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Torus Power Appoints Kevin Main as Vice President, Sales & Marketing

Strategic executive-level hire positions Torus Power to expedite business development initiatives and further strengthen its market position within the Consumer Electronics and Custom Integration Markets

TORONTO, ON, CANADA – July 14, 2014 – Torus Power—maker of uncompromising clean-power source components and a subsidiary of Plitron Manufacturing—announced today the appointment of Kevin Main as Vice President, Sales & Marketing.

Main’s experience in the electronics industry spans more than 25 years. He comes to Torus Power after nearly more than a decade at JAM Industries—maker of professional audio and consumer electronics products and instruments—as Director of Sales an Marketing for American Audio and Video and as National Sales Manager for JAM’s Erikson Consumer division. Before that, Main worked at Kenwood Electronics and Jonic International in similar capacities.

“Kevin is a very strategic appointment because he brings to Torus Power an incredibly deep knowledge and experience in the Consumer Electronics and Custom Integration markets,” says Steve Nolan, Vice President Sales and Operations, Plitron. “Kevin has worked with numerous high-quality, high-profile brands, including Arcam, Mark Levinson, Revel, JBL Synthesis, NuVo, and Canton, for years.” 

This executive hire complements Torus Power’s strategic growth plan. Main is joining the team at a time when the company is adding more affordable, yet high-performance, power components to its already robust lineup, and will be tasked with building a more robust independent rep force and expanding the brand’s global reach.

“I’m very excited to help develop Torus Power within the Consumer Electronics and Custom Integration markets. I plan to build upon Torus’s strong reputation as the go-to power component source for impeccable quality and unfaltering reliability. Torus Power products are unquestionably engineered to perform, protect and improve the performance of audio, video, and control systems,” says Main. “With that foundation, we will position Torus Power as the premier brand in the market for high-performance power solutions.”

Torus Power is a Crestron Integrated Partner and a member of Savant’s Partner in Excellence Program, which enables seamless integration across platforms. More information about Torus Power can be obtained by visiting www.toruspower.com, calling (800) 754-8766, writing to tech@toruspower.com and by following @TorusPower on twitter.

About Torus Power
Torus Toroidal Isolation Power Conditioners are the world’s finest clean power source for audio, video, and control systems. Built to an uncompromising standard of quality, performance and reliability, Torus Power Conditioners are engineered to perform and protect like no other. Torus Power products are the consistent choice of knowledgeable audiophiles, home theater enthusiasts, custom electronic system integrators and designers, whose discriminating tastes and technical requirements mandate the ultimate performance and protection levels achievable.

Utilizing Plitron’s patented NBT technology and toroidal isolation transformers, Torus Power products restore incoming power to its clean original state, eliminate virtually all power line noise artifacts, and protect connected equipment from potentially damaging AC power line events, including severe lightning strikes and brownouts, thereby increasing system reliability and extending product life. Providing high levels of clean, instantaneous current, Torus Power products ensure that dynamic components – such as high power amplifiers – are never starved for power.

Precision engineered by Plitron Manufacturing Inc., a much sought-after OEM supplier of toroidal transformers and toroidal-based products for many of the audio/video industry’s leading amplifier brands, providing more than 30 years of experience and an unparalleled reputation, Torus Power is manufactured to rigorous standards under Plitron’s ISO9001 medical-level quality control system in Toronto, Canada. More information can be found online at www.toruspower.com. Follow Torus Power on Twitter @TorusPower.

About Plitron
Plitron Manufacturing Inc. is an ISO 9001:2008 company established in Toronto, ON, Canada in 1983. Specializing in research, design, development and manufacturing of toroidal transformers and toroidal based products, Plitron’s most recent developments include VREMS energy saving systems for lighting; Torus Power line conditioning for audio/video systems; MEDISO power isolation units for medical and industrial applications, and toroidal stators for wind turbines.

The Plitron toroidal transformer is inherently more efficient and effective than any other transformer type and is vitally important in today’s environment with the demands for cleaner and greener power. Through constant innovation and an unyielding commitment to superior engineering, Plitron provides OEM clients worldwide with power-based solutions for demanding applications in audio, medical, broadcast, telecommunications, computer, power conditioning, UPS, energy, and other industrial sectors. www.plitron.com

Torus Power Media Contact
Katye (McGregor) Bennett, KMB Communications, 425-328-8640katye@kmbcomm.com@katyemcgregorwww.kmbcomm.com/press.

 

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Extron CableCover Improves Conference Room Cable Management

Extron Electronics is pleased to introduce CableCover, a durable, fitted bag that mounts below most Extron Cable Cubby, Cable Cubby Series/2, and TouchLink Cable Cubby enclosures. When installed, CableCover improves under-table cable management and aesthetics, minimizing cable tangles and preventing accidental disconnections. CableCover is 19″ (48 cm) deep, providing ample room for up to eight AV cables or three Extron Retractor Series cable retraction modules. Three pass-through openings at the top and bottom of the bag facilitate cable installation and connection with both surface- and floor-mounted AV products. CableCover is constructed of flame-retardant, black polyester fabric and includes a roll of self-adhesive, hook-and-loop tape for mounting to the enclosure. more

TNDV Upgrades Production Quality for University Graduation Ceremonies

Mobile production specialist captures, magnifies and streams Vanderbilt and University of Virginia commencements in HD

NASHVILLE, July 14, 2014 — Mobile production is most often associated with the world of sports and large entertainment events, but a growing contingent of non-broadcast organizations are looking to outside production teams to increase quality and expand audience reach.

TNDV recently brought its mobile production expertise to the campuses of Vanderbilt University in Nashville and the University of Virginia in Charlottesville, achieving these goals and more for their spring graduation ceremonies. TNDV transitioned both commencement productions to HD for the first time, vastly improving image magnification quality for the large attending crowds. The company also streamed the live ceremonies worldwide to ensure families, friends and alumni could tune in from anywhere.

According to Nic Dugger, owner and president of TNDV, an increasing number of his clients across education, government and corporate verticals are recognizing the quick return on investment that comes with upgrading the production quality and taking the event to an external audience.

“Universities like Vanderbilt and University of Virginia realize that commencement is the most crucial day to a student’s life,” said Dugger. “Graduation day sets the mood and tone to the student’s relationship with that university forever, and potentially influences future donations and ongoing involvement. They want every student’s family to be able to experience the event with them, whether onsite or online, with the visual and audio quality required for total immersion. It takes a professional mobile production crew and technology infrastructure to make that happen, especially when you are serving two very different audiences.”

TNDV built a true mobile production facility for each event, staffed with producers, directors, and a complement of switcher, graphics and playback operators. The staff positioned multiple Hitachi HD5000 cameras around the venues, feeding back to its Inspiration truck. On board, the signals were sweetened with graphics and audio, and routed to large LED screens on either side of the stage. Throughout the productions, TNDV staff monitored multiviewer feeds both on board and outside the truck, the latter of which lent a professional production atmosphere for attendees.

The team also positioned an array of audience microphones throughout the crowd to capture the energy of the event for online audiences. This replicated the in-person experience for those who couldn’t make the ceremonies. Additionally, all camera feeds from the ceremonies, as well as special events surrounding the commencements, were recorded to Aja KiPro banks for future university use.

For Dugger, the tricky nature of producing graduation ceremonies is that unlike a live performance, the emphasis is not on a single artist or small group of performers. Everyone involved is on equal footing, from guest speakers to the entire student body.

“The challenge across both the image magnification and live stream is to make sure that every student gets the recognition they deserve,” he said. “Every student’s name needs to be seen and heard clearly. Taking the leap to HD production makes that experience far more immersive, and ultimately more memorable. And these productions were truly what you would see for a full-blown live broadcast.”

ABOUT TNDV: Television
Formed in 2004, TNDV: Television represents the culmination of many years of broadcast and live production for Nic Dugger, owner and president; and his staff of full time engineers. TNDV produces events from small single-camera productions all the way up to multi-million dollar international TV events, and takes pride in building custom solutions for challenging productions of any size, in any situation. Recent productions include the live concert productions at the NCAA Final Four, the 2013 Re/Max Long Drive Challenge on ESPN, and the inaugural season of Sing for Your Supper on PBS. Please call 615-585-6528 or visit www.tndv.com for more information.

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Martin Audio MLA™ Breaks Record At Glastonbury

Martin Audio’s groundbreaking Multi-Cellular Loudspeaker Array (MLA) system has made Glastonbury history by delivering the highest sound levels to the audience without exceeding noise pollution levels beyond the perimeter.

Making its Glastonbury debut, the system deployed on the Pyramid Stage was impressive in every respect, employing cabinets from the entire MLA™ range of loudspeakers. This comprised a total of 72 MLA for the main hangs, eight MLA Compact for stereo infill at the pit barrier and four delay positions of 14 MLA each. The latest addition to the range, the MLA Mini was also featured, providing stereo infill behind the FOH control structure and onstage coverage of artists’ guest viewing platforms. A massive broadside array of 38 MLX stretched across the entire width of the stage to provide sub-bass support to the entire system.

The company’s unique MLA technology enables very fine control of how each array covers its designated audience area. Their own amplifier and DSP channel, a total of six in each MLA independently control acoustic cells housed within each cabinet. This control allowed RG Jones system engineer Mark Edwards to specify exactly what SPL and frequency response was required across the audience, with the intelligent software automatically controlling the array to produce that result. This amounted to just a 6dB drop off over the 985 ft. long audience area, with incredibly even frequency response.

“We used our proprietary computer software to figure out how to drive each cell in each array to direct sound just at the audience, and then cut it off sharply just beyond the audience to dramatically reduce noise pollution,” says Martin Audio’s R&D Director Jason Baird. “As a result, headliners including Arcade Fire and Metallica could play at 104-105dBA – this is the first time such high levels have been achieved in the history of Glastonbury as noise limits are really strict.”

More than 150,000 fans listened to headline acts Metallica, Arcade Fire, and Kasabian, as well as The 1975, Elbow, Rudimental, Nitin Sawhney, and Dolly Parton, mixed on the MLA system.

Having persuaded the festival production in 2007 that RG Jones Sound Engineering was the right company to run audio services on the Pyramid Stage, Simon Honywill said, “I believed that MLA was the right system for the Pyramid since I first heard its extraordinary fidelity and learned about its unique abilities. Having used it at the past two Glastonbury Abbey shows, it was natural to suggest to Dick Tee and his team that it should take its rightful place on this iconic stage. I think it has more than proved itself here – I spent a considerable amount of time out in the audience and have never heard the field covered so well. And people in the crowd were openly complimentary about the volume and clarity too.”

There was also effervescent praise from the stream of FOH engineers over the weekend.

One of the biggest draws of the weekend was Metallica, engineered by Mick Hughes: “MLA is a new system to me, a new experience. I was surprised how easy it was to get the mix I wanted out of it. When I first used it I thought ‘whoa’ there’s some serious horsepower here. It just sounded really alive; I wouldn’t shy away from using it again.”

One of the most enigmatic performances was from Lana Del Ray, engineered by Max Bisgrove: “In half a song, I could get out what I needed from the MLA system. Great clarity, great power, it’s by far my favorite Glastonbury mixing experience so far.”

Dave McEwan, FOH sound engineer for Nitin Sawhney, remarked: “Glastonbury was the first time I’ve used the big MLA, and I’m really impressed – great imaging, 3D, even 4D sound. You can dive in and enjoy, it’s another sort of PA! I’m hoping to use this at the Royal Albert Hall for Nitin in September. I love it; it’s a great product, a super sounding system, lush and hi-fi, with lots of depth.”

The 1975’s engineer, Jamie McLuckie, adds: “At some festivals you have to tweak the bottom end, but MLA was nice and easy. The system sounded fat, with nice clarity and nice high end too. I couldn’t really fault it.”

For John Carroll, MD of RG Jones Sound Engineering, Glastonbury has been the affirmation of what he’s known for some time: “Martin Audio’s MLA is the next generation and there’s nothing out there to match it. Our continued support from Martin Audio is second to none.”

Summing up, Jason Baird says: “It was my career highlight back in 2008 working on our very first Glastonbury, but with MLA this year, it’s been topped. To see the massive audiences in complete unison front to back enjoying the performances, combined with the constant stream of smiling faces at FOH, it’s been the showcase for everything that Martin Audio and MLA stands for.”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

New RH Series from Renkus-Heinz Opens at Merriam School Of Music

Oakville, ON – July 2014… When Allan Merriam committed to building an auditorium for the students of Merriam School of Music, he took the same approach he’s taken over his lengthy career – no compromise. Long heralded as a visionary in music education, Merriam’s eponymous school is renowned for its educational integrity across all disciplines, ages, skill levels, and instruments.

Merriam’s vision for the school’s new production and performance facilities led him to acclaimed recording studio designer Martin Pilchner of Toronto-based Pilchner-Schoustal International Inc. PSII was commissioned to design a fully integrated live performance hall coupled with a professional level recording studio. The 100-seat,1400 SF auditorium is located directly above the recording studio space in the basement.

Audio for the room was provided by Contact Distribution, the Canadian distributor for Renkus-Heinz. ”Martin and I have worked on a number of projects in the past, and he’s become a fan of the tight, consistent coverage patterns of Renkus-Heinz systems,” explains Contact Distribution’s Bill Coons. The facility became one of the first to install the new RH Series, a new custom designed two-way point source system featuring a dual wedge angle design and a range of highly versatile rigging options.

“Bill suggested the signature series RH123, and they turned out to be exactly what we needed in the way of coverage, physical size and price point,” states Martin Pilchner. “They offer great dynamic range, and they’re self-powered so they were easy to integrate.” A pair of PN212-SUB dual 12-inch subwoofers covers low frequency content. “The PN212 subs were also a perfect match for the room — small enough to fit under a low profile stage, but plenty of headroom.”

Pilchner reports the system exceeded expectations. “We knew they would sound good but we were somewhat surprised by just how good,” he says. “The co-entrant HF/MF drivers delivered full range sound and consistent coverage all the way to the very back of the room.” Onstage monitoring is handled by CF121M-2 powered monitor wedges.

Allan Merriam adds, “When you put a focused and committed performer thru quality product, the talent and passion don’t get lost in the technology. The Renkus-Heinz system gives us the clarity and audiophile experience we were looking for. We really have the best sounding small scale performance space in the city.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Riedel and German Broadcaster RTL Celebrate Six-Year Partnership That Brings Formula One to the World

WUPPERTAL, Germany — July 9, 2014 — Riedel Communications, provider of pioneering real-time video, audio, data, and communications networks, announced that Formula One host broadcaster RTL has, for the past six years, leveraged the Riedel RiLink Global Fiber Service to provide bidirectional links between the race circuits and the broadcast station in Cologne, Germany. In addition, Riedel’s Artist and MediorNet platforms are used for communications and signal acquisition and distribution at the various race venues around the world. more

Extron Introduces Compact HDMI to HDMI Scaler

Extron Electronics is pleased to introduce the DSC HD-HD, a compact high performance, HDCP-compliant scaler that converts between HDMI resolutions and frame rates. It accepts video from 480i up to 1920×1200, 1080p, and 2K, and offers high performance upscaling and downscaling with multiple output rates up to 1920×1200, including HDTV 1080p/60 and 2K. The DSC HD-HD features advanced Extron video signal processing with 1080i deinterlacing and Deep Color processing for optimal image quality. It includes many integrator-friendly features such as on-screen display, test patterns, and EDID Minder. The DSC HD-HD is ideal for applications that require scaling HDMI video to match the different capabilities and requirements of sources, displays, videoconferencing codecs, and other equipment. The compact form factor allows simple integration at a source, destination, or in a distribution system. more

CCF Church — Massive Sound for a Massive Hall

Manila, Phillipines – July 2014…. Founded in the early 1980s, CCF (Christ’s Commission Fellowship) has grown from a 40-member evangelistic bible study group to become one of the world’s mega-churches, with membership in the tens of thousands and numerous satellites across the globe. Over the years, the church has moved several times as its numbers have outgrown its seating capacity, and in May of 2013, CCF opened the doors to its new world headquarters. CCF Worship and Training Center’s 750,000 square foot building is home to the church’s offices and school, a youth and sports center, a 10,000-seat chapel, and a 2,000-seat overflow hall.

Audio for the massive space was designed in part by Vance Breshears of the San Diego, CA offices of Acoustic Dimensions, and installed by Manila-based Joint Venture Sound, Light, and Entertainment Concepts. The main system comprises 36 Renkus-Heinz STLA/9R line array loudspeakers. Front fill is provided by 40 Sygma Series SG81-2R compact 8-inch two-way loudspeakers, with 12 DR18-2R dual 18-inch subwoofers covering low frequency reinforcement.

The smaller (relatively speaking) 2,000-seat overflow hall is covered by a system of 16 CF101LA-52R compact modular point source line array speakers, with 26 more SG81-2R cabinets covering front fill. Four DR18-2R subs handle the bottom end in the room. Renkus-Heinz Senior VP Ralph Heinz and engineer KK Tan assisted with commissioning the system.

“The new CCF church headquarters is a breathtakingly beautiful architectural space, and Renkus-Heinz is proud to have been selected to provide the sound for their new, state-of-the-art chapels,” remarked Ralph Heinz.

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Reach Communications Adds NEXO STM Line Array To Arsenal

BUENA PARK, Calif.—Reach Communications of Minneapolis, MN has added a new NEXO STM line array to its already impressive stable of NEXO boxes. “We researched NEXO, L’Acoustics, d&b and others for boxes having a high 145+db peak output per box, to use as a large format line array for our bigger shows, states Dan Brown, Event Services Manager, at Reach. Having had a long history with NEXO and owning 130+ boxes in house before this purchase, we felt with our current inventory and amazing support from NEXO, this was the obvious option.” With the addition of the STM, Reach now owns 192 NEXO boxes, and 34 NXAmp 4×4 and 4 NXAmp 4×1 amplifiers.

So far, the NEXO STM rig has been used on Unite – NDOP 2014 and the KTIS Joyful Noise Family Festival 2014. NDOP included Hillsong United and a local Unite house band. KTIS Joyful Noise acts included Lincoln Brewster, Mercy Me, Tenth Ave North, Steven Curtis Chapman, Audio Adrenaline, Mandisa, and Hawk Nelson.

“The output and sound quality is incredible and very accurate, says Brown. We have had engineers comment that the STM rig has headroom for days and I barely had to do anything to the EQ! We wanted a system that would give engineers a clean canvas to mix on and headroom to handle the largest venues, and STM provides that.”

For NDOP 2014, the NEXO layout consisted of 12 STM M46 boxes and 12 B112 bass per side, 8 GEO S12s per side for outfill and 9 GEO S12s per side for rear fill. 8 STM S118 subs were used left and right with 8 RS18 spread across the center, and 8 PS10-R2s provided front fill. For Joyful Noise, the NEXO layout consisted of 12 STM M46 boxes and B112 bass per side, 12 GEO S12s HL used for outfill, 5 GEO S12s HR for outfill, 16 GEO S12 used for delays – 8 left and 8 right, 16 NEXO STM S118 subs – 8 per side in Cardioid configuration, 18 RS18 ray subs spread across the center in stacks of 3, and 8 PS10-R2 for front fill. The monitor rig for Joyful Noise included 10 PS15-R2 wedges, 2 PS15-R2 and 2 RS18s for side fills, and 2 RS15 used for drum subs. 14 NEXO NUAR racks powered the system.

“Reach Communications rig was my first experience with the NEXO STM, and it was incredible! states Lee Fields, front of house engineer for Lincoln Brewster. The horsepower of this PA is remarkable. From the second I started mixing until the last note, I was blown away by the punch of the LF and smoothness of the HF. This is Seriously the muscle-car of PA’s.”

For Unite NDOP, Reach provided two Yamaha CL5 digital audio consoles, one at front of house and one for monitors and a PM5D-RH for the house band monitors. A Yamaha CL5 was used at FOH and PM5D-RH at monitors for Joyful Noise. Reach also used the new Yamaha QL1 digital audio console for playback and announcements.

Additional audio gear supplied by Reach included Sennheiser 2000 IEM, Shure UHF-R, Shure, Sennheiser, Beyer, AT mics and Radial, Countryman DI’s. Lighting included Vari-Lite VL3000 spot, VL3500 spot, Martin MAC Aura, MAC 101 – Atomic 3000, ChromaQ colorforce 48, Chauvet 230SR Beam, GrandMA2 light. Video consisted of Hitachi HD1000 camera, Ross Carbonite 2ME switcher, Ross Router, AJA KiPro recorders.

For more information on Reach Communications, visit www.reachcomm.net.

For more information on the NEXO STM line array, visit www.yamahaca.com.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Community Provides the Sound for Tokyo’s Most Famous Square

Hachiko Square, sometimes called Hachiko Plaza, is probably the busiest and best-known meeting place in Tokyo. Named in honour of the famous statue of the “Faithful Dog Hachiko,” it is fenced in by a department store, two train stations and the well-known Shibuya pedestrian scramble crossing that is reputed to be the busiest in the world.

The plaza is usually teeming with people, especially during evenings and weekends. It is a prime people-watching spot and a very popular meeting place. Most people, locals and tourists alike, gravitate toward the bronzed Akita Inu statue referred to as Hachi or Hachiko. The original statue was erected in 1934 to honour the dog who met his master, Professor Ueno Hidesaburo, every day at the station after work. When Professor Ueno died in 1925 and did not return, Hachiko continued to wait for him daily for the next nine years, appearing exactly when the train was due. The story continues to be told and the 2.4 million people who use Shibuya Station pass by the bronze dog each day.

As with many of the world’s great cities, such a location provides the perfect advertising opportunity and the professional sound company, Katoya Recording Service, was commissioned to provide sound for a 24.3 x 17.3 meter LED screen, which is mounted on a roof overlooking the intersection.

Mr Katoya, Managing Director of Katoya Recording Service, explained the choice of loudspeakers, “To provide high quality and intelligibility within a defined area at such a distance required high power loudspeakers with exceptional control. We chose two Community R.5-66T’s, with 60×60 degree dispersion for the main area, and an R.5-HPT with 60×40 dispersion to focus on the distant crossroads. They deliver the sound clearly to the areas where the displays are seen, but do not create a noise problem with spillage.”

A Powersoft M30D HDSP+ETH was chosen to drive the Community loudspeakers, for its power, audio quality and the on-board DSP it provides.

With R SERIES’ proven all-weather capabilities, Katoya Recording Service has provided a system with the quality and reliability the application required, and a system that will be heard by countless millions for many years to come.

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Related Topics: Large Venue, Loudspeakers |

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