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Archive of the Large Venue Category

LECTROSONICS TM400 DEPLOYED AT CHURCHILL DOWNS FOR WIRELESS TEST & MEASUREMENT

**** Photo: David Marsh ****

Louisville, KY – August, 2014… Churchill Downs, the thoroughbred racetrack most famous for hosting the annual Kentucky Derby, represents the epitome of professional horse racing. In preparation for the 140th running of the Kentucky Oaks and Kentucky Derby, facility management wanted a new sound reinforcement system installed covering all outdoor areas of the facility. To ensure the new system met the highest expectations, the design services of Dallas, TX-based Marsh/PMK International, LLC were retained. And to assist with the many considerations that go into the commissioning of a new sound system, a TM400 Wireless System for Test and Measurement from Rio Rancho, NM-based Lectrosonics was utilized. more

Summerfest, and the Mixing is Easy on DiGiCo

A DiGiCo SD7 at Summerfest's Marcus Amphitheatre (credit for all pics: Sara Bill)

Clearwing Productions deploys SD Series consoles on nearly every major stage of “world’s largest music festival”

MILWAUKEE, Wisconsin — With over 800 national and regional acts performing on 11 stages spanning over 11 days at this year’s “Big Gig,” as the locals call it, Milwaukee’s Summerfest once again proved why Guinness World Records has named it the world’s largest music festival for the past 16 consecutive years.

Held at Henry W. Maier Festival Park on the city’s scenic Lake Michigan shoreline, the 47th annual bash hosted some of the world’s biggest artists, including Bruno Mars, Outkast, Lady Gaga, Usher, Brad Paisley, OneRepublic, Dave Matthews Band, Luke Bryant, Nas and Ludacris to name just a few. more

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FIFA World Cup Stadiums Feature World-Class Audio with HARMAN Professional

Arena da Amazonia in Manaus, Brazil (Photo Credit: Gabriel Smith)

BRASILIA, Brazil – With hundreds of thousands of fans in the stadiums, not to mention the billions who tune in from across the globe, making sure the sound is perfect for the 2014 FIFA World Cup is no small undertaking. When faced with challenge of delivering the most sophisticated, world-class audio experience possible, from the Amazon basin in the north to the banks of the River Guaiba in the south, eight of the major stadium venues in Brazil’s 12 host cities featured HARMAN’s wide range of audio solutions. In addition, a wide variety of Studer Vista consoles were used for television broadcast of the games.

“From inception through delivery, each component in our family of brands is designed to provide a sophisticated, integrated and affordable audio solution,” said Robert Klesser, National Sales Manager, Install & Cinema, HARMAN Brazil. “As soccer transcends sport and becomes an expression of culture, we are honored to be the brand of choice for so many of the venues hosting matches during the 2014 FIFA World Cup.”

While the components installed vary by venue, popular products include HARMAN’s IDX communication systems, AKG microphones, BSS signal processing, Crown amplifiers, Soundcraft digital consoles and JBL loudspeakers. The range of stadiums equipped with HARMAN audio solutions is diverse in terms of size, location and age.

Beginning on a plateau in southeastern Brazil, on the Atlantic Coast, Arena de Sao Paulo hosted the opening match between Croatia and Brazil. Built specifically for the World Cup, the facility seats 68,807 and will serve as the new home for Sport Club Corinthians Paulista. Systems integrator Johnson Controls and audio integrator Soundvision outfitted the facility with the IDX communication system, AKG microphones, BSS BLU-800 networked signal processors, Crown CTs amplifiers, JBL Control Contractor ceiling loudspeakers and Soundcraft Si Expression digital consoles.

Surrounded by mountains in Belo Horizonte, Brazil, which is inland from Sao Paulo and Rio, Estadio Mineirao is a national monument that will host not only World Cup matches but also numerous matches during the 2016 Summer Olympics as well. Built in 1965, the venue seats 57,400 and recently underwent an extensive renovation that took three years. Johnson Controls systems integrator and Soundvision audio integrator equipped the landmark stadium with an IDX communication system, AKG microphones, BSS BLU-800 networked signal processors, Crown I-Tech HD amplifiers, JBL ceiling loudspeakers and Soundcraft Si Compact digital consoles.

Estadio Nacional, in Brazil’s capital city, Brasilia, opened in 1974, was renovated in 2013 and seats 68,009. Systems integrator Siemens and audio integrator Loudness equipped the massive facility with an IDX communication system, AKG microphones, BSS BLU-800 networked signal processors, JBL ceiling loudspeakers and Soundcraft Si Compact digital consoles.

Estadio Castelao is located in Fortaleza, Brazil, considered a “fortress” port on the country’s northeast coast, more than 1,500 miles from Rio. The facility, which opened in 1973 and reopened in 2013, seats 58,000. For sound, systems integrator TODO and audio integrator Telem equipped the stadium with an IDX communication system, BSS BLU-800 networked signal processors, Crown CTs amplifiers, JBL PD5000 Series loudspeakers and Soundcraft Si Compact digital consoles.

Arena da Amazonia is in Manaus, Brazil, the capital of the state of Amazonas and, at 2,659 miles from Rio, the furthest north of the host cities. The stadium, which opened in March 2014, seats 42,374. Systems integrator Johnson Controls and audio integrator Soundvision equipped the facility with AKG microphones, BSS BLU-800 networked signal processors, Crown I-Tech HD amplifiers and JBL Control Contractor Series ceiling speakers.

Arena Pantanal, which opened just two months before the World Cup, is 1,200 miles from Rio, near the Bolivian border and close to the center of South America, in Cuiaba, Brazil. It seats 42,968. Systems integrator Canal Livre and audio integrator Soundvision equipped the facility with an IDX communication system, AKG microphones, BSS BLU-800 networked signal processors, Crown I-Tech HD amplifiers, Crown DCi amplifiers, JBL PD5000 Series loudspeakers and Soundcraft Si Expression digital consoles.

Arena Pernambuco is in an economically deprived area on the outskirts of Recife, Brazil, more than 1,400 miles from Rio. With a seating capacity of 42,800, the stadium was opened in 2013 with the hope that it will act as a catalyst for local regeneration long after the World Cup. Systems integrator NEC and audio integrator Telem installed an IDX communication system, AKG microphones, BSS BLU-800 networked signal processors, JBL ceiling loudspeakers and Soundcraft Si Compact digital consoles.

Finally, the oldest of the World Cup venues, Arena de Baixada is in Curitba, Brazil, south of Sao Paulo and about 500 miles from Rio. Originally built in 1914, the stadium was completely rebuilt in 1999 and then renovated again for the World Cup. It seats 41,456. Systems integrator NEC and audio integrator Telem equipped the facility with a HARMAN lineup that includes IDX communications systems, AKG microphones, BSS BLU-800 networked signal processors, Crown CTs amplifiers, JBL AWC weatherized compact loudspeakers, JBL PD5000 Series loudspeakers, JBL Control Contractor loudspeakers and Soundcraft Si Expression 3 digital consoles.

HARMAN Professional also had a strong presence in the broadcast elements of the World Cup, with multiple Studer Vista consoles in use for television broadcast of the games. In Rio de Janeiro, a Studer Vista 9 digital console was used to broadcast all 64 games via the TV Globo Network to the Jardim Botanico area. In addition, TV Globo’s OB Van HD3 used a Vista 9 to specifically feed games from Maracana Stadium for live transmission to Jardim Botanico. Projac, the main center of television production for TV Globo, also used a Vista 9 in its OB Van HD8 for live shows related to World Cup events. TV Globo also utilized a pair of Vista 8 digital consoles for television broadcast of live performances centered on the World Cup.

In Sao Paulo and Brasilia, TV Globo’s OB Van HD1 was equipped with a Vista 8 console for the games that were hold in those two cities. A Vista 8 and a Vista 9 were also used in Sao Paolo for live performances related to the World Cup.

Lastly, RCN in Colombia used its OB Van, equipped with a Studer Vista 5 digital console, to broadcast the entirety of the Colombian National Team’s games in the World Cup.

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Rascal Flatts Goes Out On Rewind Tour With HARMAN’s JBL VTX Line Arrays and Crown Amps

NASHVILLE, Tennessee — Rascal Flatts keeps riding high – the band’s last eight albums have hit number one on the country music charts and the group continues to pack arenas in support of their new chart-topping album Rewind. Never a band to go short on production, Rascal Flatts along with supporting artists Sheryl Crow and Gloriana and live sound company Sound Image are going all-out this summer and fall with a tour sound system featuring HARMAN JBL’s flagship VTX Series line array loudspeakers and Crown I-Tech HD amplifiers.

For the Rewind shows, Escondido, California-based Sound Image is bringing out a stadium-shaking system that includes 60 JBL VTX V25 line array loudspeakers and 32 S28 subwoofers as the main system, complemented by six JBL VERTEC® VT4889 fullsize line array loudspeakers and two VERTEC VT4880 arrayable subwoofers used as sidefills. The loudspeakers are driven by no fewer than 72 of Crown’s flagship I-Tech 12000HD amplifiers.

Thirty VTX V25 loudspeakers and 16 S28 subs are flown on either side of the stage with three VT4889 loudspeakers flown on either side and aimed towards the stage as monitors, and two VT4880 subs are placed on the ground of the stage floor, aimed towards the performers.

“Everybody likes the new rigging system used on the VTX arrays,” said Sound Image Systems Tech Jeremy Overall. “Everything goes together pretty easily, which is a huge advantage when you have to set up literally 100 loudspeakers night after night.” VTX’s patented S.A.F.E. suspension system is streamlined for speed and efficiency with improved, integrated hardware for faster setup and greater security. Overall and his crew are also using the new JBL VTX Vertical Transporters, rolling frames that facilitate the transport of VTX line arrays for tour sound applications. “It actually makes moving all these arrays pretty easy.”

Sound Image was one of the first tour sound providers to add the JBL VTX Series to its inventory. “We got the second VTX rig and have been carrying it for about a year and a half,” Overall said. “It’s a significant improvement from anything else we’ve used with a lot more bottom end and good punch. The new D2 dual compression driver and waveguide really smooth out the high end – there’s no harshness to be heard.” Overall points out that with VTX in place, the system requires “just a little EQ but not nearly to the extremes we’d gotten accustomed to in order to make a system sound balanced.”

The Rascal Flatts rig is set up and tuned using JBL HiQnet Performance Manager™ software. “It’s so user-friendly – everything we need is right there. For example when we need to associate speakers to their amplifiers everything is built-in on a single tab. When we need to configure delay and processing, we just tell the program what speakers we’re setting up and all the control panels come right up.” Overall is also a big fan of the I-Tech HD Series amps, noting that Sound Image has had dozens of the amps working reliably on the road for two years. “I’m not the first person to say this but the amps work really well with the VTX arrays,” thanks to their built-in presets that enable the VTX models to be perfectly optimized for frequency response, crossover points and slopes and other sonic attributes.

“With a production like this you need to pull out all the stops in every respect including the live sound,” said Overall. “The JBL VTX and Crown system is more than a match for what’s happening on stage. The sound is incredibly detailed, punchy and ‘fast’-sounding from the deep low end to the smooth highs. I’m very happy.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Advanced Audio Video Technologies Retrofit Sound System at The Pentecostal Church of DeQuincy with HARMAN’s JBL and Crown

DEQUINCY, Louisiana – The Pentecostal Church in DeQuincy, Louisiana required an upgrade to its sound system, and with a change from a center cluster long overdue, Pastor Wayne Neyland turned to Sulphur, Louisiana systems integrator Advanced Audio Video Technologies (www.advancedav.biz) and HARMAN’s JBL VERTEC® line arrays and Crown amplifiers to bring the sanctuary’s sound up to date.

Not that the church rushed to make up for lost time, they contacted Advanced after asking around and getting a referral from another church in town. “Although the sanctuary only seats 700, the church wanted the best, and we were determined to provide it, so I took my time with the design to make sure we got it exactly right,” said Advanced owner Ethan Miller. The pastor and church personnel demoed several different models from various manufacturers and Miller had many conversations with Brad Ricks at HARMAN about recommended speaker selection and placement.

“As soon as the pastor heard the JBL VERTEC VT4886 subcompact line array loudspeaker he said, ‘that’s the speaker,’” noted Miller. Advanced went with 16 VT4886 subcompact line array elements, eight per side flown from the left and right of the pulpit to cover the floor and balcony of the sanctuary. In addition, two JBL PRX418S and two JBL ASB6125 subwoofers were installed and will be moved under the platform on either side during a planned remodelling project. Four Crown I-Tech 9000HD series amplifiers drive the speakers. Completing the system are a Soundcraft Vi1 digital console and Compact Stagebox.

“Even though I know the loudspeakers and amps are designed to work together, I have to say that this was an easy project,” Miller stated. “We worked closely with Ricks and HARMAN from the very beginning in engineering the system, and the extra time we took up front paid big dividends. The Crown amplifiers are very easy to use and the fact that they’re optimized to work with JBL VERTEC line arrays really saved on system setup and tuning.”

In fact, during one point in the process, one of the amplifiers indicated that one of the loudspeakers had a different impedance than it was supposed to have. It turned out that one of the loudspeakers wasn’t connected properly. “The Crown’s built-in monitoring enabled us to figure out the problem and correct it immediately,” Miller said.

In some cases, however, there’s nothing like a person’s experience and ears: “When we first set up the system the loudspeakers were dead-on in covering the seating area, but there was a bit more sound coming off the walls than we liked. All we had to do was turn the loudspeakers in a few degrees and the sound went from good to superb.”

“The VERTECs work beautifully in this space – far from being overkill, the clarity and headroom are outstanding and the system can handle anything without the slightest hint of strain. The overall sound is nothing less than amazing.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Show-Concept.ch Invests in JBL’s VTX Line Arrays and Crown I-Tech HD Amplifiers

The show-concept.ch team (left to right): Florian Jaeger, Project Manager; Cyril Schmuki, Head of Audio; Patrick Frueh, CEO.

ELSAU, Switzerland – Swiss rental and event production company show-concept.ch has recently purchased a HARMAN JBL VTX V20 line array system and additional Crown amplifiers from HARMAN Professional distributors Dr. W.A. Guenther Audio Systems AG with the aim of broadening the range of services they offer. They are the first company in Switzerland to invest in JBL’s new generation, smaller format VTX system. Known for their work in the corporate sector, their aim now is to migrate further into concert touring with their range of sound, lighting and technical services.

After running JBL’s VERTEC® in its inventory, the company has now stepped into the future, placing an order for 16 JBL VTX V20’s and eight each of the new VTX S25 subs and have also added four Crown I-Tech 12000HD and 12 Crown I-Tech 4x3500HD amplifiers to its existing Crown I-Tech HD inventory.

“The main reason for purchasing a new system was to take a step forward in tour sound—and of course to be up to date,” stated Cyril Schmuki, audio engineer for show-concept.ch —adding that its new front line PA system will be backed-up by other systems, including three complete VERTEC rigs.

VTX V20 features the advanced technology of VTX V25 in a smaller format and the high power density of this 3-way system is complemented by a new ASM suspension system that provides efficient transport, fast setup and precise configuration. Utilizing Differential Drive™ technology and a small format version of the revolutionary D2 dual compression driver, the integrated V5 presets fully realize the processing capability of the Crown I-Tech HD amplifiers.

“The handling and the rigging system were what we especially liked,” added Schmuki. “This and the new JBL HiQnet Performance Manager™ software were the main advantages.”

The sale was supported by Dr. W.A. Guenther’s Director of Sales Felix Alpstaeg, and Application & Project Engineer, Jaromir Ott. Already familiar with JBL VERTEC and Performance Manager for system configuration, monitoring and control, the production company is nevertheless planning advanced training in conjunction with Dr. W.A. Guenther for next year’s festival season.

Overall Schumuki couldn’t be more pleased with his new JBL and Crown powered rig, “We are delighted with the VTX V20, it’s a pleasure to work with. I’ve never heard a system which is so precise over the whole frequency range; and what is absolutely astonishing is to stand behind the array, because it’s just so quiet.”

HARMAN (www.harman.com) designs, manufactures and markets premier audio, visual, infotainment and integrated control solutions for the automotive, consumer and professional markets. With leading brands including AKG®, Harman Kardon®, Infinity®, JBL®, Lexicon® and Mark Levinson ®, the Company is admired by audiophiles, musicians and the entertainment venues where they perform. More than 25 million automobiles on the road today are equipped with HARMAN audio and infotainment systems. HARMAN has a workforce of approximately 16,000 people across the Americas, Europe, and Asia and reported sales of $5.3 billion for the twelve months ended June 30, 2014.

Renkus-Heinz System for New Korean Venue

Incheon, South Korea – August 2014 … In late fall of 2014, South Korea will host the XVII Asian Games in and around Incheon, located near to the country’s capital, Seoul. Korea has previously hosted the Asian Games in 1986, closely followed by the 1988 Olympics, and the FIFA World Cup in 2002. More than a decade later, new venues were needed for the 2014 event.

While it is not one of the Asian Games’ official venues, the newly-built Ansan Evergreen Gymnasium will host volleyball and kabaddi up to the quarter final stages. Designed as a multipurpose space, the gymnasium will be home to the Ansan volleyball team and other sporting events, and will also host music and cultural events.

Audio company Daikyung Vascom provided the sound system, which features a Renkus-Heinz PN102 line array system. As Yang-Su Yun, manager of Daikyung Vascom’s RPS business division, explains, the project was a bit out of the ordinary.

“This building is owned by the government, which isn’t very common for a venue like this,” he says. “The local council based at Ansan City Hall wanted the building to function as both a sporting venue and a concert hall, and hence they needed a very good, high-performance speaker system. Other strict criteria were sound quality and functionality, both of which were extremely important factors in choosing the Renkus-Heinz system.’”

Yang-Su observes that Daikyung Vascom had previously installed a system at the Ansan City Hall, and has a good working relationship with the council. “They are familiar with our work, and they really appreciate the after sales service we provide.”

The main system in the hall comprises 32 PN102LAR array loudspeakers, configured as four arrays of eight cabinets each, 90 degrees apart. The arrays are positioned on each corner of a centrally-flown block which houses four large screens, so that spectators on all four sides of the hall have a close up view of the action. Additional fills are provided by four PN121-series two-way cabinets, as well as five ST4 three-way systems and a pair of CFX151 boxes. Four DR18-2 and two PN112SUB subwoofers provide low frequency reinforcement.

“The PN102 line arrays were selected for their accurate and even coverage pattern, providing consistent coverage to every seat in the hall,” says Daikyung Vascom’s CEO Patrick Han. “RHAON (Renkus-Heinz Audio Operations Network) control was another important factor in selecting the system, enabling networked DSP control over the entire system.”

Flexibility was the keyword when it came to designing the space, which will be hosting a wide variety of events. Permanent seats are available in the upper part of the hall, while bleacher-style seating along the hall’s two longer walls is retractable and can be folded back to the walls to accommodate more people. A stage can be constructed at the far end of the hall for large concerts. When being used in this configuration, temporary seating can be set up on the floor of the gymnasium, and a total of around 3,000 people can be accommodated.

The system design was carried out by Daikyung Vascom’s sales team, together with local systems integration specialist Sinwoo. Working closely with Daikyung Vascom, Sinwoo’s Byung-Sun Ahn designed a system that would be optimal for the space. The team used EASE acoustic prediction software to map the room and define its sound qualities.

“This was the first time I’ve worked with Renkus-Heinz,” says Mr Ahn. “I checked the specifications and references of the Renkus-Heinz speakers, and when I simulated them to fit the space I got very good results. The actual performance of the speakers was very close to what we’d predicted with EASE. I’m very satisfied with the system. I also really appreciated being able to use RHAON to tune the system, especially the mid frequencies.”

As for Ansan Urban Corporation’s Mr Kim, he is of the opinion that the speakers offer the best possible functionality for concert sound, providing high SPLs when required. “Once we are able to put on concerts here, the system will prove itself as really good for this kind of event, while also being able to provide intelligibility and clarity when the hall is being used for our sporting events,” he says.

Ansan Evergreen Gymnasium now boasts a state of the art sound system to complement its clean architectural design and functionality. The signs are positive that the new sporting venue will contribute to a successful and uplifting Asian Games later this year, providing a panacea that South Korea needs.

 ###

Headquartered in Foothill Ranch, California, Renkus-Heinz, Inc. is the worldwide leader in the design and manufacture of audio operations networks, digitally steerable arrays, powered and non-powered loudspeakers, system specific electronics and fully integrated Reference Point Array systems.

Titan Mobile Knocks It Out Of The Park For MLB

Avolites’ compact console slugs a grand slam controlling lights at SE Systems-manned Major League Baseball stadium concert series

GREENSBORO, NC — As Major League Baseball pennant races hit a feverish pitch during these dogs days of summer, many teams are adding value to ticket prices with post-game stadium concerts by an eclectic group of all-star talent ranging from country’s Martina McBride to rap’s 50 Cent.

Much like a manager draws up a powerful yet balanced lineup full of professionals, turnkey production house SE Systems of Greensboro, NC was summoned earlier this summer by Select Artists Associates of Scottsdale, AZ to handle the pro audio/lighting needs for many of these entertaining shows hosted by the Washington Nationals and New York Mets, among others scheduled through the end of September.

Demanding a seamless, quick switchover as soon as the last pitch is thrown, SE Systems is tapping Avolites’ Titan Mobile lighting console for its small footprint (19″ x 14″), perfect for the field-friendly, time-sensitive roll-on for such a post-game assignment, explains SE lighting designer Nehemiah (aka “Captain Nemo”) Grubbs. more

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L-ACOUSTICS Serves Up Sound Solution For Clowes Memorial Hall Of Butler University

Butler University's newly-restored Clowes Memorial Hall (credit for all photos: Kelley Jordan)

Wright Consulting Associates and Mid-America Sound team up for KARAi install

INDIANAPOLIS, Indiana — In celebration of its 50th anniversary last fall, Clowes Memorial Hall, Butler University’s professional performing arts venue, embarked on a $2M restoration project under the direction of Elise Kushigian, Executive Director, and daily supervision of all 18 contractors by Karen Steele, Director of Operations. The restoration included much-needed updates to its roof, walls, seating, carpet, acoustics and audio enhancement system. The acoustical and audio enhancement portion of the project was spearheaded by David Wright of Indianapolis-based Wright Consulting Associates, Inc. (WCA) who called upon local tour sound provider Mid-America Sound Corporation (MAS) to provide system expertise and, ultimately, the recommendation for a new L-ACOUSTICS KARAi house sound system. more

Shotoku Broadcast Systems Announces “SMART” IBC Exhibition Plans

IBC Stand # 11.F40

New SmartTrack System Anchors New and Enhanced Studio and Field Camera Support Gear

Staines, UK — Shotoku Broadcast Systems, the well-established leader in manual and robotic camera support, and virtual reality tracking, will anchor its IBC Stand with a new ‘smart’ rail camera system targeting the rigorous demands of daily TV studio use. The SmartTrack system will be at show alongside Shotoku’s advanced and high-performing control solutions, pan & tilt heads, robotic and manual pedestals, and virtual reality products for OB, studio, field production and legislative applications.

“As always, we are totally committed to IBC, which is a major event in our calendar. It allows us to showcase our systems to visitors from Europe and so many other parts of the world. It’s a fantastic opportunity to meet new clients and catch-up with old friends with whom we’ve worked for many years,“ said James Eddershaw, sales director, Shotoku. “This year, as usual, we will be showing a combination of systems from across our entire range of camera supports, including for the first time outside the USA the new SmartTrack rail-based camera system for floor or ceiling use.”

ROBOTIC HIGHLIGHTS

    NEW SmartTrack
    For the first time at IBC, Shotoku will demonstrate the new SmartTrack system, a fully integrated product based on the core track-based technology of MAT, Germany. In combination with Shotoku pan & tilt heads and control systems the MAT system is turned into the perfect solution TV studio use, day after day. It is highly adaptable, supporting floor or ceiling operation and a range of height column configurations, in both upright and inverted modes. The high quality engineering of the MAT and Shotoku systems ensure that the system is robust and stable, designed for long-term use in demanding applications such as 24/7 news or TV Shopping environments.

    ENHANCED TR-XT Control Systems
    Shotoku’s leading advanced control system will be shown once again, incorporating the recent enhancements and expansions in terms of camera capacity and dynamic configuration. The systems on show will be controlling multiple cameras and sharing camera operation across several controller-types.

    ENHANCED Fully Robotic Pedestal
    Shotoku will also be showing the latest developments in fully robotic studio pedestals, providing complete X-Y-H camera positioning with free-roaming capability, where track systems would not be appropriate. Several enhanced features including Virtual Reality tracking and simple referencing make the pedestal ideal for many TV studio applications.

    SEE IT LIVE Orchestra CMS Parliamentary Systems
    Fully automated and with live video touch-screen operation, Shotoku’s world-leading parliamentary TV system will be shown in action. The TG-27 pan and tilt head, becoming a standard among high-end parliaments and legislatures all over the world, will be shown under the control of the TR-S panel.

    MANUAL HIGHLIGHTS
    NEW TTH1502C Carbon Fibre Tripod

    Shotoku’s new 2-stage TTH1502C carbon fibre tripod incorporates the latest technology to give operators a lightweight, yet sturdy tripod system that is perfect for EFP or documentary production. Built to last with carbon fibre legs, the tripod weighs a mere 5.9kg (13 lbs.), features a 150mm bowl base, and stands over 1615mm (5’) tall at its maximum height. Available with a ground spreader or a mid-level spreader, the tripod is ideally paired with Shotoku’s SX300 pan & tilt head for optimal performance.

    TRIED & TRUE SX300 Pan & Tilt Head
    One of Shotoku’s latest mid-weight EFP pan & tilt fluid heads, the SX300 features outstanding balance, a robust build and ergonomic design. With a high capacity 38kg (83 lbs) payload and wide-balance capability, the SX300 supports an array of cameras, lenses and accessories, making it perfectly suited for field production, OB and studio use. The 300 head accommodates flat base or 150mm ball. Operators can not only expect top-class performance and reliability from the SX300’s VISCAM technology for smooth and adjustable pan & tilt drag with reinforced torque, but a continuously adjustable balance system.

    FLEXIBLE SG900 Pan & Tilt Head
    Shotoku’s SG900 manual pan & tilt head offers vibration-free speed in an ergonomically designed sturdy package. Ideal for OB and studio production with Teleprompters or box type lenses, the SG900 supports 90 kg (198 lbs), and features single knob balance adjustment. The unit incorporates the VISCAM ultimate fluid drag system to control smooth pan & tilt movement and REULAUX perfect balance system for maintaining the camera’s centre of gravity. The SG900 fits various pedestals including Shotoku’s TP200 lightweight, 2-stage pneumatic pedestal and both the TP-80 and TP-90 studio models.

    BACKED BY EXPERIENCE Virtual Tracking Systems
    Based on decades of extensive VR experience, Shotoku VR tracking systems offer outstanding design features, robust and reliable platforms for a wide range of camera and lens configurations. High-accuracy, real-time data output with absolutely no loss in manual performance is common to all Shotoku systems as is compatibility with all leading VR graphics systems. Shotoku’s VR range includes the simplest PT head and tripod right up through studio pedestals and high payload heads to state of the art cranes and jibs with total freedom of movement within VR studios small or large. Shotoku will have a sample of these systems on show at IBC.

    About Shotoku Broadcast Systems
    Shotoku Broadcast Systems is an international leader in the manufacture and marketing of a full range of camera support products with emphasis on manual and robotic pedestals and pan/tilt heads for the television broadcast industry. The Company also provides robotic camera systems capable of interfacing with third-party equipment. Established as an engineering design firm specializing in advanced mechanics and electronic control systems, Shotoku maintains headquarters in Japan with offices in Staines, UK and Torrance, CA. The Company’s robotic camera systems are designed, developed and manufactured in Staines, UK. For further information: www.Shotoku.co.uk

    Shotoku contact: James Eddershaw
    +44 (0) 1784 224650 / mailto:info@shotoku.co.uk

    Press contact: Desert Moon Communications / Harriet Diener
    +1-845-512-8283 / mailto:Harriet@DesertMoon.tv

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Stay up to date on the latest technology news. Select press representatives post company news several times a day. Check back often to get the latest news on product releases, mergers and acquisitions, and product applications. To be included in this virtual press conference, please contact The Wire.

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