installations as well, the slim and sleek cabinet design has fewer cables, reducing failure rate and increasing reliability. FLEXCurve includes a preview mode, permitting RGB preview testing without the need to connect to an external data source. The system allows for front and rear accessibility, enabling single module replacement and improving serviceability, while a hinged backplate provides easy access to the screen’s back panel.

FLEXCurve joins PixelFLEX’s existing line of LED video screen offerings, which range from 6mm to 100mm.

For more information on PixelFLEX’s FLEXCurve, visit www.LEDCurtain.com. Follow PixelFLEX at www.Facebook.com/PixelFLEXUSA and @LEDCurtain.

DANLEY SOUND LABS SH-50s AT THE COUNTRY’S LARGEST CHURCH – LIFECHURCH.TV

JENKS, OKLAHOMA: With weekly attendance topping 46,000, LifeChurch.tv is, by many counts, the largest church in the country. It has eighteen physical campuses stretching from New York to Florida and back to its headquarters in Oklahoma. As one might guess from its embrace of the “.tv” suffix, LifeChurch.tv also has a vibrant online presence, including a weekly online service and a virtual church in the online virtual world – Second Life. Its Jenks, Oklahoma location recently opened its doors and welcomed new members (or in LifeChurch.tv’s parlance, “partners”) to a progressive church experience anchored by a dynamic live band. As in many of the more recent LifeChurch.tv locations, stereo clusters of Danley Sound Labs SH-50 full-range loudspeakers deliver the full impact of the band and convey spoken word and video playback with crystalline intelligibility.

Summit Integrated Systems of Lafayette, Colorado began working with LifeChurch.tv six years ago and has designed and installed the A/V systems at most of the campus locations. “The fact that LifeChurch.tv continues to build new campuses has given us the opportunity to critique and grow with each design/build project,” explained Shane Beeson, church relationship manager and director of sales and Marketing at Summit Integrated Systems. “After every project, we meet with the LifeChurch.tv technical staff to evaluate the systems and discuss what we can improve upon. Danley Sound Lab products have been a part of Summit’s product line since Danley launched in 2005, and Danley became a part of the LifeChurch.tv conversation five years ago. We were exploring ways to improve the audio quality of their multi-site campuses while still being mindful of budget and to meet their request for a stereo system using point-source boxes.”

Although LifeChurch.tv requests stereo coverage of the worship auditorium at most sites, it also typically compromises on the architecture such that the ceiling height is lower than would be optimal. “Like every church, LifeChurch.tv operates within a budget,” said Beeson. “The ceiling height makes it challenging to get the right coverage and impact. Moreover, acoustic treatment is usually the minimum needed to get the space up and running. That was the case at Jenks, so we designed two 3-box clusters of Danley SH-50s. The supreme pattern control and smooth phase response of the Danley SH-50 gave us the control we needed for excellent coverage of the seats and minimal coverage of the walls. Danley’s innovative solution allowed us to increase performance and offset budget challenges by using a loudspeaker product with maximum pattern control to keep the sound in the seating areas without overexciting the room reflections.” In addition, Beeson noted that because the Danley SH-50 is passive, it required a minimum number of processor and amplifier channels, which helped the project stay on budget.

The Jenks system begins with a Yamaha CL5 paired with RIO stage boxes, which act as a digital snake and patch bay to collect inputs from the stage. The output from the CL5 feeds a Biamp Audia Flex, which handles loudspeaker management and processing. Lab.gruppen C-Series amplifiers power the system. Mounted at the seventeen-foot ceiling, three close-packed Danley SH-50s per side provide the main stereo coverage for the room with forty feet between them. Four subs provide low-frequency extension from below the stage. Six Danley SH-Mini loudspeakers complete the system by providing side-fill at the edge of each cluster and front-fill from the edge of a portable stage when needed.

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

ESI Audio Deploys North America’s First L-ACOUSTICS K2 System for “The Gift”

Over 12,000 fans flocked to "The Gift" on December 26

Brand new system gains rave reviews at Tampa EDM festival featuring deadmau5

TAMPA, Florida — On December 26, ESI Audio gained the distinction of being the first sound reinforcement company in North America to deploy L-ACOUSTICS’ new K2 system. ESI gave the rig its first official workout at “The Gift”, a one-day EDM festival staged outside Tampa’s Raymond James Stadium and touting deadmau5 as the headlining act. more

Beverly Hills’ First Performing Arts Center Roars to Life with L-ACOUSTICS

An interior view of The Wallis' Goldsmith Theater

Electrosonic equips Wallis Annenberg Center’s Bram Goldsmith Theater with ARCS WIFO and XT loudspeaker systems

LOS ANGELES — After more than two years of construction, Beverly Hills’ first performing arts center, the Wallis Annenberg Center — or simply “The Wallis” — officially opened in mid-October with a star-studded, invitation-only gala featuring a concert by Natalie Cole. Since then, the center’s primary performance space–the 500-seat, proscenium-arch Bram Goldsmith Theater — has been hosting a steady lineup of world-class theatre, music and dance performances sonically reinforced via the venue’s new L-ACOUSTICS amplifier and loudspeaker system. more

Technical Direction Company (TDC) delivers projections across Australia celebrating the festive season

WATCH THE VIDEO: See the National 9 News coverage HERE

The team at Technical Direction Company (TDC) delivered spectacular projections at multiple iconic locations during December 2013 including; St Mary’s Cathedral, Sydney, Melbourne Town Hall and the Old Post Office, Newcastle.

“We are delighted to have the opportunity to transform and bring these beautiful buildings to life to celebrate the festive season”, says Kain Jones, TDC’s Special Projects Manager. “TDC are the video projection experts who work behind the VIVID festival so are familiar with lighting up and transforming Australia’s most famous landmarks.”

In total, TDC supplied a total of over 30 high brightness Barco digital video projectors incorporating Barco’s latest 26,000 lumen HD projectors, in addition to Barco 22K and 20K projectors along with all control and media server equipment and expert technical support.

“TDC’s painstaking preparation and careful projection mapping before each event and on site made each event happen,” added Jones.

Melbourne Town Hall
TDC provided projectors and crew to transform the Melbourne Town Hall into a dramatic façade celebrating Christmas and the festive season in a playful way.

Technical Direction Company

“City Evolutions” at Old Post Office, Newcastle
A 25-metre high Christmas tree was projected using TDC projectors onto the Old Post Building in Hunter Street, Newcastle, a highlight for local businesses and retailers during the festive season.

17-million pixel HD centerpiece: “Lights of Christmas” at St Mary’s Cathedral, Sydney
Perhaps the most spectacular of projections, TDC for the third consecutive year provided projections onto the façade of St Mary’s Cathedral in Sydney.

“Over the whole façade of St Mary’s Cathedral, TDC provided a total of over seventeen million pixels,” ended Jones.

Technical Direction Company

WWW.TDC.COM.AU

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BitWise Controls BC1, BC2, BC4 Automation Controllers and Room Remote now available for purchase by authorized US-based dealers 24/7/365 in the BitWise online dealer store

ENGLEWOOD, COLORADO — Dec. 23, 2013 – BitWise Controls, a leading innovator of powerful, flexible control and automation systems is now offering authorized US-based dealers the ability to purchase online via the BitWise Online Dealer Store. A much-anticipated enhancement to the BitWise Controls offering as well as a great benefit to dealers, the entire suite of BitWise home automation controllers accessories, GUI templates, and programming modules can now be ordered online any time, day or night by authorized US-based BitWise dealers. 

The hub of any home automation system, BitWise controller models include the BC1, a powerful unit capable of handling virtually any automation task; the BC2, with all the processing power of the BC1 in a midsized chassis; the BC4, which caters to single-room systems and expansion projects; and the Room Remote, a hard button tactile remote that can be used as a standalone unit or in conjunction with any other BitWise control unit.

Nearly everything from theaters, lighting, shades, HVAC and more can be accessed from any BitWise controller or user interface on the network. The onboard relays and signal sensing ports allow interaction with mechanical devices as well, and two-way communication with serial and networked devices is supported. BitWise systems can be controlled with the BitWise Touch app for Apple® and Android® devices as well as with the new BitWise Room Remote for the ultimate in ease and accessibility.

Authorized US-based BitWise dealers can purchase BitWise controllers online in the Dealer Store by visiting http://store.bitwisecontrols.com. Those interested in learning more about BitWise automation controllers or about becoming an authorized BitWise dealer should contact the BitWise sales department by emailing sales@bitwisecontrols.com or by calling (866) 932-2292.

About BitWise Controls

Designed and backed by more than 20 years of mission-critical control, monitoring and AV systems integration experience, BitWise Controls provides powerful and flexible control and automation solutions for commercial, industrial, education and residential control applications. BitWise Controls was founded in 2008 with the goal of offering innovative and reliable new products, designed and tested and manufactured in the United States. For more information, go to www.bitwisecontrols.com. Dealership opportunities are available. To learn more, send an email to sales@bitwisecontrols.com or call (866) 932-2292.

BitWise Controls Media Contact: Katye (McGregor) Bennett, KMB Communications, (425) 328-8640, katye@kmbcomm.com@katyemcgregorwww.kmbcomm.com/press

Accompanying image: BitWise Automation Controller models BC1, BC2 and BC4

 

Crimson AV Joins the D-Tools Manufacturer Vantage Point (MVP) Program

Detailed Crimson AV mounting solutions product specifications are now available to current D-Tools System Integrator™ users for immediate use

CONCORD, CA – December 23, 2013 D-Tools Inc., the worldwide leader in system integration software today announced that Crimson AV has joined the MVP Partnership Program, making fully detailed information about the entire line of Crimson products available to D-Tools System Integrator™ users free of charge. Combining improved manufacturing processes with enhanced design and engineering to produce the most safe, secure, smooth-moving and streamlined AV mounting solutions for the consumer and commercial audio video markets, Crimson’s award-winning AV mounting solutions are highly regarded within the AV industry.

“We are excited to become part of the D-Tools MVP program,” Said Vlad Gleyzer, Crimson AV president. “At Crimson, our mission is to provide AV mounting solutions that provide tangible benefits; easy installation, enhanced designs, and far better price points. Having the full line of Crimson products available for specification and use by D-Tools users expands our brand’s reach and allows our dealers to simplify the estimation, design and management of their projects, which is a total win for all involved.”

The D-Tools Manufacturer Vantage Point (MVP) program helps to provide system integrators with the most up-to-date product information. D-Tools MVP members are dedicated to helping companies streamline the design process, making it easier for system integrators to provide accurate, professional proposals to their clients.

“Crimson offers a comprehensive assortment of professional-grade AV mounts to address nearly every residential or commercial AV application, regardless of size or scope,” said Adam Stone, President of D-Tools. “Now, through the D-Tools MVP Program, all of the data for Crimson’s robust product line will be made available to integrators worldwide for use in specifying, proposing and installing systems using Crimson products, and we’re thrilled they’re part of the program.”

More than 4,400 companies worldwide use D-Tools Systems Integrator Software to streamline the estimation, design, and project management processes associated with the installation and integration of low voltage systems. Interested parties are encouraged to visit www.d-tools.com, Email mvp@d-tools.com, or call 1-866-386-6571 ext. 1 for more information.

About Crimson
Crimson manufactures a comprehensive lineup of display mount solutions designed for a wide variety of Residential and Commercial applications, including Digital signage, Education, Hospitality, Corporate, Worship, Venues, Stadiums and Arenas, Restaurants, Bars and Healthcare facilities.

With extensive experience in the design, manufacture and sale of professional-grade display mounting equipment, and by utilizing lean business practices, Crimson has developed a proprietary business model, which provides maximum value with minimal cost. Not only do Crimson customers receive the best value, they also benefit from unparalleled customer service, an easy to use website and uncompromising design and build quality, ensuring each Crimson AV mount will be trouble-free for years to come. Interested parties can learn more about Crimson mounting solutions by visiting www.crimsonav.com, by calling 866-MOUNT-TV, or by writing to info@crimsonav.com.

About D-Tools, Inc.

D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software. The company’s flagship product, System Integrator™ (SI), is a total design solution that utilizes Autodesk® AutoCAD and Microsoft® Visio for comprehensive system design, documentation and project management. D-Tools SI allows residential and commercial integrators to streamline their business processes to increase overall revenues while reducing the time and costs associated with the installation and integration of low-voltage systems. In fact, over 4,400 leading companies use D-Tools software to reduce time, costs and to streamline the system integration process. D-Tools is a three time recipient of the Consumer Electronics Association Mark of Excellence Award, Commercial Integrator BEST Award (2011, 2013), multiple recipient of Custom Retailer/Technology Integrator Excite Award (2007, 2008, 2009, 2010, 2011, 2012, 2013), National Systems Contractors Association Multi-Room Audio Video Awards for Best Installation Aid, Sound and Video Contractor Innovations in Technology for Business Productivity Award, CE Pro High Impact Award for Design Software, and CE Pro BEST Award for Software Applications (2013).

More information can be obtained by calling (866) 386-6571, e-mailing info@d-tools.com, or visiting D-Tools online at www.d-tools.com. Follow D-Tools on Twitter at www.twitter.com/DTools and on Facebook at www.facebook.com/beatool.

Press Contact for both D-Tools and Crimson AV: Katye (McGregor) Bennett, KMB Communications, (425) 328-8640, katye@kmbcomm.com, www.kmbcomm.com, @katyemcgregor

 

 

 

 

 

Masque Sound Spreads Holiday Cheer with Custom Audio Equipment Package for A Christmas Story, The Musical

Masque Sound, a leading theatrical sound reinforcement, installation and design company provided Sound Designer Ken Travis with a custom audio equipment package for A Christmas Story, The Musical. This is the third straight year that Masque Sound worked with Travis on the hilarious, holiday favorite. The show opened in New York City at The Theater at Madison Square Garden on December 11, following performances at Hartford’s Bushnell Theatre and the Wang Theatre in Boston.

Directed by Tony Award-winner John Rando and choreographed by Warren Carlyle, A Christmas Story, The Musical is a hilarious account of Ralphie Parker’s desperate quest to ensure that the one thing he wants for Christmas, an official Red Ryder® Carbine-Action 200-shot Range Model Air Rifle, ends up under his tree. The musical, based on the classic 1983 film, which itself was derived from stories by legendary radio humorist Jean Shepherd and a book by Joseph Robinette, features funny and heartfelt songs by Benj Pasek and Justin Paul.

After a successful holiday run on Broadway last year, the show returned to the Big Apple once again and, for Travis and his team, the unique layout and large size of the 5,000-seat theater at Madison Square Garden (MSG) presented some interesting challenges.

“We are limited with what we can do from a sound design point of view due to The Theater at MSG’s low ceilings,” says Travis. “We cannot hang a center cluster like we do in many Broadway houses, because there is simply no room for it. In addition, The Theater at MSG is three times as wide and three times as deep as a typical Broadway house, and seats about two and half times more people. There is also no orchestra pit, so the orchestra is seated in boxes on house right. Add all of that up and you can see why designing the sound had its obstacles. We are basically trying to cover the house as best we can, so we are supplementing the in-house system with the gear that Masque Sound provided us.”

Another challenge Travis faced was the limited run of the show – a month and a half during the holidays. “We had to build [a sound system] based on whatever the shop had on the shelf,” adds Travis. “You can’t ask the shop to hold a system that is going to be out for only six weeks of the year. Fortunately, Masque Sound knows the gear I like to use and has an excellent inventory for us to work with.”

In order to provide complete coverage with great sound, Masque Sound provided Travis with a Studer Vista 5, his preferred console and the same one that he used for last year’s production. “The Studer console is very flexible, solid, sounds great, is fast and definitely easy to program,” adds Travis.

To complement the existing house speaker system, Masque Sound provided Travis with an array of
L-Acoustics dV-DOSC speakers for the main left and right and Meyer Sound UPA-2Ps for the fill system. In addition, Masque Sound also provided 30 Sennheiser SK 5012 Transmitters and matching 1046 Receivers, as well as RF frequency coordination for the show.
“My associates, Zach Williamson and Justin Stasiw, along with Mixer Mike Wojchik and the rest of my crew did an amazing job,” concludes Travis. “My team and I always enjoy working with Masque Sound, and their rental gear and support helped make this year’s show another success. The audio package looks good and sounds great.”

A Christmas Story, The Musical returns to the New York for the 2013 holiday season at The Theater at Madison Square Garden, December 11-29. The story takes place in 1940′s Indiana, where a bespectacled boy named Ralphie has a big imagination and one wish for Christmas-a Red Ryder BB Gun. A kooky leg lamp, outrageous pink bunny pajamas, a cranky department store Santa, and a triple dog dare to lick a freezing flagpole are just a few of the obstacles that stand between Ralphie and his Christmas dream. Co-produced by the film’s original Ralphie, Peter Billingsley, A Christmas Story, The Musical is musical comedy entertainment that captures a simpler time in America with delicious wit and a heart of gold. A Christmas Story, The Musical features a bright holiday score by the Tony nominated composer/lyricist team Benj Pasek and Justin Paul and a witty book by Tony Award nominated Joseph Robinette based on the writings of radio humorist Jean Shepherd and the 1983 holiday film favorite. Tony Award winner John Rando (Urinetown) directs the production with Warren Carlyle (After Midnight, Chaplin) choreographing; scenic design by Walt Spangler; costume design by Elizabeth Hope Clancy; lighting design by Howell Binkley; sound design by Ken Travis; wig design by Tom Watson; animal training by Tony Honor R recipient for Excellence in Theatre William Berloni; orchestrations by Larry Blank; music supervision by Ian Eisendrath; associate choreographer is James Gray; dance music arrangements by Glen Kelly; vocal arrangements by Justin Paul; music direction by Ben Whiteley; and casting by Stephanie Klapper CSA. A Christmas Story, The Musical is produced by Gerald Goehring, Roy Miller, Michael F. Mitri, Pat Flicker Addiss, Peter Billingsley, Timothy Laczynski, Mariano Tolentino, Louise H. Beard, Michael Filerman, Scott Hart, Alison Eckert, Bob Bartner, Michael Jenkins, Angela Milonas, and Bradford W. Smith. A Christmas Story, The Musical is based upon the motion picture A Christmas Story C 1983 Turner Entertainment Co., distributed by Warner Bros., written by Jean Shepherd, Leigh Brown and Bob Clark, and In God We Trust, All Others Pay Cash written by Jean Shepherd. A Christmas Story, The Musical is produced with permission of Warner Bros. Theatre Ventures, Inc. and Dalfie Entertainment, Inc. Masterworks Broadway released the World Premiere Recording of A Christmas Story, The Musical both digitally and on CD. Tickets are on sale now. For tickets and information, visit www.theateratmsg.com/achristmasstory, www.AChristmasStoryTheMusical.com, or call 866-858-0008.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

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