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Archive of the Large Venue Category

Martin Audio MLA At First FREQ’ender Dance Festival In Singapore

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EXPO AV-INSYNC (EAI) were chosen to provide full technical production for the first ever FREQ’ender dance festival in Singapore, and the company wasted no time in specifying its Martin Audio MLA system for the two day event.

The event was held at Infinite Studios and promoted by Limited Edition Concepts (Singapore), with 4,500 people attending over the weekend.

The festival was split into two distinct days: the first (in conjunction with Halloween) was named Freq’show, which made way on Day 2 for Mekanika, produced by international Trance Festival brand, Godskitchen

EAI managing director, Gerard Rodrigues, confirms that his company had recommended the MLA system. “The end result was that everyone, including the promoters, really felt the music and were amazed at the audio quality. They were really blown away.

“The MLX subs also became a talking point for many of the AV industry professionals who attended the gig as well.”

EAI kept the same rig in place for both days, with hangs of eight elements per side (plus a single MLD Downfill). The 12 MLX subs were ground-stacked in configurations of 2 + 4 + 4 + 2.

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In addition the company supplied eight W8LM Mini line arrays and four WS218X subs as a potent DJ monitor system.

Limited Edition Concepts’ director and co-founder, Godwin Pereira was certainly impressed. “With EXPO AV’s experience, it was easy to get the best out of the MLA system, and the sound behaved superbly in the 18,000 square foot sound stage. It was warm and non-intrusive, producing little in the way of ‘noise’; instead, it delivered purity, clarity and a whole lot of thump!”

In addition to what Rodrigues describes as “the awesome sound”, he says the audience was also treated to lighting and projection mapping during the festival.

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The event featured global acts covering electro, trance, house, techno and many other genres, including Hot Chip, 2ManyDJs, GlowInthedark and Marco V, along with over 20 live performers and dancers from Taiwan, Singapore and Malaysia.

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

4K UHD HDMI Switcher with Audio Extraction is Newest Addition to Digital A/V Line of Products

MONTREAL, QUEBEC — MuxLab Inc. is pleased to introduce the newest member if its Digital AV line of products. The HDMI 4×1 Switcher with Audio Extraction allows four HDMI sources to be distributed to one HDMI display. The switcher supports up to 4K (3840 x 2160), 8-bit color and HD audio.

The Switcher was designed to meet the high demand of installs for various commercial and residential AV systems. The extracted audio is available on an S/PDIF Toslink, Coaxial and 3.5mm Stereo Jack. The push button selects between the HDMI inputs, and the unit also features IR Remote Control.

“The new HDMI 4×1 Switcher with Audio Extraction is ideal for various residential and boardroom applications” said Marc Bohbot, MuxLab’s Director of R&D. “With its multiple Audio output formats, it can be used with a variety of audio equipment.”

MuxLab offers its customers a wide-ranging product line-up and strives to maintain its reputation in both high quality and affordability in the Digital and Pro A/V markets.

The Switcher joins the MuxLab Pro Digital family of products which also includes HDBase-T extenders, 4K HDMI splitters, multi-media & HDMI matrix switches, HDMI over IP distribution solutions, and more.

About MuxLab

MuxLab is a leading Canadian manufacturer of A/V, CCTV, and Broadcast equipment including matrices, splitters, switchers, & extenders with a full range of HDBaseT solutions for both residential and commercial environments. At the forefront of innovation, MuxLab continuously releases new products to keep up with the changing and evolving markets.

Join MuxLab on Facebook: https://www.facebook.com/MuxLab
Follow MuxLab on Twitter: @muxlabinc

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MuxLab HDMI 4X1 Switcher with Audio Extraction, UHD-4K

MuxLab HDMI 4X1 Switcher with Audio Extraction, UHD-4K

Extron Introduces Next Generation Fiber Optic Control Inserter

Extron FOX II RS 104Extron Electronics is pleased to introduce the new FOX II RS 104, a four port RS-232 inserter for long-haul transmission of control signals to remote source and destination equipment over fiber optic cabling. Each port provides a bidirectional fiber optic connection to an Extron FOX II or FOX Series transmitter or receiver for the Ethernet insertion and extraction of control data, while maintaining a continuous pass-through link for video and audio. The FOX II RS 104 is ideal for use in applications with a centralized control system that require the long-haul transmission of AV and control signals over fiber optic cabling. more

OneRepublic FOH Engineer Solves Live Recording Challenge With Sonnet Fusion F3 RAID Storage System

System’s High Capacity and Its Rugged and Vibration-Proof Design Enable Recording of 112 Tracks at 96kHz for Future Re-use and Virtual Sound Checks

IRVINE, Calif. — Nov. 11, 2014 – Sonnet Technologies today announced that its rugged and portable Fusion(TM) F3 two-drive RAID storage system is enabling a live recording workflow for OneRepublic’s current “Native” tour. With the ability to store up to 6TB of content on dual shock-isolated hard drives, the Fusion F3 reliably captures more than 100 tracks of audio from the band’s nightly performances, recorded at 96kHz resolution.

OneRepublic is beginning the third European leg of its “Native” tour, which began almost two years ago and so far has visited close to 200 venues in Europe and North America. Like any high-profile touring musical act, OneRepublic needs the ability to make a high-fidelity recording of each performance — both to create an archive for future recordings and live releases, and to enable the band to perform virtual sound checks. However, the OneRepublic sound crew was challenged to find a high-capacity storage solution that could stand up to the rigors of touring, as well as the extensive vibration created by OneRepublic’s characteristic low-end-heavy sound.

“Until we discovered the Fusion F3, we had tried several other external storage solutions. As soon as the bass sounds began to crank up, other units would just freeze. It was very frustrating to produce a great show and not be able to record it because the hard drive couldn’t keep up,” said Zito, the renowned front-of-house (FOH) engineer for OneRepublic and owner/operator of Zito Production Services. “Whether it’s rack-mounted or simply sitting on top of a hollow touring case, which can amplify the vibration, Sonnet Technologies’ Fusion F3 is able to handle the very large track count at 96k and the extreme bass energy without missing a beat. The Fusion F3 is an invaluable asset to our operation.”

To produce each OneRepublic performance, Zito uses the state-of-the-art DiGiCo SD7 audio mixing consoles, which together provide the necessary inputs and outputs to support the required 112 channels at 96k. For live recording, two DiGiGrid MGB MADI interfaces convert the MADI output to a network signal for input to a MacBook Pro(R) running Cubase recording software. A Thunderbolt(TM) chassis receives the recorded output via a Thunderbolt connection from the computer and converts it through a Thunderbolt-to-eSATA adapter, which in turn connects to one of the four interface options on the Fusion F3. Configured in RAID 0 mode, the storage system is able to sustain transfer rates of up to 200 MB/s, and its 6TB of memory means that Zito is able to record two to three nights of performances before having to transfer the content to secondary drives.

Each of the Fusion F3′s drives is mounted on its own multi-axis shock/vibration isolation sled to virtually eliminate vibration-related problems such as missed seek operations and cross-coupled vibration. Coupled with the system’s rugged aluminum and steel outer case construction, this configuration protects the drives and ensures reliable operation.

For a virtual sound check, the DiGiGrid MGB console receives recorded content back from the Fusion F3 via MADI. A relatively new concept, the virtual sound check is a powerful capability for large touring productions that change venues almost daily. By playing back the recording of the previous night’s performance, Zito can work with the band to fine-tune the mixing console settings for the next show and produce the ideal sound for each venue. The approach saves time and increases accuracy because the performance recording is the best source material available short of the actual performance.

“Virtual sound checks were unfathomable 10 years ago, but they are becoming more and more in demand by artists as a way to make sure that FOH is translating the performance correctly to the audience,” Zito said. “Of course, it’s imperative to have a reliable recording system to accomplish this; we would not be able to do it without the Fusion F3.”

“As FOH engineer for one of the top touring bands in the music industry, Zito is also one of the most dedicated. His commitment to ensuring that OneRepublic’s music is presented to the audience as the band intends it, by using only best-of-breed tools, is evident in the quality of each show,” said Greg LaPorte, vice president of sales and marketing at Sonnet Technologies. “The OneRepublic tour is exactly the type of application for which we designed the Fusion F3, and we are glad the system meets the band’s requirements for durability, reliability, recording capacity, and quality.”

More information on Sonnet and its products is available at www.sonnettech.com.

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About Sonnet Technologies
Sonnet Technologies Inc. is a leading provider of Thunderbolt(TM) 2-to-PCIe(R) card expansion systems, pro media readers, RAID storage systems, and storage, network, and other interface cards for pro users in the audio, video, and broadcast industries. Sonnet’s Thunderbolt expansion products enable the use of pro audio I/O and DSP cards, pro video capture and transcoding cards, network and storage interface cards, and other high-performance PCIe cards with Thunderbolt technology-enabled computers. For nearly 30 years Sonnet has pioneered and brought to market innovative and award-winning products that enhance the performance and connectivity of Mac(R), Windows(R), and other industry-standard computers. More information is available at www.sonnettech.com.

All trademarks appearing herein are the property of their respective owners.

Image Link: www.wallstcom.com/sonnet/sonnet-dual_fusion_F3_rack-mount.jpg
Image Caption: Sonnet Dual Fusion(TM) F3 Rack-Mount

Image Link: www.wallstcom.com/sonnet/sonnet-onerepublic_foh_zito.jpg
Image Caption: Zito, Front-of-House Engineer for OneRepublic

Image Link: www.wallstcom.com/sonnet/sonnet-fusion_f3_onerepublic_tour.jpg
Image Caption: Sonnet Fusion(TM) F3 Used for OneRepublic Tour

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RMB Audio Eliminates Reflections With MLA Compact

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Raleigh, NC––Tasked with providing audio for 11 concerts in a row at Dorton Arena featuring artists ranging from Vanilla Ice to comedy artist James Gregory, country stalwart Trace Adkins, Gospel luminary Tamela Mann and Christian Rock’s Newsboys, RMB Audio already faced a daunting assignment at this year’s NC State Fair.

Factor in the arena’s demanding acoustic environment, and the task became even more challenging. As RMB’s Systems Engineer Roger Dennis drily points out, “It’s got everything you want; concrete, glass, steel, and hard wooden seats. Plus the arena’s an oval, so it’s reflections galore.”

Fortunately, the RMB Audio team came equipped with a Martin Audio MLA Compact system to better control the sound in the hall and eliminate reflections. “The MLA Compact system allowed us to stop the coverage just before it hits the glass in the rear and on the sides of the room,” Roger specifies. “The system’s output control is really precise. It made our job a lot easier while improving the sound quality for all of the acts and the audience.”

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The actual system consisted of a main hang with 12 MLA Compact enclosures per side, a side hang with 8 MLA Compacts per side, and 6 Martin Audio W8LMD (downfill) as lip fill. Ample low end was provided by 12 DSX subs ground-stacked in two rows of 6 standing on end with the two outer enclosures slightly angled out.

Asked about the MLA Compact’s other attributes, Roger points out the enclosure’s lighter weight and wider dispersion, but the main advantage is still its output control capability.

“It used to be when you had someone speaking into a microphone in the arena, the reflections would kill all speech intelligibility. With MLA, that’s not a problem. When we first brought it into Dorton three years ago it was quite a shock. Now that we’ve switched to MLA’s for outfill to kill the reflections coming off the glass, the clarity for spoken word has continued to improve dramatically.

“Everyone was pleased with the system, adds Dennis, “especially Newsboys FOH Engineer John O’Neal who was very impressed with what we could do with the rig because he’s been in Dorton before with an older system. One of his last comments to me during this show was ‘everything from 300Hz and above is completely clear. We could hear everything.’ John and I walked the entire venue during the soundcheck as did several engineers who put their head right next to the glass, and they said it sounded exactly the same as it did down at the mix position.

“That’s one of the key things the MLA does that other systems don’t. It optimizes for the audience, not the room. The quality of the coverage is consistent from the front of the stage all the way to the back of the arena.”

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Summing up, Roger adds, “We’re going to UNC Memorial Hall on the campus of University of North Carolina, a 1600 seat proscenium theater with a really prominent balcony face that is a problem in terms of generating reflections back onto the stage. The MLA Compact allows us to steer around that balcony; we can just slice that section out of the vertical coverage. We’ve been able to make it so accurate that you can literally stand up out of a seat and you’re out of the coverage. It’s really amazing.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Tightrope Media Systems Accelerates Multichannel Instant Replays for Utah Jazz with ZEPLAY

NBA franchise upgrades control room, adds giant LED displays during recent renovation of Energy Solutions Arena in Salt Lake City

ST. PAUL, MINNESOTA, November 6, 2014
– The Utah Jazz has a storied history as the National Basketball Association (NBA) franchise based in Salt Lake City. To further engage fans attending home games at Energy Solutions Arena, the team is now using Tightrope Media Systems’ ZEPLAY slo-mo instant replay solution to trigger multiple angles of exciting game action.

Utah Jazz ZEPLAY_press

Utah Jazz ZEPLAY-2_press

Installed during a recent major renovation of the 19,000-seat arena, ZEPLAY is used during every Utah Jazz home game as well as motocross, monster truck shows, rodeos and other sporting events taking place at the downtown venue. All replays are displayed on giant YESCO LED display boards inside the arena bowl, which were also part of the renovation project.

“Game day entertainment is very important to Jazz fans, and seeing instant replays of key game moments is one of their biggest demands,” said Shawn Brown, director of video productions for the Utah Jazz. While ZEPLAY is recording eight angles of game action (four in, four out), the operator can select and output multiple angles of any replay in just seven frames to accelerate playback. “Within a second or two following a key play, our ZEPLAY operator can cue and run a multi-angle replay,” explained Brown. “That’s how fast and easy it is to do.”

Major advertisers sponsor the replays for a particular quarter during home games, making ZEPLAY’s playback reliability exceptionally important. In the new control room production workflow, ZEPLAY interoperates with Ross switching, graphics and branding systems to display advertiser’s logo in the lower right corner of replays viewed on the LED screens.

“ZEPLAY helps enable this important revenue stream for our operation,” Brown said. “It also contributes to the overall efficiency of our arena show production.”

ZEPLAY includes a dedicated multiviewer to display four (1080i) HD-SDI signals coming from Ikegami cameras strategically positioned above and alongside the basketball court, as well as the four HD-SDI signals it outputs to arena screens. ZEPLAY’s preview/program video signals also display on a large flat-screen monitor wall at the front of production control to benefit other operators, including the director and technical director.

During its mid-2013 facility renovation, the Utah Jazz placed a massive 4-sided YESCO LED video board above the basketball court and LED ribbon displays around the arena. They also relocated their old production control room to a new suite with four times the space and upgraded equipment, adding a Ross switcher and graphics systems; and digital content production systems from Click Effects. ZEPLAY replaced a legacy Leitch replay system that’s no longer supported, enhancing live production possibilities while increasing reliability.

“Our previous system would lock up or crash right in the middle of games, and there was no tech support available anymore,” Brown said. “So our engineering team researched other replay systems that were on the market and found ZEPLAY to be the ideal fit. Since installation, it’s been very stable and reliable, and the replays just look awesome on our video boards.”

About Tightrope Media Systems

Founded in 1997, Tightrope Media Systems is the pioneer of web-centric digital signage and broadcast automation systems. It provides station automation, video servers, Internet video on demand, live streaming, the Carousel Digital Signage system, and ZEPLAY, a multi-channel instant replay machine for stadiums, arenas and Outside Broadcast vehicles. Tightrope’s award winning systems are used throughout the world. You can reach Tightrope Media Systems at (866) 866-4118 or visit them on the web at http://www.trms.com.

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Extron eLink 100 Professional-grade Wireless HDMI Extender Now Shipping

Extron eLink 100Extron Electronics is pleased to announce the immediate availability of the eLink 100, an HDCP-compliant wireless transmitter and receiver set for extension of HDMI video and multi-channel audio signals up to 100 feet (30 meters). This professional grade extender features a robust wireless communication technology that provides reliable operation and exceptional image quality with latency of less than one millisecond for real-time performance. Capable of supporting computer video with resolutions up to 1920×1080, including HDTV 1080p/60, the eLink 100 extender is an effective means of wirelessly transmitting HDMI video with embedded audio in a wide variety of professional AV environments, including historic buildings, houses of worship and other locations where running a cable is a challenge. more

Masque Sound Struts its Stuff for National Tour of Six-Time Tony Award®-Winning Musical, Kinky Boots

Kinky Boots Tour - Photo by Matthew Murphy

Kinky Boots Tour – Photo by Matthew Murphy

Kinky Boots, winner of six Tony Awards® including Best Musical, sings and dances its way across the United States for its year-long national tour with the help of Masque Sound, a leading theatrical sound reinforcement, installation and design company. Tony Award®-winning Sound Designer John Shivers, along with his long-time associate and collaborator, David Patridge, relied on Masque Sound to provide the custom audio equipment package for the tour.

In Kinky Boots, Charlie Price has reluctantly inherited his father’s shoe factory, which is on the verge of bankruptcy. Trying to live up to his father’s legacy and save his family business, Charlie finds inspiration in the form of Lola. A fabulous entertainer in need of some sturdy stilettos, Lola turns out to be the one person who can help Charlie become the man he’s meant to be. As they work to turn the factory around, this unlikely pair finds that they have more in common than they ever dreamed possible… and discovers that when you change your mind about someone, you can change your whole world.

Kinky Boots, directed and choreographed by the Tony Award-winning Jerry Mitchell, is brought to life by music and lyrics from Grammy® Award-winner and Tony Award-winner Cyndi Lauper and a book by Tony Award-winner Harvey Fierstein.

Shivers’ and Patridge’s goal of recreating and delivering the incredible sound that Broadway audiences are accustomed to, due in part to the custom audio equipment package that Masque Sound also supplied for the Broadway show, proved a daunting task. “When designing the audio we had to plan ahead for venues of vastly different sizes and shapes, as is typical when touring Broadway shows,” says Patridge. “One week, the production may run in a large civic auditorium with five levels of seating; the next week, it may be in a house more akin to a Broadway theatre with 1500 to 1800 seats. This tour really runs the full gamut as far as venues, including outdoor theaters and even hockey arenas.”

d&b audiotechnik V-Series line arrays in the speaker towers comprise the main sound system. “We first auditioned the V-Series when we worked on Holler If You Hear Me on Broadway, and we really liked the fact that the speaker was capable of clear, intelligible sound with a lot of impact, despite the compact size of the box,” adds Patridge. “We had a lot of assistance from Gary Stocker at Masque Sound, who created custom speaker tower designs for the tour. He was able to incorporate the V-Series into the towers, which is something that Masque Sound has never done before. Stocker took our ideas and turned them into reality, which saved us a lot of additional engineering, time and work.”

For the console, Masque Sound provided a DiGiCo SD7T, the same live digital console that is used on Kinky Boots’ Broadway production, as the designer wanted to keep the programming intact matching the Broadway show. “The SD7T’s channel count allows our engineers to incorporate all of the monitor inputs into the same console as front of house,” says Patridge. “The SD7T is the only console that would provide the 128 channels that were needed to handle our requirements along with the features that we were looking for. We are very happy that the Masque Sound crew was willing to go the extra mile to accommodate our requests.”

Masque Sound also supplied d&b audiotechnik D80 amplifiers. The amplifiers fit four channels of amplification into two rack spaces, which is an important space-saving feature for a touring production. In addition, the cast utilized a selection of DPA 4061 microphones, along with Sennheiser SK 5212 wireless packs and EM 3732-II receivers for the roughly 40 channels of wireless used on the show.

“As always, Masque Sound was able to provide us with everything that we needed for the tour,” concludes Patridge. “The challenge, with any tour, is making sure that the sound crew is able to translate the sound design that we envision. A lot of it is very subjective, with the team, at the end of the day, relying on the mixers to make the show work across all of the different venues. In this regard, Head Audio Mixer Ben Madden and Assistant Audio Mixer Brian Kallaher are the people who make this production happen from city-to-city and to them we are very grateful.”

Kinky Boots kicked off its national tour on September 4 at The Smith Center for the Performing Arts in Las Vegas. The tour is scheduled to play through most of 2015 and will make stops in 32 cities, including Portland, Seattle, Denver, Los Angeles, San Francisco, Detroit, Nashville, Houston, Dallas, St. Louis, Philadelphia, Chicago, Minneapolis and Boston.

About Masque Sound
Founded in 1936 by a trio of Broadway stagehands, Masque Sound evolved into one of NYC’s most successful theatrical sound reinforcement, installation and design companies specializing in theatrical, house of worship, sporting, corporate, TV broadcast and live concert events. Celebrating more than 75 years in the industry, the company is lead by Geoff Shearing, the firm’s 3rd generation owner, and Vice President and General Manager Stephanie Hansen. The company also operates Florida-based Professional Wireless Systems, a leader in the development and implementation of wireless technology. Credits range from major Broadway shows and tours including “Phantom of the Opera,” “Mamma Mia!,” “Lion King,” “Jersey Boys,” “Memphis,” “The Book of Mormon,” “Newsies,” “Once” and “Kinky Boots” to yearly Super Bowl broadcasts and installations of varying sizes, including New York’s New Victory Theater and historic St. Bartholomew’s Church. Masque Sound’s 70,000 sq. ft. corporate headquarters and main assembly facility is located at 21 East Union Ave., East Rutherford, NJ, 20 minutes from midtown Manhattan. For more information, call (201) 939-8666 or visit www.MasqueSound.com.

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TNDV Produces CMA Backstage Pass Multi-Camera Streaming Media Experience for the 48th Annual CMA Awards

HD mobile production specialist to produce live real-time, interactive coverage of the CMA Awards Red Carpet and backstage activities

NASHVILLE, November 4, 2014
— At The 48th Annual CMA Awards—airing live on the ABC Television Network tomorrow, November 5, from the Bridgestone Arena in Nashville—mobile production specialist TNDV will take the reins on the production of CMA Backstage Pass. This live, multi-camera streaming media experience will give viewers the ability to use their tablets and mobile devices to get an exclusive look at what’s taking place behind the scenes before and during the live CMA Awards telecast.

With 13 HD cameras dedicated to CMA Backstage Pass, viewers will see many angles of activities off-stage, starting with the Red Carpet from 5pm to 7pm Central Time. From 7pm to 11pm, viewers can switch between cameras backstage, in the main broadcast truck and in the press room where the stars appear after receiving their awards.

“The main goal of CMA Backstage Pass is to give fans an in-depth view into what their favorite celebrities are up to during the show. It also provides an unprecedented look into the behind the scenes workings of a major international awards show,” said Lacey C. Devlin, producer for TNDV and Backstage Pass. “Watching the live broadcast is just one part of the experience fans are searching for. In the age of social media, fans want to know every detail—every inside joke, every off-camera event and other candid moments that make the stars more interesting and relatable.”

This innovative, unique live stream, which will unfold in real-time parallel to the main ABC-TV special, will give viewers additional content about the celebrities—whose fashions they’re wearing, accomplishments and personal moments caught on camera—and let viewers share the experience with others on social media. Viewers can experience CMA Awards Backstage Pass by downloading the WatchABC app, available on iOS, Android, Windows Phone and more.

CMA (Country Music Association) chose TNDV to handle this special national event based on its growing relationship over the past six years. “TNDV is by far the best live production company I have worked with,” said Ben Bennett, director of digital strategy at Country Music Association. “TNDV always brings tons of ideas to the table and, most importantly, always executes flawlessly. Our show has grown into a major national event due in large part to their tireless efforts and willingness to find a way to make things happen.

“The two- to three-hour window right before our TV special is the most critical time when viewers are making decisions about what to watch that night,” Bennett continued. “The live stream creates a ton of chatter online during those critical hours. The more fans we can get talking about the red carpet and thusly, the CMA Awards, the more chance we have at getting a bigger audience to tune in. The same goes for during the show. The live stream will help drive the social media conversation, and should drive more viewers to the ABC broadcast.”

TNDV will switch between 13 cameras from its 40-foot HD truck, Aspiration, which will park next to the main broadcast production truck producing the CMA Awards. The CMA Backstage Pass camera inside that main mobile unit will let viewers watch the CMA Awards from the perspective of the main truck producing the live show. Additionally, TNDV is also producing special, behind the scenes packages to give fans an exclusive look at how the stage was built, the stars’ dressing rooms and how the City of Nashville prepared for the CMA Awards, the biggest night in country music.

“This year’s Backstage Pass will be unlike anything ever done for the CMA Awards,” said Nic Dugger, owner and president of TNDV. “While TNDV was integrally involved in last year’s second-screen experience, called CMA 360, this year we plan to ‘kick it up a notch’ by adding more cameras, more talent and more unfettered access to the Red Carpet and candid backstage moments. Our multi-camera webcast, which takes place right alongside the main broadcast, includes a 20-member crew, an expanding side HD truck, and a complex single-mode fiber optic infrastructure dedicated solely to Backstage Pass.”

ABOUT TNDV: Television
Formed in 2004, TNDV: Television represents the culmination of over 22 years of broadcast and live production for Nic Dugger, owner and president; and his staff of full time engineers. TNDV produces events from small single-camera productions all the way up to multi-million dollar international TV events, and takes pride in building custom solutions for challenging productions of any size, in any situation. Recent projects include the opportunity to provide both remote audio and HD video facilities for the live season 3 premiere of ABC’s NASHVILLE, the live concert productions at the NCAA Final Four, and for the first time in broadcasting history TNDV produced the 2014 Hat Trick of Country Music Award show red carpet specials, including the CMA Awards, the CMT Awards, and the ACM Awards. Please call 615-585-6528 or visit www.tndv.com for more information.

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Extron Introduces Next Generation of Fiber Optic Audio Extractors

Extron foxiiaex_group_01r_mwgExtron Electronics is pleased to introduce two new fiber optic products for the FOX II Series, the FOX II AEX 108 eight-port and PowerCage FOX II AEX 104 four port audio extractors. They provide independent processing and routing of audio signals in a fiber optic AV distribution system. Each fiber optic input port extracts the two channel audio signal to provide analog balanced or unbalanced stereo audio. The audio extractors are available in multimode and singlemode models. The PowerCage FOX II AEX 104, designed to mount in the PowerCage 1600 enclosure, and the rack-mountable FOX II AEX 108 are ideal for use in FOX Matrix systems that require extraction of audio signals for local processing within the equipment room. more

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