A virtual press conference from Sound & Video Contractor

Archive of the Large Venue Category

Christie is the New Face of Security and Surveillance for the Control Room at ASIS 2014

Christie®, a world leader in creating and sharing the world’s best visual and audio experiences, brings a generation of leadership experience to designing and implementing high-performance mission critical control room solutions to ASIS 2014 in Atlanta, Georgia, September 29 – October 2. From high resolution flat panel displays, to video processors and the Christie Phoenix™ open content management platform, Christie will showcase versatile and cost-effective solutions for the ultimate in mission-critical communications, performance, and reliability.

Christie Entero™ HB Front Access Cube, Front Screen Extended

Christie Entero™ HB Front Access Cube, Front Screen Extended

Among the products on display will be a 2×2 ultra-narrow bezel Christie FHD552X HD LCD-based flat panel video wall featuring ultra-sharp HD resolution, high pixel density, and superior image sharpness and brightness. Significantly thinner than conventional panels, Christie flat panels automatically map in any array configuration, either in portrait or landscape mode. They are quick and easy to set up and use less than one watt of power in standby mode for low-cost operation. Also on display will be a 2×2 set-up of the 70-inch Christie Entero™ HB front access display cube the first and only LED display cube to offer wireless control through Wi-Fi® capability. Christie’s video wall displays will be fed by the Christie Phoenix™ open content management platform.

“Christie brings more than 80 years of leadership in visual displays and generations of experience in designing and implementing 24/7 mission-critical operations for some of the world’s largest organizations,” noted Dave Muscat, senior director, Americas Region, Visualization, Simulation and Control Room Solutions, at Christie. “Whether for government, law enforcement, power, utility or telecommunications, Christie offers customized, end-to-end control room solutions specifically tailored to the customer’s needs and budget.”

Collaborative visual solutions for mission-critical monitoring
Today’s control rooms go beyond traditional displaying and monitoring and Christie’s collaborative visual solutions are removing boundaries and enabling expansive collaboration for many of the world’s most mission-critical operations. By integrating stunning zero-maintenance displays with the power of the network, Christie is completely redefining the control room space, and setting the stage for an increasingly distributed control room environment. Across every sector in business, commerce and government, Christie is raising the bar beyond today’s stringent control room requirements.

Point Source Audio SERIES8 Microphones Chosen by Chase Oaks Texas Mega-Church

Audio engineer and leadership team select PSA’s low-profile mics after extensive evaluation.

Chase Oaks' Senior Pastor Jeff Jones relies on Point Source Audio’s CO-8WD headset microphone to deliver to his congregation

Point Source Audio (PSA), an innovator of the original and one-of-a-kind “Unbreakable Boom” miniature microphones, announced that its SERIES8 miniature microphones have been adopted by the three campuses of Chase Oaks Church of Plano, Texas—serving greater Plano’s population of 720,000.

SERIES8 headset mics are well-suited to the church community, particularly those with large congregations and physical dimensions to match. Chase Oaks’ expansive campuses made servicing their microphones a growing challenge and expense. “Our old headsets were continually snapping. It was very frustrating,” recounts Chase Oak’s Audio Engineer Kevin Sanchez before discovering Point Source Audio’s SERIES8 and its unique “Unbreakable Boom”. “The help I received from PSA’s customer support CHAT just blew me away,” Kevin added, “every question I asked came back with a ‘yes’ and a ‘here’s how you can do it.’”

The SERIES8 collection of headset, earworn and lavalier microphones is Point Source Audio’s next generation of miniature microphones. Its flagship 360° bendable boom feature is one of four features the company touts to be unique in combination with their mics’ IP57 waterproof rating against water, sweat and makeup; 148 dB max SPL; and interchangeable X-connectors for swapping wireless terminations.

Sanchez was wowed by Point Source Audio’s miniature headset that was both bendable and waterproof. After purchasing the CO-8WD through his trusted dealer, Rat Sound Systems in Camarillo, California, he verified the boom didn’t break after bending it 90° and after wearing for 30 minutes, it passed the comfort challenge. But the definitive factor for Sanchez and the leadership team was the headset mic’s performance quality. “I was shocked at how much gain I could get before feedback and the clarity of the headset,” remarked Sanchez.

Chase Oaks Church joins other distinguished venues such as Universal Studios, the Kravis Center, and Shiki Theater Company Tokyo to have compared and chosen Point Source Audio’s SERIES8 microphone. With an MSRP starting at $389, Point Source Audio’s SERIES8 miniature microphones are available for purchase at a number of resellers and distributors worldwide. More information about Point Source Audio’s various audio solutions can be found by visiting www.point-sourceaudio.com.

About Point Source Audio
Point Source Audio (PSA) manufactures and distributes worldwide their SERIES8 miniature microphones—a unique line of headset and earworn microphones known for their robust bendable boom and waterproof features. As a result of PSA’s pro-audio expertise and its admired reputation for sales and service support, the company was also named Digigram’s Master Distributor for the Americas. The world renowned brand of Digigram sound cards, IP audio and video codecs, and Ethersound audio networking technology are now available from Point Source Audio. Founded in 2004, Point Source Audio is headquartered in Petaluma, Calif. For more information call (415) 226-1122 or visit www.point-sourceaudio.com.

Zac Brown Band Headlines Wrigley Field With Martin Audio MLA


Chicago, IL––SES (Special Event Services) set up what President Jim Brammer terms as “the largest outdoor MLA system deployed in North America thus far” for a sold-out Zac Brown concert at Wrigley Field of 40,000.

The event also marked Zac Brown Band’s first as a solo headliner in a major league ballpark, having shared staging earlier this summer with Billy Joel at Boston’s Fenway Park. Both shows were part of the band’s successful “Great American Road Trip” tour that runs until the middle of October.

The massive Martin Audio MLA system consisted of 170 enclosures: A Main Hang of 22 MLA over 2 MLD per side; 24 MLA Compact per side for Outfill; 8 flown MLX subs per side and 24 MLX in 12 stacks of two across the entire downstage area; 4 MLA Compact in a straight array per side for Off Left/Right front fill; 6 W8LMD across the downstage edge for Lip Fill, and 24 MLA for delays.

Asked about the event, Brammer responds, “The challenge with Wrigley and most ballparks is getting sound up under the overhangs in the upper deck. We were able to solve that with a delay system that consisted of four SES audio carts, each with six MLA, arrayed at home plate, first and third base near the seats.”

In terms of audio quality, “the show was off-the-charts good,” Jim adds. “Everyone was extremely pleased and we had visiting major league ballparks to look at the MLA setup and see if they might be able to use it, and they were very happy with the way it sounded.

Tour Veteran Warren Cracknell from the SES Nashville office summed it up with one word, ”Outstanding!”

When asked what he thought, FOH Engineer/Production Manager Eric Roderick said, “It was Bad to the Bone!”

For more about Martin Audio, please click to www.martin-audio.com.

About Martin Audio®
Founded by audio engineer David Martin in 1971, Martin Audio pioneered the use of all-horn-loaded bass designs in world-class touring loudspeaker systems for groups such as Pink Floyd, ELP and Supertramp. Located outside of London, Martin Audio now embodies a sophisticated mix of acoustic design, research, mathematical modeling and software engineering for a wide range of products in the installation, cinema and touring sound markets.

Doha Airport is Covered with ICONYX as Far as the Eye Can’t See

Doha, Qatar – September 2014…. Hamad International Airport covers nearly a third of the city of Doha, with more than half of the airport’s. 29 sq km (11 sq miles) reclaimed from the Arabian Gulf. Its state-of-the-art passenger and cargo facilities will serve more than 30 million passengers and 1.4m tons of freight per year.

Technology for the airport is equally impressive, including an RFID baggage handling system, high-tech air traffic control and radar systems, and a cutting-edge public address system based around Renkus-Heinz ICONYX digitally steerable line array loudspeaker systems.

The system includes 208 IC8-R, 30 IC16-R, five IC24-R, and two IC32-R loudspeaker columns, all networked to provide individual control of each individual unit. Strikingly, not a single one of the 245 speaker columns installed throughout the facility is visible to the naked eye.

“All the loudspeakers are hidden,” explains Renkus-Heinz Middle East Sales Manager Norbert Bau. “They have all been flush mounted and concealed behind grilles, or they have been integrated into custom-designed stainless steel pillars. It’s an architecturally stunning facility and the best Iconyx installation I’ve ever seen.”

Much of the credit for this impressive installation goes to the contractors, Consolidated Engineering Systems Co (CESCO), and subcontractors H. Robert Guild Associates, Inc (HRGA). “The system was designed by Acoustic Design Ahnert (ADA Gulf), and the entire installation was performed by CESCO, who brought in Robert Guild of HRGA to provide the experience and expertise for this very high-profile project,” Bau observes. The project also included a massive IED announcement control system and thousands of small ceiling speakers for the voice alarm system. Testing and commissioning the system was performed by HRGA, with support from Renkus-Heinz application engineers.

While the project has not been without its challenges, Bau points to good planning as an indispensible factor. “The design of the sound system was seriously considered when designing the airport. And ADA Gulf convinced the architect to apply acoustic treatment so the acoustic conditions are very good – it sounds very dry.”

Since opening its doors to passengers, Hamad International Airport is quickly becoming an international hub, providing the air travel capacity the city of Doha has been sorely needing, with a sound system that will clearly and intelligibly serve millions of passengers for years to come. As Norbert Bau concludes, “it is an impressive system for a very impressive airport.”

 

 

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About Renkus-Heinz  - Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Extron Introduces TeamWork “Show Me” Cable Retraction Modules for HDMI, DisplayPort, and VGA

Extron Electronics is pleased to introduce Retractor SM “Show Me” cable retraction modules for the company’s popular TeamWork Collaboration System. The new Retractor SM modules provide the user interface for HDMI, DisplayPort, Mini DisplayPort, or VGA sources. Operation is simple and intuitive. Extend the “Show Me” cable, connect it to your source device, and press the “Share” button to share your content on the main presentation display. At the end of the collaboration session, cables retract with the press of a button, ready for use by the next collaboration team. Retractor SM modules are designed to work with Extron Cable Cubby 1200 and Cable Cubby 1400 next-generation cable access enclosures, as well as the TMK 120 R Table Mount Kit for under-table applications. more

DVIGear’s HDBaseT Extenders among the Products of the Year

Recognized as Two of the Best New Products of 2014SCN Product of the Year 2014

Marietta, Georgia    September 17, 2014  –  DVIGear, a leading manufacturer of digital connectivity products, was recently recognized by NewBay Media’s Systems Contractor News magazine.  The new HDMI HDBaseT Extenders were named among the Products of the Year in the September edition of SCN.  This award can also be viewed online.

SCN Products of the Year 2014

The DVI-7520 and DVI-7525 HDMI HDBaseT Extenders were recognized for their wide range of features, exceptional interoperability, and break-through value.  They provide simple and cost-effective solutions to extend uncompressed HDMI or DVI, embedded audio, bidirectional RS-232 and IR, and Ethernet (DVI-7525 only) using a single twisted-pair CAT-X cable.   Unlike other products, these extenders support the full range of HDBaseT features, including: 5 play, support for 4K / 30p (UHD) resolution, bidirectional IR, POH and long range operation.  The new DVI-7520 and DVI-7525 are among the first extenders on the market to offer a fully compliant implementation of “Power over HDBaseT” (POH), a key component of the HDBaseT standard.  To maintain system stability and compatibility, POH uses standardized 48 VDC power as well as a sophisticated handshake feature that prevents power exchange with incompatible devices.

“We are truly honored our new HDBaseT Extenders have been recognized for their innovative features and value,” stated Steven Barlow, President of DVIGear.  “We always strive to provide our customers with absolutely bullet-proof products that deliver every pixel perfectly from source to destination.  The new DVI-7520 and DVI-7525 HDBaseT Extenders are no exception.”

DVI-7520 and DVI-7525:  HDMI HDBaseT Extenders

The DVI-7520 and DVI-7525 deliver a powerful combination of advanced features and sterling performance at very attractive price points, which make them a true break-through in value for professional AV system integrators.  This makes them ideally suited for a wide range of digital display applications including rental & staging events, conference and training rooms, boardrooms, auditoriums, hotels, churches and other demanding environments.  The Product of the Year 2014 Award article appears in the September edition of SCN.  The award can also be viewed online.

About DVIGear

Founded in 1999, DVIGear (www.dvigear.com) is a leading supplier of Digital Connectivity Solutions for a wide range of professional display applications.  Located in Marietta, Georgia, DVIGear offers an extensive portfolio of high performance digital video distribution products including:  Digital Matrix Routing Switchers, Splitters, Extenders, Converters, Scalers, as well as long-length copper and optical cables.

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Contact: Joseph Barbier  /  770.421.6699  /  joseph@dvigear.com
High Resolution Product Photo:  DVI-7520 and DVI-7525
Award Logo: SCN Product of the Year 2014

HDBaseT™ and the HDBaseT Alliance logo are trademarks of the HDBaseT Alliance.

Extron Now Shipping Compact HDMI to HDMI Scaler

Extron Electronics is pleased to announce the immediate availability of the DSC HD-HD, a compact high performance, HDCP-compliant scaler that converts between HDMI resolutions and frame rates. It accepts video from 480i up to 1920×1200, 1080p, and 2K, and offers high performance upscaling and downscaling with multiple output rates up to 1920×1200, including HDTV 1080p/60 and 2K. The DSC HD-HD features advanced Extron video signal processing with 1080i deinterlacing and Deep Color processing for optimal image quality. It includes many integrator-friendly features such as on-screen display, test patterns, and EDID Minder. The DSC HD-HD is ideal for applications that require scaling HDMI video to match the different capabilities and requirements of sources, displays, videoconferencing codecs, and other equipment. The compact form factor allows simple integration at a source, destination, or in a distribution system. more

Iconyx Covers Serious Space at Eaton World Headquarters

Beachwood, OH – September 2014… Founded nearly a century ago as a small gear and axle manufacturer, Eaton Corporation has grown to become a global leader in power management, with more than 100,000 employees in 175 countries. The company recently opened its new world headquarters in this Cleveland suburb, a 580,000-square-foot office tower designed by architects Pickard-Chilton of New Haven, CT.

The building’s entrance encompasses a massive glass atrium soaring several stories high, creating a vast, open and naturally lit indoor space. More than just an impressive entryway, it’s a stunning architectural design that serves as a nexus for staff and guests to converge for everything from casual lunching to large-scale company events.

International AV consultants Electrosonic created the atrium’s focal point, a towering cylindrical LED display matrix “chandelier” that brings an ever-changing dynamic to the environment with imagery, information, and animations that can be seen throughout the space.

Audio and acoustical treatment was provided by Milford, CT-based SH Acoustics, the company behind such landmarks as Washington, DC’s Newseum, NASA’s Kennedy Space Center Exploration Space, and the North Carolina Museum of Natural Sciences’ Daily Planet. As SH Acoustics President Steve Haas explains, the brief was to create an acoustical experience that would complement the stunning visual environment.

“It’s a very dynamic space — much more than just a lobby,” says Haas. “It’s often used to host both formal and informal events, sometimes attended by hundreds of people.”

Needless to say, the large, reflective environment presented its share of acoustical challenges. Says Haas, “it’s a very large, very live space, and no one really knew how all these different surfaces would work together. We worked with (integrators) Zenith Systems and the architects to design the audio system, enhance the acoustical treatment, and ensure that everything they were planning was done right.”

Anticipating that the atrium would become something of a multi-use space, Haas explains his team’s approach in designing the sound system. “We broke it down to several different categories,” he says. “The daytime experience is more of a casual, ambient environment, while the evening experience is typically an event or presentation, with the chandelier as a visual focus. We had to create an audio system that could provide complete and consistent coverage, as well as being flexible and reconfigurable for different types of events.”

The main system centers around Renkus-Heinz Iconyx IC7-II mechanically steerable line array loudspeakers. A total of eight IC7-II are implemented throughout the space, each with its own matching subwoofer, creating eight points of full-range sound. But as Haas explains, only two of the arrays are permanently mounted. “We’ve made six of them portable. The two permanently mounted units are great for providing light ambient music to fill the space. The others are on stands, and when they want to do a larger event, they just set them up, plug them in, and press a button from wherever they are in the space. That’s the magic of DSP — we’ve set up various configurations to work with a number of different types of events, different presentation positions, and other variables.”

“The key to the success of this system is in using very directional speakers, and placing them precisely,” observes Brian Yates, Project Coordinator with Zenith Systems. “Steve Haas recommended Iconyx because it’s an excellent speaker that throws well and has great directionality. He and his team spent several days working with us to calculate DSP and time alignment for each speaker, based on different possible scenarios of where in the space a presentation might be held.”

The trick, of course, is to achieve the impression of localized sound throughout the atrium, and to do so from whichever of several possible locations the presenter might select. “The Iconyx arrays are all calibrated to create an immersion in the middle of the atrium,” says Haas. “Using different time delays, we can make it sound like it is coming from one end or one side or wherever the speaker is located. The IC7s behave so well, even in challenging spaces, and that is a big part of what makes it work.”

“This was the first project we’d worked with Steve on, but we’ve worked with Iconyx on a number of projects, and agreed immediately it was a great solution,” says Yates. “It’s also got a nice, low profile, which makes it easy to blend them in with the architecture.”

“This has been a really unique and interesting project,” Haas concludes. “Holding events in an atrium isn’t all that new, but the type of multimedia events they’re doing in this space really does raise the bar. They are not just creating innovative content, they’re also figuring out how to be creative in delivering it in this space, with this medium. We’re really pleased with the results.”

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

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DANLEY JERICHO HORNS COVER NORTH TO SOUTH AT PENN STATE UNIVERSITY’S BEAVER STADIUM

Penn_State_Beaver_StadiumUNIVERSITY PARK, PENNSYLVANIA – SEPTEMBER 2014: The Penn State Nittany Lions play all of their home games at Beaver Stadium in University Park, Pennsylvania. With an astounding capacity of over 106,000, Beaver Stadium is the second largest stadium in the Western hemisphere (after the University of Michigan’s stadium) and the fourth largest in the world. A recent off-season upgrade to high-definition LED scoreboards inspired a parallel upgrade to a new high-definition sound system that relies on Danley Sound Labs Jericho Horns to throw sound from the south end zone clear across to the north end zone – and all areas between – with point-source, horn-loaded fidelity. Coverage is a remarkable ±2dB across that huge expanse, and eight Danley TH-812 subwoofers support the full-range content with honest, musical low end that shakes the stands.

Clair Solutions Senior Systems Designer Jim Devenney (Manheim, Pennsylvania) designed the system with assistance from Chad Edwardson at Danley Sound Labs and Al Harris from Populous Architects (Kansas City, Missouri). Jason Hertz led the installation for Clair Solutions with assistance from Jonathan Hoffman and Forrest Brewer from Barton-Mallow/Alexander, the general contractor. “The new scoreboard would no longer be able to accommodate the old sound system,” said Devenney. “It simply wouldn’t fit. Mike Hedden, Danley president, came up from Georgia to demo a Danley Sound Labs solution, and the school officials liked its full-bandwidth sound, dynamic response, and even coverage.” Importantly, the Danley solution would allow Devenney to cover the entire stadium with a much smaller footprint. Hedden commented, “Our demo was an opportunity to do a side-by-side with a very popular line array. At 800 feet the Jericho Horn was clear and present, like it was fifty feet away. When we switched to the existing line array it was as if the sound stepped backwards three hundred feet. It was a stunning difference. One of the officials asked me how I could explain what everyone was hearing. I replied, to paraphrase the founders, we hold these truths to be self evident, that all loudspeakers are not created equal!”

The system hangs from three levels on the new scoreboard, and each side is a mirror image of the other side. At the top level, two Danley J4 Jericho Horns hit the stands beyond the opposite end zone. Below that level, four Danley J3 Jericho Horns cover the far half of the east and west stands. At the lowest level, two Danley J3 Jericho Horns cover the near half of the east and west stands, and two Danley SH95-HO loudspeakers provide near fill. All told, eight Danley TH-812 subwoofers, four on the top and four on the bottom, provide abundant bass. Devenney left a distributed system of fill speakers under overhangs in place. Lab.gruppen LM26 processors running Lake software provide equalization and protection for the system. Lab.gruppen FP-Series amplifiers with the NLB-60E controller provide system power as well as network control and monitoring.

“Everything worked out very well,” said Devenney. “Coverage is excellent: plus or minus 2dBA throughout the stadium, except in club areas where I intentionally made things quieter. The system has good articulation, nice fullness, great dynamics, and impressive vocal clarity. The J4’s do a great job getting high end to the far side of the stadium, and the efficiency of the Danley components reduced the footprint considerably from where it had been.”

ABOUT DANLEY SOUND LABS Danley Sound Labs is the exclusive home of Tom Danley, one of the most innovative loudspeaker designers in the industry today and recognized worldwide as a pioneer for “outside the box” thinking in professional audio technology.

www.danleysoundlabs.com

Steely Dan’s Pursuit of Perfection with MLA

Rock and Roll Hall of Famers Walter Becker and Donald Fagen took Steely Dan’s “Jamalot Ever After” tour across the U.S. and Canada this summer, with OSA International, Inc. providing Martin Audio’s Multi-cellular Loudspeaker Array (MLA) sound system.

Steely Dan has a reputation among audiophiles and throughout Pro Audio for their fastidious attention to sound production, so much so that many FOH engineers and system techs use a Steely Dan track to tune a system. When it comes to live sound, their expectations for the PA are no less demanding.

Returning to mix Steely Dan is Mark Dowdle, whose extensive credits include Elton John, Gloria Estefan, Fleetwood Mac, Tina Turner and Jackson Browne, to name just a few. Last year’s tour included a stop at Ravinia Festival in Chicago, where Dowdle mixed on two 7-box MLA arrays, the first year of a new OSA installation and the first new PA in a decade at North America’s oldest music festival.

Mark Dowdle

Late last year, Steely Dan’s road manager, tour sound icon Robert ‘Nitebob’ Czaykowski, introduced Walter Becker to MLA at a demonstration at New York’s Manhattan Center, where they were able to walk around and hear the evenness of its response and coverage. Steely Dan often plays theaters, where the mix position is usually at the back, beneath a balcony. “I go out there every day and listen to it; that’s part of my gig,” Czaykowski said. “What really knocks me out about MLA is that you can really control it so it’s not splattering off a back wall or cluttering up in the lower balcony.”

Present also at the NYC demo was Jim Risgin, Vice President for OSA –owners of the largest inventory of MLA in North America. With offices in Chicago, Las Vegas and now also Nashville, OSA have built an impressive reputation and client list providing complete technical services to some of the largest corporate, sporting events and concert tours in the U.S. The NYC demo was followed by extensive research from Mark Dowdle to confirm that the system would deliver the desired performance, and as a result Steely Dan added MLA to their tour.

Across the demanding 56-stop tour, MLA showed its versatility, control and overall sound performance credentials. Dowdle points out that the MLA provides extremely even front-to-back SPL as well as evenness of frequency response throughout the listening area. “The coverage is very smooth, especially its shading,” he said. “You can walk up on the PA in the front and it sounds just like it does in the back of the room.”

Dowdle also mentions an improvement to the stereo field. “Everything is more defined, so that automatically translates into the stereo field being more discernable,” he said. “MLA gives me dynamic range, clarity and definition so that I’m able to position and layer sounds in the stereo field which you can really hear where they all are.” He adds that the MLA’s sound is extremely coherent and is very responsive from a mixing standpoint. “You make a small fader move and it’s immediately noticeable.”

Furthermore, Dowdle is surprised by the constant comments from the audience. “I’ve been mixing for a long time and usually nobody ever says anything. This particular tour I’ve had more response from the audience than any tour I’ve ever done in my entire career, and it’s always been very positive and it’s always been very poignant. That’s in large part because of MLA allowing me to get it exactly how I want everywhere in the room.”

OSA crew chief and MLA system engineer Martyn ‘Ferrit’ Rowe is well known from his tenure at Martin Audio as an MLA product specialist before leaving to work for OSA as Director of Engineering. The Steely Dan tour travels in two trucks, carrying consoles and backline (including a Steinway grand) in one, and lights and PA in the second. “We’re carrying 26 MLA and 2 MLD down-fills, as well as 18 MLA Compacts, plus 8 MLX subs and 6 W8LMD used as front-fills,” Rowe explains.

The tour played Oklahoma City’s Chesapeake Energy Arena and New Orleans’ UNO Lakefront Arena using the 14-box MLA main arrays and 9-box MLA Compact side arrays that they carry. “The LA Forum was the only venue on our 56-show itinerary where we had to add PA,” said Mitchell Keller, Steely Dan’s production manager for the fourth year running. “It’s quite impressive that on a two truck tour we can carry enough PA to do arenas.”

The rest of the itinerary ranged from sheds and theaters to casinos. “The smallest venue was Humphrey’s in San Diego, putting in two subwoofers and ground stacking six MLA per side,” Rowe explains. “We recently did four shows in a row with single point hangs using ten MLA enclosures.”

As well as MLA’s flexibility and scalability, Rowe is keen to point out the simplicity of its operation. “It’s like fly by wire; you tell it what you want and the software produces a custom preset for your system and the room,” he said. “This isn’t auto EQ, you still have control over all the decisions that are being made, but the computer is doing the heavy lifting for you.”

So, coming full circle, what did Fagen and Becker make of the sound quality? According to Dowdle, “Both have come out into the audience on a number of occasions and have always been positive with their feedback and what was going on.

“More often than not Donald will come out and listen and frequently comments, ‘It sounds great,’ which is probably the highest compliment that I could ever receive in my career.”

For more about Martin Audio, please click to www.martin-audio.com.

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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