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Archive of the Large Venue Category

Martin Audio MLA To Grace Pyramid Stage At Glastonbury

Glastonbury is regarded as the mother of all festivals with arguably the most iconic of stages. The Pyramid Stage showcases the world’s greatest talent and therefore needs to sound loud, proud and faultless, but it also needs to meet the strict criteria set in stone by the license.

Attempting to quantify exactly what makes Glastonbury so special is always difficult, but this year there is one further special ingredient being added to the mix: Martin Audio’s ground-breaking MLA, courtesy of RG Jones Sound Engineering, will grace the Pyramid Stage for the first time.

The fact that Martin Audio is teaming once again with RG Jones builds on a Glastonbury relationship that started back in 2008. Glastonbury has become the largest green space open-air festival in the world, attracting more than 150,000 attendees who expect pristine sound, and where artists can make, break or further their careers.

So when RG Jones first specified Martin Audio speakers for the iconic Pyramid stage back in 2008, their combined reputation was put to the ultimate test. But successive years of using the Longbow system proved more than a match, with the powerful full-frequency sound stirring the crowds, the proprietary software system Display™ helping to maintain off-site noise limits, and the combined expertise of the companies delivering consistently standout moments.

Key to the longevity and pedigree of Glastonbury, however, is that founders and organizers, the Eavis family, have always demanded the festival remain true to its roots and absolutely up-to-date at the same time. It is therefore fitting that Martin Audio’s MLA will debut this year, bringing forth its reputation for sound quality alongside its scientifically proven ability to direct sound evenly and consistently across the audience and to control leakage beyond the audience perimeter.

RG Jones was the first UK Company to invest in the system in 2012 and has witnessed the systems growing reputation first hand. As Managing Director John Carroll said, “We were not content to follow the crowd when it came to choosing our flagship system. MLA is the next generation and there’s nothing out there to match it. The timing seemed right this year and our continued support from Martin Audio is second to none”. With Simon Honywill, Senior Project Consultant for RG Jones, having such extensive experience of the system also helped convince the Glastonbury production team that MLA had earned its rightful place on the Pyramid stage.

Summing up, Jason Baird, R&D Director for Martin Audio, said, “It was my career highlight back in 2008 working on our very first Glastonbury, but I think with MLA this year, it may well be topped. It’s a great endorsement of our system not just for its coverage and control, but because it has a reputation for being such a neutral, uncolored canvas for engineers to mix upon. With such an eclectic line up once again this year, MLA will more than do justice to everything from Dolly Parton to Kasabian, which is good news for the artists, visiting engineers and of course the audience.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Terminal One at Spain’s Valencia Airport Sounds the All Clear with ICONYX

Valencia, Spain – May 2014… Designing and installing a sound reinforcement system for an airport terminal can be one of the most challenging assignments an installed sound company can take on. Typically large, high ceiling structures with lots of glass and reflective fixtures, these buildings are designed primarily for efficient distribution of passengers as opposed to sound waves. Particularly at peak travel times, the high levels of ambient noise can easily mask vital announcements such as departure times and gate information.

With this in mind, airport officials in Valencia, Spain approached Madrid-based installed sound company Ruybesa, an engineering and projects company specializing in turnkey solutions for installed sound environments, regarding designing and installing a new sound reinforcement system in Terminal 1 of the Valencia airport.

The Valencia airport is one of Spain’s busiest, with over 500,000 travellers passing through the terminal in 2013. Terminal 1 is the airport’s main terminal, handling the bulk of passenger traffic in and out of Valencia. The terminal spans three floors, with 60 desks and four aerobridges to access its 14 boarding gates.

“The project involved covering the sound of a large space that normally has a high background noise during peak times,” explained Diego Velázquez, sales and marketing manager for LDA Audio Tech, PA/VA manufacturer and Renkus-Heinz partner in Spain. “To address the noise problems, the Renkus-Heinz ICONYX IC7 loudspeakers were chosen.”

The Renkus Heinz ICONYX IC7 mechanically steerable line array systems employ the same triple-tweeter technology and fully natural sound reproduction as their digitally steered brethren. The IC7’s fixed acoustical beam is ideal for side fill, front fill, and short throw applications – such as airport terminals – that don’t demand programmable control. Internal passive electronics control the frequency and phase response of each driver, working together to create a uniform 30-degree beam.

“There are three IC7 ICONYX Systems installed in Terminal 1 at about 10m high and with a separation between them of 25m,” said Velázquez. “The IC7s are aimed face down to the lobby, pointing directly to the area with the highest influx of people.”

The results have pleased Valencia airport officials. “The ICONYX systems provide even sound pressure levels and the high intelligibility that is vital for delivering important information to the public, “ said Velázquez. “Flight announcements are clear, and passengers have the assurance that they can understand the message despite the background noise.”

ICONYX loudspeakers are a popular choice for sound contractors who install loudspeaker systems in airport terminals – particularly where there is a need to focus sound reproduction in specific areas to help overcome ambient noise.

Velázquez concludes, “The ICONYX systems not only deliver crystal clear audio, they also cover the large areas with fewer source points, simplifying the installation and maintenance of the entire PA system.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

TNDV Applies Diverse Mobile Production Skillset for Academy of Country Music Events

Specialist tackles live broadcast, live image magnification and “live to tape” projects simultaneously in Las Vegas

NASHVILLE, May 19, 2014TNDV has five mobile production trucks and several flypacks crossing the country every week, with production teams working across multiple cities and locations on any given day. Occasionally, the stars align and several TNDV productions converge on the same city on the same date. This was the case in April, when the company sent its two largest trucks and a flypack to Las Vegas for three shoots, each with very diverse production requirements across live TV, post and professional AV environments.

The shoots were all tied to the Academy of Country Music, which held its annual ACM Awards and second-ever ACM Party for a Cause Festival in two separate city locations. TNDV was tapped for the live ACM Red Carpet show at the MGM Grand in advance of the ACM Awards. The all-HD, multi-camera production aired live on the Great American Country Network, with TNDV handling all live acquisition, graphics, switching and instant replay of country’s biggest stars as they descended on the venue.

Six blocks away at The LINQ, a new open-air outdoor entertainment venue, the Party for a Cause kicked off a weekend-long concert—and the venue’s maiden event—with headliners Rascal Flatts and Keith Urban. TNDV handled image magnification for the entire festival using one of their new 2ME, 36-input a mobile production flypacks, producing stunning HD projections of the live performances across several high-quality video boards at stage left and stage right.

On Day 2, TNDV relocated its Aspiration expanding side truck—which handled the ACM Red Carpet production—to The LINQ for a 10-camera shoot under the direction of Nashville-based production company Taillight TV. That shoot turned into the “Outnumber Hunger Concert,” a special one-hour event that aired April 18 on more than 30 Gannett Co. TV stations and select Gannett web portals.

TNDV’s dedicated audio truck, Vibration, joined Aspiration for this special shoot, creating a mobile production infrastructure to accommodate all professional video and audio production requirements for the HD broadcast special. TNDV configured a central routing infrastructure to connect the two trucks, sharing video, audio and intercom feeds across front of house, camera operators and other production personnel.

For TNDV owner and president Nic Dugger, the “triple threat” scenario was a master class on how flexible broadcast equipment has become across multiple live production needs. For example, Dugger used Chroma de Monde chip charts to balance his cameras for each event, noting the requirement for consistent lighting across the varying daytime and nighttime shoots.

“Today’s broadcast tools aren’t pigeonholed into a single application,” said Dugger. “Whether it’s our Hitachi cameras, Imagine Communications router, Ross production switcher or RTS intercom system, these tools exist in the mobile production space to achieve the final output for any deliverable, whether live to in-venue screens, live to television or post-produced for later broadcast. There are differences in each approach, but the attention of detail has to be consistent whether the end purpose is to entertain the live audience or the viewers at home.”

And some of the differences were very clear. For in-house image magnification, Dugger and his team switched between, and simultaneously projected, up to five live angles to entertain concert attendees—a production element that was unnecessary for the associated TV shoot.

On the audio side, bringing Vibration to Party for a Cause meant that TNDV could produce a broadcast-quality audio mix for the TV special, encompassing more than 100 inputs via the truck’s Studer Vista 9 console and ProTools rig. TNDV also added more than 20 audience microphones to ensure viewers at home would experience the feeling of being in the crowd.

“Video without audio is just surveillance, so we needed to make sure that every one of the 100-plus inputs were recorded cleanly and with the correct gain structure,” said Dugger. “That way, upon returning to the studio for audio post our client could achieve the sound levels and quality they desired for the broadcast. For the ACM Red Carpet Show, a multichannel intercom and IFB infrastructure audio ensured that everyone involved could clearly communicate as live interviews happened. The audio requirements were more diverse than video across the three events, though the common theme of flexibility and attention to detail for the client remained.”

ABOUT TNDV: Television
Formed in 2004, TNDV: Television represents the culmination of many years of broadcast and live production for Nic Dugger, owner and president; and his staff of full time engineers. TNDV produces events from small single-camera productions all the way up to multi-million dollar international TV events, and takes pride in building custom solutions for challenging productions of any size, in any situation. Recent productions include the live concert productions at the NCAA Final Four, the live Red Carpet specials for the CMA, ACM, and CMT Country Music Awards, and the Emmy winning Bluegrass Underground on PBS. Please call 615-585-6528 or visit www.tndv.com for more information.

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MerleFest 2014: The Tradition Continues with DiGiCo

SE Systems deploys numerous SD series consoles for 27th annual event

WILKESBORO, North Carolina — Country music superstars Alan Jackson and Merle Haggard, as well as bluegrass icons Dr. Ralph Stanley and Ricky Skaggs, were among the 130 acts over four days in late April whose tunes wafted pristinely from MerleFest 2014. As has been the case for the past 26 years, DiGiCo consoles processed much of the music emanating from the Wilkesboro, NC festival’s 13 stages, helping to cement MerleFest’s reputation as a highly celebrated perennial American music event.

MerleFest was founded in 1988 in memory of Eddy Merle Watson, son of bluegrass legend Doc Watson, as a fundraiser for Wilkes Community College and to celebrate “traditional plus” music, a term coined by Doc Watson to describe the wide variety of musical genres and styles celebrated at MerleFest.

Since the festival’s beginnings, Greensboro-based SE Systems has been handling sound for MerleFest. SE Systems CEO and Founder Cliff Miller was working with Doc Watson at the time and helped put the audio production in place for the first MerleFest, which was quaintly mounted on the back of a flatbed.

Sound quality is SE Systems’ primary consideration in anointing DiGiCo as its console supplier of choice. “The SD10s have been our workhorse for the last few years; they just sound great,” says Miller, a pro sound pro, as well as a first-rate musician himself; after Merle died in a tractor accident, Miller started filling in on guitar at many of Doc’s gigs.

DiGiCo consoles, according to SE Systems Media Relations Director Bryan Smith, are ideally suited for country music and bluegrass. “Acoustic instruments come across in a very natural way,” he says. “When you put acoustic instruments in front of a mic, you don’t want the preamps, effects or processing to change the sound. Cliff carried the DiGiCo SD10s on tour with Alison Krauss and we currently have two out with her now. When you’re mixing the number one female Grammy Award winner, it better sound good. The DiGiCos have proved that night after night.”

He goes on to explain that the DiGiCo boards are “very transparent and sound like the old analog desks.” When comparing digital consoles, DiGiCo’s 96KHz performance was “what also helped us decide on the SD10s. All of the plug-ins and effects work perfectly and it’s a fairly easy console for guest engineers to mix on in a festival situation. We also see DiGiCo on many of the artist’s riders.” This detail was underscored by the fact that headliner Alan Jackson brought in a DiGiCo SD8 for his Thursday night set.

On the main Doc & Merle Watson Theatre stage this year, two DiGiCo SD10-36 consoles were used for mains and monitors. The adjacent Cabin stage, which was used for smaller acts while the primary stage was reset, featured a compact SD11 to mix mains and monitors and was positioned next to the primary stage SD10 FOH desk. Smith describes the SD11 as “a great small rack mount mixer with all of the ‘big boy’ features.”

The Creekside stage used two SD10-24s for mains and monitors, while the Dance stage used two SD9s for mains and monitors. “This was the first year we used the SD9 at this stage,” Smith notes. “It worked fantastic; all the guest engineers loved it.”

An additional DiGiCo SD9 was used in the recording trailer. With every DiGiCo console deployed using either a D-Rack or SD Rack, all stages had fiber runs and SE recorded everything to a Live Tracker for archival purposes.

That DiGiCo still figures prominently in the MerleFest gear complement is hardly a surprise. Three years ago Miller bought two SD10s – SE Systems’ first DiGiCos, not to mention the first SD10 desks in the US – sight unseen. “I have been in the industry for a very long time and this was the first time that I ever purchased two new consoles without even putting my fingers on the faders! The sound quality is the best I’ve ever heard in a digital console, surpassing most analog consoles. The SD10 can be configured to operate like any old favorite console, but with hundreds more features,” he says.

About DiGiCo
DiGiCo is a UK-based manufacturer of some of the world’s most popular, successful and ground-breaking digital mixing consoles for the live, theatre, broadcast and post production industries and is exclusively distributed in the U.S. by Group One Ltd. of Farmingdale, New York. For more information, go to: www.DiGiCo.biz

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Moody Gardens Chooses D3D Cinema and Christie for 4K 3D Giant Screen 6P Laser Projection System

Christie® and D3D Cinema are pleased to announce that the world’s first museum-based 4K 3D giant screen 6P laser projection system will be installed and premiering at Moody Gardens MG3D Cinema in Q4 2014. The system design and configuration will further distinguish the Moody Gardens MG3D Theater as one of the world’s most premier cinema venues.

“This is the game-changing milestone that the museum giant screen industry has longed to achieve for many years,” said Don Kempf, president and founder of D3D Cinema. “Moody Gardens’ audiences will be the first in the world to have a 6P giant screen laser experience, unarguably the future of cinema presentation. The DCI and DIGSS-compliant Christie laser solution, coupled with 6P glasses technology, will be unparalleled in terms of image quality. D3D has always been committed to designing first-rate giant screen solutions that are built on a more economically viable business model. It’s a great thrill to be able to achieve this goal AND be first to market with such a premium solution.”

John Zendt, CEO of Moody Gardens agrees. “D3D Cinema has proven time and again that they can deliver the goods first, better and more efficiently. We thoroughly researched all known laser options and the D3D/Christie solution beats the competition across the board – including, significantly, the price. We’ll own this laser system outright, which is important to us, saving significant operating dollars over the life of the laser modules. We’re really proud to have our theater represented as a pioneer in digital cinema and invite all museum executives to visit for a demonstration.”

Christie 4K 6PLaser Digital Projection System

The upgrade will replace Moody Gardens’ existing 4K xenon system with a state-of-the-art pair of Christie 4K laser projection heads, a 6P modular laser light farm with fiber optic delivery, Christie 4K 3D high-bitrate server, new giant screen 6P laser glasses, and a new premium white screen. “Our 6P laser design is a huge step forward for the industry,” said Don Shaw, senior director, Entertainment Solutions, Christie. “This particular system is designed to achieve up to 14-foot lamberts onscreen in 3D, far exceeding any ‘ultra-bright’ industry standards. Our non-flashing 6P architecture is by far the most light-efficient 3D technology on the market, providing incredible brightness, enhanced color gamut and a remarkable contrast ratio. On a speckle-free premium white screen, Moody Gardens will deliver a peerless cinematic presentation to their audience. It’s a real feather in our cap to have Moody Gardens as a flagship theater.”

This latest collaboration between D3D and Moody Gardens builds on a longstanding partnership. In January 2011, D3D and Moody co-hosted the first annual Digital Cinema Symposium, showcasing 4K projection technology on a giant screen for the first time, including the first 4K vs. 70mm split screen shootout. The following year, at the 2012 Digital Cinema Symposium, D3D showcased the first 4K 3D demonstration, 11.1 3D audio, high frame rate 3D as well as a prototype laser on a giant screen, all industry firsts. The 2012 event was a milestone, marking the first time that industry professionals overwhelmingly acknowledged a digital presentation exceeded the quality of a 70mm film in a side-by-side comparison. A case study was recently published by D3D & Moody Gardens illustrating the financial benefits and qualitative success of digital presentation and rebranding.

Moody Gardens’ marks the first giant screen laser deal of many for D3D and Christie. “Lasers raise the bar,” adds Kempf. “After Moody Gardens, our first laser dome system is around the corner, which will save our dome clients hundreds of thousands in operating costs per year. The giant screen industry is about to look quite a bit brighter!”

ACIR Professional Celebrates Moms at Annual Music Fest

Mays Landing, N.J.—Held Saturday, May 10th in celebration of Mother’s Day, the annual Mother’s Day Festival took place at Boardwalk Hall in Atlantic City, NJ and for the third year, ACIR Professional (Mays Landing, NJ) provided audio production services for the 14,500 attendees. This year’s line up included Charlie Wilson, Gladys Knight, and Heads of State featuring Bobby Brown, Ralph Tresvant, and Johnny Gill. The Mother’s Day Music Fest is always the biggest holiday event at the newly renovated, historic Boardwalk Hall, drawing sell-out crowds.

ACIR provided two Yamaha PM5Ds digital audio consoles, one at front of house and one at monitors. The main PA consisted of 16 d&b J8s, four J12s, 16 B2 subs, and D12 amplifiers. The monitor system included 12 d&B Q1s used for side fills along with Q subs, ACIR 115 wedges, and 12 Yamaha T3N amplifiers.

“The system sounded incredible,” states John Grasso, ACIR Professional co-owner who functioned as front of house engineer. The changeover provided festival-like challenges so we treated it as a festival style in that we had three changeovers with only 10 minutes in between to re-set. This was accomplished by great pre-planning on the part of our crew.” In addition to Grasso, the ACIR crew included Dave Lefko, ME; Bobby Harper, systems engineer; Mike Nugent, systems tech; and Dominick Friia as crew chief. ACIR also provided the entire backline.

For more information on ACIR Professional, visit www.acirpro.com.

-END-

Riedel Products at InfoComm 2014:

InfoComm 2014
Riedel Communications
Booth C8939


MediorNet 2.0
Riedel has enhanced its MediorNet family of real-time networks for video, audio, data, and communications with MediorNet 2.0, an update for MediorNet. At InfoComm 2014, the company will show how MediorNet 2.0 enables new video router functionality and high-speed rerouting, along with new WAN capabilities that include solutions for JPEG 2000 and H.264 formats.

Photo Link: www.wallstcom.com/Riedel/Riedel-MediorNet2_0Update.jpg
Photo Caption: MediorNet Real-Time Network 2.0 Update

Photo Link: www.wallstcom.com/Riedel/Riedel-MediorNet-H264-DPro.jpg
Photo Caption: Riedel’s MediorNet Systems With WAN Capabilities

MediorNet MetroN Core Router
The latest addition to the MediorNet family of real-time networks is the 2-RU large-scale MediorNet MetroN core router. The new MediorNet MetroN provides a real-time routing capacity of 64 x 10Gb ports, further enabling Riedel’s acclaimed approach to signal distribution and routing. During InfoComm 2014, Riedel will demonstrate how the new frame can function within a larger MediorNet installation, interfacing with other MediorNet frames via fiber.

Photo Link: www.wallstcom.com/Riedel/Riedel-MetroNCoreRouter.jpg
Photo Caption: Riedel’s MediorNet MetroN Core Router

Virtual Key Panel App for Artist Intercom System
Riedel’s Artist virtual key panels enable the use of smartphones and tablets (iOS, OS X(R), and Android) as control panels in combination with any Artist digital matrix intercom system. These hand-held devices can then provide the same functionality as full-featured, 12-key Artist control panels. The user operates the virtual control panel with the device’s touch-screen interface, which can be configured via Riedel’s Director software.

Photo Link: www.wallstcom.com/Riedel/Riedel-VirtualKeypanelForiOS.jpg
Photo Caption: Virtual Key Panel App for Artist Intercom System

Other Products on Display:
- Performer, Artist, and Acrobat communications systems
- RockNet 100 and 300 low-latency audio distribution networks and console interfaces

Company Quote:

“InfoComm is the premier North American event for seeing our partners and customers in the pro A/V and entertainment markets. Our new MediorNet update and the MetroN core router take our philosophy of totally networked solutions to the next level, and we are thrilled to be able to show them in Las Vegas in June.”
– Patti Gunnell, Riedel Entertainment Solutions Manager, North America

Company Profile:

Riedel Communications designs, manufactures, and distributes pioneering real-time video, audio, data, and communications networks for broadcast, pro audio, event, sports, theater, and security applications. The company also provides rental services for radio and intercom systems, event IT solutions, fiber backbones, and wireless signal transmission systems that scale easily for events of any size, anywhere in the world. Founded in 1987, the company now employs more than 400 people at 11 locations in Europe, Asia, Australia, and the Americas.

LinkedIn: http://www.linkedin.com/company/549773?trk=tyah

Wu-Jin’s New Phoenix Valley Cultural Center Spreads its Wings with Renkus-Heinz

Changzhou City, Jiangsu Province, China – May, 2014 – On a busy thoroughfare in Changzhou’s Wujin District, the aptly named Phoenix Valley Cultural Center stretches its wings over more than 156,000 square feet. The vast complex is the largest and most modern of its kind, an urban nexus that is home to four cinemas, sports and dance halls, art galleries and an early childhood education center, as well as a retail hub, children’s playgrounds, and a public square with canals and gardens.

The complex’s crown jewel is The Grand Theater. Seating just over 1,000 across two floors, the Grand Theater shifts the typical theater paradigm into something just as unique as it is state-of-the-art. The venue’s classic stage can host a wide range of events, from musical to theatrical, and 17 projectors can transform the stage, as well as the walls of the auditorium, into an Omni-Max style theater.

Audio for the Theater needed to be equally versatile, able to accommodate a variety of events, from drama, live shows and TV to meetings, conferences and multi-media reporting. The main system, designed by prominent consulting firm Shanghai LeDian Audio Equipment Co., Ltd., comprises left,  right, and center hangs of 14 Renkus-Heinz STLA/9 line array loudspeakers in all. Eight SGX41 four-inch loudspeakers are mounted on the orchestra rail for front fill, with six TRX81 boxes providing rear fill, and four DRS18-2B subwoofers adding low end reinforcement. Onstage monitoring is handled by a combination of PNX151T, TRX121/9, and CF81 cabinets.

For cinema presentations, a surround system is installed comprising 20 TRX81/12 boxes, along with three STX7/64 cabinets mounted up top for sound effects. Onstage effects are provided by a single STX5M2 loudspeaker and STX5 subwoofer.

Adjacent to the Grand Theater is The Small Theater, a 200+ seat auditorium designed for meetings, multimedia conferences, runway shows, small performances and other cultural activities. Shanghai LeDian selected left and right arrays of three Renkus-Heinz STX4 cabinets as the Small Theater’s main system, with four CFX81 boxes for front fill and a pair of DRS18-2B subs.

For Shanghai LeDan Audio Equipment Co.,. Ltd., the addition of one of China’s most prominent new cultural centers to the company’s portfolio is a prestigious one, to be sure. And for the Phoenix Valley Cultural Center, LeDan’s selection of Renkus-Heinz loudspeaker systems assures that the venue will continue to deliver the finest in audio quality, no matter what type of performance is on the program.

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A version of this article appeared in Pro Audio Asia, May 2014

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

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Salina’s Bicentennial Center Salutes L-ACOUSTICS

Parkway Communications updates 7,500-seat arena’s sound with ARCS WIFO arrays

SALINA, Kansas — For the past 35 years, the 7,500-seat multipurpose Bicentennial Center Arena in Salina, Kansas has hosted everything from concerts, theatre, circuses and civic events to rodeos, basketball, roller derby and home games for the local Salina Bombers, champions of the Professional Indoor Football League. But while the venue has undergone a number of changes over the years, the original sound system remained in place until Parkway Communications recently installed a new L-ACOUSTICS ARCS WIDE and ARCS FOCUS loudspeaker rig – aka “WIFO” – for the city-owned venue, which is managed by Philadelphia-based Global Spectrum. more

RELIABLE, SPACE-SAVING ASHLY AMPLIFIERS DELIVER AT LIBERTY HIGH SCHOOL

O’FALLON, MISSOURI – MAY 2014: Located forty miles west of St. Louis, St. Charles County is the fastest growing county in Missouri and ranks among the fastest growing counties in the nation. The Wentzville School District is responsible for public education in the area, and with space in its two high schools reaching maximum capacity, the district drafted plans to build a third high school. Now finished, Liberty High School has reliable technology in the classroom, sports facilities, and for extracurricular activities, including a comprehensive sound system that uses space-saving and dependable multi-channel Ashly amplifiers.

St. Louis-based McClure Engineering designed Liberty High School’s sound and A/V systems, and local A/V integrator TSI Global installed it. The system includes a paging service for the common areas of the school, along with more muscular systems for music playback in the gym and on the football field. Modest Biamp DSP and Crestron control systems provide minimal processing and intuitive user control. The real challenge at Liberty High School was ensuring that the system would operate uninterrupted, day-in and day-out. Because space was at a premium, Dave Bick, McClure’s acoustical and systems engineer specified Ashly ne-Series multi-channel amplifiers to power Renkus-Heinz loudspeakers.

In just twelve total rack spaces, the Liberty High School sound system fits thirty amplifier channels: three 8-channel Ashly ne8250s and three 2-channel Ashly ne2400s. “Ashly is always my go-to amp,” said Bick. “Ashly amps are quiet and dependable. Out-of-box failures are extremely limited. The power delivery and options are also very flexible, with 8-ohm and 70-volt variants available in a range of channel counts and power outputs. Despite that, they’re very cost competitive, and the service I get from Ashly is excellent. Due to the fast pace at which products can change or be updated in the A/V industry, I often like to verify things before I commit to them in a design, for which I need a quick, company confirmation. Unlike a lot of other manufacturers, it’s easy to get a knowledgeable human on the line at Ashly in just moments.”

ABOUT ASHLY AUDIO Ashly Audio Inc. is recognized as a world leader in the design and manufacturing of high quality & high performance signal processing equipment and power amplification for use in the commercial sound contracting and professional audio markets. The 37-year old company is headquartered in Webster, New York U.S.A.

www.ashly.com

BE SURE TO STOP BY AND SEE US AT INFOCOMM BOOTH #C11308

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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