A virtual press conference from Sound & Video Contractor

Archive of the Large Venue Category

Zeo Systems Integrations Launches New Web Site

FOR IMMEDIATE RELEASE

June 30, 2014

 

Zeo Systems Announces New Web Site

 

Hatboro,PA-

The Zeo Group, headquartered in Hatboro, PA.in the northern suburbs of Philadelphia, have partnered with local web design and marketing firm, IQnection to begin a total redesign and launch of the web sites for each of their distinct divisions. The first of these projects is the launch of the site for Zeo Systems, the installation and integrations division of the company. This site is located at www.zeo-systems.com. This launch is just the beginning of the exciting changes happening at Zeo. The launch coincides with Zeo’s purchase of the industrial park in which they are headquartered. Construction and expansion plans are on the immediate horizon so the homes of the different divisions will soon take on their own unique look and feel.

University of Oslo Dental School Opens Wide for Iconyx

Oslo, Norway – June 2014… The University of Oslo is recognized as one of Northern Europe’s most prestigious institutions, ranking among the world’s top 100 universities. With a strong focus on Science, Law, and Medicine, the University’s School of Dentistry is among the most respected teaching facilities of its kind.

The University’s main Campus Medica building is home to the offices and laboratories of distinguished scientists and doctors from across the globe, along with dozens of classrooms and a large 350-seat lecture hall and demonstration lab. The auditorium was recently treated to an AV makeover, installing a new sound and video system featuring Renkus-Heinz Iconyx IC Live digitally steered arrays.

The system was designed by Cowi Consultaing Group, led by Geir Kristoffersen, working together with leading Norwegian pro AV distributors Benum AS, and installed by Caverion Norway. It features IC Live ICL-FR Dual digitally steered arrays to the left and right of a large video screen, with each array topped by a single IC215S dual 15-inch subwoofer to deliver articulate, full-range sound to the entire hall.

“The Iconyx arrays enabled us to focus the sound solidly on the audience area, and steer it away from the walls and ceiling,” explains Sverre Jøssund, Product Manager for Benum AS. “And the Iconyx form factor is much more low profile than a traditional line array, so it doesn’t create sightline issues for any of the seats.” An Allen and Heath matrix mixer handles the inputs from ten channels of wired and wireless Shure microphones, with Crestron control making the system quite user friendly.

“Using the beam steering to its full potential, the ICONYX speakers were able to deliver great, well controlled speech intelligibility to the very back rows,” added Geir Kristoffersen. “It is difficult to imagine how a conventional loudspeaker could have delivered this type of performance.”

“The IC Live fit perfectly in this space, and really satisfied all their needs,” Jøssund concludes. “You can play heavy rock music, or the softest professor’s voice, and it all sounds clear, clean, and powerful. They’re really happy with the system.”

###

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Red TX Joins The Remote Recording Network

Broadcast audio specialist Red TX has joined Europe’s leading live recording initiative Remote Recording Network. Whilst contributing to managing and engineering music and broadcast assignments on a global and cost-effective basis, RRN offers bespoke solutions that cater for all kinds of transmission, recording, mixing, mastering, duplication and publishing.

Remote Recording Network GmbH had last year joined forces with Dutch mobile recording company Eurosound bv and had integrated the German ‘RemoteTaxi’ enterprise to establish the initial ‘Network’.

Peter Brandt, head of Remote Recording Network and a man with over 30 years’ experience of recording and mixing international rock, pop, jazz, and classical artists, says: “Bringing Red TX into RRN will benefit our European customers by giving them access to a fully digital truck based in Europe that can handle high-end surround sound projects, particularly for broadcast.”

Tim Summerhayes, CEO of Red TX, adds: “I have known Peter Brandt for many years and we have worked together on numerous projects in the past. I am very excited by this collaboration because it allows us to utilize our combined technical resources in a very effective way. There is a huge requirement for mobile digital recording facilities in Europe and by joining forces with the Remote Recording Network we can now provide the necessary human and technical resources to meet this demand.”

Red TX has two state of the art recording units, RED 1 and RED 2. Both are equipped with Studer Vista 8 Digital Mixers, PMC 5.1 surround sound monitoring and Pyramix, Pro Tools and Reaper recording systems. They also have extensive racks of outboard equipment and digital effects, and are internally designed to very high acoustic specifications. RED 2, which is the larger of the two units, will be located as required, between the RRN HQ in Germany and Eurosound bv’s base in The Netherlands, while RED 1 will remain at Red TX’s premises in the UK.

“Our model of using international partners to combine resources and equipment is very valid, especially in a world where businesses need to reduce their carbon footprint as much as they can,” Peter Brandt adds: “By tapping into facilities that are already stationed on different continents, we don’t need to transport huge trucks around the globe. Instead we can ‘travel lite’, frequently only needing to transport an engineer, which minimizes travel costs and keeps our carbon footprint to a healthy low. It also means that we can keep our rates very competitive, too.”

Red TX’s RED 2 unit will make its Remote Recording Network debut in June at the Tuckerville Festival in Enschede, The Netherlands. From there it has a busy summer ahead, working at live events and festivals in various countries.

-ends-

About Red TX:
Red TX provides a comprehensive concert recording and broadcast service to the music and television industries. The company has state-of-the-art mobile recording facilities and can handle projects of any size or complexity. As well as recording audio for broadcast, the company also records live music events for subsequent release on CD or DVD www.remoterecording.net
www.red-tx.com

About Remote Recording Network:
Remote Recording Network is a new initiative that brings together the market-leading live recording companies Peter Brandt Remote Recording and Eurosound GmbH. Years of experience, knowledge and network are now combined to supply an unrivaled, world-class, world-wide recording service.
www.remoterecording.net
For more information, please contact Tony Andrews – tony@awandrews.com

3G Productions Deploys Martin Audio MLA At EDC Las Vegas

This year’s Electric Daisy Carnival in Las Vegas easily earned its reputation as the world’s largest electronic music festival with seven stages, carnival rides, art installations, fireworks displays and over 400,000 in attendance.

The landmark multimedia three-day event took place at the Las Vegas Motor Speedway and focused on providing a total entertainment experience for EDM fans with over 70 DJs performing each day.

3G Productions of Las Vegas/Los Angeles, who once again provided audio for the event, set up a fully loaded Martin Audio MLA loudspeaker system on Stage Two (Cosmic Meadow) to deliver the power and huge amount of low end required for the shows. DJs featured on the stage included Diplo, Justin Martin, A-Trak, Chromeo, Bassnectar, Dillon Francis and Destructo, just to name a few.

The system for Cosmic Meadow stage consisted of 16 MLA and 2 MLAD enclosures per side, 12 MLA Compact per side for sidefills and 3 MLA Compact per side for front fills. More than the required amount of low end was provided by 40 MLX subs stacked one on top of the other along the front of the stage. A Yamaha CL5 console was used for Front of House and a Yamaha PM5D for Monitors.

Asked about the MLA, 3G’s Keith Conrad said, “the system performance each night was fantastic and the Martin Audio stage blew everybody away. The client (insomniac) was happy with the way MLA performed, the show was packed every day and the DJs and their engineers were really impressed with the system.

“Because Cosmic Meadow stage was facing out towards the speedway and wasn’t competing with any other stage,” Keith adds, “we got the full impact and power of the system, which was amazing. As it turned out, we didn’t even need delay towers because the coverage was so exceptional. This was due in part because of Martin Audio’s Display 2.1 modeling software.

“What makes EDC unique from other music genre festivals is the incredible amount of bass that’s required for EDM. The MLX subs were so powerful, the artists and their crews were smiling from ear to ear as soon as they turned it on.

“Of course,” Keith concludes, “we were fortunate to have our secret weapon FOH engineer Manny Perez who is definitely a veteran with MLA and knows how to tweak the system so it sounds exactly right from the low to high frequencies, which made it an ideal situation for everyone. Overall, I’d say that the system exceeded expectations from every aspect.

For more about 3G Productions, Inc., please click to www.3glp.com.

For more about Martin Audio and MLA, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Extron Introduces DTP Twisted Pair Extenders for DisplayPort

Extron Electronics is pleased to introduce the DTP DP 230 and DTP DP 330, transmitter and receiver sets for transmission of DisplayPort, audio, and bidirectional RS-232 and IR signals over a shielded CATx shielded twisted pair cable. The DTP DP 230 extends signals up to 230 feet (70 meters), while the DTP DP 330 extends signals up to 330 feet (100 meters). Both DTP DP models provide an effective means for incorporating higher resolution DisplayPort with embedded audio into Extron DTP Systems. They support computer-video to 2560×1600, 1080p/60 Deep Color, and 4K resolutions. The DTP DP 230 and DTP DP 330 also accept analog stereo audio signals for simultaneous transmission over the same shielded twisted pair cable. The compact enclosure size and remote power capability make the DTP DP models ideal for discreet placement in lecterns, beneath tables, behind flat-panel displays, or wherever needed to meet application requirements. more

Masque Sound Brings the Powerful and Influential Lyrics of Tupac Shakur to the Stage in Holler if ya Hear Me

Custom Audio Equipment Package Keeps the Beat for First Hip-Hop Musical in Broadway History

NEW YORK, JUNE 23, 2014 – As the curtain rose and the beat dropped on Broadway, the rhymes of Tupac Shakur engulfed the Palace Theatre during the highly anticipated hip-hop musical Holler If Ya Hear Me. Sound Designers David Patridge and John Shivers turned to Masque Sound, a leading theatrical sound reinforcement, installation and design company, to provide a custom audio equipment package for the riveting new production.

Holler If Ya Hear Me transports audiences to the world inside Tupac Shakur’s lyrics, and blazes to life in a non-biographical story about friendship, family, revenge, change and hope. The production brings to light the struggles for peace against the daily challenges of inner city life in this entertaining and original musical. Through the poetry of one of the 20th century’s most influential and culturally prominent voices, audiences are given a window into realities of the street, which are still relevant today.

Unlike a typical musical, which focuses mainly on reinforcing the audio coming off the stage, Patridge and Shivers’ goal in designing the sound for Holler If Ya Hear Me was to not only reinforce but amplify the audio to bring it to a level that was much more impactful. To do so, they worked with Masque Sound to obtain a custom equipment package, which included a DiGiCo SD7T Live Digital Console, d&b audiotechnik V-Series line array system, d&b D80 amplifiers and a Yamaha PM5D-EX digital console. The performers were outfitted with Sennheiser SK5212-II radios and EM 3732-II receivers, as well as DPA d:fine microphone booms fitted with a 4066 element.

“This was the first time that we used the d&b V-Series and D80 amplifiers and we were very impressed. The PA system needed to have more volume than a typical Broadway show in order to adhere to the punchy, hip hop score,” says Patridge. “The capacity and quality of the d&b D80 amplifiers was excellent. Working in an older theater also presented its challenges, architecturally speaking. We needed a line array system that was compact enough to fit the space, not block sight lines and not weigh too much; the V-Series was the perfect choice. Masque Sound went above and beyond in purchasing an abundance of high-end equipment for us, because the team knew that it was necessary for a show of this caliber. We are very appreciative that they were willing to go that extra mile to help bring our vision to life.”

The designers called upon two different d&b models in order to more evenly disperse the audio throughout the theatre. “We put the 120 degree boxes at the bottom of the array and had the narrower pattern going further distances, so when the audio opens up, it keeps some of the energy off the walls of the room,” adds Patridge. “When designing for sonic signature, you have to look at everything—it has to sound good, be coherent, be able to control the pattern and it has to have power. The d&b PA that Masque Sound provided allowed us to do just that.”

The location of the mix position also presented a unique challenge for the designers. The seating of the Palace Theatre is configured with a continuous slope, which provides a stadium seating effect instead of the traditional separate levels (orchestra, mezzanine and balcony). As a result of the angle of the chairs, the FOH mixer cannot see the actors on stage, as he would have to look through the console.

“Not having a good line of sight can be quite a challenge, so we incorporated a video monitor system into the design,” says Patridge. “As a one-stop shop, Masque Sound was able to supply the video component that we needed to overcome this unexpected challenge.”

In addition to his praise of Masque Sound, Patridge also credits his long-time production engineer Kevin Kennedy for a job well done. “The sound turned out great, and we are really excited and thankful to be part of this history-making musical,” concludes Patridge.

Holler If Ya Hear Me opened on June 19, 2014 at the Palace Theatre. For more information and to purchase tickets, please visit: www.hollerifyahearme.com.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

Digg Syndication Del.icio.us Syndication Google Syndication MyYahoo Syndication Reddit Syndication

Related Topics: Events, Large Venue, Microphones, News |

Screen Innovations Creates New In-wall Screen Category

Austin, TX—June 2014—Screen Innovations (SI), the fastest growing technology-based screen manufacturer in the USA—and the undisputed world leader in ambient-light-rejection screen technology—has developed an exciting new in-wall installation option for its FlexGlass™ rear projection screen material.

FlexGlass™ In-wall is a revolutionary new option that integrates a screen into a wall for a flush fit and finish.

FlexGlass™ is the world’s first rollable glass projection screen with curve and custom capabilities ideal for commercial and retail installations. With FlexGlass™ In-wall, the screen is material inserted into a rigid frame at the job site, then mounted in a pre-cut opening. SI provides integrators with a template and step-by-step instructions to cut a precise opening in the wall.

FlexGlass™ Rear-Pro projection screen material is the most innovative breakthrough in rear projection screens in decades. For the first time, a screen has broken the physical barriers that limit all other rear projection screens. It does so by delivering unmatched edge-blend capability, zero hotspotting, almost infinitely variable viewing angle, and dark contrast because of its ability to reject ambient light.

FlexGlass™ is made from the same material as bulletproof glass, and is available in screens up to 9’ high and 99’ wide, allowing the best in flexibility, strength, and performance. It offers the benefits of the best rigid optical glass and panels, and, because it’s semi-rigid, FlexGlass™ can be used in curved configurations ideal for retail, in-window displays, exhibits, houses of worship, board rooms, corporate lobbies, and more. It can also be rolled in long, seamless sheets on 24” diameter cores, eliminating the logistical problems associated with moving rigid glass or Plexiglas sheets into and through buildings, elevators, and small doorways.

Manufacturers Suggested Retail Pricing: starting at $6,278.00 USD
Availability: June 1, 2014

Screen Innovations makes it easy to choose the right screen for each application, based on lighting, room size, seating distance, and more. Visit www.screeninnovations.com to check out the Screen Calculator, Screen Wizard, and Projector Wizard online tools.

About Screen Innovations
Based in Austin, Texas, Screen Innovations is a leading manufacturer of projection screens and associated technologies for residential and commercial applications. Best known for Black Diamond™, the world’s first and only multi-directional, ambient-light-rejection projection screen technology, SI has effectively revolutionized the two-piece projection category by pioneering and producing screens that deliver an unparalleled video image in light or dark environments. Sold at affordable price points and designed to blend flawlessly with surrounding décor, SI projection screens deliver stunning images and a fully immersive entertainment experience that rivals or surpasses traditional displays. Operating under the principle of “No matter the budget,” Screen Innovations has the best available screen solution to suit your needs.” SI produces a comprehensive assortment of screens and accessories for nearly any budget or application.

Visit www.screeninnovations.com or call 512-832-6939. Follow us on Facebook @screeninnovations and on Twitter @SIScreens.

Extron Now Shipping the Ultimate Presentation Matrix Switcher

Extron Electronics is pleased to announce the immediate availability of the Extron DTP CrossPoint 84, the new go-to product for presentation systems. This highly versatile, compact presentation matrix switcher delivers all of the technologically advanced capabilities necessary to design and integrate a complete AV system in one box, including a 4K matrix switcher, two built-in independent scalers, integrated DTP and XTP signal extension, a high performance mono or stereo amplifier, comprehensive audio DSP capabilities unmatched in the industry, and an advanced control processor that is uniquely expandable. The DTP CrossPoint 84 is the new industry standard for fully integrated AV systems, greatly simplifying system design and installation, and dramatically reducing total cost of ownership. more

Renkus-Heinz Helps Bring Intrepid Museum’s Legends to Life

New York, NY – June 2014…In a city with no shortage of museums, the Intrepid Sea, Air and Space Museum is truly one of a kind. Founded in 1982 as a final home for the historic aircraft carrier USS Intrepid, the museum’s treasures now include the world’s fastest commercial jetliner, the British Airways Concorde; the first space shuttle, Enterprise; and the USS Growler, the only American diesel-powered strategic missile submarine open to the public. More than a million visitors every year tour the museum, which is also home to 27 other authentically restored military aircraft and an 18,000-square-foot education center, all overlooking the famed Manhattan waterfront.

Needless to say each of these grand machines on display has a rich story to tell. But the logistics of telling those stories within the museum’s daunting acoustics is no easy feat. As Leo Garrison of Washingtonville, NY-based Metro Sound Pros explains, each of the museum’s different areas presents its own set of challenges.

“The Space Shuttle Pavilion is a large steel facility, which can be acoustically challenging,” says Garrison. “They’ve got fabric covering the inside walls, which helps a little bit with reflections, but it’s still a very large and reverberant space.”

The Pavilion’s interior, measuring approximately 100 feet by 70 feet, is covered by ten Renkus-Heinz CFX81 two-way eight-inch systems, with five speakers hung, facing each other, on each of the long walls. “We flew them upside down and about 12 feet up,” says Garrison. “We divided the space into essentially five zones, each with left and right speakers. When they have a live event, that enables them to shut off any zone where a microphone will be positioned.”

A pair of Biamp MCA 8150 amplifiers power the system, bridged to provide approximately 300 Watts per pair. A Symetrix Jupiter provides signal delays and processing. “We set up different pre-sets for spoken word presentations and other program material,” says Garrison.

“The CFX81s were really the ideal solution for their needs and for their budget,” Garrison concludes. “The pattern control is excellent, and because the coverage they deliver is so wide — 150 degrees by 60 degrees — we were able to cover an exceptionally large area with very few of them.”

 ###

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Extron Introduces DisplayPort to HDMI Scaler with Audio De-Embedding

Extron Electronics is pleased to introduce the DSC DP-HD A, a high performance, HDCP-compliant scaler that converts DisplayPort signals to HDMI. It accepts DisplayPort video at resolutions up to 2560×1600, and offers high performance scaling with multiple output rates up to 1920×1200, including HDTV 1080p/60 and 2K. The DSC DP-HD A features advanced Extron video signal processing with 1080i deinterlacing and Deep Color processing for optimal image quality. It includes many integrator-friendly features such as auto-memory presets, on-screen display, test patterns, EDID Minder, stereo audio de-embedding, and a DisplayPort input loop-through, while the compact enclosure simplifies installation. The DSC DP-HD A is ideal for interfacing high resolution DisplayPort signals into AV systems with an HDMI switching and distribution infrastructure. more

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

Calendar

October 2014
M T W T F S S
« Sep    
 12345
6789101112
13141516171819
20212223242526
2728293031  

Your Account

Subscribe

Subscribe to RSS Feed

Subscribe to MyYahoo News Feed

Subscribe to Bloglines

Google Syndication