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Archive of the Large Venue Category

Extron Pro Series Control Processors Deliver Speed, Security, Power

Extron is pleased to introduce six IP Link Pro Series control processors. All of these are faster, more secure, and more powerful than ever. Built-in Gigabit Ethernet and the latest network protocols allow fast, secure connections with multiple TouchLink Pro touchpanels using today’s network infrastructure. IP Link Pro control processors are built to work with TouchLink Pro touchpanels and are fully customizable with Extron’s most powerful configuration software – Global Configurator Professional. more

Extron Introduces the Industry’s Most Powerful Configurable Control System Software

Extron is pleased introduce Global Configurator Professional. This dynamic configuration software is ideal for control systems and applications that range in scope from single projector classrooms to large, elaborate control system designs. Powerful features, such as conditional logic, variables, and macros provide even greater flexibility for more sophisticated control scenarios. The Controller Groups feature expands AV system design potential for much larger systems requiring multiple IP Link Pro control processors. Global Configurator Professional brings advanced configuration capabilities, enhanced features, and streamlined integration to your next control system design. more

Zektor Again Renews Partnership in D-Tools Manufacturer Vantage Point Program

Detailed Zektor Information Available in D-Tools System Integrator™ Product Database For Immediate Worldwide Project Specification

CONCORD, CA, USA – FEBRUARY 26, 2014 D-Tools Inc., the worldwide leader in system integration software today announced that Zektor has renewed their participation in the MVP Partnership Program. Detailed information about the entire line of Zektor products is available in the D-Tools product database for D-Tools System Integrator™ users to specify free of charge.

Founded in 2003, Zektor designs and manufactures some of the most recommended audio/video signal distribution and switching products for the global custom installation market.

“We are pleased to renew our participation in the D-Tools MVP Program, making our professional A/V switching equipment more readily available to system integrators and custom installers,” said Jeff Haynes, CEO at Zektor. “The D-Tools MVP program provides us with an exceptional platform to further extend our product reach by making it easier for integrators worldwide to specify our full line of products. As a service-centric organization serving the dynamic custom installation trade, it is critical that detailed product information be readily available whenever are wherever it’s most convenient to those who need it. D-Tools not only provides this capability, it also simplifies the design and estimation process significantly.”

The D-Tools Manufacturer Vantage Point (MVP) program provides system designers, specifiers, integrators and installers the most up-to-date and detailed product information available, in a format that can be utilized in a cross-functional capacity for maximum workflow efficiency. In fact, more than 4,500 MVP members worldwide help companies streamline the design process by making it easier for them to provide accurate, professional proposals to their clients by using the D-Tools System Integrator platform.

“Zektor’s products are well known for their quality and compatibility and their products are an ideal fit for the D-Tools Manufacturer Vantage Point program, so we are happy to have them renew their participation,” said Adam Stone, President and CEO of D-Tools. “D-Tools System Integrator users have come to rely on Zektor’s premium quality Audio Video Switching and Distribution options for their customers and we’re thrilled to make the lineup available to them for use in their system designs and proposals.”

Those interested in learning more about the D-Tools MVP program, D-Tools System Integrator, or the many benefits that can be derived from utilizing a streamlined system design, proposal and estimation software platform are encouraged to visit www.d-tools.com, Email mvp@d-tools.com, or call 1-866-386-6571 ext. 1 for more information.

About Zektor
Zektor is a designer and manufacturer of feature rich professional grade audio/video distribution products for the custom installer.  Zektor proudly designs, manufactures and supports all of their matrix products in the USA. Zektor was founded in 2003 and is a privately held company. For more information please visit their website at www.zektor.com.

About D-Tools, Inc.
D-Tools, founded in 1998 and based in Concord, California, is a worldwide leader in accessible, highly accurate system design and documentation software. The company’s flagship product, System Integrator™ (SI), is a total design solution that utilizes Autodesk® AutoCAD and Microsoft® Visio for comprehensive system design, documentation and project management. D-Tools SI allows residential and commercial integrators to streamline their business processes to increase overall revenues while reducing the time and costs associated with the installation and integration of low-voltage systems. In fact, over 4,500 leading companies use D-Tools software to reduce time, costs and to streamline the system integration process. D-Tools is a three-time recipient of the Consumer Electronics Association Mark of Excellence Award, multiple recipient of Custom Retailer/Technology Integrator Excite Award (2007, 2008, 2009, 2010, 2011, 2012, 2013), and Commercial Integrator BEST Award (2011, 2013), as well as a winner of the National Systems Contractors Association Multi-Room Audio Video Awards for Best Installation Aid, Sound and Video Contractor Innovations in Technology for Business Productivity Award, CE Pro High Impact Award for Design Software, and CE Pro BEST Award for Software Applications (2013).

More information can be obtained by calling (866) 386-6571, e-mailing info@d-tools.com, or visiting D-Tools online at www.d-tools.com. Follow D-Tools on Twitter at www.twitter.com/DTools and on Facebook at www.facebook.com/beatool.

D-Tools Press Contacts: 
Tim Bigoness, D-Tools, (925) 270-4102, timb@d-tools.com

Katye (McGregor) Bennett, KMB Communications, (425) 328-8640, katye@kmbcomm.com, www.kmbcomm.com/press

Link to Images
Zektor Products Featured in D-Tools Six Data Library as Part of MVP Program Partnership

 

 

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Delicate and Martin Audio MLA Team Up For Maroon Five

Las Vegas, NV––For the second year in a row, Delicate Productions supported Maroon Five with a Martin Audio MLA system for two celebratory New Year’s Eve shows at the Mandalay Bay Event Center.

The Event Center, a modern 12,000-seat venue, “is fortunately one of the better sounding casino rooms,” according to Jim Ebdon, FOH Engineer for Maroon Five.

“In these venues it’s all about the coverage,” Jim explains, “and what’s great about the MLA system is that it covers so well. It’s a smaller box and very versatile. We work with Delicate a lot and I trust them, so I leave it up to (President of Delicate Productions) Jason Alt and FOH Tech Makoto Araki to set up.

“They do a great job shooting the room, making the analysis and figuring out how many boxes they’re going to need and how the side hangs should be configured depending on the amount of tickets we’ve sold. Maroon Five usually sell out these shows, so the hangs tend to go right round the sides of the stage in a 270 configuration. And with MLA, we’re able to control the sound well to avoid reflections.”

The setup for these shows consisted of 11 Martin Audio MLA, one MLD (downfill) and 12 MLA Compact enclosures per side with 12 MLX subwoofers, plus 6 W8LMD and four WT2s for side fills. In addition to Alt and Araki, the Delicate crew included Craig Robinson (Monitor Tech) and Russ Cunningham (Stage Tech).

Asked how the system sounded, Ebdon said, “MLA is a very flat system, it doesn’t color the sound in any way, which is great. And I find it to be very accurate as well; the high frequencies are smooth and extremely easy to listen to. Going down the frequency range, there’s a very seamless transition into the subwoofer. With many systems, you hear the main flown PA and then the sub, it sounds like two separate sound sources. Not with MLA. It’s a real full-range sound system.

“We travel a lot and I’m lucky enough to plug into all kinds of sound systems these days. When it comes to MLA, I don’t even need to get into what kind of drivers or amps Martin Audio uses because it sounds good, and that’s all that matters.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Camplex Introduces New HDMI to Fiber Optic Converter

SAUGERTIES, N.Y. – February 24, 2014 - Camplex, a worldwide leader in the design and manufacture of professional broadcast fiber optic interface gear, today announced the availability of a new HDMI to Fiber Optic Conversion System. The CMX-HDMIF accepts HDMI and converts it to ST Fiber allowing the signal to be sent over 10 miles using low cost fiber optic cable. The cost effective Camplex complete converter system is perfect for extended use of HDTV, LCD monitors, digital projectors, plasma TV’s and other equipment requiring HDMI to Fiber conversion.Camplex CMX-HDMIF HDMI to Fiber Optic Conversion System

“Taking into account the low cost of fiber we wanted to provide a simple solution to extend HDMI signals over long distances,” said Dan Coscarella, Product Manager at Camplex. “The Camplex HDMI over Fiber conversion system delivers broadcast results. With ST Fiber connectors and a locking power supply the CMX-HDMIF gives you the added assurance that you’re always connected.”

The Camplex HDMI to Fiber Optic Conversion System is available for pre-order now and is expected to start shipping on March 10th. To learn more about the CMX-HDMIF and other Camplex products visit www.camplex.com.

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About Camplex
Camplex is a popular broadcast industry manufacturer of fiber optic based camera adapter systems and other broadcast grade fiber optic interface gear. With our unique modular design philosophy, you can add high bandwidth, long length easily deployable fiber to any camera – from broadcast to pro-sumer at dramatically lower costs than other professional systems. Unlike other systems, our fiber optic equipment is instantly swappable to any camera. Camplex supports all formats including 4K and Ultra HD production.

Camplex is exclusively distributed by TecNec Distributing and is available through the entire TecNec dealer network and online at Markertek.com.

GatorVision Enhances University of Florida In-Venue Sports Production with Tightrope ZEPLAY

Slo-mo instant replay system offers school a robust feature set, reliable performance and affordable price point for upgraded control room

ST. PAUL, MINNESOTA, February 24, 2014GatorVision is the University of Florida athletic department’s broadcast and production initiative, handling live and on-demand event streaming and in-venue, game day coverage as part of its operation. The recently-built control room, located in the College of Journalism and Communications building on campus, houses a full complement of cutting-edge production gear suited to both outside broadcasts and in-venue content.

For in-venue productions, Tightrope Media Systems is helping the GatorVision production team score points with fans at football, basketball, volleyball and gymnastic events. The control room includes two of its ZEPLAY slo-mo instant replay systems to inject added excitement into game day action via multi-angle replays, on-the-fly highlight packages and more.

Brad Noblitt, director of engineering for University of Florida’s College of Journalism and Communications, states ease of use and flexibility as two reasons for choosing ZEPLAY over competitive solutions. Noblitt has assigned a seasoned operator of a well-known instant replay brand to operate the primary system. That operator simultaneously trains students to run the second ZEPLAY.

“The learning curve on ZEPLAY is not nearly as steep as competing products,” said Noblitt. “We have a lot of student involvement at GatorVision, being part of the College of Journalism and Communications. Our primary operator teaches students how to use ZEPLAY keystroke by keystroke. Within an hour, the student can really understand the concept of the workflow.”

Noblitt also feels that ZEPLAY offers the best price to feature set ratio of slo-mo instant replay systems available.

“This gives us a true four-by-four system,” said Noblitt, referring to its four input and four output configuration. “ZEPLAY offers a lot of flexibility based on the project size and budget. We rely heavily on the system for the fan experience, and I am astounded by how quickly we can produce multiple replays. We can fire off a replay even as our opponent heads back down the basketball court. It is the meat and potatoes of our system.”

The GatorVision team further benefits from a built-in multiviewer that provides operators with a clear visual tool to monitor the various camera angles. According to Noblitt, the ZEPLAYS never stop recording, which compel camera operators to keep shooting. This ultimately creates exceptional value in terms of replay content.

Noblitt adds that the latest software release has simplified how his team can edit, trim and build packages for game highlights. Additionally, the GatorVision team creates “melts” after every game for later use, with direct playout to our XDCam disc or as an exported .mov file(s). This highlights the open, non-proprietary nature of ZEPLAY.

These features combined add even more to the educational experience for College of Journalism and Communications students interested in learning the system.

“We can easily set up a simulated game by taking our four camera feeds from the previous game, and using one of our ZEPLAY units to playback the game through our switcher,” he said. “This helps us teach our students how to direct, how to TD and how to do replays offline. If there is a problem we can hit stop, discuss what went wrong, back up a few plays and try it a different way. We built that functionality into GatorVision because it is a teaching facility. ZEPLAY offers a teaching tool to get students up to speed with true hands-on experience.”

About Tightrope Media Systems

Founded in 1997, Tightrope Media Systems is the pioneer of web-centric digital signage and broadcast automation systems. It provides station automation, video servers, Internet video on demand, live streaming, the Carousel Digital Signage system, and ZEPLAY, a multi-channel instant replay machine for stadiums, arenas and Outside Broadcast vehicles. Tightrope’s award winning systems are used throughout the world. You can reach Tightrope Media Systems at (866) 866-4118 or visit them on the web at http://www.trms.com.

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Cairo’s St. Therese Basilica Gets Mackie HDA

Cairo, Egypt , February 2014…With more than 22 million inhabitants, the city of Cairo is rich in history and culture. In a region renowned as the birthplace of most of today’s religions, the sprawling metropolis on the banks of the Nile River is dotted with mosques, cathedrals, and houses of worship large and small.

The Basilica of Saint Therese of the Child Jesus is one of the more remarkable Catholic churches in the region. Named for one of the church’s early French missionaries, the Basilica is a massive Byzantine style structure adorned with Arabic-Egyptian ornamentation. Constructed in 1939, it served for many years as a stopover for missionaries on their way to the East. Today, it attracts a great number of visitors, many of them foreign tourists.

As with many of the grand basilicas, the room’s acoustics have long been a challenge. Soaring walls, marble floors, wooden pews, and a massive 80-foot (25 meter) high dome ringed with windows are just the beginning of a highly reflective environment that makes intelligibility nearly impossible. The walls of the church are decorated with an ornate mosaic which, while beautiful to behold, only adds to the reflectivity of the space.

Egyptian audio distributors Al Fanny Trading were called in to help solve the Basilica’s sonic challenges, and installed a system based around four of Mackie’s HDA two-way arrayable powered loudspeakers. As Al Fanny’s Rami Saad explains, the church’s previous system was simply not up to the task.

“They had a system of ten speakers installed on the columns, but the sound quality was very poor,” Saad says. “People could not understand the sermon, and the balance between the choir and the spoken word was very poor.”

Saad says the HDA system was selected not just for its power, but for its pattern control. “It was no problem to find speakers that were loud, or speakers with good sound quality,” he explains. “The challenge was to find speakers that could direct the sound toward the people, not toward the walls. The HDA speakers did exactly that, and very well.”

The choir area has been equipped with several SRM450v2 loudspeakers for monitoring. “The choir are standing higher on a platform, and the sound coming out of the main speakers didn’t really provide them with enough coverage,” says Saad. “The SRM speakers are a great solution.”

As the final piece to the sound system, Al Fanny installed a Mackie Onyx 24.4-Bus console. “The Onyx console sounds wonderful — very clean and clear,” says Saad. “The system has made a big difference for them already, and everyone is very pleased.”

 

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HARMAN Professional Delivers Superior Sound to Arbor Brewing Company India

BANGALORE, India – The craft beer and micro-brewing industry is a worldwide sensation that in recent years has found its way to Bangalore, the pub capital of India. The Arbor Brewing Company (ABC), a local brewpub and eatery in Ann Arbor, Michigan, is the inspiration for one of Bangalore’s largest and most popular brewpubs: ABC India. With the recent increase in pub-goers, ABC India’s sound system was in need of an upgrade to cover the multiple zones throughout its 12,000 square feet and support its future expansion plans. HARMAN Professional’s Application Engineering team specified a system consisting of HARMAN’s BSS Audio signal processing, JBL loudspeakers, and Crown amplifiers.

The HARMAN team carried out the entire design process, testing and commissioning of the project while India based System Integrator, Sigma Byte handled the installation which includes a BSS Audio Soundweb London BLU-100 networkable signal processor with two BOB2’s for sixteen additional audio channels to create four stereo zones throughout the venue (outdoor area, tap room, bar and lounge, dining and cellar). A single BSS BLU-8v2 programmable zone controller was integrated in the AV Control room to control each of the four zones.

“As the crowd sizes increased, the existing system could not produce adequate SPL with intelligibility needed throughout the pub,” commented Sunil Karanjikar, Application Manager, HARMAN India. “Due to the crowd noise level and size of the venue, the pub was split into controllable zones. The zones were created with the help of the BSS BLU-100 and BOB2’s while a BLU 8v2 was installed to control the volume and source of each zone.”

The outdoor area was fitted with JBL Control 23 indoor/outdoor loudspeakers backed by SB-2 dual coil wall-mounted subwoofers and powered by a Crown XLi 3500 dual-channel amplifier. JBL Control 25AV loudspeakers cover the tap room, and are supplemented with SB-2 subs. HARMAN’s Application Engineering team designed the tap room zone with a Crown XLi 3500 amp and Soundcraft EPM6 audio mixing console for signal monitoring and the added ability to use the tap room for private dinners or parties with its own music source.

In the bar and lounge zone, the front system consists of JBL PRX615M powered loudspeakers, AC15 compact loudspeakers for center fill, as well as VRX918SP powered subwoofers. In addition, Sigma Byte deployed C29AV-1 loudspeakers and Control SB210 subwoofers powered by Crown XTi 6002 and 2002 amplifiers. The dining and cellar areas were outfitted with Control 25AV and C29AV-1 loudspeakers with Control SB-2 and Control SB210 subwoofers powered by an XTi 6002 amplifier.

“The system we had in place was unable to effectively cover the areas we needed it to,” commented Gaurav Sikka, CEO of Arbor Brewing Company India. “With the new HARMAN system customers are afforded the luxury of crystal-clear sound while still enjoying conversation with their friends and family. It’s truly a luxury because rarely do pubs have the ability to offer great conversation and great sound at the same time.”

“Arbor Brewing Company India’s management team requested a high-quality, high-performance system and we are proud to help further their endeavor in India,” commented Prashant Govindan, Director, India Operations HARMAN Professional. “An installation of this size consisting entirely of HARMAN components is a testament to our commitment to offering full-service solutions for the needs of any venue.”

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

HARMAN’s JBL Professional LSR6300 Series Studio Monitors and VERTEC® Line Arrays Support the Music Industry’s Best at the 56th Annual GRAMMY® Awards

Photo Caption (Left to Right): Hank Neuberger, GRAMMY Awards Telecast Sound Supervisor; Bryan Bradley, Vice President, General Manager, JBL Professional; Michael Abbott, GRAMMY Awards Audio Director

LOS ANGELES, California – HARMAN’s JBL loudspeakers were once again put to use at Sunday’s 56th Annual GRAMMY® Awards, with JBL VERTEC® line arrays comprising the live sound reinforcement system at the STAPLES Center and a JBL LSR6300 Series 5.1 surround sound studio monitor system used in the Television Committee Room.

The annual GRAMMY Awards telecast, known as Music’s Biggest Night®, is presented by The Recording Academy® to honor outstanding achievements in the production and performance of recorded music. The GRAMMY Awards were broadcast live in HDTV and 5.1 surround sound on the CBS Television Network. More 28.5 million viewers watched this year’s Awards telecast.
This year’s Awards were hosted by LL Cool J and featured performances by Paul McCartney and Ringo Starr, Madonna, Beyonce, Jay-Z, Bruno Mars, Katy Perry and more. Macklemore and Ryan Lewis earned Best New Artist, Lorde won Song of the Year for “Royals,” while Daft Punk won Album of the Year for Get Lucky, plus two other GRAMMY Awards.

In addition, HARMAN’s Lexicon earned a Technical GRAMMY Award, which is presented to individuals and companies that have made contributions of outstanding technical significance to the recording field.

ATK Audiotek provided the main PA system for the Awards ceremony, which featured four arrays each containing 12 VERTEC VT4889 fullsize line array elements, plus two arrays of six VT4880A fullsize arrayable subwoofers each. An additional 12 VRX932 Constant Curvature loudspeakers were used for front fill.

The STAPLES Center also features a permanent JBL VERTEC line array system, which ATK Audiotek also utilized. The STAPLES Center system features eight arrays each containing between 11 and 13 JBL VT4889DP-DA powered line array elements, plus two fill clusters each containing four VT4889DP-DA elements, which are specially positioned to cover the end seating areas. The system also features four subwoofer arrays, each containing six VT4880A fullsize arrayable subwoofers.

In the Television Committee Room, Michael Abbott, Audio Director for the GRAMMY Awards, along with Recording Academy executives, relied on five JBL LSR6328P studio monitors and two LSR6312SP subwoofers to listen to the mix of the show in real time. “Attention to detail is always essential for the GRAMMY telecasts, and this year’s Awards were no different,” Abbott said. “Thanks to the LSR6300’s accuracy and RMC Technology, we were able to hear every nuance of the performances, and the 6300’s gave us exactly what we needed.”

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

FOH ENGINEER ANDY TORRI BRINGS METRIC HALO GEAR TO BIG HEAD TODD AND THE MONSTERS

SAFETY HARBOR, FLORIDA – FEBRUARY 2014: Although Andy Torri enrolled at a Colorado music school in the late 1980s to carefully prepare himself for a life in the world of professional audio, it was a chance meeting at a local bar that held his destiny. Mutual friends introduced Torri to Todd Park Mohr, frontman for the rising act, Big Head Todd & the Monsters. The two became friends, and shortly after Torri found himself at another bar, complaining to Mohr about how hard it was to find sound engineering work in the studios around Colorado. He expected only friendly commiseration, but got a job offer instead.

Since then, Torri has had only two main jobs: FOH engineer for Big Head Todd & the Monsters and studio engineer at KBCO in Boulder. The first gig, from which he took only a short reprieve between 2005 and 2012, took him from guitar-tuning-tee-shirt-sales-plus-mixing-duties in the smoky haze of local bars to his current position of respected FOH engineer at venues of all sizes around the Intermountain West and the nation. At KBCO, Torri engineered in-studio performances by Sting, Coldplay, Stevie Nicks, Dave Matthews, Jack Johnson, Elvis Costello, Willie Nelson, Robert Plant, and countless others. Most of those recordings found their way to KBCO’s wildly popular Studio C Session CDs, the proceeds of which went to charity.

Torri is one of those engineers who trained in the analog world and then successfully navigated the hills, valleys, and occasional rock slides to the state-of-the-art-hybrid digital/analog world that we currently live in. As he personally navigated that transition, he accumulated digital solutions from Metric Halo, and once he grabbed them, he never let them go! The first of those solutions was Metric Halo’s SpectraFoo sound analysis software. “It’s been a constant for me, both live and in the studio,” Torri said. “I love its flexibility. It’s easy to create custom pages of all the tools I need for a particular job. I also love the precision of those tools. I can zoom in or out on frequency, amplitude, or any other parameter and get as much detail or overview as I need.”

Big Head Todd & the Monsters play everything from clubs to theaters to amphitheaters, and the span between load-in and show-time is seldom ample. “We use in-house console and PA system,” Torri explained. “Every day is different, and every system has its own particular quirks.” Using his Metric Halo 2882 interface, Torri takes a feed from the board and compares it with output from a measurement microphone. He continued, “I use the Spectragraph and Spectragram a lot. They immediately reveal the hot spots and trouble areas of a particular system. After correcting those problems, I balance the system using SpectraFoo and some combination of pink noise and my own personal favorite ‘sound engineer songs.’”

Occasionally, Torri will find himself at a venue with sufficient outboard or console-based processing that he can dial in Todd’s voice and the rest of the mix using it. That’s the exception however, and he usually relies on the 2882’s DSP resources and his Metric Halo MIOStrip plug-in. “In addition to getting sound into SpectraFoo, I use the 2882 and MIOStrip to dial in the vocals,” Torri said. “I often use them on bass and/or the house mix as well. The Metric Halo system is rock solid, so I’m comfortable using it live. And it sounds fantastic. A while back, I mixed down some greatest hits tracks using every method of summing that was available to me, including using the 2882’s 80-bit summing. I gave the mixes to the mastering engineer without telling him what all the different codes stood for – it was a blind test. Every time, he chose the 2882 summing. It has a depth and definition to the panning and a warm, solid low end.”

Much like SpectraFoo and the 2882, Torri finds Metric Halo’s MIOStrip to be a tool for all occasions. “MIOStrip has a great sound, which is obviously very important,” he said. “The functionality is great; cuts and gains can be very subtle or very aggressive.” For vocals and instruments, Torri often pairs MIOStrip with the 2882’s “Character” processing, which models different flavors of analog circuits. He usually uses “Soft Sat.”

“Working with Metric Halo has been about more than just the gear,” Torri concluded. “The people behind the company are great. They create great products and stand behind them: SpectraFoo is seventeen years old, and the 2882 is twelve years old. It’s all well supported, updated, and totally relevant. What other company can say that?”

ABOUT METRIC HALO Now based in the sunny city of Safety Harbor, Florida, Metric Halo provides the world with high-resolution metering, analysis, recording and processing solutions with award-winning software and future-proof hardware.

www.mhlabs.com

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