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Archive of the Large Venue Category

Rock for Oklahoma Benefits from HARMAN’s JBL and Crown Concert Audio System

OKLAHOMA CITY, Oklahoma — Oklahoma City’s Chesapeake Energy Arena recently hosted Rock for Oklahoma, a benefit concert for Oklahoma tornado victims that featured Kings of Leon, The Flaming Lips, Jackson Browne and Built to Spill. Concert audio was provided by Oklahoma City live sound rental contractor Miller Pro Audio (www.millerproaudio.com). Owner Danny Miller and his crew, FOH Engineer Nick Walsh, Systems Engineer Aaron Oliver, and Systems Tech Kip Montgomery provided the PA with a system comprised of HARMAN’s JBL loudspeakers and Crown amplifiers. Proceeds from the event benefitted the United Way of Central Oklahoma May Tornadoes Relief Fund.

The system utilized for the concert included 18 JBL VERTEC® VT4889 fullsize line array elements per side for the mains, plus 12 VERTEC VT4888 midsize line array elements per side used for out fill. Side fill was provided by three VT4888 elements and four VERTEC VT4880 fullsize arrayable subwoofers per side. In addition, 36 JBL SRX728 2×18” subwoofers supplemented the system’s low end. All loudspeakers were driven by Crown I-Tech 9000 HD and I-Tech 12000 HD amplifiers.

Although the Chesapeake Energy Arena has an installed house PA system, the Miller Pro Audio team decided not to tie into it for the event, which drew more than 15,000 people. “The VERTEC arrays were more than capable of covering the venue adequately,” explained Oliver.

In deploying the VERTEC system, the crew had to deal with a number of large, hard surfaces such as signage that was located throughout the arena. In addition, because of its physical location it proved impossible to hang any speakers from a large video screen.

Oliver was able to avoid any unwanted echoes from the large, reflective surfaces and work around the video screen by using the JBL Line Array Calculator II V1.2 system setup software to determine the physical placement of the line arrays to achieve optimum coverage. He noted that the VT4889 and VT4888 are extremely versatile in their ability to achieve the best-possible coverage angles, even in difficult architectural situations like the Chesapeake Energy Arena where the arrays could not be hung in all of Miller’s preferred locations.

Miller Pro Audio chose the Crown-powered JBL VERTEC system for its ease of use, high efficiency and great sound. “The ability of the VERTEC line arrays and Crown amps to work together and take advantage of the latest V5 DSP presets enables us to deliver a level of sound quality that’s just stunning – big and powerful yet smooth and even with exceptional clarity.”

“All the performers were really happy with the performance of the PA,” Oliver concluded. “Lots of ‘thank you’s’ all around. All in all, a great day.”

HARMAN (www.harman.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

SYMETRIX SYMNET EDGE DANTE NETWORK AUDIO DSP REVITALIZES SOUND SYSTEM FOR THE LEXINGTON LEGENDS

LEXINGTON, KENTUCKY – SEPTEMBER 2013: Located in the heart of bluegrass country Whitaker Bank Ballpark is home to minor league baseballs’ Lexington Legends. Completed in 2001, its’ original sound system held up well until recent years. As components of the head-end began to fail, AV integration firm New World Resources helped maintain the system with band-aids and quick fixes. When the original DSP died New World replaced it with a SymNet Edge system that immediately revitalized sound quality while providing cost-effective ARC-WEB iPad and SymVue PC control.

“We provided the ballpark with a quote for a new head end a few years ago” explained New World Resources owner, David Humphreys. “This year, I updated everything in the quote and included the latest SymNet Edge hardware. Following installation the system ended up being more powerful and even less expensive than what we had previously quoted.”

Two SymNet Edge frames and a SymNet xOut 12 analog output expander handle all of the processing and matrixing. Inputs include a main announcers’ mic, four wireless microphones, three Click Effects units, a radio tuner, a CD player, and a handful of inputs on the field. On the output side the main stadium is divided into three sections, and each of those sections is further divided into three vertical coverage zones. Additional zones include the outfield bleachers, a kids’ zone, east and west concourses, bathrooms, a restaurant, offices, corporate suites, a picnic area, and a party deck.

“This was my first Dante project,” said Humphreys. “It was easier than the CobraNet systems I’ve done. I set up the busses from one SymNet box and it just worked. I didn’t even need a network switch.” Humphreys fitted one Edge frame with four 4-channel analog input cards and the second frame with four 4-channel analog output cards. The SymNet xOut 12 brought the total output count to twenty-eight.

The original quote specified a separate third party control system that, at the time, was one of the only ways to offer mobile control. “I hadn’t used Symetrix ARC-WEB and wasn’t sure that it could provide the control system functionality the client was looking for,” said Humphreys. “However, after I installed the SymNet Edge system, I set up ARC-WEB and handed it to the ballpark’s lead tech on an iPad. It gave him intuitive, customized control over input selection and zone-specific volumes. He was totally happy. Given ARC-WEB and SymVue PC-based control for the announcer, we removed the third party control system from the project. That saved them even more money which they allocated to replacing the few loudspeakers that had died prematurely.”

The SymNet ARC-WEB gives users control over zone volumes, and because it is deployed on an iPad, the tech can walk around the park while making the adjustments. The SymVue PC-based control goes further, allowing the user to drill down to adjust, for example, the three subsections within each of the three main stadium sections. The announcer has access to the SymVue control so that he can control inputs to the system during the game along with the Click Effects units. In addition, a hardwired Symetrix ARC-2e wall panel remote in the bar/restaurant allows the staff to switch between local inputs and the ballpark content. A second ARC-2e wall panel remote in the main office allows simple day-to-day system control for music during practices.

“All of the amplifiers and loudspeakers are from the original system,” Humphreys emphasized. “Yet the system now sounds noticeably better than it did with the original DSP. It’s like a whole new system. The clarity is better and the dynamic range is enhanced. They’re also very happy with the new user control. It’s a night and day difference!”

ABOUT SYMETRIX Symetrix is dedicated to making life sound better. As a world leader in the development and manufacturing of digital audio signal processing (DSP) systems and accessories, Symetrix provides best in class audio management solutions to businesses, schools, non-profits and government organizations.
For more information on Symetrix products visit www.symetrix.co

Screen Innovations Announces Black Diamond™ Rear-Pro Film; a Proprietary Projection Screen Solution for Commercial and Residential Installations

 

New adhesive-based screen lineup to be unveiled at CEDIA EXPO Being Held September 26-28, 2013 in Denver, Colorado

AUSTIN, TX and DENVER, CO (CEDIA EXPO booth #3331) September 25, 2013 – Screen Innovations (SI), a leading US-based manufacturer of projection screens and associated technologies, announced today that a new film-based projection screen material aptly named Black Diamond™ Rear-Pro Film has been added to the acclaimed Black Diamond™ line. Known for being the first and only multi-directional ambient light rejecting screen technology on the market, Black Diamond by Screen Innovations has forever changed the way the world watches television, movies and other video-based content. Black Diamond Rear-Pro Film takes the experience to a new level, providing integrators a highly versatile solution for both residential and commercial environments. A light-diffusing rear projection film that can be applied to any transparent surface to create a dynamic digital display, it has unmatched light rejection and creates contrast levels ideal for retail and in-window displays, exhibits and tradeshows, corporate lobbies, boardrooms, houses of worship, and even home cinema.

Sold as a viable alternative to flat panel TVs and other displays, Black Diamond Rear-Pro Film is available in 60”x99’ rolls that ship on a 2” core or it can be purchased laminated to glass or acrylic as a finished solution. Highly versatile, it can be deployed in many residential locations that would otherwise be deemed unusable for a home cinema.  A typical installation might be on an attic wall or even a garage wall for a unique outdoor movie experience, but the options are extensive. Delivering a large-format home cinema with a superior picture quality and a price point that is much lower than available flat panel offerings even when the projector price is factored in. For commercial applications, the options are profound; retail stores; restaurants and bars; event centers; houses of worship; digital signage; and more. The options and opportunities that Black Diamond Rear-Pro Film delivers are virtually limitless.

Video: http://vimeo.com/74468069

URL: http://www.screeninnovations.com/screen-materials/black-diamond-rear-pro-film-1-4/

“We developed Black Diamond™ Rear-Pro Film to be a blank canvas of sorts. One that integrators can creatively use to craft a unique and memorable experience for clients who have the space to accommodate a large format rear-projection screen,” said Ryan Gustafson, president and founder of Screen Innovations. “This is an inspired solution that delivers a fully immersive experience, no matter where it’s applied or used.”

Black Diamond™ Rear-Pro Film is 4K rated and available in .8 and 1.4 gains. Utilizing SI’s proprietary multi-directional ambient light rejecting technology, Black Diamond Rear-Pro Film features a wide viewing cone and eliminates the need for a dark, dedicated entertainment space, thereby allowing two-piece projection to exist in high brightness areas anywhere, anytime.

Those interested in learning more about Black Diamond™ Rear-Pro Film and the family of SI screen solutions are encouraged to visit booth #3331 at CEDIA EXPO 2013.

For detailed information on the SI line, to find local area dealers, or to access screen calculators and other useful specification and ordering tools, visit www.screeninnovations.com, email sales@screeninnovations.com, or call (512) 832-6939.

About SI

Screen Innovations (SI) is a leading US-based manufacturer of projection screens and associated technologies for residential and commercial applications. Best known for Black Diamond™, the world’s first and only multi-directional ambient light rejection projection screen technology, SI has effectively revolutionized the two-piece projection category by pioneering and producing screens which deliver an unparalleled video image in either light or dark environments.

Sold at affordable price points and designed to blend flawlessly with surrounding décor, SI projection screens deliver stunning images and a fully immersive entertainment experience, rivaling or surpassing traditional displays. Operating under the principle that “No matter the budget, Screen Innovations has the best available screen solution to suit your needs,” SI produces a comprehensive assortment of screens and accessories for nearly any application.

More information about Screen Innovations can be obtained by visiting www.screeninnovations.com, e-mailing sales@screeninnovations.com, or by calling (512) 832-6939. Follow SI on Twitter @SIScreens, on Facebook at www.facebook.com/screeninnovations, and on Vimeo at www.vimeo.com/screeninnovations.

Screen Innovations Media Contact:

Katye (McGregor) Bennett

KMB Communications

E. Katye@kmbcomm.com

O. (406) 446-1283

C. (425) 328-8640

T. @katyemcgregor

W. www.kmbcomm.com

Press kits: www.kmbcomm.com/press

 

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New Robust Series Mounts by Crimson AV Provide a Safe, Secure and Smooth-Moving Installation of Large-Format 70 to 90-inch TVs

New Robust Series Mounts by Crimson AV Provide a Safe, Secure and Smooth-Moving Installation of Large-Format 70 to 90-inch TVs 

GLENVIEW, IL and DENVER, CO (CEDIA EXPO Booth #4025) – September 24, 2013 – Crimson AV, LLC, a leading manufacturer of professional-grade Audio Video mounting solutions, today announced that the Company will unveil a new line of mounts designed for large format TVs at CEDIA EXPO, taking place in Denver, Colorado September 26-28, 2013. Arriving ahead of schedule, Robust Series mounts by Crimson AV are already in stock and available for shipment to authorized dealers and retailers throughout the US, Canada and Mexico.

A necessary element for every TV installation, AV mounts come in a variety of styles and configurations. The Robust Series was developed to fill a void that currently exists in the marketplace and consists of three multi-joint models that accommodate 70 to 90-inch TVs weighing less than 200 pounds. RST90 is a tilt model, RSA90 is an articulating model, and RSF90 is a flat mount model. Lateral shift and post-installation leveling facilitates perfectly positioned TVs, while an integrated cable management system preserves design and décor aesthetics. Each model comes with a 400x400mm interface and is expandable to 400x600mm when the optional AD600 VESA Adapter is used. Priced competitively, the Robust Series mounts feature Crimson’s standard 30-day money back guarantee and industry-leading 10-year warranty, while carrying MSRPs starting at $215.00.

The Robust Series includes three models:

RST90

Tilt mount with triple stud mounting that facilitates the most secure installation possible for heavier large-format 70 to 90″ TVs. Includes a horizontal slide mechanism that helps center the TV on the wall as well as post-installation leveling that compensates for uneven ceilings and enables a perfectly positioned TV. A unique all steel click-in-place feature simplifies the installation by eliminating the need to reach up behind the TV with a wrench or screwdriver to secure or remove it.

URL: www.crimsonav.com/products/rst90

RSF90

Flat mount with triple stud mounting that facilitates the most secure installation for heavier large-format 70 to 90″ TVs. Includes a horizontal slide mechanism that helps center the TV on the wall as well as post-installation leveling that compensates for uneven ceilings and enables a perfectly positioned TV. A unique all steel click-in-place feature simplifies the installation by eliminating the need to reach up behind the TV with a wrench or screwdriver to secure or remove it.

URL: http://www.crimsonav.com/products/rsf90

RSA90

Articulating mount with a heavy-duty dual arm scissor action that provides better balance and smooth movement for large-format 70 to 90-inch TVs. Post-installation leveling compensates for uneven ceilings as well as the natural sag experienced with 100lb+ TVs. Lateral and vertical adjustments facilitate precision positioning and provide needed installation flexibility for recessed applications, and integrated cable management provides a clean look.

URL: http://www.crimsonav.com/products/rsa90

Manufacturing a broad assortment of professional grade AV mounting solutions and accessories for nearly any structure or application imaginable, Crimson products are ready to ship same day to integrators, distributors, systems designers and specifiers worldwide. Every product in the comprehensive assortment is manufactured to rigorous standards and sells for a fraction of the price of other competitive solutions, making it a highly compelling line that provides tangible benefits.

Interested parties are invited to connect with Crimson at booth #4025 at CEDIA EXPO 2013, or by visiting www.crimsonav.com, calling 866-MOUNT-TV, writing to info@crimsonav.com and by following @CrimsonAV on twitter.

About Crimson

Crimson manufactures a comprehensive lineup of TV mount solutions designed for a wide variety of Residential and Commercial applications, including Digital signage, Education, Hospitality, Corporate, Worship, Venues, Stadiums and Arenas, Restaurants, Bars and Healthcare facilities.

With extensive experience in the design, manufacture and sale of professional-grade TV mounting equipment, and by utilizing lean business practices, Crimson has developed a proprietary business model, which provides maximum value with minimal cost. Not only do Crimson customers receive the best value, they also benefit from unparalleled customer service, an easy to use website and uncompromising design and build quality, ensuring each Crimson AV mount will be trouble-free for years to come. Interested parties can learn more about Crimson mounting solutions by visiting www.crimsonav.com, by calling 866-MOUNT-TV, or by writing to info@crimsonav.com. Follow Crimson on Twitter @CrimsonAV and Facebook at www.facebook.com/pages/Crimson-AV-Mounting-Solutions/129843060418405.

Crimson Media Contact:

Katye (McGregor) Bennett

KMB Communications

Office: 406-446-1283

Cell: 425-328-8640

Email: katye@kmbcomm.com

Twitter: @katyemcgregor

Press Kits: www.kmbcomm.com/press

 

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Martin Audio Demos MLA Compact In New York and D.C.

Lisner Auditorium

Martin Audio will be holding exclusive demonstrations of its award-winning MLA Compact loudspeaker system in New York City and Washington D.C.

The New York demonstration is on October 21st and 22nd in the Grand Ballroom, Manhattan Center Studios, and the Washington D.C. demo is October 24th in the Lisner Auditorium at The George Washington University.

Both demonstrations will provide the unique opportunity for attendees to learn more about MLA Compact’s groundbreaking cellular drive technology and experience the system in person.

There will be a variety of two-hour time slots available for the demos, each including a technical presentation by Martin Audio’s Research and Development Director Jason Baird and a live demonstration of the system. Refreshments will also be provided.

These demonstrations will offer leading audio engineers, theatrical sound designers and event production management the chance to hear the dynamic sound capability, exceptional coverage across the audience and clarity of speech that MLA has become known for worldwide.

Please visit www.martin-audio.com where you can click the link to register for either event.

Point Source Audio’s SERIES8 Raises the Bar on Miniature Microphones

Designed with a variety of robust features, SERIES8 miniature microphones are tiny but tough, and now shipping worldwide

Point Source's SERIES8 Headset model is both collapsible and reversible, and available in beige or black.

Petaluma, CA — Point Source Audio (PSA), an innovator of the original and one-of-a-kind “unbreakable boom” microphone, today announced its SERIES8 miniature microphones are now officially shipping in three different styles: headset, earworn and lavalier. Created for use in broadcast, theater and live production, the new SERIES8 miniature microphones have recently been adopted by distinguished venues such as Universal Studios, Kravis Center, and Shiki Theater Company Tokyo, to name a few.

SERIES8 mics are setting a new standard for performance and durability in a micro size capsule. While the mic elements measure a mere 2-4 mm in diameter, the mics’ robust features are unlike any others on the market today. The omnidirectional microphones feature 148dB max SPL with an “Unbreakable Boom” bendable to 360°. In addition, they are IP57 waterproof rated against water, sweat and makeup, and feature interchangeable X-connectors for wireless compatibility on the spot.

The SERIES8 cardioid microphones are an ideal solution for performers who require isolation from surrounding performers. The cardioid mics perform best when placed just at the corner of the mouth, which also allows them to maintain an unobtrusive appearance when worn.

”I’ve been passionate about music for more than 30 years and believe there is nothing better than hearing audio at its finest,” stated James Lamb, President, Point Source Audio. “We’ve designed the SERIES8 miniature microphones to have unmatched performance and reliability in a very tiny package. With these standards, we’re confident the SERIES8 products will meet the needs of the most discriminating audio professionals.”

With an MSRP starting at $389, PSA’s SERIES8 miniature microphones are shipping now and are available for purchase at a number of resellers and distributors worldwide. More information about PSA’s various audio solutions can be found by visiting http://www.point-sourceaudio.com.

About Point Source Audio
Point Source Audio (PSA) manufactures and distributes worldwide a unique line of lightweight bendable boom headset and earworn microphones—known as the “toughest” in the industry. As a result of PSA’s pro-audio expertise and its admired reputation for sales and service support, the company was also named Digigram’s Master Distributor for the Americas. The world renowned brand of Digigram sound cards, IP audio and video codecs, and Ethersound audio networking technology are now available from Point Source Audio. Founded in 2004, Point Source Audio is headquartered in Petaluma, Calif. For more information call (415) 226-1122 or visit www.point-sourceaudio.com.

Pete Challinger Joins Bannister Lake Software to Spearhead U.S. Market Growth

CAMBRIDGE, ON, Canada, September 23, 2013 – Bannister Lake Software Inc., the Canadian supplier of Broadcast Graphics Automation systems, has announced the appointment of Pete Challinger as Vice President, U.S. Business Development. The appointment is part of a goal to dramatically increase U.S. business for the company.

Challinger’s career, based in California, spans 30 years with some of the best-known names in the broadcast industry. With executive roles at Grass Valley Group and Abekas Video Systems, he was involved in new product and market development. After Abekas, he became the founding VP Marketing at Spruce Technologies, a startup that pioneered DVD Authoring in the early days of DVD. In 1999, he returned to his own consulting and distribution business, launching Quartz Electronics (later acquired by Evertz) in the U.S. For the last six years, he was CEO of Pixel Power Inc., the U.S. subsidiary of the UK graphics company.

“I am delighted to be working with Bannister Lake,” said Challinger. “I think there are great opportunities to replicate the success that BL has had with major broadcasters and sports operations in Canada across the U.S. market. Having spoken with some of their customers, it is clear that their level of support and customer service is exemplary.”

In addition to Challinger’s appointment, Bannister Lake also announces the expansion of its global operations with the opening of a new U.S. office, based in California. Challinger will operate out of the new office.

Georg Hentsch, President of Bannister Lake Software, commented, “We’ve been selling solutions throughout the United States and supporting our American customers for years, but our new U.S. office marks a significant corporate Bannister Lake milestone worth acknowledging.”
Challinger can be contacted at 530-267-0828 or pchallinger@bannisterlake.com

About Bannister Lake Software Inc.
Bannister Lake is a leading provider of professional video graphic display solutions for broadcast television, cable, satellite, digital signage and audio visual applications worldwide. Our display solutions integrate seamlessly with existing infrastructure, automating the process of data entry for video graphics display, and improving the productivity of organizations.

Visit Bannister Lake online: www.bannisterlake.com

Red TX Mixes the Audio for Morrissey’s New Film


Broadcast audio specialists Red TX played a pivotal role in the production of MORRISSEY 25: LIVE FROM HOLLYWOOD HIGH, recorded at Hollywood High, a legacy concert film that celebrates 25 years of this enigmatic performer’s solo career.

Filmed live at the Hollywood High School in Los Angeles in March 2013, this intimate gig provided the material for the first authorised Morrissey film to be released in nine years. Red TX worked closely with Nineteen Fifteen and Eagle Rock Productions, the producers for Eagle Rock Entertainment, to ensure a great soundtrack. As well as liaising closely with the US recording crew, the company was also responsible for mixing the concert – a task that took place back in the UK on board Red TX’s main Outside Broadcast vehicle, Red One, with director Tim Summerhayes at the controls.

Nineteen Fifteen producer Vicki Betihavas says: “I have worked with Tim and the Red TX team for many years and they are my first choice for all my music projects, in particular live shows. On this occasion we had entirely local support for the filming, with only the producer, director and DOP coming in from the UK. However, Red TX knew the audio crew in Los Angeles so I knew we were in safe hands as Tim and the US team coordinated what we needed. Tim also mixed the Theatrical, TV and DVD versions for us and the sound was great – as always.”

Tim Summerhayes adds: “I was really happy to be involved in this project. We arranged to have the concert recorded by Guy Charbonneau and his son Ian who run Le Mobile in Los Angeles. I’ve known Guy for years and was entirely confident that he would do a great job. The multitrack arrived back in the UK as a disc drive of .WAV files. I mixed it over a period of five days and it was a very straightforward task since the recording had been so well done. The band was excellent and, because it was a small venue, the sound was really honest.”

The film opens with tributes from fans who talk about their unwavering devotion to Morrissey. They also discuss the unique appeal of the unusual venue, which offered a striking contrast to the sold out arena concert at the Staples Center where Morrissey had played the previous night. Tickets for the concert in the 1,800-seater school auditorium were sold out in 12 seconds and this now legendary concert became Morrissey’s penultimate performance on his US Tour.

The project was completed in July in time for the film’s Global Theatrical release. Distributed by More 2 Screen (UK) and SpectiCast (North America) on behalf of Eagle Rock Entertainment, the film is still being shown in various territories and regions, particularly in the US where it is playing encore performances in many cities. The DVD/Blu-ray version will be released on October 21st 2013.

-ends-

About Red TX:
Red TX provides a comprehensive concert recording and broadcast service to the music and television industries. The company has state-of-the-art mobile recording facilities and can handle projects of any size or complexity. As well as recording audio for broadcast, the company also records live music events for subsequent release on CD or DVD. It is headed by Ian Dyckhoff and Tim Summerhayes, both of whom have extensive experience in delivering high-quality audio for broadcast. www.red-tx.com

VER Tour Sound Perfectly Captures the Essence Music Festival with HARMAN’s JBL VTX Line Arrays and Crown I-Tech HD Amplifiers

NORTHRIDGE, California – For the 19th year, the Essence Music Festival in New Orleans hosted some of the biggest names in pop, R&B and hip-hop music, including Beyoncé, Maxwell, New Edition, Keyshia Cole, LL Cool J and Jill Scott. For the main stage in the Superdome, VER Tour Sound (VER) provided a massive HARMAN JBL VTX line array system powered by Crown I-Tech HD amplifiers.

With a ceiling height of more than 250 feet above the front-of-house position and a total volume of 125 million cubic feet, the main space in the Superdome posed some formidable acoustic challenges. “The Superdome is such a reverberant space that we had to not only ensure that we were able to cover such a large area, but that we were able to do so while tightly controlling the dispersion to ensure even coverage throughout the space,” said Jason Vrobel, System Engineer for VER Tour Sound.

The PA system on the main stage featured 18 JBL VTX V25 fullsize line array elements per side for the main arrays, with an additional 18 V25 elements on each side for side fill (hung at 45-degree angles relative to the main arrays), rounded out by another 12 V25 elements per side for rear fill (hung at 90-degree angles). For the low end, VER hung 16 VTX S28 subwoofers per side in a cardioid configuration behind the 45-degree angled arrays, along with 12 ground-stacked VTX G28 subwoofers per side. For center fill, VER hung left-right arrays of five VERTEC® VT4889 fullsize line array elements each, with six VT4887A compact line array elements on each side for front fill. The delay system featured a total of 24 VT4889 loudspeakers in four columns of six each.

No less than 154 Crown I-Tech HD amplifiers powered the system, with I-Tech 4x3500HD amplifiers assigned to the high and mid frequencies and I-Tech 12000HD amplifiers powering the lows and subwoofers. The system was controlled via JBL HiQnet Performance Manager™ software.

“We had a lot better of an outcome than I anticipated considering how reverberant the Superdome is,” Vrobel noted. “I attribute that to the VTX system and the support we received from HARMAN to help us properly configure the system and achieve uniform sound throughout the entire dome.”

“The VTX system and the Crown amplifiers performed incredibly well—the producers from the festival told me it was the best it had sounded in the festival’s 18-year history,” Vrobel said. “The support I received from [Senior Manager, Tour Sound, JBL] Paul Bauman, [Applications Engineer, JBL] Jay Fullmer and [Business Developer, Tour Sound, Crown] Eric Friedlander was fantastic and we’ll be working together a lot in the future.”

For more information on Video Equipment Rentals, please visit www.verrents.com

HARMAN (www.HARMAN.com) designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of about 14,000 people across the Americas, Europe, and Asia and reported sales of $4.3 billion for the fiscal year ended June 30, 2013.

Paul Salvini, Christie CTO, Featured Speaker at Toronto International Stereoscopic 3D Conference


Christie®, a world leader in advanced cinema technologies and visual displays, is pleased to announce that Dr. Paul Salvini, its Chief Technology Officer, will be a featured speaker at the 2nd annual Toronto International Stereoscopic 3D Conference taking place at the Bell TIFF Lightbox Theatre from September 20 to 23.

Dr. Salvini is one of two speakers on the topic of Laser Projection scheduled for
2:30 p.m. on Sunday, September 22 in Cinema 2. His presentation will focus on recent technological advances in laser projection and how these will influence the future of cinema and visual display projection techniques. The second speaker is Peter Ludé, a prominent engineering leader in broadcast and digital media, who will highlight the regulatory and safety issues raised by this leading edge technology. Both speakers will be available for a Q&A session following their presentations.

Dr. Salvini has led award-winning teams of engineers and software developers in bringing to market advanced visualization, simulation and display technologies. He has worked with 3D animation for major Hollywood film studios and has expertise in turning complex data sets into visualization solutions for defense and academic entities, as well as for the entertainment world.

Dr. Salvini has an equally accomplished academic career. Currently president of the University of Waterloo Alumni Council and holding appointments as Adjunct Professor of Engineering and KMDI Senior Research Fellow at the University of Toronto, he also serves on a number of boards relating to digital media research in the areas of graphics information visualization and 3D film innovation.

Mr. Ludé most recently was Senior Vice President of Sony’s Silicon Valley research and development labs where his work included workflow software for movie production, stereoscopic imaging and the next generation of 4K laser projectors for digital cinema. He is a past President of the Society of Motion Picture and Television Engineers and also co-founder and past Chairman of the Laser Illuminated Projector Association (http://lipainfo.org/).

The conference is an unique international gathering of creative, scientific and business minds discussing, discovering and inspiring innovation in “Stereoscopic 3D” cinema. Brought together by the 3D Film Innovation Consortium, it offers the highest quality discussions on the creative, scientific and business challenges and possibilities of stereoscopic 3D.

About

Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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