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Archive of the Large Venue Category

FSR Revolutionizes Wall Mounted Raks With Top Shelf

Woodland Park, NJ • FSR, manufacturer of audio and video switching, control products, and connectivity boxes, announces the launch of Top Shelf, a revolution in wall mounted equipment racks. Drawing on their extensive experience with UL Listed Ceiling Racks, FSR designed Top Shelf to provide an unobtrusive and secure enclosure for audio, video and network equipment. Top Shelf mounts to a wall close to the ceiling in locations without drop ceilings, or where space above the drop ceiling is limited.

Top Shelf holds up to 4 RU of equipment with multiple mounting locations for power as well as signal connections for easy installation. The unit’s steel frame ensures the equipment will be securely mounted; and a plastic cover allows wireless signals to pass in and out of the enclosure unobstructed. The cover can be painted to match the room décor, and the box can be mounted in the best location to ease wiring and visual impact.

“Top Shelf is the newest addition to our wall-mounted enclosure line of products,” says Jan Sandri, president, FSR. “With its unique ability to solve challenges many classrooms, boardrooms, schools, hospitals and more face with limited space, we are thrilled to bring this new solution to market. The unit’s ability to pack up to 4RU of AV equipment in a visually appealing housing make it a perfect fit for almost any AV environment.”
For further details contact FSR at (800) 332-3771 or via e-mail at sales@fsrinc.com.
About FSR
FSR, established in 1981, manufactures a wide variety of products for the audio / video, education, hospitality, government, and religious markets, including AV floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and CAT-5 solutions.

FSR complies with the American Recovery and Reinvestment Act of 2009 and is a woman owned business. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information visit www.fsrinc.com.

FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Communications
Harriet Diener
845-512-8283 • harriet@desertmooncomm.com

HARMAN’s JBL VTX Line Arrays Rock the Crowd at Germany’s 20th Anniversary Arsch Huh Music Festival

NORTHRIDGE, California – The recent Arsch Huh music festival in Cologne, Germany was one of the largest of the year, with 85,000 people enjoying performances by more than 25 bands including BAP, Bläck Fööss, Brings, Tommy Engel and other notable German artists. The concert, organized in 1992 to stand against racism, celebrated its 20th anniversary with spectacular sound courtesy of Sirius Showequipment AG and an audio system featuring HARMAN’s JBL VTX Series line arrays.

“We were one of Europe’s first users of the JBL VTX Series and knew from previous experience that they are remarkably clear and powerful, especially for their size and they would be ideal for this big outdoor festival event,” said Wolfgang “Schabbach” Neumann of Sirius. For the main PA the company deployed two left and right towers with 15 VTX V25 fullsize line array elements and eight S28 subwoofers per side. In addition, several delay towers were set up, with the main (first delay line) towers each containing seven V25 line array elements.

The speakers were driven by 30 Crown I-Tech 12000 HD amplifiers, and Neumann and his crew used HARMAN’s JBL HiQnet Performance Manager™ software to set up and tune the system.

“We had more than 25 bands and artists going on and off the stage and a number of different front of house engineers using this VTX-based system for the very first time,” Neumann said. “Some of them performed only two or three songs. As a result there was not much time to get the sound right for each act. We also had the added pressure of knowing that the entire 5 1/2-hour show was being broadcast live on German television.”

“However, using the new JBL VTX Series is easily explained,” Neumann continued. “You switch it on, you power up your desk, you push the faders up and the sound is already there, sounding really great right from the start.”

In addition, Neumann noted that the Crown I-Tech 12000 HD amplifier is an ideal match for VTX. “It’s the most powerful amp on the planet,” Neumann said. “We’ve experimented with other amplifiers including 4-channel models but I would say that 2-channel amplifiers, especially the I-Tech 12000 HD, have more power when you push the masters to ’11.’ It also helps that the VTX Series and Crown amps work hand in hand with Performance Manager, which works very well and is easy to operate.”

“Achim Schnall, front of house mixer for headliner BAP told me it was ‘an easy to mix on system,’ and our front of house ‘babysitter’ engineer Daniel Schindler told me that for him the system was ‘unbelievably powerful and easy to operate,’” Neumann added. “Without a doubt, the JBL VTX Series are the most efficient and best-sounding loudspeakers we have ever had in our inventory.”

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,900 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for year ended June 30, 2012.

Sound Image Upgrades Audio System at Gibson Amphitheatre with V5 Presets for HARMAN’s JBL VERTEC® Line Arrays

NORTHRIDGE, California – Delivering world-class audio to the Gibson Amphitheatre at Universal City in California, Escondido, California-based Sound Image recently upgraded to Crown I-Tech HD power amplification and added the new V5 presets to the Amphitheatre’s HARMAN JBL VERTEC® line array system.

Originally built as an outdoor venue in 1972, the Gibson Amphitheatre was converted in 1982 and is now the third-largest indoor theater in California, seating approximately 6,000 people and has won several Pollstar awards as Venue of the Year. The Amphitheatre hosts a variety of events including concerts, performances, as well as occasional award shows. The existing PA system at the Gibson Amphitheatre includes 24 VERTEC VT4889 fullsize line array elements (12 per side) and 24 VT4880 fullsize arrayable subwoofers, with six hung per side plus six stacked per side. The system also features five VT4888 midsize line array elements on each side of the stage for additional outfill and two JBL DrivePack® VT4888DP enclosures per side for flown downfill.

The upgrade of the system with the V5 settings also included the addition of 54 Crown Audio I-Tech 12000 HD amplifiers. System control is provided via HARMAN’s HiQnet System Architect™ platform with an extensive custom control panel interface that was developed by Gary Sanguinet of Sound Image.

The new and improved V5 settings provide the Gibson Amphitheatre with a significant improvement in sound quality. This includes greater horizontal coverage, improved system response to equalization, and improved interaction between arrays. Paul Bauman, Senior Manager of Tour Sound at JBL Professional, commented, “The Gibson Amphitheatre has provided an important proof of performance test bed throughout the development of V4 and V5 presets and it has been a pleasure to work with front of house engineer George “Barney” Barnes, Mark Sidlow, Rick Merrill and the Sound Image team to really dial in the system—it’s a great-sounding venue that really highlights what is possible to achieve with VERTEC V5.”

“The biggest improvement for me is the increase in usable midrange information as well as vastly improved headroom,” Barnes said. “Being an ‘in house’ rig, protection is a must and great improvements have been made in that regard with no problems.”

The system has been greatly accepted by prestigious engineers and bands such as Rush, Jason Aldean, No Doubt, Dukes of September and Dream Theatre.

For more information on the Gibson Amphitheatre, please visit www.gibson-amphitheatre.net

For more information on Sound Image, please visit www.sound-image.com

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,900 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for year ended June 30, 2012.

Expansive DiGiCo/Optocore Network Propels Streisand Back to Brooklyn

No matter your musical predilection, there’s no denying that Barbra Streisand is one of the biggest talents in show biz. She is the epitome of élan and elegance, bringing a level of detail and sophistication to every aspect of her professional presence, from motion pictures to Broadway to concerts. As for the latter, the notoriously stage-shy artist’s performances have more

Firehouse Productions and HARMAN’s JBL VTX Line Arrays Help Global Citizen Festival Raise Poverty Awareness

NORTHRIDGE, California – The Black Keys, Foo Fighters, Neil Young and Crazy Horse and many others rocked out recently in New York City’s Central Park for the Global Citizen Festival, a free concert highlighting the effort to combat poverty around the world. New York-based Firehouse Productions provided the live sound reinforcement system for the event, which featured HARMAN’s JBL VTX line arrays.

While the Global Citizen Festival was free, the estimated 60,000 concertgoers were only allowed to attend after accumulating points by watching videos on globalcitizen.org about various issues dealing with poverty. In addition to the musical performances, celebrities including K’Naan, John Legend, Katie Couric and economist Jeffrey D. Sachs delivered speeches during equipment changes.

For the main PA system, Firehouse provided 36 (18 per side) JBL VTX V25 fullsize arrayable line array loudspeakers, 32 (16 per side) VERTEC® VT4880A fullsize arrayable subwoofers, with two VT4888 midsize line array loudspeakers for front fills. In addition, 48 (four clusters of 12) VT4889 fullsize line array loudspeakers provided delay fill along with 24 (12 per side) VT4880A subwoofers. Crown I-Tech HD 12000 amplifiers powered the entire system.

“This event was straightforward from a sound design standpoint, as with outdoor concerts many of the obstacles of filtering sound are eliminated, since there are no columns or walls that we have to worry about,” explained Mark Dittmar, Lead Design & Integration Engineer at Firehouse Productions. “The VTX line arrays continue to give us the sound quality and smooth coverage that we rely on and we’ve never had a problem.”

“The light weight of the VTX made the load-in and setup process a breeze,” Dittmar added. “The combination of VTX with the Crown I-Tech HD amplifiers is the best solution out there for live sound applications of all sizes and scopes.”

For more information on Firehouse Productions, please visit: http://www.firehouseproductions.com

HARMAN (www.harman.com) designs, manufactures and markets a wide range of audio and infotainment solutions for the automotive, consumer and professional markets — supported by 15 leading brands, including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson®. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 13,900 people across the Americas, Europe and Asia, and reported net sales of $4.4 billion for year ended June 30, 2012.

New Sound System is Music to Sisters’ Ears

Renowned Domed Chapel Gets Major Upgrade

Sinsinawa, WI – November 2012…  Sinsinawa is said to be a Native American term for “rattlesnake,” or “home of the young eagle.” But Sinsinawa Mound, Wisconsin is better known as the home of the Congregation of Sinsinawa Dominican Sisters. Since 1847, more than 3,200 women have ascended the “Hill of Grace” to take their vows as Sinsinawa Dominicans. Today the village is still home to their worldwide headquarters, including more than 600 current and retired sisters of the Order.

In 1964 the campus, with its 1850s-vintage fort, was expanded with the construction of an 800-seat crown chapel, replete with massive 45-foot dome and transept wings. The building’s marble and plaster interior creates an acoustical environment that works magnificently to enhance the Order’s celebrated pipe organ. But as their needs have changed over time, those same acoustics have created a whole new set of challenges.

“It’s a beautiful facility that has always been renowned for its musical acoustics,” explains Scott Wright, President of Platteville, WI-based Lifeline Audio Video Technologies. “But in today’s world they’re using it more and more often for spoken word and piano-vocal recitals, and it simply wasn’t designed for that.”

“It’s a very large room, with a reverb time of more than four seconds,” adds Lifeline VP Mike Mair, “and as they’ve been doing more spoken word and piano-oriented services, vocal intelligibility has become more of an issue.”

To be fair, the room was not completely without sound reinforcement. But the original decades-old speaker system had never been adequate for the space. “The reverb time was markedly longer in the middle of the room, where the dome is higher,” Mair explains, “and as a result many of the sisters were seating themselves around the edges near the transepts, where they could hear a bit better, and leaving the center of the room pretty much empty.”

sinsinawa“They had talked to many contractors over the years in an attempt to find a solution, and everyone wanted to convince them to hang large speaker clusters and treat the room acoustically,” says Wright. “That just wasn’t going to happen. This is not your typical 1000-seat church – it’s a very special, very unique environment. Altering the aesthetics of the place was not open to discussion. It’s a beautiful, majestic space, and there’s simply no way you could hang a cluster of loudspeakers from this ceiling. From a structural perspective, it would have been problematic, to say the least. But beyond that, there’s simply no way they would have allowed it.”

One of the biggest challenges in designing an audio system for the space was the need to retain the room’s reverberant character. Acoustical treatment was simply not an option. “People from all over the world come to play organ recitals in this hall, and they were not willing to compromise the room’s acoustics as an organ recital facility,” says Wright. “But the majority of daily use for the space is really spoken word, and some choral singing with piano and organ. So we needed a very controllable, highly intelligible system that would address the room’s reverb issues without altering its character. The bottom line was, if we were going to achieve any intelligibility in that space at all, we had to control where the sound went.”

Lifeline’s solution was a simple and elegant one – a pair of Renkus-Heinz Iconyx IC24-R digitally steerable array loudspeaker systems. The Iconyx arrays, mounted on either side of the altar, addressed virtually all of the chapel’s long-standing issues.

“We’ve used Iconyx in a number of previous projects, and have always been successful with them,” Wright says. “They are without a doubt our choice for a steerable array, and we feel they are the best one on the market.”

A demo was arranged via Carl Schwartz of rep firm Frequency Sales. “We arranged a demo for about 70 people,” says Wright. “They were definitely skeptical, since they’ve tried so many systems over the years. But we’ve done a few projects with them in the past, and the results have always been successful, so they trusted us.”

“We just plugged a mic directly into the Iconyx, with flat EQ,” says Mair. “The results were remarkable. You could see eyes popping open all over the room. They were just astounded.”

“I got up at the lectern and read a few things, and they still couldn’t believe what they were hearing,” says Wright. “At first, several of the sisters were saying, ‘oh, it’s just because he’s got a very booming, male voice.’ So we had Sister Priscilla Wood get up and do a reading, and they all said, ‘yes! That’s what she sounds like.’ After that, the next question was whether we could we get it installed by Thursday.”

A Biamp Nexia presentation mixer provides microphone inputs for their wireless, pulpit and choir mics. “They’re very happy with the simplicity of the system,” says Mair. “It’s very easy for them to run.”

“They had waited many, many years to find the right solution,” says Wright. “Essentially, they waited until technology caught up with their needs. Finally, with Iconyx, we found a solution that really worked for them. They weren’t looking for a minor improvement; they were looking for a night-and-day difference. And that’s exactly what they got.”

###

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Peter Jackson Selects Christie HFR Projection for World Premiere of “The Hobbit”

The technology on display at the premiere of “The Hobbit: An Unexpected Journey,” presented by Warner Bros. Pictures, Metro-Goldwyn-Mayer Pictures (MGM), and New Line Cinema, represents years of effort and a bold step forward in the ultimate cinema experience. To do justice to Academy Award-winning director Peter Jackson’s vision, Christie has been chosen to supply the digital cinema/HFR projection technology for the world premiere, to be held at the Embassy Theatre in Wellington, New Zealand, on November 28, 2012.

Two top-of-the-line Christie Solaria CP2230 series digital projectors will flood the screen for the highly anticipated film premiere with more than 12 foot lamberts (ft-L) brightness, revealing astonishing detail in the scenery, costumes and expressions of the characters. The current standard for 3D light levels on screens is 3 to 4.5 ft-L, while 2D light levels are standardized at 14 ft-L. The Christie Duo integration kit combines the intensity of the dual CP2230 projectors.

Peter Jackson's "The Hobbit" Premieres on Christie HFR Projector

Peter Jackson's "The Hobbit" Premieres on Christie HFR Projector

“With Christie’s support, our Wellington Premiere will present ‘The Hobbit: An Unexpected Journey’ at its full technical potential – in vibrant, bright High Frame Rate 3-D. I thank Christie for helping us push the boundaries and give audiences a glimpse into the exciting future of cinema presentation,” director Peter Jackson said.

Jack Kline, president and COO, Christie Digital Systems USA, Inc., was equally enthusiastic. “Endorsements from industry leaders like Peter Jackson and Warner Bros. Pictures, MGM and New Line Cinema compliment Christie’s leadership position in the visual technology world, which we’ve achieved by consistently delivering what exhibitors and audiences want.”

Christie’s digital projectors, installed by its Xebex cinema partner, will also play a leading role in the Tokyo premiere of “The Hobbit: An Unexpected Journey,” taking place at the Toho Cinemas in Roppongi Hills on December 1st, with Mr. Jackson in attendance.

Christie, Park Road See Fruits of Joint Research
Christie signed a technology co-operation agreement with Park Road Post Production Ltd. (“Park Road”) and Weta Digital Ltd. (“Weta”) in April 2012 to work together to advance the state of the art of digital cinema production and projection, with an emphasis on high frame rate (HFR) delivery.

As part of that agreement, Park Road and Weta upgraded their facilities with Christie projectors and provided Christie with review, testing and feedback on new hardware and software developments related to high-bandwidth interfaces and HFR technology, as well as sample movie content (consistent with the content owner’s permission) for Christie to use in testing its projectors and integrated media block (IMB) units.

“The success of our joint research and knowledge exchange has led to the creation of the most reliable high frame rate IMB/projection solution available and this will be evident to all at ‘The Hobbit: An Unexpected Journey’ premiere and beyond,” said Cameron Harland, General Manager, Park Road, “and using the world’s first totally integrated and commercially available dual-projection system, we are anticipating a stunning rendition of the film.”

Park Road
Park Road is a premier post production facility located in Wellington, New Zealand. Visit http://www.parkroadpost.co.nz/.

Christie’s Commitment to HFR
The two main goals of Christie’s HFR activities are to help the industry develop the best HFR content and the best delivery system for HFR content. The first goal involves assisting leading-edge filmmakers and post-production companies in perfecting HFR movie creation, so the industry has the most engaging, entertaining content possible. The second goal is to assist exhibitors in showing these 3D HFR movies in all their glory. To these ends, Christie is helping create the standards for 3D HFR movies through formal and informal technology-development alliances with major producers and directors, post production facilities, studios and technology partners. On the exhibitor’s front, Christie provides one stop shopping for all the hardware, software and services that enable exhibitors to deliver a filmmaker’s vision in stunning 3D HFR quality. For more information visit http://www.higherframerates.com.

Marquee In Sydney First To Feature Martin Audio MLA Install

The first permanent installation of Martin Audio’s new award-winning Multi-cellular Loudspeaker Array (MLA) has taken place at the Marquee Nightclub in Sydney, Australia.

Part of The Star Casino complex overlooking Darling Harbour, ‘Marquee––The Star Sydney’ is more than just a nightclub. It represents a development of the Casino into a much larger leisure and retail complex with the emphasis on entertainment, nightlife and shopping.

Within this, the Marquee Nightclub stands out as an independent enterprise and part of an international franchise that includes some of the hottest clubs in the world. It is fitting, therefore, that in choosing MLA, the Marquee Nightclub should have commissioned the world’s most advanced sound system as the central component to what is comfortably the largest nightclub investment ever undertaken in Australia.

MLA is more familiar to high-end touring and vast festival audiences. But Technical Audio Group (TAG), Martin Audio’s Australian distributors, were given the thumbs-up to supply a system into the largest of the areas within the club called the Main Floor––¬¬the Boombox, VIP Room and Library being the others.

Describing the background of this project, TAG’s Director of Engineering, Anthony Russo, said that as leaders in the design and supply of high end nightclub systems spanning over 30 years, the company was invited to bid on the project by AVS and Rentals Sydney on behalf of their client The Strategic Group, owners and operators of TAO and Marquee in the USA. “One main advantage of our experience was that we could assume total responsibility, deliver a turnkey solution and provide long term 24/7 support.”

As importers of Martin Audio equipment, Russo realized that the client was already familiar with the brand having specified it in some of the Group’s American clubs. After being awarded the contract in late 2011 TAG tabled a proposal to supply the new flagship MLA Multi-cellular array system on the main dance floor. “Considered by many to be the most cutting edge system available, this was to be MLA’s first installation in the world and compatible with Marquee’s market position,” said Anthony.

With such headline acts as Will.I.Am, Redfoo and Avicii appearing at the club, the request “for no technical compromise” further justified the selection of MLA.

Given this exacting criterion, a team approach was required and Russo enlisted several of the best electro-acoustics engineers in Australia––Glenn Leembruggen of Acoustic Directions and David Gilfillan as the commissioning and alignment team, with TAG dealer, Paul Moss from S&VC handling installation and mechanical aspects. In conjunction with Matthew Kline from Australian Venue Services, Marquee brought in Adam Ward, their US operations expert, for equipment review and final commissioning.

The club itself has been designed around 13 zones over the two main rooms. Even coverage and control were paramount, delivering high SPL where required and comfortable clarity elsewhere. AECOM Sydney undertook internal acoustic treatment given the high SPLs generated and mechanical isolation was also essential for all speakers with premium industrial caged rubber/spring isolators installed throughout.

A major challenge for speaker selection was the unusually low ceiling height for a club of nine to 11 feet in some areas with a plethora of existing hydraulic and electrical services and the added constraints of a stretched Barrisol false ceiling over the dance floors, so that tight vertical dispersion characteristics were the order of the day.

The main dance floor speaker system is comprised of six MLA enclosures and six MLX sub bass, with 18 specially modified VHF bullet arrays ensuring it specs right out to 32KHz, according to Anthony.

With its six onboard amplifiers, cutting edge DSP and networking, and with peak capabilities of 140-145dB, MLA is barely idling at Marquee, delivering nightly levels of 120dB or more. “As MLA is unlike any other loudspeaker manufactured, its set up requires a venue optimization program to be loaded specific to the task, and is exclusively venue based,” confirms Anthony Russo. “The amazing ability to listening for hours on end with no fatigue is truly unique.”

But TAG’s involvement with the Marquee went well beyond a PA system for the Main Floor. Apart from the Boombox and the chill-out Library there are several other small, segregated areas of entertainment and bar systems

The dance systems deployed here include 20 Martin Audio W8LM line array elements plus VHF bullet arrays, and five WS218X subs––while the three bar areas are catered for with banks of Martin Audio OmniLine micro line arrays, totalling 76 elements, with specially suspended banks of AQ212 subs. And with DJs also playing inside the enormous unisex toilet, a high-end Martin Audio 6.8T and sub ceiling speaker system has been installed.

Finally, the DJ’s need for monitoring is well catered for with Martin Audio AQ215 subs, Blackline F12+ and LE 2100 monitors.

Summing up, the TAG director says, “Marquee Nightclub at The Star Sydney has just installed by far the most advanced, cutting edge sound system in the world … full stop. We are delighted to have been the company responsible for specifying and being part of the team. The most exciting aspect is reading countless reviews of events and seeing comments relating to the sound system such as ‘jaw dropping’, ‘amazing’, ‘killer system’ and ‘best ever sound’; the list of superlatives is never-ending.”

For more about Martin Audio, please click to www.martin-audio.com.

Milwaukee’s Marcus Center For Performing Arts Undergoes Sonic Renewal With DiGiCo

marcuscentre_sd8_5.jpgCelebrating over 40 years of top-flight cultural and community programming including symphony music and theater productions, the Marcus Center for the Performing Arts is situated in the heart of the downtown Milwaukee theatre district. Uihlein Hall, with a seating capacity of 2,305, is the largest of the Marcus Center theaters, and is home to the Milwaukee Symphony Orchestra, the Milwaukee Ballet Company, more

Extron Now Shipping Select DMP 128 Audio DSP Models with Acoustic Echo Cancellation

Extron Electronics is pleased to announce the immediate availability of the DMP 128 and DMP 128 C Digital Matrix Processors. Both DMP 128 models are 12×8 audio mixers featuring Extron ProDSP™, automixing, and I/O expansion capabilities. The DMP 128 C version also features AEC – acoustic echo cancellation. The DMP 128 Series offers a configuration approach to DSP that simplifies mixing, routing, conferencing, and room optimization. Quick and intuitive configuration using the DSP Configurator™ Software allows the DMP 128 Series to be installed in very little time, with easy-to-learn adjustments that can be heard in real-time. A digital audio expansion port allows two DMP 128 units to be linked together to expand input and output signal management and routing capabilities. The DMP 128 is ideal for presentation and conferencing applications in boardrooms, courtrooms, and conference centers that require advanced matrix mixing with DSP. more

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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