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Archive of the Large Venue Category

Martin Audio’s Magical Summer

Starlight Express With MLA Compact at Bochum Stadionring

Martin Audio’s MLA (Multi-cellular Loudspeaker Array) system changed the sonic landscape around the globe this summer—providing an acoustic experience and uniting the audience at premier festivals, concerts and outdoor events, and permanent installations as never before.

For promoters and production teams, MLA enabled them to meet traditional challenges head on for the first time. The multi award-winning system’s ability to provide uniform coverage right across the soundfield was matched by its scientifically proven reduction of offsite spillage and noise pollution to well within local authority thresholds.

With MLA’s ability to sonically ‘map’ a site—optimizing audience areas and ‘hard avoiding’ objects that might create reverberation or slapback—it has rapidly become a go-to system for promoters and local authorities alike.

There was no finer example of the award-winning system’s powers than at AEG Lives’ Barclaycard British Summer Time Festival at Hyde Park, featuring the Rolling Stones and Bon Jovi.

Historically dogged by offsite noise pollution and neighborhood complaints Hyde Park had become a political hot potato. Thus new tenants AEG/Loud Sound acted accordingly.

Jim King, AEG Live Events director, explained, “We wanted to manage the whole process dynamically without having to turn [volume levels] down. We needed to set a system in place that would deal with the issues.” And with the Martin Audio MLA (of which King already had experience) Capital Sound provided the solution.

Thus just two weeks after The Killers had played to their largest audience ever through this system at Wembley Stadium, MLA headed across London to Hyde Park to demonstrate that the advance level of control would maintain an offsite level beneath the stipulated 75dB(A) threshold, raising the infield levels by as much as 6dB from previous years to around 100dB(A).

The low volume level had previously been the subject of audience complaints but the mandate set by Martin Audio and Capital Sound was to unite the audience in a single shared experience, with no compromise on sound levels.

It was the same story at the National Heritage-owned Kenwood House in Hampstead—another London landmark site traditionally blighted by neighborhood complaints until Cap Sound’s MLA came along.

But it has not only been at high profile music events that MLA has taken star billing. Believing system ownership would be a passport to securing greater local authority work, site service specialists WE Audio recently invested in an MLA Compact system and during the summer fielded it at events ranging from the Bristol International Balloon Fiesta to Bournemouth Air Show. With its ability to control offsite sound, WE Audio’s Wayne Barker is convinced that it will soon be adopted by local authorities.

Word about MLA and its groundbreaking claims have quickly migrated and its reputation has stretched far beyond British shores. The Japanese market, for one, has fallen in love with the system. MSI Japan fielded several systems that performed to no fewer than 177,000 people at Rock In Japan, while the mighty Hibino Sound has also purchased a system. Managing director, Ryoichi Hashimoto, confirmed that it would offer the same panacea. “We decided on the MLA investment because the promoters of summer outdoor festivals are increasingly demanding the absence of delay towers from festival sites and a need to solve offsite noise issues,” he said.

While Delicate Productions’ full MLA was out at the BottleRock Napa Valley Festival in California, 3G Productions equipped the Electric Daisy Carnival (EDC) dance festivals in New York, Chicago and Las Vegas—including a Martin Audio MLA. With eight of the world’s Top 10 DJs, and more than 200 acts performing on seven stages for over 350,000 attendees at the Las Vegas Motor Speedway, MLA provided the power and coverage they needed inside the venue while controlling noise spillage to surrounding residential areas.

In addition to successful deployments of Martin Audio MLA and MLA Compact systems at a growing number of corporate and special events, On Stage Audio (OSA) of Chicago, Las Vegas and Nashville recently equipped the pavilion stage at Ravinia Festival in Highland Park, IL with MLA, the first new PA system at North America’s oldest music festival in a decade.

SES (Special Event Services) of Winston Salem and Nashville recently supported the popular Avett Brothers on the first U.S. leg of their world tour with an MLA System 36. RMB Audio relied on an MLA Compact system to unite the audience with exceptional sound and coverage while preventing noise spillage at the Red Hat Amphitheater located within the city limits of Raleigh, North Carolina.

Nor have the worlds of classical music or top quality musical theater missed out. RG Jones continue to delight orchestras (as well as audiences) at the Raymond Gubbay Classical Spectaculars with MLA while the German production of Starlight Express celebrated its 25th anniversary at Bochum’s Stadionring by commissioning a permanently installed MLA Compact sound system to handle “the fastest musical in the universe”—with the full approval of Sir. Andrew Lloyd Webber!

But Martin Audio is far from a one-trick pony. The globally renowned Glastonbury Festival saw Martin Audio on duty at the main Pyramid Stage for the fifth consecutive time—but this time it was with the far-throw characteristics of the Martin Audio W8L Longbow line array system, which had proven itself outdoors at stadiums on the Take That tour the previous summer.

With visiting artists and sound engineers so complimentary about the W8L Longbow system last time Glastonbury was held, sound company RG Jones were comfortable that it would again meet all compliances and propagation tests set forth by the acoustics consultants and organizer Michael Eavis, and satisfy the vast crowds at the same time.

Summing up, Martin Audio MD Anthony Taylor, said, “It has been an amazing summer for the company. We are proud of the way in which our partners around the world are overcoming acoustic challenges by optimizing our premium systems for the benefit of concert-goers and neighbors alike.”

For more about Martin Audio, please click to www.martin-audio.com.

Christie Technology Solutions a Major Presence at Worship Facilities Conference and Expo

Christie® , a leader in providing digital display technology to the house of worship market, will display a range of solutions at Worship Facilities Conference and Expo (WFX) at the Dallas Convention Center October 2-4. The expo is the largest showcase of church-related products and services in America and the Christie booth will feature a variety of projection solutions all managed by the Christie Spyder X20 video processor.

Two blended Christie HD10K-M 3-chip DLP® projectors will be featured. With a combination of unparalleled image quality and low cost of ownership, the flexible Christie M Series of 3-chip DLP® projectors provides incomparable results in numerous applications. Available with WXGA, SX+, HD and WUXGA (1920 x 1200) resolution and providing up to 10,000:1 contrast ratio, the industry-leading Christie M Series is equipped with Christie Twist™, which enables edge blending and warping for smooth, clean images from multiple projectors.

The Christie booth will also draw attention to the new Christie LW720 3LCD projector. Featuring 7200 ANSI lumens with only a single lamp and 2500:1 contrast ratio for high brightness and deep and rich blacks, it also has one of the largest lens shift ranges*; giving customers more flexibility for installation locations in houses of worship, meeting rooms and classrooms.

Christie FHD551-W WeatherAll Flat Panel


Another highlight is the WeatherAll™ Christie FHD551-W flat panel. Introduced early this year, the weatherproof 55-inch full HD (1920 x 1080) LED edge lit LCD with optically bonded glass is designed to carry the message outdoors. Designed to withstand the elements, its high brightness LCD communicates to your audience regardless of weather conditions.

Christie is also showcasing the Christie DHD550-G 1-chip DLP® projector. Featuring Dynamic Contrast, which enhances images by increasing the contrast ratio to 5000:1, the Christie DHD550-G delivers superior image quality reliability and affordability in a single lamp design.

The Christie booth will also spotlight the award winning Nitro Solutions with a Christie YK50 dual-arm yoke supporting a Christie LX700 projector. The Christie YK50 is suitable for live events and staging applications in small- to mid-sized venues where moving video and lighting enhance the audience experience, but space is at a premium.

Also on display is a 1-unit wide by 5-unit tall Christie® MicroTiles® wall while two Christie HD14K-M 3-chip DLP® projectors will be utilized during the expo’s keynote address.

* varies on lens

Sports Authority Field at Mile High Reaches New Heights with HARMAN’s JBL Professional Loudspeakers

NORTHRIDGE, California – Denver’s legendary Sports Authority Field at Mile High recently opened its 2013 season with high expectations for its resident NFL franchise, the Denver Broncos. Now, with a brand-new HARMAN’s JBL loudspeaker system, Broncos fans can also expect world-class audio quality, whether they’re sitting on the 50-yard-line or anywhere else in the stadium.

Minneapolis, Minnesota-based Parsons Electric installed the new audio system, which was designed by Dallas, Texas-based Wrightson, Johnson, Haddon and Williams, Inc. (WJHW). The upgraded system included a retrofit of the stadium’s scoreboard loudspeakers, as well as wholesale changes to the bowl loudspeakers.

“We pulled every speaker out of the bowl and scoreboard and replaced them with substantially larger speakers with more modern horns and better dispersion,” said David Potts, Field Engineer, Parsons Electric. “The previous system wasn’t bad, but it was really thin and it was dated, so they didn’t have an abundance of coverage and output.”

“The driving force behind the replacement of the audio system was the installation of new scoreboard and video displays along with addition of a full ribbon display on the fascia of the club level,” said Mark Graham, Associate, WJHW. “This fascia was previously the home of the loudspeakers that covered the lower deck and field side seating and as such, could not remain. The redesign added many new loudspeaker locations to the system, but since many of the existing locations were already wired with 10AWG cable, we reused most locations to make the best use of available budgets. We did have to step outside of our normal palette of design tools and use some custom-built loudspeakers to provide the required performance and sound coverage from these ‘pre-wired’ locations.”

Parsons Electric installed a total of 18 JBL loudspeakers flanking the scoreboard: 10 PD5342, six PD5212 and two AM5212 loudspeakers. The new bowl system now features 61 PD5342/64 loudspeakers, each paired with a JBL custom-made AL6212-WRX low-frequency loudspeaker. Every PD Series loudspeaker enclosure is treated with JBL’s WRX extreme weather protection.

“We did some steering to couple the low frequencies of the AL6212-WRX with the PD5342 loudspeakers,” Potts added.

The suite level now features 52 JBL custom-made CSMHS-DH12 weatherized loudspeakers, which each contain a 100-volt transformer. The suite level also features 26 AL6212-WRX weatherized devices.

Under the deck and upper bowl, 36 JBL CSAW-266 and CSAW-211 loudspeakers exist between “tusks” or large, forked beams.

With the Broncos off to a strong start and the new audio system in place, Broncos fans have good reason for excitement. “We now have a lot more SPL and the sound throughout the whole stadium has much more presence,” Potts said.

“Sports Authority Field at Mile High has the loudest crowd of any NFL stadium that I have been involved with and provides the backdrop for the high SPL products selected from the JBL Professional line as well as the custom loudspeakers used,” Graham concluded. “After the first two regular season games, both wins for the Broncos, the system is meeting our design expectations and more importantly, those of the fans!”

For more information on Parsons Electric, please visit www.parsonscorp.com

For more information on WJHW, please visit www.wjhw.com

Photo Credit: Jeffrey Beall

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

Field Museum of Natural History Goes Modern with L-ACOUSTICS

White 8XTi surround speakers are unobtrusively mounted between the columns on both sides of the Field Museum's Simpson Theater

Frost Chicago and Clearwing Productions install ARCS WIFO and XT Series systems at James Simpson Theater for everything from corporate events to 3D cinema

CHICAGO — With its majestic Doric-style columns, intricately carved molding and beautifully detailed 20-foot recessed ceiling, the 700-seat James Simpson Theater at Chicago’s Field Museum of Natural History is popular among Fortune 500 companies and other organizations as a prime venue for corporate events. Recently, production design firm Frost Chicago enhanced the nearly 100-year-old space with a very modern addition — a full L-ACOUSTICS surround sound system to complement a new 3D/HD digital cinema projector installed by D3D Cinema. more

Renkus-Heinz ICONYX Brings Clarity to Beirut Parliament

Beirut, Lebanon – October 2013… The tall, domed central hall of the Lebanese Parliament building in Beirut has long been known as an acoustically challenging environment. But after many years and numerous attempts, a recent renovation has brought the building’s rogue reverberation under control, bringing clarity and high intelligibility to the iconic space with Renkus-Heinz Iconyx digitally steered array loudspeakers.

The building, designed in 1931 by Beaux-Arts architect Mardiros Altounian, is believed to be on the site of the Roman Forum of Berytus, where the Roman School of Law stood before being leveled by the great earthquake of 551 AD. During Lebanon’s civil war, the structure suffered considerable damage, and its renovation is a symbol of the vision involved in the reconstruction of Beirut city center.

The parliament building’s architecture, in particular the dome, has long presented challenges with reflectivity and poor speech intelligibility — certainly a major drawback for any debating chamber.

Today, the building is a blend of heritage architecture with a modern interior complete with contemporary high-tech amenities, including a pair of Iconyx steerable arrays specified and installed by system integrators Mac Audio sarl. Mac Audio specified Iconyx, using its beam steering capabilities to focus audio beams on individual seating areas and away from the roof and walls. The project proved an interesting and enjoyable audio challenge, said Nader Arzouni, General Manager of Mac Audio. “We deal with all the Lebanese Republic’s government departments,” he said proudly, “including the Prime Minister’s office and parliament buildings.”

The ground floor’s main area, with seating for 165 including 128 deputies, is covered by two Iconyx IC8 columns, with a pair of IC7 mechanically steerable units for the  president’s podium. Two IC16s serve the balcony level, where up to 100 guests can be accommodated.

Two Shure feedback eliminators, one for the balcony and another for the main hall, a Crest Audio rackmount mixer and a single XTA DP448 controller to add even more flexibility to the main floor’s IC8s, complete the system. A final touch was the provision of Renkus-Heinz SGX41 compact cabinets for the Prime Minister’s residential palace.

As the technical skills of the system operators can vary widely, Mac Audio preset the system so that very little adjustment is needed, making life as simple for them as possible.

“It’s all very good,” said Nader Arzouni, “a very flexible, modern system that has completely eliminated all the old intelligibility issues and delivered crystal clear sound that parliament is delighted with.”

###

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

TNDV Celebrates Business Milestone with National Quartet Convention Production

Mobile production specialist supports “Gospel Music’s Largest Annual Event” with two trucks – and celebrates 100th shoot for flagship Aspiration truck

NASHVILLE, September 30, 2013TNDV this month hit the 100-project milestone for its flagship HD/SD mobile production truck, Aspiration, in Louisville, Kentucky, where the company produced outside broadcast and in-house feeds for the annual National Quartet Convention (NQC). TNDV also brought its recently-launched audio truck Vibration to the venue, Freedom Hall, to produce surround sound feeds (5.1 and 7.2) and multitrack recordings for the world-renowned six-day gospel music event.

The in-the-round event was captured for later broadcast on TBN (Trinity Broadcasting Network), with veteran TV producer and director Russell Hall overseeing the 10-camera shoot on board Aspiration. Hall hand-picked TNDV for the show based on his previous experience with the company and its Aspiration truck.

“We’ve used six different mobile unit providers for this event over the past 12 years, but Aspiration is specifically targeted toward capturing entertainment and music specials,” said Hall. “It gave us an ideal complement of gear, a large expando working space and a small parking footprint. I have said many times that if I built a mobile unit, this is exactly how I would lay it out.”

The National Quartet Convention brings gospel music’s biggest stars together, and Aspiration’s layout helped Hall deliver the right product for many production elements beyond the TBN broadcast, including a live webcast, an IMAG shoot and retail videos. The project also required pristine audio production on behalf of record labels and performing artists, a role that TNDV ably filled with Vibration.

Vibration features a 256-input Studer Vista 9 console and ProTools multitrack recording at its core, with the on-board crew using more than 100 inputs for the NQC production; and running Joeco Black Box recorders in the background for maximum redundancy. Hall communicated with the Vibration crew using a centralized RTS ADAM intercom matrix, employing multiple partyline channels and point-to-point channel assignments. Similarly, TNDV built a single routing infrastructure between the two trucks, sharing video and audio resources across a Harris Broadcast Platinum router.

For Hall, the impact of employing a separate audio truck raised the overall production quality to a level not seen at previous NQC events. They previously tried mixing and monitoring inside the venue, on board video trucks, in remote audio trailers and via other methods to varied success.

“In the past we have had to compromise on the quality of the audio capture, and this year we realized we had to make audio just as important as the video,” said Hall. “We were producing an intense music event over a six-day period that would incur nearly 50 hours of audio capture. Vibration gave us that same commitment to excellence on the audio side that Aspiration provides for video.”

For Nic Dugger, president and owner of TNDV, celebrating his 100th shoot with Aspiration at a nearly week-long event that covered 50 hours of complex concerts — with multiple producers and production companies — put into perspective how quickly things have progressed since launching the truck.

“In 25 months, Aspiration has done 100 unique shoots with unique load-in and load-out processes, often for multi-day events,” said Dugger. “In the meantime we have launched three additional trucks, including our first audio truck with Vibration.”

Dugger notes that NQC was a special event to hit that milestone given how much planning went into the production. “There was a crew member for each position — something not done very often today — which allowed TNDV engineers to truly service everyone involved instead of covering open positions. It’s ultimately our jobs to make sure these portable facilities work just like their home studios, which allows everyone to work in complete comfort.”

ABOUT TNDV: Television
Formed in 2004, TNDV: Television represents the culmination of many years of broadcast and live production for Nic Dugger, owner and president; and his staff of full time engineers. TNDV produces events from small single-camera productions all the way up to multi-million dollar international TV events, and takes pride in building custom solutions for challenging productions of any size, in any situation. Recent productions include the live concert productions at the NCAA Final Four, the 2013 Re/Max Long Drive Challenge on ESPN, and the inaugural season of Sing for Your Supper on PBS. Please call 615-585-6528 or visit www.tndv.com for more information.

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DPA Convinces Metallica’s Big Mick That Its Mics Can Rock

Big Mick, Front of House sound engineer for the US heavy metal band Metallica, is using DPA’s d:vote™ 4099 Instrument Microphones to capture the sound of drummer Lars Ulrich’s cymbals and toms.

“After 30 years with Metallica – and 15 years miking Lars’ drums with another brand of microphone – I was finally persuaded to test DPA microphones by Morten Uldbæk, who is the Danish distributor for Midas consoles,” Big Mick says. “I have to admit I had never considered DPA as the right kind of microphone for live rock music, but after giving them a try I was really impressed with their brightness and crispness.”

The final impetus to switch to DPA came from the studio engineers who were working on the soundtrack for Metallica’s 3D film Through the Never, which will have its first public screening at the Christopher B. Smith Rafael Film Center in San Rafael, California on Tuesday, September 17th.

“The recording guys were not happy with our old mics because they didn’t deliver the audio they wanted across the full frequency range,” Big Mick says. “Obviously for a surround sound, 3D movie it was important that the audio was perfect so I suggested the DPA d:vote 4099 Instrument Microphones and, after carrying out A/B testing, they were very happy for us to switch to them.”

Big Mick adds that as well as delivering brighter, crisper audio, the DPA d:vote 4099 microphones were much clearer in the higher frequency ranges. As a result he no longer needs to use an exciter across the cymbal and toms sub group on his Midas live sound console.

“Technology does move on and I’m always looking for better solutions,” Big Mick says. “Now that I have discovered DPA I am looking forward to trying out a few other models and already have my eye on the d:dicate™ 2011 recording microphones as I’m told they are great for drums as well.”

-ends-

About DPA
DPA Microphones is the leading Danish Professional Audio manufacturer of high quality condenser microphone solutions for professional applications. DPA’s ultimate goal is to provide you – whether you’re in live sound, recording, theater or broadcast – with the absolute finest possible microphone solutions for your tasks. DPA takes no shortcuts in the design processes nor makes any compromises in manufacturing, which is all done at the DPA factory in Denmark. As a result, DPA’s products are globally praised for their exceptional clarity and transparency, unparalleled specifications, supreme reliability, and above all, pure, uncolored and undistorted sound.

For more information on DPA Microphones, please visit www.dpamicrophones.com

LMG Equips NewSpring Church Campuses with KARAi

NewSpring Columbia's band energizes the crowd over the new KARAi house PA system

Greenwood and Columbia locations open doors with L-ACOUSTICS systems

ANDERSON, South Carolina — Founded by Senior Pastor Perry Noble in 2000, NewSpring Church of Anderson, South Carolina has experienced tremendous growth over the past 13 years. Following the completion of its main worship center in 2006, the church began to establish satellite campuses throughout the region to accommodate its increasing number of attendees, which has now reached nearly 30,000 each week across NewSpring’s eight locations.

With an ultimate goal to reach over 100,000 people for Christ every Sunday, NewSpring Church puts tremendous emphasis not only on the spoken word — which is streamed live from Anderson — but also on high-energy live music at each site boasting concert tour production values and sound levels.

NewSpring Senior Pastor Perry Noble live streams his message to the Columbia campus and other locations each week

Pleased with the dV-DOSC loudspeaker system installed in its 2,500-seat home sanctuary seven years ago, the church has recently been commissioning L-ACOUSTICS Certified Provider LMG Systems Integration of Orlando to design and install KARAi systems for all of its newest locations. NewSpring’s Columbia and Greenwood campuses, which both opened around the turn of the year, are the first two worship centers to benefit from the arrays. more

MEXICAN STADIUM – JUÁREZ VIVE – COMES ALIVE WITH DANLEY

CIUDAD JUÁREZ, MEXICO – SEPTEMBER 2013: Located in the US border city of Ciudad Juárez, Mexico, the recently-completed Juárez Vive is a stunning sports stadium and a proud symbol of the recently-embattled city’s rejuvenation. Indeed, the bold, exposed angles of its support structure give one the impression that the stadium is rising into the air. When the baseball season got underway in April, the newly-completed stadium accommodated 12,000 fans for a thoroughly-modern game-day experience. An important component of that experience is now a highly-intelligible, pleasantly-musical sound reinforcement delivered by Danley Sound Labs loudspeakers and subwoofers, with support from Ashly amplifiers and Symetrix processing. The Mexican government had great expectations for the sound system’s performance, and the Clarity Incorporated-design not only exceeded those expectations, it did so on the narrowest of budgets.

Ciudad Juárez’ strategic location in the context of Mexico’s drug wars threatened to smother the rich cultural life of its 1.3 million people, but things have turned around in recent years and the city is regaining its footing. The new stadium thus bears a level of personal investment from city and government officials that have influenced its design and construction. “The Governor of Chihuahua, César Duarte Jáquez, toured the construction site frequently to track and encourage the progress,” explained Rich Mason, president of North-Carolina-based Clarity Incorporated. “Our charge was to deliver ‘sound that was befitting the best of Mexico.’ They expected us to jump a very high bar.” The construction company, Afirma, only involved Clarity Incorporated after first determining that the original sound system designer wouldn’t be able to deliver that kind of performance on budget. As a result, Clarity Incorporated started the design three months late and operated on an emergency schedule.

Bill Weir, Clarity Incorporated’s director of technology designed the system with assistance from Ivan Beaver, Danley Sound Labs’ chief engineer. A small crew from Clarity Incorporated spent three weeks on site to assist Afirma with the installation. “This is a value-engineered system,” asserted Weir. “Occasionally, you get a big-budget project in which issues can be overcome simply by throwing money at them. You don’t have to give them a lot of thought. But in this day and age, and especially for a government client, money is tight and you have to carefully balance the tradeoffs inherent in any decision, but in such a way that no one feels that it’s a compromise. That’s a value-engineered system.”

Loudspeaker and subwoofer placement at the new stadium looks deceptively simple. Nineteen Danley SM-80 full-range loudspeakers ring the lip of the roof that covers the stands, and every other SM-80 is joined by a Danley TH-118 subwoofer. “We’ve been huge fans of Danley from the very first moment we heard their loudspeakers,” said Mason. “Their phase coherence and pattern control are unrivaled, and they present the most natural sound stage I’ve ever heard short of studio monitors.” Weir, a loudspeaker designer himself, originally drew up the plans with a Danley SH-69 and a Danley SM-96 at each location. “I was able to quite nearly create an equilateral triangle between the slant of the seats and the point at which the loudspeakers would hang,” he said. “I wasn’t aware of the new SM-80, and so the SH-69 and SM-96 would combine to give me the appropriate coverage. Ivan realized the SM-80 would be as effective, but at a fraction of the cost, and suggested them as a replacement. I’ve worked with him enough to trust his recommendation on an unproven product. Sure enough, he was right. I’m blown away by the SM-80.”

Weir observed that subwoofers are often omitted from stadium designs. “With conventional subs, it’s hard to retain low end definition or clarity in a stadium situation,” he said. “It’s just mud. In contrast, Danley’s tapped-horn subwoofers have vastly lower group delay and a very definite focus that you can’t get from conventional designs. Put another way, it doesn’t matter how loud or low something goes, it’s the manner in which it does so that matters. And Tom Danley’s bass is not only loud and low, it’s musical and defined.” The stadium’s roof and appropriate spacing also contribute to exceptional low frequency definition.

Heil microphones and a handful of other input sources feed a 16-channel Yamaha LS9 console, which in turn feeds a Symetrix 8×8 DSP with a Symetrix BreakOut 12 for additional outputs. “Given the circumstances, we didn’t have a lot of design cycle time on this job,” said Weir. “And as well as one might plan things out, the system requirements are likely to change on site. Symetrix has a reputation for building solid algorithms that are supported by well-designed analog circuitry. Its flexible open-architecture topology allowed me to perfectly tune the system functionality while I was in Juárez.”

Nine Ashly pe3800 and four Ashly ne2400 amplifiers power the system. All of the Ashly amplifiers are networked to allow Ethernet control from a central location. “Ashly is another company that puts sound and reliability first,” said Weir. “Their network amps are a great example of appropriate functionality. They sound great and maintain a robust low end even with a lot of speaker cable. Of course, that kind of sound quality is paramount. Beyond that, the network capabilities meet the client’s needs without adding any costly – but ultimately unnecessary – bells and whistles.”

He continued, “Clarity has no obligations to any manufacturer. I can use whatever I want in my designs. Given the design expectations and constraints at Juárez Vive, I’m certain that this is the only combination of gear that would have succeeded. It’s a very unique synergy, and I’ve never heard a better system for anything less than five times the price. From the client’s perspective, it’s simple: they have a far better audio system than even dared imagine possible, and they stayed on budget.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology. www.danleysoundlabs.com

FSR’s DR-SOCK Provides Easy Cure for Pulling Cables

A “must have” for fast and simple cable installation

Woodland Park, NJ – FSR’s new DR-SOCK is a handy and affordable cable-pulling tool designed to simplify and accelerate every installation requiring cables and connectors.

A must-have for every installer’s toolbox, DR-SOCK is pre-assembled, easily accessible in frustration-proof packaging, and re-useable. It protects cables and connectors from being damaged by taking the stress off the connection points while pulling through a conduit. The design opens up to 1.25 inches, and features brightly colored sleeve tips to enable easy identification, and a steel ring to allow quick and positive attachment of a pull snake. DR-SOCK can be used to safely pull FSR’s new Digital Ribbon Cables as well as others with connector shells.

“DR-SOCK joins so many of our products that are designed to shorten installation time without compromising the integrity or quality of the project,” said Jan Sandri, FSR president. “This simple device pulls cables and connectors without damaging them, and will soon be a staple in every toolbox.”

DR-SOCK, like all FSR products, is made of durable materials in the USA.

About FSR
FSR, established in 1981, manufactures a wide variety of products for the audio / video, education, hospitality, government, and religious markets, including AV floor, wall, table, and ceiling connectivity boxes, as well as a full line of interfaces, distribution amplifiers, matrix switchers, seamless switchers and CAT-5 solutions.

The company is an Energy Star Partner and complies with the American Recovery and Reinvestment Act of 2009 to demonstrate its deep commitment to preserving the planet. FSR offers live 24/7 technical and sales support throughout the country from expertly trained technicians and sales representatives. For more information: www.fsrinc.com.

FSR Contact: Jan Sandri
973-785-4347 • sales@fsrinc.com

Press Contact: Desert Moon Communications
Harriet Diener
845-512-8283 • mailto:harriet@desertmoon.tv

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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