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Archive of the Large Venue Category

Tightrope Elevates Instant Replay Capabilities for Georgia Tech Sports

Versatile slo-mo instant replay system instrumental in diversifying content for broadcast and in-venue productions

ST. PAUL, MINNESOTA, March 12, 2014 – The Georgia Tech Yellow Jackets athletic department comprises 17 sports teams competing in the Atlantic Coast Conference (ACC), with a dedicated legion of fans inside and outside the student/alumni community. The university rewarded its men’s and women’s basketball fans with upgraded game production capabilities prior to last season, delivering a vastly improved live sports experience for fans in the arena and watching the ESPN3 broadcasts.

The production upgrades, first centralized in the Hank McGamish Pavilion’s new control room, have since been extended to other venues on campus via fiber connectivity. The result brings the benefits of a modern digital control room, including slo-mo instant replay courtesy of Tightrope Media Systems, to football and volleyball games – with baseball and other sports soon to follow.

Tightrope’s ZEPLAY slo-mo instant replay system was installed alongside a complement of new cameras, switching and signal processing gear designed to simplify technical operations and improve the fan experience. Georgia Tech Director of Video Operations Andy Blanton believes that they have achieved both with the new control room and remote fiber connections, noting ZEPLAY’s significance in both situations.

“The experience of sitting in the venue is very different from the experience of being at home,” said Blanton. “We’re contracted to provide exclusive and balanced content for the ESPN3 broadcasts while using the same equipment and cast of characters for the in-venue productions. We don’t want to show replays of a visiting team player lighting up the court with dunks and three-pointers to fans in the arena. ZEPLAY gives us the flexibility to highlight exciting Yellow Jackets play for the home fans and cover up some of that action to broadcast audiences.”

From an operational perspective, ZEPLAY has delivered an easy and intuitive platform for control room operators to quickly execute replays, tag content and build tailored highlight packages based on targeted audiences. The built-in multiviewer also helps the ZEPLAY operator understand which angles are best suited for the broadcast and the in-venue production.

Perhaps most important to Blanton is the ability to quickly – and natively – archive and export clips, as the team is tasked with sharing content with multiple sources almost immediately following games. Similarly, much of that archived content is seamlessly imported back into the workflow to show recent highlights in subsequent games.

“We have a system in place to send footage straight from ZEPLAY to the conference office, which they distribute to the opponent we played that night,” said Blanton. “We share that same content, including a melt of highlights, with a multitude of recipients including media, our partners and our coach’s show. We simply hit the archive button and export those clips to the different recipients, with no transcoding required. ZEPLAY natively delivers content to three different editing systems in our case: Adobe Premiere, Final Cut Pro and Avid. It’s an enormous time-saver for our staff.”

Blanton adds that he’s been able to train operators to use ZEPLAY “within minutes,” including tagging plays with the right information to further accelerate the post-game archive-and-export process. That simple tagging capability also helps his operators keep track which players are hot, as well other developing trends of a game to create home and visitor highlight packages.

Further down the road, Blanton plans to integrate a Tightrope Carousel digital signage solution into the overall workflow to deliver content to display screens Hank McGamish Pavilion. He cites the cost and flexibility of Tightrope solutions as an overall attraction.

“We expect to incorporate Carousel into future marketing efforts, but the price point and feature sets of both products made the purchases an easy decision,” said Blanton. “We initially had another instant replay system in mind. Our consultant, Anthony James Partners, suggested that with just a little more money we could get a far more robust system in ZEPLAY that performs just as well as the high-end, expensive instant replay solutions. That recommendation, along with positive reviews, really swayed our decision to go with Tightrope.”

About Tightrope Media Systems
Founded in 1997, Tightrope Media Systems is the pioneer of web-centric digital signage and broadcast automation systems. It provides station automation, video servers, Internet video on demand, live streaming, the Carousel Digital Signage system, and ZEPLAY, a multi-channel instant replay machine for stadiums, arenas and Outside Broadcast vehicles. Tightrope’s award winning systems are used throughout the world. You can reach Tightrope Media Systems at (866) 866-4118 or visit them on the web at http://www.trms.com.

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Bring Your Own Device with Extron LinkLicense

Extron is pleased to introduce LinkLicense, a simple way for people to use their tablet or laptop as the primary control interface in an Extron control system. LinkLicense gives integrators the freedom to choose control interfaces based on their customers’ specific needs, and gives users a much broader choice of control interfaces. All IPCP Pro control processors may be purchased with or without a LinkLicense. more

HARMAN’s JBL Professional to Host Manufacturer’s Forum Seminar on VTX Line Arrays at Prolight + Sound 2014d

FRANKFURT, Germany – At Prolight + Sound 2014, HARMAN’s JBL Professional is hosting a Manufacturer’s Forum seminar on its revolutionary VTX line array system. The seminar will be hosted by Paul Bauman, Associate Director, Tour Sound, JBL Professional, and will take place on Friday, March 14 at 11:00 AM at the Cosmopolitan Lounge in Hall 9.T

At the seminar, aspects of the JBL Professional VTX system will be presented, including transducer technology, system design details, amplification/processing and simulation/control software. New additions to the VTX product family will also be featured, including the VTX F Series and VTX V20/S25.

“Our VTX product lineup continues to grow and as our customer base expands accordingly, Prolight + Sound offers a prime opportunity to make even more potential customers aware of VTX’s sonic superiority, easy rigging and unmatched power,” Bauman said.

All Prolight & Sound attendees are welcome to join the seminar. For more information on JBL Professional VTX line arrays, please visit www.jblpro.com

HARMAN designs, manufactures, and markets a wide range of infotainment and audio solutions for the automotive, consumer, and professional markets. It is a recognized world leader across its customer segments with premium brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon®, and Mark Levinson® and leading-edge connectivity, safety and audio technologies. The Company is admired by audiophiles across multiple generations and supports leading professional entertainers and the venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of 14,800 people across the Americas, Europe, and Asia and reported sales of $4.7 billion for the last twelve months ended December 31, 2013.

Yamaha Renowned Digital Console Legacy Continues With QL Series

BUENA PARK, Calif.—The Yamaha CL Series of digital consoles raised the bar in live digital mixing to an unprecedented level of refinement with evolved sound quality, operability, and functionality, while maintaining the traditional values that have made Yamaha digital mixers industry standards. Today, Yamaha Commercial Audio Systems, Inc. announces the worldwide launch of the QL Series inheriting CL features such as all-in-one mixing, processing, and routing capability for small to medium scale live tour sound, house of worship installations, corporate A/V, and speech applications.

As with the CL Series, the Yamaha QL Series includes circuitry and components that have been designed and selected with the utmost care, achieving outstanding audio purity from input to output. With a solid, sonic foundation it is possible to take full advantage of built-in premium internal processors such as legendary Yamaha VCM technology and the Portico 5033/5043 created in cooperation with Rupert Neve Designs to shape and create as required. For a wide range of speech applications, built-in Dan Dugan Sound Design automatic mixing provides optimum channel balance while allowing the mix engineer to concentrate fully on the overall sound.

“When Yamaha learned about my process, they thought it would be good for us to get together, states Dan Dugan. We collaborated on making a plug-in card that would go into Yamaha mixing boards, and it has been very successful. Then we decided to go one step further and build Dugan automatic mixing right into the new Yamaha QL. I am very excited about giving more Yamaha customers the opportunity to use my auto mixing.”

Significant features include port to port routing via built-in R Series input/outputs that can patch any input port to any output port so the QL console can function as a remote I/O device for any other QL or CL, touch and turn knob operation, and direct file compatibility between the new QL and CL Series Digital Consoles (no need for Console File Converter to exchange files). Yamaha QL consoles feature large touch-panel displays that make up a remarkably smooth, efficient control interface. In addition to ample analog input and output capacity, the QL Series features the same onboard Dante audio networking protocol that provides broad connectivity in CL consoles.

“The new QL Series brings the powerful features and quality of the CL Series to smaller applications along with additional enhancements not typically found in digital mixers in this price range,” states Marc Lopez, marketing manager, Yamaha Commercial Audio Systems, Inc. “These new enhancements will enable the engineer to use a sophisticated system that improves the overall operating experience.”

Remote control via an iPad with Yamaha StageMix as well as online/offline QL Editor Software for MAC and PC computers adds even more refinement to an already state-of-the-art operating environment. Yamaha QL 1 and QL5 consoles feature 16/32 built-in Mic/Line Analog Inputs, 18/34 faders, 8/16 built-in Analog Outputs, 32/64 + 8 Stereo input mixing channels capability, and 16 Mix + 8 Matrix (or 24 mix total) + Stereo + Mono Outputs. The built-in Dante interface (Daisy-chain or Redundant modes) provides a 64×64 matrix for the QL5 and 32×32 for the QL1. All consoles feature two MY Card Slots, 8-space Premium Rack, 8-space GEQ Rack, 8-space Effects Rack, and one license of Dante Virtual Soundcard is included.

Yamaha QL consoles are compatible with Nuendo Live (sold separately) and feature Nuendo Live Control, MIDI/GPI Control Ports, and two-track direct to USB and multi-track recording playback capabilities. The QL1 is also rack mountable (RK1 rack mount kit sold separately).

The Yamaha QL Series will be available in early April 2014 at an MSRP of $8,499 for the QL1 and $16,499 for the QL5.

For more information on the Yamaha QL Series, visit www.yamahaca.com.
To witness the new QL in action, visit Yamaha Commercial Audio Systems, Inc. at NAB 2014 in Las Vegas at booth #C2143.

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About Yamaha Commercial Audio Systems, Inc.:
Yamaha Commercial Audio Systems, Inc. (YCAS) provides a full line of integrated professional audio products offering complete systems solutions for the broadcast, sound reinforcement/installed sound, touring, commercial recording, and post production markets. With the addition of NEXO to the product line, the company remains the official U.S. and Canadian distributor for all NEXO speaker models. YCAS offers comprehensive in-house and field product training for its customers, a dedicated dealer network, and 24/7 technical support.

Clearwing Takes KARA and KIVA to the Streets of New York City

The Bacon Brothers on NYC's Super Bowl Boulevard stage featuring Clearwing's L-ACOUSTICS KARA and KIVA enclosures

Week of Super Bowl concerts on Broadway rely on L-ACOUSTICS

NEW YORK CITY — Clearwing Productions of Milwaukee reports that it was hired by the National Football League for three Super Bowl venues, all of which it supported with a full compliment of L-ACOUSTICS loudspeakers.

The NFL’s official Super Bowl Tailgate party held at the old Meadowlands Racetrack featured American Idol‘s Phillip Phillips, The Band Perry and the cast of Jersey Boys on a brand new K2 rig. The NFL On Location Super Bowl Club featured the Fray and Cyndi Lauper before the game on another K2 system hung at the Izod Center in East Rutherford. However, the real test for Clearwing took place during the entire week prior to the game across the river in Manhattan.

Super Bowl Boulevard took over Broadway between 34th and 47th streets featuring a stage that by day hosted NFL player autograph sessions and by night bands like Blondie, the Bacon Brothers, Michael Cavanaugh and the Café Wha? House Band.

The system had to be compact because, although the stage spanned the Great White Way, emergency vehicle lanes needed to be created on both sides of the street, which kept the stage width down to a rather tight 32 feet. Furthermore, the system had to ground stacked, which made the choice of KARA and KIVA, supported by eight SB18 and a pair of SB28 subs, one that met both the logistical and audio needs.

“Stacking in the downstage corners of the stage, the width of the speakers took up minimal stage space; plus, being able to stack the SB18s directly behind the KARA stacks allowed us to get the bigger sound that a three-way enclosure would provide while still maintaining a small footprint,” says Clearwing’s Steve Harvey, who, along with system tech Trevor Powers, was in charge of the audio for the stage. “We had the SB18s running up to 100Hz for improved low end from bass guitar and drums, and the SB28s in front of the stage added extra lows in the drums and playback elements.”

As if the logistical challenges of an outdoor gig in the middle of Manhattan were not enough, the weather in New York City that week was at times very cold.

“Our semi trucks had to be unloaded at midnight and the show started at noon,” says Harvey. Outdoor temperatures got down to zero Fahrenheit at times. “The amps were turned on at the beginning of the week and stayed on all week. The L-ACOUSTICS gear was solid throughout, however; not a single blip from an LA-RAK — even in these extreme conditions — and the speakers were solid.”

When the bands played, the audio had to cover an area that extended a full city block. That may sound more like a gig for a full-sized K1 rig rather than the relatively diminutive KARA, but it was about coverage — not volume — which is where the KIVA boxes came into play.

“We deployed a pair of KIVAs every 40 feet on each side of the street,” adds Harvey. “There were three sets of delays total, and it was all about coverage and intelligibility. Those delays meant we could hit the very back of the block without thrashing the nine KARA boxes stacked on either side of the stage. It was a tough gig, but the L-ACOUSTICS stuff worked great.”

Clearwing Productions can be found online at www.clearwing.com.

L-ACOUSTICS is a leading innovator and manufacturer of high-performance loudspeakers, amplifiers and signal processing devices for touring and installed sound markets. Known around the globe for pioneering and championing the modern line array loudspeaker concept with V-DOSC, the company has received numerous accolades for its K1, K2, KUDO, KARA, KIVA, ARCS, XT coaxial loudspeaker systems and SB line of subwoofer enclosures, all powered and processed with the LA4 and LA8 amplified controllers in fulfillment of a “total system approach.” Product distribution and customer service for the USA is handled by L-ACOUSTICS’ subsidiary in Oxnard, CA.

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Contact:
L-ACOUSTICS US
2201 Celsius Avenue, Unit E, Oxnard, CA 93030
Tel: 805.604.0577 / Fax: 805.604.0858
Email: info@l-acoustics-us.com / Web: www.l-acoustics.com

Design and Install Complete XTP Systems from Extron Today

Extron Electronics is pleased to announce the immediate availability of the XTP T UWP 202 wallplate transmitter. Now, all announced products for the XTP line are available to successfully design and integrate XTP Systems for reliable AV signal switching and distribution. As a completely integrated solution, XTP provides local connectivity as well as extended transmission capability for sending high resolution video, audio, control, Ethernet, and power up to 330 feet (100 meters) over a single shielded CATx cable. Modular XTP CrossPoint matrix switchers and a wide selection of XTP extenders in a variety of form factors offer the needed scalability and flexibility for twisted pair applications. The XTP CrossPoint frames also support today’s emerging resolutions, including 4K. For the cable infrastructure, use of Extron-certified shielded twisted pair cable and connectors ensures optimal performance of the installation. more

Calibre UK LEDView530 scalers at Sochi 2014 Olympic Winter Games

Calibre UK announces that their LEDView530 scalers were deployed in what is believed to be the largest area of LED screen displays in the history of the Olympic Winter Games.

“We believe that our easy to use LEDView530 scalers performed pixel accurate scaling of video content together with per-input channel colour calibration for display of live, recorded and graphics and backdrop content onto a large number of LED videowall displays at Sochi 2014 Olympic Winter Games, playing a fundamental part in the spectator, participant and viewer experience,” said Pauline Brooksbank, Managing Director at Calibre UK.

“The LEDView530 was selected because of its competitive combination of superb performance, ease of use, flexibility and robust design as well as a proven track-record in live events use,” added Brooksbank.

“Calibre UK LEDView530 scalers were also used at the London 2012 Olympic Games as well as for HM The Queen’s Jubilee. It’s very gratifying to see them utilized again for the Sochi 2014 Olympic Games.”

About Calibre
Multi-award winning British company, Calibre has over the past 26 years achieved world recognition providing image scaling and processing technologies for use in digital cinema, large venue projection and LED events, surgical medical applications and broadcast/television studios. Calibre manufactures products under its own brand-names as well as providing products and technology to several market leaders in the Pro-AV market worldwide. Calibre is a market leader in innovation, utilizing its own, UK & Germany-based in-house hardware and software design teams for all its product developments and its own UK manufacturing.

www.calibreuk.com

Cinemagic to Digitize National Chain with Christie Cinema Solutions

Cinemagic, a cinema chain focused on building cinemas in towns between 50 and 70 thousand inhabitants of Mexico, and Christie®, the dominant brand in the global digital cinema projection market, today announced the joint digitization of 70 screens currently operated by Cinemagic in Mexico.

Christie will supply an assortment of Christie Solaria® One+ and Christie CP2220 projectors to the Cinemagic complexes, facilitated by Scrabble Entertainment, an international deployment entity whose financing of DCI-compliant digital cinema projector conversions helps all manner of cinemas make the move to digital technology.

“With Christie supplying the highest quality of digital cinema equipment and technical support, Cinemagic will be able to offer to our audience the best quality in cinema projection in each of the cities we serve,” said Roberto Quintero, CEO, Cinemagic.

“Cinemagic is to be commended on its mission to bring cinema to the small communities without entertainment options in Mexico,” said Ernesto Armus, general manager for Christie Mexico. “We are honored to be part of its mission and are committed to supplying Cinemagic with the world’s leading digital projection hardware, software and services.”

Roberto Quintero said, “We are confident that with dedication, effort and together with our strategic partners, we will ensure the growth and consolidation of our project to successfully bring cinema to the small communities of our country.”

Christie to Demo Breakthrough 3D Cinema Technology For Premium Cinema Experiences with Latest ‘6-Primary’ 4K Laser Projector

Christie® today announced upcoming demonstrations of the world’s most advanced laser projection architecture and Dolby® 3D, to be held in the Christie Innovation Theaters throughout CinemaCon 2014 (Caesars Palace, March 24-27) and the National Association of Broadcasters NAB Show® (Las Vegas Convention Center, April 5-10). Christie DLP Cinema® laser projectors using 6-Primary (6P) color laser modules, earmarked for mass production in early 2015, will show how 3D light levels, image uniformity, viewing comfort, and a sense of immersion can be vastly improved, especially when combined with advanced separation technology like Dolby 3D, versus conventional 3D systems found in cinemas around the world today.

“Recent declines in domestic 3D movie attendance are a sign that the novelty is wearing off, with audiences less willing to pay a premium for what is all too often a mediocre experience. The lackluster quality of this experience results from a number of technical limitations with current 3D system architectures, the most serious one being restricted light levels that amount to only 10-30 percent of those levels achieved for 2D presentations,” said Don Shaw, senior director, Product Management, Christie Entertainment Solutions. “Simply put, the movies are too dark, leaving audiences struggling to discern critical details that make up the image in front of them.”

“Christie’s latest laser projection technology, using 6 specific primary colors rather than filtered or polarized broad-spectrum white light, brings dramatically improved 3D efficiency to projection systems, regardless of the size of screen in premium movie theaters,” added Shaw. “We believe that this is the future of 3D cinema projection, that it is right around the corner, and that it will be a key element in boosting 3D box office revenues around the world. Our CinemaCon and NAB Show demonstrations will be the first 6P laser events available to the broad cinema community, from filmmakers to exhibitors, and reaffirms Christie’s 80-year commitment to cinema innovation, rather than ‘moving beyond digital cinema’ as some other industry players have promised.”

At least twice as efficient as today’s best 3D systems, Christie’s 6P laser projectors generate a proprietary mix of photoptically-optimized light wavelengths for each eye directly from the source, in effect eliminating the need for a highly inefficient stage of filtering or polarizing the light as it leaves the projector. The Christie demos will use Dolby® 3D glasses specifically engineered to exactly match the 6 primary laser light wavelengths to yield nearly 90 percent light efficiency. “Their color separation based technique for 3D is well regarded as the gold standard among industry professionals, especially for its true color reproduction, compatibility with low-gain white screens, and superior crosstalk performance – only now it can be part of a system that is tremendously more light efficient,” said Shaw.

“Dolby 3D’s advanced color separation technology is ideally suited for next generation laser projectors,” said Doug Darrow, Senior Vice President, Cinema, Dolby Laboratories. “With extremely high light efficiency, nearly no crosstalk and crisp images with vibrant colors, we believe Dolby 3D combined with laser projection produces the best possible 3D viewing experience for audiences.”

“Having had the opportunity to witness an early 6P laser demo at Christie’s worldwide center for engineering, research and development in Canada, I can confidently state that this is an exciting and important innovation in 3D cinema,“ said Matt Cowan, Co-founder & Senior Technical Advisor at Entertainment Technology Consultants. “I look forward to further refinement of this technology and upcoming installation in premiere theaters around the world.”

Consistent with efforts so far in developing 3-Primary (3P) laser projectors, which Christie sees filling important needs in several, non-cinema industries, Christie laser projectors will provide industry-leading brightness (up to 72,000 Lumens per projector head), wider color gamut capabilities, higher contrast, and dramatically reduced maintenance requirements, resulting in a better experience for all applications. As part of its largest research and development program ever, Christie will continue to develop superior 6P and 3P laser projection solutions for all of its global customers.

Specific to the development of cinema laser projectors, Christie leads the industry in this area, having announced last year that it would supply and install the world’s first commercial laser projection solution for the Seattle Cinerama Theatre, and that it was the first to receive a US FDA approval of variance allowing the sale and installation of laser projectors in movie theaters and other high performance projection venues.

Long Beach Arena’s Pacific Ballroom is Covered by Renkus-Heinz

Long Beach, CA – February 2014…Covered on the outside by one of the world’s largest murals, “Planet Ocean,” The Long Beach Arena is an unmistakable part of the city’s skyline. Built in the early 1960s as part of the greater Long Beach Convention Center, the Arena is also an unrivaled cornerstone of entertainment in Southern California, hosting events ranging from the first NHL game in 1967 and the 1984 Olympic volleyball tournaments, to acts as diverse as Cirque Du Soleil, Iron Maiden, Run-D.M.C and Disney on Ice.

The Arena’s Pacific Ballroom, along with the rest of the Convention Center, has recently reopened after a massive series of renovations. The Ballroom’s new state-of-the-art audio, lighting, and curtaining system — the largest ceiling grid in the country — has been recognized by Venues Today magazine with an Ops and Tech Award. The system has helped to transform the Arena into even more of a multi-functional venue, enabling the 46,000 sq. foot, 200 foot long elliptical floor to be partitioned for use without the surrounding arena seating, and arranged in a wide range of configurations.

But while the curtain does wonders to partition and conceal the arena seating and frame the flat floor, it does little for the acoustics of the space. Indeed, the Arena’s vast acoustics presented a challenge in finding a sound system flexible enough to meet the demands of its wide-ranging roster of events.

Working with architectural firm John Fisher & Associates, engineering firm JR Clancy, and installers Pro Sound, Burbank, CA-based Electronsonic created an audio system to address the Arena’s diverse needs. The system, which mounts on a moveable ceiling grid, comprises left and right hangs of ten Renkus-Heinz IC2 digitally steerable array cabinets per side. Each array is augmented by eight IC118S subwoofers for low frequency power and punch. As Electrosonics Andy Batwinas explains, it’s a concept that has never really been implemented on this scale.

“The grid itself can lower to 30 feet for smaller events, and raise up to 70 feet for games and larger events,” says Batwinas. A series of connection points allow the speaker arrays to move around the grid depending on the desired configuration. Once in place, the IC2 arrays’ digitally steered beam technology enables them to be configured to cover only the areas needed, steering sound away from the hall’s reflective outer areas. The grid can also lowered and removed for events like a Cirque Du Soleil show, providing full access to the 75-foot ceiling, and the IC2 arrays can be removed from the grid and ground stacked as well.

“The IC2 delivers such even sound pressure level from front to back,” Batwinas says. “When we did the demo, it was set up at the far end of the arena and shot down the long way. You could walk the whole space, cover the floor, and keep it a solid 98 db SPL from one side to the other.”

The system is networked using RHAON control, enabling the Arena’s technical crew to implement preset coverage configurations for different event needs, and making quick changeovers possible with the press of a button.

“The IC2 steered beam technology made it a vastly superior alternative to a standard line array system,” Batwinas observes. “With the IC2 you can aim the sound down to the floor so it’s not bouncing off the architecture.”

Based on the success of the IC2 system, a Renkus-Heinz system of 18 VARIA modular point source arrays and 12 VA15S subwoofers was added to cover the Arena’s 19,000 square foot Lobby area and 29,000 square foot concourse. The VARIA’s modular design and variable dispersion patterns enable the systems to be custom configured for the area’s different ballrooms, theaters, halls, and atrium. Additionally, 16 CFX81 loudspeakers were installed in the ceiling of the Arena’s lobby for added foreground coverage.

The Long Beach Arena’s grand re-opening on November 20, 2013 met with rave reviews, and the Ballroom boasts a full calendar and an exciting 2014.

 

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Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

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